#2021 drama reviews

[therealmrpositive]

Malcolm & Marie (2021)

In today's review, I find that you can say a lot of words in an evening, some that will reflect on more than just your life, relationships, and future. As I attempt a #positive review of the 2021 film Malcolm & Marie #JohnDavidWashington #Zendaya

Art is always a mirror of the attitudes of the artist and society around it. The personal drama, and the geopolitical machinations all fuel the creative process. In 2021, off of the success of Assassination Nation, and wanting to pivot to something newer, Sam Levison took a different approach, a more ambitiously artistic approach, in Malcolm & Marie. John David Washington who you might remember…

[dramastaughtme]

💛 The red sleeve

[sakurablossomsagain]

Reseña del kdrama “Dali and Cocky Prince” (2021)

Título: Dali and Cocky Prince / 달리와 감자탕 / dalriwa gamjatang

Género: Comedia, Romance

No. de episodios: 16

Cadena: KBS2

Periodo de emisión: 22 de septiembre del 2021 al 11 de noviembre del 2021

Sinopsis: Jin Moo Hak (Kim Min Jae) es el segundo hijo de una familia que dirige la firma global de franquicias de restaurantes Dondon F&B, una empresa que comenzó como un restaurante de gamjatang (estofado de huesos de cerdo). Jin Moo Hak carece de educación, pero tiene una excelente capacidad para ganar dinero. Por otro lado, Kim Dal Ri (Park Gyu Young) es investigadora visitante de una galería de arte. Ella es la única hija de una familia prestigiosa, puede hablar 7 idiomas diferentes y tiene una amena personalidad, pero no es muy buena para hacer las tareas del hogar como cocinar. Jin Moo Hak y Kim Dal Ri se conocen sin saber los antecedentes del otro y desarrollan buenos sentimientos por el otro. Más tarde, debido a la quiebra de una galería de arte, se reencuentran como hijo de una familia rica y sin educación e hija de una prestigiosa familia al borde de la bancarrota.

Rate: ★★★★☆ 4.5

Dali and The Cocky Prince es el kdrama más lindo, ligero y reconfortante que vi la primera mitad del año pasado (2022). Cuando lo empecé a ver, tenia la noción que era otro rom-com ligero para pasar el rato, y sí, en cierta parte lo es, pero también es mucho mas que eso, tiene muchas enseñanzas y lecciones de vida que vamos aprendiendo a través de las experiencias de los personajes.

La química entre Kim Min Jae y Park Gyu Young está en las nubes, tanto que me atrevo a decir que es una de las parejas más lindas y tiernas de kdramaland. Su actuación estuvo en el punto y no me puedo a imaginar a otros actores perfectos para estos papeles que no sean ellos. 

El humor fue lo que más me encantó. La personalidad de Jin Moo Hak es distinta a lo que estamos acostumbradas a ver de un rico, que en los kdramas es usualmente un chaebol de 3era generación, y que en este caso es distinto, pues Moo Hak es un nuevo rico. Y debo decir que es ver a alguien así es refrescante en el mundo de los kdramas. Los personajes peculiares y la historia lograban romper los estereotipos de rom-com de los kdramas. 

Los 16 capítulos estuvieron muy distribuidos. No se sintió lento al inicio, ni apresurado al final. Todo estuvo en la velocidad correcta... ¿y lo mejor?

🚧 SPOILER ALERT 🚧

No hubo triángulo amoroso y no hubo periodo de ruptura. LO QUE DEMUESTRA QUE UN KDRAMA NO NECESITA DE ESTOS ELEMENTOS PARA SER ENTRENIDO Y TENER 16 CAPÍTULOS. 

🚧 SPOILER ALERT 🚧

Una última cosa que me gusté y aprecié de los escritores es que no se olvidaron de los pequeños detalles -no tan pequeños- que usualmente son parte de porqué la pareja principal se acerca en primer lugar. Como es usual, para el episodio 16 creí que habían olvidado o ignorado completamente este artículo/detalle, pero no, no me decepcionaron incluso al final. 

Curiosidad:

En los pósters de promoción aparecen los actores recreando pinturas icónicas de arte, pueden verlos aquí.

Le doy a Dali and the Cocky Prince 4.5 ★★★★☆ estrellas.

OST: 4 estrellas

Actuación: 5 estrellas

Personajes: 5 estrellas

Historia: 5 estrellas

Cinematografía: 5 estrellas

Química de los personajes principales: 5 estrellas

[limecello]

Team TBR Challenge Review: Word of Honor

LOOK IT’S SO GOOD OKAY?  *CAVEAT: To be honest, I put off watching this series for a bit because there were some mixed reviews, and for the first episode(s) the critics are legit. The beginning is … a lot. They throw a lot of shit out there, and introduce characters that are instantly killed off. Also, for whatever reason the first (few?) episodes – I’ve replaying from E1 as I write this review…

[mylifeinfiction]

Small Things Like These by Claire Keegan

"This road will take you wherever you want to go, son."

