#220 film
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Iceland, July 2024
Rolleiflex 6008 + Kodak Portra 160 VC 220 Developed with Jobo Cpp2 and Rollei Digibase C41 Scanned with Nikon Coolscan 8000
#film photography#photography#film#analog#square#medium format#original photography on tumblr#analogue#analog photography#rolleiflex 6008#iceland#travel#220 film#made with kodak#kodak film#kodak portra 160#jobo cpp 2#rollei digibase c41#shootfilm#istillshootfilm#film is not dead#film forever#filmphotography#filmcamera#120 film#grainisgood#landscape#landscape photography#nikon coolscan 8000
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strangely none of my text posted... SO... I am taking a Mamiya 220 Professional for a test drive. I may be buying it, I am really smitten with these TLR cameras, medium format, square format negatives. This camera is heavy and needs a good cleaning, but damn, I am loving how the negatives are looking. I hope to scan them this weekend or sooner. I will post the inverted results another time. Most of these shot at 1/125th f\8 or f\11 Cheers!
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From August, 2023
#kodak ektar 100#Leica cm#35mm film#analog photography#porsche 356#ferrari 275 gtb#Mercedes Benz 220 s#Maserati a6g#steering wheel#car interior#original photography on tumblr#september 2023
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i relistened to At the Mountains of Dadness and i am physically restraining myself from writing a fic where henry finds hildy’s camera and use it purely as a way to infodump about her kickass camera and film photography in general
#dndads#dungeons and daddies#in case anyone’s interested: according to will her camera is an Ensign Autorange 220 which takes 120 format film#120 film has a paper backing since it predates 35mm film and can take either 12 or 16 pictures depending on if you use a mask or not behind#the shutter/bellows when loading the film#its such specific knowledge but im a big film camera nerd
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BOYFRIEND JEONGHAN WHO...
pairing: idol!jeonghan x reader genre: fluff, established relationship, comfort warnings: not proofread so lmk (; wc: 220 a/n: i love JEONGHAN
bf! jeonghan who feeds you snacks while watching movies and shows
bf! jeonghan who is always down to cuddle instead of going out
bf! jeonghan who makes grabby hands at you when you have to leave early for work
bf! jeonghan whose hands are always on you in some way-around your waist, on your back, holding your hand, etc.
bf! jeonghan who never picks up your call on the first ring because his phone was too far from him
bf! jeonghan who craves your compliments whenever he's feeling good about himself
bf! jeonghan who just cannot sit on the couch without you because it feels too empty
bf! jeonghan who never leaves the house before he's sure you have closed the door
bf! jeonghan who sends 55 pictures a day describing every little thing he saw
bf! jeonghan who always opens your car door without fail
bf! jeonghan who makes sure you always dress warm and carries an extra jacket just in case
bf! jeonghan who loves tracing his name in your palms when you're cuddling
bf! jeonghan who loves falling asleep to your voice so much that he calls you before sleeping when he's on tour
@kflixnet @k-films@k-labels taglist⋅˚₊‧ ୨୧ ‧₊˚ ⋅: @bangchansbae @haecien @aaniag if you want to be added just send me an ask ♡⸝⸝
#seventeen#mango.writes#kflixnet#k-films#k-labels#bf! seventeen#svt#seventeen headcanons#svtcreations#seventeen scenarios#seventeen imagines#seventeen fluff#seventeen fic#seventeen x reader#yoon jeonghan#jeonghan#jeonghan x reader#jeonghan fluff#jeonghan imagines#jeonghan scenarios#jeonghan x you#jeonghan x y/n
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Michael Jackson - Is It Scary 1997
"Is It Scary" is a song by American singer-songwriter Michael Jackson. The song was written in 1994 during sessions for Jackson's 1995 album HIStory: Past, Present and Future, Book I, but it was not included on the album but instead later released on his 1997 remix album Blood on the Dance Floor: HIStory in the Mix. "Is It Scary" was written and produced by Jackson, Jimmy Jam and Terry Lewis.
After getting scrapped for the HIStory album, the track was re-recorded for the Michael Jackson's Ghosts short film in mid-1996. The song reuses lyrics from "Ghosts" and shares its title with the first version of the aforementioned short film, which was then titled Is This Scary? The song was featured in said film during a dance sequence. In November 1997, a radio edit version of the song was released as a promotional single in the Netherlands, while promo singles containing remixes were released in the US and the UK. Due to lack of a full release, "Is It Scary" did not enter any music charts.
"Is It Scary" received a total of 72,7% yes votes! Previous Michael Jackson polls: #45 "Will You Be There", #114 "Why", #220 "Blame It on the Boogie", #341 "Give In to Me".
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In the short movie represented, taken from the university archive, you can look at a curious experiment that took place in the firs years of the '900, when physiologist were working on the relationship between electricity and the human body. A brief report accompanies the movie. Colette De La Beatrix was the countess of a small town called "Holy Lady in the Countryside", she was married to a professor of that time. Unfortunately at the age of 32 she suffered a terrible accident while riding her horse. She was embossed down from the saddle and the horse stomped her right in the center of her chest, destroying the frontal part of her rib cage. She was saved miraculously by the university's surgeon that had to remove her sternum leaving her most vital organ covered only by a thin layer of skin. Usually she wore an iron plate to cover and protect her exposed heart. Her husband convinced her to take advantage of the events and participate in his studies about electrophysiology. She happily took part to them and once results were gathered they decided to show them to the other professors and film the experiment. The movie starts with the countess sitting on a woodden bench. her entire chest is exposed and the shape of her beating heart is clearly visible. A rudimental microphone, linked to a gramophone, is held by a belt on the center of her chest and picks up her heartbeat. Two electrodes are attached on the oppiside sides of her heart linking the organ with what was probably a battery. The report is divided into different parts:
Initial- Countess initial heart rate: 85 bpm Showing the audience her condition and her synus rhythm at rest. Single electrical pulses are charged on her heart to demonstrate electricity can start artificial systoles. Audience is encouraged to feel the countess' carotid pulse to further proove the experiment effectiveness. This part ends with a note hand-written. "remember to tell the audience to never directly touch her heart to avoid dangerous ahrrythmias".
Part 2- Artificial pacing at 120bpm The machine delivers a series of consecutive impulses to create an artificial rhythm. The countess's heart reacts to each pulse correctly contracting in a new manually-induced pace. Audience is encouraged to feel the countess' carotid pulse under the influence of the continuous pulses. NOTE: After the pulses are interrupted the countess' heart recovers its initial pace immediately.
Part 3- Reaching physiological limit, 187bpm To demonstrate total control on the countess' heart rhythm the heart is artificially paced at her maximum heart rate (220 - her age 32). electrical pacing can realize the same results as a strenuous physical effort. The battery completely bypassed her local pacemaker. Audience is encouraged to feel the countess' carotid pulse and look at her beating heart. NOTE: Frank and Starling were right, the artificial rhythm seems hard to sustain for her system. The fast her heart gets the less efective its beating becomes. NOTE2: Her heart takes some long pauses in order to recover.
Part 4- Beyond physiological limits 240bpm The domain over her natural pacemaker is so absolute that its natural limit can be higly bypassed. The heart is paced at an innatural rhythm. Audience is encouraged to feel the countess' carotid pulse and look at her beating heart. NOTE: Audience report that just a very tiny wave of blood can be felt at her neck after each heart contraction. NOTE2: The countess's heart seems unable to follow each electrical pulse as some dyastoles seem abolished in a tetanus like manner. NOTE3: The procedure is interrupted as the countess lost consciousness for a brief period of time. NOTE4: Once the machine is turned off a long period of asystole is seen with subsequent ahrrythmias after the spontaneous pulsation restarted. Heart exhaustion? another hand-written part: "I should have never tried this on my wife"
What the report doesn't says is that countess Colette De La Beatrix died of sudden cardiac arrest few days late.
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jared: in the background there, that, uh— *snorts* i remember that it was somebody who saw that we were filming, so she took her dog, and wherever the camera's facing, she would run right back there and play— jensen: she'd manage, she'd manage to find a way, yeah. jared: right. *laughs* she was a star in the making. she, you know, we shot in one direction and she decided to play with her dog in that direction— jensen: oh, and there was— there was a rugby game. jared: there was a rugby game going on, yeah. jensen: and they tried to stop 'em from playing and i was like, 'come on, just let 'em play! jared: that's right. There was a rugby team with about— you know just a pick-up game of rugby, with about, you know, 15... pretty big guys, 180 to 220 pounds, probably, every— every person. and they send out a production assistant, little PA, probably about 150 pound guy *starts to laugh* to go out. they tell him, hey, can you uh, get those guys to stop playing rugby, it's kind of messing with our shots. so here's this little guy who's running out, tryin' to go, excuse me, sir. uhm, can you— can you not play rugby?' jensen: *chuckles* jared: i felt bad for the guy. i thought we were gonna watch him get his butt kicked, right? jensen: i know.
