#2018 Germany electra

[oliviackaotix-blog]

credit to absolutenutcase162 for the og meme

[gingerofsuburbia]

BDS Consumer Boycott Targets

Everything here is copied over from the BDS website.

Hewlett Packard Inc (HP Inc)

HP Inc (US) provides services to the offices of genocide leaders, Israeli PM Netanyahu and Financial Minister Smotrich. HPE, which shares the same brand, provides technology for Israel’s Population and Immigration Authority, a pillar of its apartheid regime.

Chevron (including Caltex and Texaco)

US fossil fuel multinational Chevron is the main corporation extracting gas claimed by apartheid Israel in the East Mediterranean. Chevron generates billions in revenues, strengthening Israel’s war chest and apartheid system, exacerbating the climate crisis and Gaza siege, and is complicit in depriving the Palestinian people of their right to sovereignty over their natural resources. Chevron has thousands of retail gas stations around the world under the Chevron, Caltex, and Texaco brand names.

Siemens

Siemens (Germany) is the main contractor for the Euro-Asia Interconnector, an Israel-EU submarine electricity cable that is planned to connect Israel’s illegal settlements in the occupied Palestinian territory to Europe. Siemens-branded electrical appliances are sold globally.

PUMA

Since 2018, we have called for a boycott of PUMA (Germany) due to its sponsorship of the Israel Football Association (IFA), which governs teams in Israel’s illegal settlements on occupied Palestinian land. In a major BDS win in December 2023, PUMA leaked news to the media that it will not be renewing its IFA contract when it expires in December 2024. Until then, it is still complicit, so we continue to #BoycottPUMA until it finally ends its complicity in apartheid.

Carrefour

Carrefour (France) is a genocide enabler. Carrefour-Israel has supported Israeli soldiers partaking in the unfolding genocide of Palestinians in Gaza with gifts of personal packages. In 2022, it entered a partnership with the Israeli company Electra Consumer Products and its subsidiary Yenot Bitan, both of which are involved in grave violations against the Palestinian people.

AXA

Insurance giant AXA (France) invests in Israeli banks financing war crimes and the theft of Palestinian land and natural resources. When Russia invaded Ukraine, AXA took targeted measures against it. Yet, Axa has taken no action against Israel, a 75-year-old regime of settler-colonialism and apartheid, despite its ongoing genocidal war on Gaza.

SodaStream

SodaStream is an Israeli company that is actively complicit in Israel's policy of displacing the indigenous Bedouin-Palestinian citizens of present-day Israel in the Naqab (Negev) and has a long history of racial discrimination against Palestinian workers.

Ahava

Ahava cosmetics is an Israeli company that has its production site, visitor center, and main store in an illegal Israeli settlement in the occupied Palestinian territory.

RE/MAX

RE/MAX (US) markets and sells property in illegal Israeli settlements built on stolen Palestinian land, thus enabling Israel’s colonization of the occupied West Bank.

Israeli produce in your supermarkets

Boycott produce from Israel in your supermarket and demand their removal from shelves. Beyond being part of a trade that fuels Israel’s apartheid economy, Israeli fruits, vegetables, and wines misleadingly labeled as “Product of Israel” often include products of illegal settlements on stolen Palestinian land. Israeli companies do not distinguish between the two, and neither should consumers.

Non-BDS Grassroots Boycotts:

McDonald’s (US), Burger King (US), Papa John’s (US), Pizza Hut (US), WIX (Israel), etc. are now being targeted in some countries by grassroots organic boycott campaigns, not initiated by the BDS movement. BDS supports these boycott campaigns because these companies, or their branches or franchisees in Israel, have openly supported apartheid Israel and/or provided generous in-kind donations to the Israeli military amid the current genocide. If these grassroots campaigns are not already organically active in your area, we suggest focusing your energies on our strategic campaigns above. 

Recently, McDonald’s franchisee in Malaysia has filed a SLAPP lawsuit against solidarity activists, claiming defamation. Instead of holding the Israel franchisee to account for supporting genocide, we are now witnessing corporate bullying against activists. For both these reasons, we are calling to escalate the boycott of McDonald’s until the parent company takes action and ends the complicity of the brand.

Remember, all Israeli banks and virtually all Israeli companies are complicit to some degree in Israel’s system of occupation and apartheid, and hundreds of international corporations and banks are also deeply complicit. We focus our boycotts on a small number of companies and products for maximum impact.

[electricfied-wolf]

So... you've been reblogging a lot of Starlight Express onto my dash and I feel like it's about time I ask what it's about? What I'm picking up is that it's... humanoid trains?

Whatever it is I must admit it's piqued my curiosity

OHHHH BOY YOU'VE ACTIVATED MY AUTISM CARD I LOVE TO TALK ABOUT STARLIGHT EXPRESS. Ooookay, there's a lot to talk about, especially because a new non-replica production like JUST opened in London. I feel like I'm gonna ramble a lot so we're gonna put it under the cut and I'm just gonna blab until I feel I've explained it well enough. First of all I should note that I am explaining just off the top of my head, if you'd like more info the Starlight Express wiki is run by some very committed folks and as far as I know every word on that wiki is true. Also if you'd like more photos you're gonna have to go there bc GUESS WHO LEARNED THE LIMIT FOR PHOTOS IN A SINGLE TUMBLT POST IS 30? ANYWAY ONTO MY RAMBLE!!!! And be warned, it WILL BE VERY LONG. CLICK AT YOUR OWN RISK.

What is Starlight Express?

Starlight Express (often abbreviated to Stex by the fans) is a musical produced by Andrew Lloyd Webber (yes the CATS guy) that revolves around a child's toy trains "coming to life" and having a big ol' dramatic race. They've got an underdog, a couple bad guys, train god and romance. Pretty much everything. Most productions are more song filled than dialogue filled. It has its roots in Thomas & Friends and some of the earliest stuff had a Cinderella type of thing going on (not surprising I'm sure), the plot is actually pretty easy to follow once you get used to it. Starlight Express is performed SOLELY on roller skates (not counting lndn24's scooters for the Trax and Control) for the entire duration! And in such heavy costumes too! The show has been performed since 1984 and has absolutely ZERO signs of stopping as the Bochum, Germany production is still being performed and as I stated above, there is now a non-replica production running at the Troubadour Wembley Park Theatre in London. And if you don't know what that term (non replica) means, it essentially means they are not using the traditional costumes for the show that John Napier designed and are taking quite a few liberties with a newer plot and characters to make the show something much more unique as compared to its replica counterparts.

An older version of Rusty and Pearl in the John Napier style (left) VS. Rusty in the style of the London 2024 production standing with ALW (right) _ I specify 2024 London as the show was originally produced in London but also got revised so there's like three London Stex productions I could be talking abt lol, though the costumes have gone through some pretty drastic changes even in the replica productions.

Electra's more recognizable costume (aka the more compact mohawk version of red/blue Electra) used up until the rehaul in 2018, and the one currently used in Bochum's performance of the show (aka used from 2018-now). The same character and both replica, but still different! Over the course of the many years these trains have shared our earth, I'd say that Greaseball and Rusty are amongst the few that haven't changed that massively over the course of the show (again, NOT counting the current non-rep). This show has indeed graced the US and was even performed on Broadway! Unfortunately, us Americans are really really boring apparently because the show (while still wildly successful) did not stick around here in the states. It is still however beloved by many and that is the sole reason why it has stood to be seen for 40 years: people can say the show was made on drugs and that its "weird" all they want, but Starlight Express has a bigger community than you'd think, and it is incredibly well loved by those in the community. We are VERY devoted to our trains. Despite everything though, it has never gotten a pro-shot and the only fully versions available for streaming (...in terms of official audio for official streaming) on places like youtube and spotify are the original 1984 London Cast Recording and "The New Starlight Express", aka the revised London production's album released in 1993. There is also the english and german version's of Bochum Starlight Express' "Ich Bin Ich" otherwise know as "I Am Me", but no other parts of that production have been released for streaming. You can technically stop here and just go on to the wiki and stuff but if you wanna spend like an hour listening to my infodump I AM going to keep going.

