#5/8 j bolts for concrete
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maatryoshkaa · 5 years ago
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young god | chapter 13
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chapters: | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11| 12 | 13 | 14 | 15 | 16 | epilogue |
word count: 3.5k
warnings: foul language, implied sexual assault, mentions of trauma and mental illness
description: Yang Jeongin, the only living witness of the Miroh Heights Murders, is finally awake, casting a new shadow of possibilities onto the entire investigation. Han Jisung knows deep down there’s only one place left to go,  and takes his chances with a familiar blond detective -- but they find that where chances are given, lives may be taken away.
watch the trailer here!
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13| give and take.
They say when you have a close brush with death, you see your life flash before your eyes.
Jeongin supposed there was some truth to that. One moment he had been squinting at the golden-haired boy in the darkness; the next he had found himself collapsed against the forest floor. The sky had spun above him like a broken kaleidoscope, until the unbearably hot throbbing in his head had finally forced his eyes shut. He had felt the strength seeping from his limbs, like blood being drained from livestock, and had let the numbness wash over him like an icy tidal wave.
That was when Jeongin’s life had flashed behind his closed eyelids — choppy flashes of memories and people’s voices, warped and dizzying. 
“Life in prison?” Jeongin’s own voice sounded tinny in his ears, and his father gave him a sad smile on the other side of the plexiglass. “B-but all you did was—”
“A man lost his life because of me,” his father spoke slowly, eyes steady on Jeongin’s distraught face. Slow, steady, careful. Kind. That was how Jeongin had always known his father — a gentle man who wouldn’t hurt a fly — yet now he was sitting across from him in an inmate’s uniform, handcuffs locked tight around his wrists. 
“But he—he hurt Mum first,” Jeongin whispered, barely able to push the words out of his throat. “He—you said he—”
“He did.” His father’s face had darkened, his normally soft jaw clenched. “I...lost it, and what happened to him was what that bastard deserved — but nothing changes the fact that I...killed him.” He let out a deep, weary sigh, and Jeongin was suddenly struck by how much older his father looked. “He got his punishment for his sins one way, and now I’m paying for mine. It’s as simple as that, my boy.”
The buzzer sounded and the door behind him clicked open, a stone-faced officer stepping into the room as his father stood. “Take good care of your mother, would you?”
“Dad, if—” Jeongin’s shaking voice made his father turn back around. The question was odd, but it had been burning at the back of his mind since the beginning of the visit. “If you—had the chance to go back. Would you still have...done it?”
Silence fell between father and son like a curtain. His father inhaled deeply, raising his eyebrows before meeting his son’s eyes again. “I don’t doubt it,” he finally replied, voice soft. “What could I do? It was for someone I loved.”
From then on, Jeongin’s mother had spent the better years of her life working whatever job she could find, and the two of them lived off minimum wage and money sent by estranged relatives — until the poor woman had finally fallen ill. No one would hire a sickly old woman — especially not one that had been involved in a sexual assault case, all those years ago.
That was why Jeongin worked with four different delivery companies at a time; that was what he could never bring himself to tell Hyunjin or you. Work four jobs, graduate, and make proper money to pay his mother’s hospital bills, to dig himself out of the poverty he’d known his entire life. Yang Jeongin’s one-way, masterplan. Until…
The coma.
He had become almost comfortably numb, like a body submerged in the middle of a pond — yet occasionally, something would pull him above the surface, even if just for a brief moment. A voice, a pressure, a light. It was almost always Hyunjin, the soft-hearted barista talking to him about his day as if Jeongin had simply sat down to chat in Glow Cafe, not rendered immobile and unresponsive by a concussion. Sometimes, though, the older boy would be crying, silent sobs shaking his lean frame until he was so exhausted he’d fall asleep by Jeongin’s side. And Jeongin wanted nothing more than to reach out to reassure him, to pull his friend into a hug, but he couldn’t will his body to move no matter how hard he tried.
Until now.
An incessant high-pitched beeping was growing louder and louder, the tips of his fingers prickling. Jeongin’s heartbeat surged into his temples, pounding against his eardrums like fists demanding entry. The darkness behind his eyelids was shifting, pinpricks of light poking their way in — and like a breath of air had been knocked straight into his lungs, Jeongin felt his entire body lurch forward and his eyes shot open.
For several seconds he could only take deep, gasping breaths, obsessed with just the feeling of it all, vaguely registering the inhaler pressed against his mouth. His eyes were still adjusting, flashes of white light and black stars painting his blurry vision. There were shouts from all around him, a deep rumbling as everything seemed to shake.
It was as if the entire sky was falling above him, he thought vaguely.
He blinked, hard, and his vision finally focused, the incongruous voices and sounds growing clearer. The incessant beeping had been the heart monitor by his cot, keeping in time with his gasping breathing. And the yelling was coming from none other than Hwang Hyunjin, whose dark hazel eyes were wide with disbelief and already brimming with tears of shock.
“J-Jeongin? He’s — he’s awake,” the taller boy nearly tripped getting to his feet, yanking aside the curtains and disappearing from Jeongin’s sight. “He’s awake!”
Jeongin winced, a throbbing pressure beginning to press at his skull. His fingers twitched twice and he flexed them gingerly. Suddenly remembering, his hands weakly scrabbled for his pockets, desperately feeling for a familiar metal box but coming back empty. 
His Walkman was gone.
The deep rumbling passed by him again and he realised it was the sound of carts full of medical equipment speeding across the halls — like there had been yet another emergency. Jeongin could only make out some of what the hospital staff were saying as they rushed past.
“Stab wound to the chest...brought her in...no sight of him.”
Jagged fragments of his memory were coming back to him, the empty feeling in his chest beginning to fill with a sinking sense of dread. The strange boy. A dismembered corpse.
What on earth happened while I was out?
━━━━━━━━ 
Run.
Jisung’s feet slammed into the pavement, puddles splashing cold rainwater onto his bloodstained jeans.
“He’s a runner, that’s what he is.”
His chest was burning, ribs feeling as if they were closing in on his lungs. He could still feel your warm body pressed against his, widened eyes fluttering shut as he could only watch in horror. With strength Jisung didn’t know he had left, he had carried you in his arms and bolted into the alley just as the police had turned into the diner’s back lot. The hospital was only a block away. He had burst into the lobby, nearly collapsing as he shouted for someone, anyone to help — and nearby, stunned doctors had loaded you onto an empty gurney before whisking you into the emergency room. Once they returned, Jisung was long gone.
“You ran away from her, too, yeah?”
The gang’s taunting voices echoed in his head, the sky rumbling above him — just like how his father’s voice had always rumbled, shaking the thin walls of his childhood home. And now, Jisung was ten years old all over again, clutching his camcorder in his bloodstained hands.
There had been a fine layer of dust coating the dented metal when Jisung had seized it from his dorm closet. Just touching the metal made his hands slippery with cold sweat, but he forced himself to grip it harder, counting the memory cards before he took off. Running, one last time.
“Try running now, Han.”
He wasn’t running away.
If he wanted to reverse the horrible things he’d done, there was only one place left to go.
“Han Jisung, always running away.”
“Not this time,” Jisung breathed through gritted teeth, almost welcoming the way the falling rain burned at his eyes and nostrils. “Not anymore.”
━━━━━━━━
Bang Chan didn’t realize how long he had been pacing the room until his feet began to ache in protest.
The detective hadn’t left the police precinct since Woojin had called him over, the pair pulling out files and chasing leads from dawn till dusk. Kim Seungmin had popped in for several hours before he had been called back to the law office. The moon had come and gone, until telltale sirens sounded not long after noon, and Woojin was called onto the scene of yet another emergency.
Another hour or so had passed since then, and Chan was replaying the same conversation with the police chief over and over in his head.
“I didn’t want to believe it, Chan, but from the beginning I had this—this feeling—”
“A hunch,” Chan finished, and when the police chief looked hesitant, Chan continued, “is almost always based on something more concrete, whether you know it or not. Something familiar, or strange. We’ve hit all the dead ends; a hunch is one of the better things we can hope for right now.”
