#1994 acting career

[shannendoherty-fans]

Katherine Roshak, a psychologist professor who specialises in research about twins, is haunted by her dead mother's ghost.

This film was aired on March 21, 1994.

Director: Ruben Preuss Writers: Miguel Tejada-Flores, William Valtos Stars: Shannen Doherty, Costas Mandylor, John Diehl

[cloveroctobers]

JAMES EARL JONES

James Earl Jones was an American actor known for his iconic voice acting roles and for his work in theater. Over his career, he received three Tony Awards, two Emmy Awards, and a Grammy Award. Born in Arkabutla, Mississippi in 1931, he had a stutter since childhood. Jones said that poetry and acting helped him overcome the challenges of his disability. A pre-med major in college, he served in the United States Army during the Korean War before pursuing a career in acting. Jones made his film debut in Stanley Kubrick's Dr. Strangelove (1964). He received a Golden Globe Award nomination for Claudine (1974). Jones gained international fame for his voice role as Darth Vader in the Star Wars franchise, beginning with the original 1977 film. Jones' other notable roles include in Conan the Barbarian (1982), Matewan (1987), Coming to America (1988), Field of Dreams (1989), The Hunt for Red October (1990), The Sandlot (1993), and The Lion King (1994). Jones reprised his roles in Star Wars media, The Lion King (2019), and Coming 2 America (2021).

He was described as "one of America's most distinguished and versatile" actors for his performances on stage and screen, and "one of the greatest actors in American history.”

( January 17th, 1931 — September 9th, 2024)

Rest well.

[olee]

Mil Horas | Enzo Vogrincic

*for the request of enzo :)

English and Spanish

It has been a challenging experience for you to witness the effects of your boyfriend's acting career on his mental and physical health. Your boyfriend, Enzo, recently secured a role in the movie "Society of the Snow," to be honest, this was a big deal for him. This was his first acting gig in a movie, and it was directed by a renowned film director, J.A. Bayona.

The movie's plot is set around a group of people surviving in the Andes mountains, and it follows a gripping storyline that keeps Enzo on his toes. He had to narrate some scenes and play a significant role in the film, which was exciting and nerve-wracking.

However, as the filming progressed, Enzo began to feel mentally and physically drained. He had to work long hours, often late at night, and the pressure to perform well was overwhelming. He struggled to balance his regular life with his filming schedule, and this took a toll on his mental and physical health.

You have been a supportive partner, trying your best to help Enzo cope with the demands of his acting career. You hope he can overcome these challenges and emerge victorious, as this is a significant milestone in his career.

Enzo, the lead actor in the upcoming film, had to drastically change his lifestyle to meet the demands of his character. He was required to follow a strict diet plan, but his dedication to his role led him to take extreme measures. He skipped meals and pushed himself beyond his limits as if he were truly surviving in the wild. As his loved one, you were understandably concerned about his health and well-being. You even spoke to the film's director, Bayona, about Enzo's condition.

One day, Enzo called you on WhatsApp, looking pale and exhausted. He had just finished filming a scene in Barcelona and was feeling weak. You answered his call and asked how he was doing, but before he could respond, you interrupted him and urged him to take care of himself, "Enzo, por favor, necesito que me escuches. Te lo he dicho millones de veces y nunca me das bola. Por favor, cuídate, me tenés preocupada. Necesito que sigas la dieta, si no vas a tener una reacción fea." You reminded him repeatedly to follow his diet plan and emphasized that he did not have to take the role so seriously. You assured him that his health was more important than anything else, and advised him to take some time to relax and meditate.

He sat there at the open-air café, his complexion drained and expression distant, sipping on a cup of coffee. With a reassuring tone, he said, "My love, don't worry about me. I'm perfectly fine. Take a look, just enjoying a peaceful moment with a cup of coffee here, and I wanted to see you. Honestly, Barcelona is treating me well, but I miss you so much, and I really need you here." Unsure how to respond, tears welled up, and you confessed, "Enzo, I miss you too!"

Enzo, noticing your tears, adopted a more comforting tone. "I don't want you to cry. I'm fine. Barcelona is challenging, but I know we'll be together again soon. I miss your hugs, your laughter, everything."

