#2d/3d Animation Studio in Toronto

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Whether you're a small startup or a large corporation, incorporating 2D/3D animation services into your marketing strategy can provide numerous benefits. To know more visit https://www.vcminteractive.com/services/2d3d-animation-graphic-design/ or call us at 647.401.1443.

[krupa192]

Top Countries Leading the Animation Industry: A Global Perspective

The animation industry has grown into a massive global force, with countries around the world making significant contributions to its evolution. From 2D hand-drawn animation to the most advanced 3D models and VFX, animation has become a crucial part of entertainment, education, and technology. But one common question that pops up is: Which country is the best in animation?

While it's difficult to pinpoint a single leader, several nations stand out for their contributions, technological innovations, and cultural influence. In this article, we will explore the top countries in the animation world—the United States, Japan, Canada, South Korea, and France—and how Boston Institute of Analytics’ Best Animation Course can equip you with the skills to thrive in this fast-paced industry.

The United States: The Animation Giant

The United States is a dominant force in the animation industry, especially in feature films and TV series. Home to some of the most influential animation studios—such as Walt Disney Animation Studios, Pixar, DreamWorks Animation, and Blue Sky Studios—the U.S. has produced iconic animated films like The Lion King, Toy Story, Shrek, and Frozen.

1. Hollywood’s Animation Influence

Hollywood has always been the epicenter of the entertainment industry, and animation is no exception. The U.S. has led the way in animation innovation, from the early days of Walt Disney to the revolutionary CGI work by Pixar. American animation studios have consistently set global standards for storytelling and visual quality.

2. Cutting-Edge Technology

The U.S. also leads in the development of animation technologies. American studios have pioneered software and tools for 3D animation, motion capture, and VFX, which are now widely used across the globe. Companies like Autodesk, Adobe, and NVIDIA are based in the U.S. and provide the essential resources that animators use to create breathtaking visuals.

3. Global Reach

American animation has a far-reaching impact worldwide. Hollywood’s animated films enjoy global popularity, and U.S. studios often collaborate with international teams to create content for a worldwide audience. The influence of American animation can be seen in franchises like Marvel Studios and Pixar, which have become household names.

Japan: The Epicenter of Anime

While the U.S. is a leader in mainstream animation, Japan has carved out its niche as the global hub of anime. Japanese animation is known for its distinctive style, compelling storytelling, and broad range of genres. The country’s contribution to the animation world is undeniable.

1. The Rise of Anime

Anime has become a worldwide phenomenon, with shows like Naruto, Dragon Ball, One Piece, and Attack on Titan captivating millions of fans globally. Japan’s animation style, which blends artistic visuals with deep storytelling, has influenced the animation industry worldwide.

2. Studio Ghibli: A Global Icon

Few studios are as well-regarded as Studio Ghibli, founded by legendary directors Hayao Miyazaki and Isao Takahata. Films like Spirited Away, My Neighbor Totoro, and Princess Mononoke have won numerous accolades, including an Academy Award for Best Animated Feature. Studio Ghibli’s unique approach to animation has inspired countless artists and filmmakers around the world.

3. Cultural Impact

Japanese animation has deeply influenced global pop culture, from fashion to art and even video games. Anime’s distinct aesthetic and storytelling techniques have left a lasting mark on animation worldwide, and it continues to shape trends in the industry.

Canada: A Growing Animation Powerhouse

Canada has quickly become a major player in the animation field, particularly in cities like Vancouver, Montreal, and Toronto. The country’s animation sector is thriving, fueled by a talented workforce, favorable government incentives, and close ties to the U.S. entertainment industry.

1. Government Support

The Canadian government has played a significant role in the growth of the animation industry by offering tax credits and funding programs for animation studios. These initiatives have made Canada an attractive destination for both local and international animation projects.

2. International Collaborations

Canada is home to renowned animation studios such as Nelvana, DHX Media, and Mainframe Studios. These studios have worked on major international projects, often collaborating with U.S. companies to produce animated films and TV shows. This cross-border cooperation has helped Canada establish itself as a global animation hub.

3. Talent Pool

Canadian animators are known for their technical expertise and creativity. Many Canadian animators have worked on high-profile Hollywood productions, and the country continues to produce top talent in the animation industry. With strong educational programs and collaborative opportunities, Canada remains a key player in animation.

South Korea: The Rising Animation Hub

South Korea has rapidly emerged as a powerful force in the animation industry, especially in 2D animation and VFX. The country’s animation studios are known for their high-quality work and attention to detail.

1. Outsourcing and Production

Many major animation studios in the U.S. and Japan outsource animation work to South Korea due to the country’s skilled workforce and cost-effective production capabilities. South Korean animators have contributed to several well-known animated series, including The Simpsons and Teenage Mutant Ninja Turtles.

2. Domestic Animation Growth

In addition to being a hub for outsourced animation, South Korea has developed its own domestic animation industry. Korean animation studios are now producing original content, with a focus on both 2D and 3D animation. The growth of the domestic industry has further cemented South Korea’s position in the global animation landscape.

France: Europe’s Animation Leader

France has long been a leader in European animation, with a rich history of both traditional and digital animation. The country is home to some of the most innovative animation studios in Europe and has a vibrant animation culture that is recognized worldwide.

1. French Animation Studios

France is home to several influential animation studios, such as Les Films du Carrosse, Studio Folimage, and Mac Guff Ligne. These studios have produced critically acclaimed films like The Triplets of Belleville and Ernest & Celestine, which have garnered international recognition.

2. Cultural Influence

French animation is known for its unique artistic approach and storytelling. French animated films often explore more mature themes and showcase a distinctive European flair, setting them apart from Hollywood productions. This unique approach has earned French animation a respected place on the global stage.

How Boston Institute of Analytics’ Best Animation Institute Can Help You Succeed

If you’re passionate about animation and want to break into this exciting industry, Boston Institute of Analytics’ Best Animation Course is the perfect place to start. Whether you’re interested in 2D animation, 3D modeling, or VFX, the institute provides comprehensive programs designed to equip you with the skills and knowledge needed to succeed.

At Boston Institute of Analytics, you will:

Learn the fundamentals of animation, including storyboarding, character design, and visual effects.

Gain hands-on experience with industry-standard software like Autodesk Maya, Blender, and Adobe After Effects.

Build a strong portfolio that showcases your animation skills.

Receive guidance from industry professionals who have worked with top animation studios.

By joining Boston Institute of Analytics, you’ll be well on your way to becoming a skilled animator ready to work with leading studios around the world.

Conclusion

While there is no single "best" country in animation, the United States, Japan, Canada, South Korea, and France all play significant roles in shaping the global animation industry. Each country brings its unique strengths to the table, from Hollywood’s technological innovations to Japan’s anime culture and France’s artistic approach. No matter where you choose to pursue your animation career, the future of this dynamic industry looks bright.

For those looking to build a career in animation, Boston Institute of Analytics’ Best Animation Course offers the perfect training and resources to help you succeed. With the right education, you can become a part of the next generation of animators who will continue to shape the future of this exciting field.

[your-visual-connections]

Build your Business Brand with Animated Video

Brand Identity is the crucial part of any business, maintaining with strong authoritative brand is important to stay in competition in an online marketplace dominated by large brands.

The best ways that brands can compete is by inspiring loyalty among their most ardent customers.

 All marketers are subject to the 80/20 rule of marketing or the Pareto Principle. The Pareto principle states:  80% of your revenue will come from 20% of your customers.

