#1999 Shannen Doherty

[shannendoherty-fans]

Ca. 1999 - Shannen Doherty, Alyssa Milano, Holly Marie Combs and Aaron Spelling at "Charmed"'s 1st season wrap party at the Conga Room in LA. Credit: Rick Koser.

Found via the 90s Sando on instagram - thanks!

[ediths-shades]

SHANNEN DOHERTY's outfits in Charmed (1998-1999) season 1 [1/?]

Costume design by Molly Harris Campbell

[katieskrsgard]

🎃 TJ MIKELOGAN'S HALLOWEEN 2023 EVENT 🎃

DAY 26: Witches

ICONIC WITCHES, MAGIC USERS & GODS

Bette Midler as Winifred Sanderson in Hocus Pocus (1993) dir. Kenny Ortega

Robin Tunney as Sarah Bailey in The Craft (1996) dir. Andrew Fleming

Charisma Carpenter as Cordelia Chase in the Buffy-verse (1997-2004) creator Joss Whedon

Holly Marie Combs as Piper Halliwell in Charmed (1998-2006) creator Constance M. Burge

Tom Hiddleston as Loki Laufeyson in Loki (2021-) creator Michael Waldron

Fairuza Balk as Nancy Downs in The Craft (1996) dir. Andrew Fleming

Elizabeth Olsen as Wanda Maximoff/The Scarlet Witch in Doctor Strange in the Multiverse of Madness (2022) dir. Sam Raimi

Amber Benson as Tara Maclay in the Buffy-verse (1997-2004) creator Joss Whedon

Anya Taylor Joy as Thomasina in The Witch (2015) dir. Robert Eggers

Neve Campbell as Bonnie Harper in The Craft (1996) dir. Andrew Fleming

Emma Watson as Hermione Granger in Harry Potter (2001-2011)

Sandra Bullock as Sally Owens in Practical Magic (1998) dir. Griffin Dunne

Cher as Alexandra Medford in The Witches of Eastwick (1987) dir. George Miller

Sarah Jessica Parker as Sarah Sanderson in Hocus Pocus (1993) dir. Kenny Ortega

Miranda Richardson as Lady Van Tassel in Sleepy Hollow (1999) dir. Tim Burton

Rachel True as Rochelle Zimmerman in The Craft (1996) dir. Andrew Fleming

Rene Russo as Frigga in Thor: The Dark World (2013) dir. Alan Taylor

Shannen Doherty as Prue Halliwell in Charmed (1998-2006) creator Constance M. Burge

Alyssa Milano as Phoebe Halliwell in Charmed (1998-2006) creator Constance M. Burge

Sophia Di Martino as Sylvie Laufeydottir in Loki (2021-) creator Michael Waldron

Michelle Pfeiffer as Sukie Ridgemont in The Witches of Eastwick (1987) dir. George Miller

Alyson Hannigan as Willow Rosenberg in the Buffy-verse (1997-2004) creator Joss Whedon

Kathy Najimy as Mary Sanderson in Hocus Pocus (1993) dir. Kenny Ortega

Christina Ricci as Katrina Van Tassel in Sleepy Hollow (1999) dir. Tim Burton

Kathryn Hahn as Agatha Harkness in WandaVision (2021) creator Jac Schaeffer

Rose McGowan as Paige Matthews in Charmed (1998-2006) creator Constance M. Burge

Cate Blanchett as Hela Odinsdottir in Thor: Ragnarok (2017) dir. Taika Waititi

Susan Sarandon as Jane Spofford in The Witches of Eastwick (1987) dir. George Miller

Eva Green as Angelique Bouchard in Dark Shadows (2012) dir. Tim Burton

Nicole Kidman as Gillian Owens in Practical Magic (1998) dir. Griffin Dunne

[cozyaliensuperstar7]

Rest in peace Shannen Doherty

🙏🏾♥️🕊

Repost @violadavis

Your bravery and ability to share your Cancer journey left something "in" people. Rest well. God bless your loved ones ❤️🕊️🙏🏿🎥@people

My deepest condolences to Shannen's family and friends. 🙏🏾♥️🕊

#ripshannendoherty

Shannen Maria Doherty ( April 12, 1971 – July 13, 2024) was an American actress. She was known for her many roles in television and film, including as Jenny Wilder in Little House on the Prairie (1982–1983); Maggie Malene in Girls Just Want to Have Fun (1985); Kris Witherspoon in Our House (1986–1988); Heather Duke in Heathers (1989); Brenda Walsh in Beverly Hills, 90210 (1990–1994), 90210 (2008–2009) and BH90210 (2019); Prue Halliwell in Charmed (1998–2001); and Dobbs in Fortress (2021).

Shannen Maria Doherty was born on April 12, 1971, in Memphis, Tennessee, and raised in her mother's Southern Baptist faith. She was of Irish and Native American descent.

In 1982, Doherty had guest spots on TV series including Voyagers! and Father Murphy, which was created and produced by Michael Landon. The same year, 11-year-old Doherty won the recurring role of Jenny Wilder on Little House on the Prairie, which Landon starred in and produced. Doherty appeared in all but four episodes in the final season of the show, which was cancelled in 1983.

Doherty lent her voice to the animated film The Secret of NIMH in 1982. She appeared in an episode of Magnum, P.I. ("A Sense of Debt"), followed by an early episode of Airwolf for which she was nominated as Best Young Actress: Guest in a Series at the 6th Youth in Film Awards in 1984.

In 1985, Doherty starred as Maggie Malene in the teen movie comedy Girls Just Want to Have Fun alongside actresses Helen Hunt and Sarah Jessica Parker. Doherty was cast as the oldest Witherspoon sibling, Kris, on the family drama Our House, which ran from 1986 to 1988, a role which garnered her several Young Artist Award nominations.

Doherty's first major motion picture role was in the dark comedy Heathers, which premiered in 1988. She garnered worldwide attention and fame for her breakout role as Brenda Walsh in the Aaron Spelling-produced TV series Beverly Hills, 90210 in 1990. In 1991 and 1992, her portrayal of Brenda earned her a Young Artist Award nomination for Best Young Actress Starring in a Television Series.[8] Doherty left the show after the fourth season in 1994.

She appeared nude in Playboy magazine, first in December 1993, followed by a spread in March 1994.[9] She posed for the magazine again in December 2003 and was featured in a 10-page pictorial.[10][11]

Doherty's career afterward consisted primarily of made-for-TV movies, though she also had a lead role in Kevin Smith's 1995 film Mallrats and later cameoed in Jay and Silent Bob Strike Back. In 1998, Spelling again cast her in another of his television series, Charmed, in which she played one of the lead characters, Prue Halliwell, the oldest of three sisters who are witches. Doherty also directed a few episodes for the series during the second and third seasons. Doherty left the show in 2001 at the end of the third season, resulting in her character's death. Reportedly, her departure was caused by on-set and off-set tensions between Doherty and co-star Alyssa Milano.[12] Doherty was also twice nominated, in 1999 and 2000, for the Saturn Award, Best Genre TV Actress, for her performance in Charmed.[citation needed] In 2004, E! placed Doherty at number 10 on their list of the 50 Most Wicked Women of Prime Time. In 2007, AOL named Prue Halliwell the 10th greatest witch in television history.

