#2021 Sundance

[pasta-pardner]

Top 5 westerns that aren't spaghetti westerns

OHHHH THIS IS SUPER DIFFICULT... like picking a favorite child. ok here's a rough list

The Good, the Bad, the Weird |  좋은 놈, 나쁜 놈, 이상한 놈 (2008)

Unforgiven (1992)

The Harder They Fall (2021)

Butch Cassidy and the Sundance Kid (1969)

Tears of the Black Tiger | ฟ้าทะลายโจร (2000)

[animblog]

Ghost Dogs -- 2021 Joe Cappa 10:45

[paging-possum]

My dad: you never liked superheroes as a kid

Me, whose first ocs were literally superheroes: 😶😶😶

[onlydylanobrien]

Dylan O’Brien Sets ‘Twinless’ With James Sweeney Directing & Starring; Republic Pictures Takes Global On Three Point Capital & David Permut Production

EXCLUSIVE: Dylan O’Brien is set to headline in James Sweeney‘s dark comedy Twinless, which the latter wrote and will also star in. Republic Pictures has taken global rights to the movie. Cameras are currently rolling on the movie in Portland, OR. O’Brien will executive produce.

The pic follows two young men who meet in a twin bereavement support group. An unlikely bromance develops between them. Twinless follow Sweeney’s directorial debut, Straight Up, which notched the filmmaker a Best First Screenplay nom at the 2021 Independent Spirit Awards.

Three Point Capital is financing the film with Ali Jazayeri, David Gendron and Liz Destro also serving as EPs.

Twinless is produced by Academy Award nominated producer David Permut and Permut Presentations (Hacksaw Ridge, Face/Off) whose most recent Netflix movie, Rustin, garnered Colman Domingo a Best Actor Oscar nomination.

Miky Lee (Parasite) Vice Chairwoman of CJ and who most recently executive produced the Oscar nominated film Past Lives, serves as EP.

Permut Presentations Director Of Development Alex Astrachan co-produces.

Permut said, “I was absolutely knocked out by James’ first film Straight Up and was determined to work with him. I immediately responded to the originality and provocative concept of Twinless. The dark comedy depicts complex characters in such an irreverent, emotional and hysterical way. The chemistry between Dylan, who portrays the role of identical twin brothers, opposite James’ character is absolutely combustible.”

O’Brien’s most recent film is the independent feature Ponyboi, in which he plays a villainous pimp and small-time drug dealer, recently premiered at the Sundance Film Festival. He will next be seen in the upcoming films SNL 1975 (from director Jason Reitman) as Dan Aykroyd, Caddo Lake (from the writing-directing team of Logan George and Celine Held, and producer M. Night Shyamalan), and Anniversary (a thriller co-starring Diane Lane, Kyle Chandler, Zoey Deutch and Phoebe Dynevor). The $1.7 billion grossing star is well-known to audiences from his work in The Maze Runner franchise, as well as the hit MTV series Teen Wolf.

Permut also recently produced the Paramount+ series hit, Lawman: Bass Reeves from Taylor Sheridan, which stars SAG nominee David Oyelowo. His upcoming high priority slate includes Being Heumann written and directed by Academy Award winner Sian Heder (CODA) at Apple, Jonathan Dayton and Valerie Faris’ (Little Miss Sunshine) film The Invite, and Face/Off II at Paramount, the sequel to Permut’s 1997 hit film, to be directed by Adam Wingard.

Sweeney is repped by UTA, 2AM and Brecheen Feldman Breimer Silver and Thompson. O’Brien is repped by WME, Principal Entertainment, and Lichter, Grossman, Nichols, Feldman, Rogal, Shikora & Clark and Permut is repped by John Tishbi at Pearlman & Tishbi.

Three Point Capital, established in 2009, is a financier and service provider in the film, television, and commercial industries. They have financed over 400 films, including The Butler, Clerks III and the Oscar-winning Manchester by the Sea. They most recently provided funding for the upcoming Michael Keaton starrers Know Goes Away and Goodrich, the Nicholas Cage starrer Longlegs, the Tina Fey/Jon Hamm comedy Maggie Moore(s) and the recent Sundance premiere Rob Peace.

Paramount Global Content Distribution is revitalizing the former Republic Pictures label, originally founded in 1935. The newly branded acquisition label will leverage Paramount Global’s vast worldwide distribution channels, across home entertainment and third-party distribution platforms to distribute a wide range of acquired films. Republic Pictures is an acquisition-only label under Paramount Pictures.

Source: deadline.com

[medevacreptiles]

Sundance - 2021 0.1 Hypo(OT) Aby pos het Super Stripe

This girl has been home now with me for a week and I just can't get over her. Produced by @/crispysnakes

[justforbooks]

Daniel Ellsberg, a US government analyst who became one of the most famous whistleblowers in world politics when he leaked the Pentagon Papers, exposing US government knowledge of the futility of the Vietnam war, has died. He was 92. His death was confirmed by his family on Friday.

In March, Ellsberg announced that he had inoperable pancreatic cancer. Saying he had been given three to six months to live, he said he had chosen not to undergo chemotherapy and had been assured of hospice care.

“I am not in any physical pain,” he wrote, adding: “My cardiologist has given me license to abandon my salt-free diet of the last six years. This has improved my life dramatically: the pleasure of eating my favourite foods!”

On Friday, the family said Ellsberg “was not in pain” when he died. He spent his final months eating “hot chocolate, croissants, cake, poppy-seed bagels and lox” and enjoying “several viewings of his all-time favourite [movie], Butch Cassidy and the Sundance Kid”, the family statement added.

“In his final days, surrounded by so much love from so many people, Daniel joked, ‘If I had known dying would be like this, I would have done it sooner …’

“Thank you, everyone, for your outpouring of love, appreciation and well-wishes. It all warmed his heart at the end of his life.”