This principle can be applied to almost every aspect of your marketing research. Consider that keeping an existing customer is 5x more cost-effective than acquiring a new one.

The first step to inspiring brand loyalty is to establish a brand identity and maintain consistency.

Having a strong brand identity leads to brand stickiness, which offers some residual marketing benefits in and of itself. Brand stickiness can lead to increased media coverage, word-of-mouth advertising, and greater customer loyalty.

One of the best ways to create and maintain your brand identity is through the use of animated marketing videos. Most online users demand videos in their day-to-day consumption and animation offers brands the ability to be creative without burning a hole in their pocket.

 Whether you choose to outsource your animated video production or host it in-house, here are some principles to keep in mind when creating your brand identity with an animated marketing video.

 Apply Your Brand Aesthetic

Animation offers attractive and familiar aesthetics that users and customers can identify with. When creating an animated video, it’s important to brand your videos, much like you would an info graphic, photo, or written piece of content on your site.

 Remember to incorporate these brand essentials into your animated video to maintain consistency:

 Company logo

Color scheme

Typography

In addition, you can incorporate your own personal touches into an animated video using motion graphics and your own personal photography. If you use illustrations, like we do, for any of your web pages then you can even incorporate your own team’s characters into a video!

 The key here is to maintain consistency by leveraging the existing elements of your brand and applying them to the animation medium. This way customers can become more familiar with your brand, making it more memorable.

 Animate Your Audience

The key to creating a successful brand is to define and understand your audience well.

In order to understand your audience better, you’ll need to create a buyer persona or customer avatar.

Your customer persona could include well-defined boundaries or characteristics that you discover through audience research, using tools such as Facebook and Google Ads. Your brand could be far more relevant to your audience, if you could also define how your ideal customers think, what they like to do, what they like to buy and any other psychographic information. You would tailor all your marketing communication to the persona/s you create.

You can also leverage demographic information to help target your ideal customers.

 Demographics (Physical and Economic Characteristics)

Age

Race

Gender

Income level

Geographic region

Family size

For example, think about whether your target market is primarily male or female and how old they might be. Create a character of that persona! When people are able to identify with characters in your story, they will connect with your brands and products, helping build brand affinity.

 Tell Your Brand Story

In today’s world, customers demand stories from advertisers and marketers alike. What better story do you have to tell, then the one about your brand?

Animated videos are fun and engaging and serve as the perfect medium to communicate valuable company news or milestones. These videos are also a great option if your business leaders prefer not to be on camera but still want to stay authentic to the brand.

 Find the Right Medium to Represent Your Brand

Finally, it’s important to find the right medium for your story. If you choose to invest in an animated marketing video, then you need to decide what video format best suits your needs. Options for animated marketing videos include:

 Explainer videos

Whiteboard animation

How-to videos

Product demos

Choose the medium that best represents your brand and the story you want to tell. Don’t forget to include the elements we listed above to maintain brand consistency and stickiness. For an animation company that will properly represent your brand and deliver high-quality videos that engage and educate customers, contact Visual Connections today!

[spotlight-on-black-women]

Black Women in the Animating World

In a previous blog, Black Women Animate, founded by Taylor Shaw, was discussed and upon revisiting the field of animation, this blog will be taking shorter previews of various Black women in the animating world. By no means an autobiography of these individuals, this blog will act as a means of bringing to light multiple talented animators and artists, bringing attention to their work and ventures in animation, but condensed into short snippets.

Pilar Newton is the CEO and founder of PilarToons, LLC, a production company that specializes in animation, illustration, and design based in Brooklyn, New York. Newton graduated with a degree from Rhode Island School of Design and has worked on a number of projects, from Cartoon Network’s Courage the Cowardly Dog to MTV’s Daria, and is currently pursuing a master’s degree at the School of Visual Arts. Her company has worked with companies such as Homer Learning, Sirius Thinking, Nickelodeon, Ted-Ed, Search Films, Story Corp, as well as others.

Mia Lee is a Chicago-based artist who has had work featured on Adult Swim and whose portfolio includes designs for Nike, Kith, and Timberland. She has met with multiple executives in animation and production making sure to meet with those who want to hear from young people of color. She is a newcomer to the animating world but is already making waves through her artistry and networking talent, landing her jobs and even allowing herself to pursue successful passion projects picked up by famous networks.

Monique Henry-Hudson was born and raised in Queens, New York, and has used her community as inspiration for her work. After being asked to create the “Black in Animation” panel for Blerd City Con in Brooklyn in 2018, she became the founder of DiverseToons, an organization that highlights women of color in multi-media. DiverseToons works at emphasizing the importance of diversity in the animation industry and provides a platform for Black artists and people of color to share their passions and career experiences while also giving resources to their communities. DiverseToons has also partnered with Women in Animation’s Student Branch in 2018, connected even more women and non-binary people of color in animation.

Sonya Carey has cemented herself in technical animation and is considered the only Black woman to do so. Her past credits include Disney’s The Princess and the Frog,” “The Proud Family,” and “Winnie the Pooh,” and she is positioned as the leader of her team as Head of Studio Operations at Portfolio Entertainment in Toronto. After high school, she moved to Los Angeles then got married when she finished college. After getting married, couldn’t work for a year and during that year, she got a computer and did desktop animations for fun, unknowingly catapulting her career in the industry. These desktop animations resulted in her taking classes at UCLA and ultimately getting a job at MetroLight Studios working on “Ren and Stimpy,” the beginning of her famous career. She then ran the digital side of the company Toon Boom for ten years then moved onto 3D animation for ToonBox before going back to 2D at Portfolio Entertainment. She also ran her own studio for some time called Make a Scene.

Carole Holliday works as a storyboard artist, director, and is the founder of Crowded Metro Films. She attended the California Institute of the Arts and graduated with a BFA in animation, pursuing storyboarding with her degree. She has worked on films “Oliver and Company” (1988) and “The Little Mermaid” (1989) as an animation assistant before starting her career in storyboarding with “A Goofy Movie” (1995) while also being a story artist for “The Pince of Egypt” (1998) and “Tarzan” (1999). She has also worked as a character design supervisor and moved up to directing an animated short for DisneyToon Studio’s “Mickey’s Twice Upon a Christmas.” More recently, she has done storyboard revisions on Disney’s “Sofia the First,” and has been working on storybooks. She even has her own profile on the official Walt Disney website for all of the work she has done with them.

Lisette Titre-Montgomery is a video game artist and designer who graduated with a degree in computer animation from Miami International University of Art and Design in 2000. She was inspired to study computer animation after watching “Toy Story” (1995) and decided to go to school for it. Her first animation job was working as a character model for the game Freekstyle which helped her land a job as a senior character and special effects artist at EA Games in around 2005. She then worked on games like Tiger Woods PGA Tour 2007 and helped developed The Simpsons Game, The Godfather II, and Dante’s Inferno. She ultimately left EA Games in 2011 and went on to become the lead artist at Blackbone Entertainment where she worked on Zombie Apocalypse: Never Die Alone and Midway Arcade Origins. Titre-Montgomery later returned to EA Games in 2013 to work on games like Dance Central 3 and The Sims 4. She then started working as the manager of the art and computer animation department for the company Ubisoft in around 2015. Titre-Montgomery was also invited to the White House LGBTQ Tech and Innovation Briefing in 2016 and the following year became the art manager at Double Fine Productions, working on Psychonauts 2. Lisette Titre-Montgomery is also a member of Blacks in Gaming which is a nonprofit networking and collaboration group for African Americans in the gaming industry.