In 2003, Doherty hosted the Sci Fi Channel candid-camera show Scare Tactics during its initial season.[14] From 2004 to 2005, in a return to her prime-time soap roots, Doherty starred as a regular on the short-lived TV series North Shore, where she starred as Alexandra Hudson. Later in 2005, she was in the pilot for a comedy, Love Inc.

In 2006, Doherty produced and starred in her own reality show, Breaking Up with Shannen Doherty, which premiered on the Oxygen channel. In the show, Doherty carried out the "dirty work" for members of the public, including dumping boyfriends or telling people what their friends really think about them. The show was canceled after one season due to poor ratings.

She also appeared in several episodes of the popular British sitcom Bo! in the USA, a brain child of Leigh Francis.[7] In the show, she played herself being randomly harassed by Avid Merrion (Francis), who claimed they were lovers. The show aired in October 2006 on the British Channel 4.

During 2007, Doherty appeared in two television projects. She first appeared in Kiss Me Deadly: A Jacob Keane Assignment for the Here TV network and followed up with a starring role in the holiday film Christmas Caper for ABC Family. That same year Doherty also set up a production company called No Apologies with which she planned to develop a TV drama for herself. Later in 2007, Doherty was ranked number 96 on Entertainment Weekly's list of the 100 Greatest Television Icons.

In 2008, Doherty was featured on the Swedish television show High Chaparall, appearing in the second episode of the show's fourth season.

Also in 2008, 14 years since her last television appearance as Brenda Walsh, Doherty joined the cast of the Beverly Hills, 90210 spin off for The CW Television Network. She returned as a guest star in the new series, reprising her old role of Brenda in four of the initial six episodes. Her character, now a successful theater actress and stage director, returned as the guest director of the high school musical. After her initial guest spot was completed, Doherty stated she was open to returning to the series later in the season[16] and eventually agreed to appear in three additional episodes, including an airing in May 2009. The writers were eager to have her share scenes with Jennie Garth, who reprised her own 90210 role of Kelly Taylor. It was reported that Doherty and Garth's characters would both have a romantic interest in the character Ryan Matthews (Ryan Eggold) reminiscent of their old rivalry for former bad-boy character Dylan McKay (Luke Perry). Doherty and Garth later confirmed that the reports about the love triangle between their characters were false.

In late 2008, Doherty was announced to co-star alongside Dylan McDermott in the independent film Burning Palms, a satire based on Los Angeles stereotypes told through five intertwining storylines. (The film's world premiere was at the Newport Beach Film Festival in April 2010.) Doherty played a lead role in the SciFi Channel adventure film The Lost Treasure of the Grand Canyon. The film premiered on the cable network on December 20, 2008.

On March 1, 2010, it was announced that Doherty would be a celebrity contestant on Dancing with the Stars for the tenth season. The season premiered on Monday, March 22, 2010. Doherty was paired with two-time champion Mark Ballas in his sixth season on the show, but the pair was the first couple eliminated in the second week on March 30. The judges said, "Doherty wouldn't have left if we would have just done scores". She wanted to do Dancing with the Stars to make her ailing father proud. Doherty returned for the finale.

Doherty starred in FEARnet's animated web series Mari-Kari, which launched on June 3, 2010. Mari and Kari are identical twins, but Kari is already dead and is a ghost. Doherty voiced both Mari and Kari in the eight-episode show.

On July 21, 2011, WE tv announced that Doherty would star in a one-hour reality series that would follow her and her fiancé, Kurt Iswarienko, as they planned their wedding. The show, Shannen Says, premiered on April 10, 2012.

November 2016, Doherty joined the cast of a Heathers television series, originally set to air on Paramount Network in March 2018. She played the mother of one of the new generation of "Heathers", different from the character of Heather Duke that she originated in the 1989 film. However, the Parkland school shooting affected the show's premiere, which was delayed because of its dark tone and themes of high school violence. In June 2018, the network chose to pull the show altogether. Ultimately, the series aired over five nights in October 2018.

Doherty once more reprised her role of Brenda Walsh for the six-episode sequel BH90210, which debuted August 7, 2019, on FOX. The same year, she was in the movie Undateable John, starring Daryl Hannah, Tom Arnold and Margaret Cho.

In 2021, she was in the movie Fortress starring Jesse Metcalfe, Bruce Willis, Chad Michael Murray, Kelly Greyson, and Ser'Darius Blain. The film was released in select theaters and on video on demand by Lionsgate Films on December 17, 2021.

1999, Doherty revealed she had been diagnosed with Crohn's disease.

In March 2015, Doherty was diagnosed with breast cancer, which had spread to her lymph nodes. In February 2016, Doherty revealed that she was receiving anti-estrogen treatment to shrink the tumor and enable treatment by lumpectomy rather than mastectomy. The presence of multiple tumors meant that a lumpectomy was not possible, and a unilateral mastectomy was performed in May 2016. Surgery revealed that some of the cancer cells may have spread beyond the lymph nodes. Because the cancer was more advanced than previously thought, Doherty underwent chemotherapy and radiotherapy following surgery. On April 29, 2017, Doherty announced that her cancer was in remission.

On February 4, 2020, Doherty announced her cancer had returned a year prior, and that she was now stage four. In October 2021, Doherty provided an update on her cancer treatment during an interview with Juju Chang of ABC News. In June 2023, she announced that the cancer had spread to her brain and was terminal. In November 2023, she revealed that the cancer had spread to her bones. In January 2024, Doherty shared that she was undergoing a new cancer treatment and that it was successfully breaking through the blood-brain barrier, calling it a "miracle".

Doherty died from her cancer on July 13, 2024, aged 53, as noted in a statement released by her publicist announcing her death.