As you spoke, the conversation became tinged with nostalgia. Enzo shared details of his days in Barcelona, enthusiastically describing places and situations. "I swear, I even miss your scoldings here. No one cares for me like you do, and that's what I'm missing."

Amidst sips of coffee, you discussed plans for the future, dreaming of the moment when you would be face-to-face again. "We'll be together again soon. Don’t worry."

The background music caught your attention as he showed you through his camera the charming street in Barcelona where he was seated. To your surprise, it was your favorite song, "Mil Horas" by Los Abuelos De La Nada. A smile spread across your face as you recognized the familiar tune.

Funnily enough, Enzo, caught up in the moment, started singing the song, “Tengo un cohete en el pantalón/Vos estás tan fría/Como la nieve a mi alrededor/Vos estás tan blanca/Que yo no sé qué hacer/La otra noche te esperé bajo la lluvia, dos horas, mil horas, como un perro/Y cuando llegaste, me miraste y me dijiste: ‘loco, estás mojado, ya no te quiero’”His voice, carried by the ambiance of the street, added a touch of spontaneity to the virtual encounter. Without a second thought, you joined in, singing along with him. The distance between you seemed to fade away as the shared love for the song created a delightful connection across the miles.

[mrs-stans]

Sebastian Stan

Words Natty Kasambala

Beloved for Captain America, I, Tonya, and his recent Emmy-nominated role in Pam & Tommy, Stan reflects on a career shaped by diverse characters. Now, with A Different Man and The Apprentice, he’s exploring deep questions about identity, ambition, and the complexities of portraying one of America’s most influential (and controversial) men, Donald Trump

Sebastian Stan wears Rag & Bone throughout. Photography Jim Goldberg

The first time Sebastian Stan tried acting, he hated it. At 9 or 10 years old, he played a Romanian orphan in an Austrian film called 71 Fragments of a Chronology of Chance (1994). Between the waiting around, night shoots, and general pressure-cooker energy, the whole experience had been pretty anxiety-inducing. “I think the idea of a set was just really terrifying,” he recalls. The 42-year-old mainstay admits to being a Leo, but a rather reluctant one, he says, not that extroverted or hypersocial. “I know my mom always thought I was creative simply because I would impersonate the people in our family, or birds or whatever I would see around me.” Nowadays, when he does speak, it’s with the compelling ease of someone who’s spent equal time commanding impressive rooms and in their own head trying to crack the great questions of the world – sounding off passionately about the perils of social media (“there’s so much noise in today’s world”) or the last incredible film he watched (Sing Sing and it was “pure heart”).

Born in Romania and raised in Vienna until he was 12, it wasn’t until immigrating to America as a preteen that Stan found his way back to the craft at all. Attending Stagedoor Manor summer camp aged 15, in the Catskill mountains of upstate New York, his spark was reignited. “That place was really magical and made me fall in love with (acting again); I couldn’t think of anything else as exciting to me as performing was,” he says. “Some of it was about not ever being sure of what to be when I grew up. I kept thinking that you could be a lot of things if you did this.”

So far, he’s been a wayward socialite, a cannibal, a space surgeon, a ski patrol villain, a heavy metal drummer, a supernatural student and a World War II veteran turned brainwashed Soviet operative, to n ame but a few. He’s not an actor you’ll find in the same role twice. With that said, his name has reached household status through a decade-long Marvel stint, with the two films Stan finds himself at the helm of this year being his most ambitious forays yet. 33 years on from his awkward beginning, the actor’s commitment to film appears to still be very much in bloom. “I think I’m at a point in my life where I’m trying to understand things on a deeper level,” he explains. “I can’t say I know everything, you’re always growing, always having to explore. I think it’s important to stay curious, to stay in a certain degree of healthy discomfort… I want to be part of important storytelling that’s asking important questions and reflecting our time.”

In A Different Man, an A24 production directed by Aaron Schimberg, Stan takes on the role of an aspiring actor called Edward with neurofibromatosis, a genetic condition that results in the extensive growth of benign tumours. He undergoes a clinical trial that cures him of his physical symptoms, but his new life turns out to be far from what he dreamed for himself. It’s a winding surrealist investigation into the social impacts of disability, alienation, representation and self-image: its gaze is unflinching, its narrative self-referential and its humour pitch-black. Stan has already won the Silver Bear for Best Leading Performance at the Berlin Film Festival for A Different Man.