The Characters

Before I touch on the story (a much shorter section I assume) I feel it is important to explain the characters, as there are a LOT and they change depending on each production and long story short yes I am nowhere dear done with this post. The characters can be broken up into groups of which I'll introduce them by. I also cannot really do London 24's characters which I wish I could bc I'm dead obsessed w/ it but it literally just opened a little while ago so the only sharable photos of other characters I got are fuzzy and from the megamixes or backstage pics. So unfortunately no cameos from those guys in this post but trust me THE WEMBLEY PARK PRODUCTION IS SO GOOD. Uhm anyways. First I'll mention the Trax/Racing Marshals, no speaking roles and very simple costumes compared to the other trains. They're simply there to wave the flags for the races and perform other tiny tasks to move the show along, as well as doing some very cool stunts that the other performers cannot do due to the absurd weight of the main costumes. They're just as important as everyone else!

The Marshals (Bochum 2016) *note, I'm mainly going to use Bochum photos to show off the costumes because they're just usually better quality The Humans: Usually disembodied voices (with exception from two productions) our only humans are a little kid named Control, and their mom who is simply known as Mom/Control's Mom and also has an even smaller role than her child as she only comes in at the introduction to put Control to bed. Control is OBSESSED with trains which grants us the plot of this musical, over the course of the show they order the trains around and narrate the races, but (up until recently) typically don't play an active role in terms of properly interacting with the trains. They are, as their name suggests, the Control for the trains. In Bochum's performance 2018 and onward Control mentions having a grandmother who is hard of hearing, but to my knowledge said grandma is only brought up in that specific production. The National/Competing Engines: For pretty much every production excluding WP's, the non-main character racing competitors have been international trains from across the world. However their names and some of their designs have been changed over time, and the French engine even switched genders in the 2018 Bochum rehaul. I am excluding the doubles from the tours because this'll take all day if I don't. _______ The French engine- Essentially from the beginning up to 2018, Bobo the TGV. In/after 2018 in Bochum, Coco the Eurostar. Arguably the most changed of the nationals, originally a male character (Bobo) she was changed to be a female and even given a blue color scheme which Bobo usually never had as he was typically seen with orange colors in Bochum.

(Bobo (Bochum) and Coco) _______ The Japanese Engine: Originally Hashamoto (misspelling of Hashimoto but technically that's his official name), later changed to Nintendo in 1992 for all english language productions but still Hashamoto in Germany, and from 2018 onward in Bochum known as Manga. All three are labeled as Shinkansen bullet trains.

(Hashamoto (Bochum), Nintendo, and Manga) _______ The Russian Engine: Turnov the trans siberian express has literally just been Turnov this whole time and really he's hardly changed aside from his costume having to have its chest symbol changed due to obvious reasons. This poor guy has suffered greatly due to political stuff even all the way back in 1987, though I will avoid getting into that here.

Turnov (Bochum 1991), Turnov (Bochum 2018, ft. Manga) _______ The German Engine: Weltschaft originally, later named Ruhrgold, the german engine is the InterCity Express (ICE). Like Turnov he hasn't really gone through many major changes other than the original switch from Weltschaft to Ruhrgold, though the two are presented with very contrasting personalities.

Weltschaft (Bochum 1991, ft. C.B.), Rurhgold (Bochum 2018, ft. Espresso) _______ The Italian Engine: ESPRESSO! He's a fun one, very similar to Bobo in that they're both pretty flamboyant european engines. Not really similar to Coco though. Espresso's a silly fella, flirts with the audience sometimes. His design has also been pretty consistent.

Espresso (Bochum 1988), Espresso (Bochum 2021) _______ The British Engine: Our pathetic failure king <3, aka the engine that literally never races as he usually breaks down before he's meant to race. Like every time it's got to be one of the most consistent plot points across 40 years of showtime. Even through three different transformations this british loco cannot escape it. Originally named City of Milton Keynes, later Prince of Wales upon the opening of the broadway production, and in 2018 hit the stage as Brexit. Yes, you heard me. They named the British national engine Brexit, and no none of us are particularly proud of that but it is how it is. At least he's got some charm!

No images of Milton are available atm, Prince of Wales (Las Vegas, 1993), Brexit (Bochum, 2018) _______ OKAY WE'RE DONE WITH NATIONALS. We can talk about the important ones now.

So next I'll move onto our main trio of engines. Rusty, Greaseball, Electra. Lots of design altercations over the years but no name changes and basically no role changes. However, the most recent production involves a female and wlw Greaseball as well as a canon they/them Electra! We'll go engine by engine, talk about our trademark "old steamer", and then I'll move onto the cars. _______ Greaseball, the world racing champion of Union Pacific: Heavily greaser based with muscles that make coaches and freight cars alike swoon, Greaseball is a black and yellow diesel and one of the antagonists of our plot. He's the world racing champion at the start of the show. Dating Dinah (both at the beginning and by the end despite some issues) the dining car, VERY proud of himself and pretty damn self absorbent in pretty much every production. He is also NOT that nice. He was pretty terrible in the very original plot back in the day BUT DON'T FEAR! They very quickly edited those plot points and made him less terrible and more of just a really pompous jerk. Bochum GB is actually such a goofy guy by the end. His female counterpart in the new production doesn't lack her meanness either! She's just as big of a jerk but also just as big of a softie by the end of the show. Truly, the same in every universe. Being a girl and a lesbian does not destroy her asshole tendencies and I am glad for that. Let gay girls be jerks too!!!

Greaseball (London 1984, ft. Pearl, Dinah, and Ashley), Greaseball (Bochum, 2021, ft. Caboose)

_______ Electra, the engine of the future: QUEEREST PRE-2024 STEX CHARACTER WHOOOO? Despite never having been fully confirmed (at least up until recent) to be any specific non-cishet identity, Electra the electric engine has been an icon for the girls and the gays since day one. With he/him pronouns but a slightly feminine name and physical demeanor, it's clear he was made to represent a less traditional form of gender presentation as he has been played by actresses in the past too, though primarily has been portrayed by male actors. Andrew Lloyd Webber even once referred to Electra's main song, AC/DC, as "transgender electro-pop". Not to mention the casting notice for the 2019 Bochum cast having described Electra as 'gender fluid / androgynous'. Electra has a pack of "components" aka his freight car entourage who follow him around and sing his praises. He is also one of the antagonists, though antagonist is a bit of a strong word as he isn't as hardcore as Greaseball or our villainous railcar. He has more beef with the diesel than our main character as well, stealing his girl and the show at every opportunity. And also aggressively zapping him as often as possible. The only thing they have in common is that they're full of themselves, they want Rusty out of the race, and they want to win. No photos for Electra I gave him his spotlight earlier in this post. Though do remember that the newest version of Electra (got a little sleek helmet instead of hair, super pointy costume, blue and silver colors) is NOT he/him, they are they/them and so is their current main actor! Electra is accompanied by an entourage of "components", aka shiny and fancy freight cars that bend to the engine's every whim. Pre-2018 the components are Wrench the repair truck, Joule the Dynamite Truck, Volta the freezer truck, Krupp the armaments truck, and Purse the money truck. Post-2018 the components are Wrench, Volta, Joule, and Killerwatt the security truck, Krupp and Purse are no longer present. It is also important to note that pre-2018 Volta is portrayed as very feminine meanwhile post-2018 Volta is meant to be much more masculine. No photos for Electra they got photos earlier in this post and I'm trying to save myself from hitting the photo limit. Same for Rusty. _______ Rusty, the steam train: WOOO WOOO! WOOO WOO! Say hello to the titular bitchular that everyone loves. Seriously I've never seen a Rusty hater. Our main character and a timeless gem of the show, he's a pathetic wet cat, he's rusted and falling apart, and he meets god. The perfect man! Rusty obviously has the greatest arc over the entire story, he's our underdog and incredibly charming in all his forms. Overtime some actors have played him up as sassier while others amped up the wet cat energy (Looking at you, Javeen), but no matter how he's played you will feel sorry for him and likely fall in love with him. He's so overconfident at the start but is very quickly brought down by the other engines, fear not though, because he's the main guy!! I'll yap more about his whole thing in the story section. _______ The old steam engine: Had to make the title gender neutral w/ these guys bc GUESS WHO ELSE GOT GIRL'D IN 2018! Poppa, or in terms of Bochum 2018 and onward, Momma, is Rusty's mentor and the only other steam engine in the show. Quite stubborn, preachy in more ways than one, but ultimately good at heart. They're the engine that pushes Rusty to race and encourages Rusty to seek faith in the Starlight Express (Eyyyy title drop!). Most of this engine's role is story related too so I'll save that for then.