Woojin exhaled, then spoke slowly. “The victims’ backgrounds, how they’ve all had pasts connected to abuse, or adultery. Not to mention the modus operandi that stood out the most — you remember the fire, and numerous counts of brute force.”
“I thought something was familiar, too,” Seungmin had interjected, his brow furrowing. “I studied this...case back in law school — a shotgun marriage, their young son growing up in an abusive household, until one day —”
“The house went up in flames,” Woojin finished, nodding. “It’s the same case, the most infamous amongst domestic abuse cases in Miroh Heights. The names were withheld for privacy reasons. Though the case was closed over a decade ago...the accuracy of the final verdict, and the true events that transpired that night, are still unknown.”
“Victims of cold cases often reappear as suspicious persons,” Chan muttered. “It’s a reach, but if you look at the similarities...”
“We’ve been blindsided this entire time,” Seungmin said slowly, his fingers raking through his hair. “Not a substance abuser, quite possibly not a cold-blooded killer.” He looked up at Woojin, whose brow was furrowed in deep thought. “So if your hunch is correct, then—”
“This is the aftereffect of a cold domestic violence case from over a decade ago,” the young police chief said firmly, eyes flickering up to Chan. “And we can’t afford to let it slip away again.”
Something had been pricking at the back of the detective’s head since Woojin had begun talking — no, far before he had even arrived at the police station. Chan had always been known for having a quick mind; it was one of the things that separated him from other, more mediocre detectives in his field — but this time, something was blocking him from reaching the final conclusion. He didn’t lack evidence; there were no flaws in his logic. It was the horrible feeling of familiarity that made him choke, that forced him to hesitate. Because he knew this case, he had seen it before.
“And it’s not a reach, Detective,” Woojin continued, voice gentle but eyes firm. “Because I believe you know the story yourself.”
Seungmin turned towards Chan, eyes questioning. The detective shook his empty coffee cup in his hands, eyes skirting over the countless case files and papers they had been sifting through for hours.
“The perpetrator is—”
A blond boy burst into the dimly lit room, breathing so hard Chan thought he was about to have a stroke. It didn’t take longer than a second for the detective to recognise him.
“Han Jisung,” Chan finished the flashback aloud, the name hanging in the tense air. His eyes scanned the shaking boy from head to toe, a cold feeling running down his spine. He wasn’t even trying to hide the blood soaking his clothes and skin, Chan thought numbly. This was his friend, someone he’d always looked at like a little brother—but he had seen, solved too many of these cases not to recognise the stricken look on Jisung’s pale face.
This was the shell of a man who had just lost everything.
“What brings you here?” Chan asked, watching him carefully. The same tousled golden hair, he noted, pushing down a pang in his chest; the same boyish round cheeks, although there was a smattering of bruises and cuts across them now. 
“You told me I—I could talk to you or Woojin. Anytime.” Jisung’s voice faltered, wiping at his face as if to clear away some of the muck, but the dried blood on his palms only smeared more across his jaw. He looked like a lost dog, a stray that had turned up on the nearest warm doorstep and was watching him with almost apologetic, apprehensive eyes.
Chan set down his notebook, nodding slowly. “That I did,” he finally replied, glancing back up at the younger boy before pulling out two chairs. “Woojin got called to a scene, though. You okay if I listen for now?”
Jisung felt a flood of indescribable emotions wash over him. The same twist in his gut he had felt back at the 3rd Eye, when the Chan had pulled him close and asked if he was okay. 
I’ll listen. 
That was more than anyone had ever offered him since the incident thirteen years ago. The therapists, the police, the social workers — all they had ever wanted was for him to listen to them, to heed their advice and bury his past behind him.
Other than you, of course. The memory of your fading eyes burning into his own shook him back to the present. 
“I think you know, Chan,” Jisung said softly, marking the way the detective was warily scanning the blood covering him from head to toe; the dishevelled look Jisung must have had on his face.
“I have a hunch,” was the detective’s reply. He sounded as if he were repeating someone else’s words, but his voice was steady as it had ever been. “But you’re going to need to help me on this one, kiddo.”
Jisung met the older boy’s eyes — Chan’s always tired but unfailingly kind eyes, always willing to give the benefit of the doubt. Maybe that was what made him such a meticulous detective, respected by criminals and citizens alike — never jumping to conclusions, always seeing a problem out till the end. The detective’s gaze dropped to the silver camcorder in Jisung’s hands. 
“You used to carry that around everywhere you went, I remember. Never showed anyone what you’d film, though.”
“Do you have...anything that can play memory cards?” Jisung swallowed a painful lump in his throat. “I need to—show you. Now.”
Wordlessly, Chan moved his laptop over on the table, and made the younger boy take a seat next to him.
Jisung had always thought his past was something to be kept buried — below the ashes of his childhood home, or six feet under his mother’s grave, or bottled deep within his chest. That no one would ever truly know — would want to know — what had happened that day, let alone what had been happening for the years leading up to that day. And yet, for the second time in two days, he was sat next to someone who, to his surprise, didn’t make him want to run. Someone he was willing to take the risk of revealing the darkest parts of himself with. 
For the next hour, Chan watched the footage in silence, from the very first Christmas to the day Jisung’s father’s mistress had pressed burning cigarettes into his bare skin. From the fateful day their entire home was brought to the ground with alcohol and fire at the hands of a ten year old boy, and to the choppy records from the years that followed. Jisung had taped his encounters with the incompetent officers and dismissive social workers at the police station, and the mandatory therapy sessions they had subjected him to. He had taped the kidnapping, and his years at the children’s home with Minho. 
He had not taped any of the killings.
Chan sat through it all, reliving Jisung’s nightmares the way the younger boy had every night for the past thirteen years, an ugly childhood told through the fisheye lens of an old camcorder. By the time the last tape had finished, the detective had not moved, but Jisung knew him well enough to catch the tension in his jaw, the shaken look in his normally bright eyes. 
“You were the cold case,” Chan finally said, a long exhale leaving his now-dry lips. “From thirteen years ago. The one they couldn’t solve, and swept under the rug.”
Jisung didn’t respond, too busy forcing every inch of his body to remain still — to not stand and sprint out of the room, out of the police station he had been avoiding his entire life.
“Why are you telling me this?” The detective asked, turning his body to face the younger boy.
“Because I—I killed—all those people,” Jisung wove his hand towards the files Chan had splayed onto the desk, the headshots of victims lying at the very top. The words were heavier than weights in his mouth, and and the truth of it all tasted more bitter than poison. “And then I—I couldn’t stop. I sound insane, I know I do. I know I p-probably am. They were—flashes at first. Triggers, seizures that went too far. And soon it became like--like an impulse, until I started blacking out completely—” Jisung’s breathing caught up to him and he choked, but he managed to force the last words out. “And today, I...hurt...y/n.” He saw the alarm flash across Chan’s eyes. “The last person who made me hope...made me want to hope that life was worth living, after all.”
He sounded insane.
He sounded like a serial killer trying to make excuses for something inexcusable.
He sounded like a monster.
“You sound like you’ve been through a lot.” Chan’s voice made Jisung look up from his shoes. The soft look in his eyes was back, and though a bit of the blood had drained from his face, the warmth in his voice had never left. “Thank you. For telling me.”
That was the final blow.
“S-stop. Don’t—say that,” Jisung could feel his voice breaking, the tears burning at his throat. “Chan, you have to turn me in, make them give me the death penalty, I-I—”
“Han Jisung.” The detective’s voice was stern, his normally gentle eyes narrowed. “You turned yourself in. The case from thirteen years ago needs to be reopened, and all the factors reinvestigated to be fairly taken into account. You do not deserve the death penalty.”
Jisung was shaking his head numbly, lips unable to form protests as the detective continued, a blazing look in his eyes Jisung had never seen before. “You’re not gonna be a martyr now, you hear? Han Jisung, you’ve been hurt by everyone else your whole damn life. I’m not about to let you hurt yourself.”