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I need people to stop this obsession with the fucking forced marriage plot between Miriel and Pharazon. Idk guys but it doesn’t really seem okay to me that they gave women power and all, and people are there like “but the forced marriage…” as if Miriel hasn’t been through enough shit already. Technically, they cannot adapt it since it’s a Silmarillion storyline and it isn’t on the books they have the rights to. Some people are looking more haters of Miriel than fans bc what do you mean you won’t complain about the treatment her character is getting? What do you mean that you will want a forced marriage plot but refuse to say to Amazon a simple “change her fate” ? And believe me, they can change her fate. They just did it with Galadriel, Durin III, Durin IV, Sauron and Elendil…
I don’t know if it’s a Brazilian thing, but when we don’t like things on shows, soap operas or whatever, we are vocal about it. And when we like a character, we make sure the people behind it knows about it. And it usually works for us. People used to care for what the audience thinks about something, there are shows out there that have the whole right to the books and yet change every single thing. Also, I’m pretty sure they care about what the audience thinks since this season was a mix between three plots from other characters in one of the show. They changed Durin’s death, which may cause the other Durin to also die next season. Durin III was supposed to die on third age and the balrog should be in Moria, as everyone pretty much knows by now. Galadriel was supposed to be a mother and Celeborn was supposed to be at Eregion. They changed fates. They placed a character that wasn’t on middle earth at second age to be there and have a whole different plot. Believe me, they can change Miriel’s fate. But for this to happen, her fans should at least be more vocal about the treatment she’s getting. Her scenes are being cut, she is always suffering, they don’t show her making the plans or the decisions…we have to guess everything. Like I’m sorry but we have characters that literally helped bring back the devil and even they had moments of happiness this season. And yes, I see it as a disrespect towards the character because I’ve seen this film before and I’m sure you guys have too. The female characters who’s always collecting trauma but they forget those traumas as if it never impacted her or as if she’s never been through it. And the character doesn’t stop suffering and doesn’t have a single happy moment in her life. We don’t see her saying anything more about her father and guys…she’s living on his tower. Pharazon made her live on the tower that her father died days before! The tower he spent the rest of his days (years actually since he lived 220 years) in grief over the city. How did it affect her? We don’t see why she decided to say behind, Cynthia had to clarify it. She had to clarify that the civil war isn’t over, that Miriel is going to fight back and that she algo gave the Narsil to Elendil to start a sort of revolution.
That being said, I am dying to know why the fans aren’t making much noise? Sorry, but you don’t change things like that by being quiet. “Oh I want her to kiss Elendil” yeah so either she survives and/or doesn’t marry Pharazon or they’re going to kiss on her last breath.
The series has little to do with the Silmarillion and even when we consider the books they have the right to, not even the timeline is being followed when we think about Numenor or the dwarves…and, as I said before, it’s all in the appendix. It’s no big deal to let her live.
“Oh but what about Elendil? How will he become King?”
Numenor will be swallowed by the sea. Miriel was the rightful heir to the throne of Numenor, not Arnor since Arnor is something that will be built after the fall of Numenor. If they keep her alive, it wouldn’t change the narrative because they would probably get married and rule together. His heir would still be Isildur because at the time pace the series is setting, it’s possible that we won’t even see the kingdoms in exile at their prime.
“Oh but what about children if they get married?”
We’re talking about a show that forgot the existence of Celebrian, who is the daughter of Galadriel and Celeborn, future wife of Elrond and mother of his children, to fit the narrative they constructed to Galadriel. It won’t be a big deal for Miriel to not have children since she never got one in the books that talk about her marriage (mostly forced, with one version that was willingly) to Pharazon. Also, they used the “well, it wasn’t stated that Gandalf wasn’t on middle earth during this time…” excuse so they can pretty much use the “it wasn’t stated that she died” considering that:
1 - It’s not on the appendix, not in lotr or hobbit.
2 - No body, no crime.
3 - They created a whole sea creature trial for that woman. They made an eagle appear on her coronation. Those eagles are known for saving people, as we can recall. And the sea creature pretty much saved her. So all of this and that girl can’t get out of this city alive? BE SO FR
And now, to finish this, I want y’all to reflect a little bit on which characters do you really like and if you really like the shipp? I mean, I’ve been a shipper since forever and when we like a couple, we usually want them to end up together and well. Do not use the “but it’s already on the books” because, guys…they literally killed off a character that was supposed to die in third age, made a very delightful dynamic between Galadriel/Halbrand (Sauron), erased her daughter, made some characters have the plot destined to their parents (Pharazon, Miriel, Elendil…) and they also created children for characters like Pharazon, who never had children, and Elendil got a daughter that he also never had. They made the gods answer Tar Palantir, made Galadriel help Sauron and be deceived by him, made Galadriel connected to the plot of Numenor and now you guys want to tell me that they cannot change her death? Like, if you guys like her character and this couple, y’all need to really show it to them. To go on the posts and say things about how amazing she is, how you wanted them to change her fate, how it would be amazing to see them (Miriel and Elendil) rule together in Arnor since they’re fighting to change Numenor’s fate and to save the people…it’s not a very difficult task. And I’m gonna say it as someone that has been a part of a lot of fandoms: they won’t change it if they don’t see a commotion. They changed this season to more “book accurate but not really” thing because of the haters. I’m pretty sure there’s this show that they changed the main couple to another because the fans wanted them to be together. And in the books, they didn’t end up together.
So yeah, fight and say something.
#the rings of power#rings of power#lord of the rings#mirendil#elendil x miriel#elendil#miriel x elendil#miriel#numenor#tar miriel#elendil the tall#trop spoilers#rings of power spoilers#galadriel#i’m mad#I swear it’s not difficult#shipping
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【Han Dynasty Historical Reference Artifacts】:
As early as the late Western Han Dynasty(206 BCE-25S CE), the High hair bun became popular, and it was no longer limited to the low hairstyle like early Western Han Dynasty (put the hair down and tied behind the back). Moreover, high hair bun it has been popular until the Eastern Han Dynasty(25–220) and Wei & Jin Dynasty. According to the "Ballad in the City《城中谣》" of the Han Dynasty:
城中好高髻,四方高一尺。 城中好广眉,四方且半额。 城中好大袖,四方全匹帛。
【Translate】
High buns are popular in the city, and people all over the world have buns that are one foot taller.
Wide eyebrow are popular in the city, and people in the world draw(eyebrow) half their foreheads.
Big sleeves are popular in the city, and people all over the world use whole pieces of cloth to make them.
※" Ballad in the City 《城中谣》" is a folk song in "Yuefu Poetry Collection Miscellaneous Songs and Ballads《乐府诗集·杂歌谣辞》". On the surface, it talks about the fashion and its variation in the Han Dynasty, but actually satirizes the social atmosphere of blindly following the trend at that time.
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In addition, There were also changes in the way of dressing in the Western Han Dynasty and Eastern Han Dynasty Period.
Left:Murals of the Eastern Han Dynasty from Dahuting Han tombs
Right: female pottery figurines of the Western Han Dynasty (presumably early Western Han Dynasty)
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Western Han Dynasty Mural Tomb unearthed from Xi'an University of Technology↓
Western Han Dynasty Mural,Unearthed from Cuizhuyuan Tomb No lin Qujiang New District of Xi'an, Shaanxi, in 2008
Western Han Dynasty Murals, Luoyang Museum Collection
Eastern Han Dynasty Mural in Lujiazhuang, Anping County/安平县逯家庄东汉壁画墓
[Hanfu · 漢服]Chinese Eastern Han Dynasty (25–220 A.D.) Traditional Clothing Hanfu Photoshoot
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📸Photo:@松果sir
👗Hanfu:@桑纈
📍Filming Location: Minhou, Fuzhou,China
🔗Weibo:https://weibo.com/3250619702/N4GoJiBmz
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#chinese hanfu#Eastern Han Dynasty (25–220 A.D.)#western han dynasty#chinese history#chinese traditional clothing#hanfu history#chinese archeology#chinese#chinese historical fashion#hanfu#hanfu photoshoot#China History#hanfu accessories#hanfu artifacts#漢服#汉服#松果sir#桑纈
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Iceland, July 2024
Rolleiflex 6008 + Kodak Portra 160 VC 220 Developed with Jobo Cpp2 and Rollei Digibase C41 Scanned with Nikon Coolscan 8000
#film photography#photography#film#analog#square#medium format#original photography on tumblr#analogue#analog photography#rolleiflex 6008#iceland#travel#220 film#made with kodak#kodak film#kodak portra 160#jobo cpp 2#rollei digibase c41#shootfilm#istillshootfilm#film is not dead#film forever#filmphotography#filmcamera#120 film#grainisgood#landscape#landscape photography#nikon coolscan 8000
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I rewatched The Social Network for its 13th anniversary. One of my favorite films of all time, and one that convinced me of Armie's extraordinary acting skills. The film is a masterpiece on every level, one of the greatest biopics of the 21st century. In my opinion also David Fincher's magnum opus, together with Se7en, if one could have more than 1. With an inimitable performance of the KILLER soundtrack.
And Armie Hammer was in it!!!