Although this blog does not go as in-depth into these trendsetters, game-changers, or trail-blazers in the animation community as it should, it acts as a small list of Black women animators that has made big waves in the industry as a whole. Their work in the field has allowed countless young women of color to believe that they can achieve their dreams in animation and allow them to have role models to look up to as inspiration. There may not be nearly as many Black female animators but the number is slowly growing and they are leaving their print on animation as a whole and that should be paid attention to.

[eduardomarin90]

Nike LunarEpic Flyknit Launch | Process from Tendril on Vimeo.

A little peek behind the scenes. So much love went into this one.

Music: Moderat - Last Time (Jon Hopkins Remix)

Together with Blacklist and a crew of otherworldly talents from around the world, we created the teaser, launch film, and global Nike in-store installations. We built an A-list team for the project that included one of our award-winning HIGH5ER studios, Frame, to co-direct. What was totally unique about the project for us was the global collaboration. Blacklist is in NY, Tendril in Toronto, Frame in Denmark, Nike in Portland, and there was a slew of freelance gurus dotted all over the world. In total we had Canada, US, Brazil, Germany, Slovenia, Denmark and the UK all on this project. This made it an explosion of deadly talents. We all worked together hooked up by a massive 2TB Dropbox account.

Besides the amazing team who we had the pleasure of collaborating with, shout-outs to Google Hangouts, Sheets, Slack, Dropbox, continental airline travel, coffee, and beer for helping make this other-worldly experience a pain-free collaboration.

CREDITS:

Client: Nike Nike Global Brand Communications: Tad Greenough Executive Producer, Nike Brand Communication Studio: Noah Stanik Nike Producer: Meagan Moore Production Company: Blacklist EP: Andrew Linsk Producer: Karen Lawler, Alex Unick Studio: Tendril & Frame Co-Directors: Chris Bahry, Tom Crate EPs: Kate Bate, Thomas Bay HOP / Producer: Mary Anne Ledesma Producer: Louise Bejerholm Storyboards: Greg Boychuk, Gabe Sapienza Editor: Tom Crate Pitch Concepts: Chris Bahry, Tom Crate, Wojtek Szklarski, Ann Kruetzkamp, Marco Iozzi Reveal Film: Lead 3D Artists & Animation: Nejc Polovsak, Matt Frodsham, Simon Fiedler Particle FX: Simon Fiedler, Alasgar Hasanov, Marcin Porebski Shoe Rigging & Animation: Matias Hansen Lighting & Render: Nejc Polovsak, Matt Frodsham Additional 3D Artists: Sacha Wechselmann, Ben Pilgrim Shoe Modeling: Marek Denko Matte Painting: Bojan Zoric, Form Language Compositing: Chris Bahry, Brad Husband Teaser Film: 3D Artists: Christian Hecht, Alasgar Hasanov, Chris Bahry FX: Valdemaras Dzengo, Alasgar Hasanov Light & Render: Christian Hecht, Brad Husband 2D Animation: Gabriel Rocha Compositing: Chris Bahry, Brad Husband Additional Compositing: Alexandre Veaux Sound Design & Music: John Black of CypherAudio

[3drendering]

Key Pointers On How 3d Rendering Can Improve Your Business Profits

Let your clients have an interactive experience and the opportunity to understand your designs better with rendering service in British Columbia.

With the development of new improved technicalities, architects and designers can now leverage 3D products for both modeling and designing projects. By using the best architectural visualization and rendering software in Toronto, it is possible to create lifeline and eye-popping designs.

The Importance Of Architectural Rendering And Visualization

Highlight The Most Prominent Features: Every buyer looking for their ideal home would be delighted to see the highlights of their future property beforehand. With 3D technology, they have the opportunity to. Even better, the buyer can see the details of their home when construction hasn’t even properly begun.

Architectural rendering for residential homes will allow you to showcase every aspect of the home, from architectural and design solutions to flooring, lighting, and even home appliances.

More Effective Marketing Strategy: Compared to traditional photos or 2D animations, 3D architectural renderings are much more captivating and interactive. This gives them incredible marketing potential. By attracting the attention of more buyers, 3D images can significantly increase ROI in marketing and help speed up sales.

Accurate Measurements And Easy Corrections: Precise and accurate design measurements help to make the finished product look more vivid and realistic. A 3D design layout clearly depicts the dimensions clearly. Views from every angle save time and are accurate and aid designers in speeding up the process. Furthermore, if your client wants you to change the layout, floor plans, or lighting, modifying 3d rendered images is less costly and way easier. Identifying design flaws and loopholes through visualizations and then correcting them require less effort also.

Better Client Communication: Sketches and drawings are not as self-explanatory and therefore give way to misinterpretation when explaining to clients. Having a meaningful discussion with your client is the first step towards preventing future design mistakes. Being able to effectively communicate each other’s vision will benefit both the parties and help in better progress in the project. So layer and design your room with 3d rendering software and give your ideas the much-needed edge.

Improved Brand Identity: Having a distinct brand identity is important to stand out from the crowd. The better you are able to project your brand, the better exposure your brand will get. This ensures a sense of trust among clients. You can easily create a brand identity with 3d rendering service in Nova Scotia.

According to industry experts and leading interior, exterior design studios, investing in 3d renderings services will pave a way for higher financial returns. So, without thinking further, give your clients a comprehensive experience of your project with visual narratives. For more information regarding rendering services in Victoria, Vancouver & Calgary, contact 3D Renderings.

[mi5016oranmcclintock]

WHERE WOULD I WANT TO LIVE/WORK?

My short investigation into various animation studios at home, across the uk, and even in the global scale – across the world.

I have chose 2 in each category that I really liked the look of.

UK

Axis Studios - https://axisstudiosgroup.com

Axis is an animation and VFX Studio with a plethora of prestigious awards under their belt including Bafta and Emmy awards. They have collaborated with many big studios such as HBO, Netflix, Universal and Microsoft Studios. Situated within the UK in cities including Glasgow, London and Bristol. Also boasting an international team of directors, designers, artists and animators working in conjunction across its studios.

I found the body of work Axis has to be extremely diverse. Truly a jack of all trade studio specialising in Film, Television, Games and Theme Parks.

Enjoy this selection of their work below;

Halo Infinite | Multiplayer Season 1 Cinematic Intro

https://www.youtube.com/watch?v=lOthvD1rMbQ&t=5s

Sackboy: A Big Adventure

Kong Studio - www.kong-studio.com

When I began researching UK based animation studios, I wanted to find a studio that specialised in 2D, the animation technique I am most comfortable with at this current stage in my career. Following this was my discovery of Kong Studio. Kong is a London based animation and illustration studio, made up with a talented team of directors, animators, scriptwriters and illustrators.

Although starting in 2D, Kong now also works in a variety of styles, mediums and techniques all with the goal of delivering crafted illustration and animation across various branded content, entertainment and prints. Kong has the goal to immerse themselves in the details and to bring the stories they create to life. They consider themselves not just artists, but also storytellers. Some of their clientele include Intel, Disney, BBC Ideas and IMAX.

Here is some of their work for IMAX below:

IMAX - Star Wars Rise of Skywalker

IMAX - Solo

IRELAND (HOME)

Glancing back at home, at the Irish animation industry which has experienced a substantial growth since 2010.

Emerging as a central component of Irelands digital and creative economy, with millions of children watching animated programmes crafted in Ireland. Ireland is becoming a recognised leader for TV, Film, Games and Visual Effects.