Tributes were swift and many.

Alan Rusbridger, the former editor-in-chief of the Guardian, said Ellsberg “was widely, and rightly, acclaimed as a great and significant figure. But not by Richard Nixon, who wanted him locked up. He’s why the national interest should never be confused with the interest of whoever’s in power.”

The Pulitzer-winning journalist Wesley Lowery wrote: “It was an honor knowing Daniel … I’ll remain inspired by his commitment to a mission bigger than himself.”

The writer and political commentator Molly Jong-Fast said: “One of the few really brave people on this earth has left it.”

The MSNBC host Mehdi Hasan said: “Huge loss for this country. An inspiring, brave, and patriotic American. Rest in power, Dan, rest in power.”

The Pentagon Papers covered US policy in Vietnam between 1945 and 1967 and showed that successive administrations were aware the US could not win.

By the end of the war in 1975, more than 58,000 Americans were dead and 304,000 were wounded. Nearly 250,000 South Vietnamese soldiers were killed, as were about 1 million North Vietnamese soldiers and Viet Cong guerillas and more than 2 million civilians in North and South Vietnam, Laos and Cambodia.

The Pentagon Papers caused a sensation in 1971, when they were published – first by the New York Times and then by the Washington Post and other papers – after the supreme court overruled the Nixon administration on whether publication threatened national security.

In 2017, the story was retold in The Post, an Oscar-nominated film directed by Steven Spielberg in which Ellsberg was played by the British actor Matthew Rhys.

Ellsberg served in the US Marine Corps in the 1950s but went to Vietnam in the mid-60s as a civilian analyst for the defense department, conducting a study of counter-insurgency tactics. When he leaked the Pentagon Papers, he was working for the Rand Corporation.

In 2021, a half-century after he blew the whistle, he told the Guardian: “By two years in Vietnam, I was reporting very strongly that there was no prospect of progress of any kind so the war should not be continued. And that came to be the majority view of the American people before the Pentagon Papers came out.

“By ’68 with the Tet offensive, by ’69, most Americans already thought it was immoral to continue but that had no effect on Nixon. He thought he was going to try to win it and they would be happy once he’d won it, however long it took.”

In 1973, Ellsberg was put on trial. Charges of espionage, conspiracy and stealing government property adding up to a possible 115-year sentence were dismissed due to gross governmental misconduct, including a break-in at the office of Ellsberg’s psychiatrist, part of the gathering scandal which led to Nixon’s resignation in 1974.

Born in Chicago on 7 April 1931, Ellsberg was educated at Harvard and Cambridge, completing his PhD after serving as a marine. He was married twice and had two sons and a daughter.

After the end of the Vietnam war he became by his own description “a lecturer, scholar, writer and activist on the dangers of the nuclear era, wrongful US interventions and the urgent need for patriotic whistleblowing”.

Ellsberg contributed to publications including the Guardian and published four books, among them an autobiography, Secrets: A Memoir of Vietnam and the Pentagon Papers, and most recently The Doomsday Machine: Confessions of a Nuclear War Planner.

In recent years, he publicly supported Chelsea Manning, the US soldier who leaked records of the wars in Iraq and Afghanistan to WikiLeaks, Julian Assange, who published Manning’s leaks, and Edward Snowden, who leaked records concerning surveillance by the National Security Agency.

On Friday, the journalist Glenn Greenwald, one of the Guardian team which published the Snowden leaks in 2013, winning a Pulitzer prize, called Ellsberg “a true American hero” and “the most vocal defender” of Assange, Snowden, Manning and “others who followed in his brave footsteps”.

Steven Donziger, an attorney who represented Indigenous people in the Amazon rainforest against the oil giant Chevron, a case that led to his own house arrest, said: “Today the world lost a singularly brave voice who spoke truth about the US military machine in Vietnam and risked his life in the process. I drew deep inspiration from the courage of Daniel Ellsberg and was deeply honored to have his support.”

In 2018, in a joint Guardian interview with Snowden, Ellsberg paid tribute to those who refused to be drafted to fight in Vietnam.

“I would not have thought of doing what I did,” he said, “which I knew would risk prison for life, without the public example of young Americans going to prison to make a strong statement that the Vietnam war was wrong and they would not participate, even at the cost of their own freedom.

“Without them, there would have been no Pentagon Papers. Courage is contagious.”

Three years later, in an interview to mark 50 years since the publication of the Pentagon Papers, he said he “never regretted for a moment” his decision to leak.

His one regret, he said, was “that I didn’t release those documents much earlier when I think they would have been much more effective.

“I’ve often said to whistleblowers, ‘Don’t do what I did, don’t wait years till the bombs are falling and people have been dying.’”

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[anothersebastianblog]

Happy NYE guys & happy new year to the ones who already are in 2024! Let us know if it seems to be a good one 😂♥️

I hope all your wishes will come true ✨

In terms of Sebastian, here is what we know about 2024:

“a different man” will premiere at Sundance on Jan 21. Hopefully he will attend, we will have content and an actual release date as well as the first reviews

He will finish to film the DT biopic and hopefully we will not have to hear about it till late 2024/early 2025

What if…? S3 comes out sooner or later so more BB

“Thunderbolts” starts filming in spring so hopefully sets pics and more infos

Hopefully more projects announced and more news about stuff like the movie with Mimi and the one with Maria

A press tour for ADM …. so more content from him compared to 2023 maybe?

Some public events maybe?

🤞🏻🤞🏻 awards season? 🤞🏻🤞🏻

Fans pics & sightings & a bit of personal content/updating

I am sure there is more that i am forgetting!