A few review quotes about Armie's performance:
* Hammer and Garfield make the glue that hold it together.
* Although the stand out award I'd like to give to Mr. Armie Hammer. His role is just Tailor fit, literally as his jacket. From his statuesque as a rower all through out as a dapper at Harvard, he is just believable in that field. He is after after all the Winklevoss BrotherS.
* Armie hammer is a best combination of grace and conceit how he played wealthy twins.
* David Fincher's cool, stylish direction and great performances by Jesse Eisenberg, Andrew Garfield and Armie Hammer make The Social Network a worthwhile watch.
* Now that some of the dust has settled, there’s one name that keeps coming up as a comic scene-stealer and awards dark horse: Armie Hammer, who plays entitled twins Cameron and Tyler Winklevoss. In the movie, a Winklevoss twin declares, “I’m six-foot-five, 220 pounds, and there’s two of me,” but since there’s only one of Hammer, that meant the actor was often acting opposite a body double whose face he’d be digitally grafted onto in postproduction (and when you consider the notorious amount of takes that an exacting director like David Fincher requires, Hammer’s nimble pair of performances is all the more impressive).
* My favorite description of the twins in the film comes from Alison Willmore's review, in which she writes, "Hammer is infinitely amusing in his dual role, exuding privilege and looking like something grown in a vat of J. Crew catalogs and Aryan race propaganda."
* No one could have played Sean Parker like Justin Timberlake, and Armie Hammer playing the Winklevoss twins is fantastic too.
* The quasi-pair of performances generated Hammer Oscar buzz at the time, and he has been a marquee mainstay ever since, appearing in films like J. Edgar (2011), The Lone Ranger (2013), The Birth of a Nation (2016), Call Me By Your Name (2017), Cars 3 (2017), Sorry to Bother You (2018), and On the Basis of Sex (2018).
* What makes Armie Hammer’s acting performance outstanding is his use of specific body language with each of the two characters.
The different way he moves, his vocal cadences , and facial expressions makes it so easy to believe that these were two different people on the screen.
When Armie played Cameron Winklevoss, he played him more uptight and more formal. The formality also came out in his dialogue. His diction was more precise.
When he played Tyler Winklevoss, he leaned back and was more laid back. His speech pattern was more fluid and he even used curse words as Tyler’s character.
I think that Armie’s performance was so great that I would easily see him being a contender for best supporting actor at the next Academy Awards ceremony.
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This scene is epic! Great visual metaphor emphasised by this music piece.
#'In The Hall of the Mountain King' #Trent Reznor and Atticus Ross #Henley rowing scene
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The Lost Boys (1987) Novel
Have you ever wonder about the extra details or differences between a film and its novelization? In particularly, about the characters, scenes, or what was left out? If not, I hope I made you curious enough to find out.
The Lost Boys by Craig Shaw Gardner is a novelization of the 1987 American supernatural horror film directed by Joel Schumacher.
A mother and her two sons move to a small coast town in California. The town is plagued by bikers and some mysterious deaths. The younger boy, Sam, makes friends with two other boys, the Frogg brothers, who claim to be vampire hunters. Meanwhile the older boy, Michael, is drawn into the gang of bikers by a beautiful girl named Star. Michael starts sleeping days and staying out all night while Sam starts getting into trouble because of his friends' obsession.
This book has been out of print for over two decades, making it a rare and highly sought-after item among fans of the film's massive cult following. As of now, physical copies are priced between $300 and $500, with even used versions often exceeding $100. Your best bet is to stick to a digital format—rumor has it there's a free PDF version floating around online.
It's only 220 pages long and despite being so short it's a novelization that's pretty faithful to what was on screen. It even includes several scenes that were later dropped from the film, such as Michael working as a beachside trash collector. The roles of the opposing gang, the Surf Nazis—originally depicted as nameless victims—are also expanded. Additionally, the book delves into vampire lore, such as their inability to cross running water and the way salt clings to their forms.
Anyway, here are my notes and thoughts about the novelization, including what I've learned about the characters, their world, and more.
Why did the Lucy, Michael and Sam Emerson move to Santa Carla, California?
"His mother had explained it to him [Michael] until he had practically memorized the words. Even after their little scandal his father was still a pretty important person in their part of town. There was no way they could stay in Phoenix [Arizona] without running into him. He didn’t want the kids, and Mom didn’t want him. So Michael and Mom were on their way to Santa Carla, along with brother Sam, dog Nanook, and all their worldly goods.
Their grandfather lived in Santa Carla. From now on they would stay with him."
It's never outright mention, but strongly implied that the scandal is that his dad was having an affair. Well, that's what I think because an affair would indicate premeditation or deliberate intent over a period of time, while cheating is usually a one-time event.
This would probably explain why Lucy's financial situation wasn't improved after the divorce. There was no repairing the relationship, especially if it's an affair. She just wanted the divorce to be done with as quickly as possible and have full custody of her sons, even if it meant she wouldn't get a fair amount for child support.
Fun Fact: Santa Carla is a fictional quintessential beach town, located in California. It was actually based on and filmed at Santa Cruz, however the name, Santa Carla is actually an anagram of Santa Clara.
Fun Fact 2: Santa Cruz also earned the moniker "Murder Capital of the World," because of the town's real life history with serial killers in the '70s. The film borrows that aspect from Santa Cruz as well.
Director Joel Schumacher thought the location fits so well for the fictional world of the Lost Boys' vampires.
"The movie didn't come together until I saw it [Santa Cruz]," he told the Santa Cruz Sentinel. "At the time, there was an enormous amount of transient kids moving through Santa Cruz. This is exactly where I would come if I was a teenage vampire." [x]
Fun Fact 3: In real life, a trip by car from Phoenix to Santa Cruz takes about 11 hours. I was curious about how long it would've taken for Lucy, Michael and Sam Emerson to drive all the way to Santa Carla. So I imagine it'll be about the same amount of time in the fictional world too. This is also good to know if you want to be super accurate or better plot out your Lost Boys fanfiction. XD
Also, in 1987 the average retail price of gas was $0.90 cents per gallon. [x]
Fun Fact 4: The most iconic part of the Santa Cruz boardwalk is the wooden red-and-white tracks of the Giant Dipper, which was feature in The Lost Boys and among other medias.
The Giant Dipper was built in just 47 days at a cost of $50,000. Today, labor and materials for merely painting the Giant Dipper are estimated around $300,000. It also now costs a little more to ride the classic coaster compared to May 17, 1924, when the Giant Dipper opened to the public. The fare then was 15 cents; today (as of 2023) it’s $8.00 per ride.
On February 27, 1987, the Giant Dipper and the Looff Carousel (which was also in the film) was designated a National Historic Landmark. I tried to find the fare during that time period, but the closest I could get was an old article from Los Angeles Times which mention that the fare for the Giant Dipper was $2.00 in August 12, 1990. [x]
What is the name of Michael and Sam's father?
We don't know in the film, but the readers find out that his name is Lance.
Did you know that the Lost Boys entrance scene in the novelization differs from the film?
And then the Lost Boys walked in. Another gang, a lot better dressed than the Surf Nazis, but still a gang. Their leader, a tall, blond fellow named David, walked up and got right on the slowly moving carousel. The ride was almost over. The other Lost Boys followed him on. And as they spun around, Shelly managed to smile in David’s direction. David smiled back and nodded his head slightly in greeting, a polite gesture, the sort of friendly nod you might see a hundred times in the course of a day. Greg didn’t think so. He scowled at his girlfriend and jumped up from his seat. He took a couple steps in the Boys’ direction, but the other gang was moving too. No, not to face Greg. He realized they were going to go by him as if he weren’t even there. Greg stood up and said something that wasn’t exactly flattering. He shoved the Lost Boy out of the way. But now David was there. The calliope played on. Waltzing Matilda. The Surf Nazis joined Greg. Waltzing Matilda. The Lost Boys closed ranks as well. If the Surf Nazis wanted a fight, they were ready. Won’t you go a-waltzing, Matilda, with me. Greg stared at David. David took a half step forward. He found a nightstick pressed against his Adam’s apple. David let his eyes follow the nightstick down to a beefy hand, attached to the body of Big Ed. All three hundred pounds of Big Ed, a security guard with no love for Surf Nazis or Lost Boys. The carousel ground to a halt. The music stopped. The ride was over. Big Ed’s mouth was small for his head. When he opened it, his voice was soft after the calliope’s “Waltzing Matilda.” “I told you to stay off the Boardwalk.” David stared at the guard, not moving for a long moment. Big Ed’s eyes were small, too, but the anger there made up for what they lacked in size. David smiled and turned his head toward the Lost Boys. “Come on,” he said to the others, “let’s pull.”
That was the novelization and in the film there's a noticeable difference...
Shelly spots David coming up from her left, and their eyes lock for a brief second. She turns away, but he stops behind her, gently cupping her cheek to look deeply into her eyes.
As he walks off, she continues to stare after him. Greg, sitting beside her on the ride, notices their exchange. Jealousy flares within him, and he immediately shoves her face aside, venting his frustration on Dwayne, who happens to be the closest target.
