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Source: yoyochi50 on Instagram
#christmas#おうち吉野家#モニター#肉うまレシピ#obent_lunch_box#obento_every_day#obento_diary_jp#wp_deli_japan#kyarabenist#毎日お弁当日記#2_6キッズ#キャラ弁3150#フーディーテーブル#かりんほんぽ#曲げわっぱ2211#みよし漆器本舗#可愛いお弁当作りたい部#娘弁当#白米苦手っ子弁当#こっそり雑穀#クリスマス弁当#そぼろ弁当#コロッケ弁当#お弁当作り楽しもう#キャラ弁記録#obentobox#lunchbox#kyaraben#japanesefood#女子弁当
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昨夜のライブで今年は終了、1月以降の予定を。来年もソロから始めて、Topologicalに石川さんや山田さんとの共演など定期的にやっているライブの他、5年ぶりにイギリス人ドローン親父Kanalkrankと共演があります。しかも4つも。楽しくなりそうです。 ◇2025◇
●1/6(mon) Naoyasu Takahashi electric bass solo @ 江古田 Cafe Flying Teapot 高橋直康(b) https://slag0000.tumblr.com/post/765278863669460992/
●1/8(wed) Itsuro1×2_6+Topological @ 三軒茶屋 Heaven’s Door Itsuro1×2_6(vo, key) 高橋直康(b) 堀口隆司(dr) w/ Rika, TEYUN, Distant Socialites, 泥 https://slag0000.tumblr.com/post/770622898718310400/
●1/11(sat) Sound Between @ 江古田 Cafe Flying Teapot Lei Abe(voice) 油揚げ(beatbox) 高橋直康(b) https://slag0000.tumblr.com/post/765279232842760192/
●1/13(mon) DUO113 @ 江古田 Cafe Flying Teapot 石川寧(tp) 高橋直康(b) https://slag0000.tumblr.com/post/768202529794326528/
●1/15(wed) UTO UTO @ 高円寺 Oriental Force “Infinity Time Zero with Kanalkrank” Kanalkrank(g) 高橋直康(b) w/ Itsuro1×2_6, コトナシソ, P.O.V. https://slag0000.tumblr.com/post/767290747150090240/
●1/21(tue) TEN JAM @ 阿佐ヶ谷 天 UTOUTO[Kanalkrank(g) 高橋直康(b)] with 山田邦喜(dr)/小玉陽子(dance) w/ Yoichiro Shin (dr) https://slag0000.tumblr.com/post/769408438076899328/
●1/23(thu) UTO UTO @ 新大久保 Earthdom “THE NIGHT STRANGE” Kanalkrank(g) 高橋直康(b) w/ 今井和雄, 岸本淳一, NRYY https://slag0000.tumblr.com/post/769767135119556608/
●1/26(sun) UTO UTO unllimited @ 江古田 Cafe Flying Teapot UTOUTO[Kanalkrank(g) 高橋直康(b)] 石川寧(tp) 小���新(dr) https://slag0000.tumblr.com/post/767291096485314560/
●1/31(fri) TEN JAM @ 阿佐ヶ谷 天 林哲也(g) 斉藤圭祐(sax) 高橋直康(b) 山田邦喜(dr) w/ 河崎純(cb)+斉藤圭祐(sax) https://slag0000.tumblr.com/post/769375877411766272/
●2/1(sat) electric bass solo with KAGËNOG! @ 江古田 Cafe Flying Teapot 高橋直康(b) KAGËNOG!(浅井永久 堀口隆司) https://slag0000.tumblr.com/post/765279636221493248/
●2/3(mon) ??? @ 四谷三丁目 CON TON TON VIVO タイラハルカ(dance) 蜂谷真紀(voice, pf) 高橋直康(b)
●2/9(sun) VARRISPEEDS @ 早稲田 RiNen “SKRIPT Vol.18” w/ As If, ジョズエ, 蛇腹SLASH https://slag0000.tumblr.com/post/771260353561739264/
●2/13(thu) TEN JAM @ 阿佐ヶ谷 天 田中直美(dance) 高橋直康(b) 川サキ(dr) 山田邦喜(dr) w/ 加藤一平(g) tsubatics(b) ノブナガケン(dr) https://slag0000.tumblr.com/post/770949333198733312/
●2/19(wed) Itsuro1×2_6+Topological @ 三軒茶屋 Heaven’s Door Itsuro1×2_6(vo, key) 高橋直康(b) 堀口隆司(dr) w/ TBA…
●2/28(fri) ZOZOZEZE @ 江古田 Cafe Flying Teapot 高橋直康(b) 藤ヨシア(b) 小川新(dr) https://slag0000.tumblr.com/post/771009090888630272/
●3/7(fri) Naoyasu Takahashi electric bass solo @ 江古田 Cafe Flying Teapot 高橋直康(b) https://slag0000.tumblr.com/post/767291566458093568/
●3/16(sun) HIRU no TEN @ 阿佐ヶ谷 天 TBA…
●3/16(sun) TEN JAM @ 阿佐ヶ谷 天 林哲也(g) 高橋直康(b) 山田邦喜(dr) w/ 川サキ×嗚咽民 https://slag0000.tumblr.com/post/770199379397230592/