2023 has been good, more highs than lows (i would say just one low with the half disappointment of the DT movie!). Kinda sucks we saw him less compared to 2021/2022, the strike helped for sure 😂

But we can cheer the few times we saw him: the paris fashion week and francis&jenny’s wedding for example definitely are two of my fave moments of 2023 as well as the mini press tour for sharper! His Ghosted cameo and Dumb Money small part go straight to the most fun parts of 2023!

Here are some pics to celebrate the best we got from him this past year:

♥️🔥🥂

[sssuuri]

Timmy over the years 💚

2013 Actors Guild Award

2014 Interstellar LA Premier

2015 Oceana Seachange Party

2016 Prodigal Son Premier

2017 CMBYN Sundance Premier

2018 Critics's Choice Award

2019 Venice King Premier

2020 Oscars

2021 Met Gala

2022 B&A Venice Premier

[bucky-bucky-bucky-bucky]

It appears that there’s no online screening of A Different Man at Sundance 😭 I was so hoping to buy a ticket and stream it like I did in 2021 with Fresh (twice)

[strawberrycola]

hello. i made a very long, very indulgent addition to the sam and max subreddit post earlier, and decided to make it its own post because i had way too many thoughts for a reblog. and the idea of clogging notes was eating away at my brain like mice eat a cheese. this is mostly just train of thought, so i apologise if it's complete nonsense. i've just thought a lot about sam and max's relationship, and the connection lgbt (and neurodivergent, for that matter) fans have had to the series, from my perspective since i was like 8. obviously that's gonna be tinted thru a tumblr lens, because ftmp that's where i see The Good Stuff. and i'm gay as hell, so there's bias. ok read more time kiss kiss.

anyhoozles, coincidentally i've been back on my sam and max bullshit recently, as i finally got a chance to play "this time it's virtual". and discovered vr is not my thing.

so to start, listen...i don't think sam and max's relationship is quite as cut and dry as i believe myself and perhaps many others would imagine/hope. i'm eyeing the "susan" gag from the aformentioned ttiv, in particular. but as your resident specialist in "complex and obscure knowledge of three series total or so", the question of sam and max's relationship has been here since the very beginning of the official comics. like. this has been a thing. pretending it's new is foolhardy. and wrong. obviously there's "like butch and sundance", the wedding toppers, hell, the devs of the telltale game trilogy lampshade their relationship a very decent amount, both in the game itself and in the commentary. at the end of 209, "chariot of the dogs", they directly bring it up during the final cutscene tie straightening maneuver max does. one of the devs literally gets excited about it, iirc. and one of my personal favourite examples is "do you find my warmth...alarming, sam?" from 305, "the city that dares not sleep."

that, in particular, is one of several lines directly from MR. PURCELL HIMSELF, that he gave to the devs each game as lines that must be in the game.

and speaking of season 3, i'd like to mention 305, "they stole max's brain".

(i am now holding "noir sam" so close to my chest, jsyk. that trope means the world to me. it has influenced SO much of my work, and i still use napalm's playthrough on youtube as a sleep aid. REMASTER WHEN.)

of course i and many others latched onto that shit, are you kidding me???? that whole episode was RIPE for hurt/comfort. minor spoiler warning for those that would mind, it's a roaring rampage of revenge plot. at least for the first 30 minutes or so. it's part of a long history between the two of freaking the hell out the second they're separated from each other in a way that doesn't end in like, five minutes. (305. if you know, you know. fkin brutal, man.) sam, in the second act of the game, has been affected by an alternate reality plot, and fully believes he has carried max's brain in a jar his whole LIFE and seemingly has no plans to stop doing so!! it's part of a season where the WHOLE PLOT revolves around the nature of their relationship and how it could change. you don't have to be a shipper yourself to understand how that could be incredibly compelling to the people that fancy them as a couple.

and it's a fandom that i give a lot of credit to lgbt people for revitalising in the mid 2010s~ (i was already a fan by then, and i'm still really curious as to why it blew up so much, but hey, who's complaining?), as well as in 2021~ in response to skunkape's remaster of telltale's season one "save the world" installment, and the release of ttiv. (obviously the actual demographic spread across platform to platform is a varied thing, etc. etc. i'd like to stay firmly in my lane, and i don't wanna overstate any particular demos in my discussion here, or hyperbolise too much.)

Obviously, you don't have. to be a shipper. completely fine. pretty common. Who Give A Care. and we're not even gonna get into the "not suitable" content. i can't fault anyone for not being cool with the actual sexualisation of childhood stuff they like. that's something i'm pretty "ambivalent with a leaning towards discomfort" about for quite a few things myself. and it turns out there wasn't even any "unmentionable graphic imagery" to begin with. shocking. HOWEVER. i'm fascinated but not completely surprised by the blatant homophobia and disgust towards the fanart of the ship.

like, to be nuanced about things, and it's not like the admin is extending the same courtesy here, this is clearly an older fan. like i think from around the same timeframe i was first introduced to it, give or take. maybe they missed a lot of the tumblr mid-2010s activity, or maybe that's going in to their Burning Disgust towards Yaoi Sam and Max Kissing Not Clickbait. i know the fanart had some level of cross-posting, at least on youtube as dubs iirc. OR maybe i'm a fool who is actively tricking you with my words and none of the above is true at all. however...pal. again, in my opinion, we owe those lgbt and neurodivergent kids and adults our whole rights as a fan community. you don't have to like it, but you do have to be respectful, jerkbag.