She snaps out of it, but is stuck in her seat trying not to get caught up in the scuffle. David sees Greg grab at Dwayne and steps in, planting a hand on Greg's face to keep him back.
Their confrontation is cut short when a security guard intervenes, pressing his nightstick against David’s throat and pulling him aside. With all eyes on him, the guard says, "I told you to stay off the boardwalk."
David chuckles, gripping the nightstick. "Okay, boys, let's go."
The guard lets him go, and as David walks away, he shoots a quick wink at the other gang.
What did Sam and Michael do when fighting about who would get the room that was closest to the stairs and the bathroom, and it had a great view of the backyard?
Michael nodded. There was also only one way to handle younger brothers. “Okay,” he said calmly. “I’ll flip you for it.” Sam glared back at Michael, but he didn’t speak. He knew as well as Michael that older brothers usually win out in the end. But Sam also knew that Michael’s offer was his only chance. “Okay,” Sam said slowly, as if he had to drag the two syllables from his lungs. Michael laughed, grabbed Sam, and flipped him upside down. This will show the little bugger! Thinking of Sam as a bugger made him laugh even harder. Michael gasped as white-hot pain shot through his body. He looked down to see Sam biting his thigh. “Owww!” Michael pushed Sam away with what energy he had left. “You little shit!”
This is one of the deleted scenes from the film. It instead jumps to Michael chasing Sam down the stairs, with Lucy warning them not to run inside the house. Sam slides open the door to one of the rooms, intending to hide, but stops in shock at what he sees. Michael catches up, and they both stare, surprised—it's their grandpa's taxidermy room.
What did the Emerson family do in the afternoon they arrived?
They spent it unpacking and having dinner (probably a pizza) when they were finished. Michael helped his mother with the dishes by drying them, while Sam was in the other room looking for some music to put on.
He’d made another decision this afternoon too. He put the platter down at the back of the dish rack. There’d be no better time to tell her than now. “Mom,” Michael began. “I think I’d like to get a job.” His mother looked up from the sink, a question in her eyes. She didn’t ask it. “School’s only a few weeks away,” she mentioned. He took another plate from her hands. He dried it for a moment before he spoke again. “I was thinking of not going back to school.” The stereo kicked to life in the other room. His mother frowned at Michael.
Before she can say anything about it Sam and Nanook rushed in. Sam grabs her hand and pulled her away from the sink to dance with him.
Mom and Sam boogied all over the kitchen, while Nanook barked for emphasis. The two of them danced in his direction, reaching out to drag him in. Michael shook his head and backed away. He didn’t know exactly what he wanted to do. But he really didn’t feel much like dancing.
This is another deleted scene from the film. The difference however, between the novelization and the film's deleted scene is that Michael doesn't pull away and lets himself get dragged into dancing with them.
In the actual film, however, it jumps straight to the Emerson family (not including grandpa) exploring the boardwalk. Michael and Sam stick together to check out the live concert while their mother tries to get a head start on job hunting.
Fun Fact: In general, most public schools in California start the school year in mid to late August or early September.
If we're sticking to Santa Cruz as the basis for Santa Carla, that would mean the first day of school is in August. So the events of The Lost Boy film and novelization takes place on the last month of summer -- July. As that would certainly match with school being "only a few weeks away."
How did Lucy get a job at Max’s Video?
She was looking for 'help wanted' signs at the boardwalk when she noticed a little boy crying near a restaurant sign. He was all alone and looking very lost. Next to the restaurant was a well-lit store with a bright neon sign that read Max’s Video. She guessed that the boy might've wandered out of from there and took him inside it.
“This boy seems to be lost,” she began. She glanced around the store. Besides the youths, there were four other customers. “I thought maybe his parents might be in here?”
It wasn't long before a young woman rushed in and headed straight towards the little boy. After that Lucy talked to Max and he offered to interview her for a job at his store.
In the film, Lucy walks past a woman pinning the security guard's photo on a bulletin board covered with missing person posters. She awkwardly makes eye contact with her and continues on. She notices a 'Help Wanted' sign, but her attention shifts when she hears a little boy calling for his mother.
Max watches with interest as Lucy interacts with the boy outside his store. When the Lost Boys walk in, his expression shifts to a disapproving frown, but his attention quickly returns to Lucy as she enters and informs him that the boy has lost his mother.
Everything after that is basically the same in the novelization.
Fun Fact: Lucy Emerson's name was chosen as a reference to the fictional character Lucy Westenra from the 1897 novel Dracula by Bram Stoker.
Fun Fact 2: Max is inspired by Peter Pan, as he is the leader of The Lost Boys and immortal. Just like Peter with Wendy, Max also wants Lucy to be the mother to his boys.
Who else worked at Max's Video store?
Maria, the cashier is an attractive young black woman. She shows Lucy the ropes and reveals that...
“You know, I’d be out on the street if it wasn’t for Max.” Maria laughed softly and shook her perfectly coiffed head. “Nobody would have given me a job the way I looked when I walked in here.”
It was Lucy's first day at work and she noticed that Max still hasn't shown up. What excuse was she given for his absent?
“Didn’t he tell you?” Maria frowned as she studied her perfect nails. Whatever she found wrong with them was completely beyond Lucy. “He only comes in here nights. He’s busy opening another store in Los Gatos. It’s going to be much bigger than this one.”
Maria also told her that...
Max usually showed up an hour or two before the store closed to do a little financial business back in the office. Besides that, she never heard from him, either.
Fun Fact: The town of Los Gatos, California does exist. It is located in the San Francisco Bay Area just southwest of San Jose in the foothills of the Santa Cruz Mountains. The drive to Los Gatos from Santa Cruz takes about 30-48 minutes, depending on traffic.
Los Gatos is Spanish for "The Cats". The name derives from the 1839 Alta California land grant that encompassed the area, which was called La Rinconada de Los Gatos ("The Corner of the Cats"), where the cats refers to the cougars (mountain lions) and bobcats that are indigenous to the foothills in which the town is located.
Sounds like it'll be a perfect place for a vampire to set up a second location (or make it into another possible hunting ground) as any deaths can be blamed on cougars, bobcats and hiking accidents.
It's a smart plan, and we know Max is a cautious type—only the Lost Boys know his true identity, unlike a half-vampire like Star. Having lived in Santa Carla for so long, he understands the importance of keeping a low profile and planning carefully, especially to ensure a more secure future.
What job did Michael get?
He had seen the notice the night before, tacked to a telephone pole along the Boardwalk: “Dayworkers wanted. $4.00/hour.” The notice had said to show up for work on the beach at seven a.m. From the crowd around him it looked like about thirty other people had read the notice too.
He was one of the lucky few who got picked to collect the trash on the beach. This was another deleted scene from the film.
Fun Fact: In 1987 California, the state's minimum wage had been $3.35 an hour since 1981. But it was raise to $4.25 an hour on July 1, 1988. [x] [x]
What motorcycle does Michael have?
Honda XL 250
What did Michael do with the money he earned from collecting the trash on the beach?
When dropping off Sam with their mother, he tried to give her the money he had left over from Christmas. She thanked him and insisted it was unnecessary, returning the money to him. She wanted him to save it for school and focus on being a teenager, not worrying about adult concerns like their financial situation.
Michael smiled as he looked at himself in the mirror. This was all right. He was glad his mother made him keep the money, after all. He squared his shoulders and frowned at his reflection, tugging the battered black leather sleeves until they were just right. This jacket made him look years older. Michael smiled and shoved his hands in the jacket pockets. With this jacket on, he belonged on a motorcycle. Those teenagers last night had nothing on him anymore. He told the shop girl with the spiky pink hair that he’d take it.
This was another deleted scene from the film. Instead it jumps to Michael on the boardwalk already wearing the leather jacket, and checking out a small booth in which a girl was getting her ears pierced for $10.
Fun Fact: A thick, long-lasting leather biker-jacket is expensive, especially a brand new one. It would've cost around $300-$600. However, an affordable and good leather can still be found thrifted.
It sounds like Michael did just that because he found a used leather jacket, indicated by the "battered" sleeves for a decent price. It makes sense because I doubt he had worked or saved enough money to get himself a brand new one. He must've thrifted one for less than $90.
“What’s this?” Lucy opened the envelope to find a folded Christmas card with a half dozen folded five- and ten-dollar bills inside.
He might have had enough leftover to get his ears pierced for $10, but before he could check, Star appeared behind him. She said it was a rip-off and offered to do it for free.
As Star and Michael introduced themselves, they discovered that both of their parents had once been hippies. Just as Star was about to join him for a bite to eat, David interrupted, calling her over and telling Michael to follow them. Surprisingly, Michael didn’t question how David already knew his name.
At Frog's Comics book store, what did Sam say to impress the Frog Brothers?