Poppa (Bochum, 1997, ft. Rusty), Momma (Bochum, 2018, ft. Dustin) _______ The freight: For the convience of I'm afraid to hit the word count, we're gonna lump the cars into whole sections. Minus one specific member of the freight due to plot significance. Anyway the freight!! Lots of people are big fans of them and I can't blame them. Though they went through a few changes here and there, they're usually a pretty consistent group (once again, minus 2024). From 1984 to 2003 they contained the boxcars aka the Rockies, then productions between 2003 and 2018 included the Hip Hoppers, with the 2018 rehaul marking the return of the Rockies to the show. All productions included Flat-Top the brick truck and Dustin the big hopper, and while Dustin does play a significant role in the show...there's a certain sixth member that plays the greatest role of all the freight. _______ The Red Caboose: Though his Bochum rehaul design spells out "brake van" on his shoulders (even though brake vans aren't cabooses, rant for another day) and he's gone by the Red Caboose for far longer, most know this beloved boy as CB...buuut the version that is widely marked as CB isn't technically CB! That was his original name in regards to the radio codes he used throughout the show- "10-4, smokey bear!" -C.B., 1984 "10-7, gone to heaven!" -Included in the segment after the first run of the final race -but his original name was dropped upon the entry to Broadway, from then on he was just the caboose, and he continues to be so to this day! No matter the production...or at least the ones he's in, he sticks out from the start as one of the guys to keep your eye on. And I'm sure you caught that, that's right, he's not even in every production! Though he is in most of them! His role is another plot heavy one so I'm sure you get the deal by now.

CB (London, 1984), Caboose (Bochum, 2006) _______ The Coaches: The girls, the lasses, the women, etc etc!!! Full of lovely ladies (again, not mentioning 2024's changes) and honestly the true stars of the show in my eyes. In this group is where you'll find our other main character! But would you believe they've also undergone swaps? Originally it was Pearl the observation car/first class carriage, Dinah the dining car, Ashley the smoking car, and Buffy the buffet car, and it remained that way for a long time...but there was an odd period in which Ashley was replaced with a sleeping car named Duvay, though Duvay didn't last very long in the grand scheme of things. Upon the 2018 rehaul, Buffy and Ashley were replaced with Carrie the luggage van and Belle the bar car. Belle actually shares her name with a coach that was present all the way up into the broadway production, though not really used afterwards. Belle the sleeping car was a companion to Poppa and while not part of the main quartet of coaches would usually appear with the other girls for Girls Rolling Stock! Broadway did OG Belle dirty but that's another rant for another day. Again, for simplicity's sake, we'll only individually cover the gals you absolutely gotta know about. _______ Pearl the observation car/first class carriage: Pearl girl!!! Very near and dear to me, our secondary main character and Rusty's love interest. The label for what type of coach she is varies from production to production, all you need to know for certain is she's a super shiny new coach and Rusty is absolutely INFATUED with her...but she's her own coach too, and she's not as quick to settle as he is. She makes it very clear that she wants her choices to be her own and she's not going to let someone else make those choices for her no matter what. She has her own little arc too. While in older productions Pearl is painted as being new but still having an established bond with Rusty, newer ones (aka bochum and london's current shows) paint Pearl as a completely new coach who doesn't know anyone and literally just got here, making her and Rusty's relationship a bit more fleshed out...but we'll discuss that more later!

Pearl (Bochum, 2011), Pearl (Bochum, 2019) _______ Dinah the dining car: HARD to not just ramble about how much I adore her. I am her she is me we are the same person, ESPECIALLY her 2024 variant same taste in women fr. A southern accented (usually) dining car, Dinah is Greaseball's partner with honestly a very inspiring little arc of her own, she's emotional and devoted to her partner but is not to be mistaken as someone who can't stick up for herself, because she makes it crystal clear that she's not someone to be pushed around. She was given even more of a powerful and independent personality in the 2018 rehaul/london revival, but she's always had fight in her from the very beginning!

Dinah (Bochum, 1993), Dinah (Bochum, 2018) AND WHOOPS TOO LONG OF A POST FOR TUMBLR. I'M GONNA HAVE TO PUT THE PLOT IN THE REBLOGS HOLD ON TIGHT. EDIT: I AM GOING TO HAVE TO MAKE A SEPARATE POST NOT A REBLOG BECAUSE TUMBLR WON'T SAVE THE REBLOG AS A DRAFT.

[wetcatschwartzy]

*peeks from behind a corner* this might be a bit of a dumb question- but what is starlight express? (except the fact it's a musical, i think)

NOT A DUMB QUESTION AT ALL OH MY GOSH . trust me i have been WAITING to talk about it to ppl who don’t know what it is !!!!! i’ll explain the pre-2018 bochum version since it’s the one that i’ve fully watched through but characters (and a bit of story) change in future/past productions !

OK OK so starlight express is an alw musical abt trains. it was first performed in london in 1984 iirc. and it’s been performed in a theatre specifically built for the show in germany since 1988! it also currently has a london revival being performed! there’s been several different tours to places like the us and australia + asia

it takes place in a child’s imagination and it focuses mainly on a steam train called rusty!! (all the trains are people on roller skates :3)

rusty wants to compete in the big race with pearl, a first class/observation car and the newest coach! (the coaches consist of: pearl, dinah, ashley, and buffy) rusty gets bullied by most of the other trains, they tell him that he can’t race because he’s steam and steam is outdated

the main villains are electra (the electric engine), greaseball (the diesel engine), and cb/caboose (the red caboose)

ummm umm not sure what else to say without just telling the whole story. uhh in the london revival electra is nonbinary (they’ve been queer coded for like. YEARS) and dinah+greaseball are sapphics. if u have any specific questions then PLEASE ask bc i am more than happy to talk about it

[bogusbyron]

i just sent that stex ask and what do you mean the story has changed over time 😰 do you think you could explain

(also side note i think you might like the flaming lips' music you just have that vibe yk)

oh god, yeah, so.... the starlight express canon is NOT consistent at all, and its changed so much to the point where everyone kind of makes up their own canon as far as i can tell. like its a pick n mix for bits you like. with a show being as old and expensive as it is, as well as the fact that its... not really based on anything with a really loose plotline, a lot has been changed, for cohesion/safety/expense cuts. the most notable rewrites were the 90s rewrites (see: New Starlight Express original london cast recording) and the more recent 2018 bochum (germany) rewrites. and now 2024 london revival rewrite.

from what i can tell and anyone can correct me if im wrong here - the canon changes from like any production, and sometimes even during the runtimes of shows (think rusty's broadway post-starlight costume change, or andy partridge's wig as electra) - with so many different actors portraying their interpretations of the blank-slate side characters, you can see a lot of different things being done. (i always think of that one show in which krupp and purse were flirting offside during pumping iron, with krupp playing bongos on purse's arsecheeks). little things like that are super interesting and funny.

overall ... yeah the storyline changes. songs keep getting cut and swapped and added. which is why i think a cast recording for the new 2024 revival would be awesome ...