i can't be the only one who was devastated by the drought of content post "the devil's playhouse". we had a [1] singular whole webcomic to tide us over, with the occasional sketch on purcell's social medias. of course, there was a small community of fans, and some incredible stuff they made, looking at you Sam Dies At The End. i weeped. but it was slow and steady. and then, out of seemingly nowhere, people en masse suddenly REALLY CARED ABOUT THE THING THAT BROUGHT ME SO MUCH JOY AS A LITTLE GUY. like, fuck man...i first found out what autism was when i was real young because max's character description on wikipedia contained speculation as to whether or not he has it. (jury's still out, ...but we all have our little comforts. okay? also speaking of, "is max gay?" is like. one of the longest ongoing bits. like cmon dude.) now granted, by 2021 i was a little old for the new wave of shipping that sprouted up. tiktok edits are Not Always My Thing. but that's okay!!!! it doesn't need to be my thing. i'm really glad they're having fun. :] and i don't want to come across as like. infantilising in my discussion of the younger fanbase, so i apologise if my tone has come across that way. it really is simply the comforting thought that kids like me can experience what i had.

i remember how much fun my friends and i used to have when we were 16! (hi xavier, if ur reading this. miss you, buddy. :]) we got silly with it! we got angsty about season 3!! we wrote fanfiction, hell, an amazing fic my friend wrote that i beta'd is still the most kudos'd shipping fic on ao3!! the fanartists i liked had such an INCREDIBLE grasp on how to write sam and max's banter. it was a good time! and knowing these characters are giving joy to a new generation makes me giddy, dude. hell yeah! get "feral" or whatever the hell it is these days. find comfort in characters that don't really care about anyone's opinion except each other's, who get to be as weird and annoying and gross as they want all the time. that tend to punch up. that show love differently than what's seen as conventional. that end up saving the day, not even because they have to, so much as they genuinely enjoy each adventure together. max was my personal opportunity to feel comfort in all my weird freaky mannerisms i kept safe behind the polished exterior i had to wear as a kid. i found solace in the thought that those two were practically made for each other, as i stumbled through my own gender and sexuality crises. i loved how dry and dark sam was allowed to be. the banjo bits, the phone jokes, the repartee. so much of this series has influenced me, and helped me become who i am, as a creator and as a functional guy who Does Things.

so that's a small bit of why i think sam and max had, and still has, a lot of appeal to people that grew up like me. there's a lot of rough stuff i went through that made the idea of a couple of anarchist detectives completely devoted to one another that go around the seedy underbelly of america saving the day ("almost on purpose!") really, really interesting. steve purcell is unapologetic about how gross america can be, especially in the comics. at the heart of it, sam and max do what they do both because they enjoy it, and they enjoy each other. and i think, to overlook that, is to miss some of the whole point of the franchise. oh, i'm sorry, giant cockroaches literally everywhere is fine, streets crusted in various goos, totally chill, but gay kissing is the thing that Absolutely Nauseates you? plugging your ears and screaming gross seems like...kind of a weak move here, ngl. a work that doesn't shy away from how confusing and wild life can be has a decent chance to be compelling to marginalised groups, who often have to put up with the more disgusting aspects of reality anyways. at least these two odd guys are having fun with it. sam and max understand each other, each of their strengths and flaws, and choose to be with each other every day because of and in spite of them. they choose to love where they are, because of and in spite of its many, many, many flaws. they choose to be who they are because they love what they do. there's something touching there, if you like to think about such things. there are some occasions i find myself wishing sam and max's relationship was more...concrete. i wish we had an answer to Does Sam And Max Is Gay? but at the same time, being vague and obtuse is like. their whole shtick. so maybe it's just right how it is. and uh. obviously this is a fictional series. in the end, it's all how we enjoy it that matters, and it's not the end of the world. and as a final cherry on top, nothing beats turning to my husband and asking, "is sam and max queerbait", before delighting in the 3 hr conversation that follows.

and to get to the point. as the old adage unfortunately goes, it's...okay. to not like...ships. and i can even somewhat understand being frustrated by a subreddit you created being "flooded" by a thing you're not into. only somewhat, because a: we've always been here, and b: because you can. just not look at it? idk if reddit has a filtering system, but. the scroll wheel is free. to throw a tantrum and ban topics because you're personally offended people think they're gay? you might be missing out on some of the most fun you can have outside the series, and you're spitting in the face of the people who held this fandom up on their shoulders like atlas.

and you're being a dick about it.

TO CONCLUDE:

wah wah they're gay gay homosexual gay and they don't pay taxes. deal or die, fake fan.

[princess-suzanne]

💗 MOVIE TAGS 💗  

A

🤍 a bear named winnie (2004) 🤍 a dangerous method (2011) 🤍 a fistful of dollars (1964) 🤍 a most violent year (2014) 🤍 a room with a view (1985) 🤍 a royal affair (2012) 🤍 a streetcar named desire (1951) 🤍 a woman is a woman (1961) 🤍 an education (2009) 🤍 agora (2009) 🤍 all about eve (1950) 🤍 amadeus (1984) 🤍 and god created woman (1956) 🤍 angel (2007) 🤍 anna karenina (1948) 🤍 armageddon time (2022) 🤍 the artist (2011) 🤍 ashes and diamonds (1958) 🤍 atonement (2007)

B

🤍 the banshees of inisherin (2022) 🤍 barefoot in the park (1967) 🤍 the beguiled (2017) 🤍 belle (2013) 🤍 the big sleep (1946) 🤍 the bikeriders (2023) 🤍 the birds (1963) 🤍 bonnie and clyde (1967) 🤍 bram stoker’s dracula (1992) 🤍 breakfast at tiffany’s (1961) 🤍 brokeback mountain (2005) 🤍 brooklyn (2015) 🤍 bugsy (1991) 🤍 butch cassidy and the sundance kid (1969)

C

🤍 cabaret (1972) 🤍 captain america: the first avenger (2011) 🤍 carnival of souls (1962) 🤍 carol (2015) 🤍 casablanca (1942) 🤍 casino (1995) 🤍 cat on a hot tin roof (1958) 🤍 chicago (2002) 🤍 cléo de 5 à 7 (1962) 🤍 cleopatra (1963) 🤍 cria cuervos (1976) 🤍 crimson peak (2015)

