#2016 was a simpler time
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2022 sans art vs 2016 (probably) sans art
#qkdraws#this wasSO fun he'sso fun to draw#had such a good time w the lighting god this brush is fun to use#yes the straps on the crocs being in different places is intentional btw#he doesn't care <333#undertale#sans#undertale sans#sans undertale#sans the skeleton#replaying undertale rn :] such a good time#other than hiccup and toothless i think my first real blorbo was sans actually ................#i was playing it earlier and suddenly had the realization that ut is like . 7 years old.#like.holy shit#what the fuck.#fucked up if true#wasn't originally gonna include the second pic but i think it's cool seeing the differences over time !#u can definitely tell i didn't quite understand how digital art worked back in 2016 GVIEYAUVG#other than the drawing in general being boring and mediocre there's so many mistakes w effects in that fucker#i also didn't know streamline was a thing back then . simpler times. shakier lines.#genuinely rly proud of the progress i've made tho ! rly thought i'd never be able to do lighting like i do now#if 14 year old me looked at that first pic and been told Future Her had drawn it . she'd be ecstatic <3 VIYEAGV
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couldn’t find any of my old screenshots that showed my suggestive rmac icon but rest assured i had one. in any case these are all, arguably, just as bad!
#cropped the rest of the emmys one bc the reply peaked with me calling him dude. i used to live so wild and free#ALSO i was still kind of a baby gay in 2016 and in many ways that was a simpler time for trans politics. so.
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i really want to go back to 2016 when i felt joy, had no worries and stranger things was released. life was good
#i’m being emotional today#personal#text post#stranger things#nostalgia#2016 nostalgia#simpler times#stranger things season 1
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Experiencing some kind of malaise
#yearning for simpler times of circa 2016#even thiugh i know my memories are idealized and i was wallowing in dysphoria and post graduation depression hell#i miss being excited about things#but! im going out to try and give myself enrichment! i had my hours of bed rotting and i said ENOUGH
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how to say “i want to study this person” abt someone rbing old deh posts of mine from 2017 but in like a respectful and non zoo-animal type way
#absolutely fascinated scrolling through the blog of an active 2024 deh/bmc fan#rbing all the old greats. anyone rmr fucking cryptidworm from the musicals era#insane thing to say incoming but literally i feel like i became sentient in 2016. thats where my memory/broader sense of awareness starts#ace attorney into mystic messenger into hamilton into deh/musicals in general a la 2016#all of that to say its like a time capsule to the shit i was obsessed with at 16 and im 23 now and its just fascinating#if tumblrs archive system was better id be balls deep in my own archives because gawd was i a tumblr user back in the day#times were so much simpler when i was listening to musical soundtracks on the school bus and writing jump. sigh…….#idk where im going with this. certainly not genuine nostalgia life also started so suck extra hard 2016 onward#but ya. oh how times change and yet they stay the same or whatever. Strongge
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Just remembering the Clown problems from 2016
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Calling off work cuz I’m sick with nostalgia
#jk I’m here rn but I was going through someone’s blog that hasn’t been on since 2018 and I was seeing all these#posts from 2016 and 2017 and I miss those simpler times
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date of origin: 20th of september, 2015.
When you see a good meme but you have an aesthetic blog
#2015#pepe#aesthetic#remember when tumblr was obsessed with pepe? simpler times#also this really does perfectly capture the 2014-2016 tumblr 'aesthetic'
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i miss 2011-2016 :(
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POV it's 2016 and your friends won't stop sending ⚽ and 🏀 in the group chat and after being confused for five minutes you play the best game known to the human race and feel a little less sad 🫡
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I thought every single post I ever made on this goddamn hellsite where I used the words smol bean had been deleted but I guess they weren’t… anyways thank you to some of my old Dan and Phil tags for alerting that they were there. Comp het makes you a monster sometimes.
#edie TxT#I still like them both as people but more in the sense that I just relate to them.#it’s not the special interest I confused for a crush that I had in 2016#was a simpler time in my life though
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Character Archives - [FILE-07]
Grand Dad
"Mario seven, uh, was that the one I played? Oh, let's check it out..."
For Walt Disney, it all began with a mouse. But for SiIvaGunner, it all began with a bootleg game, a streamer, and a pinch of insanity. Many have come after him, and many can claim to be funnier - but Grand Dad will forever hold the title as the first ever figment of imagination to come out of the bubbling mind of SiIvaGunner [FILE-01]. As a result, he has come to be a symbol for the channel in its entirety, the very embodiment of the SiIvaGunner ethos, and something of a dear friend in the eyes of its creator.