Claire Keegan's Small Things Like These is an extremely short, quietly affecting novella about the weight of secrets and the roads down which we choose to venture. Keegan's prose is so finely attuned thematically that we wrestle with the dilemma the main character faces right alongside him. It all makes for a poignant condemnation of the inhumanity inflicted by the church, and the small-town mentality which has protected them for so long.

"If you don't slow down, you'll meet yourself coming back. . ."

8/10

-Timothy Patrick Boyer.

[jasonsutekh]

The Guilty (2021)

A 911 operator becomes invested in a particular emergency call and determines to save the life of a young woman.

As a niche sub-genre of drama film it’s interesting what techniques will be used to vary the limited action. Working to a brief is better than simply saving money on locations and effects, it also means the narrative is very focused on character development and unravelling the mystery which was effective enough as there were a few misleading clues and a satisfying outcome.

Shortly into the fim it becomes apparent that it’s going to be confined to just a few rooms, the furthest we venture from the main workroom is a bathroom, unless you count one brief subjective crossfade to a parked car which appeared to be the protagonist imagining rather than us actually going anywhere. It’d possibly appeal more to theatre lovers than action cinema fans.

There was enough modern subtext to relate it to politics as well as relating small twists that are recognisable from the daily ethos of news as well as a caution against making assumptions. The performance was concentrated almost entirely to one on-screen actor and he carried the drama very effectively for a sustained time as well as conveying a diverse range of emotions.

The direction and editing are the ways that has the most subjective liscense, probably in order to keep more modern audience attention as there are a lot of close-ups which look good but there are times when the shot pace seems to be trying to convince us there’s more going visually than we can see but the audio performances were taking care of that suitably well too.

6/10 -Just a cut above average-

-This is a remake of a Danish film from 2018 that shares the same name.

-Shot during 2020 while the COVID-19 pandemic was still considered highly relevant.

[milliondollarbaby87]

The Little Things (2021) Review

When Kern County Deputy Sheriff Joe Deacon aka Deke is sent to Los Angeles it should have been a quick assignment to gather evidence, but he becomes embroiled in the search for a serial killer. The issue with this is that it is bringing up his past and something that Jim Baxter must then deal with. ⭐️⭐️⭐️ Continue reading Untitled

[sapphired17]

Yumi's Cells Season 1: A Review

Humans are far the most complicated beings on Earth that revolve around what their heart and mind opt out for, each of whom consists of diversified braincells at a personal dose. That being said, even the slightest difference of ingredients can make up an entirely distinctive personality from one another. Here in the fantasy world of Yumi’s Cells Season 1 (2021), we are brought to an…

[moviesandmania]

REPULSE (2021) Reviews of Czech horror now on Screambox

Repulse is a 2021 Czech bleak horror drama film about a tragedy that leads two dysfunctional families to intertwine in disturbing ways. Written, directed and edited by Emil Krizka. Produced by Jakub Kostal and Vratislav Slajer. The Bionaut production stars Pavla Gajdosíková, Stepán Kozub, Petr Panzenberger and Alena Sasínová-Polarczyk. Plot: The fates of two dysfunctional, grieving families…

[bookhouseboy1980-blog]

Yellowjackets S1X02: The F Shape (Review) 

[therealmrpositive]

Selena: The Series (2020-21)

In today's review, I look back at the family and singer behind hits like Como la Flor and Techno Cumbia. As I attempt a #positive review of the televisional biographical drama miniseries Selena: The Series #ChristianSerratos #GabrielChavarria

It is a sobering fact that the music industry is full of stars that were taken before their time, the infamous 27 Club is an overgrowing reminder of the lost potential and devastated audience that is left. One name that springs to mind is Selena, who broke barriers in the Tejano music scene and nationally, riding an incredible high before her shooting in 1995. In 2020, Netflix released a two-part…

[kimchislaphearts]

The Palace (2021)

Genre: Historical

Plot: 

This drama special tells the story of Court lady So Ssang who is blackmailed to make the Crown Princess miscarry and lose her position.

Cast & Crew:

Kim Sae Ron as So Ssang

Jung Da Eun as Bong Seon

Supporting cast - Seo Eun Young, Han Na Young, Jung Yong Hwa

Director - Lee Woong Hee

Screen Writer - Kang Han

Awards: Best Actress in Drama Special/TV Cinema at the KBS Drama awards 2021 (Kim Sae Ron)

Music:  

The chosen music fit the mood of the drama special. No tracks of note.

Overall: 

This drama special is interesting because it is a fictionalised telling of real history and because it is only just over an hour in length the political shenanigans don’t get too tedious for the viewer. I chose to watch this before reading about the real historical characters and I’m glad I did it in that order. 

I liked the way the story was told, starting with a key point and then going back to show us what happened to get to that point and what followed. 

It’s quite a dark and violent drama which I didn’t really expect going in. 