Boulder Media - https://www.bouldermedia.tv/en-ie

For the past 16+ years Boulder Media has been involved in producing some of the most well-known award-winning animated shows. Shows that I myself have grown up watching. Established in 2000 and setting up shop in Dublin, Boulder media have gone on to become one of Irelands largest animation studios. Working alongside companies such as Cartoon Network, BBC and Disney UK to create such shows like Fosters Home for Imaginary Friends. The Amazing World of Gumball and currently in production Danger Mouse.

Mainly being an 2D driven studio, Boulder has also shared with the world their first full CGI Feature film on September of this year (2021).

Also Irelands first 3D animation feature film, which unfortunately had to be an adventure into the My Little Pony Universe. Trailer below.

https://www.youtube.com/watch?v=kIv_ConaZ1c

Brown Bag Films - https://www.brownbagfilms.com

Brown Bag studios has a diverse body of work in 2D, 3D and VFX. They were founded in Dublin, Ireland in 1994 and went on to grow into studios located around the world in places such as Dublin, Toronto, Manchester and LA.

Their creative vision is a focus on producing the highest quality, cross platform animation with strong stories and engaging characters.  Brown Bag studios have a body of work I recognise solely because of having nieces and nephews. I’ve chosen to talk about this studio due to that fact. The smiles that this studio has brought my nieces and nephews growing up, and finding out the people who have created those simple moments of joy for them was based in my backyard really surprised me and seeded my interest. The studios have had their hand in creating some of the most much-loved TV shows viewed by millions of children worldwide. Including the likes of Bing, Doc McStuffins, Peter Rabbit and the Octonauts. Brown Bag studios love animation so much they’ve even trademarked the phrase “We Love Animation™.”

GLOBAL -

(USA) Warner Bros Animation - https://www.warnerbros.com/

Warner Bros. Animation is as you might have guessed, the animation division of Warner Bros. A successor studio to Warner Bros. Cartoons the studio that produced the Looney Tunes and Merrie Melodies series of cartoon shorts from 1933-1969 From 1990 they have been primarily focusing upon producing and developing projects for multiple platforms. Both domestically and internationally.

WBA is one of the leading producers of animation in the entertainment industry worldwide. Founded in 1980 they are now situated in Burbank, California, USA specialising in Television, both Theatrical, Direct to video movies and Online shorts. Boasting huge bodies of work in both 2D and 3D Animation. Some of their classics include The Iron Giant, Batman: The Animated Series, Animaniacs and Whats New, Scooby Doo? among others.

(New Zealand) Weta Digital - https://www.wetafx.co.nz

Moving away from the states I began looking at Weta Digital, situated in my dream destination New Zealand. Weta is also responsible for my favourite series of films The Lord of the Rings trilogy so I couldn’t help but include them.

Based in Wellington, New Zealand I believe from an outsider’s glance and also as someone with great interest in the industry that Weta are among the most ambitious artists and engineers in the animation and VFX industry. Some of Weta’s clientele are among the biggest studios in the world, including work with Walt Disney Studios, Marvel Studios and Warner Bros. Formed in 1993 by a group of young New Zealand filmmakers including Peter Jackson, Richard Taylor and Jamie Selkirk.

They now mainly specialise in VFX and CGI Animation working on blockbuster movies such as Avengers Infinity War and their Oscar winning King Kong. Some of their work can be seen below.

King Kong (2005)

[twistedframe]

Animation Vs Live-Action: Which Is Right For Your Project?

When it comes to deciding between animation or live-action video, there are a lot of factors that should be considered. For example: What do I want the viewer's experience with my project? Will this particular format suit our company’s branding?"

You might think there are wrong or right answers when it comes to video creation, but the truth is that both have their merits. It all depends on what you want your content and audience members learn from this project- whether it's something personal like how a person deals with stress in her life as well as informative such aspects of climate change they're struggling not only environmentally; mentally/physically she’s having trouble too because everything around seems so unstable? You decide which direction will make most sense for YOU!

We have compiled a list of the pros and cons for both video formats, so you can make an informed decision.

Costs of Producing Video Content

First things first – let’s talk about money. Whether you want to make a short, low-budget video or go all out with an in depth production plan for your business idea and need more than 15 minutes of footage; it's important that whatever format you choose is as cost effective as possible without sacrificing quality of workmanship (or getting overcharged).

If we're talking strictly length: Short videos can be done within budget constraints while longer projects require additional investment which could result from launching high ticket affiliate products like software development packages on commissionable contracts but beware -these are not necessarily cheaper options if there isn't enough time before launch!

The idea of animation being the cheapest option is a misconception. It might seem like you can just grab some video equipment and quickly make your movie, but actually creating intricate graphics that are cased in 3D requires state-of-the art technology which could cost more than expected!

The costs of creating an animation can be higher than those for a live-action video, depending on the complexity of your project. And we haven’t even touched upon pre-production planning stages such as scripting and storyboarding which are often required before putting together any kind of scene in animated films.

The financial drawbacks of live-action are many. For one, you need to think about insurance and wardrobe for your cast members which can be expensive without using office space as set or ropes in colleagues from other departments willing enough to do some acting on demand.

Animated Video Content Pros

Animation is a versatile and creative way to tell your company’s story. With different styles, formats, or animation styles available for you to choose from there are endless possibilities in video marketing that can be explored with this medium.

Video marketing can be a complicated process, but it doesn't have to feel overwhelming. Hiring an agency with experience in video content will give your company the flexibility and expertise needed for success. 

Animation is a great way to condense information into bite-sized chunks. By using animation, it's easy for the viewer (and sometimes listener!) to digest complex and abstract concepts in an entertaining format that will hold their attention from beginning until end.

When you're presenting data in a video, it's important to think about what kind of animation will best make your point. Animation can help with knowledge retention by 15% -- so if there are lots of complex graphs and charts involved then an animated format may be for the job.

Animated videos are a great way to tell stories. They can be made quickly and easily with the click of a button, so you don't have any negative impacts on your time constraints like other media might do. Plus they're really easy for last-minute changes! You'll never regret investing in this type of animation because there's always something new coming out that will inspire creativity or get people engaged again - just check YouTube trends today.

These very quick updates will also benefit you in the long run. Animated video content can last for years, so it's best to start with an updated version of your product rather than producing a new one every time there is something worth updating.

Animated Video Content Cons

This is why you should always include that human touch in your content marketing strategy. Animation can be great for promoting physical products or services, but it might not work so well if what’s being promoted has no tangible aspects of itself whatsoever - like an app on a phone.

As you know, different audiences have very specific needs and expectations. In order to be sure that your video will resonate with the people who are most important - namely those viewers at home – it's essential that their particularized interests/goals also come through in content marketing strategies such as voiceovers for videos created specifically by advertisers themselves (such as commercials).

Creating an animated video can be a time-consuming process, depending on its complexity. If you're in need of one quickly and have no other options available to use as production equipment, it might not work out well for your content because there are lots of things every filmmaker must think about before they even start filming.

Animated videos are a great way to get your message across quickly and without running afoul of copyright laws. A good idea is not always enough when you're developing content for an entire channel, though; pre-production planning helps make sure every aspect goes exactly as planned so the process can be more successful overall!

Pre-production plans tend towards detail in order that creators know precisely what they want their animated video or series about before too much time has passed spent creating it--especially because there isn't room left over on site.

