#24-200mm F2.8-4.5

[adayinthe2ndlife]

05/03/2023 - A Day in The Life

[gonzoglass]

The Opening Salvo, Cheap Glass For NIKKORheads! headache-induced rambling.

A journey of a thousand miles begins with a single step – Chinese proverb.

Nikon is probably one of the cheapest Camera brands to get into these days. That's mainly due to the fact that the F mount contains some of the most illogically cheap glass ever seen on a system to date! But there really hasn't been anyone trying to make a modern day, comprehensive list of all of the little buggers that exist. This is frankly due to the ever growing fact that there is too many lenses for one person to trouble themselves with because there can only be so many styles, focal lengths and F-stops one can touch on before they themselves become absolutely stone-mad and try to eat the canvas bag that holds your camera. There are people that review them as they come along and itemize them and props to those who can put up with that kind of cheap bullshit. But I’ll not bring Ken Rockwell into this whole charade if I don't have to.

Black-eyed Susans - Nikon D3, Nikkor AF-D 80-200mm F2.8 one touch, ISO 400, F3.2, 1/400 second

With the Glass Problem I have, it seems that i have no real basis to try and hunt for the Good pieces of shiny Circular Goodness on my own. Ken Rockwell can help as a sort of basic bitch barometer but his Certified Hot Takes and Oversaturated images can only carry me so far. The best thing I can do then, Really. Is get grounded and try to cope with what I can get to and throw out the rest as cheap bullshit for the hounds to go after. 1987 and beyond Glass that can actually be worth a Damn. But the method of finding the diamonds in the rough can roughly be equated to going Landmine-Hunting with a sledgehammer.

Forest Corridor. Nikon D3, AF-D Nikkor 18-35mm F3.5-4.5 ED, F9, 35mm, 1/500sec, ISO 640

With all of this and the above rambling, it feels like the best idea to me is to get some grounding on the opening of this Shameful Diary is to itemize the pros and cons of the glass I already have as I step up to get their newer counterparts alongside picking up some of the old, manual AI and AI converted numbers. Why not? It makes perfect sense to me. “Catalog what you know, pick up on what you don't” Maybe Ill Improve in this hobby for once in my life. But the immediate problem that I ran into with that angle is twofold. One; my collection of glass can best be described as “Eclectic” And two, if I really want to wring the potential Max Performance out of these shiny glass cylinders my brain is screaming at me that I should get a camera with a higher megapixel sensor inside of it. This idea gets constantly brought up by the council of mad gerbils that tens to run my inner thoughts, but is immediately shot down by the idea that the camera we would “like to step up to” the D850, does not supersede bills. So its immediately thrown out until I can cope with buying its just-as-capable cousin, the D800.

Dog! Nikon F4S. Ektachrome E100 Before I veer off into any tangents or this manic wave passes over me and ill be left in a catatonic slump. Ill itemize a few of the repeat Photon-Wranglers that will show up here and mention some of the glass I hope to gather and show off. In the vein hopes of becoming a niche internet micro-celebrity on a dead website that had strange porn on it coming out through the eyeballs. This is what I get for not bothering to make a proper website. But once again, things like that cost money, which i don't tend to have a lot of for long periods of time. mainly all of it is spent on fanciful trips or restocks on film, not to mention development of the buggers. But anyway!

Repeat appearances will include the; Nikon D3 Nikon F4S Nikon D800/D850 (When purchase of either is applicable) Nikon F FTN Eventual Glass Purchases;

AFS Nikkor 24-120mm F4 G type AFS Nikkor 50mm F1.8 G type AF-D Nikkor 24mm F2.8 AF-D Nikkor 35mm F2 AF-D Nikkor 300mm F2.8 ED

AFS Nikkor 200-500mm F5.6 ED VR E type Vogitlander Nokton 58mm F1.4 SL-2 S AFS Nikkor 300mm F4 D type AFS nikkor 28-300mm F3.5-5.6 G type Among others.

But as I Shuffle through the Glass I have in an effort to either Sell or keep them Maybe some special moment will arrive that will make me think that all of this spent money on glass, film development, digital bodies and endless hours working out how the fuck a modern flashgun works or how to edit my RAW files like i know what im doing will be all worthwhile. Or it will make me want to travel back in time and throttle whoever designed the AF-D 80-200mm F2.8 one touch to have its’ focal length be changed by jerking off the main section of the barrel.

Atlas 1/8/2024

[thephoblographer]

3 of the Best Lenses for the Canon EOS R3 (We Tested Them)

They're fast.

The Canon EOS R3 has been out for a little while now, and we’ve already reviewed it! It’s seriously one of the best cameras you can get, and there are great reasons for that. Besides introducing a few cool innovations, photographers will love the fact that there are so many good lenses for it. So we dove into our reviews index. In fact, we’ve reviewed almost every Canon RF lens out there. And…

[conormcdonnell]

I haven’t done a kit pic in a while. Got some new gear recently so here it all is! If you could pick just 3 which would you pick? Nikon d850 x3 Nikon Z7 Nikon Z6 x2 Nikon DF Nikkor 8-15mm f3.5-4.5 Nikkor 14-24mm f2.8 Nikkor 50mm 1.8 Nikkor 105mm f2.8 Nikkor 24-70mm f2.8 VR Nikkor 24-70mm f2.8 Nikkor 70-200mm f2.8 VR Nikkor 200-500mm f5.6 VR Nikkor 180-400mm f4 VR Nikkor S 24-70mm f4 x2 Nikkor S 35mm f1.8 Nikon AF-S 1.7x teleconverter Nikon SB-5000 speedlight Nikon coolpix A900 @nikonuknordic @nikoneurope — view on Instagram https://ift.tt/2wlXPB4

[suchkov]