There it was again. That feeling of unfamiliar warmth aching deep in his chest, like an old bruise being pressed into. Before Jisung could speak, a slow, sarcastic clapping echoing through the room made both of them raise their heads and turn in alarm.
Prosecutor Kang pushed the door aside, eyebrows raised in amusement and mock sympathy. 
“What are—you can’t—” Chan leapt up from his seat, but Kang only looked more amused as he looked over his shoulder at the open doorway, where a huddle of prosecutors and police officers alike were gathered with expressions of horror. Seungmin was among them, his face white.
“You all heard him, didn’t you? Detain the murderer.” Kang smiled triumphantly as the officers surrounded Jisung, seizing his arms so roughly he felt like they were being pulled from their sockets. 
Chan looked livid, eyes darting wildly between the officers and Prosecutor Kang. “Let him go. Keep him in the precinct until Woojin comes back, Kang,” he protested, but the older prosecutor only sneered.
“Detective Bang, aren’t you overstepping your boundaries? Wait for Kim Woojin? Don’t forget—” Kang took a step closer to Chan, eyes narrowing. “Personal relations with the perpetrator cannot participate in the investigation.”
Chan felt his gut twist, scanning the whitened expressions on the surrounding staff’s faces. How much had they seen, overheard? Kang watched the detective’s eyes flicker momentarily, and laughed.
“Besides,” he continued, “I’d say it’s time the prosecution did its part.” He shot a meaningful glance at Seungmin, who had been glaring between Jisung, Chan, and Kang with his fists clenched. Kang clicked his tongue, sighing. “Kim Seungmin, Kim Seungmin — I can’t believe I have to do your dirty work.”
Chan’s mind was reeling, all options coming back blank. This was the District 9 Precinct, and as a homicidal detective, he had no power over Woojin’s men. In fact, after what Kang had said, Chan wasn’t even sure if Woojin had power over Woojin’s men anymore. You fucked up, Bang. You fucked up bad.
Chan risked a glance at Jisung’s face and immediately regretted it. What he saw had no traces of anger, no more hate, no signs of struggle. His eyes were wide and dark, as if the boy had shut down completely. Kang scoffed at the detective’s sudden silence, turning on his heel and motioning towards the officers. 
Chan could only watch helplessly as Jisung was dragged out of the room like a limp doll, his once-rounded cheeks still shining with blood and fresh tears.
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adtomall1998 · 3 years ago
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The Mechanical Splices For Concrete Rebar
Mechanical splices are used to establish a mechanical connection between two pieces of reinforcing steel in concrete construction for joining reinforcing bars. The mechanical splicing system aligns and secures the joined rebar ends in an in-line connection suitable to meet appropriate splice requirements.  
Mechanical splices are being adopted in project sites due to their flexibility of use in congested reinforcement places at construction joints. These connections are also more reliable than the lap systems because they do not depend on the concrete for load transfer. The splices also allow structural designers to achieve an ideal balance of steel and concrete by eliminating the additional rebar lap zone by meeting building code requirements in many areas. In seismic prone zones, these splices provide structural engineers the ability to design and build concrete structures that meet or exceed today’s stringent construction codes and federal regulations regarding seismic frame construction.
#1 Advantages of Mechanical Splices for Concrete Rebar
a. Maintains load path continuity of the reinforcement, independent of the condition or existence of the concrete.
b. Does not rely on the concrete for load transfer and therefore maintains structural integrity.
c. As mechanical splices do not overlap, less rebar is used, reducing some of the material costs.
d. It reduces the rebar congestion by decreasing the rebar in the lap zone and simplifying bar placement
e. Using mechanical splices allows the option of larger diameter rebar in a smaller column while minimizing congestion
f. Decrease the possibility of pockets and voids in the concrete
g. Provides higher performance than typical design lengths for lap splices
h. Allows the structural designers to achieve an ideal balance of steel and concrete by eliminating the additional rebar in the lap zone
i. Eliminates lap calculations
j. Eliminate the cost of breaking away massive amounts of concrete.
k. Faster installation
l. Reduces crane use
m. Limits drilling of formwork
#2 Different types of mechanical splices
1.Coupler for Thread-Deformed Bar
2.Upset Straight Thread Coupler
3.Non- upset thread Coupler
4.Cold-Swaged Threaded Coupler
5. Taper-Threaded Coupler
6.Straight Threaded Coupler with Upset Rebar Ends
7.Grout-Filled Coupling Sleeve
8.Combo Grout-Filled/Threaded Sleeve
9.Metal-filled coupling Sleeve
10.Cold-Swaged Coupling Sleeve
11.Shear Screw Coupling Sleeve
12.Coupling Sleeve with Double Wedge
13.Coupling Sleeve with Shear Bolt/Wedge
14.Dowel Bar Mechanical Splice
15.Compression-only Mechanical Splice
Applications of mechanical splices
A. Tunnels
B. Bridges
C. Commercial buildings
D. High-rise buildings
E. Subway
F. Airports and many more
G. Conclusion
Working with small diameter reinforcing bars may require the use of larger column dimensions to accommodate a greater quantity of bars. Using mechanical splices allows the structural engineers the option of using larger diameter rebars in the smaller column while minimizing congestion. All the advantages are discussed above and there are many types of mechanical splices available in the market, choose the right one as per project needs. Go for experienced manufacturers ADTOMall to find high-quality rebar splices.
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livingcorner · 3 years ago
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How to build a solid foundation for your storage shed@|how to build a concrete slab for a garden shed@|https://www.rona.ca/documents/ronaResponsive/SpecialPages/Projects/assets/images/template-diy/build-a-storage-shed-foundation/FB_Assemble-Storage-shed-foundation-backyard.jpg@|21
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Prepare the site
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1 – Use wood stakes and string to mark off the shed perimeter.
2 – Use a line level to level the string.
3 – Measure the distance between the wood stakes and ensure the diagonal measurements are the same length.
4 – Excavate to a depth of 4″.
5 – Cover the surface with a geotextile membrane.
6 – Fill in with 4″ of gravel and compact with a mechanical compactor.
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On-grade foundation: concrete pavers
Pros :
Simple and economical
Doubles as the shed floor
Ideal for level, compact ground
Cons :
Shed structures must be light and pre-assembled floors are excluded.
1 – Pour a 1″ layer of dry cement and sand mix (one part cement to eight parts sand) on top of the gravel. Level.
2 – Lay down concrete pavers inside the perimeter. Start at one corner and leave a 1″ gap between pavers.
3 – Level and adjust each paver as necessary using a piece of wood and a rubber mallet.
Pro tip
When building a backyard shed, level a foundation on a sloping grade using a combination of concrete blocks, pavers and gravel or insert a piece of 4″ x 4″ to elevate the structure.
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On-grade foundation: timber frame
Pros :
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Simple and quick to install
Ideal for compact and level ground
Enables various flooring options
Cons :
Suitable for lightweight structures
Floor construction is required
1 – Cut 4″ x 4″ pieces of pressure-treated wood to the dimensions of the shed.
2 – Join the pieces of wood by means of lap joints, or simply stack the pieces. Fasten together with landscaping spikes or lag screws.
3 – Square the pieces of wood and level with shims.
4 – Fill the space with gravel, concrete pavers, or any other filler material.
5 – Compact.
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On-grade foundation: concrete blocks and lumber
Pros :
Easy to install and floor construction is simplified
Ideal for small structures on compact soil
Can accommodate gently sloping ground by inserting pieces of 4″ x 4″ to elevate the structure
Suitable for ground with low probability of frost heave
Cons :
May sag if soil is poorly-drained
1 – Set concrete blocks in each corner, aligned with the string.
2 – Add concrete blocks to form three rows of three blocks. Add more blocks for a larger shed or if heavy equipment will be stored.
3 – Ensure the blocks are square.
4 – Lay 2″ x 6″ joists on each row of concrete blocks to form a frame.
5 – Level each block independently, then all blocks with each other. If one block is too high, remove some material underneath; if it is too low, add some gravel.
6 – Screw joists together to close the frame.
7 – Ensure that it is level and adjust if necessary.