[yelenabelovarph]

ALYSSA MILANO in CHARMED(1998)

In the source link you will find gifs of Alyssa Milano as Phoebe Halliwell in Charmed(1998), season two episode seven. It was released in the year of 1999. This gif pack includes some gifs with Misha Collins, Holly Marie Combs, Shannen Doherty, Greg Vaughn, Dean Norris, & Eduardo Saad. Make sure to follow my rules, it is linked on my tumblr. if you would like to support my work you can donate on ko-fi. If you have any questions, concerns or comments feel free to send an ask.

note: support banner and divider by @cafekitsune

[uniquetyphoonmiracle]

Por cierto..el padre en la ficción o en BERBELY HILLS 90210 de la recién fallecida [hace 1 semana] SHANNEN DOHERTY es decir el actor JAMES ECKHOUSE hizo en 1999 JUDGEMENT DAY [en España HACIA EL FIN DEL MUNDO] con los RAPEROS ICE T y COOLIO

[retropopcult]

[phoebehalliwell]

Paige and Brendan Rowe - the half Whitelighter and the half warlock, both of them with troubled pasts, dedicating their lives to helping kids

Yes. Love the direction. + paiges initial connection to the church what with her being left there at birth + brendan being like. hella religious. idk they could fleabag it? there aren't that many options like. like that man really loved god man like. loved god enough to ditch a 1999 shannen doherty. insane. but like. like if we ditched the priest line and maybe he's just a good christian boy who like helps run their little christian horse camp and obvi he plays guitar bc those men always do. helps a kid at social services and paige is initially skeptical bc she's like please don't be a jesus freak who like preys on the vulnerable to indoctrine them into ur religion but the guy does not bring up christ our lord and savior once and paige comments on that bc she's like hey. ur not like most of the church people we get here. and brendan shrugs and he's like i think there's a path for everyone you know if he's meant to find religion he will but if he doesn't god will love him just the same but like. there's no point trying to change what is. we all end up where we're meant to be. Which Is Paige's Philosophy. and paige is immediately like so we're meant to be having this conversation? and brendan smiles and he's like yeah and paige is like the big man tell you why? and he's like no. but all is revealed in time. anyways later that episode they're doing something warlock warlock blah blah blah and brendan is Directly involved and brendans like. i think i know why we were destined to meet. this becomes a leitmotif in their relationships brendan saves paige at some point she's like hmm im starting to guess why we might have been destined to meet when brendan gets down on one knee and proposes he's like paige. i know why were destined to meet. will u marry me.

[1990sgirls]

Shannen Doherty, 1999

[gurlworldgod]

Pink in Cinema.

Raven Symone in That's So Raven (2003-2007).

Alyson Hannigan in Buffy the Vampire Slayer (1997-2003).

Tori Spelling and Shannen Doherty in Beverly Hills 90210 (1990-2000).

Anna Faris in The Hot Chick (2002).

Jamie Lynn Spears and Erin Sanders in Zoey 101 (2005-2008).

Larisa Oleynik in 10 Things I Hate About You (1999).

Hilary Duff and Lalaine in Lizzie McGuire (2001-2004).

Alicia Silverstone in Clueless (1995).

Lindsay Lohan and Amanda Seyfried in Mean Girls (2004).

[shannendoherty-fans]

May 18, 1999 - Shannen Doherty and Sarah Michelle Gellar attend the WB Television Network Upfront All-Star party at the Ivy restaurant in New York City.

[someplace-that-is-else]

‘The Art of the Reboot: Why I like Roswell: New Mexico’

In a word: Ugh.

 It was like everywhere I turned, there they were. Remakes. Reboots. Reimaginings.

 Hollywood just could not let it go. I got it. Nostalgia could be a hell of a drug. However…was nothing sacred. Nostalgia was that for a reason. A nice memory from when you were a kid. That time when things were simpler. It was fun. It was vivid with delights. So no one wants such a thing tainted.

 “So when are you watching it?”

 What was the show this time? Charmed. After such a success with superhero shows, The CW was branching out into reboots of old TV shows like Roswell and Charmed. Charmed was a show about three sisters who were part of a long line of witches. It ran on the defunct WB network from 1998-2006 and starred Shannen Doherty, Holly Marie Combs, Alyssa Milano, and (later on) Rose McGowan. All actresses that I liked.

 Great memories were attached to that show. My sister, brother, mother, me, and my nieces and nephew could be counted on to be around the television watching it. I still remembered how my sister loved how fierce the Halliwell sisters dressed. And who did not want to have Prue’s power to move things with your mind…or Piper’s power to freeze…or angst over Phoebe getting a love life. Yeah, good times.

 “I don’t know,” I replied to the question. “I don’t even really want to watch it. Maybe a hatewatch.”

 Hatewatch. When you watched a show because you disliked it so much that you sat there and nitpicked it to death. Something I felt that I would do to Charmed. I just did not see a reason to bring it back.

 That was the same way I felt about the news of Roswell, New Mexico. Old School Roswell was on the WB (and later on UPN) as well, running from 1999 to 2002. I was a late starter to it, drawn in by the potential sci-fi, but who didn’t love the relationship between main alien Max and human teenager Liz or the sparring between alien Michael and feisty Maria? Yeah, I admit that I was curious to see how it would do. I did not have much faith in it. Perhaps just another hate-watch.

 I was wrong. 

 So What Makes It Work: Plot and Character on Roswell New Mexico

 What makes a good reboot?

 Well for one, it could not be a retrace of what came before. Been there, done that. Have the T-shirt. Who would want to see that AGAIN when you already did it? Also like a sequel to a successful movie, most times one cannot beat out the original.

 For another, a good reboot also respected what came before as well as attempted to do something new with the source material which began as a book series by Melinda Metz. A good reboot was a balancing act, a case for nostalgia while being fresh.

 And coming away from the first season of Roswell, New Mexico…it was.

 Old School Roswell was about the idea that aliens were among us and trying to fit in while they explored their origins. They were always in fear of being discovered. At the same time, they could not help, but feel ‘other.’ Into this main alien Max Evans and human Liz Parker fell in love.

 New School Roswell was respectful to that with a twist…Max and Liz (as well as their friends) were all aged up a decade into adulthood versus the high school years of the original. And just like Old School Max pined for Liz, this version of Max had pined for Liz since they were kids. Both Lizs discovered the truth about Max and aliens after being healed by Max. 

Another change that Roswell, New Mexico made…Liz taking back her name. Ortecho. In the books, Liz was of Mexican descent. In the WB/UPN show, Liz was played more like the typical smart teenager. In the reboot, the show never shied away from the fact Liz was of Mexican descent. It explored that fact and how it impacted her in the United States now. Given current events, that made Liz’s family life…her world…EXTREMELY relevant. And most importantly relatable.

 Max feeling his otherness. Liz feeling her otherness. Quite a match. That wrote itself. And the closer they got to each other, the more they (and the viewers) learned about them.

 Anyone who knew me or read my books (https://www.amazon.com/LaTorre-Mays/e/B00E0LUID4) knew that I loved duality. Quite a few characters on Roswell, New Mexico had that. Kyle had gone from typical jock hothead to compassionate doctor. Alien Michael liked to be bad cowboy playboy with the swagger to match to heart on his sleeves guy who loved one guy when he was not projecting an image. Even memories of Liz remembering her sister Rosa (something else different from the WB Roswell) revealed there was more to her sister than meets the eye.

 Speaking of Rosa, the reboot kept something else that the original show had. Mystery mixed with some sci-fi and romance was the plot of the original show. Who was the fourth alien? Why were Max, Michael, and Isobel brought here? What had happened on their old planet? Who were the Skins?