“If you’re looking for the diet frozen yogurt bar,” the first one added, “it went out of business last summer.” So this was it. His first real challenge in Santa Carla. Sam had to cool these guys out fast. “Actually,” he admitted, the slightest touch of boredom in his voice, “I was looking for a particular Batman, j Series E, Volume 26, Issue 14?” The two commandos looked at each other. “That’s a very serious book, man,” the first one said. “Very serious,” the other agreed. “Only five in existence.” “Four, actually,” Sam replied with the slightest hint of a smile. “And I’m always on the lookout for the other three.”
Fun Fact: The names of the Frog brothers, Edgar and Alan, are a reference to the classic writer of horror fiction, Edgar Allan Poe.
Fun Fact 2: The original comic book store, Atlantis Fantasyworld used in the film was actually located in downtown Santa Cruz—not on the boardwalk, as it appears to be in the film. It was also destroyed in the Loma Prieta earthquake of 1989 and has changed locations twice since then.
The shop's owner Joe Ferrara II even appeared as an extra in the film. He still carries the original #1 issue of 'Vampires Everywhere' that Sam reads in the film. The comic was created only for the film, and its opening page is signed by all of the cast members from the movie. I've heard that it's still on display at the shop for everyone to see and to take pictures with.
Fun Fact 3: In the film Sam doesn't say all that, just that he's "looking for Batman #14". It does exist and its status as an early Batman comic makes it valuable in its own right, but it’s not “only five in existence” type of rare. However, a 9.8 graded copy apparently goes for around $54,000.
What type of motorcycle did David have?
The Lost Boy gunned his bike. It was a Triumph, a machine big enough to make Michael’s Honda look like a toy. He eased up, letting the engine rev back down.
Fun Fact: Kiefer Sutherland, who played David broke his wrist in three places. They weren't filming at the time so he popped a wheelie on his bike, but hit one of the trolley car tracks and injured himself when he fell. He had to wear gloves the entire time to conceal the cast. They also modified his bike so that it was easier for him to used with one hand.
At The Lost Boys panel at FanExpo Dallas he recount this story and reveals that he wasn't just having fun on the bike, but he was showing off. This is because there was a cute girl on the boardwalk that he liked and wanted to impressed her.
Fun Fact 2: At the time of filming Kiefer (David) was 19 years old, Jami (Star) was 20 years old, Jason (Michael) was 19 years old, Alex (Marko) was 19 years old, Brooke (Paul) was 21 years old, Billy (Dwayne) was 22 years old and Chance (Laddie) was 10 years old.
This, however, doesn't mean that their characters were the same ages too. In the novelization we know for sure that Michael's 18 years old and once summer ends he'll be starting his final year of high school. Sam is 13-14 years old and would to be entering it. The Frog brothers are about the same age, but might be a year or two older than him. As for the vampire boys...we don't actually know.
In the fandom it varies, but the general consensus is that Dwayne is the oldest in the group (as in their bodies' physical age) and guessed to be 20-21 years old, David is 20-19, Paul is 18, and Marko is the youngest at 16-17.
As for who's been a vampire the longest it would be David as he's the leader of the group for a reason. The second oldest is usually a toss up between Dwayne and Marko though. But most usually go with Dwayne as the second in command. From the novelization we definitely know that Paul was the last one to joined the group before Star and Laddie.
We know this because Star mention how she was able to connect with him better than the others. She believed the reason for that was because he hadn't been a vampire as long as the others and still remembered what it was like as a human to be lonely and lost.
Anyway, I bring this up because the film was originally set to be directed by Richard Donner with Fischer and Jeremias' screenplay which was modelled on Donner's recent hit The Goonies (1985). They envisioned it as more of a juvenile vampire adventure with 13 or 14 year old vampires, while the Frog brothers were "chubby 8 year-old Cub Scouts" and the character of Star was a young boy.
When Donner committed to other projects, Joel Schumacher was approached to direct the film. He came up with the idea of making the film sexier and more adult, bringing on screenwriter Jeffrey Boam to retool the script and raise the ages of the characters.
Fun Fact 3: In the film and novelization we only know the Lost Boys' first names. And Dwayne's name was never said out loud in the entire film and was only known in the end credits.
Also, there's a bit of confusion within the fandom as some believed David's surname is Powers. It's not. In The Lost Boys: The Tribe (which is technically non-canonical) Shane Powers (who's actor, Angus Sutherland is actually Kiefer Sutherland's real life half-brother) meant it in a ‘blood brothers’ way.
Shane was a member of the Surf Nazis, and during a bonfire party—the same one the boys took Michael to—the Lost Boys attacked the group. He survived their feeding frenzy, but was unintentionally turned into a vampire by David.
Why did Michael drink the "wine"?
It was a combination of being high on marijuana, and succumbing to peer pressure—possibly influenced by a bit of vampire mind manipulation too. He thought this was part of an initiation and that all he had to do was drink the wine. He figured Star was in on it, believing it couldn’t really be blood.
He smiled at David. He knew what they were doing. First the maggots, then the worms, now this. How much of a fool did they think he was? The wine really was as dark as blood. It was the best joke of all. He lifted the cup to his lips. He’d show David and the others that he wasn’t afraid of anything. “Good joke,” he said. “Blood.” They all watched him drink it. It was salty and sour for wine. Michael wondered where David had found it. It probably had been down in this cave ever since the earthquake.
Fun Fact: When they’re eating Chinese food, David leaves his chopsticks sticking straight up in his and Michael’s food. In many Asian cultures—such as Chinese, Japanese, Korean, and Vietnamese—there are shared table manners that dictate how chopsticks should be used.
One of the biggest taboos is placing your chopsticks vertically in your bowl, especially with rice. This practice is not only seen as bad luck but also symbolizes death. Sticking chopsticks upright is considered an invitation for spirits to join the meal, as it resembles a funerary incense bowl, which is often used to honor the deceased during funerals and memorials.
What happens after Michael drinks the "wine"?
He passes out and somehow makes it home to his bed. I can only guess the Lost Boys helped him, since they already knew where he lived. They likely got that information by following him, as they had initially planned for him to be Star’s first victim, which she later revealed to him.
“What did you do last night?’’ Sam asked. “You look totally wasted.” Michael shook his head. “I can’t remember much after the Chinese food that looked like maggots.”
And for some odd reason...
"The bottoms of your feet are covered with salt,” his brother replied. This was just too much to deal with. Michael stood up with a groan and began to shuffle out of the room. "I told you it was pretty weird Chinese food,” Michael culled to his brother as he walked out the door.
Fun Fact: I was curious about why would salt be sticking to the bottom of his feet so I looked it up.
Salt is known for having purifying properties that can ward off evil. Since vampires are often considered creatures of evil, it would make sense that salt can ward them off too.
For example, in many folklores the best way to stop a vampire (or most evil spirits, creatures, etc.) is to carry a small bag of salt with you. If you are being chased, you need only to spill the salt on the ground behind you, at which point the vampire is obligated to stop and count each and every grain before continuing the pursuit. If you don't have salt handy, some say that any small granules will do, including birdseed and sand. Another example is to simply toss salt over your shoulder. This is so you can blind any creature trying to sneak up on you.
However, salt wasn't used like that here so I did some more digging around and apparently it can also be used as a tracking device. It would be dumped on the bedroom floor of a vampire victim. The idea was that the vampire would step in the salt and the salt would stick to their bare feet, which would then allow the Buffys, Van Helsings, and Winchester Brothers of the world to follow the saline path back to the vampire's grave.
That brings me to my next question, where would the salt come from and why? The only possible explanation I could think of is that maybe Grandpa Emerson (being aware of vampires) could've put some salt around Michael's bedroom floor, especially after noticing he shows signs of vampirism. It could be a way to know if Michael is being targeted as the vampire's next victim or if he is one now, than Grandpa Emerson would know better in what direction to look for the main vampires' lair.
I'm probably overthinking it, but we don't really know all that much about him. Just that he's a retired businessman, has a small marijuana bush growing outside his kitchen's window, has taxidermy as a hobby, keeps his root beer and double-thick Mint Oreo cookies on the second shelf and he visits Widow Johnson a lot.
He could simply be a hermit and scarcely ever ventures out to town or is secretly an experienced vampire hunter that knows how to keep a low-profile. Of course, I find out that in the The Lost Boys Vol. #1 comic (which is a miniseries that picks up after the 1987 film) it's apparently the latter and there's a bit more to him than I thought.
But the more likely possibility is that maybe the vampires in The Lost Boys' universe all have salty feet (well, more like salt sticks, collects and/or coats their skin -- if that's the case it's probably unavoidable when they're living so close to the ocean) as a trait. It sounds like it was made up for the film to help people like the Frog brothers to identified vampires. Or maybe this only applies to Santa Carla's vampires?
What else did we learn about the vampires' weakness?
He [Michael] realized that he had turned the hot water off. It didn’t make any difference. The water still burned. He pulled his arm from the shower. What was the matter with the shower? He looked at the angry red welts running down his arm. The cold water had burned him.
Fun Fact: Water is also known as the source of life and so naturally works against the undead. On a practical level, it can also deter predatory creatures that hunt by smell, as water can misdirect or damp scent trails. But running water in particular is a traditional weakness in many vampire mythos. Vampires are thought to be helpless when submerge in it and can be destroyed to many variations of death (such as drowning) because of it.