Pro tip
An asphalt shingle makes for an excellent shim that holds up well to moisture and temperature changes.
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Permanent foundation: concrete piers and lumber
Pros :
Permanent, frost-proof foundation
Ideal for most types of soil and sloped terrain
Resistant to freeze-thaw conditions
Enables heavy equipment storage
Cons :
Floor construction is required
More expensive and longer to install
Digging below the frost line is required
1 – Determine the exact location of the concrete piers so the outside edges of the 4” x 4” timbers are aligned with the string. As with the on-grade foundation with concrete blocks, at least 8 piers plus one in the center will be necessary. Therefore, provide for a minimum of 9 piers.
2 – Use a posthole auger to dig holes 10” to 12” in diameter and approximately 54” deep, depending on the area.
3 – Pack the bottom of each hole and add a 6” layer of 0-¾” crushed stone for drainage.
4 – Insert a cardboard form tube in each hole and cut to leave 6” above ground level.
5 – Ensure that the form tubes are level with each other. Measure diagonal lengths to verify the foundation is square.
6 – Backfill the exterior of the tubes.
7 – Pour concrete into the form tubes.
8 – Insert a steel bar into every form tube to reinforce the pier and minimize structural damage due to frost.
[external_link offset=2]
9 – Insert the rods of the hangers in the center of each pier and 1” of thread above the surface.
10 – Level all hangers or J-Bolts to the same height.
11 – If you used a J-Bolt: when the cement has dried, secure the post base hanger by orienting the side plates so that the pressure-treated 4” x 4” sits on top.
12 – Repeat these steps for each pier in order to complete the foundation.
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Permanent foundation: concrete slab
Pros :
Suitable for larger structures installed on level ground
Solid floor for storing heavy equipment
Cons :
Prone to move or crack due to seasonal freeze and thaw conditions
More expensive and complicated to install
1 – Mark off the shed perimeter with wood stakes and string.
2 – Use a line level to level the string.
3 – Measure the distance between the wood stakes and verify that the diagonal measurements are of the same length.
4 – Excavate to a depth of approximately 15″. Do not cover with a geotextile membrane or gravel.
5 – Build a solid and straight form-work around the perimeter using plywood and 2″ × 3″ pieces of lumber.
6 – Nail a 2″ x 4″ foundation sill directly to the frame to be flush with the concrete slab.
7 – Compact a bed of sand at the bottom of the form-work. Maintain a depth of at least 10″ and width of 18″ inside the perimeter. Gradually reduce to a depth of 5″ at the center of the slab. Use gravel for drainage, if necessary.
8 – Cover the surface with plastic sheeting.
9 – Cover the surface with a steel mesh to reinforce the concrete. Raise from the ground with pieces of concrete or rocks so that the reinforcing mesh will be imbedded in the center of the concrete layer. When the concrete has been poured and has dried, the steel rods will be permanently sunk.
10 – Pour concrete over the entire surface.
11 – Level the surface by dragging a straight 2″ x 4″ over the concrete.
12 – Push a bull float across the concrete to smooth the slab .
13 – Smooth the edges of the slab with an edger and use a trowel for a smooth finish on the slab.
14 – Use a groover to form control joints on the concrete surface to prevent cracks.
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source https://livingcorner.com.au/how-to-build-a-solid-foundation-for-your-storage-shedhow-to-build-a-concrete-slab-for-a-garden-shedhttps-www-rona-ca-documents-ronaresponsive-specialpages-projects-assets-images-template-di/
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musicoccurred · 6 years ago
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Pearl Jam -The Home Shows
Who: Pearl Jam Where: The Home Shows, Seattle, WA. When: August 8, 10 2018
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I've said this before and it remains true. A Pearl Jam concert is much more than just a show. It's a celebration. A celebration of music, of a long relationship and of course, life. Very few places do I feel absolutely at home but a Pearl Jam show is one of them. Certainly we're all different people but for 3 hours we're one. These Seattle shows reminded me of a pilgrimage, I'm sure there were lots of Seattle folks there but most of the people I chatted with were from other places. For me it was a bucket-list item, to see Pearl Jam in their home city, a city that gave us so much music and so many iconic bands.
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These concerts, "The Home Shows," given that name because the tour takes place mainly in MLB stadiums, had a similar feel to PJ20 the 20th anniversary shows in Alpine Valley, Wisconsin in 2011. No, there weren't multiple bands on the bill, but there were multiple activities and certainly a festive vibe. The Seattle Museum of Pop Culture, aka MoPop, had an exhibit dedicated to Pearl Jam opening on the Saturday after the shows but 10c (Ten Club, Pearl Jam's fanclub) members could gain access on Thursday during the day off between shows. London Bridge Studios where Ten was recorded also had Pearl Jam specific tours and legendary concert photographer Danny Clinch had a pop up shop with photos available for autograph and purchase. Did I mention it all took place in Seattle? Not only a great city but a city full of Pearl Jam history, we're talking The Off Ramp, Moore Theater, Benaroya Hall, Showbox, Easy Street Records, the list goes on!
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Wednesday, Night 1
It has become popular again for bands to have artists make posters for concerts, particularly individual posters for each show. Pearl Jam is one of the few that's always done this. It is an expensive habit and the posters are treated as currency among 10c members. For these shows there were 5 unique posters all by artists Pearl Jam has used extensively in the past. A point of contention here, at their larger shows, the band has started setting up tents to sell merch throughout the day and even on days before and after the shows. Because they are open to the public, it's safe to say there are people there buying and going straight to eBay. The lines took many hours to navigate, there has to be a better way. How about when a 10c member buys a ticket through the band's website we get a code unique to us that allows us to purchase merch online and have it shipped to our homes? Place whatever quantity limits you want, something needs to change. A highlight of waiting around in the sun all day, I met a cool young man that had traveled from Tokyo to attend his first Pearl Jam show. There were people coming to Seattle from all over the world, this guy was in for a night he won't soon forget.
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Several years ago Pearl Jam shows began lasting +- 3 hours. They always played a lot of songs but when this happened they finally shed the opening act. No complaints here. At 8:30 straight up the band took the stage to a loop of "Aye Davanita" from Vitalogy and ease into "Long Road." Now PJ's MO is that they play a quiet track or two then something noisy. Not on this night, Eddie wanted it to be an intimate gathering so "Long Road" led to "Release" followed by "Low Light" and crowd favorite, the singalong "Elderly Woman Behind the Counter in a Small Town." Genius. How do you transition from slow and quiet into something noisy? "Corduroy" that's how. Even though it's a song that PJ play pretty much every show it remains a favorite for me. Its long intro whips the crowd into a frenzy that continued with "Go,"  "Do the Evolution" and the Ramones-esque "Mind Your Manners." Each setlist is crafted by Ed with input from the band to fit the venue, audience and history of the band/city. Probably the most notable moment of the show was when Eddie broke down the meaning of "Evenflow." "Evenflow" is a concert staple, performed pretty much every time they play. In the 90s it was the song people liked when they didn't like PJ. Fast drums and guitars, weird lyrics just a fun rock song. But on this night, after the band had worked hard with politicians and local businesses to raise money and awareness for Seattle's horrible homeless problems Ed opened up a bit. When the band had just formed they spent a lot of time in the Belltown/Pioneer Square areas of Seattle. They befriended another Eddie, this one a homeless African-American Vietnam Veteran with mental health problems. He was known for his wild hair and wearing a tarp like a poncho. When he was mentally present he would tell them about Vietnam and his struggles with returning to civilian life. Other times, he simply wasn't there mentally. His visits greatly affected the band and when they came back from a tour they couldn't find him. Searching all over Seattle they finally found him sleeping on concrete under a viaduct. Returning from a later tour they again couldn't find him and discovered he had passed away. Suddenly "Evenflow" makes perfect sense, Ed held on to that story for 28 years. Other highlights, Ed performed a solo rendition of Jack White's "We're Going to be Friends" in honor of teachers everywhere. During the performance, his daughters danced with their favorite teachers (clad in Mariners jerseys with Vedder on the back) behind him. During the encore Brandi Carlile joined the band for "Again Tonight" a song PJ had covered for a benefit album. I love when other musicians join Pearl Jam on stage and look out at the giant crowd with wide eyes, Brandi ever the badass, threw her head back and screamed into the Seattle sky. They closed the show with "Rockin' in the Free World" and my least favorite live song, "Yellow Ledbetter" the show clocked in at 33 songs over 3 hours.