The second release, The Apprentice, follows a wildly different arc. Directed by Iranian-Danish filmmaker Ali Abbasi, it tracks a young Trump as he falls under the nefarious mentorship of infamous legislator Roy Cohn. Dubbed ‘an American Horror Story’, it’s a sobering yet deeply entertaining snapshot of the making of one of America’s most influential men. Yet even within the dynamic, prescient story, the actor’s take on Trump is subtle and human, and the tone of the film is less moralising and more matter of fact.

Though the narratives of these two projects are starkly different, you can’t help but find the common threads. Both are set in New York and document a transformation, and both centre a feverish pursuit of some ideal imagined self. A Different Man was filmed back in 2022, and The Apprentice only wrapped in February of this year, but Stan agrees it’s a curious double-header. “I’m weirdly finding parallels between them that I never thought I would. Identity, self-truth, self-abandonment. This idea that we’re always chasing in America, whether it’s image or status or an inability to accept failure and to take ownership over mistakes.”

For the Trump film, that real-life denial was almost the ending of their work of fiction. After years of false starts, Trump’s legal team attempted to block the film’s release in the US altogether and they struggled to find a distributor willing to take on the risk of pissing off a potential President. “For to edit it and get it to Cannes in some finished version itself in five months was just insane. There was no idea if the movie was going to come out,” Stan says. On an individual level, the task felt equally murky and intimidating at first. “You’re trying to tell a story about somebody that’s so famous, who everyone has an opinion about: either extreme love and adoration or hate and animosity. And everyone’s got a version of the guy, so you think, well what do I…” he shrugs, “how do I find my way into it?” Ultimately, they landed on this film as a means of peeling back the layers of one of the most polarising figures of our time. It’s less caricature and more character study as it explores his relationship with his father, his ambitions, the man he was before the slogans and affectations.

Executive producer Amy Baer has spoken about the choice to call on a non-American director to provide a new lens on the intricacies of American culture, propaganda and patriotism. With Stan’s own immigrant story, his perspective adds another dimension to that prism too. Memories of walking down Fifth Avenue in awe and wonder as a kid, staring up at all the big buildings – he tapped into a hunger and drive to portray early Trump as a young man desperately trying to be a part of The Club. “I guess with my experience coming to this country, it was communicated to me even from Eastern Europe that this is the place where you can make something of yourself, you can have a good idea… and you could just succeed,” Stan says. The Apprentice asks, “but at what cost? What happens to a person’s humanity?”

Throughout the film, you witness Trump espousing about “bringing back New York”, even remarking on Reagan’s campaign slogan ‘Let’s Make America Great Again’ towards the end, an ideology he would go on to repurpose for his own candidacy. It’s a fascinating yet depressing origin story of a nationalistic rhetoric that echoes today as a Trojan horse for corruption and greed. “It’s complicated. That’s why I think there’s value in exploring it,” Stan urges. “This American Dream idea is a really powerful driving force that also comes with consequences.”

Perhaps the most complex part was the toxic relationship with his sometimes-partner-in-crime played staggeringly by Jeremy Strong. “I think he was the best partner I’ve ever had in anything I’ve worked on,” Stan declares with a smile. “You know when you’re standing in front of a fire and you feel the heat of it and there’s crackling in the air? That’s how it felt.” Amidst quite a gruelling, isolating filming schedule, it’s the aspect Stan speaks about most fondly.

Clothing Fendi, Necklace & Bracelet Cartier, Boots Givenchy

Swinging between dominant and intimate, transactional and paternal, from comical to devastating, both stayed in character throughout the shoot and undertook a colossal amount of research to be prepared for infinite possible improvised routes. “Creatively, makes things interesting is when you’re not in control. You do all this preparation to be prepared to be surprised,” Stan says. Shot documentary-style in moments, Abbasi might give each of them notes in private to shift the tone of a scene, and they’d find themselves responding instinctively within their roles. “The only way you can achieve that is if, to some degree, you find that person in you. And I can certainly tell you,” he pauses briefly to consider his landing. “There is a version of Trump that existed in me. And I’ll make the argument that there’s a version of Trump that exists in all of us. And that part of our job, part of our interest, should be figuring out what that is. I think we have to acknowledge and expose the things in us that are not so easy to admit, in order to further protect the things we need to fight for. You can’t ignore it.”