No. 885. Летняя зарисовка 04.06.2020, Sony DSC-RX100M6, 24-200mm F2.8-4.5, 73 mm, ISO 125, f 8.0, 1/60, 5 frame pan #dtmas #foto_blackwhite #loves_noir #greatestbnw #blacknwhite_perfection #best_bnw_archive #ig_great_shots_bnw #bnw_shot #world_bnw #princely_bw #bnw_captures #blackandwhiteisworththefight #awesomebnw #flair_bw #bnw_demand #bw_divine #bnw_igers #rsa_bnw #bnwcommunity #all_bnwshots #bnw_rose #Akromatism #heart_imprint #prestige_pics_ #wwwnatures_silhouette https://www.instagram.com/p/CBAvFEeKIcS/?igshid=81qzuzsoc9tw

[wiadomosciprasowe]

Nytt og enda sterkere kompaktkamera fra Sony – nå introduseres RX100 VII

https://www.y6.no/nytt-og-enda-sterkere-kompaktkamera-fra-sony-na-introduseres-rx100-vii/

Nytt og enda sterkere kompaktkamera fra Sony – nå introduseres RX100 VII

Dato: 25-07-2019 16:10 CEST Opprinnelig tittel på pressemeldingen: Nytt og enda sterkere kompaktkamera fra Sony – nå introduseres RX100 VII Kategori: , Livsstil, mote, fritid Vitenskap, teknikk Detaljhandel Sony today announced a new addition to its award-winning series of RX cameras with the launch of the RX100 VII (model DSC-RX100M7). Utilising technologies developed for Sony’s full-frame mirrorless camera Alpha 9, the RX100 VII achieves new levels of performance in a compact camera, in both stills and movie shooting, inspiring the user to feel confident that they are armed with professional-level power in their pocket for spontaneous shooting in everyday life.

Newly developed 1.0-type stacked 20.1 MP[i] Exmor RS™ CMOS image sensor with DRAM chip and latest generation BIONZ X™image processor Alpha 9-level speed performance with up to 60 AF/AE tracking calculations per second[ii] and 20fps[iii] blackout-free shooting[iv] with AF/AE tracking World leading[v] 357-point focal-plane phase-detection AF + 425-point contrast-detection AF with world’s fastestv 0.02 sec[vi] high AF speed Real-time Tracking and Real-time Eye AF for humans and animals[vii] ZEISS® Vario-Sonnar T* 24-200mm[viii] F2.8 – F4.5 Large Aperture High Magnification Zoom Lens New ‘Single Burst Shooting’[ix] Drive Mode at up to 90fps[x] speed Pro-level movie functionality including 4K[xi]HDR (HLG)[xii] , Real-time Tracking and Real-time Eye AF for movie shooting, 4K Active SteadyShot™,Vertical-position data recording for movies and integrated microphone jack

Sony today announced a new addition to its award-winning series of RX cameras with the launch of the RX100 VII (model DSC-RX100M7). Utilising technologies developed for Sony’s full-frame mirrorless camera Alpha 9, the RX100 VII achieves new levels of performance in a compact camera, in both stills and movie shooting, inspiring the user to feel confident that they are armed with professional-level power in their pocket for spontaneous shooting in everyday life.

The RX100 VII is powered by a newly developed 1.0-type stacked Exmor RS CMOS image sensor and the latest generation BIONZ X image processor. This combination delivers new levels of autofocus performance and achieves speed breakthroughs that have previously only been seen on the Alpha 9. Flexibility of shooting is ensured by a ZEISS® Vario-Sonnar T* 24-200mmviii F2.8-4.5 high magnification zoom lens, making the RX100 VII a versatile choice for all types of shooting scenariosand users, from photo enthusiasts to professionals.

New standard for AF performance in a Compact Camera

The RX100 VII offers a world leadingv 357 focal-plane phase-detection AF points and 425 contrast-detection AF points.In addition, thanks to a newly optimised lens drive control, world’s fastestv 0.02 secviAF acquisition time is realised. A major leap in AF/AE tracking performance during continuous shooting[xiii] means the camera performs AF/AE calculations up to 60 times per secondiiand captures fast moving action at 20fpsiii with AF/AE tracking, ensuring that each moment is shot with swift and accurate focus.

In addition, the image sensor realises blackout-free shootingiv for a completely live view, even when continuous shooting at 20fpsiii; the same experience as the Alpha 9.The RX100 VII also debuts a new drive mode, Single Burst Shootingix, for capturing the perfect high-speed shotat up to 90fpsx in JPEG/RAW format utilising the anti-distortion shutter. ‘Single Burst Shooting’ix allows the photographer to frame fast moving action and shoot as if taking a single shot but the camera will actually deliver 7 still images, taken at 90fps, 60fps or 30fps, so the user can select the perfect moment.

For the first time in a compact camera, the RX100 VII introduces advanced ‘Real-time Tracking’ and ‘Real-time Eye AF’ capabilities. ‘Real-time Tracking’ utilises Sony’s latest algorithm including artificial intelligence-based object recognition to ensure that subjects can be captured with excellent accuracy, even via the touch panel on the rear screen. ‘Real-time Eye AF’, the latest version of Sony’s acclaimed Eye AF technology, employs AI-based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF for both humans and animalsvii, and allows the photographer to concentrate exclusively on composition[xiv].