Thursday, Day Off
I snoozed on the London Bridge Studios tickets so that was out. I was looking forward to roaming around the city and attending the Pearl Jam exhibit at MoPop. Situated near the Space Needle and the Experience Music Project, MoPop is covered in tourists. Lucky for us this was a 10c event only. Jeff Ament is the de facto historian of the band keeping massive amounts of memorabilia in a warehouse. This band kept everything. I mean EVERYTHING. They have the cassettes that Stone/Jeff and Ed mailed back and forth to begin their relationship. Seeing these in person was powerful. Pearl Jam have provided the soundtrack to my life and quite literally if those tapes didn't exist I wouldn't have been standing there all those years later. Favorite moments: seeing the typed and written lyrics and loads of Ed's notebooks, the incredible statue of Andy Wood that Jeff commissioned (more on that here) as well as posters from every show. If you're in Seattle I highly recommend seeing this exhibit.
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Friday, Night 2
Again starting at 8:30 PJ opens with three slow burners, "Oceans," "Footsteps" and "Nothingman" before blasting off with "Why Go" and "Brain of J." This was going to be awesome. I love the 2nd PJ shows, all of my needs are met by the first night. Nervousness is gone, just relax and enjoy the show. This show really focused on older material, only two tracks were post 2000. The band were much looser as was the crowd. The singalongs were louder and sharper, I refrained, choosing instead to just absorb the love and energy flying around the stadium. During "I Won't Back Down," a solo tribute to the great Tom Petty, Eddie asked the crowd to turn on their cell phone flashlights so Tom could see. The result was mesmerizing. The band also honored Chris Cornell by performing "Missing," a very rare deep cut. Speaking of Cornell, Kim Thayil joined the band for "Kick Out the Jams" and later joined Steve Turner and Mark Arm of Mudhoney (and Green River!) for "Search and Destroy" and "Sonic Reducer." Favorite moments: the aforementioned songs plus Ed hosing up the intro to "Rearviewmirror" to the point the band had to stop. Ed broke into "Fernando" by Abba saying that's what he was hearing. What can I say, the guy is hilarious. Other notable moments, Mike's solo on "Evenflow" was one of the best I can remember. What a beautiful night. 36 amazing songs over 3.5 hours in the glorious Seattle night.
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Setlist Night 1:
Long Road Release Low Light Elderly Woman Behind the Counter in a Small Town Corduroy Go Do the Evolution Mind Your Manners Throw Your Hatred Down (Neil Young cover) Lightning Bolt Given to Fly All Those Yesterdays Even Flow Help! (The Beatles cover) (snippet) Help Help Black Setting Forth Play Video I Am a Patriot (Little Steven cover) Porch Encore: We're Going to Be Friends (The White Stripes cover) (live debut by PJ) Nothing as It Seems Let Me Sleep Breath Again Today (with Brandi Carlile) State of Love and Trust Rearviewmirror Encore 2: Wasted Reprise Better Man (with “Save It for Later” tag) Comfortably Numb (Pink Floyd cover) Alive I've Got a Feeling (The Beatles cover) Rockin' in the Free World (Neil Young cover) Yellow Ledbetter
Setlist Night 2:
Oceans Footsteps Nothingman Why Go Brain of J. Interstellar Overdrive (Pink Floyd cover) Corduroy Rats In Hiding Whipping Even Flow Missing (Chris Cornell cover) (live debut by PJ) Daughter (with "W.M.A" and "It's Ok" tags) Immortality I'm Open Unthought Known Can't Deny Me Do the Evolution Lukin Porch Encore: I Won't Back Down (Tom Petty cover) (EV solo) Thin Air Better Man (with "Save It for Later" by English Beat tag) All or None Crown of Thorns (Mother Love Bone cover) Kick Out the Jams (MC5 cover) (with Kim Thayil) Spin the Black Circle Play Video Rearviewmirror (with "Fernando" (ABBA)… more ) Crazy Mary (Victoria Williams cover) Jeremy Leash Search and Destroy (Iggy and The Stooges cover) (With Kim Thayil, Steve Turner, and Mark Arm) Sonic Reducer (Dead Boys cover) (With Kim Thayil, Steve Turner, and Mark Arm) Alive Baba O'Riley (The Who cover) Yellow Ledbetter
-JS
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cyberturtledreamland · 6 years ago
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Pump type “POMPE CUUCHI” ร่น FM-F70 เทียบเท่ากับข้อมูลด้านล่างทั้งชุด
ต้องการ(1) ตัวปั๊ม, (2) ชุดยอยยางส่งกำลัง และ (3) หน้าแปลนยึดเข้ากับมอเตอร์ขับ Flange OD.120mm., 8 holes, Bolts M6 x ยาว20mm.
ข้อมูลจาก Name Plate เก่า :-
1) Pump “ POMPE CUCCHI”/Italy
Type : FZ70/04OEM00     Capacity : 48 CM3 / rev.
Serial No. 10/28365     Working Pressure : 10 Bar
Year : 1997
2) Rubber Block Joint Drive Coupling
3) Flange Joint (connect to Driving Gear Motor)
ชุดปั๊มทั้งชุด 1+2+3 ไม่รวม มอเตอร์ขับ และ ไส้กรอง                                                Qty. 1 set
หน้าแปลนที่ยึดเข้ากับมอเตอร์ขับได้
The spare-parts of POMPE CUCCHI water pump set for tunnelling machine CIFA SPRITZ system CSS-2 ( please see attached pictures). They are :-
1) P/N 910859 Pump
Type : FZ70/04OEM00
Capacity : 48 CM3 / rev.
Serial No. 10/28365
Working Pressure : 10 Bar
Year : 1997
2) P/N 910862 Rubber Block Joint Drive Coupling
3) P/N 910861 Flange Joint (connect to Driving Motor)
For sprayed concrete application Total length required                        80 m ( 4 X 20 m) Grouting /Plaster/ Concrete Shooting Hose -20 DN32 size 1-1/4″ ID 31.8 x OD 46  W.P 40 bar (600 psi) @ Baht / M. (Recommended)
For water hose Total length required                        60 m ( 3 X 20 m) Water Delivery Hose -12 DN 19 size 3/4″ ID 19 x OD 28.7 W.P 250 psi ( 18 bar ) @ Baht / M.