In that moment, it’s clear that it’s an argument as true of our discourse on Trump as it is of Stan’s other role in A Different Man. His character Edward is driven to obsession and madness when he witnesses the thriving life of a person with the same disfigurement he was quick to shed, the very thing he believed to be the root of all his misfortune. Right before his transformation, Edward has been ignoring a leak in his ceiling for weeks, and the damage is getting worse. When he’s finally forced to call for a repair, the super arrives and is appalled at how bad he’s allowed it to get. He tells Edward frustratedly, “you should have fixed this sooner”. In that moment, it feels as though he’s talking about a hundred things at once. From Edward’s own issues with doubt and self-acceptance that cling to him even when he is no longer ‘different’ to our own society’s discomfort with, and the misunderstanding of disability altogether. We cannot be afraid to look.

“Edward makes a decision that he thinks is going to improve his life, but he’s not making it for himself. He’s making it because he’s watched other people and he’s grown up in a society that’s told him this is what works,” Stan explains. “Essentially, he abandons himself and he spirals down trying to further live with that painful acknowledgement. I think we have to be conscious of when we’re making decisions that go against who we are and what we truly want.”

In true indie style, squeezing in around the schedule of their makeup artist who was on another project at the same time, Stan had some hours to kill most mornings in prosthetics before filming which he’d spend navigating the city he calls home: “one of the gifts that I was given which I’m very grateful for was the experience that I had walking around New York City as Edward.” With reactions to him ranging from invisibility to hypervisibility, it shifted his entire understanding.

“I’ve been there like everybody else thinking, oh, if I had that. Or you see someone on Instagram and you’re like, oh my God, look at that life, they have the best life; you get caught up in these things.” It’s both reassuring and a little disheartening that, unlike his superhuman alter ego, a star like Stan is still not immune to the very human insecurities us civilians face of joy-stealing comparisons. “There’s this idea I’ve been thinking about a lot with my therapist actually,” he laughs. “He was saying ‘I am me and you are you.’ I was like… yeah! But you forget. We have to understand our own experience and then understand someone else’s. But we have to try to understand it not through our own emotional… vomit.”

When I ask Sebastian what he does for fun, to unbecome his characters and shed their existential weight, he cites reading (mostly non-fiction) and travel (to see other cultures). “I always feel like I’m not learning enough,” he laughs. You get the sense that this year is a juncture for Stan, always revered for being grounded and likeable, but perhaps waiting for opportunities like these to enrich and express other sides of himself as an actor and voice within culture. “Both of these films came at an interesting time where I’m thinking about if I’m at mid-life, this second half of my life. What is it that I want to be a part of and one day look back and be proud of?”

And that’s not to say fun is off the table for Stan. He’s passionate about laughter as a release in a difficult world. “I think it’s just as important, we have to protect humour,” he tells me with an urgency. “I love comedies, romantic comedies, action.” In fact, there’s a top-secret action movie passion project that he has in the works and hopes will come together in the right way. “There are also things in Marvel I want to do and explore with ol’ Bucky Barnes,” he smiles, presumably in reference to the new Marvel film Thunderbolts, slated for a 2025 release, in which he stars alongside Florence Pugh, Harrison Ford and David Harbour. “Otherwise I just want to keep learning how to be a human being. I’m telling you,” he laughs, “I feel like it’s pretty hard.”

Photography Jim Goldberg Styling Reuben Esser Production Hyperion LA Hair Jamie Taylor using Augustinus Bader Hair Erica Adams Represented by A-Frame Agency

[aloneandforsakenbyfateandbyman]

When 28-year old B-movie star and photojournalist Sean Flynn disappeared on April 6, 1970, his mother left his apartment untouched for over 20 years in hopes her son would someday return.

He was the son of Errol Flynn and the French actress Lili Damita, yet unlike his father, he was less of a hellraiser and more soft-spoken and introverted, but had an obsession with danger and thrill-seeking just the same.

Sean’s Parisian apartment on the Champs Élysées was sealed by his mother to preserve his memory and remained a time capsule of the 60s until it was opened up after the death of Lili in 1994.