 Roswell, New Mexico continued that plot tradition, but again did its own thing. The Season 1 mystery had to do with the events surrounding Rosa’s death. Was it an accident? If it was not (spoiler alert…it wasn’t) what happened? Who killed Rosa and why? On top of that…who was Rosa really? Good girl? Bad girl with toxic baggage? A misunderstood girl with a bag of secrets not her own? Not only that who was the murderer? The mystery surrounding her death built over Season 1’s 13 episodes. Even better, just when you thought you knew something, something else was revealed or was turned what was known on its ear. Like an onion, a fan pulled back its surface only to find more surface. Layers. Season 2 took the mystery idea a step farther by having Max, Isobel, and Michael dive into their alien origins, specifically what had happened to their parents and how that involved human ally (and one of Michael’s love interest) Alex’s family the Manes. That mystery as well, while slower than Season 1’s plot arc, revealed itself to also be an onion. Again…Layers.

 But speaking of Alex, there was another thing Roswell, New Mexico also pulled out some originality on, but honored the original series.

 The relationships.

 What Keeps It Working: Relationships on Roswell, New Mexico

 So what were you? A Stargrazer? Or maybe a Dreamer? Perhaps you were more for M&M aka Candy?

 Old Roswell had its shippers before anyone knew what a shipper was. Shipper = people who loved a couple, worshipped them, and lived for every moment between those characters. Whether you loved the destiny pairing of Max/Liz, the Bickerson-ness of Maria/Michael, or the ‘opposite attracts’ aspect of Isobel/Alex, there were quite a few to choose from. And those could help in the case of bad writing, something that people debatably said about Season 2 and definitely said about Season 3.

 And what ships they were. Even the reboot series did the now famous scene (also in the book as well) of Liz being shot and Max healing her. The scene of her pointing up to the scene after Max explained where he was from. The various scenes of Maria and Michael arguing, but that fire always bringing them together whether it was him watching her dance at the start of Season 2 or them dancing at the senior prom after a misunderstanding. Or who could forget the time when Alex stripped at Isobel’s birthday party to impress the popular girl…and of course the comedy that ensued?

 In a word…relatable.

 On Roswell, New Mexico….well, the saying was true. The more things change…

 And boy did it change! By aging up the characters, the show stepped away from the old typical high school dramas. Good news with the change? It allowed for deeper subject matter and relevant subject matter for today’s work. Illegal immigrants. Bisexuality. Identity.

 But again…not too different. Hehe!!! The Liz of the Roswell Reboot was the child of illegal immigrants. That opened up for a new audience to see a whole different culture. It also showed the problems with being one. Meanwhile, the Max of the Roswell reboot was a sheriff with a darker edge to him. A Liz who constantly proving that she could save herself. A Max who may be a savior, but was not above being a little more selfish. Watching the two of them come together slowly was interesting to watch and reminiscent of old school Max and Liz. More so since this Max also had a crush on Liz.

  Not only did they have their differences to deal with, but a mystery involving the death of Rosa which of course involved the aliens somehow. The who, what, why of the death was the driving force of the first season, but Max and Liz (ship name Echo) was the heart of it. And in Season Two, the drama for their relationship was wisely focused on them. If the drama for the relationship in the first season was external, season two focused on how their differences could be a problem and thus, internal.

 Speaking of identity, one cannot talk about Roswell, New Mexico without talking about Michael Guerin…and Alex.

 While Isobel dealt with some identity issues that touched on assault, abortion, and self-exploration, Michael was in a league of his own. While Michael in the old Roswell was a hothead with not much drive searching for his place in the world, Michael of Roswell, New Mexico…was actually the same. However, part of the reason Michael did not have a drive was that he was busy playing cover-up behind Rosa’s death with Max and Isobel. And the other reason became very clear when he laid eyes on Alex Manes after years. Lost love was usually that way.

 Yes. On the new reboot, Michael and Alex had a lost love from when they were teenagers. And seeing each other again brought that all back. Shame since Alex’s father was anti-alien and homophobic. So viewers got to watch them deal with their issues. From how tragic things ended when they were kids. From dealing with the issues of the closeted lover. Add on the alien issues and the Rosa mystery, and you had a couple named Malex that had a lot of past and present issues to deal with.

 Enter…Maria.

 Just like the old series, Michael and Maria had a sparring partner relationship. One thing led to another and during a break from Alex, Michael and Maria hooked up. So a chemistry filled triangle began. And Michael found himself asking what was more important…the past or the present?

 And all of the relationships kept people tuning in. Not to mention the alien hijinks. I was happy to see that while the writers were very good at plotting out a mystery with twists, turns, and flashbacks, the writers knew what made old Roswell an enduring show. The relationships like Max and Liz and Michael and Alex…and Michael and Maria. The writers knew about the search for self when a person knew they were different. They knew none of it would mean anything if the characters were not relatable. And at the same time, they threw curveballs to keep this version of Roswell fresh and original while still honoring what made old Roswell Roswell.

 And knowing that meant they got the art of the reboot.

 And I…couldn’t wait to see what they did next.

   #reboots #art #roswell #roswellnewmexico #cw #upn #wb #charmed #echo #malex #candy #stargrazer #dreamer #melindametz #max #liz #rosa #shannendoherty #alyssamilano #hollymariecombs #rosemcgowan #michael #maria #nostaglia #characters #plotting #childrenof #respect #originality #refresh #remake

[raisinghellonstarbug]

Comfort Films Challenge

Thank you to the wonderful @omnishambolichologram for tagging me as always in these fun activites :3 ^^ Also - sorry it’s taken me weeks to FINALLY post this!

Film are definitely my number one enjoyment in life along with watching television series (aside from the obvious of spending time with family and friends) and there are quite a few comfort films for me, so it’s going to be difficult to narrow down to only seven! I might have to be cheeky and add in a couple of special mentions hehe

And FYI some of these films might not be necessarily comforting, but they are in that they’re easy to watch so many times because I love them that much. This list probably won’t have all of my absolute favourites, but we shall see what my brain comes up with this time because it sometimes changes.

(I won’t be able to rate one more than the other as they’ll all be different kinds of films so I wouldn’t be able to necessarily say one is better than the other)

I’ve chosen these films based on not only how rewatchable they are, but also on their sheer brilliance as a whole in terms of cinematography, dialogue, cleverness and the acting... (and probably on how long I’ve known them and grown to love them everytime I watch them)

Note: I don’t own some of the gifs included in this post. Credit would go to them if I knew who they were but I’m making sure that I don’t take credit for the ones which aren’t mine.

Good Will Hunting (1997)

This film is quirky, intelligent, funny and teaches you a lot about the choices you make in life. I think what I love about this film is how simple the ending is. “I gotta see about a girl...” - sums up how love can end up being the most important thing to grab hold of when you realise you have it and never had it before. I personally believe that this is probably Matt Damon’s best performance out of all his acting roles even to this day. Ben Affleck and Robin Williams were pretty damn great in it too.

Midnight Run (1988)

(This gif is mine).

