#2nd place also gets something!

[billie-the-sleepyhead]

The 2 first place winners of this poll(it was a tie and I’m not making another poll) are now added to my personal project. AND! Here is 2 extra drawinngs to celebrate them.

Darkstache cuddling and napping on the couch at home.

Bingle on a date(they’re on a walk and Bing will do skateboard tricks for Google)

“Second place” was BimXMurdoch and “3rd place”(loosing pair) was Dr Iplier X Host.

[kanansdume]

I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.

The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.

Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.

But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.

So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.

[decaffeinatedpartymuggoop]

Okay, we all know being a demigod is a shit position. Its scary and gets you killed in really nasty ways. But I feel like being a Big Three Kid has to be the shitiest position in all the shit positions.

Like, imagine being Thalia Grace. Your dad is king of the gods, lord of the skies. Led a war to get rid of a tyrant. And the only thing you get is his scorned wife AND brother, who both try to kill you (with one technically succeeding), a drunk of a mother, and brother who you thought was dead. Oh, wait, he’s not dead! No instead he was used as an offering to appease your dad’s wife and help fight in a war and prevent mass destruction.

Or maybe you can imagine being Percy. Son of the sea god, the stormbringer, the earthshaker. You get to live with a disgusting, abusive man for around 6 years. Who smells like literal shit. All because your scent as a demigod is too strong, BECAUSE of who your father is. You see things that you aren’t supposed to see and do things that people can’t do and go years thinking something is wrong with you. That your the problem. Then you get to the one place where you’re supposed to be save. But! Here is the kicker! You’re not! Your uncles hate you and you’ve been accused of stealing a symbol of power. A series of events that will kick off a war, and guess what. You’re a center point for it. Welcome to Camp Half-Blood.

Mhm, but then there’s Hazel. Daughter Pluto, god of the underworld and riches. But that doesn’t really change anything does it? She’s still living in 1930s America, in a red state. One where confederate flags still hang if you go deep enough into the city. She go to a school where the kids are supposed to be just like her! They still don’t like her tho. She’s got no idea who your father is, only that he left her with a parting gift. Only it’s not really a gift. Sure, she can pull rubies and diamonds from the earth, all worth millions. But anyone who’s ever gonna touch it will die. She lives with her mother, a woman gone so mad with greed it kills her. And Hazel, by the way. Laying dead Alaska, inhaling oil. But it doesn’t end there! She can’t have her mother suffering for eternity, can she? The answer is no. Hazel gets to spend the next 70 years in the Fields of Asphodel. It still doesn’t end! Because when she’s brought back to life, she gets to fight in a war against giants, her sad story seemingly never ending.

Nico’s a son of one of the Big Three, one of the most ancient and most powerful. But most people look at him as something bad, something not worth taking a second glance at. Something too look away from, mostly. He’s from the 30s, spent years in a magical time casino with only his sister at his side. She doesn’t stay for long though, she dies soon after they discover their heritage. And he doesn’t remember his mother much, a name without a face. A face without a name. He survived an attempted assassination at 2, though it wouldn’t be the only time his was life was threatened. He clings to his sister, even though she’s dead. He’s the son of the god of the underworld, is he not? There had to be a way, and there is. Only she won’t talk to him, she seems more concerned with communicating with the guy who got her killed instead. She chooses rebirth, and he decides to lay it to rest. She’s not coming back, and he has a war to fight in. (He gets stuck in a jar and forcibly outed a few years later, but that’s a lot to get into for now.)

Jason Grace is a pillar of New Rome, their golden boy, their American boy. He’s a son of Jupiter, a natural born leader. He’s been at camp for as long as he can remember, he wants to be praetor soon. He’s had a rocky start, but maybe he’ll be one of the lucky ones. Retire a veteran and live a long life with Reyna in New Rome. Only that never happened. He has no idea where he is, there’s a girl holding his hand, and she’s cute but it feels wrong. They get attacked and people come in and call him a Greek demigod, familiar, yes, but still wrong. It doesn’t feel right. It doesn’t put things into perspective the way it does for Piper and Leo. He’s goes to a quest to rescue Hera, the name sounds wrong. He nearly dies but at least he remembers who he is. He spends the next 6 months trying to get back home, even though he isn’t too sure on where or what home is. He gets there, eventually, but it doesn’t stop there. He’s dragged on quests and battles and fights in the war but at least he survives it, he’s still there. Apollo needs help, he and Piper give him aid. He gets dumped. He doesn’t get to he a veteran in New Rome. Not with Reyna, not with Piper, not with anybody. He doesn’t get kids or grandkids. No, he gets shot down, another demigod buried.