Movie-Making Marvel

The compact and lightweight characteristics of the RX100 VII (approx. 302g / 102mm x 58mm x 43mm[xv]) mean it can always be carried around and can be mounted in places that larger cameras cannot. But its small factor belies a multitude of pro-level movie-making capabilities perfect for on-the-go shooting such as vlogging:

-4K in-body movie recording with full pixel readout and no pixel binning in high bit rate XAVCS™xi -Real-time Tracking and Real-time Eye AF for video -4K Active SteadyShot that is 8x more effective than 4K Standard SteadyShot[xvi] -Integrated Microphone input[xvii] -Hybrid Log-Gamma (HDR) / S-Gamut3.Cine / S-Log3, S-Gamut3/S-Log3 -Compatibility with ‘Movie Edit add-on’ from the ‘Imaging EdgeTM’ mobile application for movie stabilisation and editing -Vertical-position data recording for movies[xviii] -Interval Shooting[xix] for stunning time-lapse videos -Super Slow Motion[xx] recording at up to 1000fps -180-degree flip screen for ease-of use whilst vlogging

“The RX100 VII sets new standards for both photography and videography in a compact camera and we are confident that its phenomenal speed and AF capabilities will be very well received by customers,” said Yann Salmon Legagneur, Director of Product Marketing, Digital Imaging, Sony Europe. “Users will feel the reassurance that that they have the power of an Alpha 9 in their pocket, in compact form, so they can trust this camera in any given situation.”

New Jacket Case for the RX100 Series

Sony has also introduced a new black leather-look body case for the RX100 series(LCJ-RXK) which includes a lens jacket and shoulder strap to protect the camera from bumps and shocks. It provides easy access to the microphone jack and USB terminal which enables charging and image transfers without the need to remove the case.

Pricing and Availability

The RX100 VII and LCJ-RXK will ship in Europe in August 2019.

Recommended Retail Price 13.000 NOK

For full product details, please visit:

RX100 VII: https://www.sony.co.uk/electronics/cyber-shot-compact-cameras/dsc-rx100m7

LCJ-RXK: https://www.sony.co.uk/electronics/cyber-shot-compact-cameras-cases-covers-straps/lcj-rxk

A product video on the new RX100 VII canbe viewed here.

A variety of exclusive stories, videos and exciting new content shot with the newest cameras and other Sony α products can be found at

https://www.sony.co.uk/alphauniverse. Sony’s European photography hub is available in 22 languages and details product news, competitions and an up-to-date list of Sony events in each country.

About Sony Corporation

Sony Corporation is a creative entertainment company with a solid foundation of technology. From game and network services to music, pictures, electronics, semiconductors and financial services – Sony's purpose is to fill the world with emotion through the power of creativity and technology. For more information, visit: http://www.sony.net/

[i] Approximate effective megapixels

[ii] When using the electronic shutter; effective when the shutter speed is 1/60 or above

[iii] When using the electronic shutter with "Continuous shooting mode: Hi". Effective when the shutter speed is 1/60 or above

[iv]Effective when using electronic shutter. The slower the shutter speed, the lower the refresh rate of the screen

[v] Among fixed-lens digital still cameras with 1.0-type sensor. As of July 2019, based on Sony research

[vi] CIPA standard, internal measurement, at f=9.0mm (wide-end), EV6.6, Program Auto, Focus mode: AF-A, Focus area: Centre

[vii] Real-time Eye AF for Animals supports still images only, and cannot be used in combination with tracking. Does not work with some types of animal. Focusing may not perform well depending on scene and subject conditions

[viii] Angle of view (35mm format equivalent)

[ix] Seven still images are shot per burst. Focus and exposure are fixed at the first shot

[x] When Drive Mode is set to “Single Burst Shooting: Hi”

[xi]3840×2160 pixels. A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps. When “Auto Power Off Temperature” is set to “Standard”, continuous shooting is possible for about 5 minutes

[xii] Connect this product to an HDR (HLG) compatible Sony TV via a USB cable to display HDR (HLG) movies

[xiii] Compared to RX100 VI

[xiv] Both right eye and left eye are selectable, either via the menu or by the touchscreen panel

[xv]Width x Height x Depth

[xvi] Image compensation angle at wide-end (Comparison with 4K standard mode)

[xvii] Attaching a mic without the Shooting Grip Kit requires an optional accessory

[xviii] In-camera movie playback is in the horizontal position. Whether or not movies are displayed in the vertical position depends on your device

[xix] Wi-Fi does not work during interval shooting

[xx] Audio recording is not available. A Class 10 or higher SDHC/SDXC memory card is required

[xxi]One included with RX100 VII body

Kilde: Pressekontor – PRESSEMELDING –

————

Hashtags: # #Livsstil, mote, fritid Vitenskap, teknikk Detaljhandel Livsstil, mote, fritid Vitenskap, teknikk Detaljhandel

[yahoo-twnews-3cevents]

Canon雙新機搶攻網紅 支援YouTube直播串流

來源：卡優新聞網

記者 溫子豪 報導

搶攻「網紅經濟」，Canon今(8/1)日發表「直播神器」與「圈粉神機」等2款類單眼相機。不僅體積輕巧，還能拍攝4K無裁切影片，更支援YouTube直播串流；Sony則開賣Cyber-shot RX100第7代成員RX100 VII，具有0.02秒自動對焦速度，能無像素合併拍4K影片，瞄準「影像創作」市場進攻。

儘管消費型相機市場正在萎縮，不過隨著網路影像創作興起，手機相機品質已無法滿足「網紅」需求。Canon上市2款高畫質類單眼相機，包括「直播神器」PowerShot G7 X Mark III與「圈粉神機」PowerShot G5 X Mark II，雙機輕巧適合隨身攜帶出門，且均搭載全新1吋層疊式CMOS影像感測器，以及最新DIGIC 8第8代影像處理器，並支援拍攝4K無裁切影片。

其中「直播神器」PowerShot G7 X Mark III搭載Canon最新24-100mm f/1.8-2.8大光圈4.2倍光學變焦鏡頭，除了能拍攝30P 4K影片外，還有4K縮時影片、HDR短片與Full HD等多種影片拍攝模式，並支援3.5mm收音麥克風與USB充電，更是首款支援TouTube直播串流的相機，適合社群影音創作族群使用。