This myth comes from the Church (in ancient times) trying to feel protected because it was believed that nothing evil could swim or cross running water.
The origin of this may be that Jesus was baptized in a river (washing away evil and sin), but undoubtedly helping the folklore is that running water is much cleaner and safer to live near than stagnant water. Stagnant water doesn't wash away harmful content, is more inviting to mosquitoes and other vermin, promotes mold, and so on.
Vampires are thought to be wretched and disease ridden abominations. Because of that the purity of the running water repels them. However, in some folklore vampires are known to be territorial creatures and don't cross running water, such as rivers and streams because it often serve as natural marker boundaries in the region for hunting territory.
So, if they really wanted to they can cross running water just fine, but they choose not to. It's an unspoken rule that all vampires follow in order to keep the peace with other vampires in the same area.
From this we can accurately deduced that the Lost Boys can't take showers, but can still take bathes. As for if they can cross bridges, or take boats I don't know. Some vampires can't cross running water under their own power or by their own will. Others can as long as they use a human under their control to carried them across, maybe they can still [transform and] fly or jump over it themselves?
I think it's more the latter than former, as we don't actually see it or read it, but it's implied that the Lost Boys jumped off [or hovered above] the Hudson's Bluff, which overlooks the ocean, with their bikes while they were messing with Michael. It's hard to tell what they were actually doing because of the thick fog.
What did Michael tried to eat or drink?
Besides, his brother was right. He should put something in his stomach. He opened the refrigerator and took out a carton of milk. Pain shot through his stomach and chest. He doubled over, dropping the milk.
The room was also spinning and pulsing, he could even feel his own blood surging through his arteries and veins...
Michael forced his head back down. He had to stop this somehow. He saw a mouse in the comer. A large mouse in a trap, its neck slashed and broken, but not quite dead. It struggled feebly in the comer. And it bled. Bright red droplets fell to the kitchen floor. The mouse pulsed and expanded, just like everything else around Michael. He didn’t care. All he could see was the blood. The mouse stiffened, eyes wide open, dead at last. Michael dragged himself over toward the dead rodent, heedless of the pain in his stomach and chest. He reached out his fingers to the pantry floor. He had to touch the blood.
Michael calmed down a bit after tasting some blood, but he craved more. At that point, he was slipping into a feral vampire state, no longer fully himself. He followed the loudest heartbeat in the house—his brother's.
In the film, this scene unfolds slightly differently. Michael grabs a carton of milk to drink, only to drop it and collapse in pain. The scene then cuts to him, his face and body shrouded in shadow, as he menacingly climbs the stairs toward his brother.
What song was Sam singing to in the bathtub?
Sam sang along with the tape on his boom box. Clarence “Frogman” Henry croaked “I Ain’t Got No Home.” Sam croaked along. He might not have a home, but this bathtub was the next best thing.
What kind of dog is Nanook?
Nanook is an Alaskan Malamute (which look similar to Huskies) which are known for their peak at the top of their head, which resembles Bela Lugosi's classic Dracula hairstyle.
Fun Fact: To keep up with the Peter Pan theme, the name Nanook was inspired by the Darlings family pet dog, Nana.
Fun Fact 2: When Michael was giving into his hunger Nanook protected Sam by biting Michael's hand. In Peter Pan the crocodile is known to have eaten Hook’s hand and this scene was a little nod to it.
Fun Fact 3: Completely unrelated, but if you're curious about what the name Nanook means-- In the language of the Inuit people, “nanook” or “nanuq” means “polar bear.”
In Inuit mythology, Nanook was the master of bears, meaning he decided if hunters deserved success in finding and hunting bears and punished violations of taboos.
How does Star describe each of the the Lost Boys like?
All the Lost Boys were so different. Marco was always mysterious; Dwayne a little awkward. Paul was the comedian of the group. He’d do anything to get her to laugh. From the time she had first gotten to know them, David had fascinated her, but Paul had always been the one she could talk to. She sometimes wondered just why that was.
Which of the Lost Boys was recruited before Star and Laddie?
Before she and Laddie had come here, Paul had been the newest member of the gang. She thought that perhaps, more than the others, Paul still remembered what it meant to be lonely.
Readers also learn that Star ran away from home. The why is still unknown but we can correctly assume that it was from an unsafe or toxic environment. As for Laddie we still don't know his story, only that in the film his photo is on the back of milk cartons (such as the one Michael tried to drink from) saying he's missing. Oh, and that his last name is Thompson.
I originally thought he was just a random kid that the Lost Boys snatch in order to keep Star from leaving them. They knew she has a soft spot for children and they, in particularly, David (or Max, as nothing happens without his say so) exploited it.
However, the novelization implies that Laddie was with Star before ever meeting the Lost Boys. That while on the streets she came across Laddie and because he's so young, she couldn't resist the need to help him. Soon after they got lured in by the Lost Boys and tricked or forced into drinking the blood.
Maybe they turned Laddie first so that she wouldn't hesitant to follow him? Or they both drank it without realizing it and she continued to stayed for Laddie because he still needed someone who genuinely cared for his well-being. To not only protect him, but try and save him from a damned life.
In the film, the Lost Boys interaction with him show that they cared for him in their own way, but there's probably a good reason why we don't often see vampire kids.
Laddie's presence certainly helped to keep her grounded to her humanity too. Maybe that's why we never saw her vampire face? It takes a lot of inner strength to not give in. Readers get a better understanding of that from Michael's perspective because he couldn't snapped out of it, and would have done something reprehensible if it wasn't for Nanook protecting his brother.
Fun Fact: Well, more like it's an interesting fact...In the mid-1980s, the nonprofit National Child Safety Council began a nationwide program called the Missing Children Milk Carton Program by putting photos of missing children on the back of milk cartons. By March 1985, almost half of America’s independent dairies had adopted similar milk carton initiatives.
However, the milk carton campaign faded out in the late 1980s and was abandoned altogether when the AMBER Alert system was created in 1996. The replacement of paper milk cartons with plastic jugs also contributed to its demise.
How long was Star with the Lost Boys?
They were killing the Lost Boys. In a way they had been her family. She had been with them for a couple weeks, ever since she had run away to Santa Carla. But she had never seen them as vampires. For some reason they had hidden it from her. She realized she had never known their true selves, only their human remains.
“A couple of weeks” generally means a time period that is more than one week but too short to be measured in months. For that reason many people considered it to mean 14 days; two weeks.
A lot happens in such a short amount of time, especially in the film, but in the novelization it has better pacing.
What happens after Grandpa Emerson saves them from Max?
He reveals that he always knew about the vampires living in Santa Carla and in the novelization, in particularly, the epilogue he's the one who's been narrating it...
After that things pretty much returned to normal. We fixed up the house, Lucy got a new job, Michael went back to school. Star did, too, after she found a place to stay at the Widow Johnson’s. Laddie remembered where his parents lived. And Sam decided he wanted to learn to stuff animals.
What's special about the Lost Boys’ cave?
Grandpa Emerson continues the epilogue and hints...
That place where all the Lost Boys slept is only the beginnings of the cave. Those tunnels seem to go on forever, maybe even all the way back into Santa Carla. And the noises that come out of there? My daughter insists it’s just gotta be the wind. Sam says it’s probably some sort of animal. But nobody knows for sure. So you’ll excuse us if we only visit the hotel during the daylight. And we haven’t quite gotten the gumption to go back there and check those noises out.
Fun Fact: The filming location for the entrance of the Lost Boys' lair, is the Hudson's Bluff Sea Cave at Rancho Palos Verdes in Los Angeles County, California. It's at the foot of a rock 'spur' jutting into the sea by Terranea Beach. The rest of their lair was built on Stage 12 of the Warner Bros. lot.
Fun Fact 2: The hotel was based on the Valencia Street Hotel in San Francisco.
Fun Fact 3: In early drafts of The Lost Boys scripts, there was suppose be an end credit scene. It would've been one of the few 80s movies to do so, but it didn't happen.
The film's final ending was so punchy that filming the tag was never a priority, according to the film's production designer Bo Welch. Once Warner Bros. cut the film's budget by 35% before shooting, the tag was the first to go. "It never got beyond the discussion stage," Welch said.
In the book, The Lost Boys: Lost In The Shadows by Paul Davis you find out what it is they had in mind.
The camera would've panned back to the Lost Boys' lair, focusing on an old weathered mural on the hotel wall, which would show a smiling Max in the early 1900s boardwalk, talking to a group of young men.
You don't see their faces as it was left to the viewers' imagination. It could've been David and his gang or another set of Lost Boys before them. But it's clear that Max and his Lost Boys (not just the current ones) have been terrorizing Santa Carla for that long.
Fun Fact 4: There were plans to make a sequel named The Lost Girls just two years after with David returning as the main villain. This is why David's body doesn't turn to dust like the others. He didn't die, even after being impaled on a pair of antlers. It can be assumed it missed his heart or it needed to be made of wood to be proper "stakes".