In 2014, a certain streamer under the name of Vinesauce Joel was going through the motions of his typical streaming routine - playing games of the oddest variety, and bellylaughing at the absurd results they'd deliver. Even as part of this greater whole, however, Joel's reaction to 7 GRAND DAD immediately became a standout moment, a series of events so perfect that the comedic timing couldn't have been coordinated to be any better. A mumbling Joel clicks on the game bizarrely labeled as "Mario 7", and is to his great shock met with the imagery of a garishly discolored Mario, placed onto an equally garish blue background, as bold letters declare the game's name to be "7 GRAND DAD". Before Joel can even properly process the twist he's been subjected to, only letting out a reading of the game's name, the game twists all expectations once again: An 8-bit rendition of The Flintstones theme, originally from The Flintstones: The Rescue of Dino & Hoppy, kicks in - prompting a bewildered reaction of "FLINTSTONES?!" from the thoroughly befuddled streamer.
This is a sequence of events you're all too familiar with if you're a fan of the SiIvaGunner channel, yet nevertheless a necessary one to properly recount to understand just how core Grand Dad is to SiIvaGunner: Through this one 15-second clip of one streamer's reaction to the unpredictable world of bootleg video games, a small subset of internet dwellers on the platform SoundCloud realized that they'd uncovered a whole new genre of derivative audio work. Mashups and arrangements were always alive and well on the internet, yet always delivered with upfront honesty: To play into their derivative nature as part of the reaction, to present these edits as if they were the nostalgic, authentic real-deal video game music that you grew up loving, only to have the edit serve as an unexpected punchline, was the kind of brilliant idea that just had to be capitalized on. Thus, in January 2016, one lone internet dweller by the name Chaze the Chat started the SiIvaGunner (then GiIvaSunner) channel, and uploaded "Wild Pokémon Battle - Pokémon Ruby & Sapphire". The bait-and-switch foundation that laid the groundwork for all of SiIvaGunner, all built upon the concept of a bootleg Flintstones game pretending to be the seventh entry in the Super Mario franchise.
In our world, Grand Dad's debut to the online world is now over ten years old, his legacy on the SiIvaGunner channel being that of a figurehead mainly representative of the simpler times that the channel has long since grown up from. Yet in the SiIvaGunner universe, to SiIvaGunner himself, Grand Dad is the beating heart of the entire channel, the first spark of imagination which binds his whole universe together. Every figment made since the channel's inception owes its existence to Grand Dad, and with every step SiIvaGunner underwent across his original 2016 run, Grand Dad was right there alongside him, an enduring voice in his head steering the channel onward. And even as his creator fell into a deep slumber, as The Voice Inside Your Head [FILE-03] set his plans into motion to extract SiIvaGunner's figments into the real world, Grand Dad was at the front lines of the resistance fighting in his name - and remains a symbol of hope for all figments caught in The Voice's tyrannical reign.
Across eight years of the channel's life, Grand Dad has gone through so many phases in reception: As a novel joke, as a beacon of hope, as a redundant and played-out bit, looping around into being used ironically, followed by a loop-back-around into being genuinely appreciated. Event after event, album after album, Grand Dad has become a genuine symbol of everything the channel does, and continues to appear to represent it across all of its twists and turns. It's no small feat for a figment to have endured in relevancy for as long as Grand Dad has, and no matter where the channel is headed, you can sure that he's here to stay.
#character archives#siivagunner#siiva#artist credits in order of image used:#artist : original#artist : doshmobile#artist : circunflexo#image 4 & 5 : artist unknown#vargskelethor#grand dad#vinesauce joel
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"Just thinking about the time they tried to apply the "drivers must race unaided" rule to the radio comms makes my blood pressure spike."
the what now
Okay so. Perfect timing because I have nothing to do at work and it's too early for lunch.
There's an article in the rulebook that says that "drivers must drive the car alone and unaided". Nowadays (and for most of F1 history) it mainly means the marshalls can't touch the car when there are issues on track and such things.
However, mid-2015, the FIA enforced a radio ban that was then made way stricter in 2016. Basically they decided that the drivers were getting too much info from the pit wall and that wasn't driving "alone and unaided".