[racingliners]

Tagged by @estebaguette @anastasium and @pieregasly to post some 2018 selfies (featuring my cat, my Mum, and me hitting peak Germany). 

I tag: @gingervivilou @vergne @braveryviolet @dorksdrivingfast @rising-electra @fisidrosa @kayhavertz @hazycosmicchild @babysdrivers and @sloangreytrash (only if you want to!)

[bellesdomain]

Starlight Express 6.0 - Mama the Steamer

Photos 1-3  - Reva Rice as Mama, dress rehearsal Photo 4 - Andrew Lloyd Webber and Reva Rice, opening night June 2018 Photo 5 - Regi Jennings and Reva Rice, closing night May 2018

OK.  so.  why. 

WHY did they change Poppa’s gender, not Electra?  Why do we not have a female Electra?  Who asked for Mama?  Who thought this a good idea?  Where did this even come from?  How does this fit the story?

Apparently, they had international auditions, and there were 10. TEN applicants to play this role.  I mean, I know they’ve struggled to find performers for Poppa - how many mature black guys want to learn to skate and move to Germany for a role?  Do they somehow thing there’ll be more mature WOMEN in musical theatre, prepared to learn to skate and move to Germany?  let alone try to maintain the racial diversity....  If they’d spent the last 20 years actively seeking to keep the cast diverse, maybe there’d be enough women who’s previously performed in the show who’s want to come back when they’re in the 30-60 age bracket (and haven’t settled down, had a family, moved career to something where there’s actual opportunities for mature women unlike the vast majority of musical theatre...)

They’ve pulled off an amazing coup in getting Reva Rice to join the cast.  But unless she decides to permanently move to Bochum, who’s next?  Who is going to replace her?  And in this rumoured new UK/English language production, who’ll be Momma there?  Who else has the skill set to perform this role?  Maybe...  3, 4 other ex-Starlighters that I know of are still actively performing, have the soul voice, and aren’t white.  Maybe 3.

Then there’s the role.  Poppa’s big numbers - Poppa’s Blues, the Starlight Sequence, and Light at the End of the Tunnel - all fall comfortably in a tenor range.  (I’m a trained singer with a fairly good alto range, I can hit Poppa’s notes for the big songs).  But there’s also a lot of recit - the story telling conversations, and those are all baritone.  The vocal range goes way down there.  You can style it out, sprechgesang it, fake it....  But it’s not ideal and not kind to the other characters.

Not Kind?  HAVE YOU HEARD THE STARLIGHT SEQUENCE NOW???  Mama is simply in a different key to Rusty.  It just cuts back and forth in the most jarring manner. (then poor Rusty’s vocal range is so abused in “I Do” as well....) Reva apparently can’t get those bottom alto notes?  Or they decided to mess about with it because of reasons? 

Is Mama special for being a female champion steam engine, or is her gender unremarkable? Why does she introduce herself with the “I Got Me” melody, as if she were one of the coaches?  (Since both Mama and Coco are Engines, the coaches clearly have a problem with Engines shoving them around, not Men... not all engines are men, so it’s an Engines vs Coaches issue, not Male vs Female.  and if Mama uses “I Got Me” because she’s a girl, why doesn’t Coco use it too?)

ANYWAY.  COSTUME.

Now bear in mind the first three photos are from a dress rehearsal, and the final image with Andrew Lloyd Webber is from opening night.  The difference that is immediately apparent is her wig - in the intervening week she gained a headscarf, and the wig is re-styled to look a lot better.  It looks atrocious in the first images, but credit where it’s due, by opening night the wig looks fine. 

So Mama’s basic costume, as seen in the race picture, is exactly what I hoped to see. She’s wearing the exact same design as Poppa, bit scaled and tailored to a female cut.  The only discrepancies are her under-shirt is painted into more, less the white/grey base but painted an “old gold”, and the neckerchief she wears is more subdued than Poppa’s bright orange.  These tweaks are an improvement in my mind, as the costume is more cohesive, less high contrast between the overalls/shirt which isn’t an important detail.  

We see Mama’s Blues - she has new set details surrounding her, a dilapidated water tower and bridge behind her (are they to scale?  or is the buffer seat to scale?  because those elements are NOT to scale with each other....)  She’s wearing a grubby old apron - suggestive of Grandma in the kitchen or in the garden at home, this works.  We’re seeing her in her own space, in private, hanging out with her friends / adopted kids.  You can bet she’s already offered them all some iced water.  She takes off the apron as a symbol of getting up, going out there to RACE - which is perfect story telling.

And then it all falls apart. Mama gets a skirt.  Because she’s GIRL and GIRLS WEAR SKIRTS.  How else would we know she’s a GIRL if she’s not in a SKIRT?! 

WHY???

Especially after we’ve already seen her throughout the show (the skirt only appears for Light at the End of the Tunnel) - we know the character, we’re comfortable with her already, but she has to be swathed in a massive amount of fabric to close out the show?

Allow me a brief ramble about skirts in European Fashion History.  Skirts have always existed to slow women down.  Our ancestors could do so much DESPITE their skirts, not because of them.  Little girls have to be careful of their pretty dresses while their brothers climb trees. Girls have to be careful not to have a Marilyn Monroe incident and let their skirts blow up. Skirts are a hindrance to physical activity - even the shortest skater dress skirts, purely decorative, are symbolic of this feminine archetype that women are to be slow, careful, cautious, take care of their appearance, to be decorative, not physically active.  (I’m sitting here wearing a dress right now, but if I wanted to mow the lawn, I’d have to change first)  Skirts represent the feminine home-maker, the wife, mother, source of comfort and refinement.  This is not a negative association necessarily, it’s simply the connection that’s made.  Look at our four classic coaches - Pearl the First Class carriage, ultimate in luxury.  Dinah the Dining Car - table-service, stylish restaurant.  Ashley the Smoking Car - a comfortable lounge car where you can relax and smoke. All three, appropriately, wearing skirts.  Then there’s Buffy the Buffet Car - serving quick snacks and drinks, not somewhere to linger, no-frills supplying your needs.  For speed and efficiency?  No skirt. 

So, why does Mama (and Coco, I’ve got a big problem with her design too) wear a skirt?  With this symbolism behind the garment, how on earth is is appropriate for an Engine to represent comfort and domesticity?  Why does Mama gain this at the end of the show, when her part in the narrative is complete?  What further development of her story does this costume change represent? 

Why bother?

So in conclusion, I have a big problem with the concept of Mama (as opposed to a female Electra which would have made a much stronger story).  I almost love her costume design.  And then they ruin it at the end. I’m very sceptical about Mama’s longevity - I think casting will be nigh-on impossible while maintaining any integrity to the character, and I’d much rather have Poppa back than scraping the barrel to find someone approximately appropriate to play Mama in years to come.   and sort out those keys.