「圈粉神機」PowerShot G5 X Mark II使用f/1.8-2.8大光圈5倍光學變焦鏡頭，焦距提升至24-120mm，內建光學影像穩定器與NG濾鏡，快門最高可達1/25600，配備有彈出式EVF電子觀景器，還能直接在控制轉盤執行曝光補償。在RAW連拍模式下，平均每秒最多30張速度下可連續拍攝最多70張照片，適合網紅、網美選購。PowerShot G7 X Mark III建議售價19,900元、PowerShot G5 X Mark II售價23,900元，9月底前購買G5 X Mark II加贈原廠電池。

Sony Cyber-shot RX100 VII正式登場，延續前代機種的長鏡頭焦段設計，搭載ZEISS Vario-Sonnar T*24-200mm F2.8-4.5大光圈高倍率光學變焦鏡頭，配備2,010萬有效像素的1吋堆疊式Exmor RS CMOS感光元件，以及優化BIONZ X影像處理器。提供 0.02秒自動對焦速度、20fps無黑屏高速連拍功能，「單連拍拍攝」最高可達90fps，還能以全像素讀取無像素合併拍攝4K影片，將於近期在台開賣。

Canon PowerShot G5 X Mark II、G5 X Mark II規格，如下表：

原文出處

Canon雙新機搶攻網紅 支援YouTube直播串流

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[whatisaccesscontrol]

Types of lenses for landscapes cameras

Canon Lenses for Landscapes Photography:

In order to get high quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra wide angle zoom with dynamic expression capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[cameratoyou]

*!@# Sony DSC-RX100 VI Digital Camera w Zeiss 24-200mm F2.8-4.5 Lens *PRESTINE* https://ebay.to/2OlxCrq

[whileiamdying]

Francesco and Giorgio, aka Montanus, decided to dedicate a video-tribute to the land where they were born and still live, celebrating the magnificent mountains where their desire to explore the wilderness has grown. ‘Home Wild Home’ is the latest film by Montanus, but it doesn’t tell of an expedition in a remote land like those they made in Patagonia and Iceland. Montanus duo created a sort of tribute in honor of their own land, filming the backyard trails that link their hometown L’Aquila, in central Italy, with the massif of Gran Sasso d’Italia, where highest peaks of Apennine mountains are located. In this mountain enviromental they started appreciating wilderness and developing the outdoor skills that has allowed them to travel and explore remote and wild lands. ‘Home Wild Home’ is more than a bikepacking film, it’s a sign of gratitude to their own land and an encouragement to the recovery of L’Aquila, hit by a devastating earthquake 10 years ago. MUSIC The Nature Of The Game - Dan Fogelberg Tell Me Lies - The Black Keys They Wore Blue - Otis Taylor Secret of Life - Lord Huron FILMING EQUIPMENT Camera 1: Sony RX100 MKVI 24-200mm f/2.8-f/4.5 Gimbal camera 1: Feiyu G6 Plus Lens filter camera1: Mag Filter CPL 42mm Camera 2: Canon EOS 100D Primary Lens: Canon EF-S 60 mm F2.8 USM Macro Spare Lens: Canon EF-S 24 mm F/2.8 STM GoPro: Hero 5 Black GoPro lens filter: Polar Pro CINEMA SERIES / Shutter collection / ND8 - ND16 - ND32 GoPro Gimbal: Feiyu Tech WG2X Drone: DJI Mavic Air Drone camera lens filter: Polar Pro CINEMA SERIES / Limited collection / ND32 - ND64 - ND32/PL - ND64/PL Microphone 1: RØDE VideoMic Pro Microphone 2: RØDE Lavalier GO Camera slider: Grip Gear Movie Maker 2 Tripod 1: SIRUI T-025SK Carbon Fiber Tripod 2: JOBY GorillaPod 1K

[artwalktv]

Francesco and Giorgio, aka Montanus, decided to dedicate a video-tribute to the land where they were born and still live, celebrating the magnificent mountains where their desire to explore the wilderness has grown. ‘Home Wild Home’ is the latest film by Montanus, but it doesn’t tell of an expedition in a remote land like those they made in Patagonia and Iceland. Montanus duo created a sort of tribute in honor of their own land, filming the backyard trails that link their hometown L’Aquila, in central Italy, with the massif of Gran Sasso d’Italia, where highest peaks of Apennine mountains are located. In this mountain enviromental they started appreciating wilderness and developing the outdoor skills that has allowed them to travel and explore remote and wild lands. ‘Home Wild Home’ is more than a bikepacking film, it’s a sign of gratitude to their own land and an encouragement to the recovery of L’Aquila, hit by a devastating earthquake 10 years ago. MUSIC The Nature Of The Game - Dan Fogelberg Tell Me Lies - The Black Keys They Wore Blue - Otis Taylor Secret of Life - Lord Huron FILMING EQUIPMENT Camera 1: Sony RX100 MKVI 24-200mm f/2.8-f/4.5 Gimbal camera 1: Feiyu G6 Plus Lens filter camera1: Mag Filter CPL 42mm Camera 2: Canon EOS 100D Primary Lens: Canon EF-S 60 mm F2.8 USM Macro Spare Lens: Canon EF-S 24 mm F/2.8 STM GoPro: Hero 5 Black GoPro lens filter: Polar Pro CINEMA SERIES / Shutter collection / ND8 - ND16 - ND32 GoPro Gimbal: Feiyu Tech WG2X Drone: DJI Mavic Air Drone camera lens filter: Polar Pro CINEMA SERIES / Limited collection / ND32 - ND64 - ND32/PL - ND64/PL Microphone 1: RØDE VideoMic Pro Microphone 2: RØDE Lavalier GO Camera slider: Grip Gear Movie Maker 2 Tripod 1: SIRUI T-025SK Carbon Fiber Tripod 2: JOBY GorillaPod 1K