D

🤍 daisies (1966) 🤍 dangerous liaisons (1988) 🤍 the danish girl (2015) 🤍 dead poets society (1989) 🤍 the debt (2010) 🤍 dirty dancing (1987) 🤍 don’t bother to knock (1952) 🤍 don’t worry darling (2022) 🤍 dracula (1931) 🤍 the duchess (2008) 🤍 dunkirk (2017)

E

🤍 east of eden (1955) 🤍 the edge of love (2008) 🤍 eileen (2023) 🤍 elizabeth (1998) 🤍 elizabeth: the golden age (2007) 🤍 elvis (2022) 🤍 emma (2020) 🤍 the end of the affair (1999) 🤍 the english patient (1996) 🤍 enola holmes (2020) 🤍 the eyes of tammy faye (2021)

F

🤍 fanny and alexander (1982) 🤍 the favourite (2018) 🤍 for a few dollars more (1965) 🤍 funny girl (1968)

G

🤍 gentlemen prefer blondes (1953) 🤍 giant (1956) 🤍 gilda (1946) 🤍 the girl on a motorcycle (1968) 🤍 gladiator (2000) 🤍 the godfather (1972) 🤍 the godfather: part ii (1974) 🤍 gone with the wind (1939) 🤍 the good, the bad and the ugly (1966) 🤍 goodfellas (1990) 🤍 the graduate (1967) 🤍 the grand budapest hotel (2014) 🤍 grand hotel (1932) 🤍 grease (1978) 🤍 the great gatsby (1974) 🤍 the great gatsby (2013) 🤍 guess who’s coming to dinner (1967)

H

🤍 the help (2011) 🤍 high noon (1952) 🤍 hiroshima mon amour (1959) 🤍 how to marry a millionaire (1953) 🤍 how to steal a million (1966)

I

🤍 ida (2013) 🤍 il gattopardo (1963) 🤍 the immigrant (2013) 🤍 in secret (2013) 🤍 inglorious basterds (2009) 🤍 it happened one night (1934)

J

🤍 jane eyre (2011)

K

🤍 the king (2019) 🤍 knife in the water (1962)

L

🤍 la dolce vita (1960) 🤍 la notte (1961) 🤍 la strada (1954) 🤍 ladies in lavender (2004) 🤍 lady chatterley’s lover (2015) 🤍 lady macbeth (2016) 🤍 the lady from shanghai (1947) 🤍 the last duel (2021) 🤍 legend (2015) 🤍 les misérables (2012) 🤍 the light between oceans (2016) 🤍 little women (2019) 🤍 the lover (1922) 🤍 the love witch (2016) 🤍 l’avventura (1960) 🤍 l’eclisse (1962)

M

🤍 macbeth (2015) 🤍 malèna (2000) 🤍 man with a movie camera (1929) 🤍 marie antoinette (2006) 🤍 mary, queen of scots (2018) 🤍 the master (2012) 🤍 meshes of the afternoon (1943) 🤍 miller’s crossing (1991) 🤍 the mirror (1975) 🤍 the misfits (1961) 🤍 moulin rouge! (2001) 🤍 the mummy (1999) 🤍 my fair lady (1964)

N

🤍 ninotchka (1939) 🤍 north by northwest (1959) 🤍 the northman (2022) 🤍 nosferatu the vampyre (1979)

O

🤍 once upon a time in america (1984) 🤍 once upon a time... in hollywood (2019) 🤍 once upon a time in the west (1968) 🤍 operation finale (2018) 🤍 the other boleyn girl (2008) 🤍 outlaw king (2018)

P

🤍 the pale blue eye (2022) 🤍 persona (1966) 🤍 phantom thread (2017) 🤍 the pianist (2002) 🤍 picnic at hanging rock (1975) 🤍 pride & prejudice (2005) 🤍 the prince and the showgirl (1957) 🤍 priscilla (2023) 🤍 the promise (2016) 🤍 psycho (1960) 🤍 the public enemy (1931) 🤍 purple noon (1960)

R

🤍 raging bull (1980) 🤍 rebel without a cause (1955) 🤍 rear window (1954) 🤍 repulsion (1965) 🤍 river of no return (1954) 🤍 the roaring twenties (1939) 🤍 rocco and his brothers (1960) 🤍 roman holiday (1953) 🤍 rosemary’s baby (1968) 🤍 rush (2013)

S

🤍 scarface (1932) 🤍 scarface (1983) 🤍 sense and sensibility (1995) 🤍 the seven year itch (1955) 🤍 the seventh seal (1957) 🤍 singin’ in the rain (1952) 🤍 sissi (1955) [trilogy] 🤍 slow west (2015) 🤍 some like it hot (1959) 🤍 the sound of music (1965) 🤍 splendor in the grass (1961) 🤍 the sting (1973) 🤍 stoker (2013) 🤍 summerland (2020) 🤍 sunset boulevard (1950) 🤍 sweet bird of youth (1962) 🤍 the swimming pool (1969)

T

🤍 their finest (2016) 🤍 the third man (1949) 🤍 this property is condemned (1966) 🤍 titanic (1997) 🤍 to catch a thief (1955) 🤍 to kill a mockingbird (1962) 🤍 tokyo story (1953) 🤍 the two faces of january (2014)

V

🤍 vertigo (1958) 🤍 vita & virginia (2018)

W

🤍 walk the line (2005) 🤍 waterloo bridge (1940) 🤍 west side story (1961) 🤍 white noise (2022) 🤍 who’s afraid of virginia woolf? (1966) 🤍 the wild one (1953) 🤍 wild strawberries (1957) 🤍 woman walks ahead (2017) 🤍 the wonder (2022) 🤍 wuthering heights (1992)

Z

🤍 the zookeeper’s wife (2017)

[mogwai-movie-house]

A Film A Year

Going through an old hard drive today I found this almost-completed list from 2015 in which I'd set myself the task of choosing a single film for each year of the preceding hundred. It was interesting to see in what ways my tastes had changed and just how many more films I'd discovered and fallen in love with in the meantime.