You could be any one of them, really. Pick your poison, but I guarantee you won’t like any of them. Spending years trying to find a place where you belong, where you feel safe. Only for it to never come.

Percy, who, if you really look at the books, isn’t really all that well liked until he’s at least 2 years into camp. Only to then be sidelined because the courages, brave, fearless daughter of Zeus is back from the dead. Nico, the son of one of the most feared and hated gods. Who has death written all over him, who excludes it so much animals can smell it and humans can sense it, who’s been ostracized and pushed off to the side since he was 10. Hazel, who was treated like disease as soon as she stepped foot on camp soil. Who’s gone her whole life looked as something that’s cursed, that will only bring misfortune, a bad omen.

Shit positions, all of them.

[deus-ex-mona]

when the slowburn makes the ship extra cute~~~

[scopophobia-polaris]

first female loz director and the gerudo seem to be written fine enough? wow... there ain't no way I thought we were in the worst timeline after totk

Yeah got through the main quest with the gerudo, it wasn't painful! It wasn't even bad! Still got them outfits but for the most part it was like oh cool!

I would say a lot of that oh cool is from the fact they didn't do a lot to even fuck it up to begin with, I'm gonna be real with yall this game is NOT worth $60USD

Edit: lemme say one thing, you know when people were being like damn totk story wasn't dark or mature at all why was this compared to Majora's mask again? And then all the zeldatwt people came out and said zelda is just a kid series domt expect good writing uH

This one feels like a kid's game. That ain't to say it's terrible I would say, hell I'm not far in it if I get something crazy that's like OH FUCK I'll reblog this post and say something but uh.....game for babies I'm gonna be shocked if anyone struggles with any puzzles cuz you CAN CHEESE THEM EASY ITS ���🤭

EDIT EDIT: I SWEAR IM NOT EVEN TRYING TO BE A DOWNER..... @ezlo-x HAS BEEN THERE THE WHOLE TIME IVE BEEN PLAYING....THEY KNOW I HAVENT BEEN A PARTY POOPER.....

[supermarine-silvally]

if Yara had a pjo au, who would her godly parent be?

Athena, I think! Yara is very intelligent and places a lot of value on knowledge and wisdom, plus she's a skilled fighter with a strong sense of personal honour as a swordswoman. And has some of the more negative traits, too, like being quite stubborn and headstrong and always needing to be right about stuff lol

[m00ngbin]

I think that there's something so funny about Toichiro thinking that he's the most special person in the universe while simultaneously having one of the most common surnames in Japan

[pastafossa]

Do you see Jane as yourself or a separate person because when I read x reader fics I feel like I always make up characters that I think would fit more but idk

Me personally, I see Jane as a different person, just one with a few attributes I share! And that's kind of on purpose. I've essentially tried to make her a mixture of all of us, of the fandom, of the love we—me included—have for Matt and that world. That's why she's never physically described, why her original family is kind of murky and lost. She's both herself—her own character with a shaped personality and flaws and strengths—but also all of the readers, including me, and she looks like what each of us wants or needs to see, comes from where we need her to come from. Which is how I think of a lot of great Reader characters when I'm reading, or characters I style after me in RPGs! They're me but they're me in another world with another life story, which makes them different in their own way, in the way any alternate universe version of yourself might be different.