I thought the two main actresses did a good job in their roles. Jung Da Eun’s character was the more interesting of the two. I thought they did a good job moving the story along within the short time frame, there weren’t any moments that felt wasted. I really liked the directional choices for some of the imagery, it was quite beautiful at times. There was also some nice food shots in there which I am always a fan of.

I liked the progression of the two characters from mistrust to friendship. Overall it was a good drama special and I enjoyed it. 

Rating: 9/10

Watch it:  KOCOWA 

[limecello]

Belated TBR Challenge Review: 白日提灯 (Carrying a Lantern in Daylight) by 黎青燃 (Li Qing Ran)

So ALBTALBS was down for a few weeks which I didn’t even know it was down until I tried writing the July TBR Challenge review. 🫠 I tried contacting my host and everything and I guess there was some massive DDoS attack … and the site finally came back a few days ago. As my body and the universe hates me … I didn’t get to writing this review till now – cuz also procrastination is something I do…

[yurimother]

Disability Yuri Romance 'The Moon on a Rainy Night' Anime Adaptation Rumored

On Sunday, rumors about an anime adaptation of Kuzushiro's high school Yuri drama series The Moon on a Rainy Night (Amayo no Tsuki) emerged online. These rumors come only days after the domain for a potential website, amayonotsuki.jp, was first registered on October 24th.

Notable anime leaker Sugoi LITE also corroborated the rumors on X (formerly Twitter).

Kodansha USA, which has published the series in English since September 2023, describes the manga:

One rainy night, Saki is rushing to a piano lesson when she crashes into a beautiful, long-haired girl, dropping her sheet music in the process. Saki stutters an apology, but the girl simply hands back her sheet music and leaves without a word. Saki begins her first day of high school the following morning, only to find the stranger from the night before sitting at the desk next to hers. She learns that the girl’s name is Kanon and that she is not quite completely deaf, but very hard of hearing. Though Kanon needs to be close to people to read their lips, she tends to push people away with her icy demeanor. Through one kind gesture, Saki slowly begins breaking down the walls around Kanon, even as she feels something new blossoming within her.

The Moon on a Rainy Night has received positive reviews from critics and has been published in over 20 countries. Erica Friedman of Okazu described the first English volume as "a Yuri series that can and should be read by everyone." The series is celebrated for its characters, story, and disability representation. It was also nominated in the Next Manga Awards web category in 2022 and 2023.

The manga began serialization on Comic Days in June 2021, and upon release, it ranked first in the site's "original" category. Kodansha released the seventh collected volume in Japanese in June 2024, the same month that Kodansha USA released the fifth English volume.

Kevin Steinbach translates the manga into English, with lettering by Jamil Stewart.

You can check out The Moon on a Rainy Night manga in English digitally and in paperback today: https://amzn.to/3NGhCiP

YuriMother makes a small affiliate commission from sales to help fund future coverage.

[absolutebl]

Top 10 Most Underrated BLs of the last 3 years

(mid year 2021 - end 2023)

This list will not include BLs that ended their run in 2024. I need some distance to know if something is actually underrated (We Are maybe?) or justifiably ignored.

1 I Cannot Reach You AKA Kimi ni wa Todokanai (Japan 2023 Netflix?)

This classic friends-to-lovers BL is everything Japan does best. Angsty. Emo. Aching. Driven by real thirst. Yamato is deeply in love with his childhood bestie, Kakeru, and has been for ages, increasingly unable to hide his ungainly damaging high school need. He wants Kakeru in every way possible and it oozes off of the screen. Kakeru is silly and a little simple, but not frenetic or overly camp about it. He is earnest, and genuinely wants to keep Yamato in his life, which means giving a romance (and gayness) a fair chance. We watch him realize his affection and what form it can take in a truly authentic way. This show was impossibly kind to both of its lead characters and I felt almost honored that I got to watch something so lovely and rare play out on my screen. Full review.

2 My Ride (Thai 2022 Gaga)

Thai BL grew up with this pulp (the first ever pulp to make my end of year top 10). It’s a truly lovely and special little show featuring the extremely rare pairing of sunshine/sunshine (AKA a cinnamon roll couple) plus mature explorations of relationships using one of the softest, sweetest, and most innocent friends to lovers vehicles. Kindly, overworked doctor meets broken-hearted motorcycle taxi rider in an ���other side of the tracks” slow burn romance. The support cast is excellent, making for great friendship groups and family dynamics. With honest queer rep that adds to, but doesn’t impede, the story, and genuine conversation about the nature of class, wealth, and classism, not to mention communication, honesty, and respect for boundaries, you can’t go wrong with this show. In other news, I am a sucker for a single dimple. Full review.