Re  : สายยิงปูน 80 – 150 บาร์ Shortcrete Hose Part Ø  3″ for CIFA SPRITZ CSS2 Shotcrete Mobile system Item Description Qty  1 สายยิงปูน สีดำ Hydraulic Hose -3″ (T1K-48)  1 plies Wire Braid reforcemnet W.P 500 psi ( 35 bar ) , B.P 140 bar รัศมีดัดโค้ง 900 mm. 2 สายยิงปูน สีดำ Hydraulic Hose -3″ (T2K-48)  2 plies Wire Braid reforcemnet W.P 600 psi ( 45 bar ) , B.P 180 bar รัศมีดัดโค้ง 900 mm. 3 หัวสายยิงปูน Victualic Collar Ring 3″ ( GLVR-4848 ) + ปลอกย้ำ MS-48  1 Set 4 สปริงเหล็ก 3″ ( แบบชิดตลอด ) O.D 106 mm. x ลวดหนา 3 mm. x ยาว 2 เมตร ** ยืดออกได้อีก 2 – 5 เท่า ของความยาวเดิม **  1 เส้น 5 หัวยิงปูน ซุปเปอร์ลีนอ่อน พร้อมปลอก��วม P/N 237332 Shotcrete Nozzle Complete ขนาด 3.1/4″ – Ø 60mm. ( น้ำหนัก 2 กก. / ชุด ) ใช้ต่อเข้ากับหัวสายยิงปูน Victualic Collar Ring 3″  1 Set 6 สายยิงปูน สีดำ Shotcrete Hose -3″ : 8 plies textile reforcemnet W.P 600 psi ( 40 bar ) , B.P 120 bar 7 สายยิงปูน สีดำ Anti-kirk Shotcrete Hose -3″  8 plies textile nylon  reforcemnet + Helix Spring wire W.P 600 psi ( 40 bar ) , B.P 140 bar 8 สายส่งน้ำปูน  สีเหลือง AH300-3″ W.P 300 psi ( 20 bar ), B.P 60 bar : 61 M. / 1 rolls  ท่อยางส่งน้ำปูน ขนาด  I.D Ø 3″   เสริมโครงเชือก 4 ชั้น , Service Temp. -40 upto + 85 oC 40 M. หมายเหตุ : ** ถ้าเอาสายเก่า มาย้ำหัวสายใหม่ คิดเฉพาะค่าหัว และ ค่าบริการอัดย้ำหัว **
J. น้ำงึม 2 / สาธารณะรัฐประชาชนลาว Re  : Pump and Nozzle completed for CIFA SPRITZ system CSS-2 request dated 25-May-06 Item Description Qty 1 เกียร์ปั๊ม ยี่ห้อ “POMPE CUCCHI” / Italy รุ่น FZ70/C เทียบเท่ากับข้อมูลตาม Name Plate ทั้งชุด : (1) P/N 910859 ตัวปั๊ม, (2) P/N 910862 ชุดยอยยางส่งกำลัง และ (3) P/N 910861 หน้าแปลนยึดเข้ากับเกียร์ขับ ** ราคาชุดปั๊มทั้งชุด 1+2+3 ไม่รวม มอเตอร์ขับ และ ไส้กรอง ** 1 Set 2 หัวยิงปูน ซุปเปอร์ลีนอ่อน พร้อมปลอกสวม P/N 237332 Nozzle Complete 3.1/4″ – Ø 60mm. 10 Set 3 หัวผสมปูน P/N 240156 Nozzle Complete   Ø 60mm. ** ไม่มีตัวอย่างทำแบบ ** – หมายเหตุ : หัวผสมปูน P/N 240156 ต้องมีตัวอย่างต้นแบบ
  J. พิษณุโลก Re  : Solinoid Operated Directional Valve for CIFA SPRITZ system CSS-2 request dated 27-May-06 Item Description Qty 1 Solinoid Operated Directional Valve “HYDROME” / Taiwan R.O.C รุ่น DSG-02-2B3B-D2 :DC24V , Working Pressure 210 bar (3045 psi) * ตั้งแรงดันปั๊มใช้งานจริงที่ตัวรถ ประมาณ 200 bar * 3 Set หมายเหตุ : เสนอแทน “ATOS” / Italy รุ่น DHU-0610/WP/15 *ไม่มีของ สำหรับวงจรแบบนี้ * Spool Function type หรือ Symbol ของ Circuit Diagram เหมือนกัน รูยึด 4 รู ร้อยน็อต M5 x 45Lg เหมือนกัน ขนาด Ø 1/4″ (Max.7.5mm.)   4/3 ways operation, Port P,A,B – T เหมือนกัน        W.P : 350 bar ( 5,075 psi ) * ตั้งแรงดันปั๊มใช้งานจริงที่ตัวรถ ประมาณ 200 bar *
        สายยิงปูน 80 – 150 บาร์ และ อะไหล่อุปกรณ์ สำหรับรถยิงปูนโมบายเคลื่อนที่ Shotcrete Hose Completed Assembly Part Ø  3″ and other spare parts for CIFA SPRITZ CSS2 Shotcrete Mobile system : For Robot Concrete Pump Truck CIFA CSS2  ( Concrete Shooting / Post-tension work , Power Tunnel Excavation Section ) Pump type "POMPE CUUCHI" ร่น FM-F70 เทียบเท่ากับข้อมูลด้านล่างทั้งชุด ต้องการ(1) ตัวปั๊ม, (2) ชุดยอยยางส่งกำลัง และ (3) หน้าแปลนยึดเข้ากับมอเตอร์ขับ Flange OD.120mm., 8 holes, Bolts M6 x ยาว20mm.
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best-flag-pole · 4 years ago
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🌟 🌟 🌟 🌟 🌟 5 star review from HF: Works Perfectly I poured an 8' round concrete circle in the front yard and secured the Top Mount with long J bolts in the wet cement. Looks great, works great. I highly recommend it. https://ift.tt/2x77Cvm
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thehowtostuff-blog · 6 years ago
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Hanging a mirror is a great way to open up your space and make it look bigger and brighter! Weigh and measure your mirror to determine Once you’ve picked the perfect spot to hang your mirror, it’s time to straighten it up and mark where the hardware will go. Install your hardware and hang the mirror in place, then admire the finished product!
EditSteps
EditChoosing a Location
Stand on a bathroom scale with and without the mirror to calculate its weight. The difference between the 2 numbers is the weight of the mirror. A heavy mirror will weight between , while a lighter mirror will fall between . While both weight categories hang the same way, you’ll need to put more thought and care into anchoring a heavy mirror into the wall.[1]
If your mirror weighs over , have someone help you with the placing and hanging process.[2]
Heavy mirrors need some kind of anchor, such as a stud in the wall, so that will affect where you can place it.
Make sure to choose hardware with a high enough weight capacity to hold your mirror!
Choose a room to hang the mirror in. Think about which rooms feel smaller, dark, or more cramped, and could use some brightening up, such as bathrooms or bedrooms. You could also use the mirror as a statement piece in main areas of the house, such as the living room mantel or the dining room.[3]
Hang a mirror above your mantel for a central statement piece.
Display a dramatic mirror in the dining room or entryway to reflect light and open up the space.
Add a new mirror to your bathroom to add visual interest.
Hang a full-length mirror on your door to conserve space.
Ask someone to help you hold and place the mirror to get the full picture. Have a friend or family member hold the mirror up to the wall while you step back and look. This will help you visualize the finished product and find the exact placement you want. Once you’ve decided on a spot, mark the outline with pencil or masking tape.
Make a paper outline of the mirror to easily visualize where to hang it. Use butcher paper or cardboard to trace and cut out the shape of the mirror. Hold the outline up to the wall and use it to visualize how the mirror would look. Adjust it until you find a spot that you like, then use pencil lines or masking tape to mark the placement.[4]
Find a stud in the wall to hang a heavy mirror. If your mirror is over , your best bet is to drill into a stud to support the weight. These wooden beams in the walls act as inner supports and will help hold the mirror more solidly than plaster or drywall. To find a stud, use a stud finder tool, knock and listen, or look for indicators like outlets and molding nails.
Use a straight-edged board to check the wall for flatness. If the wall is bumpy, it can make a heavy mirror wobble or even break from uneven pressure. Use a long, flat board, such as a yardstick or a straight piece of 1x3 lumber. Slide the board over the wall and note any rocking, which indicates a bump.[5]
If the wall has too many bumps, mark them in pencil and sand them down gently with medium or coarse sandpaper. To save time, you could also just choose a new place to hang the mirror.
EditMeasuring and Marking the Space
Draw a line on the wall where the bottom of the mirror will go. Once you’ve picked the perfect spot for the mirror, have someone help hold the mirror while you mark its position. Line up a level below the mirror’s bottom edge and make sure it’s straight. Set the mirror down, but keep the level in place as a straightedge. With a pencil, draw a light line along the top of the level indicating the position of mirror’s bottom edge once it’s hung. Make the line as long as the bottom of the mirror.[6]
Before you draw, tilt the level until the bubbles in the liquid line up perfectly, indicating that the line is perfectly straight.
Keep your level and pencil close by for hanging an unbacked mirror. At this point, you can start installing the hardware for your unbacked mirror. However, you’ll need to keep your measuring and marking supplies handy during the process, so don’t put them away yet!