This film has it all. A damn well cleverly written script with uncanny and hilarious dialogue, brilliant dynamic between the two main characters, fabulous music score, wonderful sets of shots (the cinematography of the beginning scene is great) and basically a simple story that is not only entertaining and easy to follow, but is acted out fabulously by everyone. The whole wild goose chase for these two men played by Robert De Niro and Charles Grodin across the country is just ridiculous, but ridiculously funny. I have to say that it’s definitely one of my top favourites of all time. If you want a laugh, I would recommend this one!

Special mention (another Martin Brest film): Beverly Hills Cop is on point also.

The Breakfast Club (1985)

It was tough for me to just decide on one John Hughes film as he’s one of my favourite directors of all time, but I chose Breakfast Club because it’s the ultimate classic coming-of-age story, and it’s all set in just one location. It’s clever in that there doesn’t have to be lots of action to make it good, all it does is introduce a bunch of teenage stereotypes and take away the shields that they have put on and learn to no longer be prejudice of one another. Eighties is also my favourite era of films and this is just a perfect mixture of comedy and drama. The acting is great and I give applause to especially Judd Nelson and Anthony Michael-Hall for their delivery and their facial expressions.

Special mentions of other John Hughes films he has written/directed that I ADORE: Pretty in Pink (Andrew McCarthy and James Spader yum), Sixteen Candles (hilarious), Uncle Buck (the best family film ever), Planes, Trains and Automobiles and Some Kind of Wonderful <3

Heathers (1988)

Christian Slater and Winona Ryder are the best duo in this film and it is another eighties classic. I related to both these characters and I can never get enough of this film. I have probably seen it twenty times or more and still not fed up with watching it. The dark comedy and the gritty and foul dialogue are iconic in this flick, and I take my hat off to the brilliant Heathers (Kim Walker - may she RIP, Shannen Doherty, Lisanne Falk) for playing such clever and awful characters. I was obsessed at one point with Slater because of his role as J.D and honestly his death at the end of the film is a powerful as fuck ending. The cinematography of the ending makes the film for sure, the angle, the chosen shots I just Ugh. Fabulous.

The Help (2011)

This film. I don’t know it’s just brilliantly done and the acting is perfection. Emma Stone, Viola Davis, Octavia Spencer, Jessica Chastain and Dallas Bryce-Howard are fantastic in their roles and this film explores such a crucial time period that I think is illustrated well. These women while fictional, feel so real and the struggle of black maids (black people in general really but this is specific to the women) is real. I cannot help but cry everytime at the ending, and the way that Aibilene stands up for herself, I never get tired of. It is easy to watch as it’s not painful like 12 Years A Slave, but it still epitomises the segregation that was so prominent in the sixties in southern US very well. I find comfort in how delightful the characters are and still manages to be funny despite the story being focused on such a sensitive subject.

The Shawshank Redemption (1994)

Shawshank, well we all know this film. It has been parodied and quoted so many bloody times, but yet I am cliche in love with it and I cannot fault a single thing about it. Tim Robbins is an underrated as fuck actor and he should be appreciated so much more for his stellar performance as Andy Dufrense. He is the epitome of the straight and narrow man who, really, is not a bad guy at all. In fact, he’s always tried to be the opposite. You symphathise with him throughout and you really feel his struggle, but also his perfect ability to be so human. He makes Red realise he is not as bad as he made himself believe and of course we know how good Morgan Freeman is. Again, this film like Heathers I could watch a million times and never get bored with it. Whether it’s on TV or I find it available online, I always will make time to watch it.

Call Me By Your Name (2017)

I have only recently come across this film about 8 months ago and it’s the kind of film which I can’t help but wonder where it’s been my whole life. I have already watched it probably like 10 times since I found it and I am so happy I did. However, it has led me to form an unhealthy obsession with Timothee Chalamet where he has come up in conversation in real life and I figured the only things I was still an avid fan of was of Supernatural and Red Dwarf, but no this film is just pure delightful dynamite. The cinematography is so elegant and perfect (especially during the dream like sequence when Elio is alone or in the gif above when Elio is watching Oliver). The screenplay brilliantly illustrates how wonderfully amazing but also torturous love can be, and well it is set in the eighties. What more can you love? Timmy and Armie have such good chemistry it’s unreal, and they make their characters so believable. Another film I cannot fault and could watch anytime, even though the ending is heartbreaking af.

Bonus: Bridget Jones’s Diary (2001)

Notting Hill (1999)

About TIme (2013)

There are plenty of other comfort films I adore but it probably depends on my mood. I’m definitely a sucker for romantic comedies and these three are on here as bonuses because they’ve also been very comforting to me over the years. What can I say? Richard Curtis writes some brilliant screenplays and directs some of them too.

[wingsliberty1995]

Streghe.

Streghe (Charmed) è una serie televisiva statunitense di genere fantasy, andata in onda tra la fine degli anni novanta e la prima metà degli anni 2000. Più precisamente è stata trasmessa negli Stati Uniti dal 1998 al 2006 sul canale The WB, mentre in Italia dal 1999 al 2006 su Rai 2. La serie segue le avventure delle sorelle Halliwell, Prue (Shannen Doherty), Piper (Holly Marie Combs), Phoebe (Alyssa Milano), e Paige (Rose McGowan) che viene introdotta solo a partire dalla quarta stagione. Le vicende narrano dalla loro scoperta di essere streghe moderne alla loro eredità magica verso le nuove generazioni della famiglia. Sono delle streghe particolarmente forti, poiché “predestinate” ad essere le tre più potenti della storia. Ognuna di loro è dotata di poteri magici individuali e risalenti alla Profezia narrata nel "Libro delle Ombre". L'unione delle loro facoltà costituisce il "Potere del Trio", fonte magica benevola potentissima volta allo scopo di proteggere gli innocenti dal male, dai demoni e dagli stregoni. Considerata una delle serie fantasy più popolari di sempre, è stata trasmessa in ben 55 paesi. Nel 2006, al termine delle otto stagioni complessive, le è stato conferito il premio Academy of Motion Picture Arts and Sciences come serie più longeva della storia con tutte protagoniste femminili. Tra gli altri numerosi riconoscimenti ottenuti vi è anche un BAFTA Awards per l'eccellenza televisiva al noto produttore esecutivo Aaron Spelling. Nel 2010 il quotidiano online The Huffington Post ha inserito Streghe nella top ten delle più grandi serie televisive fantasy di tutti i tempi. È inoltre il quinto telefilm statunitense più visto nel ventennio 1991-2011 in Italia.