Anyways, I thought I'd finish it off and update it to the present: I very much tried to keep it to just one film per year, but the competition some years was just too high so they've had to share joint first places:

1915 A Night In The Show 1916 The Vagabond 1917 Easy Street 1918 A Dog's Life 1919 Sunnyside 1920 One Week 1921 The Kid 1922 Dr Mabuse, The Gambler 1923 Safety Last / Why Worry? 1924 Sherlock Jr / The Last Laugh 1925 The Gold Rush 1926 The General 1927 Sunrise / Seventh Heaven 1928 The Last Command / Steamboat Jr. / The Man Who Laughs / The Passion of Joan of Arc 1929 The Love Parade / Un Chien Andalou / Lucky Star 1930 All Quiet On The Western Front 1931 City Lights/ The Smiling Lieutenant 1932 Horse Feathers / Love Me Tonight 1933 Duck Soup / The Invisible Man 1934 It Happened One Night 1935 The 39 Steps 1936 My Man Godfrey 1937 Nothing Sacred 1938 Adventures Of Robin Hood / Pygmalion 1939 The Cat And The Canary / The Wizard of Oz / The Hunchback of Notre Dame 1940 His Girl Friday / Pinocchio 1941 Citizen Kane / The Maltese Falcon / Dumbo / Sullivan's Travels 1942 Casablanca 1943 Le Corbeau 1944 Arsenic & Old Lace 1945 Les Enfants du Paradis / And Then There Were None 1946 A Matter of Life and Death 1947 Black Narcissus 1948 The Treasure of the Sierra Madre 1949 The Third Man / Kind Hearts & Coronets 1950 Sunset Blvd. / La Ronde 1951 A Streetcar Named Desire 1952 Singin' In The Rain / Le Plaisir 1953 Calamity Jane 1954 Hobson's Choice 1955 The Night Of The Hunter /The Ladykillers 1956 The Searchers 1957 The Seventh Seal 1958 Vertigo 1959 North By Northwest / Ballad of A Soldier 1960 Psycho / The Virgin Spring / Two Women 1961 Breakfast At Tiffanys 1962 Le Doulos 1963 The Great Escape / The Birds 1964 Onibaba 1965 For A Few Dollars More 1966 Blow Up 1967 Le Samourai / Cool Hand Luke 1968 2001: A Space Odyssey 1969 Butch Cassidy & The Sundance Kid 1970 Le Cercle Rouge 1971 Get Carter / Harold & Maude 1972 The Godfather 1973 Don't Look Now 1974 The Godfather Part II / Chinatown 1975 Jaws / The Rocky Horror Picture Show 1976 Network 1977 Star Wars / Annie Hall 1978 Halloween / Superman 1979 Apocalypse Now / Alien / Life Of Brian / Manhattan 1980 Stardust Memories / Raging Bull 1981 Raiders Of The Lost Ark 1982 Blade Runner / The Thing 1983 The Dead Zone / Zelig 1984 Ghostbusters / The Terminator / Blood Simple 1985 Back To The Future 1986 Hannah & Her Sisters / The Fly 1987 Withnail & I / Wings of Desire 1988 Dangerous Liaisons 1989 Crimes & Misdemeanors / Dead Poets Society 1990 Goodfellas 1991 The Silence of The Lambs / Terminator 2 1992 Reservoir Dogs / The Player 1993 Schindler's List / Groundhog Day 1994 Pulp Fiction 1995 Se7en / Casino / The Usual Suspects 1996 Fargo 1997 LA Confidential / Grosse Point Blank / Boogie Nights 1998 The Truman Show / Happiness / Buffalo '66 1999 American Beauty / Magnolia / Being John Malkovich / Fight Club 2000 Memento 2001 Mulholland Drive / The Royal Tennenbaums / The Piano Teacher 2002 Adaptation / The Lord of the Rings: The Two Towers 2003 Lost In Translation 2004 Eternal Sunshine Of The Spotless Mind / The Life Aquatic 2005 Me & You & Everyone We Know 2006 The Prestige / Perfume 2007 No Country For Old Men / There Will Be Blood 2008 The Dark Knight / Let The Right One In / Tropic Thunder 2009 Cold Souls / Up / Zombieland 2010 I Saw The Devil / The Ghost Writer 2011 The Hidden Face 2012 The Avengers 2013 Her 2014 The Grand Budapest Hotel / The Winter Soldier 2015 The Survivalist / The Lobster 2016 Like Crazy 2017 Coco 2018 Deadpool 2 2019 The Irishman 2020 Kajillionaire 2021 The French Dispatch 2022 The Banshees of Inisherin

[missing-old-seattle]

February 6, 2021 

The Seven Gables Theatre began life as an American Legion dance hall in 1925, designed by Swedish-born architect Eric Carl Rising (1892-1987). In 1968, Randy Finley bought the Movie House (currently the Grand Illusion Cinema), which he and his partners converted from a dentist’s office and opened in 1970. This led to him eventually buying 15 more theaters, including the Seven Gables Theatre in 1974, which opened on December 10, 1976. These theaters (minus the Movie House) eventually became part of the Seven Gables Corp.

Landmark Theaters acquired the chain in 1989. Sadly, out of all the theaters that existed when I moved to Seattle, only the Crest still operates as a Landmark theater (at least until COVID closed all the theaters in our state).