Measure and mark the distance for a backed mirror. Use a tape measure to find the distance between the bottom edge of the mirror and the top edge of a hanging point/hole. With the measuring tape, measure the same distance up from the line you drew on the wall. Draw second line at that height, making sure it’s the same length and parallel to the first.[7]
Use a strip of masking tape on a backed mirror with 2 hanging points. Larger mirrors often have 2 hanging points on the back, which can make it difficult to accurately measure and space out the hardware. An easy way to measure is to take a piece of masking tape and lay it horizontally across the 2 hooks on the back of the mirror. Use a pen to mark where the 2 hooks are under the tape, then peel off the tape and place it on your wall, along the second line.[8]
Once the tape is placed on the wall, you can start installing the hardware. You can keep the tape on the wall while you install, then peel it off once you’re done!
If the mirror only has 1 hanging point, measure from the side of the mirror to the center of the hanging point. Measure the same distance on the wall, along the second line. With a pencil, mark where the hanging point will go.
EditHanging an Unbacked Mirror
Use brackets to hang heavy unbacked mirrors. You’ll need 2 J brackets for the bottom, with a cradle wide enough for the thickness of your mirror, and 2 sliding J brackets for the top.[9]
Install a row of 3-4 J-hooks along the bottom line drawn on the wall. Use as many hooks as you need to support the mirror’s weight. Evenly space them out and install them with sturdy hollow-wall fasteners for wallboard or plaster, wood screws for wall framing, or masonry anchors if you’re fastening the hooks to brick or concrete.[10]
You may also want to pad the J-hooks with pieces of felt to protect the back of the mirror.
You can also use a single J-shaped metal strip called a J-strip. You should pad this piece as well.
Mark where the sides of mirror will sit on the wall. Use a level and a pencil to draw 2 lines on the wall, indicating the length of the mirror’s sides. They should extend upward, both at a right angle to the bottom horizontal line.[11]
Install 2-3 L- or Z-clips along the drawn vertical lines on the wall. Following the same intervals as the bottom J-hooks, loosely attach additional fasteners that will keep the mirror in place. Choose L- or Z-clips based on the mirror’s design, then screw them into the wall. Keep the screw loose so the front side that will rest against the mirror is loose as well.[12]
Since these clips won’t support the mirror’s weight, you only need light-duty fiber or plastic anchors called wall plugs to install them.
Pad the L- and Z-clips with adhesive-backed felt where they’ll touch the glass.
Slide the mirror into place and tighten the clips to keep it secure. Move the side fasteners out of the way before setting the mirror’s bottom edge into the J-hooks. Lift the mirror by the sides and tilt it backward against the wall, then tighten the L- or Z-clips just enough to hold the mirror firmly.[13]
EditHanging a Backed/Framed Mirror
Use monkey hooks to hang a heavy mirror if you don’t have any tools. These thin, minimal-damage hooks make it easy to hang a mirror that weighs up to on drywall. They don’t even require any tools to install besides a tape measure and a pencil! Just push and twist the hook to insert it into the wall.[14]
The best part is that monkey hooks only leave a tiny, nail-sized hole behind, instead of a big anchor hole.[15]
If your mirror weighs more than , try upgrading to gorilla hooks. They have the exact same design and installation style, and they can handle up to .
These tap-in hooks are perfect for hanging on drywall.
Use plastic wall anchors for a variety of sizes and weight capacities. Although these create a larger hole in the wall than the monkey hooks, they still do less damage than anchor holes and they’re much easier to install. Choose your size and weight capacity based on how large and heavy your mirror is. To install, simply screw the hooks into the wall![16]
Use a toggle bolt if you don’t have a wall stud to drill into. Anchoring with a wall stud is the best method, but if you can’t locate a wall stud or it’s not available, toggle bolts are your next best bet.[17] Drill a hole in the wall large enough for the toggle bolt, then thread a machine screw through the toggle bolt nut. Pinch the wings on the toggle bolt flat, then push it into the hole you drilled in the wall. Tighten the bolt with a screwdriver until it hits the back of the wall.[18]
To finish, hang the mirror’s hooks on the toggle bolt and use a level to make sure everything’s straight.
Toggle bolts work best for hanging heavy mirrors on plaster walls.
To save time, use a toggle bolt already fitted with a picture-hanging hook.
EditThings You’ll Need
Pen
Pencil
Painter’s tape/masking tape
Measuring tape
Hardware
Drill
Butcher paper or cardboard
Straight-edged board
Medium to coarse sandpaper
EditRelated wikiHows
Hang a Heavy Mirror
EditSources and Citations
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from How to of the Day https://ift.tt/2J4iGdi
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davidfanigeal · 7 years ago
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Buy it on Amazon - https://ift.tt/2GCRFAC - Buy at Best Price! Suncast BMS6810D Everett Storage Shed, 6 x 8' -- Click the link to buy now or to read the 66 4 & 5 Star Reviews.Subscribe to our Channel: https://www.youtube.com/channel/UCB4nd717PIia8nd6Yg47VrQ?sub_confirmation=1 Buy at Best Price! Suncast BMS6810D Everett Storage Shed, 6 x 8' Great storage shed that exceeded my expectations. It took several hours to assemble, but I tend to be very slow and methodical, so the time I took is not indicative of any quality or directions problem. It came shipped in two boxes strapped to a pallet. My only complaint is you have to open both boxes in order to begin assembling the shed, and the boxes are HEAVY! ... Reviewer : Amazon Customer Perfect! My husband and I put this together, it took a few hours, but well worth the time. We read and used the directions as guidelines, we modified the order as we progress through the building process to fit your needs. Since it's been up we've had several bad rain storms and there is no water inside the shed. I built the foundation with pavers instead of solid concrete or wood and it worked perfectly because once we got the floor together and started on the walls we needed to be able to ... Reviewer : j binder Click https://ift.tt/2GCRFAC to buy now on Amazon or to read more reviews. Skylight and door windows provide natural light Easy to maintain, durable resin construction Constructed of durable double-wall resin Metal-reinforced shingle-style roof panels Reinforced floor for heavier items Easy-to-grip lockable handles Easy bolt assembly is secure and requires minimal tools 306 cubic ft. capacity Well, half a day to build the foundation (YOU REALLY NEED TO INCLUDE IN THE DESCRIPTION OF THIS PRODUCT THAT YOU MIGHT SPEND UP TO $200 FOR A FOUNDATION), half a day for husband to complete "preassembly" in our warm and dry garage, then seven hours in the snow, rain and sunshine (and mud), our shed is done, and we love it! We began with laying concrete blocks in four corners (leveling as we went) then carrying out of the garage and placing our prebuilt foundation (still level, hooray). ... Reviewer : Allison Cornett Click https://ift.tt/2GCRFAC to buy now on Amazon or to read more reviews. ***Let Us Know What You Think… Comment Below!!