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namjoon's openness and candidness with us in saying "don't ask about the military guys" and responding to that one comment that was like "i wish i was dead," and probably thousands of other examples from this live. these are the reasons that he has saved lives this is why he means so much to so many people this is why people "jokingly" say namjoon for president. he's so empathetic and so vulnerable at the same time he knows his boundaries and will emphasize them but at the same time break down barriers to discussing issues that others wouldn't touch with a ten foot pole. yeah i'm glad namjoon saved my life i'm glad i'm alive to be around to have bts in my life
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You can't just say "there's unknown bits of metal in me" and not elaborate
i'm a machine shop type of guy at the moment and sometimes the machines in the machine shop love to shoot tiny slivers of steel at me at several miles per hour and they find a lovely home in my flesh
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Destcember #10: Witness Me
TW: blood and gore // Read on Ao3
Savathûn laughed. She laughed so brightly and truly, her voice thundering like the sound of an avalanche approaching, rippling across space like magma rushing out of a volcano. Outside, the world was ending. The Deep had arrived to state its claim--oh, what a boring development, what a dull and wholly expected turn of events, and what a sorry display of ineptitude the Final God of Pain was making of himself, spluttering and wheezing at her feet. She kicked him in the face for good measure. He grasped weakly at her ankle, gargling out curses through a ruined throat, and tried dragging himself after her when she turned to leave, but the lack of two limbs and several vital organs prevented him from getting very far.
A small, exhilarated, and no doubt owed to growing up alongside Xivu part of her almost regretted the lack of an additional challenge. All of this had been so laughably easy so far, she'd truly expected more of them--Nezarec in particular, I mean really, any measure of deeply-buried respect she'd still had for the man vanished along with the majority of the blood in his system. She shook her head dramatically. And now she was free to go and fetch her prize like a fox in a chicken pen, entirely unhindered? Such a disappointment.
The prize was very badly hidden, at that. Savathûn tutted to herself. Ah, these Human habits, she hadn't quite shaken them yet, but some of them she even liked. They were such a curious species, Humanity, with their soft faces malleable like wet clay and the skin over their teeth so pliant and expressive; they got by well enough for how dull and static their eyes were, she had to admit. Overall she'd enjoyed her little sally to this backwater system. It had been a nice change of pace, the lull before a dramatic climax.
The Veil just sat there, out in plain sight at the back of the pyramid. She could've picked it up and walked with it out the front door, and a part of her--the exhilarated one--was tempted to do so, if only to see the expression it would've contorted the Witness' sullen face in. But this would've been foolish, and she had caused enough of a scene here already. She'd made sure Nezarec wouldn't be much use to anyone in the nearest century or two, but she was under no delusion that he'd been done for for good. She needed to do this quickly and cleanly. The rift between dimensions roared open for barely a second, and when it closed, the Veil was already sinking into the gaseous depths of the furthest suitable hideout in this system.
Savathûn descended along with it. It dropped a long way down, long enough for this to feel a little too familiar for her liking, and finally settled at one of the layers, hovering among dark-azure mists. The parasite curled in her gut in contentment. This scheme would feed it sumptuously, and that thought both relieved and irked her--but at least she would have some respite from its constant whining, and in all honesty she was already looking forward to it.
She did not linger for longer than a fleeting glance. If all came together according to the plan, the Veil would stay hidden well enough to buy her the time she needed, and once it was inevitably discovered... well. That was when the true fun would begin.
She knew the Witness currently had its eyes on a wholly different prize, and the fact it had no reason to be paying her any attention at this particular moment was undoubtedly a good thing -- but as she rose through the blue mists and the frantic scream of the Sky grew louder in her ears, the small part of her wanted so badly to make it see her.
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"Whew... I knew it was coming, but I'm still exhausted..."
It's spring, and with spring comes the demand for spring hay fever medicine. What was normally a trickle was today a flood, with dozens of people demanding the medicines she brought with her. Combine that with her heavy outfit and having to carry them, and this is one tired bunny.
"Well, at least we sold a lot. Master will be happy... probably."
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Rating killers albums by cover art:
Hut Fuss: This album clearly takes place underground. but here? roofs. The characters translate to "construction material development" like ok? But points for being inconic and lite-brite dot logo you will always be famous. (5/10)
Sam's Town: The Felice LaZae and bighorn sheep joint slay! Best album title. I like the red font, but it's unclear if it's meant to look like it's painted on or floating in front. It's a small thing but cursive supposed to have a space between letters when there's an apostrophe (Sam ' s). (8/10)
Sawdust: I like the juxtaposition of the alarm clock font and the earthy background but it's kind of cluttered and the hand looks silly. (2/10)
Day & Age: I've never seen an album looks so much like the music before I love it sooso much. They get the desert! I like that the lite-brite logo is incorporated into the mosaic (10/10)
Battleborne: Captures the freedom and anxiety of driving through U.S. Route 6 speed limit 200 mph no sign of life except unfenced livestock and what if you run out of gas did you bring enough water (it looks like the most efficient way through Nevada but for the love of god take 80 or 15). My favorite logo and my favorite album title. I can have 2 favorites. (9/10)
Wonderful Wonderful: RIP Logo 😔 you know when your parents come back from vacation and half their pictures are just shells on the ground? And sorry you cannot put a pussy front and center like this without delivering on the music. (1/10)
Imploding the Mirage: Obviously gorgeous, fits the theme.. I want to like it. Just doesn't hit as much as the the Day & Age/Battleborne landscapes. how I feel about the album in general 🫣 (6/10)
I love the style of little spotify pictures though. like this goes hard:
Pressure Machine: this is very on the nose but I do not care I asked for a return of smug reddit atheism and they delivered. I like the cropped landscape and overall simplicity. the name of the band and album are on it! not the original logo which is fine because the cutie dots seem inappropriate for all the suicides that happen. (7/10)
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i took a class last year called zombie capitalism! we learned all about the history of zombies & the zombie genre in film
i think more schools should have classes like that tbh
that sounds so cool!!! wish i could take that class <3 if u happen 2 have the reading list saved or remember any of what u watched/read + want 2 share it....well u know where 2 find me
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