●3/30(sun) TEN JAM @ 阿佐ヶ谷 天 高橋直康(b) 山田邦喜(dr) and more…??? TBA…
●4/11(fri) Naoyasu Takahashi electric bass solo @ 江古田 Cafe Flying Teapot 高橋直康(b) https://slag0000.tumblr.com/post/771011062038413312/
●5/6(tue) VARRISPEEDS @ 吉祥寺 SILVER ELEPHANT TBA…
#Live#Improvisation#Rock#Hiphop#Alternative#Avantgarde#Experimental#Ambient#Naoyasu Takahashi#electric bass solo#Itsuro1×2_6+Topological#ZOZOZEZE#VARRISPEEDS#高橋直康
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Highly Recommend for 2_6 yo Here
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https://www.crazydaysandnights.net/2024/12/blind-item-2_6.html?m=1
This is pure fanfiction. His friends didn't abandon him and there was no one to make jealous. Was he wrong? Yes, but why make up this shit? What's wrong with this fandom? Is anyone healthy?
I’m beginning to wonder the same 🤔
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Indigenous and Ecological Design
Today I have invested my time to learn about indigenous and ecological design. Even though when picking the topic in class I didn't feel like the two are necessarily connected, once I started reading about them I realised that they are strongly interconnected, building upon each other.
In this finding the following paper https://link.springer.com/chapter/10.1007/978-90-481-2501-2_6#:~:text=Ecological%20design%20can%20be%20defined,flows%2C%20cycles%2C%20and%20patterns. Ecological Design And Retrieving The Environmental Meaning by Hande G��ltekın, helped me tremendously.
In ecological design practices we rely on indigenous design, going back in time, understanding our environment and ways of nature. Furthermore, learning how 'we' used to do it, connecting with the environment and ourselves, giving the ode to the ancestors, or ancestors of other cultures, respecting their heritage and listening in on what they have to say.
Here are some examples that embrace both design directions:
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Throwback: Ecological Design
Last time (before Easter break🐰) we, Christina, Iryna, Renate & I, had a presentation on Ecological Design. We focused on several topics:
What is it anyway?
"Ecological design can be defined as any form of design that minimizes environmentally destructive impacts by integrating with living processes, nature's own flows, cycles and patterns." https://doi.org/10.1007/978-90-481-2501-2_6
Goals
To create designs that use fewer resources and reduce waste. https://youmatter.world/en/definition/definition-eco-design-examples-definition/
History & Development
Here we have listed some "milestones" in Ecological Design over the past decades. For example:
Examples & Case Studies
Examples abound, we've picked out the following here:
Green roofs (more plants in cities, less heat, …).
Permeable paving (allows water to seep into the ground)
Renewable energy systems (solar, wind, water, …).