[industryuptodate]

Explore Size & Share of Thermocouple Strip Market 2021 Research Report and Industry Forecast till 2027 | Know More

Syndicate Market Research added the latest industry report that focuses on the Thermocouple Strip market and gives a professional and in-depth Global Thermocouple Strip market analysis and future prospects of market 2016-2026. This report offers a unique tool for evaluating the current market conditions also the competitive landscape, containing all-inclusive key players, product type, applications and crucial measurements for anticipating the development of the worldwide industry. The report starts with the review of the Industry environment and defines the industry chain structure, then summarises the industry size and forecast of the Thermocouple Strip market between 2020-2026.

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This Thermocouple Strip market report estimated at XX million USD in 2020 and is predicted to achieve XX million USD before the finish of 2026, with a CAGR of XX% during the years 2020 to 2026. North America is the biggest production and utilization region in the world, where China is the quickest developing country.

This report is totally evaluated to present a realistic vision with manufacturing value, income, sales revenue, market share and growth rate of every kind is mentioned. The study provides the prevailing market size of the Global Thermocouple Strip Market and its growth rates on the basis of the last 5 years history records alongside the company profile of top players/producers such as (Sandvik (Kanthal), OMEGA, Belden, Pentronic, Pyromation, Hayashidenko, Multi/Cable, Dwyer, Campbell Scientific, Heraeus, Lake Shore, Pelican Wire, Temprel, ThermX, GeoCorp, Cleveland Electric Labs, National Instruments, BASF, TPC Wire & Cable, International Super Sensors, Thermo-Electra, Marlin, Johnson Matthey, Ellab). The detailed statistics by segments of Thermocouple Strip market support supervising future convenience & to settle on basic choices for development. The research also targets market materials, capacities as well as provides data on growth and trends, technologies, the CAPEX cycle and the dynamic structure of the global market.

Global Thermocouple Strip market divided by Type such as (Type T, Type J, Type E, Type K, Type N) and segmented by Application/end users (Steel Industry, Glass and Ceramics Industry, Metal-Processing Industry, Energy Supply, Transport & Conveyance) based on Gross Margin, Pricing, Sales Revenue (Million USD) of industry size & forecast with the help of their yearly functions and operations.

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This Report contains 15 Chapters to profoundly show the Global Thermocouple Strip Market:

Chapter 1, to explain Introduction, market review, market risk and opportunities, market driving force, product scope of Thermocouple Strip Market; Chapter 2, to inspect the leading manufacturers (Cost Structure, Raw Material) with sales Analysis, revenue Analysis, and price Analysis of Thermocouple Strip Market; Chapter 3, to show the focused circumstance among the best producers, with deals, income, and Thermocouple Strip market share in 2016 and 2018; Chapter 4, to display the regional analysis of Global Thermocouple Strip Market with revenue and sales of an industry, from 2019 to 2026; Chapter 5, 6, 7, to analyze the key countries (United States, China, Europe, Japan, Korea & Taiwan), with sales, revenue and market share in key regions; Chapter 8 and 9, to display Regional Marketing Type Analysis, International Trade Type Analysis, Supply Chain Analysis; Chapter 10 and 11, to analyze the market by product type and application/end users (industry sales, share, and growth rate) from 2016 to 2018; Chapter 12, to show Thermocouple Strip Market forecast by regions, forecast by type (Type T, Type J, Type E, Type K, Type N) and forecast by application (Steel Industry, Glass and Ceramics Industry, Metal-Processing Industry, Energy Supply, Transport & Conveyance) with revenue and sales, from 2019 to 2026; Chapter 13, 14 & 15, specify Research Findings and Conclusion, Appendix, methodology and data source of Thermocouple Strip market buyers, merchants, dealers, sales channel.

Geographically, This Thermocouple Strip Market report accommodates regional Output, production, consumption, revenue (million USD), growth rate (CAGR) by Countries such as North America (United States, Canada, Mexico), South America (Argentina, Brazil, Ecuador, Chile), Europe (UK, France, Germany, Italy), Middle East, Africa (Turkey, Egypt, Saudi Arabia, Iran), Asia-Pacific (India, China, Japan, Korea) and more which are forecasts during 2016-2026.

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[thatsnakeman]

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[on-the-shelves]

on my shelf: soundtrack to my second year of uni - summer

My second summer semester was full of concerts in the first half, which is partly reflected in the music I listened to to prepare or to reminisce (Jimmy Eat World and Arctic Monkeys). There are also new releases of old favourites (Panic! at the Disco, George Ezra, Arctic Monkeys) and a nostalgic album I only now got to fully appreciate. There is a lack of female representation though... But anyway, here are my most listened to albums of this summer semester.

Summer

Panic! at the Disco: Pray for the Wicked (2018)

That stint on Broadway really did Brendon Urie good. Everything he learned there is reflected on this album - his vocals sound more focussed and controlled, and the Broadway-esque melodies and sounds that have been hinted at in many of the previous albums, ever since the beginning of the band, are coming through more clearly now, still retaining that P!atD vibe and sound we’ve known since Brendon basically started calling all the shots since 2011′s Vices & Virtues. This album is fun, musically as well as lyrically but still being able to get serious, without being cliché, in the midst of it all.

George Ezra: Staying at Tamara’s (2018)

This album just makes you feel like everything will be okay eventually. There are so many happy and fun songs that never get too silly. I’ve never been in love but if it’s anything like George describes it on this album it sounds very nice. Special shoutout to the Cape Town reference in “Sugarcoat” which is literally where I was on holiday a few days after this album was released. Of course there are also some more serious sounding songs like “Saviour” which is almost eerie with the help of First Aid Kit.

Arctic Monkeys: Tranquility Base Hotel + Casino (2018)

Like I think at least 80% of Arctic Monkeys fans I was shocked and irritated when I first heard this album. It seemed so different to all of their previous work and not what I’d expected at all. I just couldn’t understand all these new sounds. Honestly, I was disappointed. But I would be seeing them a couple of weeks later so I tried giving it some more chances and thank goodness I did. The more you listen to it, the more you understand what it’s trying to do. It also helps to listen to the music it references, like French film soundtracks from the 60s and 70s for example (Alex Turner even gave MOJO a handy list of specific songs that inspired the album). At first it seemed like a gloomy winter album but now I can’t help connecting them with summer. And if you’re still not convinced that they’re actually pretty good, go to a show and hear them live - they have just as much energy as the older ones.

Jimmy Eat World:

Integrity Blues (2016)

Clarity (1999)

Futures (2004)

This band is criminally underrated these days and I don’t understand why. Their latest album “Integrity Blues” (plus the two new singles “Love Never” and “half heart”) still have that same heart on sleeve mentality as ever and yet the fanbase just doesn’t seem to gain many younger fans. Good real life example: I went to their show in Hanover, Germany a few months ago and I, as a 20-year old was probably the youngest person there, with everyone else being at least mid-20s. I mean, it was a great atmosphere and refreshing compared to basically every other show I ever go to where the audience is mostly teenage girls, but why weren’t there any teenage girls (or boys)? Either way, I’m just glad the band’s still going strong. And I can’t believe I only recently started listening to their other music (for at least 4 years I only listened to “Bleed American��), it’s just so good musically and lyrically.

fun.: Some Nights (2012)

I loved this album in 2012 but never got round to buying it. But on holiday in South Africa this year I finally picked it up (better late than never!) and then listened to it non-stop for a solid week or two. It’s very diverse, theatrical, kind of sad but not obviously so, and surprising. I mean, just listen to “Some Nights” or “Why Am I The One” and then listen to “It Gets Better”. If you’re a fan of Panic! at the Disco and haven’t listened to this album, you should get on that.