The list of what was banned was so complicated (and changing!) that the teams had it taped on their pit walls to try to avoid mistakes.
It led to some absolutely ridiculous situations with drivers facing car issues mid-races and their engineers being unable to tell them what the problem is and especially how to solve it.
You can read such an example in my 2016 European GP review.
Then drivers were given controversial penalties in Silverstone and Hungary for receiving help in the race and some teams suffered DNFs because of it so of course everybody was LOUDLY complaining.
Mostly they said the cars were too complicated for the drivers to figure out how to debug them mid race. The FIA answered that if the cars were too complicated to drive alone and unaided then the teams had to make them simpler. The teams patiently explained to the FIA that the FIA were the ones making the regulations on how to build said cars.
Anyway they gave it up mid season and decided to only enforce the radio ban during the formation lap.
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Ignore this post, my HoTD moots, this is going to be a long post you don't care about.
it's PJO/HoO rant time.
What can I say, Tumblr brings me back to the simpler times of 2016.
Y'all baby Frank too much. Like. Way too much.
Leo was a dick at times, no doubt. But I think y'all forget Frank was absolutely being antagonistic because he was paranoid over Leo looking like Hazel's ex. You can argue it's because Leo fired on New Rome, but Frank himself counters that claim and Leo is initially grateful Frank didn't blame him.
Frank was also the first one to bring up Sammy, not Hazel, just before that. Later, all before Leo says anything against Frank, Piper thinks Frank's behavior is because it seems like Leo and Hazel had a history. This is a longer bit of a book scene, but I feel like it gets ignored.
This is still before Leo says anything against Frank. I will be saying that a number of more times. Leo just complimented his ability and Frank responds with a pretty catty comment about Leo's physical abilities. You can see the difference in how he reacts even more clearly in a scene before, when Hazel is commenting on Frank turning into a dragon
Frank doesn't counter the idea to become a dragon, he just has an issue with leaving Hazel with Leo. Leo again, so far, isn't upset with Frank. He wants to prove he's trustworthy.
When Piper does her fun little exorcism on the lads, this happens. I have to say yet again. Leo has not insulted Frank at this point. Not a huge issue, Frank was a bit shaken up, but it was still kind of a dick move to just. Let him hit the dirt. I'll excuse it because it is very funny.
Later when they find out about Nico, this scene below happens. Leo has still not said anything against Frank at this point - Jason even agrees repeatedly with Leo, but Frank only glares at Leo.
After this, when Hazel is upset and leaves, Leo starts to likely say he should go apologize, but Frank cuts him off saying, "you've done enough."
We're a few hundred pages through the book now at this point. Frank has insulted Leo, he doesn't trust him, doesn't want Hazel around him, singles him out, and literally let him fall to the ground. Leo has not said anything against him yet.
Even Percy notes that Frank's mood is tied to his relationship with Hazel, and Leo seemingly threatening that.
(and for those who are curious - baleful means threateningly, or to wish harm)
This is when, after a good chunk into the novel, we reach Leo's first dig at Frank.
Then ~the iguana incident~ comes not long after, but if you're going to call this Leo bullying him, you'd have to include... Everyone. Since they literally all laughed at Frank turning into a lizard to get out of the finger trap. Hazel, Percy, Annabeth, everyone. Not a fun moment for Frank, I sympathize with him there, but I wouldn't personally call this pointed bullying. You may disagree but I do not think at the very least that Riordan intended it to be seen as bullying. This is followed by Leo sending Frank's dirty laundry out on Buford for awhile (though he does claim that it would be cleaned and returned to him, eventually we do learn the laundry is lost. This was not a planned thing by Leo, and I don't understand why this is characterized by some people as him purposely throwing away Frank's clothes.)
All this eventually leads to this exchange.
Gee, I don't know, Frank. Maybe because you keep glaring at him anytime you're around him to the point even Percy was like oh boy I got to get him off the ship before he folds Leo like a pretzel.
Later, Frank actually helps save Leo in eagle form, but ends up injured in the process - and drops Leo. I really don't think Frank meant to drop him, but Leo thinks Frank dropped him on purpose. That's kind of a big thing, even though it's a minor line.
Then, Frank is back to being untrusting of Leo. He's glowering, glaring, and again - doesn't want to leave Leo with Hazel.
When Hazel is alone with Leo, she finally takes the time to defend Frank.
So, clearly, Frank scares Leo.