3 Our Dining Table AKA Bokura no Shokutaku (Japan 2023 Gaga)

A lonely salaryman (+ talented cook) gets accidentally adopted by a college kid (and his little brother). I was always gonna love this show if they stuck to the original yaoi (which is very dear to my heart). And they did! Paralleling it almost exactly. It’s a quiet & cozy little parable of found family alleviating loneliness. Possibly too slow for some but definitely high up there for me as the best of what Japan can do with softness (like Restart After Come Back Home). It’s only flaw (if I dare say such a thing) is that it is not really “romantic.” Lovely & sweet but the romance beats are being used to build a family relationship, not just couple intimacy, but that's OK with me. This is a very safe show for anyone to watch.

4 About Youth (Taiwan 2022 Gaga)

A truly lovely little coming of age high school BL with a classic YA low drama but high angst and earnest depth. I didn’t even mind the singing, and that’s saying a lot. A weak seme/uke dynamic but tons of BL tropes (both rare in a high school setting but common for Taiwan) makes this one feel both sweet and colored by real world authenticity and grit. Full review.

5 Step By Step (Thai 2023 Gaga)

This was Thailand’s answer to The New Employee, and everything I loved about that show I loved about this one. This office romance between a stern boss and sweet subordinate felt more authentic to cubical work than previous Thai BLs of this ilk. That authenticity added tension to the narrative and its characters development (how novel). I also really enjoyed the charming side characters and the brothers' relationship to each other (although I could have done without that brother's side BL). Full review.

6 DNA Says Love You (Taiwan 2022 Gaga)

DNA deserves extra marks for an upbeat approach to a queer story arc that other shows have systemically mishandled with sadness (in the guise of realism). There is a twist, which I found predictable, but knowing what would happen didn't spoil this show. The leads are luminous and engaging, and it’s full of queer found family representation and an unexpected amount of domesticity, plus it’s Taiwan, so the kisses are great. The first few eps are rough going but have patience, it's worth it I promise! The second half is really special and life/love affirming - and the end is big-grin charming. Full review.

7 Unintentional Love Story (Korea 2023 iQIYI)

Of all the BLs on this list, this is probubly the MOST underrated. OMG the plot! Uke forced into a totally understandable betrayal, falling in love despite himself, put into a corner he can't get out of, the AGONY, the PAIN in those gorgeous eyes. Gah. Okay, so: A boy loses his job due to trumped-up corruption charges accidentally discovers his ex-boss's favorite artist, now a recluse. Evil manager offers him his job back, if he can convince the artist to rejoin society. Instead, they fall in love. I found the artist a bit stiff and reserved but Gongchan (maknae of B1A4) is a fucking GIFT - he carried this show (which I do not expect from the idol element). He was luminous with extraordinarily expressive eyes, just drown in the emoting abyss. The external conflict, social tension and pressure is complex and beautifully executed, plus Korea gave us legit side dishes (NOT a love triangle, hally-fucking-luya). Full review.

8 Dear Doctor I'm Coming for Your Soul (Thai 2022 iQIYI)

This is a romance between a doctor trying to save his patients and a reaper who is both his enemy and (eventual) lover (basically the genius premise of a gay Doom at Your Service). High concept looks good on you, Thailand. It’s lovely to see KarnNat back on screen together and they are still great, and Karn is just as painfully beautiful as ever. I enjoyed this one more than its ending deserved, and the best I can say is that it’s not strictly HEA but if you’re okay with Life: Love on the Line, you’ll be okay with this BL. It’s set up well, there’s no surprise unpleasantness like HIStory 3: The BL that shall not be named. Full review.

9 Destiny Seeker (Thai 2023 WeTV)

A darn near perfect pulp featuring 3 likable grumpy/sunshine pairings with uncomplicated iterations of enemies to lovers. At least one half of each does a decent amount of pining and there’s good chemistry, classic tropes, and excellent communication rep. It’s fun and full of linguistic jokes. Sublimely cheesy but a good rainy day offering with tons of rewatch potential. (Also WAR PEANUTS!) Full review.

10 Make a Wish (Thai 2023 grey)

A doctor who can see the dead strikes a bargain with a wish-granting irreverent tree angel - naturally they fall in love (from Sammon: Manner of Death & Triage). Stars Fluke Natouch opposite not Ohm, but who cares because Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay AF - fag hag bestie and made of swagger. The cast is excellent but the comedic stylings are a bit overblown and tonally off. It has sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency.

10 others I rarely see anyone talk about:

Triage - Many would put this at the top of the list, but I don't find it very rewatchable and that weighs a lot in my assessments. Still it is GOOD and very underrated. BL does Groundhog Day featuring a doctor stuck in a time loop who must save a poor little rich boy from death by seducing the stuffing out of him, then PLOT TWIST, poor little rich boy must do the same for doctor! Unfortunately… stuffing keeps leaking. I thought the plot was engaging if a little redundant and occasionally exhausting. The pairs were all well done, low heat but with decent chemistry and the support characters were likable (or unlikeable, as required). My reason it's not in the top 10? If anything, the romance arc detracted and distracted from the main plot, but that doesn't stop this from being a genuinely good show it's just time loop is not a trope I personally enjoy. Review here.