As a case study, we took Shanghai Houtan Park. This purifies more than 600,000 gallons of polluted river water daily through purely biological processes. https://events.development.asia/system/files/materials/2015/05/201505-shanghai-houtan-park-landscape-living-system.pdf
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club Doctor, Purifiva, Pataphysique Records, eyeliner Presents 6bodies60minutes6months vol.11 2023.3.7(火)8(水)9(木) 各日開場19:00 開演19:30 料金¥2000+D 3日間通し券¥3000 2023.3.7(火) Minimal Explosion (村上常博, 宮崎理絵, 沢田守秀, 狩俣道夫, Sachiko) Itsuro1×2_6+Topological (Itsuro1×2_6, 高橋直康, 堀口隆司)
2023.3.8(水) 紅絹(Yuka Ijichi + どろんこ) うすらび(利光暁子+川口雅巳+諸橋茂樹)
2023.3.9(木) 山崎怠雅+野口英律+南部輝久 色硝子(ルイス稲毛, 皇帝ペンギンパラダイス, 南部輝久)
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TRANQUILO HEMP OIL The best quality at the best price. IT’S THAT SIMPLE ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ #2_6 #houston #designerweed #carlislepa #cbdvapeoil #cbdcartridge #hummusisyummus #arthritis #vapethc #cartridge #distillate #crushit #brookvilleindiana #antiinflammatory #hempoilreviews #HighBloodPressure #LowBloodPressure #CardioVascularSystem #Cardiovascular #CardiovascularDisease #CardioVascularHealth #Cardiology #doctors #nurses #forourpatients #RootCause #BoostYourHealth #HealingFoods #NourishingFoods #Hypertension (at Springfield, Illinois) https://www.instagram.com/p/B-czcJQF18K/?igshid=1rapsylywubtc
#2_6#houston#designerweed#carlislepa#cbdvapeoil#cbdcartridge#hummusisyummus#arthritis#vapethc#cartridge#distillate#crushit#brookvilleindiana#antiinflammatory#hempoilreviews#highbloodpressure#lowbloodpressure#cardiovascularsystem#cardiovascular#cardiovasculardisease#cardiovascularhealth#cardiology#doctors#nurses#forourpatients#rootcause#boostyourhealth#healingfoods#nourishingfoods#hypertension
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●Itsuro1×2+6/Naoyasu Takahashi - Phase (2020) 1. Phase The Beggining 2. Phase The Collapse 3. Phase The End To The Beggining 4. HamonHamonHamon release date: April 20th, 2020 release style: Digital performance: tsuro1×2_6(vocal, keyboad, sampler), Naoyasu Takahashi(electric bass) recorded at Cafe Flying Teapot recorded, mastered, artwork: Naoyasu Takahashi UNDO-0005 unexamined doodle record https://unexamineddoodle.tumblr.com/ (c) 2020 Itsuro1×2_6/Naoyasu Takahashi except track4 "HamonHamonHamon" composed: Itsuro1×2_6 (monochrome vision recordings) www.monochrome-vision-recordings.com (c) 2020 Itsuro1×2_6 Digital album is available on bandcamp. https://unexamineddoodle.bandcamp.com/album/phase
#unexamined doodle record#Itsuro1×2_6#Naoyasu Takahashi#release#Improvisation#Experimental#Avant-garde#Post Rock
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3.29.2020 @Asagaya Harness open 18:30 start 19:00 adv 2000yen door 2500yen + drink act: Sachiko, itsuro1×2_6, Reiko.A
Acoustic Live Bar Harness 2-18-9-B1 Asagaya Minami Suginami-ku Tokyo, Japan 03-6454-6277 http://livebarharness.web.fc2.com/
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#910 #jetski #EasterSunday #funstuff #imagesbystonevideo #2_6 #CapeFearRiver #wetandwild #needforspeed #sunnyandbreezy
#sunnyandbreezy#wetandwild#jetski#2_6#imagesbystonevideo#capefearriver#910#eastersunday#funstuff#needforspeed
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Source: yoyochi50 on Instagram
#obent_lunch_box#obento_every_day#obento_diary_jp#wp_deli_japan#kyarabenist#2_6キッズ#フーディーテーブル#かりんほんぽ#こっそり雑穀#キャラ弁3150#毎日お弁当日記#曲げわっぱ2301#こどものお弁当#可愛いお弁当作りたい部#ちいかわ弁当#娘弁当#白米苦手っ子弁当#お弁当作り楽しもう#みよし漆器本舗#キャラ弁記録#娘のお弁当#obento#lunchbox#kyaraben#japanesefood#社会人のお弁当#そぼろ弁当#こにぎり
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来年最初のTopological。先日の初企画は、とても良い感じに終えることができたし、無事アルバムもリリースされたので、来年も引き続き。 ●2025-01-08(wed) 三軒茶屋 Heaven’s Door
act: Itsuro1×2_6+Topological [Itsuro1×2_6(vo, key) 高橋直康(b) 堀口隆司(dr)] Rika TEYUN Distant Socialites 泥
open 18:30 / start 19:00 adv 2500yen / door 2800yen
#Live#Rock#Alternative#Hiphop#Sangenjaya#Heaven's Door#Itsuro1×2_6+Topological#Itsuro1×2_6#Naoyasu Takahashi#Takashi Horiguchi#三軒茶屋#イツロウ1×2_6#高橋直康#堀口隆司
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Week 6
This week I got to keep doing more of the worldbuilding/flavor assets. That means that in addition to doing artwork, I also got to do some writing!