The walls were plastered with images of counterculture figures such as Jimi Hendrix, Che Guevara, and Ho Chi Minh, pictures of Sean travelling around the world as well as skydiving and hunting, copious amounts of taxidermy, a miniature of the Zaca (his father Errol Flynn’s yacht), expensive camera equipment, books, rolls of undeveloped film, psychedelic-patterned ties, unopened mail, and snappy clothing.

Sun Day magazine described the apartment as a “weird mixture of 60s flower power and very gruesome souvenirs” from his stint as a game hunter in Africa.

After moving to Europe to start an acting career and recording a music album, Sean grew bored and went to Vietnam in 1966 to risk his life by becoming a combat photojournalist. His images were published around the world and he helped save an Australian platoon from being blown up by a mine, as well as numerous other brave acts.

Yet Sean’s bravado would cost him dearly when he and fellow journalist Dana Stone disappeared in 1970 after being kidnapped at a military checkpoint near Phnom Penh, Cambodia, after which they were most likely held captive for years and then killed by the Khmer Rouge in 1973.

His mother Lili Damita spent millions of dollars and the rest of her life desperately searching for her son, but it was of no use. Sean’s tragic fate remains a hazy mystery to this day.

[mydaddywiki]

William Windom

Physique: Husky Build Height: 5'10½" (1.79 m)

William Windom (September 28, 1923 – August 16, 2012; aged 88) was an American actor. He was known as a character actor of the stage and screen. He was perhaps best known for his work on television, including the character of John Monroe on the sitcom My World and Welcome to It; as Commodore Matt Decker, commander of the doomed USS Constellation in the Star Trek episode “The Doomsday Machine” and perhaps the most common recurring character, Dr. Seth Hazlitt, on the CBS series Murder, She Wrote.

Chubby, gray hair, gentle features but with a hint grumpy grandpa added for good measure. And he had a hot, gruff voice that makes me I want to bang his ass all night long. He just looks like he would have been a filthy whore in bed and a talker. I can always get behind a talker in bed.

A man of all mediums, this veteran, Manhattan-born character actor was named after his great-grandfather, Lincolnesque Congressman William Windom. He attended Williams College and the University of Kentucky, among others, before serving in the Army during WWII. After the war, he studied at both Fordham and Columbia universities in New York City before settling on an acting career.

Windom died on August 16, 2012, at age 88 from congestive heart failure. A chess, tennis and sailing enthusiast, he is survived by four children. He was quite a colorful character and apparently loved the ladies, having wed five times. Seems like a man who likes to keep his dick in a hole at all times. I would have happily volunteered to keep his dick well lubricated anytime he needed. He just looks like he would be a filthy whore in bed. He also seems to sweat quite a bit, so the sex would be hot, wet and messy.

RECOMMENDATIONS: Children of the Corn: The Gathering (1996) Murder, She Wrote (1984 TV Series) Miracle on 34th Street (1994) Attack of the 50 Ft. Woman (1993)

[hotvintagepoll]

More propaganda for Deborah Kerr: she was the first person from Scotland to be Oscar nominated for an acting role! Local pride! And she died in Suffolk, not too far from where I grew up, weirdly. Also local pride! I can't believe she never won an Oscar, but she *was* awarded an Academy Honourary Award in 1994 for her "impeccable grace and beauty" and a career that "always stood for perfection, discipline and elegance." She's just luminous, I love her.

Here she is in a publicity shot for Quo Vadis:

As a dodgy nun in Black Narcissus:

A sex symbol in From Here to Eternity:

And being good with animals in The Sundowners:

I also love this look for her in The Prisoner of Zenda:

So many great films! Truly, she has the range!

Anyway, thank you again for running this tournament. 🥰 I can't wait to suffer further in the next round!

Deborah Kerr vs Devika Rani

[blackangelism]

Dear Nobody’s Daughter, to Live Through This, you scrape off your Celebrity Skin; you know full well that you’re Pretty On The Inside...

HOW TO GET INTO HOLE?

• Angel Dust guides: I.

Aimed at @elexnorislingtxn and whomever wants to get into Hole...