The first to go was the Neptune, bought out by STG in 2011. Then the Metro, initially turned into Sundance Cinemas in 2012 and then acquired by AMC (who kept the interior and the 21+ rules the same but changed the menus). Next to go was the Egyptian Theatre in 2013, which SIFF reopened in time for the 40th Seattle International Film Festival in 2014 and ran as its second year-round cinema (third if you count the Film Center, though that theater is more of a weekend venue). The Varsity’s future was up-in-the-air for years, until Far Away Entertainment purchased it in 2015 (they also run the Admiral in West Seattle). Then we lost the Harvard Exit in 2015 (see my post about it here), currently a Mexican Embassy. Last to go were the Guild 45th and the Seven Gables.

[albertserra]

uhm hi. you’re the only film person on tumblr im aware of and i have a question you may know an answer to. actually i need advice not an answer: How many movies a day do you think i will be able to see during a film festival. How many are you usually able to do?? i want to see four for two days in a row (2 - 4 - 4 - 2) but idk if it’s possible. i had days at home when i saw 4/day but usually one of them was something light and easy and also i was alone and at home 😐 honestly im going alone and im just scared that i won’t have anything else to do… also one of the movies im still not sure about going bc it would be my fourth is Pacifiction. that’s bc of your constant recommendations 🫡 hope you’re having a lovely day thanks bye

so its really a matter of personal preference. For me, anything more than three in a day might get exhausting and I wouldn't be able to give every movie my full attention and might be to the movies' detriment. something like pacifiction for example needs pretty constant engagement from the viewer to get the full experience (I still highly recommend it! as far as Serra goes its probably his most accessible in terms of structure, narrative wise its still pretty oblique). So my fear would be id be wasting my time and spoiling a potentially great movie if im tired from all the other ones ive seen that day and don't have enough time to really let each movie sink in. but thats just me! if i was in your shoes I'd do three in day max unless some of the movies are short - and id skip a third movie on the day pacifiction is playing so i could do it lmao. in the down time id just sit down and eat or have coffee so id be able to come down from the movies and be ready for the next if that makes sense.

sundance is the only festival i have experience with bc it was online since the pandemic, i did it in 2021 and 2022. I did a lot per day in 2021 and don't regret it because being at home gave me a little more flexibility. 2022 i didn't do as much simply bc i couldnt make the timing work for what I wanted to watch.

i know @shesnake crams as much as they can when they do their festivals so maybe they can offer their input too

[aroundtheworldiej]

SPECIAL EDITION ERNEST HEMINGWAY

Ernest Hemingway is described as the « God of Art” and a “Lost Generation” representative. He won several literature prices in many countries. He is known for his unique narrative talents to his favorite themes which is adventure, surpassing oneself and major political battles. The writer of The Old Man and the Sea is one of the most influent novelists of the 20th century. This week is gonna be a special week dedicate to this very famous writer and his legacy.

TODAY WE SPEAK ABOUT THE CURSE OF HIS FAMILY AND HOW PARIS INFLUENCED HIM. TWO ARTICLES BY I.FOURGEAUD AND M.FREITAS.

The terrible curse of the Hemingway family

By Iris Fourgeaud

For many generations, the family of Ernest Hemingway was victim of strange suicides. This gossip started due to the release of the documentary of Ernest grand-daughter, Mariel Hemingway. The documentary portrayed the highly estemeed writer and journalist with terrible allegations. In which we will go in depth about those.

Drugs problems or Random Suicides ?

There have been several suicides in the Hemingway family. This includes his father, who killed himself when Ernest was only 29, three of his siblings (Ernest Jr., Ursula, and Leicester), and his granddaughter, Margaux. Margaux, who was a famous model, took her own life by overdosing on barbiturates.

Mariel Hemingway describes her family as extremely creative but victims to mental health problems and addiction.

Ernest's last days were extremely troubled, and while it seems as though loved ones did try to help him, he ended up succumbing to his mental illnesses. 1960 was the year when things began to really take a turn for the worse.

Ernest had left Cuba to live in New York City but had traveled to Spain for a photo shoot with Life. Reports of his deteriorating health began circulating, but he assured his wife Mary that he was fine. He ended up getting treated at the Mayo Clinic in Minnesota. And then went through electroconvulsive therapy for at least 15 times. He was diagnosed with depression, a few medical experts at the time thought his state was due to abusing drugs like Ritalin.

The horrendous secrets

“I grew up watching a family that was completely amazing and creative but also destructive and self medicating. All of them, they were addicts. I didn’t want to end up like that. I was on a mission," said Mariel Hemingway. Shortly after the release of the documentary by Barbara Kopple in 2013.

“Running From Crazy”, Mariel shares that she believes her own father, Jack Hemingway, sexually abused her sisters Margaux and Joan (her father passed away in 2000). Mariel told CNN, that although she doesn't remember Jack abusing her, she remembers sleeping in her mother's room, which she thinks could have been a way for her mother to protect her. She also added that Jack may not have known what he was doing because he'd be black-out drunk.

However, nobody talked about mental illness in her family up until recently. “Nobody spoke about anything. It was a different generation," Mariel said.

“We were just like the Kennedy family”, said Mariel. The documentary was presented at the Sundance Film Festival. She reflected on her past, and says herself that she suffered from heavy depression and had suicidal thoughts. “We were this American family followed by this damned curse” Mariel said.

The title of the documentary is strongly percussive, however despite every horrible accusations, nowadays, his granddaughter Mariel, has made it her mission to spread awareness about mental illness. We can Learn more about Ernest Hemingway's life and his and his family's battle with mental illness in the documentary “Hemingway”, released in 2021.

——————————————————————————

Ernest Hemingway and la ville lumière

By Maya Freitas

Ernest Miller Hemingway, famous American writer known for his novel, “Le Vieil homme à la Mer” have been for a long time inspired by Paris. Symbol of freedom after World War II for Americans, the City of Light quickly became synonymous with modernity.

On the advice of the American novelist Sherwood Anderson, the young Ernest Hemingway, then 22 years old, landed in Paris on December 22nd, 1921, accompanied by his wife. From his arrival in the capital, Hemingway trained, improved his style, met many English-speaking writers, and marked the beginning of a long road with Paris.