*** Watch my other review Videos – https://www.youtube.com/channel/UCB4nd717PIia8nd6Yg47VrQ Subscribe to our Channel: https://www.youtube.com/channel/UCB4nd717PIia8nd6Yg47VrQ?sub_confirmation=1 #Suncast, #Suncast BMS6810D Everett Storage Shed, 6 x 8\' This is a review video for : B006DJDAMM Manufacture : Suncast Related Videos in Channel
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300 HC
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BLACK MONDAY MURDERS TP VOL 01 ALL HAIL GOD MAMMON (MR)
BLACK ROAD TP VOL 01 (MR)
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BLACKEST NIGHT TP
BOYS TP VOL 01 NAME OF THE GAME (MR)
BRIGHTEST DAY TP VOL 02
CIVIL WAR CAPTAIN AMERICA IRON MAN TP
COLORING DC WONDER WOMAN TP
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DAREDEVIL TP BORN AGAIN
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DEADPOOL TP VOL 01 SECRET INVASION
DEADPOOL TP VOL 02 SOUL HUNTER NOW
DEATHSTROKE BOOK AND MASK SET
DEATHSTROKE BOOK AND MASK SET
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FLASHPOINT TP
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GRAYSON TP VOL 01 AGENTS OF SPYRAL
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GREEN LANTERN TP VOL 02 REVENGE OF BLACK HAND (N52)
GUARDIANS OF GALAXY TP VOL 01 COSMIC AVENGERS
HARLEY QUINN TP VOL 04 A CALL TO ARMS
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HELLBLAZER TP VOL 01 THE POISON TRUTH (REBIRTH)
HELLBLAZER TP VOL 02 THE DEVIL YOU KNOW NEW ED (MR)
HELLBLAZER TP VOL 02 THE DEVIL YOU KNOW NEW ED (MR)
HELLBOY INTO THE SILENT SEA HC
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INJUSTICE GODS AMONG US TP VOL 01
INJUSTICE GODS AMONG US YEAR THREE HC VOL 01
JLA TP VOL 09
JOKER DEATH OF THE FAMILY HC (N52)
JOKER DEATH OF THE FAMILY TP (N52)
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JUSTICE LEAGUE TP VOL 02 THE VILLAINS JOURNEY (N52)
LAND CALLED TAROT HC (MR)
LOCKE & KEY MASTER EDITION HC VOL 03
LOW TP VOL 01 THE DELIRIUM OF HOPE (MR)
LOW TP VOL 03 SHORE OF THE DYING LIGHT (MR)
LUMBERJANES TP VOL 01
MARVEL UNIVERSE AVENGERS ASSEMBLE DIGEST TP VOL 01
MASS EFFECT OMNIBUS TP VOL 01
MASS EFFECT OMNIBUS TP VOL 02
MERMAN IN MY TUB GN VOL 02
MICKEY & DONALD HC SEARCH FOR ZODIAC STONE
MIGHTY AVENGERS BY BENDIS TP COMPLETE COLLECTION
MIGHTY MORPHIN POWER RANGERS TP VOL 02
MILES MORALES ULTIMATE SPIDER-MAN ULT COLL TP BOOK 03
MIRACULOUS TALES OF LADYBUG AND CAT NOIR TP VOL 01
MISS KOBAYASHIS DRAGON MAID GN VOL 01
MONSTER MUSUME GN VOL 02 (MR)
MONSTER MUSUME GN VOL 03 (MR)
MORTAL KOMBAT X TP VOL 03 BLOOD ISLAND (MR)
MS MARVEL TP VOL 01 NO NORMAL
MS MARVEL TP VOL 04 LAST DAYS
MUSHOKU TENSEI JOBLESS REINCARNATION GN VOL 01
MY LITTLE PONY TP VOL 06 CRYSTAL EMPIRE
NAILBITER TP VOL 05 BOUND BY BLOOD (MR)
NAMELESS CITY GN VOL 02 (OF 3) STONE HEART
NARUTO GN VOL 22 (CURR PTG)
NEW LONE WOLF AND CUB TP VOL 10 (MR)
NEW TEEN TITANS THE JUDAS CONTRACT NEW PTG
NEW TEEN TITANS TP VOL 01
NEW TEEN TITANS TP VOL 06
NIGHTWING TP VOL 01 TRAPS AND TRAPEZES (N52)
OOKU INNER CHAMBERS GN VOL 11 (MR)
PHONOGRAM TP VOL 01 RUE BRITANNA
PLANETARY TP VOL 01 ALL OVER THE WORLD AND OTHER STORIES
PREACHER TP BOOK 01 (MR)
PREACHER TP BOOK 02 (MR)
PRISON SCHOOL GN VOL 06 (MR)
PROPHET TP VOL 04 JOINING
RAI TP VOL 01 WELCOME TO NEW JAPAN
REINVENTING COMICS SC
RISE OF BLACK FLAME TP
ROAD TO RIVERDALE TP VOL 01
RONIN TP
SAGA DLX ED HC VOL 01
SAGA DLX ED HC VOL 01
SAGA DLX ED HC VOL 01
SAGA OF THE SWAMP THING TP BOOK 01 (MR)
SAGA TP VOL 01 (MR)
SAGA TP VOL 02 (MR)
SAGA TP VOL 03 (MR)
SAGA TP VOL 05 (MR)
SAGA TP VOL 06 (MR)
SANDMAN TP VOL 01 PRELUDES & NOCTURNES NEW ED (MR)
SCOOBY APOCALYPSE TP VOL 01
SCOTT PILGRIM COLOR HC VOL 01 (OF 6)
SCOTT PILGRIM COLOR HC VOL 02 (OF 6)
SECRET WARS TP
SEVEN PRINCES OF THOUSAND YEAR LABYRINTH GN VOL 01
SEX CRIMINALS TP VOL 01 (MR)
SIMPSONS COMICS CHAOS TP
SMURFS GN VOL 05 THE SMURFS AND THE EGG
SMURFS GN VOL 07 THE ASTRO SMURF
SNOTGIRL TP VOL 01 GREEN HAIR DONT CARE
SOUTHERN BASTARDS TP VOL 03 HOMECOMING (MR)
SPIDER-GWEN TP VOL 00 MOST WANTED
SPIDER-MAN DEADPOOL TP DONT CALL IT TEAM UP
STAR WARS DARTH VADER TP VOL 01 VADER
STAR WARS DARTH VADER TP VOL 02 SHADOWS AND SECRETS
STAR WARS HAN SOLO TP
STAR WARS LEGENDS EPIC COLLECTION RISE OF SITH TP VOL 01
STAR WARS LEGENDS EPIC COLLECTION TP VOL 01 OLD REPUBLIC
STAR WARS LEGENDS EPIC COLLECTION TP VOL 02 OLD REPUBLIC
STAR WARS OBI-WAN AND ANAKIN TP
STAR WARS POE DAMERON TP VOL 01 BLACK SQUADRON
STAR WARS TP VOL 01 SKYWALKER STRIKES
SUICIDE SQUAD TP VOL 01 THE BLACK VAULT (REBIRTH)
SUICIDE SQUAD TP VOL 01 TRIAL BY FIRE NEW ED
SUNSTONE OGN VOL 01 (MR)
SUPERGIRL TP VOL 01 THE GIRL OF STEEL
SUPERGIRL TP VOL 02 GIRL IN THE WORLD (N52)
SUPERMAN ADVENTURES TP VOL 01
SUPERMAN VS MUHAMMAD ALI DELUXE HC
TECHNOPRIESTS HC (MR)
TEEN TITANS GO HEROES ON PATROL TP NEW ED
TEEN TITANS GO TRUTH JUSTICE AND PIZZA TP
TEEN TITANS TP VOL 01 ITS OUR RIGHT TO FIGHT (N52)
TEEN TITANS YEAR ONE NEW EDITION TP
THINK TANK TP VOL 01
TITANS TP VOL 01 THE RETURN OF WALLY WEST (REBIRTH)
TMNT ONGOING (IDW) COLL HC VOL 03
UNCLE SCROOGE LAST ADVENTURE TP
UNCLE SCROOGE PERIL OF PANDORAS BOX TP
V FOR VENDETTA BOOK AND MASK SET (MR)
V FOR VENDETTA NEW EDITION TP (MR)
VOTE LOKI TP
WALKING DEAD HC VOL 01 (MR)
WALKING DEAD HC VOL 11 (MR)
WALKING DEAD TP VOL 01 DAYS GONE BYE
WALKING DEAD TP VOL 02 MILES BEHIND US (NEW PTG)
WALKING DEAD TP VOL 16 A LARGER WORLD (MR)
WALKING DEAD TP VOL 26 CALL TO ARMS (MR)
WATCHMEN TP INTERNATIONAL EDITION NEW ED
WAYWARD TP VOL 01 STRING THEORY (MR)
WE STAND ON GUARD TP (MR)
WICKED & DIVINE TP VOL 04 RISING ACTION (MR)
X-FORCE BY KYLE AND YOST COMPLETE COLLECTION TP VOL 01
X-MEN DARK PHOENIX SAGA TP
STAR WARS LITTLE GOLDEN BOOK RETURN OF JEDI
DC DESIGNER SERIES BOMBSHELLS BATWOMAN AF
DC DESIGNER SERIES BOMBSHELLS POISON IVY AF
HARLEY QUINN RED WHITE & BLACK STATUE BY JIM LEE
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