Scripts for the film circulated in the early '90s, but the film was never made. However, the plot point would eventually turn up in the comic book Lost Boys: The Reign of Frogs.
#The Lost Boys#The Lost Boys (1987)#Craig Shaw Gardner#The Lost Boys novelization#movie novelization#film novelization#the lost boys novel#novelization#writing the lost boys fanfiction#the lost boys fanfiction#fanfiction help#writing fanfiction#the lost boys fanfic#book#the lost boys book#The Lost Boys 1987#The Lost Boys 1987 fanfiction#The Lost Boys (1987) fanfiction#TLB 1987#tlb fanfiction
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The collapse of the Afghan state amid the United States’ withdrawal in 2021 gifted the new Taliban government with more than $7 billion worth of U.S. military equipment. Afghanistan’s new overlords suddenly found themselves with fleets of Humvees, mountains of machine guns, and forests of radars and satellite dishes. The vast hardware hoard also included dozens of aircraft: a motley mix of Hind and Blackhawk helicopters, cargo planes, and close air support props.
Before the Taliban even had time to inventory their new arsenal, Egyptian filmmaker Ibrahim Nash’at arrived in Kabul. From his home in Berlin, he had seen the scenes of civilians storming Kabul’s international airport in a desperate attempt to flee, and he had managed to obtain permission to come to Afghanistan and film. But his plan—to record the suffering of ordinary Afghans—was swiftly dashed. Accompanied by a Taliban minder at all times and forbidden to film anyone other than a Taliban commander and his men, Nash’at was forced to switch tack. That commander happened to be Mawlawi Mansour, the Taliban fighter in charge of creating a new Taliban air force from the equipment and pilots who were left behind.
Under orders from Mansour, Nash’at became the unexpected chronicler of a high-profile facet of Afghanistan’s regime change. The result is Hollywoodgate, a 90-minute documentary named after the sprawling U.S. base in Kabul, where the Taliban created their new air force after U.S. forces fled. In a total of seven months in the new Afghanistan and assisted only by a lone translator, Nash’at shot 220 hours of footage, later culled down with a team of five producers and nine Afghan translators. Overcoming his subjects’ extreme suspicion, Nash’at managed eventually to blend into Taliban meetings, inspections, and military missions, becoming so invisible that his subjects forgot about his camera and relaxed.
Mansour takes command of the former U.S. air base and immediately sets to work. He inspects his new force and is impressed by the scale of U.S. resources. But he is appalled by their Spartan aesthetics; “plant some trees here” is a constant command to scurrying subordinates as Mansour strides across the base. Taliban conversations show a sudden inversion: Off-screen holdouts against the new regime are “the insurgents” opposed by “our special forces.”
For Mansour’s men, the order of the day is repairing aircraft, many of which were purposely disabled by departing U.S. forces. After a perfunctory grilling, a handful of pilots from the old Afghan air force are welcomed into the new force. (Many others had fled with their aircraft to neighboring countries.) Training new Taliban pilots will take time, but Mansour gets a course up and running, his lecturers aided by a cardboard mock-up of a cockpit.
Women are immediately pushed to the margins of the new Afghanistan. With a whiff of amusement at their past effrontery, Mansour dictates that women in his ministry may return to work, but only if they are veiled. His own wife, he brags to his staff, is a doctor, but he restricted her to the home upon marriage.
The mood among Mansour’s future Taliban airmen is upbeat. We see low-ranking fighters exulting in their victory over the Americans and “the Jews.” An ambitious lieutenant is showered in confetti to celebrate his acceptance into the new air force academy. A gleeful door guard flags every comrade passing him in the hall with his U.S.-made M-4 rifle—the cocktail of frivolity and danger that characterizes many an insurgency or militia in the poorest parts of the world.
At times, the new overlords can verge on endearing. Mansour and his men visit the base’s well-appointed gym, where one Talib struggles to press a pair of dumbbells above his head. The boss steps on a treadmill and happily plods along, ordering one sent to his home “to make my belly smaller.”
I witnessed a very similar scene when I was deployed to Afghanistan as a U.S. Marine more than a decade ago. When we handed over a coalition patrol base to one of the Afghan government’s paramilitary forces, the incoming commander breezed by the fortifications, operations center, and mess hall. But a derelict elliptical trainer in our sandy outdoor gym fascinated him. He hopped aboard with a big grin and churned away, to the bemusement of the handful of watching Marines.
Outside the tight circle in which he was permitted to film, Nash’at was far less welcome, he told me in an interview this summer. In his wordless brushes with Afghan civilians, he felt indicted by their stares. He was convinced that they saw him as an Arab propagandist—a voyeur who had come to Afghanistan to see and celebrate the Taliban’s triumph.
Despite the restrictions placed on him as an outsider, Nash’at managed to get glimpses of ordinary Afghan life. Children occasionally appear onscreen, and we get a sense of the extent to which they have been formed and traumatized by a lifetime of war. Hanging on a tow ring of a hulking mine-resistant vehicle, one boy in a camouflage shalwar kameez mumbles that he will “take a weapon and kill you all.”
After months of maintenance, training, and reorganization, Mansour gets his triumph. Toward the end of Nash’at’s filming, the Taliban stage a military parade for their own men and a handful of Russian, Chinese, and Iranian dignitaries. After a show of marching infantry, armored vehicles, and a battalion intended for suicide bombing on motorcycles, Hinds and Blackhawks fly past the grandstand. It’s a successful first operation for the Taliban’s new air force, even if the fly-by is bit too fast for Mansour’s liking.
In the film’s final scene, Mansour is seen on his cell phone berating an official at the Tajikistan Defense Ministry for harboring the Taliban’s enemies. Nash’at told me he believes that many Taliban have aims beyond Afghanistan’s borders. One high-ranking leader told him, “I can’t wait until we conquer Egypt.” The Taliban believe they and their forebears have turned Afghanistan into the graveyard of empires, defeating the British Empire, the Soviet Union, and now the United States. One fighter exults that “with American weapons we will rule the world!”
Whatever their intentions, the film also leaves viewers skeptical of the Taliban’s ability to wield meaningful military power. Like many journalists since then, Nash’at immediately picked up on the boredom among the Taliban fighters that followed on the heels of military victory. While negotiating Kabul’s traffic in a sedan just weeks after the city’s fall, one of Mansour’s lieutenants tells the filmmaker that he already longs for war: the return of the Americans, 500 bullets, and martyrdom. Late in the film, an enthusiastic crowd of Taliban tries to pile into an aircraft for a VIP test flight and are beaten off with curses by Mansour’s men. Afghanistan’s new rulers are likely to have their hands full just keeping discipline among their own former fighters.
Nash’at likened the realities of governing after fighting to coming down from a narcotic high. Building a bureaucracy seems much harder work than winning a war. Staff meetings and wrangling over budgets are a poor substitute for ambushes and assaults. Early in the film, one Talib waxes nostalgic for the life of an insurgent, showing Nash’at the cave he and a few other men took refuge in.
Despite his fear and disgust of the Taliban, Nash’at believes that the West should engage them. He said that if they are ignored, they will act out for the world’s attention, to the detriment of their own people and the region. But he harbors no illusions that such engagement will yield swift changes in the character of the Taliban.
With Hollywoodgate, now streaming after a limited theatrical release, Nash’at may not have made the film he originally set out to make. The suffering of the Afghan people was walled off from him. The Taliban’s strictures confined him to a narrow lane and, as he notes in an introductory voice-over, to the story they wanted to tell the world. But if the Taliban thought that they had put Nash’at on a short enough leash to force him to produce a piece of propaganda for the new regime, they were mistaken, too.
After Mansour’s air show, Taliban secret police demanded that Nash’at come to their office and show them all of his footage. As he told IndieWire in an interview, he knew then that his work was done: “I was filming the transformation of a militia into a military regime, and I realized at that moment the transformation was complete.” Through empathy, patience, and not a little audacity, Nash’at succeeded in capturing a story of Afghan nation-building—but a far different one than almost any Westerner could have imagined 20 years before.
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Gainfully Unemployed:
A new fat fable about obsessive weight gain.
Gainfully Unemployed
Kyle California was his handle, I didn’t know his real name, not at first. I first came across his YouTube channel in early 2017. I was his first follower. I don’t know if it was his strong jawline, muscular biceps, or Pacific blue eyes that caused me to fall in love. Back then he had short brown hair spiked like a child’s, a deep tan from years spent lying by his parent’s pool, and a soft hairless stomach. His early uploads were of him jiggling his pudge and smiling. He always wore a pair of azure blue Quiksilver boardshorts and spoke softly about wanting to grow bigger. He would post his statistics below his videos. He said that he was 5ft 10 and 183 lbs with a 30 inch waist. He claimed to be 23 years old.
I was the first to subscribe to his Patreon and his OnlyFans. I felt honoured that he allowed me to share in his intimate moments. He invited me to shower with him, let me watch while he sat on his dildo and jerked his thick 10 inch cock right in my face. I really used to love that. I regularly sent him $10 tips that I really hoped he would spend on food. He promised me he would.