Harry Styles: Harry Styles (2017)

I only started listening to this album a week or two after classes for this semester ended but I was still in study mode for those exams so I think it belongs here. The album isn’t what I expected from him, and yet it absolutely is. It’s contemporary, but at the same time from another time, probably around the 1970s. It flows from almost soft rock to uptempo rock bangers and stays sincere, but not in a try-hard way. It’s perfect for driving around late afternoon when the sun is slowly starting to set and everything looks golden.

Marina and the Diamonds: Electra Heart (2012)

I’ve been listening to Marina’s music since about 2011, but I haven’t been able to really get into any of her music besides Family Jewels. That changed in the summer break though: I randomly decided to put on the CD I’ve had for many years and read along with the lyrics and listen more closely in general. It hit me. There’s a lot of darkness hidden beneath candy, but also pretty out in the open on this record, and maybe now I could finally understand what was going on. Now just give me a couple more years to properly get into Froot because apparently I need it.

______________

Summer semester 2018 was filled especially with males and quite a variety of sounds, but especially newer music. Thematically it ranged from kind of sad or at least serious to comfortingly happy and ecstatic at points thanks to Panic! at the Disco. I saw Walk The Moon, Arctic Monkeys, Jimmy Eat World, and Demi Lovato live so I listened to their music a bunch.

[waaaiz]

Elevator And Escalator Market Research Report

The GMI Research expects the elevator and escalator market to expand at a significant rate. From a regional perspective, the Asia-Pacific is projected to lead the market owing to the increasing urbanization and the fundamental demographic changes. India and China are the developing markets in the region due to the rise of the commercial and non-commercial industries in these countries.

Request for a FREE Sample Report on Elevator And Escalator Market

Elevator And Escalator Market Dynamics (including market size, share, trends, forecast, growth, forecast, and industry analysis)

Key Drivers

The increasing construction sector, significant demographic trends, and continuous urbanization are the major factors surging the growth of the global elevators and escalators market share in terms of revenue. The high demand from several end-use sectors, including hospitals, residential, and commercial, will further energize the growth of the global elevator and escalator market size. Furthermore, the growing concerns for safety among the geriatric population will fuel the demand for elevators and escalators in the market in the upcoming years. The growing use of elevators and escalators in numerous commercial spaces that include train stations, airports, and shopping malls, is one of the emerging elevator and escalator industry trends that will support the growth of the market. According to the elevator and escalator industry analysis, the rising commercial activities and growing investment for the enhancement of infrastructure at public places will further contribute to the growth of the global elevators and escalators market. On the other hand, the factors hindering the market growth including the increasing installation cost and set up costs of escalators and elevators.

Application Segment Drivers

Based on the application, the Non-Commercial segment is anticipated to increase at a faster CAGR in the upcoming years due to the high demand for elevators and escalators in the residential sector. Furthermore, the fundamental growth in the construction of residential and high-rise buildings will further bolster the growth of the segment.

Type Segment Drivers

Based on the type, the elevators type is expected to dominate the market during the forecast period due to the increasing use of elevators in several industries. The elevators segment is further sub-segmented into freight elevator, passenger elevator, and other types of elevators. On the other hand, the passenger elevators segment is projected to grow at a higher CAGR during the forecast period due to its rising demand in commercial and residential spaces.

Elevator And Escalator Market’s leading Manufacturers:

·        Kone Corporation

·        United Technologies

·        Schindler Holding Ltd.

·        Mitsubishi Electric Corporation

·        Thyssenkrupp AG

·        Fujitec Co., Ltd.

·        Hitachi Ltd.

·        Hyundai Elevator Co., Ltd.

·        Toshiba Corporation

·        Electra Ltd

Elevator And Escalator Market Segmentation:

Segmentation by Elevator Technology:

·        Traction

·        Hydraulic

·        Machine Room-Less Traction

Segmentation by Type:

·        Elevators

o   Passenger Elevator

§  Bed Elevator

§  Service Elevator

§  Observation Elevator

§  Residential Elevator

o   Freight Elevator

§  Dumbwaiters

§  Vehicle Elevators

o   Others

·        Escalators

·        Moving Walkways

Segmentation by Application:

·        Commercial

·        Non-commercial

Segmentation by Services:

·        New Installation

·        Maintenance

·        Modernization

Segmentation by Building Type:

·        Low Rise

·        Mid Rise

·        High Rise

Segmentation by Region:

·        North America

o   United States of America

o   Canada

·        Asia Pacific

o   China

o   Japan

o   India

o   Rest of APAC

·        Europe

o   United Kingdom

o   Germany

o   France

o   Spain

o   Rest of Europe

·        RoW

o   Brazil

o   South Africa

o   Saudi Arabia

o   UAE

o   Rest of the world (remaining countries of the LAMEA region)

About GMI Research

GMI Research is a market research and consulting company that provides syndicated research reports, consulting services, and customized market research reports. Our reports are based on market intelligence studies to ensure relevant and fact-based research across numerous sectors, including healthcare, automotive, information technology & communication, FMCG, and other industries. GMI Research’s deep understanding related to the business environment helps us in generating objective strategic insights. Our research teams consisting of seasoned analysts and researchers have hands-on experience in various regions, including Asia-pacific, Europe, North America, and the Rest of the World. The market research report offers in-depth analysis, which contains refined forecasts, a bird's eye view of the competitive landscape, factors impacting the market growth, and several other market insights to aid companies in making strategic decisions. Featured in the ‘Top 20 Most Promising Market Research Consultants’ list of Silicon India Magazine in 2018, we at GMI Research are always looking forward to help our clients to stay ahead of the curve.

Media Contact Company Name: GMI RESEARCH Contact Person: Sarah Nash Email: enquiry@gmiresearch.com Phone: Europe – +353 1 442 8820; US – +1 860 881 2270 Address: Dublin, Ireland Website: www.gmiresearch.com

[vaibhavilatane]

Resistance Thermometers Market (covid-19 update) upcoming business reports on size, shares, stocks and many more | forecasting report 2026

The report titled as “Global Resistance Thermometers Market Research Report 2019”, which expedites the broad and focuses on growth of market. The market size is finished with help of detailed research and research through sub-studies. These reports are often marked as an in-depth study of the key dynamics of the worldwide market. For the advantage of the client, an overview of the kinds , processes and value chains are covered within the report. 

This Press Release will help you to understand the Volume, growth with COVID19 Impact Analysis. Click HERE To get SAMPLE PDF (Including TOC, Table & Figures) at: https://introspectivemarketresearch.com/request/12710

Key Player Mentioned: WIKA Instrumentation, Thermo Electra, JUMO, LABOM, Allmetra, Pepperl-Fuchs, Elimko, Cable Manufacturer SAB, AccuMac Corporation, EPHY MESS

Product Segment Analysis: Threaded Resistance Thermometers, Flanged Resistance Thermometers and others

Application Segment Analysis: Commercial, Industrial, Residential, Others

Regional Segment Analysis: North America (U.S.; Canada; Mexico), Europe (Germany; U.K.; France; Italy; Russia; Spain etc.), Asia-Pacific (China; India; Japan; Southeast Asia etc.), South America (Brazil; Argentina etc.), Middle East & Africa (Saudi Arabia; South Africa etc.)

This study on the Resistance Thermometers market discusses the scenario for the market period of 2020 to 2027, wherein the data is collected from the past and historical data from years 2018 and 2019. The examination empowers perusers to settle on basic choices identifying with their business, with the assistance of important information encased in the investigation. Data on the developments made by important players and stakeholders in the market, along with a competitive analysis with reference to Resistance Thermometers market is also provided in the study. The report likewise gives a straightforward comprehension of the qualities, shortcomings, openings and dangers, furthermore of new patterns and requirements.