Leo scares Frank.
It's a fun horrible little wicked web! It's almost like the author intended them to buttheads! Shocking!
I've run out of pictures to add!
I could and probably will continue this nonsense, but the general point of this rant is Frank is not just some totally sweet big guy who has never done anything wrong in his entire life, and characterizing him as such just makes him boring. He's self conscious, insecure, and lashes out at- boy, doesn't that sound familiar. Anyway.
He was kind of a dick to Leo, and Leo was kind of a dick to him in turn.
I'm pretty sure I had a better ending for this originally, that summed everything up, but now I'm distracted and just bitter they didn't kiss.
I didn't even have time to reach their interactions underwater.
#leo valdez#frank zhang#heroes of olympus#percy jackson#if i tag this#valzhang#how angry would y'all be#what about#frazeleo
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Why did Red Robin fail as an alias that Tim was transitioned into? Did it ‘fail’?
I don't have any special insight on this one, but I can give you a bunch of reasons that made it unpopular.
The main one however? It's heavily associated with n52 Tim, and people don't like n52 Tim.
(Heads up going in - I will be using cover dates for all of this, because working with cover dates over publication dates is simpler for me)
Tim used 'Red Robin' as a name between August 2009 and July 2018. This splits up as follows with the major titles he was appearing in:-
2 years, 3 months (August 2009 - October 2011) in Batman Reborn pre-Flashpoint as Red Robin (Red Robin vol 1):
5 years, 1 month (November 2011 - November 2016) in n52 as Red Robin (Teen Titans vol 4 & 5, Batman Eternal, Batman & Robin Eternal):
2 years (August 2016 - July 2018) in Rebirth as Red Robin (Detective Comics):
I wanted to put the photos up to help clarify the differences between each of these versions.
Yes, there's overlap between the last two, because Teen Titans vol 5 finished several months after the start of Tynion's Detective Comics run. The two characters are essentially separate - switching over to Rebirth was a messy process that took several months depending on the title
The majority of appearances of 'Red Robin' as a character are of n52 'Tim Drake', who doesn't have the same backstory, parents or history as Robin as the characters either side of him. He's the one that most long term fans of the character would rather not talk about or think about.
Tynion's Detective Comics run between 2016 to 2018 was about taking the characters therein back to their pre-Flashpoint characterisation, as much as possible. And you can tell from the costume, Tim was 'Red Robin' in name only. He was wearing a Robin costume that simply happened to have an extra R on the crest. He looked like a Robin, acted like a Robin, was doing Robinlike work for Batman, and when Young Justice 2019 started he got a costume update that dropped the extra R from the top and he's been using Robin again ever since (less the attempt at using 'Drake' as a code name in 2020).
So why did it fail? Here's a bunch of reasons:
People don't like the cowl design on Tim: even Marcus To, the artist best associated with Tim as Red Robin before Flashpoint, perpetually draws Tim with the cowl down and often with part of the costume off for commissions and artwork.
People don't like the new 52 version of Tim.
Red Robin was a costume that Tim put on back in 2009 as a punishment to himself while was was doing 'unRobinlike' things looking for Bruce, and once that circumstance was over, there wasn't that much time during Reborn to really cement it as Tim's adult persona due to the universe getting cut off and rebooted.
New 52 Tim was largely not associated with the rest of the Bats for various editorial reasons, making him an outsider that's unusual compared to the rest of his characterisation since 1989.
To show the difference for Tynion's 'Tec run and convince all the fans that new 52 Tim was gone, they decided to make a very clear visual distinction between the characters. That visual distinction essentially was making Tim into a Robin again.
If you're looking at character storyline for Tim Drake, son of Jack and Janet, the story arc effectively goes: Batman Reborn, Convergence, Detective Comics, Young Justice 2019. Which is a story of Tim transferring himself back OUT of the Red Robin costume as he healed and no longer needed it as a temporary measure, and regaining his memories and history.
I mean, why would DC want to use Red Robin for Tim? It's got the difficulty that Jason has taken over effective ownership of the colour red for identification in the family purposes. It's associated with times of grief in Tim's life (because Tim explicitly wears red for loss: for Kon and for Bruce) and with storylines they've excised from his history. It's explicitly a form of self-flagellation.
It could have been Tim's Nightwing, but it's effectively ended up Tim's Grayson period. Something that happened and is referenced, but there are good reasons not to return to.
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