Because of Plot Reasons (TM), you can never really make a reader fully everyone, it's true. There are always choices the plot requires a Reader to make, which is one reason I've set Jane up with the backstory she has, and why we're exploring questions of identity through her that I want readers to consider - wouldn't we be the same as her, make a lot of the same decisions, feel the same loneliness and wariness and trauma, if we'd all gone through what she has? And if you spend all your time being someone else, how long until you start changing? How much of you is created and how much of you is born? How much of you would change if you went through what she did? And what if you did go through what she did? This could be you, what if? In that way, she's potentially (since some see her as entirely separate, which is fine!) a sort of a variant of us, an AU, a what-if, in which our lives and selves were morphed by circumstances beyond our control. This is how I see the CYOA books I read as a kid, and there was a great article I read a few months ago that sums up the You in CYOA, Reader fics, RPGs, and TRT pretty well (it's the highlighted bits I found most accurate, the part about not having 'relatability' I think was a misunderstanding of what You POV/Reader/the best CYOA books were about if done right since it CAN be relatable, though the rest of it after that still feels accurate).

So I don't think your stance is unusual at all! I've got a whole range of readers—some who see Jane (and other reader characters) as fully them, some who see her as wholly separate, and some who land somewhere in the middle. All of those for x Reader are valid, and I work REALLY hard to keep her as relatable as possible for that reason, so that even if someone does see her as someone else, you can still understand and appreciate her choices when the plot forces her hand. But that's the thing: where you stand on whether a Reader character is you or someone else or even a pre-established canon character is fluid. Everyone sees them differently, pulls on that costume, slides into that skin in their own way. And I think that's really awesome tbh, since it means we get a million different flavors of a character who's still essentially the same.

[bibleofficial]

went to the beach w kp & 4 other indian friends & 3 of us had NEVER surfed before girl WHEW it’s SO fun literally only 20quid to rent a wetsuit & board & i fucking smashed my toes on the sand so much, but also we 1) got the wrong tickets so we got off 1 stop early 2) went to find a bus & the bus that was supposed to be 15 min turned into an HOUR 3) on our way to find a bus back everyone’s phones are dying or dead bc it took us 3hrs longer to get there, cigarettes are out 4) all of the shops in town are closed & the town seems to have ONLY a tesco extra & 1 off license that sells a PACK FOR 15.65 A PACK WHICH IS FUCKING CRIMINAL ITS CHEAPER TO BUY IT FROM TESCO ARE U INSANE 5) the bus back to the other town kept skipping us bc the bus stop wasn’t the ACTUAL bus stop - i had 1 bowl since literally 11a & we got back at fucking 11p 😭😭😭

[milkbreadtoast]

(TWSB) it's so funny bc after like 50 ch in yeseo finally has the realization that cedric is left handed... but he's literally been described using his left hand like 1000x before this... BUT i cant blame him at all bc i actually only noticed/kept track of this on reread and on first read im p sure i also realized at the same time as yeseo 😭😭 ATTENTION BLINDNESS IS CRAZY..... there's just too much other things going on kdjfkdj (such as cedric's mesmerizingly beautiful face-

[doctorweebmd]

in other news tomorrow is match #3 for me and I suicide ranked only my home program. So.

[v1-kisser]

Thinking about V1 maintaining the Electric Railcannon and melting just a little (🤏) bit

[starbuck]

it’s just me and my five year plan against the world

[axellis-archv-2]

hey *takes what was supposed to be just a visualization in case i ever wanted to draw overhallidays place in the future and then spends 4 hours on it

[todayisafridaynight]

I hate linking videos for whatever reason but the submission box will only let me embed one so. Guess I'll Die. BUT ANYWAY. You can see what I'm talking about here and here (also hiiiii Nakai, Iura, and Terajima) but I think Jo should have Tsutsumi's nervous tics like rubbing his lip and blinking fast :) I think it would be cute :) moe even :) though he doesn't have much to be nervous about :) but I mean once in a blue moon y'know :) OK that's all bye

[first video]

[second video]

OH BUT WAAAAAIT WAVELENGTH i always did imagine jo having a nervous-blinking type of tendency i am AHEAD of you brother (╯▽╰ )(╯▽╰ )

[zarafey]

Austria coming in with another masterful execution of law!

Now that the covid mask mandate isn't valid anymore we revert back to a law that got approved in 2019 I think... Its a law that prohibits you from masking your face! (literally just made bc of Islamophobia)... So now it's illegal in Austria to wear a mask in public! But also at the same time required to wear a mask if you tested positive! And when your in like a hospital and retirement homes! So now if you wanna wear a mask you need a doctor's note so that you are allowed to in public! :D