See You After Quarantine? - This under appreciated gem is Taiwan’s answer to Gameboys and is just as charmg and adorable yet still as quintessentially Taiwanese as one might hope. It features a Japanese love interest and the cutest most confused disaster gay. Slow burn because the two have almost no actual screen time together and yet manage some truly amazing chemistry. Honestly how does Taiwan do it?

The Tasty Florida - I don't know, maybe it's Speed nostalgia, but I love this one, classic Korean BL with all those strengths and flaws... but The Prettiest.

You Make Me Dance - it's Korea but somehow they got this one, maybe by featuring mature characters and a real world crisis? Also they both ve hot.

Blueming - at the time it got a lot of attention but it seems to have faded into obscurity under the shod of The 8th Sense and Love of Love's Sack. This was a precurser to both and well worth a watch if you like it when Korea gets a little gritty.

Love Stage!! (Thai version) - I liked this IP alerady more than most. But this is the best of the 4 adaptations, and the first full Thai version of Japanese IP. It's both charming and notable in the industry. Hard to find and that's why it gets so little creddit but I think it's well worth the effort to track down.

Oh! Boarding House - I think most who watched this din't jive with it because it's an ensamble piece witha wicked love traingle. But I really enjoyed it. It felt like the move Kdrama BL that Korea has given us and I like me some Kdramas.

What Zabb Man! - one of the better BLs to come out of Star Hunter in the last few years. I like this pair a lot more than most, and the sides are wicked great. This is probably one of my favorite food themed BLs, actually.

2 Moons The Ambassador - possibly the lowest scoring BL to appear on this list but I just really like the leads. Nothing else is good, but they are kinda awkwardly fantastic. I also like how gay af the seme is.

Stay By My Side - This show was an interesting take on the "ghost boyfriend" trope. About a boy who is tormented by hearing the dead, except when he is around one other boy - desperation+proximity = love. Despite a strong initial premise it ended up mostly being enjoyable for sappy domesticity but nothing more. Still, I always give extra credit for the diabetes-inducing sugar content and rewatch capacity.

Requested by the lovely @l1xyz

FYI: I judge “underrated” on the strength of what I see people talk about (or more precisely not talk about) on social media, MDL reviews, and YouTube watch numbers (when available, as compared to comparable shows from the same country). 

Because of this, statistically, there will always be quite a few BLs that are difficult to get hold of.

Here's my pulls of the Top Underrated BLs prior to 2021. Considering the amount of content generated over the last few years, the pool to draw from is likely about the same.

My Top 10 Most Underrated BLs prior to 2021

Seven Days

Restart after Come Back Home

Wish You

Nobleman Ryu’s Wedding

He’s Coming to Me

Oxygen

My Day

Most Peaceful Place

HIStory 2: Right or Wrong

HIStory: Obsessed

I'd throw Great Men Academy in there, but I always dither over whether it actually is a BL.

[221loislane]

An Account of the Current OTW/AO3 Allegations

You may have seen talk flying around about drama going down with OTW (the Organization for Transformative Works) and AO3. There isn't a clear write-up of the situation on Tumblr, and since the allegations in this case are serious and OTW Board elections are coming up, I thought there should be a resource for people to get some basic understanding about the events.

This account is a burner, because the topics here are deeply charged, and I don't want to become a character in what's happening. I am not a member of or volunteer for OTW; I am not affiliated with End OTW Racism; I am not affiliated with Dreamwidth; I do not personally know any of the people involved in these events, or have personal knowledge of the events themselves. I am only compiling the publicly available events, allegations, and discussion into a convenient format for Tumblr. I will be heavily referencing the the similar compilation put together by Dreamwidth user Synonymous, but I am not Synonymous, nor do I know who they are. I am not, however, completely without bias; for one thing, I am writing this with the clear understanding that I believe OTW's treatment of its volunteers and policies on content moderation are both deeply troubling. If I did not believe that, I wouldn't have bothered writing this post.

This write-up includes events relating both to allegations about volunteer abuse and improper handling of CSEM moderation by the OTW, and to arguments made about the OTW's handling of racist conduct and about End OTW Racism's ties to the writer known as Stitch. I am including both of these threads because they are deeply related both causally and in the arguments of many of the people involved, and because volunteer abuse, CSEM, and racist harassment are all deeply serious problems.

This situation has not resolved, and therefore you can likely expect more to occur, probably relating to all of those topics. I have not yet decided whether I will continue updating this timeline, but it should at least give you a grounding in what's happening.

Heavy Content Warning for discussions of child sexual abuse material; abuse, harassment, and stalking; and interpersonal and systemic racism. All language in this write-up is non-graphic and high-level, but some links include more detailed descriptions.

The Events

June 24, 2020: In the wake of George Floyd's murder and in response to pressure from people including Black writer Stitch (of the blog Stitch Media Mix and Teen Vogue) and fan studies academic Dr. Rukmini Pande, the OTW makes a statement promising to review their policies and procedures and take steps to protect users from racist harassment. The specific promises they make are:

Giving creators more control over the comments on their works.