Live-Action Video Content Pros

The power of live-action video content is an undeniable reality. Real people advertising a tangible product has been proven to be highly persuasive when marketing products or services, especially with how shareable videos are nowadays! You want your target audience as much involved in it so they can't help but react and take action on what's being presented - which means you need someone who looks like them delivering this message for maximum impact.

The following is an example of a live-action video.

A: With the flexibility to play with viewers’ emotions through authentic, instructive content and help them envision your company culture, what better way does one sell their product or pitch business? This gives you more credibility in not only selling but promoting as well because it promotes who YOU are!

One of the biggest advantages to live-action video content is that it doesn’t take as long. Whereas with animation, every detail must be built from scratch before production even begins; in contrast you have all physical props and people needed for a quick shoot on site which dramatically reduces time spent prepping ahead of schedule or finishing up post processing later (if done at all).

If your project needs very little in terms of casting and apparatus, a video camera on your mobile phone can do the trick. This may not seem like much at first glance but it has huge benefits that would be hard to come by otherwise; including being able to create high-quality products without spending too much time or money.

Live-Action Video Content Cons 

A live-action video is also a challenging project because it takes more time and effort in post production. If you want to film an additional scene, or change dialogue from one part of the footage for another then this would require all new shots which could be difficult at best given how quickly things move when filming outdoors without sound equipment present.

Why do you want to go through the trouble of renting out more film days? It's not like this is going to be an easy process. Plus, all that costs money! Animations are simpler and quicker--plus they can be done in a matter of minutes with our software as opposed to live-action videos which take much longer because it takes being able edit video content by hand (which isn't something everyone has time for).

With so many people involved in the production of your video content it can be overwhelming. You'll need to hire crew, cast and equipment for each aspect that carries a cost; not just when you're filming but also afterwards if needed.

Successful sourcing of the right talent can be one of the most stressful parts about filmmaking. It's important to understand what you want your video to achieve, because if it isn't clear then there won’t ever really be any progress made and we end up stuck wondering where things are going wrong without knowing why this happened in advance.

Final Thoughts

We can help you understand your brief and devise an effective video to reach your target audience. We have years of experience in condensing complex, abstract subject matter or personifying products with personality for more engaging content that will engage viewers on all levels - whether it's professional-sounding verbal communication from one individual about their company/product line; dramatic reenactments following narratives we designed especially tailored towards different audiences like children’s programming (with educational lessons) where they show how things work through trial & error until achieving success at last.

We are a leading animation studio in Toronto. Our services include 2D and 3D animation, storyboarding, character design, visual effects and more!

[laetro]

Ritaban Das: Storyboarding for Effective Storytelling

Character designer, illustrator and storyboard artist, Ritaban Das, elaborates on the significance of storyboarding to effectively tell a story and thus also shares insights from his decade-long experience in animation.

Ritaban Das is a character designer, storyboard artist and illustrator working in the animation industry for the last decade. He’s worked on a wide range of national and international 2D and 3D animated projects for platforms like Nickelodeon, Cartoon Network and Pogo. Recently, he shifted to Toronto, Canada for higher studies, looking to contribute his skills to the Canadian animation industry. He hopes to someday work on his own animated show.

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Q. How do you differentiate your approach between the roles of character designer, storyboard artist and illustrator?

Ritaban Das: At the end of the day it’s all interconnected; it all comes down to ‘story’. When I design a character, I start by thinking about what kind of personality the character has and their role in the story. I think about what I’m trying to communicate through the illustration. This helps me to figure out poses and expressions. As I’m drawing, I’m thinking about shapes, proportions and appeal. I also think about the composition of the illustration. When I make storyboards, I’m telling a story in motion by acting out the characters in them.

Q. What have been the greatest lessons you’ve learnt professionally and personally in your ten years of experience?

Ritaban Das: Draw what you like and the rest will fall into place. Only you know what motivates you.

Q. How did you find your calling to be an artist and, thereafter, how did you nurture your skills to hone your craft?

Ritaban Das: I’ve been drawing for as long as I remember and I’m always very passionate about it. To be very honest, I sucked at studies and my parents knew that very well. I remember spending most of my time with a box of chalk and slate gifted to me by my father. Like every other child, I also loved to sketch my favourite cartoons. I usually sketched these animated characters on the back pages of all my notebooks and also my classmates’ notebooks. It made me known amongst my seniors for my sketches.

That’s the only thing I was good at which I followed blindly. Honing my craft came from lots of practice. I draw almost every day. I also follow and study other artists’ work. Reading or watching their interviews, where they describe their work processes and the likes, helped me a lot to grow as an artist over the years. I try to open my eyes and ears to absorb everything.

Q. Could you take us through your process of how you envision a character and then execute it practically?

Ritaban Das: Being a Character Designer, most of my work is very much character-driven, blended with humour and very graphical too. I always try to convey some sort of story through every character or Illustration I make. I like to play with various shapes and silhouettes and usually keep things simple.

The character design process is, in a way, a combination of different things. I ask myself ‘Who am I drawing? What is his/her personality?’ I sometimes look at influential artists’ work to get some ideas or even start from a drawing I like and translate it into my style. Then, trying to forget those influences, I often start from scratch with a basic shape such as the face as it determines the rest of the character for me, then the body (this can be a circle, oval or even a pear shape – it all depends on the personality of the character I want to draw).

Q. Could you please elaborate on your current pursuit of higher studies and how you came to choose Canada for it?

Ritaban: I completed my studies at Humber College in 3D modelling & VFX and Graphic Design and got a job in an animation studio called House of Cool as a Story artist. I’m working on a very exciting project which will probably start airing next year.

I’ve always been well aware of the Canadian animation industry from the beginning and the kind of projects they do. I worked on a bunch of Canadian animation projects back in India.

We used to do a lot of outsourcing for studios here like Big Jump and Brown Bag Films. Canada’s animation industry always attracted me in terms of work culture, the kind of content they nurture, and the quality they produce, so I want to be a part of it.

“Whether you’re working on a commercial TV spot, web video or film, storyboards are an effective way to quickly tell a story. “

Q. What about the world of animation draws you towards it?

Ritaban: Animation is important because it enables us to tell stories and communicate emotions and ideas in a unique, easy-to-perceive way that both children and adults can understand. Animation has helped connect people throughout the world in a way that sometimes writing and live-action films cannot.

Today, anyone can pick up a drawing tablet and show their ideas to the world. Drawn figures can be funny, sad or serious. It can have a playful, less intimidating feel to it to make the viewer feel more comfortable. Often, it has simply served as a way to make a heart-warming story that makes you think.

Through live-action movies, people can form biases based on the appearance and real-life personality of an actor playing a character. But as an animated character, the character feels like their own being.

Q. What would you say are the most challenging aspects of working in the animation world and how do you tackle them?

Ritaban: Every project is challenging in different ways. The challenging ones are the projects where clients don’t have a clear understanding of their audience and outcome, goals or don’t have an investment or hierarchy for arriving at a consensus on feedback. The most challenging projects always boil down to size and scope and managing a team to produce the animation. Also, animating subject matter that I’m not interested in is challenging. But at the end of the day, we all survive because we all just love what we do.

Q. Could you take us through your process of creating a storyboard and highlight its most important aspects?

Ritaban: Whether you’re working on a commercial TV spot, web video, or film, storyboards are an effective way to quickly tell a story. A storyboard is a sequence of drawings that represent the shots planned for video production. It covers all of the major shots, angles and action of your film. The very first step is to read your script and visualise it as an audience would. As I go from scene to scene, I analyse the screenplay and decide how I want each scene to look.