[katslefty]

https://dc.watch.impress.co.jp/img/dcw/docs/1198/387/22_o.jpg

SonyのRX100 mkVIIが発売されました。

レンズは24-200mm F2.8-4.5のレンズです。この範囲のズームは設計が難しそうで感服してしまいます。

コンパクトデジカメの市場で軒並みディスコンしていく中、『７』まで発売できたRX100系列。凄いと思います。

何が凄いのでしょうかね。

RX100シリーズの初代機は2012年でした。6万円から今のRX100 mkVIIは14万円です。コンパクトデジカメとしては高いです。

しかも初代機も今でも買えます。つまり、デザインが完成されていると言えます。また、ユーザーとしては、自分の用途と予算で好きな世代のモデルを選べる訳です。性能の高い高級機を計画的に超寿命化する事で、収益は得られる仕組みです。

ネーミングですが、mkVIIではなく、RX107とかでも良かったと思いますね。いつか『RX100 mkXL』とかになったらコンパクトデジカメななのに『XL』になりますね。

正直、このカメラとマイクロフォーサーズのカメラで大きな差があるのでしょうか？LX100系列とかと比べても面白いでしょうかね。もっとも、このカメラの最大のライバルはマイクロフォーサーズでもフルサイズでもなく、スマートフォンのカメラでしょうか。ボータビリティを謳っているからには、スマートフォンと比較して、大きな差があるかどうかがポイントになります。

このカメラの特徴を羅列すると：

ポケッタブル。胸ポケに入ります。

１インチセンサー。デジタルカメラの最適なフォーマットはマイクロフォーサーズか１インチだと思っています。

ズームレンズの範囲。こんな小さいカメラに8倍のズーム。

でもズームレンズはmk5Aの24-70mm F1.7-2.8と迷うよね。

Zeiss銘。コレだけで私は心が躍ります。

有機ELディスプレイのEVF。

α9と同じ処理エンジン。キビキビ速いです。

タッチディスプレイ。セルフィー可。

動画対応。

しかし高価。

もうちょっと小さかったら本当にポケッタブルなのに。

設定が多いかな。

RX100 mk2を母親に買いましたが、今でも現役で使ってくれています。長年母が撮った写真をたくさん見ているせいか、このカメラの写真は良く知っているように思えてならないです。世代を重ねて性能が磨かれれば磨かれる程、自分も欲しくなってしまうカメラです。

[kgs03]

New Post has been published on KG Sinclair

New Post has been published on https://www.kgsinclair.com/2020/06/on1-announces-availability-of-the-new-on1-360-new-on1-photo-raw-2020-5-and-the-new-on1-photo-mobile-for-ios-ipados-and-android/

ON1 Announces Availability of the New ON1 360, New ON1 Photo RAW 2020.5, and the New ON1 Photo Mobile for iOS, iPadOS, and Android.

Portland, OR. Jun 29, 2020: ON1, creators of ON1 Photo RAW, announces ON1 360, ON1 Photo RAW 2020.5, and the new ON1 Photo Mobile are now available. ON1 360 is an all-new end-to-end photography workflow solution to capture, edit, and sync photos seamlessly between multiple computers and mobile devices using the new ON1 Photo RAW 2020.5, and the new ON1 Photo Mobile for iOS, iPadOS, and Android. 

“ON1 360 is the culmination of years of work and feedback from customers around their frustrations with being forced to upload original photos into cloud systems with no way out. ON1 360 solves these problems by letting photographers choose which photos to sync and where their photos are stored while allowing them access to their photos across their computers and devices,” says Dan Harlacher, VP of Product.

In addition to the new ON1 360, a new version of ON1 Photo RAW version 2020.5 is also available for download today. ON1 Photo RAW is a modern photo organizer, raw processor, layered editor, and effects app, all in one affordable application. ON1 Photo RAW 2020.5 includes the new ON1 360 integration, many performance enhancements, support for new cameras and lenses, and additional bug fixes. 

The new and free ON1 Photo Mobile app for iOS, iPadOS, and Android devices is like having a pro-grade camera app and raw processor in the palm of your hand. ON1 Photo Mobile uses the same proprietary raw processing engine developed for ON1 Photo RAW and perfectly compliments the desktop application, ON1 Photo RAW 2020.5, when synced together with ON1 360.

Key Features

One Workflow — A complete end-to-end workflow between multiple computers and mobile devices with ON1 360. ON1 360 connects ON1 Photo RAW 2020.5 on macOS and Windows computers with the new free ON1 Photo Mobile on iOS, iPadOS, and Android devices. Multiple options for syncing files, control in file storage methods, and new capabilities for managing and editing across devices no matter where photos are stored are now available in ON1 360. 

Complete Control of Your Photos — At the core of the new ON1 360 is the new cloud storage service and sync technology, which allows photographers to sync photos, metadata, and edits, as well as albums, cataloged folders, and more between each of their computers, devices, external hard drives, or even network drives. Photographers can choose which photos to sync, how they organize photos, where they store their photos, and how they back up their photos. 

New Editable Previews — Customers can choose to sync their original raw files or sync their photos using the new Editable Previews that utilize ON1’s new compressed-raw file format. This file format allows photographers to store more photos in the same amount of space without noticeable loss in image quality when processing. Photographers can view, edit, and share their photos without having to store the original photo in the cloud using these Editable Previews. The format is 75% smaller than the original raw file and maintains the same tonal and color range. They are perfect for remote editing, sharing, and even printing common sizes, without noticeable loss in quality, saving customers additional storage space and cost. 

New ON1 Photo Mobile Camera Mode — The camera mode in ON1 Photo Mobile works a lot like the camera app on your device, but with more advanced features. The new app can capture raw photos with the tonal range and details you expect from an interchangeable lens camera. The pro-level manual controls include the ability to adjust exposure, shutter speed, manual-focus, and white balance. 

New ON1 Photo Mobile Editing Controls — ON1 Photo Mobile uses the same proprietary raw processing engine developed for ON1 Photo RAW. Adjustments include Exposure, Contrast, Shadows, Midtones, Highlights, Whites, Blacks, White Balance, Noise, and Sharpening. Built-in filters will start with, black and white, adding film grain, darkening the edges with a vignette, and targeted color adjustments. ON1 Photo Mobile is available for iOS, iPadOS and Android devices and is free for anyone. 