Improving collection searching and filtering.

Improving admin tools for responding to Policy & Abuse reports.

Reviewing the Terms of Service to potentially allow Policy & Abuse to respond to more kinds of reports.

Reassess the required Archive Warnings and consider adding more.

Continue working on user muting and blocking.

They also say that they are considering "reaching out to an external contractor or partnering with an advocacy group," i.e., a diversity consultant, to help with reforms.

August 8, 2021: As part of their July newsletter, the OTW announces that it is creating a new officer role in the organization to research options for diversity consultants.

May 7, 2022: The OTW makes a public statement on their website that an unknown attacker has sent CSAM (child sexual abuse material) to some of their volunteers' email addresses, that they are working with authorities to find the attacker, and that response times may be slower than usual, as they have "shut down a number of internal tools" in order to protect their volunteers and the investigation.

May 8, 2022: Dreamwidth cofounder and former head of LiveJournal Trust & Safety Denise (rahaeli on Twitter, synecdochic on Dreamwidth) posts a Twitter thread urging any current or former OTW/AO3 volunteer who has provided the organization with their real-life name ("wallet name") to contact their local police department and let them know that they are at an elevated risk of swatting. She also provides advice on disabling image auto-loading in emails and dealing with trauma and anxiety from being exposed to CSAM, and mentions that she has contacted AO3 to offer help.

June 16, 2022: As part of their April newsletter (delayed several months due to the CSAM attack), the OTW announces that a Diversity Consultant Research Officer has been appointed.

May 10, 2023: The Tumblr account end-otw-racism publishes its first post, End OTW Racism: A Call to Action. In it, the anonymous authors call on the OTW to implement the changes that they promised in 2020, especially:

Hiring a diversity consultant within the next 3-6 months.

Updating their harassment policies and protocols to address on-site and off-site coordinated harassment.

Creating a content policy for content that is abusive in a racist manner.

As part of their background establishing the problem of racist abuse and harassment in fandom, they link to several articles written by Stitch on their commentary blog, as well as a couple of posts from other fans. In their FAQs and other posts, the organizers of EOR clarify that they are not calling for the removal of any racist fic, but fic that is written specifically with the intention of perpetrating racist harassment or abuse. They also urge supporters not to berate or harass anyone for disagreeing with or failing to support their campaign.

May 17, 2023: An anonymous user asks about the End OTW Racism protest on the anon-meme Dreamwidth community Fail Fandom_Anon (FFA). As part of a tangent in that discussion, an anonymous former volunteer member of the OTW's Policy & Abuse Committee (PAC) mentions that they handled CSEM (child sexual exploitation material) tickets as part of their work, and that the OTW did not provide sufficient resources or expertise in dealing with them either emotionally or logistically. They describe themselves as being traumatized, burned out, and overworked during their time in PAC. They also mention that there was an earlier CSAM attack, targeted only at PAC volunteers, prior to the one that the OTW announced; that they were the volunteer who handled reporting to law enforcement; that the PAC chairs urged Legal and the Board to prepare for more attacks, but that nothing was done; and that the OTW did not provide any mental health resources for volunteers after the CSAM attack. (Here is a link to the user's top-level comment; read down the thread for more.)

May 20, 2023: Dreamwidth user chestnut_pod posts an entry called Be More Democratic, Be More Autocratic, OTW. The thesis of their post is that the OTW fails to adequately respond to racism on AO3 because of structural problems within the organization that amplify biases and make change difficult to achieve, and that in order to address racism and other problems more effectively, the organization should create a clear and straightforward command structure. They also advocate for creating some paid roles within the organization. The comments of the post become a kind of referendum on OTW's organizational policies, and some former volunteers show up to say that chestnut_pod's description of the problems with the org's structure tally with their experience.

May 23, 2023:

An anonymous user links to chestnut_pod's post on FFA. In response, the same former OTW volunteer describes various details of how the Policy & Abuse Committee (PAC) made decisions during her time there. (The description covers a lot of comments, so with one exception I'm linking to Synonymous's overview rather than the individual comments, but you can find all of them either through Synonymous's links or by reading down the FFA thread.) The upshot is that PAC often found it difficult to address racism, abuse, and harassment due to roadblocks and micromanagement from OTW's Legal Committee. In particular, the user mentions that they wanted to remove photo manipulations of real-life minors engaging in sex, as well as ambiguously-sourced explicit gifs from underage fics, and were told that they could not by Legal. (I have described the user's objections at as a high a level as possible, but the language used at the link is much more detailed and explicit.) A subsequent, current OTW volunteer says that since the first user left, the policy has changed to allow PAC to remove similar gifs.

Denise leaves a series of comments on chestnut_pod's post saying that the PAC policies described there run counter to industry best practices for Trust & Safety. In response to a commenter asking whether she could advise OTW, Denise says that she has offered several times, and only heard back from the organization once: after she posted her Twitter thread in response to the CSAM attacks, "at which point it immediately became extremely clear the person in question was more interested in protecting the external reputation of the organization than in listening to any advice I had to give and the only reason they'd contacted me was to pressure me to remove my Twitter thread."