A script breakdown tells you what storyboards you need to create. Then I start doing the rough thumbnails with all the necessary camera angles in Photoshop and chalk out the entire scene I’m planning to do. The important thing is to give anyone who looks at the storyboard a sense of space — where are the objects in relation to the space they’re standing in.

Once I finish locking the scene on thumbnail level, I pitch it to my art director or creative director and take their feedback. After passing the thumbnail phase, I start making the rough staging in Storyboard Pro and work on the required actions and move forward with the scene for the final animation. I might have to rework scenes over and over, combining different elements of the iterations until I finally have what the team is looking for.

Q. What ways do you apply to understand client needs better and thereby produce results that are in sync with them?

Ritaban Das : Whether I work in any studio or as a freelancer, I always listen to what clients need. Listening to your client will help you understand and retain the information you’re already receiving, even if it isn’t a formal meeting. You need to ask questions to identify needs and paraphrase what they say. It helps with clarification and to enhance your understanding of their needs.

Also, I bring new ideas to the table. I don’t hesitate to propose something other than what the client had in mind. You may have a better service in mind and, if nothing else, this again shows you’re listening and attempting to understand your client’s needs. Understanding client needs is one of the biggest challenges of any business but also one of the most important and rewarding tasks.

Q. Considering your range of work, could you please elaborate on significant projects and clients you’ve worked for?

Ritaban Das: Over the ten years of my career, I’ve worked on various national and international projects back in India for clients like Nickelodeon, Cartoon Network and Pogo. I’ve been part of the projects like “Camp WWE”, “F is for Family,” “Kuu Kuu Harajuku,” “Evan the Epic,” “Penn Zero: Part-time Hero,” “DC Superhero Girls,” “Cloudy with a chance of meatballs” (series), “Rhythm Warriors” (series-in production) and other numerous animated TV shows.

Q. According to you, in what direction should animation be exploring and progressing now?

Ritaban Das: Animation is an incredibly versatile medium that is widely used in many different forms today. Animated films are big business nowadays. Companies such as Disney have had enormous success producing animated children’s films for many years. Animated characters such as The Simpsons and The Flintstones have long been familiar visitors to our television screens. The future of animation looks to be on an interesting journey as the quality of films is becoming higher and higher. Most people would now aim for a 4k film. Also, they’ve been experimenting and coming up with new techniques of animation.

One of the interesting ones is Mix Media, a technique that Disney has been experimenting with for a few years is mixing CGI and traditional 2D animation. The idea is to create an animated film using CGI and then to draw over each frame to give it a hand-drawn quality. The computer gaming industry is also pushing the boundaries of what is possible with animation, leading to the creation of some extremely realistic game footage. Computer game animation has certainly come a long way from the 2D graphics of early arcade games.

Now computer game animators can build environments and objects that react to the player’s actions. The animation looks set to continue delighting audiences for many years to come. With animated films continuing to rise in the blockbuster charts, capturing hearts and imaginations, there is no sign of this genre coming to an end.

[videoproductioncomapny]

Top 3D Animation Services in Toronto | Creative Visual Solutions

Get engaging and impactful 3D animation services in Toronto with VCM Interactive. We specialize in creating visual experiences for your brand.

[faisalkhanlove]

Is there any free whiteboard animation software?

You wish to pick the very best computer animation firm for your company video clip, yet there are loads of choices. You can surely locate off-shore options for a few thousand bucks, and also you can surely discover premium carriers for numerous hundreds of bucks. Between there are some terrific (and also some simply great) alternatives at differing cost factors. Just how do you choose which one to deal with?

Spending plan is a great area to begin. That is why we have separated our suggestions by rate groups listed below. Company designs differ from group to group and we have defined the subtleties there too, so you recognize what to get out of each computer animation firm.

Why Do Intend to Aid You Locate the Ideal Computer animation Firm?

In the past we dive into a  worth and also profile contrast, we need to attend to the elephant in the room—isn't it odd that we are offering shouts bent on our competitors?

Many individuals could assume so. Yet we desire you to be certain that you are production the correct choice when you pick IdeaRocket. Our objective is to develop top quality computer animation that releases your message into orbit. We're respectable at it, if we do state so ourselves, however we're not the appropriate suitable for every service. When that is the situation, we desire you to discover the most effective computer animation firm for your spending plan and task. Why? Since we rely on the power of computer animation as well as we believe there is space at the table for everybody to prosper.

Nevertheless, we have not drawn punches. This listing consists of just the worthiest firms in each rate vary as well as we have been sincere regarding their toughness as well as weak points. Oh, and also we're leaving the home enjoyment firms off our listing entirely. Certainly the majority of organisations cannot manage to collaborate with Pixar.

Exclusive Agency-Client Workshops - $$$$

These firms commonly obtain their function from marketing and also advertising and marketing companies. Although they may periodically function straight with a firm, generally they do not market themselves straight to organisations. Their charges normally vary from the top 5 numbers to well into the six-figure range; the variety of individuals on their manufacturing groups can be as high as twenty or more.

Dollar Create: With workplaces in Brand-new York City, Los Angeles, and Sydney, Dollar Create was an computer animation giant for many years. They do not simply do computer animation, either, yet product packaging, tee shirts, publish, whatever. Here is a peek at the collection of brief movies they provided for Mailchimp Offers

Psyop: Established in Brand-new York City in 2000, Psyop currently has workplaces in Los Angeles also. Their specialized is premium, extremely outlined CGI work. They're the workshop behind Chick-Fil-A's well-known Xmas industrial "The Trigger" and also Coca-Cola's 2019 Extremely Dish Industrial highlighted listed below. They've ventured into web content and also video pc gaming systems as well.

Scholar: Started by Will certainly Johnson as well as William Campbell, Scholar began in Los Angeles previously increasing to Brand-new York. They operate in a range of strategies from online activity to CGI to standard computer animation. A number of those designs get on show in their advertisement for the 2020 Porsche 922.

These workshops do modern, stunning work that can possibly often go viral simply on the toughness of its awesomeness. Nonetheless, they run out allocate several brand names. These exclusive workshops usually function from ideas offered them by firms instead of functioning straight with organisations. Frequently, they'll do specification operate to win a large or respected job - and obviously, the set you back of their fell short specification pitches is amortized into task expenses.

Bottom-line: Exclusive workshops bill an exclusive cost and seldom work straight with brand names.  

Costs Direct-to-Business - $$$ This is our group. These business like IdeaRocket may occasionally deal with firms - in our situation, it is regarding a quarter of our organisation - yet are more made use of to functioning straight with organisations. That suggests we are concept-to-delivery homes, offering calculated recommendations as well as copywriting along with computer animation manufacturing.

The common job charge for these firms remains in the reduce 5 numbers. Normally, their manufacturing groups are tiny - normally 2 to 6 individuals.

IdeaRocket: That is us! We have innovative workplaces in NYC and London sustained by first-rate manufacturing solutions in Buenos Aires. While lots of international firms are making use of the unbelievable computer animation ability in Argentina by outsourcing, IdeaRocket is the just US-based computer animation workshop with its very own long-term manufacturing center in Buenos Aires. Our management and our society is both multilingual as well as multicultural, enabling a one-of-a-kind international fluency and also mixing of ability from all over the world. We're additionally an employee-owned business, so you can felt confident that every participant of our group has actually a rate of interest in your success.