Oggi parliamo di un altra serie tv che mi piace molto, una serie tv che trasmettevano su rai due parliamo di Streghe quando ero piccola amavo questa serie e devo dire che se capita qualche video lo guardo, mi e piaciuto fin dal inizio e una serie che parla non solo dei loro poteri tra cui ci sono anche creature fantasy, ci sono anche gli angeli e i demoni e una serie che e fatta molto bene, non solo per le attrici che sono per me davvero brave ma anche la storia e i vari personaggi, parliamo di ragazze che hanno dei poteri ma che cercano anche di vivere una vita felice anche se non e facile, ci sono molti nemici e vari problemi come la vita. Purtroppo non la fanno più perchè e una serie decisamente vecchia la trasmettevano quando ero piccola, hanno fatto una specie di Rebort delle streghe ma non mi e piaciuto non mi prende come la serie originale diciamo che non gli fa giustizia ecco, streghe ha otto stagioni e non diventa mai noioso ogni stagione c'è un nemico, loro crescono e iniziano le storie d'amore, i problemi aumentano ma ci sono anche momenti di pace, devo dire che ho pianto alcune volte per alcune puntate perchè sono davvero tristi specialmente quando va via un personaggio che mi piaceva molto, ma ci sono anche momenti che ti fanno ridere perchè non parliamo di una serie troppo seria, la sigla e bellissima l'adoro la canzono e davvero bella. Parlando di personaggi preferiti devo dire che tutte le sorelle Halliwel mi piacciono tutte non c'è una preferita e diciamo che mi rivedo in ognuna di loro, adoro il loro rapporto, mi piace anche Leo e un personaggio dolcissimo che adoro e mi piace anche la trasformazione del suo personaggio, mi piace molto anche Cole anche se e cattivo ma adoro l'attore che fa Cole non solo perchè e bellissimo ma e davvero bravo, diciamo il fascino del cattivo ecco che ti attira sempre invece parlando di Coppie mi piacciono due coppie Piper con Leo la coppia dolce che ti fa sognare ma che ha anche dei problemi come ogni coppia e devo dire che l'ho adorata fin dal primo personaggio e la coppia formata da Cole e Phiebe cavolo so che e una coppia un po tossica ma una strega che si innamora di un demone e tra loro nasce l'amore e cosi bello, diciamo che con Cole cerca anche di migliore per lei ed e bellissimo poi la chimica tra loro due secondo me era perfetta quindi mi piace molto.Il finale devo dire che e stato dolce e amore diciamo mi e piaciuto ma mi e dispiaciuto che e finito tutto quanto. Tra le varie cose che sono uscite volevo il libro delle ombre e bellissimo ma un giorno ho visto online se potevo prenderlo e costa un botto quindi ho lasciato stare, per fortuna in un blog delle ragazze hanno messo tutte le formule e le informazioni dei personaggi quindi diciamo che mi sono creata il libro delle ombre a casa non e come l'originale ma posso dire di averlo XD. Infine se vi piace il genere streghe dove non parla solo di loro ma anche di altre creature e un pizzico di storie romantiche vi consiglio di guardarlo, potete trovare le puntante in qualche sito streaming sicuramente ci sono.

[wp-yahoo-style-1042-yahoopa-blog]

The history of the prom dress

How the prom dress has evolved over the years. (Photo: Everett Collection, Art: Quinn Lemmers)

The prom has endured as a meaningful teenhood tradition for decades: It’s a hotly anticipated toast to high school, playing a pivotal part of basically any teen flick worth its salt (not to mention how pivotal it can be IRL too).

But the true roots of prom — short for “promenade” — are as a rite of passage, debuting at Northeast colleges such as Harvard University and Amherst College in the mid- to late 19th century, as relatively simple farewell dances for graduating classes. The practice skewed younger in the decade that followed, emerging as a teen tradition at high schools by the 1940s. Proms are held at some Canadian high schools, and they have also caught on to a lesser extent — and with a younger demographic — in the past decade or so in the U.K., although it hasn’t expanded much farther globally.

Proms are just one type of coming-of-age ceremony, along with quinceañeras, bar/bat mitzvahs, Catholic communions and confirmations, debutante balls, and weddings. All these rites of passage, and the carefully chosen clothes that are worn on these special occasions, have stuck around. But the prom dress differs from most rite-of-passage fashion traditions: It’s nonsecular, and not tied to any particular ethnicity, and, thus, it’s more universal.

It’s also the rare coming-of-age garment that can, and often does, telegraph a teen girl’s burgeoning sexuality, as sociologist Amy Best explores in her 2000 book, Prom Night: Youth, Schools, and Popular Culture.  “The prom dress is critically important to this invention of a sexual self,” Best writes, detailing how she overheard some of the girls she interviewed describing their fathers’ “utter discomfort” upon seeing their risqué getups for the big night, which provide proof “that the girls had succeeded in transforming themselves.”

1942: High school seniors at their prom in Greenbelt, Md. (Photo: Getty Images)

Granted, the prom dress wasn’t very sexy at its midcentury inception. Prim and ultrafeminine was the M.O. instead. In the 1940s, prom dress silhouettes were often cut slim and close to the body. This wasn’t done for the sake of a sexier, more body-con dress: It was due to WWII fabric rations. These frocks had higher necklines and covered shoulders (often with some pouffy volume at the shoulders), with floor-grazing hemlines, often fabricated from heavy materials like velvet and taffeta.

1954: Prom in Cloyne, Canada (Photo: Wikicommons)

Ultrafeminine, waist-whittling tea-length dresses dominated the fashion vernacular in a big way in the 1950s, and it was the preferred shape for promgoers during that midcentury period too. The style includes fitted waists, full skirts, and calf-grazing hems, falling 3 to 4 inches below the knees. (Interestingly, the term “tea length” actually dates back to the dresses women wore when having teas circa the 1920s.) Some styles even were bedecked with frilly ruffles. Necklines were less demure than in previous decades, for the most part, and strapless styles were also common.

1960s: Students dancing at the Mariemont High School prom in Cincinnati. (Photo: Getty Images)

The early ‘60s brought about a return to closer-cut skirting that had been de rigueur two decades earlier, but purely for aesthetic reasons — not as a cost-cutting measure. Slimmer skirts were paired with higher waistlines, making for more of a baby-doll silhouette. Pastel palettes with Easter egg-worthy hues were popular, and dresses moved toward spaghetti-strap and boatneck shapes up top. Later in the decade, empire waist shapes rose to prominence, paired with a range of necklines, like sleeveless boatneck styles and square-neck short-sleeved iterations. And throughout the ‘60s, ultra-voluminous coifs were the norm.

However, proms fell out of favor to an extent as the decade wound down, thanks to shifting cultural attitudes based on political events and attitudes of the time: “The prom’s popularity waned in the late ‘60s and early ‘70s,” Best writes in Prom Night. “With countercultural movements, antiwar protests, and an antiestablishment stance, many ‘irreverent’ youth brought proms to a halt.”

1975: Susan Ford and her date, William Pifer, dance during the 1975 Holton Arms School Senior Prom, held in the East Room of the White House. (Photo: Getty Images)

In the 1970s, many prom dresses, reflecting the wider dress trends of the era, became roomier in cut, often without any definition at the waist whatsoever. Unlike the strapless, snug bodices or sleeveless styles that were dominant in previous decades of prom dressing, these frocks tended to have off-the-shoulder, possibly lace-trimmed necklines or long sleeves that were often sheer or billowy.