Privacy — Privacy is most important, and with ON1 360, all photos will be kept private. ON1 will never analyze any photos using ON1 360 to build ways to market to photographers.

New Supported Cameras in ON1 Photo RAW 2020.5 — Nikon D6, Sony STL-99, Sony ZV-1

New Supported Lenses in ON1 Photo RAW 2020.5 — Apple iPhone XS, Canon EF 24-105mm f/3.5-5.6 IS STM, Pentax-DA 55-300mm f/4.5-6.3 ED PLM WR RE, SAMYANG AF 85mm F1.4, SAMYANG AF 45mm F1.8, Sigma 105mm F1.4 DG HSM | Art 018, Sigma 35mm F1.2 DG DN | Art 019, Sigma 70-200mm F2.8 DG OS HSM | Sports 018, Sony E 16-55mm F2.8 G, Sony E 70-350mm F4.5-6.3 G OSS, Sony FE 200-600mm F5.6-6.3 G OSS, Tamron E 28-75mm F2.8-2.8, Tokina AT-X 24-70mm f/2.8 PRO FX

Availability and Pricing

ON1 360 plans start out with 10x the storage amount for 20% less cost compared to competitive plans available today. ON1 360 plans include the Software and Service option as well as a Service Add-on option in both monthly and annual payment options. The Software and Service plan includes a subscription license to ON1 Photo RAW 2020, any and all software upgrades and updates, the ON1 Photo Mobile connectivity, and the 360 syncing service. The starting plan includes 200GB of storage at the low cost of $7.99 per month or $89.99 for the year. ON1 still offers Photo RAW as a perpetual-license product separate from ON1 360, for those who prefer to own their software. Customers who own Photo RAW can choose the ON1 360 Add-on and those plans start at $5.99 per month or $59.99 for the year and come with 200GB of storage. This also allows customers to upgrade to future versions of ON1 Photo RAW at a time of their choosing, and it allows them to add or cancel any ON1 360 subscription without losing access to ON1 Photo RAW.

What’s Ahead in the ON1 Roadmap

ON1 will continue developing ON1 Photo RAW for the desktop and ON1 Photo Mobile for devices. There is a detailed product roadmap for ON1 Photo Mobile already available from the ON1 website. Future plans include ON1 getting back into developing products that work within other photo editing workflows as well. There will be new integrations and plug-ins for ON1 products no matter what applications photographers are using.

“As we grow, we will continue to deliver a complete line of products for all workflows, whether it be standalone, plug-in, mobile, or video. It’s already in our plans to deliver all-new plug-ins within the year every photographer will want to use to save them time. We’ve always taken pride in that we are a group of photographers creating software applications specifically for the photographer,” says Craig Keudell, ON1 President & CEO. 

About ON1

Since 2005, ON1 has provided award-winning software to millions of photographers worldwide. We accomplish this by being different from other photo software companies. Photography is all we do, we put you the photographer first, and this means our customers have complete control over every aspect of their photography. Our software applications are designed by photographers, for photographers.

The ON1 mission is to deliver the tools photographers need to express themselves through photography. The ability to easily organize, edit, and share their photos anywhere and provide professional quality image processing, the creativity they desire, the service they deserve, and to keep photographers in control of their photography.

[suchkov]

No. 936. Силуэты Остравы. Чехия. 11.02.2020, Sony DSC-RX100M6, 24-200mm F2.8-4.5, 24 mm, ISO 125, f 9.0, 1/250, 3 frame pan #dtmas #sky_perfection #best_sky_archive #ig_europe #worldunion #city_perfection #street_photorgaphy #globe_travel #big_shotz #world_shotz #monumental_world #iglobal_photographers #igers_wanderlust #special_shots (at Ostrava, Czech Republic) https://www.instagram.com/p/B9utebKKph5/?igshid=x8bzjv630e2e

[wespottech]

نعتقد في العديد من المناسبات أننا لن نلتقط صورًا أفضل إلا إذا أخذنا كاميرا أفضل. هناك اعتقاد بأن كلما كانت الكاميرا أكثر تقدمًا ستكون صورنا أفضل، ولكن … هل تعتقد أن العدسات يمكن أن تلعب دورًا أكثر أهمية في جودة صورك ؟

نقدم لك هنا قائمة لأفضل 10 عدسات لكاميرات نيكون SLR.

1. عدسة نيكون AF-S 50 مم f / 1.8 G

تعد هذه العدسة أحد العناصر الأساسية لقيمتها مقابل المال وتساعدنا على فهم معنى التركيز الثابت. إنها خفيفة وتلتقطت صوراً مشرقة للغاية بفضل فتحة العدسة التي تصل إلى 1.8، وهي مفيدة للغاية في المواقف التي يكون فيها الضوء خافت .

إنها العدسة المثالية للصور الشخصية بسعر منخفض للغاية. ستظهر الصور واضحة تمامًا ومتمايزة عن الخلفية، كما أن تركيزها سريع وهادئ جدًا.

أمثلة ملتقطة باستخدام عدسة نيكون AF-S 50 مم f / 1.8 G:

* ملاحظة: كبديل، يمكننا العثور على نسخة أخرى من هذه العدسة، Nikon AF Nikkor 50mm، إذا كان لديك محرك تركيز بؤري في الكاميرا، فستعمل بنفس الطريقة وستحصل على نتائج مذهلة، بسعر أفضل. وإذا كانت لديك ميزانية أكبر قليلاً، فيمكنك اختيار المثيل الأكبر لها، نيكون AF-S 50mm 1.4 G.