Trial Duck: Trial Duck is a Chicago-based company that frequently obtains superb outcomes by outsourcing to exclusive musicians all over the world as well as providing excellent imaginative instructions. Established in 2011, they began off developing trial video clips as well as screencasts. Today, they provide both computer animation as well as real-time activity for a range of sectors.

Epipheo: Cincinnati-based Epipheo Workshops was among the initially business in the Explainer video clip market in 2009. They expanded a customer base thank you partly to a top quality articles program. A lot of their design was imitated to fatality by others yet Epipheo has continuouslied restore itself and also produce engaging function. They additionally very own Video clip Brewery, a lower-cost manufacturing system coordinating up manufacturing groups with consumers.

All-time low line: Costs companies assistance your video clip development procedure from idea to distribution. We function straight with brand names to provide costs video clip web content.

Mid-Tier Direct-to-Business - $$

These business usually (however not constantly) work with tiered cost frameworks: various rate degrees for various high quality degrees. If you can not manage a costs top quality item, these are the following ideal best alternative.

Demoflick: Started by Albert Berry in 2011, Boston-based Demoflick was just one of the leaders of the explainer video clip area. Their streamlined computer animation design is the appropriate selection for some brand names and also messages. They provide custom-designed computer animations along with application/software application demonstrations, educating, and business interaction video clips.

White boards Computer animation: Focusing on white boards computer animation, Whiteboardanimation.com is centered in Brooklyn, NY as well as Union City, NJ. They occasionally integrate white boards with various other methods such as 3d, to develop crossbreed techniques. Rates is based upon the intricacy of the video clip. You will pay a costs for shade and also smooth scene shifts. Their moms and dad workshop, ideaMACHINE supplies various other computer animation designs.

Yum Yum Computer animation: Buenos Aires has ended up being a hotbed of computer animation, with a lot of workshops (consisting of ours) touching the amazing skill there. Regarding I understand, Yum Yum is the just Buenos Aires-based workshop trying to market itself straight to US firms, although they likewise do some white-labeling for various other workshops.

Economic situation Direct-to-Business - $

Firms in this rate complete greatly on cost. The set you back here's 3 to 4 numbers each min. Although several of these service companies make believe not to, the majority of contract out their computer animation to India or Pakistan. The operate you access this rate vary is commonly common, as well as the develop has the tendency to be thin.

Broadcast2World: Broadcast2World is centered in India with a sales and advertising workplace in New Jacket. They use infographic computer animation along with typical 2D computer animation. You may see their item in mid-priced studio's portfolios since they white-label a great deal of their operate. They supply great worth, yet you may wish to care for the creating on your own.

Kukuzoo: Kukuzoo was started by Wear Radhay in Toronto, Canada. They began by aiding tale authors to develop personality layouts and also computer animations. In 2014, they transitioned to explainer video clips. Unlike many workshops, they are clear regarding their rates. Their create is threadbare, however their creating benefits the rate vary.

Freelancer Systems - $?

Can possibly you go more affordable yet? Certain, if you utilize a consultant system such as Upwork or Fiverr. Occasionally, business will search for organisation on these websites, yet regularly it's solo professionals. It's truly hard to discover a person that incorporates the abilities to compose a manuscript, create, and also animate a video clip, so you may should contribute some creating or at the same time, cobble with each other a group on your own. Yet indeed, it's feasible to produce a video clip this manner in which will set you back hundreds as opposed to hundreds of bucks.

As you can possibly see, picking the greatest computer animation firm for your company depends mainly on your spending plan. In my eBook, Being successful With Computer animated Video clip, I discuss how you can establish an allocate your computer animated video clip based upon anticipated expenses as well as predicted returns. Sign up with our e-newsletter to obtain your free duplicate!

Find out ways to handle an computer animated video clip task for your company:

How you can choose just what does it cost? to invest Getting buy-in from your company Selecting a service provider and design for your video clip Collaborating with your stakeholders Dealing with the innovative group How you can determine ROI on your video clip task Ways to advertise your video clip Maintaining metrics so you can possibly find out

Leading Messages

3 Means to Utilize Gifographics: Change Information Into Interesting GifsExperience Annecy 2021: A World Best Computer animation EventSpecialists Share Just how the Pandemic Modified the Form of AdvertisingOur Computer animated Video clip Manufacturing Procedure: From Suggestion to Orbit

[frederator-studios]

Austen Payne - The Frederator Interview

Austen Payne is a budding dungeon master, a storyboard artist at Smiley Guy Studios in Toronto, and a bonafide Cool Kid™. “One Hell of a Party,” the short she created with a team of fellow Seneca Animation 3rd years, is enjoying a glitter-glue coated festival run: it nabbed the Golden Reel Award at Nevada International Film Fest and Best Canadian Short at Toronto After Dark. “I didn’t know that was a category!” - Austen.

The positive response is no surprise to us - “One Hell of a Party” is one hell of a student film. Check it out above - then give a looksie to our convo with Austen, where we discuss the artistic merits of “Baman Piderman,” D&D as a crash course in storytelling, and the underrated genius of never giving up.

So what drew you (heh) to animation?

In high school, I was really into art and comics - and then I took a class on filmmaking, and I really loved it. Once I realized that animation was like the marriage of drawing and filmmaking, I was hooked. I went to Sheridan for fine arts for 2 years, then to Seneca for their 2D animation program.

What inspired “One Hell of a Party”?

In 1st year, I got sick with the flu, and one night really couldn’t sleep with a fever. So I was just laying awake, being really nice to myself and thinking about how I would never manage to come up with a whole story - I always think in shots, or scenes, but hadn’t ever thought of a real narrative. And then I just decided to do it, right then, fever brain and all. I thought about what I like, and I like demons. I thought about what you do with demons: you summon them. And I just kept like that, and by the end of the night, I had all of the story beats figured out. Then I held onto the idea super tight for 2 years, until 3rd year came around, when I pitched it to my class. And it was one of the ones we decided to make!

How did you decide you wanted to be a board artist?

I knew I wanted to board really early on. I mean, comics and films are my two favorite things! So I focused on it as much as I could in school, and there was some compromise involved. At one point, I just straight up didn’t do my assignment for board class, and brought my professor the boards that I was doing for an internship application. I was like “Well, I have this!” and he was just like, “Ah! This is great”. I got lucky.

That’s badass! Sounds like you had cool teachers?

Oh yeah - my boarding professors played a really important role. One of my most memorable moments was at the end of 1st year, actually. I had the BEST storyboard professor - super passionate about boarding, really cool, and loves teaching. I brought some stuff to him that I was working on, and was talking about how I knew that I wasn’t ready to apply to some position yet - and he just goes, “Oh I don’t think that’s true”. I was just like, “Whhaaa?”. He said that in a couple years, he thought I could be boarding professionally. It was the first time that anyone had said, “You can do this” to me - it was a moment that kept me going through school, and that I still carry with me. Oddly, it was my boarding professors who encouraged me to go for it - my teachers in other subjects said it was too hard.

Oof! Speaks to the power of discouragement… what else can you recommend to budding boarders?

Definitely keeping up with the best people who are working professionally, because it gives you a sense of the caliber of work that’s required.. Know what a professional board looks like (and they can look really diverse!) and research how board artists got where they are. Also, asking a lot of questions - your professors want to help you, and mentors are really important!  And lastly: don’t give up! It is really hard, really time consuming, and really competitive - but you know that going in. The fact is, it’ll never happen for you if you quit - and if you don’t quit, others will, while you keep improving - and then there will be better odds that it does happen for you then that it doesn’t!