On the silver screen, Carrie depicted a considerably less dowdy take on the trend: a clean-lined strappy gown with a fluid skirt. Another iconic ‘70s prom dress was worn at the first, and only, prom to be held at the White House: Susan Ford, daughter of President Ford, donned a flowy, salmon-hued jersey gown designed by Albert Capraro, a former assistant to Oscar de la Renta. The frock was trimmed with a few buttons, plus a massive orchid corsage (as her classmates had).

1976: Carrie White, played by Sissy Spacek, is unexpectedly elected prom queen in Brian De Palma’s horror film Carrie. (Photo: Getty Images)

A major prom milestone of the ‘70s was the founding of Jessica McClintock: The brand, created by a former schoolteacher with no formal design training, went on to become synonymous with prom dressing in the ‘80s and ‘90s, and also did big business with bridesmaid gowns and other formalwear during those decades. While the designer herself retired in 2014, and her namesake stores were shuttered around the same time, the label still has licensing deals for some products, such as fragrances.

1986: Jon Cryer and Molly Ringwald in the film Pretty in Pink. (Photo: Everett Collection)

The maximalism of all things ‘80s certainly didn’t spare the prom dress category. The extravagant excess of the era translated to ultra-pouffy details like oversize bows or ruffles and flashy metallic materials. Tresses were teased and/or crimped, and the makeup of the era tended to be equally as over the top: heavily pigmented lids, copious amounts of self-tanner, and bold lips.

But the most memorable ‘80s prom dresses were certainly in the multiplex, as the teen-movie genre really solidified and took off in the decade, thanks in no small part to John Hughes’s iconic flicks. Take, for example, the pale pink dress — a thrift-store hand-me-down that gets some considerable revamping — worn by Andie (Molly Ringwald) in the seminal 1986 teen classic Pretty in Pink.

1990s: Jennie Garth and Shannen Doherty in Beverly Hills 90210. (Photo: Fox)

In the early part of the ‘90s, prom frocks looked quite similar to those of the ‘80s in terms of having lots of pouf and ample metallic hues. Sweetheart necklines became quite popular for promgoers (and for fancy occasions in general), and while form-fitting bodices endured, the silhouette shifted slightly, with waistlines hitting closer to the hips.

Shorter hemlines with dramatic necklines were common too, among prom-worthy minidresses of the early ‘90s. To wit: the identical black tube dresses with massive, white bow-adorned off-the-shoulder necklines worn by both Brenda Walsh (Shannen Doherty) and Kelly Taylor (Jennie Garth) on an episode of Beverly Hills 90210 in 1993. The style was so iconic, it inspired a runway look nearly a decade later, when designer Isaac Mizrahi trotted out a similar frock in his resort 2011 collection.

1999: Julia Stiles and Heath Ledger in 10 Things I Hate About You. (Photo: Everett Collection)

Later in the decade, slinky, spaghetti-strap slip dress or sheath styles reigned supreme. Recalling the iconic and ill-fated style that Sissy Spacek wore (and got drenched in pig blood) in Carrie, two decades before. These styles represented a trickle-down from what was seen on the runway during the era, most memorably in Calvin Klein collections circa the ‘90s. Two epic teen flicks that debuted on the silver screen in 1999 showcased the style: Kat Stratford (Julia Stiles) in a deep purple gown with a lavender shawl in 10 Things I Hate About You, and Laney Boggs (Rachael Leigh Cook) in her post-makeover prom reveal, replete with a sparkly, skinny-strapped LBD.

1999: Rachael Leigh Cook in She’s All That. (Photo: Everett Collection)

Other popular silhouettes of the ‘90s included skinny-strapped halter styles, which flaunted ample shoulder and back. As for length, a mix of floor-grazing gowns and minidresses ruled late ‘90s prom dance floors.

Rachel Bilson and Mischa Barton in The O.C. (Photo: Fox)

The new millennium brought about a mishmash of prom trends (spurred by the era’s prevailing fashion trends). Think: bubble-hemmed looks, like a wildly unrealistic, straight-off-the-runway Chanel frock worn by Marissa Cooper (Mischa Barton) to the prom on The O.C. in 2006. Strapless gowns with lots of shirred detailing were, and continue to be, popular, often sporting some level of sparkly embellishments and resembling colorful, slightly less voluminous iterations of wedding dresses. Sweetheart necklines, one-shouldered styles, and halter-style necklines were also popular.

Prom dress styles have certainly evolved — and gotten more scintillating — in the past two decades, becoming a more controversial topic in the process. Some schools have enforced restrictive and often sexist dress codes, which tend to predominantly control what girls can and can’t wear to the big event. By the 2010s, risqué prom dresses entered the picture, such as ones sporting dramatic cutouts, which tend to resemble the most revealing of Miss Universe getups or professional dance competition looks.

Social media and the evolution of celebrity red carpet style are largely responsible for these saucier prom looks, which include midriff-flaunting two-piece sets, ultrahigh slits, and sheer overlays on supershort minidresses (the latter lends a sense of modesty to a short, potentially controversial silhouette).

As for prom dresses of the 2020s and beyond, perhaps they’ll stay consistent with the styles dominating dance floors currently. Or the ’20s may usher in an entirely new era of prom frocks, continuing the decades-long tradition of getting gussied up for one last, festive hurrah of the all-important teen years.

Read more from Yahoo Lifestyle:

• This teen wore a Michelle Obama suit jacket to prom to honor the ‘strong black women’ who raised him  • This gay couple is fighting for their right to be their high school’s prom king and king  • This teen is going viral for DIY’ing a $4 thrift-store dress into her ‘dream prom dress’

Follow us on Instagram, Facebook, and Twitter for nonstop inspiration delivered fresh to your feed, every day.

[wdonnait]

Shannen Doherty biografia: la carriera ed il cancro

Nuovo post pubblicato su https://www.wdonna.it/shannen-doherty-biografia-la-carriera-ed-il-cancro/110371?utm_source=TR&utm_medium=Tumblr&utm_campaign=110371

Shannen Doherty biografia: la carriera ed il cancro

Shannen Doherty è una delle attrici più amate in assoluto.

Nell’ultimo periodo purtroppo, la donna sta fronteggiandola dura battaglia contro il tumore al seno. Le condizioni sembrerebbero non migliorare affatto.

Il cancro è arrivato al quarto stadio e Shannen lo ha voluto annunciare pubblicamente. Intervistata dal magazine Elle, l’ex Brenda di Beverly Hills ha dichiarato che presto girerà dei videomessaggi per i suoi cari. Questi ultimi, potranno rivederli tutte le volte che vorranno ricordarla, quando lei ormai sarà morta.

Delle parole che non passano di certo innosservate. Inoltre, ha spiegato che le risulta difficile fare chiarezza sulla sua esistenza, in quanto non sa quanto potrebbe ancora vivere.