In response to Denise's story, Dreamwidth user azarias reveals herself to be the anonymous former PAC volunteer on FFA. In a series of comments on chestnut_pod's post and FFA (bulk of the information in this comment, but see Synonymous's compilation or read up and down the thread for more), she relays the following story: On May 6, 2022, shortly after the CSAM attack, azarias was kicked out of the OTW volunteer Slack with no notice and no communication. When she realized several days later that this was not an organization-wide shut down, she emailed the OTW Board, Legal, and the PAC chairs asking about the situation, and whether she was a suspect in the attack. The chair of Legal, Betsy Rosenblatt, responded, apologizing for the lack of communication and saying that the shut-out was at Legal's request because they thought azarias' account may have been compromised, but she was not a suspect. On July 22, 2022, having heard nothing further from the OTW, azarias emailed again asking about reinstatement, and Betsy responded that they had just that day started that process. (EDIT: Azarias clarifies that her original stated date of July 22 was an error; she checked on her status July 4, and Betsy responded July 6.) All of azarias's accounts had been deleted, so she returned to the OTW with new accounts, and was informed by her PAC chairs that they were not consulted or informed about her suspension until it happened, were not told why she had been suspended, and were ordered not to speak to or about her during the suspension. Due to awkwardness, trauma, and burn-out, azarias quit volunteering soon after.

May 30, 2023:

On FFA, an anonymous OTW volunteer (not azarias) comments that the OTW Board has posted an update to Slack addressing azarias's story (though she is never named in the update). The update confirms that Legal made the decision to suspend azarias, and says that the Board was not consulted on or informed about the decision to either suspend or reinstate her. A statement from Legal is also attached. The statement does not in any way dispute azarias's timeline of events, and outwardly apologizes to her for the distressed caused, but it also contains several strong insinuations that the letter-writer believes that azarias was responsible for the CSAM attack.

In response to this letter, Denise posts a statement on Dreamwidth and Twitter recommending that any person currently volunteering for the OTW should resign for their own personal safety.

June 3, 2023: Azarias (now posting under her real account, which FFA allows people who are players in the events being discussed to do) comments on FFA that she has consulted a lawyer regarding Legal's insinuation, and has been advised that she doesn't have anything to worry about, legally. She explains some more of the details behind the situation, and discusses some of her guesses about the current situation at the OTW. (For clarification, the Heidi she's referring to is Heidi Tandy, a longtime member of OTW Legal. During the heights of Harry Potter fandom, Fandom Wank coined the term "Heidipology" to describe what they believed to be Heidi's pattern of making insincere, backhanded apologies.) In the comments, anonymous users discuss the fact that OTW's Legal team is made up entirely of IP lawyers, and not lawyers who have expertise in criminal law, nonprofit governance, or Trust & Safety. (Link goes to Synonymous's compilation.)

June 12, 2023: The OTW publishes a statement addressing the End OTW Racism protest. They thank the organizers for holding them accountable, list the steps they've already taken in addressing racism (mostly muting/blocking abilities and similar), and reiterate that they are working on hiring a diversity consultant and reviewing PAC policies. They also say they will improve transparency and communication.

In the comments, azarias (and several others) push the OTW for a retraction of Legal's letter. Azarias also pushes the OTW to make real progress on racist abuse, rather than paying it "lip service." Azarias reveals that she was the Board's original pick for the Diversity Consultant Research Officer, but dropped out. (Further comments later and earlier at FFA clarify that she dropped out due to the OTW's one name policy, which requires that all work that a volunteer does for the OTW be done under a single name; officers are required to serve under their wallet names, and azarias wanted to do her PAC work under her fandom name and not link that to her wallet name, and when OTW didn't let her, she resigned. Link to Synonymous's more thorough compilation of this story here.)

Also in the comments, several users respond to the OTW's statement by posting racist abuse and racial slurs. The OTW leaves the comments up for several days before finally screening them.

June 15, 2023: Denise posts a thread on Twitter, shortly after compiled on her Dreamwidth, laying out what she consider's the OTW's "absolute failure" at Trust & Safety. Among other things, she claims that:

Photomanips of minors in sexual situations, "however terrible or obvious the Photoshop job is, qualifies under the third definition of 'child pornography' as given in 18 USC §2256(8)(C)."

She believes that the OTW may not be in compliance with legal obligations to preserve information about reported CSEM, due to its policy of deleting author information about orphaned works.

In this post, Denise also elaborates on the story she told in the comments of chestnut_pod's post. She says that in May 2022, before the OTW made its statement about the CSAM attack, several volunteers reached out to her for advice, and she learned that the attack emails included threats to expose identifying volunteer information to, among other places, Kiwi Farms, a site whose users have previously swatted many people. In response to this, after the OTW's statement, she published her Twitter thread advising volunteers to alert their local law enforcement, and also reached out to the OTW to offer resources, contacts, and advice. In response, OTW Legal member Rebecca Tushnet called her and spent half an hour pressuring her to remove her Twitter thread.