2. نيكون AF-S DX 35 مم f / 1.8 G

هذا النموذج ذو أهمية خاصة لمالكي كاميرات DX، لماذا؟ لأنه بسبب عامل القص، تصبح 35 مم حقيقية مثل 50 مم في الكاميرا، بالإضافة إلى أن هذه العدسة مصممة خصيصًا لهذا النوع من الكاميرات.

مثل العدسات مقاس 50 مم، فهي عدسة رائعة تعتمد على قيمتها مقابل المال. الوضوح في الصور جيد جدًا، والعدسة مريحة جدًا في التركيب، ولديها تركيز سريع، كما أن صورها مشرقة جدًا.

أمثلة ملتقطة باستخدام عدسة نيكون AF-S DX 35 مم f / 1.8:

3. نيكون AF-S DX VR 18-105mm G f / 3.5-5.6

تعد هذه العدسة خيارًا مثيرًا للاهتمام للغاية مقارنة بالعدسة القياسية المعتادة وهي 18-55 مم. مع النطاق البؤري الواسع، سنتمكن من الحصول على تكبير جيد على نفس العدسة.

تتميز هذه العدسة بكونها صغيرة الحجم وبأسعار معقولة وتعد خيارًا قوياً يمكن التفكير فيه. تحتوي على نظام تقليل الاهتزاز (VR) بحيث لا تواجه مشاكل إذا كانت يدك تهتز قليلاً أو تستخدم سرعات تعرض منخفضة. لديها أداء جيد في الإضاءة المنخفضة، والتركيز التلقائي سريع.

هي مثالية للرحلات، بفضل نطاقها البؤري الواسع، تتيح لنا تغطية مجال كبير دون الحاجة إلى تغيير العدسات، مما يجعلها متعددة الاستخدامات للغاية.

أمثلة ملتقطة من نيكون AF-S DX VR 18-105mm G f / 3.5-5.6:

4. Tamron A16NII SP AF 17-50mm f / 2.8

إذا كانت عدسة كاميرتك قصيرة المدي، فقد يكون البديل المثالي هو Tamron A16NII SP AF 17-50mm f / 2.8، لكاميرات DX، ميزتها الرئيسية هي أن لديها فتحة قصوى تبلغ 2.8 في النطاق البؤري بأكمله، مما يجعلها عدسة ساطعة جدًا، والتي ستكون مفيدة لالتقاط الصور في ظروف الإضاءة المنخفضة .

أمثلة ملتقطة باستخدام Tamron A16NII SP AF 17-50mm f / 2.8:

* ملاحظة: بديل أرخص قليلاً هو Sigma 17-50mm f / 2.8. على الرغم من انها تاتي بجودة أقل من Tamron، إلا أنها ستكون دائمًا متفوقة بفضل سطوعها. بديل آخر لهذه العدسة ، بجودة أعلى ، هو عدسة نيكون AF-S DX VR 16-80mm f / 2.8-4E ، والتي يتم بيعها كعدسة عدة لكاميرا نيكون D500 الجديدة . أخيرًا، على الرغم من كونها أقل سطوعًا، فإن Tokina 17-35mm f / 4،  يمكن أن تكون أيضًا خيارًا جيدًا للنظر فيه. على الرغم من أن ما تبحث عنه هو السطوع، فقد تكون أكثر اهتمامًا باختيار Tokina 16-28mm f / 2.8.

5. نيكون AF-S DX VR 55-200 مم f / 4-5.6 G

هذه العدسة هي التي تأتي عادةً في المجموعة القياسية لكاميرات نيكون ، 18-55. إنها خيار جيد ومتعددة الاستخدامات للغاية وتساعدنا على البدء بعدسة مقربة بسعر مناسب.

تشتمل العدسة على نظام تقليل الاهتزاز، بحيث تظهر صورنا اليدوية حادة وواضحة، وكذلك تلك التي نلتقطها بسرعة منخفضة. كما تتميز بمحرك تركيز سريع ودقيق وهادئ.

أمثلة ملتقطة باستخدام عدسة نيكون AF-S DX VR 55-200 مم F4-5.6 G:

* ملاحظة: إذا كانت لديك ميزانية أكبر قليلاً، فقد يكون الخيار الجيد هو النظر إلى إصدار نيكون AF-S DX VR 55-300mm F4.5-5.6 VR . حيث أنها عدسة تصل إلى 300 مم مع نظام تثبيت تقليل الاهتزاز، مفيد جدًا في الأطوال البؤرية الطويلة.

6. Tamron A14NII AF 18-200 mm F / 3.5-6.3 XR Di II LD ASL (IF)

إذا كنت تبحث عن عدسة للتصويرعلى البيئات الوعرة لتجنب تغيير العدسات باستمرار، فقد يكون هذا خيارًا جيدًا. كما علقنا في مناسبات أخرى، قد لا تحتوي العدسات التي تغطي أكبر قدر من البؤرة على السطوع مثل العدسات الثابتة، ولكن في المقابل، نكتسب تنوعًا أكبر، مما يجعلها عدسة مثالية للمسافرين بشكل خاص.

يغطي نطاقها من 18 مم إلى 200 مم، وهي عدسة مدمجة إلى حد ما وخفيفة الوزن. تتميز بجودة بصرية جيدة، وتسمح لنا بالتقاط تصوير الماكرو ولديها أيضًا زر قفل بحيث لا يمتد الزوم إلا عندما نعلقه.

أمثلة ملتقطة باستخدام Tamron A14NII AF 18-200 مم F / 3.5-6.3 XR Di II LD ASL (IF):

7. سيجما 70-300 / 4-5.6 BMD ماكرو DG

إذا كنت تريد الخوض في العدسات ذات النطاق البؤري الطويل جدًا، فهذا خيار جيد. تصل هذه العدسة المقربة إلى 300 مم، مما يضعك في قلب الحدث.

إن قيمتها مقابل المال هي واحدة من أكثر مزاياها اللافتة للنظر. مفيد جدًا في تصوير الطبيعة والرياضة والتصوير الفوتوغرافي، ولديها أيضًا قدرات تصوير ماكرو.