The influence of Parisian places

From the small miserable apartment, 74 rue du Cardinal-Lemoine, to the bar "le Falstaff" 42 rue du Montparnasse, Ernest Hemingway has been able to immerse himself in the diversity of Parisian places in his own way.

The writer began his writings in his small apartment whose walls "smell of musty and cabbage" as he described it in “Paris est une fête». He then discovered the refuge of English-speaking expatriates, "Shakespeare and Company". There he met the American poet Gertrude Stein, who encouraged him to abandon his journalism side to devote himself fully to literature.

Alcohol at the service of literature

Known to be an insatiable drinker, Hemingway frequented many bars such as "Le Dôme", "La Coupole" or even "La Rotonde". But very quickly, the famous American writer established his headquarters at "La Clauserie des Lilas", where he completed in just six weeks. One of his many masterpieces “Le soleil se lève aussi”, considered one of the great English-language novels of the twentieth century.

Ernest Hemingway finishes his ego during an improvised boxing match between himself and his Canadian writer friend, Morley Callaghan, in the bar "Le Falstaff". The author of "The Gatsby", drunk by the rain of blows but especially vexed, was convinced that Fitzgerald had done it on purpose to better humiliate him.

Despite his many adventures in the Parisian bars as well as a penniless arrival, Ernest Hemingway was able to extract the benefits of the City of Light. A lost lover of the capital, the latter was able to highlight his vision of Paris in his books and writings.

[chillingcinemachronicles]

Top 5 Must-Watch Sci-Fi Movies Booming on Netflix Right Now

where every frame is a portal to limitless possibilities and extraordinary adventures. Discover the magic of the future, today!

In the Shadow of the Moon (2007) EW grade: A (read the review) Director: David Sington One small step for man, one giant leap for mankind" was the phrase that echoed around the galaxy in July of 1969, when American astronauts emerged from Apollo 11 and took their first steps on the surface of the moon. In 2007, In the Shadow of the Moon, a British documentary premiered at Sundance, chronicling this history-making achievement and digging into the story behind the Apollo program through interviews with 10 astronauts from across the program's many missions. Featuring never before released footage, archival news reports, and the perspectives of some of the only people to see Earth from this remarkable vantage point, In the Shadow of the Moon is stranger than science fiction because it's completely true.

2, Oxygen (2021) EW grade: B (read the review) Director: Alexandre Aja Cast: Mélanie Laurent, Mathieu Amalric, Malik Zidi A nightmare come to life for claustrophobics everywhere, Oxygen is a French language sci-fi film that thinks outside the box in terms of action. At the genesis, an unidentified woman (Mélanie Laurent) awakens in an airtight medical unit, unsure of who or where she is. Interactions with the system's AI - dubbed M.I.L.O. (Medical Interface Liaison Officer) - provide some clarity as to her identity, but no matter what she tries, she cannot escape her prison. As she seeks to understand who placed her in the box and why, truths about her personal life and the current state of the world come into focus - but her search for context is actually a race to outwit the slowly depleting oxygen levels.

3. Project Power (2020) EW grade: B+ (read the review) Director: Ariel Schulman, Henry Joost Cast: Joseph Gordon-Levitt, Jamie Foxx, Dominique Fishback, Machine Gun Kelly, Rodrigo Santoro, Courtney B. Vance, Amy Landecker What do a New Orleans police officer (Joseph Gordon-Levitt), a soldier in search of his daughter (Jamie Foxx), and a rapping drug dealer (Dominique Fishback, The Deuce) have in common? They're all working to rid the streets of Power, a new drug that gives users five minutes of superhero abilities, at the risk of killing them with one hit. A science fiction action film produced by Netflix, Project Power invites audiences into a city still suffering the after-effects of Katrina, even decades after the hurricane hit. Populated by morally murky characters - like Gordon-Levitt's Detective Frank Shaver, a cop who uses the drug to level the playing field against the city's criminals, or Fishback's teenage Robin Reilly, who knows she needs to deal to get ahead in this world, but is too smart to partake of her own product - the film finds room for cultural context amidst the action sequences.

4. See You Yesterday (2019) Director: Stefon Bristol Talent: Eden Duncan-Smith, Danté Crichlow, Marsha Stephanie Blake, Brian "Stro" Bradley The best way to live life with no regrets is to build a time machine - which is exactly what happens in Netflix's Spike Lee-produced sci-fi adventure film, See You Yesterday. After best friends and high school science prodigies C.J. and Sebastian unlock the secrets to time travel, they're forced to use their newfound invention in an attempt to save C.J.'s brother Calvin from a fatal encounter with the police. A modern take on Back to the Future - also featuring an appearance by the original time traveler, Michael J. Fox - the film grapples with highly relevant cultural issues like police brutality while still having fun with high school tropes and time loops. See You Yesterday might not have gotten the attention it deserved when it first premiered on the platform back in 2019.

5. Starship Troopers (1997) EW grade: B+ (read the review) Director: Paul Verhoeven Cast: Casper Van Dien, Dina Meyer, Denise Richards, Jake Busey, Neil Patrick Harris, Patrick Muldoon, Michael Ironside Fascist imagery and thudding allusions to World War II-era propaganda films permeate Paul Verhoeven's Starship Troopers, but because the provocative Dutch filmmaker didn't explicitly spell out his satire, it went over the heads of many upon its release. But time has been kind to the action-comedy, perhaps because its gleefully cynical portrait of nationalism and a war-hungry populace would resonate that much more in the years following 9/11 and the Iraq War. That said, those interested in the simpler pleasures of watching bugs go splat will also find plenty to like, from its gnarly, goo-slinging action set pieces to CGI effects that stand up to today's technology.