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   This report on the Resistance Thermometers market gives readers encouragement to stand different from others by complete understanding of the market. This research also provides the underlying trends and their impact of varied market measures. Moreover the factors that are driving the exclaimed market also are highlighted as crucial, that persuade the market to grow. Porter’s Five Point Analysis, SWOT analysis, value chain analysis and regulatory scenario are offered by us within the report, expansion of the market are often encountered through the crucial growth tactics and opportunity identification mentioned in the study.

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[marketresearchnewsdbmr]

Smart Elevator Market by 2027 Emerging Technology and Future Threats with Key Players like Schindler, Hitachi Ltd.,Schindler, Hitachi Ltd

Smart Elevator Market analysts authoring this report have provided in-depth information on leading growth drivers, restraints, challenges, trends, and opportunities to offer a complete analysis of the global Smart Elevator market. The major players covered in the smart elevator market report are thyssenkrupp AG, Otis Elevator Company., KONE ELEVATOR INDIA PRIVATE LIMITED,, Schindler, Hitachi Ltd., HYUNDAIELEVATOR CO.,LTD., Toshiba India Pvt. Ltd., Mitsubishi Electric Corporation, FUJITEC CO., LTD., Motion Control Engineering Inc., Thames Valley Controls, EITO&GLOBAL INC., ESCON ELEVATORS PVT LTD., EITA Elevator (M) Sdn. Bhd, Express Lifts Ltd., Electra Elevators, among other domestic and global players. Market share data is available for global, North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South America separately. DBMR analysts understand competitive strengths and provide competitive analysis for each competitor separately.

Smart elevator market is expected to reach USD 45.004 billion by 2027 witnessing market growth at a rate of 13.8% in the forecast period of 2020 to 2027.

Study compiled with over 100+ pages, list of tables & figures, profiling 10+ companies. Ask for Sample @ https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-Smart Elevator-market

By Component (Control Systems, Maintenance Systems, Communication Systems), Application (Residential, Commercial, Institutional, Automated Vehicle Storage and Retrival System), Service (New Installation Services, Modernization Services, Maintenance Services), Country (U.S., Canada, Mexico, Brazil, Argentina, Rest of South America, Germany, Italy, U.K., France, Spain, Netherlands, Belgium, Switzerland, Turkey, Russia, Rest of Europe, Japan, China, India, South Korea, Australia, Singapore, Malaysia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific, Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa)

Increasing construction and real estate industry, growing demand of security, increasing adoption of wireless technology, rising urbanization and rising demand of energy efficient systems are some of the factors that will enhance the growth of the smart elevator market in the forecast period of 2020-2027. On the other hand, increasing need of green technologies will further create new opportunities for the growth of smart elevator market in the above mentioned forecast period. 

High initial investment and maintenance cost, economic slowdowns are acting as market restraints for smart elevator in the above mentioned forecasted period.

This smart elevator market report provides details of new recent developments, trade regulations, import export analysis, production analysis, value chain optimization, market share, impact of domestic and localised market players, analyses opportunities in terms of emerging revenue pockets, changes in market regulations, strategic market growth analysis, market size, category market growths, application niches and dominance, product approvals, product launches, geographic expansions, technological innovations in the market. To gain more info on Data Bridge Market Research smart elevator market contact us for an Analyst Brief, our team will help you take an informed market decision to achieve market growth.

Global Smart Elevator Market Size, Status and Forecast 2019 – 2026

1 Market Overview

2 Manufacturers Profiles

3 Global Smart Elevator Sales, Revenue, Market Share and Competition by Manufacturer

4 Global Smart Elevator Market Analyses by Regions

5 North America Smart Elevators by Countries

6 Europe Smart Elevators by Countries

7 Asia-Pacific Smart Elevators by Countries

8 South America Smart Elevators by Countries

9 Middle East and Africa Smart Elevator by Countries

10 Global Smart Elevator Market Segment by Type

11 Global Smart Elevator Market Segment by Application

12 Smart Elevator Market Forecast

13 Sales Channel, Distributors, Traders and Dealers

14 Research Findings and Conclusion

15 Appendixes

Access Detailed TOC@ https://www.databridgemarketresearch.com/toc/?dbmr=global-smart-elevator-market

Smart elevator market competitive landscape provides details by competitor. Details included are company overview, company financials, revenue generated, market potential, investment in research and development, new market initiatives, regional presence, company strengths and weaknesses, product launch, product width and breadth, application dominance. The above data points provided are only related to the companies’ focus related to smart elevator market.

 The Report Highlights

Historic and forecasted Smart Elevator market size in terms of revenues & unit sales, average selling price, growth rates, and company market shares.

Highlights and compares key application/product categories for growth trends and revenue forecast.

Smart Elevator Market size, revenue and unit sales according to each region

Cross category comparison – Growth and revenue comparison for product categories, historic and forecast through 2026.

Smart Elevator Market share of top key players

Current trends and recent Developments

Scope of the Smart Elevator Market Report

Smart Elevator Market (Actual Period: 2017-2018, Forecast Period: 2019-2026)

Smart Elevator Market – Size, Growth, Forecast

Analysis by Type:

Regional Analysis – Actual Period: 2017-2018, Forecast Period: 2019-2026

Smart Elevator Market – Size, Growth, Forecast

Smart Elevator Market Analysis by Type

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Data Bridge Market Research set forth itself as an unconventional and neoteric Market research and consulting firm with unparalleled level of resilience and integrated approaches. We are determined to unearth the best market opportunities and foster efficient information for your business to thrive in the market

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Air Conditioning Systems Market By Characteristics, Analysis, Opportunities And Forecast To 2027

According to a new market report published by Transparency Market Research (titled “Elevator Market (Deck Type –Single Deck and Double Deck; Destination Control – Smart and Conventional; Building Height – Low Rise, Mid Rise, High Rise; End-use – Residential, Commercial, Mix Block; Speed – Less than 1m/s, Between 1 to 3 m/s, Between 4 to 6 m/s, Between 7 to 10 m/s, Above 10m/s; Application – Passengers, Freight) – Global Industry Analysis, Size, Share, Growth, Trends, and Forecast, 2018 – 2026,” the global elevator market was valued at US$ 59.26 Bn in 2017 and is expected to reach US$ 151.26 Bn in terms of revenue by 2026, expanding at a CAGR of 11.1% from 2018 to 2026. In terms of volume, the market stood at around 773.8 Thousand Units in 2017. Asia Pacific is projected to show the fastest growth rate during the forecast period due to the increase in number of high rise buildings and rapid urbanization.

The increasing demand for skyscrapers in the cities of Asia Pacific is helping to boost the high rise elevator market in the region. Factors such as increasing aging population and demand for accessible housing and infrastructure are contributing to the growth of the elevator market.

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By deck type, single deck elevator has the highest growth opportunities as it is cost effective and ideal for moderate traffic. Double deck elevator consists of two cabins attached together. Depending on which floor passengers need to go, they can either take the upper or lower deck if they are intended to go either to even or odd floors.

By destination control, the smart elevator segment is expected to rise with new features, enabling passengers to first select the floor they want and then take them to their destination with the fewest number of stops. These elevators are faster and more energy efficient than conventional elevators.

By building height, mid rise segment constitutes the major share in the global elevator market. However, demand for skyscrapers in Asia Pacific countries is increasing, helping to boost the high rise elevators market in the region

By end-use, mix block segment is expected to expand at the highest CAGR during the forecast period as compared to the residential and commercial segment.