أمثلة ملتقطة باستخدام Sigma 70-300 / 4-5.6 BMD Macro DG:

* ملاحظة: كبدائل، نجد إصدار Tamron A17NII AF 70-300 مم F / 4-5.6 Di LD MACRO 1: 2، وإذا كان بإمكاننا إنفاق المزيد، فمن الجدير بالتأكيد إلقاء نظرة على Nikon AF-S VR 70-300mm F4.5-5.6 G ، والتي تحتوي على  مثبت للصورة وجودة جيدة.

8. Tamron 70-200mm A001NII f / 2.8 Macro

من ناحية أخرى ، إذا كنت تفضل التضحية بقليل من البعد البؤري للحصول على السطوع، فإن الخيار الجيد هو Tamron 70-200mm A001NII f / 2.8 Macro. على الرغم من أنها قد تبدو أكثر تكلفة قليلاً من غيرها، إلا أن الحقيقة هي أن العدسة ذات النطاق البؤري الجيد وهذا السطوع الجيد غالبًا ما تكون أكثر تكلفة، لذا فإن قيمتها مقابل المال ممتازة. بالإضافة إلى ذلك، فهي عدسة يمكنها استخدامها في كاميرات DX وفي الإطار الكامل.

بفضل فتحة العدسة الكبيرة، فهي ممتازة لأنواع التصوير الفوتوغرافي التي تتطلب سطوعاً أكبر، مثل التصوير الفوتوغرافي الرياضي أو التصوير الفوتوغرافي للأحداث أو للصور الفوتوغرافية في الحفلات الموسيقية أو المسارح. يمكن أن تكون أيضًا اختيارًا جيدًا للصور الشخصية. بالإضافة إلى ذلك ، وبفضل وضع الماكرو الخاص بها، فهى ممتازة أيضًا لتصوير الزهور أو الحشرات، أو أي نوع آخر من التصوير الفوتوغرافي.

أمثلة ملتقطة باستخدام Tamron 70-200mm A001NII f / 2.8:

* ملاحظة: كبدائل لهذه العدسة، يمكنك أيضًا العثور على Sigma 70-200mm f2.8 EX DG، أو نيكون AF-S 70-200mm F / 2.8 G ED VRII .

9. Tokina 11-16 مم / F 2،8 AT-X PRO DX II

تعد هذه العدسة ذات الزاوية الواسعة واحدة من أفضل الخيارات التي يمكنك التفكير فيها إذا كنت تبحث عن تغطية الكثير من المشاهد في صورك. تتميز بالسطوع الجيد لذلك ستكون مفيدة جدا في الحالات التي يكون الضوء فيها منخفض وأيضاً التصوير الليلي.

إنها مضغوطة وخفيفة جداً وتنتج صوراً حادة للغاية ولديها محرك تركيز سريع ودقيق وهادئ. لتصوير المناظر الطبيعية فهى خيار جيد للغاية.

أمثلة ملتقطة باستخدام Tokina 11 – 16 مم / F 2،8 AT-X PRO DX II:

* ملاحظة: إذا كانت ميزانيتك أعلى إلى حد ما، فمن المثير للاهتمام أن تفكر في شراء Tokina 11-20mm PRO DX f2.8، والتي توفر نطاق بؤري أطول قليلاً. كبدائل لتوكينا، يمكنك العثور على Sigma 10-20mm f / 3.5 EX DC HSM NAF، و Tamron B001NII SP AF 10-24 / 3.5-4، وأخيرًا نيكون AF-S DX 10. -24 مم F3.5-4.5 G.

10. Tamron 272ENII SP AF 90 مم F / 2.8 Di MACRO 1: 1

إذا كان ما يعجبك هو التصوير الماكرو، فهذة العدسة هى هدفك. ومع ذلك ستحصل على صور بحدة مثيرة للإعجاب، وقد تم تصميم عدساتها لتصحيح الانحراف تمامًا، وهي أيضًا عدسة توفر تأثيرًا ضبابيًا جذابًا للغاية.

ستبرز أهدافك تمامًا، وأقصى نسبة تكبير هي 1: 1 لتتمكن من إعادة إنتاج الصور بالحجم الحقيقي. بالإضافة إلى ذلك، فإن نظام تثبيت الصورة الخاص بها مفيد حقًا وسيوفر لنا سطوعه الرائع 2.8 صورًا مذهلة.

أمثلة ملتقطة باستخدام Tamron 272ENII SP AF 90mm F / 2.8 Di MACRO 1: 1:

* ملاحظة : إذا كانت لديك ميزانية أكبر، فيمكنك العثور على الإصدا�� المحسّن مع مثبت لهذه العدسة، Tamron F004N SP AF 90 مم F / 2.8 وتعمل أيضًا مع الكاميرات المزودة بمستشعر كامل الإطار. كبدائل لهذه العدسة، نقترح أيضًا Sigma 105mm F2.8 EX DG OS HSM، و Nikon AF-S VR Micro 105mm F2.8 G IF-ED ، والتي تأتي مع مثبت الصورة. بالطبع ، هذا مجرد دليل للمساعدة في شراء عدستك المفضلة. هناك العديد من الاختيارات عند الشراء، واعتمادًا على توقعاتك لمستقبك الفوتوغرافي وميزانيتك، يمكنك اختيار العدسة المفضلة.

هل يمكنك إضافة عدسات اخر ى إلى هذة القائمة؟ بالطبع، يمكنك ذلك في التعليقات

أفضل 10 عدسات لكاميرات نيكون SLR نعتقد في العديد من المناسبات أننا لن نلتقط صورًا أفضل إلا إذا أخذنا كاميرا أفضل. هناك اعتقاد بأن كلما كانت الكاميرا أكثر تقدمًا ستكون صورنا أفضل، ولكن ...

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Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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