We needed a gossip magazine to talk about Beverly and Alfred’s marriage, so I made a parody of a specific 1950s tabloid for the game. The headline on the top is a reference to our original game prototype, which I also wrote.
I did some research and found out that in the 1940s, a lot of wedding photos were taken in the back seats of cars. I’m not entirely sure why, but I thought it was a cute detail to include.
We also wanted to have a magazine of Beverly showing her back when she was a model-- a little bit younger, just to show a side of her that we won’t see in the game.
While I had a lot of fun on this assignment, I don’t think I’ll be able to do something like this again. It was a lot of work, and my tablet broke, which left me really pressured for time. I’m taking a much lighter workload next week.
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Wednesday, 13th April: John Knightley comes
Read the post and comment on WordPress
Read: Vol. 2, ch. 16 (34); p. 190 (“The event was more favourable” to “even Emma’s vexation”).
Context
Mr. John Knightley arrives at Hartfield for a stay of two days; the children will stay “some weeks.” Mr. Weston is unexpectedly summoned to town and must leave.
We know that this occurs the day before the dinner party, as John is staying “forty-eight hours,” including “one full day”; thus he arrives the evening of the day before and leaves the afternoon of the day after the party.
Readings and Interpretations
No Business Like No Business
The reason for Mr. Weston’s summons to London is unclear; unlike Mr. John Knightley, who last year had to “be in town again on the 28th” of December (vol. 1, ch. 9; p. 52) due to his work (most likely as a barrister), Mr. Weston has “realized an easy competence” (vol. 1, ch. 1; p. 9) and retired from his work in trade to lead a “gentlemanly, leisurely” life (Drum, p. 102; see also Hume, p. 55).1 The matter may be personal, or it may be a legal or financial one to do with his estate or his fortune—though Randalls as a “little estate adjoining Highbury” (vol. 1, ch. 1; p. 8) is unlikely to be an agricultural producer as Donwell is.2
David Monaghan points out Emma’s socially responsible reaction to the news: “although she personally laments the loss of Mr Weston, Emma’s main reaction is one of relief that the party is again of a size to suit Mr Woodhouse” (p. 130).
Footnotes
Alice Drum writes that “[o]n his visits to Hartfield […] [Mr. John Knightley] is generally on a tight schedule and required to return to London on specified dates, which suggests the imperatives of the barrister, who must appear in court” (p. 102). This position is “more highly respected” than that of a solicitor (ibid.).
John Knightley, in an indignant reaction to Mr. Weston’s walking to Hartfield on the evening of the 14th that is almost wholly projection of his own routine and desires, considers that Mr. Weston has been gone on “a day of business in London” (vol. 2, ch. 17 [35]; p. 197). This would contradict the idea that Mr. Weston’s life is entirely one of leisure.
Bibliography
Austen, Jane. Emma (Norton Critical Edition). 3rd ed. Ed. Stephen M. Parrish. New York: W. W. Norton & Company, [1815] 2000.
Drum, Alice. “Pride and Prestige: Jane Austen and the Professions.” College Literature 36.3 (Summer 2009), pp. 92–115. DOI: 10.1353/lit.0.0066.
Hume, Robert D. “Money and Rank.” In The Cambridge Companion to Emma, ed. Peter Sabor. Cambridge: Cambridge University Press (2015), pp. 52–67.
Monaghan, David. “Emma.” In Jane Austen: Structure and Social Vision. London: Macmillan (1980), pp. 115–42. DOI: 10.1007/978-1-349-04847-2_6.
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Enty confirmed this was Cole on his podcast last night.
https://www.crazydaysandnights.net/2021/05/blind-item-2_6.html?m=1
What a total dick.
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