By speed, the segment between 1 to 3 m/s has the major share in the global elevator market. However, due to rapid growth of high rise buildings, between 4 to 6 m/s segment is increasing rapidly.

By application, passenger elevators are the most commonly used. Freight elevators are mostly used in the commercial sector to transport goods from one floor to another.

Geographically, in terms of revenue, Asia Pacific held the largest market share in the elevator market in 2017. After Asia Pacific, Europe has the largest share in the market. The Asia Pacific region is estimated to witness the fastest growth during the forecast period. China, India, and Japan have the highest growth rate as compared to other countries in the Asia Pacific region. South America is expected to show slow growth as compared to the other regions of the world.

The elevator market consists of a large number of dominant players. Industry players focus on advance techniques to increase the speed of the elevators, thereby reducing travel time. Product innovation, especially in case of smart elevators help passenger to manage and monitor physical access to sites. The advancement in technology helps to integrate access control. Otis Elevator Company, KONE Oyj, Schindler, Fujitec Co., Ltd., Hitachi, Ltd., Hyundai Elevator Co., Ltd., Electra Elevators, Mitsubishi Electric Corporation, Thyssenkrupp AG, and Toshiba Corporation are the key companies profiled in the research report. The report also offers competitive landscape of the key players in the elevator market.

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The global elevator market is segmented as follows: -

Global Elevator Market, by Deck Type

Single Deck

Double Deck

Global Elevator Market, by Destination Control

Smart

Conventional

Global Elevator Market, by Building Height

Low Rise

Mid Rise

High Rise

Global Elevator Market, by End-use

Residential

Commercial

Mix Block

Global Elevator Market, by Speed

Less than 1m/s

Between 1 to 3 m/s

Between 4 to 6 m/s

Between 7 to 10 m/s

Above 10m/s

Global Elevator Market, by Application

Passenger

Freight

Global Elevator Market, by Region

North America

Europe

Asia Pacific

U.S.

Canada

Rest of North America

U.K.

Germany

France

Rest of Europe

China

India

Japan

Rest of Asia Pacific

Middle East & Africa (MEA)

South America

GCC

South Africa

Rest of Middle East & Africa

Brazil

Rest of South America

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About Us

Transparency Market Research (TMR) is a market intelligence company, providing global business information reports and services. Our exclusive blend of quantitative forecasting and trends analysis provides forward-looking insight for thousands of decision makers. TMR’s experienced team of Analysts, Researchers, and Consultants, use proprietary data sources and various tools and techniques to gather, and analyze information. Our business offerings represent the latest and the most reliable information indispensable for businesses to sustain a competitive edge.

Each TMR syndicated research report covers a different sector - such as pharmaceuticals, chemicals, energy, food & beverages, semiconductors, med-devices, consumer goods and technology. These reports provide in-depth analysis and deep segmentation to possible micro levels. With wider scope and stratified research methodology, TMR’s syndicated reports thrive to provide clients to serve their overall research requirement.

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Smart Elevator Market is Booming |

Smart Elevator Market is one of the most comprehensive and important additions to Data Bridge market research studies. It offers detailed research and analysis of key aspects of the global Smart Elevator market. The market analysts authoring this report have provided in-depth information on leading growth drivers, restraints, challenges, trends, and opportunities to offer a complete analysis of the global Smart Elevator market. Market participants can us0065 the analysis on market dynamics to plan effective growth strategies and prepare for future challenges beforehand. The major players covered in the smart elevator market report are thyssenkrupp AG, Otis Elevator Company., KONE ELEVATOR INDIA PRIVATE LIMITED,, Schindler, Hitachi Ltd., HYUNDAIELEVATOR CO.,LTD., Toshiba India Pvt. Ltd., Mitsubishi Electric Corporation, FUJITEC CO., LTD., Motion Control Engineering Inc., Thames Valley Controls, EITO&GLOBAL INC., ESCON ELEVATORS PVT LTD., EITA Elevator (M) Sdn. Bhd, Express Lifts Ltd., Electra Elevators, among other domestic and global players. Market share data is available for global, North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South America separately. DBMR analysts understand competitive strengths and provide competitive analysis for each competitor separately.

Smart elevator market is expected to reach USD 45.004 billion by 2027 witnessing market growth at a rate of 13.8% in the forecast period of 2020 to 2027. Data Bridge Market Research report on smart elevator market provides analysis and insights regarding factor such as rising demand of energy efficient systems.

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By Component (Control Systems, Maintenance Systems, Communication Systems), Application (Residential, Commercial, Institutional, Automated Vehicle Storage and Retrival System), Service (New Installation Services, Modernization Services, Maintenance Services), Country (U.S., Canada, Mexico, Brazil, Argentina, Rest of South America, Germany, Italy, U.K., France, Spain, Netherlands, Belgium, Switzerland, Turkey, Russia, Rest of Europe, Japan, China, India, South Korea, Australia, Singapore, Malaysia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific, Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa)

Increasing construction and real estate industry, growing demand of security, increasing adoption of wireless technology, rising urbanization and rising demand of energy efficient systems are some of the factors that will enhance the growth of the smart elevator market in the forecast period of 2020-2027. On the other hand, increasing need of green technologies will further create new opportunities for the growth of smart elevator market in the above mentioned forecast period. 

High initial investment and maintenance cost, economic slowdowns are acting as market restraints for smart elevator in the above mentioned forecasted period.

This smart elevator market report provides details of new recent developments, trade regulations, import export analysis, production analysis, value chain optimization, market share, impact of domestic and localised market players, analyses opportunities in terms of emerging revenue pockets, changes in market regulations, strategic market growth analysis, market size, category market growths, application niches and dominance, product approvals, product launches, geographic expansions, technological innovations in the market. To gain more info on Data Bridge Market Research smart elevator market contact us for an Analyst Brief, our team will help you take an informed market decision to achieve market growth.

Global Smart Elevator Market Size, Status and Forecast 2019 – 2026

1 Market Overview

2 Manufacturers Profiles

3 Global Smart Elevator Sales, Revenue, Market Share and Competition by Manufacturer

4 Global Smart Elevator Market Analyses by Regions

5 North America Smart Elevator by Countries

6 Europe Smart Elevator by Countries

7 Asia-Pacific Smart Elevator by Countries

8 South America Smart Elevator by Countries

9 Middle East and Africa Smart Elevator by Countries

10 Global Smart Elevator Market Segment by Type

11 Global Smart Elevator Market Segment by Application

12 Smart Elevator Market Forecast

13 Sales Channel, Distributors, Traders and Dealers

14 Research Findings and Conclusion

15 Appendixes

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Smart elevator market competitive landscape provides details by competitor. Details included are company overview, company financials, revenue generated, market potential, investment in research and development, new market initiatives, regional presence, company strengths and weaknesses, product launch, product width and breadth, application dominance. The above data points provided are only related to the companies’ focus related to smart elevator market.

 The Report Highlights

Historic and forecasted Smart Elevator market size in terms of revenues & unit sales, average selling price, growth rates, and company market shares.

Highlights and compares key application/product categories for growth trends and revenue forecast.

Smart Elevator Market size, revenue and unit sales according to each region

Cross category comparison – Growth and revenue comparison for product categories, historic and forecast through 2026.

Smart Elevator Market share of top key players

Current trends and recent Developments

Scope of the Smart Elevator Market Report

Smart Elevator Market (Actual Period: 2017-2018, Forecast Period: 2019-2026)

Smart Elevator Market – Size, Growth, Forecast

Analysis by Type:

Regional Analysis – Actual Period: 2017-2018, Forecast Period: 2019-2026

Smart Elevator Market – Size, Growth, Forecast

Smart Elevator Market Analysis by Type

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