Tactical! Enough work stuff, let’s talk parties. Does the short accurately depict Seneca’s scene?

Ha, I wouldn’t really know! I didn’t go to a single party the entire time we were working on “One Hell of a Party”! Sweet irony. The film definitely represents parties I’ve gone to - when I’ve done that sorta thing. Drinking just kinda makes me sleepy.

Saw you’re a D&D fan though! Any go-to character you play?

I’m usually a ranger, but lately I’ve been a DM, so I’m making up characters! I just created this awakened undead skeleton named Rook, who’s a very cheerful, pretty innocent sweetheart, for a skeleton. He gained sentience and came to hate the necromancer who brought him back to life to be a slave, so he ran away, learned magic, and then got revenge on his old master. Now he’s joining the story - my players just met him - but I can’t wait to play as him in another game!

Has DMing helped you with your storytelling skills?

Oh yeah - it’s helped me take a step back and approach humor in a new way, too! Like I listen to Critical Role and Adventure Zone, these D&D podcasts, and they’ve really influenced my comedy sense. Like laughing along with these guys, I wound up asking myself ‘Why do I find this stuff funny, and other stuff not?’. I’d never thought of comedy as something that you learn, but it really is! I’m honing my own sense of humor, getting a handle on it.

What are some elements, comedic or other, that you would bring to your own cartoon series?

I’m really interested in character acting - I love when characters have distinct ways of moving. I think there’s so much you can tell about a character through how they move. One of my favorite shows that does it so well is actually “Baman Piderman” - their characters feel more alive because of the attention put into their mannerisms.

“Baman Piderman” is a modern masterpiece. Any other favorite shows?

Oh geez, that’s a tough one. There are a lot. “Gravity Falls” - Alex Hirsch is a huge inspiration for me. “Fullmetal Alchemist” - both, though I like “Brotherhood” just a bit more. “The Misadventures of Flapjack”, “Rick and Morty”, “Steven Universe”, “Mob Psycho 100”, “Transformers Prime” - the 3d TV series - I like the “Transformers” franchise except for the movies.

What about favorite artists or writers or sundry creative humans?

Ahh! Okay, there’s so many. Ok: so Alex Hirsch for sure. James Roberts, a writer for IDW Transformers comics. Matthew Mercer inspired me to start DMing, and I’ve learned a ton about story from him. Dana Terrace, an incredible board artist / is amazing at everything. And Jenn Strickland, another awesome board artist and animator! Christine Liu and Lauren Sassen are two more amazing board artists. There’s Alan Ituriel (created “Villainous”) and Jhonen Vasquez who created “Invader Zim,” the first cartoon I was ever obsessed with. JN Wiedle is an awesome cartoonist and comics artist, and Bahi JD and Yutaka Nakamura are some of my favorite animators. I’m also super influenced by “Akira” and Studio Ghibli’s films!

Last query! Whatcha workin’ on?

Well aside from my work-work, I’ve got quite a bit going on! I’m developing two web comic ideas, and I’m doing the art for a comic called “The Goosefighter,” written by Marilyn-Ann Campbell, for Toronto Comics Anthology Vol. 5. It’s about a student who has a stand-off with a goose - so it’s about looking evil right in the face. Up my alley!

Thanks for chatting with us Austen, you rock! Looking forward to all of your upcoming projects!

- Cooper

[your-visual-connections]

Explainer video tips

Do you know?

Online Video Forecast report says that online users spend on average 47.5 minutes a day for video watching.

59% of executives prefer to watch a video rather than read text (Forbes)

 64% of consumers are much more likely to buy a product online after watching a video

These reports shows how much explainer video impact on business in modern days

 Read more about Explainer video:

https://animationstudiotoronto.blogspot.com/2020/03/tips-for-choosing-video-length-for.html

[my-continuumsoft]

Are you looking for affordable animators in Toronto, Canada? you're at the right place. we are best animators offerings worldclasss 2D and 3D animations across the globe at most competitive price.

[coolbloggerthings]

Why I Learned Storyboarding from Mike Kunkel

Animation Mentor: Tell us a bit about yourself!

Amanda: I got into the industry because I loved Looney Tunes. I thought I wanted to be an animator actually, but once I got my first job in 3D layout, I fell in love with it. When I’m not doing visual storytelling at work, I’m usually watching movies at home or practicing my verbal storytelling through D&D. When I want to switch up my creative outlets, I sew and when I start spending too much time hermitting in my apartment, my dog pulls me out of the house.

AM: Where do you currently work and what do you do?

Amanda: I’m a 3D layout and previs artist working in Toronto at Guru Animation Studio.

AM: What’s the most challenging project you’ve ever worked on at work and why?Amanda: We worked on a preschool show called Justin Time when I first started there and it was challenging because it was a hybrid 2D/3D show so you had to be really careful with the camera moves so you didn’t skew anything on screen.AM: What made you decide to take Storyboarding Fundamentals?Amanda: I’ve always loved storytelling and with my work in layout I’ve come to know visual storytelling rather well. Learning storyboarding seemed like a natural branch off from that kind of work so I was curious to try my hand in not only a completely 2D drawing experience but also getting to experience what it’s like to work without any visual guide for shots like I have in layout

.AM: What did you learn from the workshop?Amanda: The biggest thing I learned was how much one drawing can expression. If you plan it well and have strong posing, you can give the audience all kinds of information about what’s going on, even if it’s adding something to the background. The next biggest thing I learned is that actions require more frames of drawing than I expected, but it’s worth the effort in order to be clear. Also thumbnails are really worth the time. Quick drawings let you keep the flow of an idea going. Once the idea is out of your head you can go over it and switch things around and edit where you need to.AM: What was it like learning from Mike Kunkel?Amanda: One of my favourite things about Mike was how friendly and down to earth he was. It wasn’t intimidating at all to engage with him nor did it feel abrasive getting critiques from him.

AM: What’s the main thing you learned that you’ll use at work and/or in the future?

Amanda: My current job doesn’t have any drawing aspect to it, but I think I can better understand what a board artist is thinking now when I get their work on a production. It was also a good reminder that there are many ways to tell the same story so feedback can be really eye opening.

AM: What advice would you give students thinking of taking Storyboarding Fundamentals?

Amanda: I think this workshop is great for people who don’t have a lot of knowledge on what storyboarding is like or how many different careers could come from it, but don’t expect to be able to pick up everything you need to get employed as a board artist from this. This is a great course for dipping your toe in the water and seeing if you want to jump in. Also, I talk a lot about what I learned about drawing in this workshop because that was a big part of why I took the course, but Mike’s focus was on teaching us to be clear. It isn’t necessary to have great drawing skills in order to learn from this workshop. He also goes over shot types and some basic film language as well as setting up gags.

AM: What are your storyboarding goals for the future?

Amanda: Right now I just want to try my hand at being a storyboard revisionist, but I did enjoy our assignment on beat boards so I would be curious to explore that too. If I don’t end up getting into storyboarding professionally, I think this experience will help me with my own hobbies, like making short comics.

AM: What kinds of stories would you like to see more of in promotional animation?

Amanda: I’m a big fan of adventure stories and exploring, so more Indiana Jones or Tomb Raider kinds of stories would be awesome to see.

[coolanimationcompanies]

Animation studio from India

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E-mail: info@citrusinkstudios.com Address: Citrus Ink Studios Pvt. Ltd. D-59 Defence Colony, 2nd Floor New Delhi, India Phone: +91-99584-14747 / 95602-07000 Website: http://www.citrusinkstudios.com/