At the end of the post, Denise briefly touches on the End OTW Racism action that began this conversation, saying that she appreciates their work, but believes that their proposed solutions will not be effective, both because the OTW's organizational dysfunction makes it impossible for them to moderate racist content, and because PAC must moderate "conduct, not content." She says that she "firmly disagree[s] with the foundational work their campaign was built on."

June 16, 2023:

In response to several people asking for clarification on her statements about End OTW Racism, Denise posts a follow-up Twitter thread (which has not at this time been crossposted to Dreamwidth). She says that a diversity consultant will not effectively address abuse because the current OTW culture is resistant to change, and that reviewing TOS policies will not be effective, because the current TOS already allows for moderation of abusive conduct, but PAC has not been empowered to enforce it. Instead, she claims that progress on moderation of racist abuse can only truly be made once the organization's systemic issues have been addressed. She also believes that End OTW Racism's messaging is counterproductive, "because of its repeated failure to differentiate between content and conduct." In particular, she argues that, "by citing so heavily to the foundational background work by people who *have* repeatedly called for bans on work that 'reflects racist and bigoted stereotypes', and by failing to differentiate the two except in passing, the campaign has positioned itself in such a way that it will be, and I'm certain has already been, dismissed by the OTW." She does not mention Stitch by name, but it is clear by context that it is the citations of Stitch's work that she is referring to.

After someone DMs her to request she take down her clarifying statements about End OTW Racism, and various people supportive of EOR on Twitter denounce the statements, Denise posts a follow-up statement to Dreamwidth and to Twitter. She says that she has been contacted several times over the past few weeks by Black fans who have been harassed and abused by Stitch in racist and racialized ways, and who showed her screenshots of these interactions, which Stitch has since deleted. She says that because these fans are afraid to speak up for fear of further harassment, she offered to relay their concerns about a campaign based heavily on Stitch's writing. She does not provide the screenshots, in order to prevent the fans from being identified. She reiterates that she agrees with Stitch and with EOR that the OTW is failing to respond to racist abuse and harassment, but that she disagrees with their approach and proposals. (For what it's worth, as I said up front, I am not personally acquainted with either Stitch or Denise, and have no personal knowledge of events, but Denise is not the first person to accuse Stitch of racist harassment. There has been a great deal of discussion on FFA, both well-sourced and not so much, detailing Stitch's past behavior. I am linking to this round-up so that people can find it, but with the exception of those that directly link to the evidence, and one or two that reference Stitch's public writing, I do not know the accuracy of any of the claims, and I do not know the source of some of them. The allegations listed also vary wildly in their degree of seriousness, ranging from "actually harassed someone" to "said something distasteful," to "is friends with a known serial stalker and harasser.")

The OTW posts a newspost addressing Denise's original (June 15) thread and allegations. The say that they are in legal compliance with CSEM reporting procedures, that they provided resources to volunteers following the CSAM attacks, and that "the Legal Committee has always worked closely and cooperatively with the Policy & Abuse Committee, and continues to do so." They do not reference azalias's accusations or Denise's claim to have been pressured by Rebecca Tushnet. In the comments, azarias, Denise, and many other users, both anonymous and signed, express outrage at the OTW, and push for answers, apologies, retractions, and in some cases the resignation of Legal and/or the Board.

End OTW Racism posts a statement acknowledging the OTW's acknowledgment, and calling for supporters to donate to the OTW so that they can vote in the upcoming Board elections.

June 16-18, 2023: A group of people on Twitter, Tumblr, and Dreamwidth post individually and in conversation about Denise's comments on Stitch and End OTW Racism, defending Stitch and arguing that Denise's claims about them and disagreement with their and EOR's work are racist, unfounded or overblown, and a derailment from EOR's mission. Some of these are the same people who are in the comments of the OTW's response to Denise, pushing for the OTW to respond to azarias's allegations. (These are not inherently contradictory positions; I just want to note that both the personal and ideological stances here do not necessarily line up neatly into, say, pro-OTW and anti-OTW.) See, for instance, naye's Dreamwidth post, fiercynn's Dreamwidth post, or pearwaldorf's Tumblr post.

June 18, 2023: Denise posts a Twitter thread going into much greater detail about the number of fans of color who reported to her that Stitch had harassed them ("a number greater than five and less than fifteen"), and the severity of their claims ("Several of them said the harassment they experienced was so severe and pervasive that it caused them to change screen names, leave fandom, or otherwise restrict their conduct online.") She also gives a detailed, step-by-step outline of how she went about verifying their claims to her own satisfaction. She continues not to give out identifying details to prevent further harassment.

[Updated June 19, 2023 to correct language around the attack on OTW, which was a CSAM attack, not a CSEM attack.]