Nonostante tutto, la bella Shannen non si arrende ma si rende conto che c’è bisogno di davvero tanta forza. Ecco alcune dichiarazioni in merito:

“Ho provato a fare tesoro di tutti quei piccoli momenti che generalmente le persone non vedono o danno per scontati. Le piccole cose sono magnifiche. Abbiamo un pozzo infinito dentro di noi e si tratta solo di continuare a scavare per trovare la forza per affrontare le difficoltà e in modo da poter vedere tutta la bellezza”.

Shannen Doherty età

La bella attrice statunitense ha 49 anni ed è nata a Memphis il 12 aprile del 1971.

E’ diventata nota al pubblico sin dai primi anni ’80, prendendo parte ad una serie di film e serie tv. Tuttavia, ciò che l’ha portata verso il successo vero e proprio è stato il ruolo di Brenda Walsh in Beverly Hills 90210, la famosa serie televisiva andata in onda dal 1990 al 2000.

Non molto dopo, si fece conoscere anche per il ruolo di Prue Halliwell nella serie televisiva Streghe.

Shannen Doherty vita privata

La Doherty ha alle spalle sentimentale abbastanza movimentata.

Infatti, nel 1993 ha sposato Ashley Hamilton ma il loro fu un matrimonio lampo, durato soli sei mesi. Diversi anni dopo, (e più precisamente nel 2002) Shannen è convolata a nozze con Rick Salomon, ma anche in questo caso, si trattò di un amore che finì nel giro di un anno.

L’ultimo matrimonio risale al 2011, anno in cui l’attrice si è sposata a Los Angeles, con il fotografo Kurt Iswarienko.

Shannen non ha figli anche se le sarebbe piaciuto molto: l’impedimento vero e proprio sembrerebbe essere stato la malattia. A tal proposito, ha dichiarato: “Ho sempre voluto dei bambini. Ma non vorrei che fra 10 anni debbano seppellire la madre”.

Shannen filmografia

La vita di Shannen Doherty è ricca di esperienze, sia a livello cinematografico che televisivo.

Con più di 30 anni di carriera alle spalle, la Doherty si può definire una delle attrici più famose del mondo hollywoodiano. A seguire potete trovare gran parte dei suoi film (cinema e poi tv, dagli anni ’80 ad oggi).

Night Shift – Turno di notte (Night Shift), con la regia di Ron Howard (nel 1982)

Voglia di ballare (Girls Just Want to Have Fun), regia di Alan Metter (nel 1985)

Schegge di follia (Heathers), con la regia di Michael Lehmann (nel 1988)

Morte apparente (Almost Dead), regia di Ruben Preuss (nel 1994)

Generazione X (Mallrats), con la regia di Kevin Smith (nel 1995)

Ectasy Generation (Nowhere), regia di Gregg Araki (nel 1997)

Scatti pericolosi (Striking Poses), regia di Gail Harvey (nel 1999)

The Rendering, regia di Peter Svatek (nel 2002)

Domino, regia di Tony Scott (nel 2005)

Burning Palms, regia di Christopher Landon (nel 2009)

Bukowski, con la regia di James Franco (nel 2014)

Undateable John, con la regia di Demian Lichtenstein (nel 2014)

Back in the Day, con la regia di Paul Borghese (nel 2014)

Shannen Doherty anni ‘80

I ragazzi di padre Murphy (Father Murphy) – serie TV, episodi 1×05-1×06 (nel 1981)

La Fenice (The Phoenix) – serie TV, per l’episodio 1×02 (nel 1982)

Viaggiatori del tempo (Voyagers!) – serie TV, per l’episodio 1×04 (nel 1982)

La casa nella prateria (Little House on the Prairie) – serie TV, in 18 episodi (dal 1982 al 1983)

Magnum, P.I. (Magnum, P.I.) – serie TV, per l’episodio 4×08 (nel 1983)

La casa nella prateria – Ricordando il passato, con la regia di Victor French – film TV (1983)

La casa nella prateria – L’ultimo addio (Little House: The Last Farewell), regia di Michael Landon – film TV (1984)

Still the Beaver – serie TV, per l’episodio 1×15 (nel 1985)

The Other Lover, con la regia di Robert Ellis Miller – film TV (nel 1985)

Autostop per il cielo (Highway to Heaven) – serie TV, episodio 2×09 (nel 1985)

Fuorilegge (Outlaws) – serie TV, per l’episodio 1×01 (nel 1986)

Vita col nonno (Our House) – serie TV, in ben 46 episodi (dal 1986 al 1988)

21 Jump Street – serie TV, per l’episodio 4×12 (nel 1989)

Anni ‘90

Una famiglia come tante (Life Goes On) – serie TV, per l’episodio 1×12 (nel 1990)

Beverly Hills 90210 (Beverly Hills, 90210) – serie TV, in 111 episodi (dal 1990 al 1994)

Forever Young, regia di Harry C. Hunter – film TV (nel 1991)

Ossessione d’amore (Obsessed), con la regia di Jonathan Sanger – film TV (nel 1992)

The Secret of Lost Creek – serie TV, in 15 episodi (nel 1992)

Parker Lewis (Parker Lewis Can’t Lose) – serie TV, per l’episodio 2×22 (nel 1992)

Miss video, un’inviata al College (Freeze Frame), con la regia di William Bindley – film TV (nel 1992)

Rebel Highway, con la regia di William Friedkin – film TV (nel 1994)

L’amore travolgente di Margaret Mitchell (A Burning Passion: The Margaret Mitchell Story), con la regia di Larry Peerce – film TV (1994)

Sospettati di omicidio (Gone in the Night), regia di Bill L. Norton – miniserie TV (1996)

L’amica del cuore (Friends ‘Til the End), regia di Jack Bender – film TV (1997)

L’uomo sbagliato (Sleeping with the Devil), regia di William A. Graham – film TV (1997)

Shannen Doherty anni ‘2000

Streghe (Charmed) – serie TV, 66 episodi (dal 1998 al 2001)

Another Day, regia di Jeffrey Reiner – film TV (2001)

Qualcuno nella notte (Nightlight), con la regia di Louis Bélanger – film TV (nel 2003)

North Shore – serie TV, 11 episodi (dal 2004 al 2005)

S.O.S. – La natura si scatena (Category 7: The End of the World), regia di Dick Lowry – miniserie TV (nel 2005)

Un Natale a sorpresa (Christmas Caper), regia di David Winkler – film TV (nel 2007)

The Lost Treasure of the Grand Canyon, regia di Farhad Mann – film TV (nel 2008)

90210 – serie TV, 7 episodi (dal 2008 al 2009)

Growing the Big One, regia di Mark Griffiths – film TV (2010)

The New Normal – serie TV, per l’episodio 1×10 (nel 2012)

Un desiderio per Natale (All I Want for Christmas) – film TV (nel 2014)

No One Would Tell – film TV (nel 2018)

Riverdale – serie TV, nell’episodio 4×01 (nel 2019)