Kyle said that he loved to eat and it showed. I watched him working on his legs and arms in the gym. In the changing rooms he would film himself shaking his round belly wearing only a wet towel around his midriff. He wanted to remain healthy and muscular whilst continuing to grow his stomach. I watched him eat pizza and cream cakes. In May 2018, at my request, he bought the same azure boardshorts, 34 inches. He flexed his guns and stroked his swollen round belly. It was so soft, like his face, in contrast to his strong arms and chest. His thighs were thick and round like a fat ballet dancer’s. His ass was perfectly perk and succulent. I loved watching his cheeks bounce while he swallowed his dildo and came. We had such fun.
He first spoke to me when he answered my question on Tumblr and Instagram. Do you think you will always want to keep gaining? He was 220 lbs at this point and had developed nicely thickening love handles that stuck out half an inch over the boardshorts that so beautifully matched his eyes. Yes, I can’t imagine ever not growing bigger. I just love the feeling of too much to ever stop. I believed him.
By 2019 he was one of the most popular gainers online. He regularly got tens of thousands of views on YouTube and had hundreds of followers on his other socials. I was so proud of him. His belly was really starting to balloon, thanks to my encouragement and kindness. Kyle had such a perfect round gut that stuck out two or three inches beyond his 36 inch shorts. He looked so swollen all of the time. Like he had eaten a whole watermelon. He was the perfect all-American gay boy.
When the pandemic hit Kyle lost his service job meaning that his online presence was his only source of income. I felt so sorry for him and really appreciated his honesty and hardwork that he was putting into growing himself and his socials. I more than doubled my contributions and he almost doubled in size.
Being locked-down was so good for Kyle, he got to stay home all day and make a living from eating and jerking off online. I started paying for his Uber Eats and he was so thankful. The weight piled onto his belly, thighs, and ass as he ate junk food daily. Burger King was his favourite. He gobbled down Double Whoppers like they were Tic Tacs and the results were wonderful. During those months he exploded into a real sexy fat boy. His belly bulged and his butt ballooned. Stretch marks started to appear on his love handles as his body grew wider at an unbelievable pace. Quicksilver no longer made the same boardshorts so he would eat in just his underwear. XXL tighty whitey’s that were so deliciously tight. He could no longer go to the gym so his upper body and legs quickly began to soften. Kyle would play with his new moobs for me. Squeezing his thick man breasts while he sucked down supersized shakes. Lockdown was lonely for many people but not for Kyle and me.
By the time he went to get his first vaccination Kyle was 289 lbs. So close to the big 300. His youthful face was soft and chunky with chipmunk cheeks and a thick double chin. I had been with him all the way on his journey and was thrilled to finally be getting the chance to meet him in person.
I had been looking for jobs in Carmel for the previous six months and had finally landed a role at an online shoe retailer which paid enough to support both of us. It was important to me that Kyle could afford not to return to work, or the gym, in order to continue with his gains. When he announced that he was making enough money online to keep doing it full time I was delighted.
I found his parents' house on Google Maps. I had seen the exterior and pool enough times on his earlier videos. Locating his apartment was harder so I had to wait for him to visit his folks. I assumed that he would be thrilled to see me. We had now spoken a few times during his Q&A sessions and had always gotten along so well. I couldn’t wait but his fucking parent’s went and ruined it.
At first meeting him in person was perfect. He was even more beautiful in real life than in any picture or video and I should know, I took thousands of pictures of him during our relationship. He was so circular, a real buxom boy, with a massively plush ass, round and soft enough to turn the head of any Catholic Priest. His balloon belly bounced with every step as he walked up his parent’s driveway. He was wearing a dark yellow t-shirt that did nothing to hide the layers of fat that stuck so beautifully out the front of his distended abdomen. He was very surprised to see me.
At first I was shocked that he had forgotten my name but when he explained how many followers he had I forgave him. I was so proud of his success. When he asked me to leave I was initially furious but he explained that his parents were not aware of his online activities so it was inappropriate to introduce me to them at that moment. I accepted this explanation and told him that we could meet at Burger King the next day. I left in a very upbeat mood. When he didn’t show I was again enraged and sent him twenty seven DM’s. Eventually he responded saying that something else had come up. I tried to rearrange our next date but he was always too busy.
He kept performing online so I wasn’t too brokenhearted. Making videos must have been taking up a lot of his time. His gains had seemed to be slowing down though so I sent him a $200 tip with a short message saying to spend it all at Burger King. I signed it with lots of kisses. I was totally bewildered to discover two days later that the money had been redeposited in my account. Again I DM’d him only to discover that he had blocked my messages. I really started to wonder if I had done something wrong. The idea that I’d done something to upset him caused me real pain.
My mind was put at ease the next day when he posted that he had decided to stop gaining fat and wanted to regain more muscle. This initially relieved me, however, I couldn’t believe that he would make such an important decision without consulting me first. He had after all promised me personally that he would never stop gaining fat. I knew that I would find him at the gym. I had been there many times before.
When he saw me in the showers he completely lost his mind. I think his parent’s must have found out about his gaining or his OnlyFans or something. I’d never realised before that he could have such a short fuse. His heavy ass glistened when wet and his bulbous belly was so fucking beautiful. I gave it a rub as I knew he liked that, but my compliments didn’t calm him down like I’d hoped. He ripped his shorts trying to put them back on quickly and left the gym with his right ass cheek hanging out below his tight t-shirt.
I followed him to the parking lot trying to calm him down but it was no good. He had now gone stoney quiet so I was the only one doing the talking. I told him how much I loved him and how fat and beautiful he was. I even offered to blow him right there in his car. But it was all to no avail. He drove off at high speed.
I decided to follow him as I needed to make sure that he was alright. I hated seeing him so upset. All I wanted to do was take care of him. Keep him as my own fat boy. But I would never get the chance to take our relationship to the next level.
He was so stressed out that he ran a red light. The Uber Eats driver t-boned his sedan on the driver’s side. Kyle had left in such a hurry that he’d forgotten to put his seatbelt on. I never knew this before but airbags are designed to protect people wearing belts. The seat belt stops you from being thrown forward towards the deploying airbag. No belt hence massively increases the impact force. The coroner’s report said that Kyle’s heart had been dislodged. He died instantly. If there’s one lesson to be learned from this story it’s that seatbelts save lives.
His last post update said that he was 5 ft 10 and 296 lbs with a 42 inch waist size. He claimed that he was 23 years old.
At the funeral I met his parents. They were lovely and had no idea that Kyle had a boyfriend. They were pleased that he hadn’t spent all his time alone. His weight gain had been a concern to them and they were starting to worry about his well being. I assured them that Kyle had been fine and was perfectly happy with me. It was just a tragic accident. I didn’t mention how stressed and furious he’d been that day as I didn’t want to upset them. They were very nice people and I couldn’t get my head around why Kyle had been so angry at them. They seemed like such a nice family. It’s a real tragedy. I keep in touch with them every so often.
#gainer stories#gay gainer#feederism kink#gay gainer stories#weight gain stories#male wg#gaining fat#fat belly#fat boy#male weight gain#male gaining
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498. Flintstones 1994 Garbage (part 1)
(see also Dick Tracy Garbage, 1996 Olympics Garbage, Phantom Menace Garbage, Y2K Garbage)
Back in the day, thirty years ago, usually the movies that came out Memorial Day weekend were still relevant by the time 4th of July came along. I don't remember that happening with 1994's Flintstones. Here is the Box Office for 4th of July, 1994:
Simba driving that bus really took them out. Maybe its just my memories from when I was ten, but I remember the hype for Flintstones was the week the movie came out, and that was it. I stopped hearing that B-52's B.C. 52's song after about a week on the radio.
Ten year old me thought the song was cheesy, but 41 year old me doesn't mind it now. Halle Berry is having the time of her life in the video.
The merchandising for this movie was diligently curated. 'Pretty sure we've all seen that RocDonalds McRib commercial. RocDonalds was part of McDonald's first World wide marketing campaign.1
Australia got the $2 Bedrock Dinner Deal, while Canada had the Barney Rubble bacon double cheese meal. In Malaysia they had dinosaur nuggets!
I have to give it up to Rosie O'Donnell as Betty, that was the role she was born to play, baby.
She showed up for every single McDonalds commercial. Sometimes with an actress that they hired to look almost like Halle Berry's Sharon Stone character. They were getting that McDonalds $$bag$$. Sometimes the same line had to be filmed twice because in Canada, they had plastic movie cups and the in the States we just had paper ones. She was the star of the glasses commercial.
You know what Australia McDonalds had that we didn't? A Barney Rubble pencil sharpener!
We had those clunky cars that went into buildings?
I almost forgot about the t-shirt you could buy at McDonalds!
McDonalds did all this work, spent all this money, did all these promos, and it wasn't enough. Kids weren't impressed. 1 Burger King had a huge Lion King production that won over kids, with some locations reporting that they were selling 220-300 kids meals a day. 2
(part 2)
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