HOLE is an American nineties’s kinderwhore band with a turbulent line-up and pure chaotic gold for music yet overshadowed by the controversial image of the lead singer and frontwoman of the band, Courtney Love. A staple in the grunge scene, the critically acclaimed sophomore record Live Through This of 1994 marked a peak in Hole’s career although the band was gaining audience for their 1991 debut: Pretty On The Inside. Celebrity Skin, the 1998 album, proved Hole’s peak which was rightly concluded by 2010’s Nobody’s Daughter thus finishing the legacy of Hole.

...In my very humble opinion, Courtney Love is a cunt. And, I love her music.

DO TRY Hole if you are into: Jack Off Jill, Bratmobile, Nirvana, Babes In Toyland, L7, Veruca Salt, Mommy Long Legs, Bikini Kill, Lunachicks, et cetera. Or, if you’d like to try something dolly and chaotic with an edge of feminism and aggression. I promise, listening to Hole makes you feel like a doll.

DO NOT TRY Hole if you’re a filthy misogynist who can’t stand the fact that the wife of a popular artist does in fact make good music on her own.

Yes, Courtney Love is a cunt, but she makes good music. Seperate the artist from the art.

If you’re still present here, welcome! Now, moving onto the actual guide...

FIRSTLY, I think to decode this, we’d have to learn about the albums individually. Of course, I’m going to leave my recommendation for listening, but to best suit yourself, you can find your own way around with the descriptions I give for each of these albums...

“ PRETTY ON THE INSIDE ”

Slut-kiss girl... PRETTY ON THE INSIDE of 1991 is about beauty, which is the life as a sex-worker about Courtney Love’s time as a sex-worker. It includes Courtney Love on vocals and rhythm guitar, Eric Erlandson on lead guitar, Jill Emery on bass, Caroline Rue on drums, produced by Kim Gordon of Sonic Youth and Don Fleming of Gumball.

tracklist. TEENAGE WHORE, BABYDOLL, GARBADGE MAN, SASSY, GOOD SISTER—BAD SISTER, MRS. JONES, BERRY, LOADED, STARBELLY, PRETTY ON THE INSIDE, CLOUDS.

IF YOU WANT... angry, chaotic, messy and sloppily mixed music that is very heady and makes you feel like a doll, listen to this album first.

Blending elements of punk rock, the album features distorted and alternating guitar compositions, screaming vocals from Love, and “sloppy punk ethics”, a style which the band would later distance themselves from, opting for a less abrasive sound on subsequent releases. Love’s lyrics on the album are often presented in an abstract narrative form, and describe disparate scenes of graphic violence, death, and female sexuality. The record was dedicated to Rob Ritter of the Los Angeles punk rock acts the Bags and The Gun Club. [< source, wikipedia.

If you want a more refined yet more depressed version of this album, migrate to Live Through This after; if you want a more refined and self-assured, slightly sarcastic but honest record after this listen, go to Celebrity Skin.

FUN FACT: the song BABYDOLL is allegedly inspired by Madonna.

“ LIVE THROUGH THIS ”

Miss Worlds... LIVE THROUGH THIS of 1994 is about the changes that come with marriage and motherhood, themes mainly being motherhood, body image, depression, child abuse and elitism. It includes Courtney Love on vocals and rhythm guitar, Eric Erlandson on lead guitar, Kristen Pfaff on bass, Patty Schemel on drums, produced by Paul Q. Kolderie and Sean Slade.

tracklist. VIOLET, MISS WORLD, PLUMP, ASKING FOR IT, JENNIFER’S BODY, DOLL PARTS, CREDIT IN A STRAIGHT WORLD, SOFTER, SOFTEST, SHE WALKS ON ME, I THINK THAT I WOULD DIE, GUTLESS, ROCK STAR.

IF YOU WANT... a tragic and softly edgy listen with a harsh sensibility and pure womanly depression scrawled all over, listen to this album first.

Live Through This marked a departure from the band’s noise rock roots toward a more alternative rock format. Love had sought a more mellow sound for Live Through This. The resulting music was starkly less aggressive than the band's former work, blending more structured melodies and smoother arrangements with heavy guitar riffs. Consequently, this featured a mixture of songwriting techniques, including use of power chords as well as arpeggios, and occasional use of keyboards. [< source, wikipedia.

If you want a tougher, rawer, more journal-entry music than this, migrate to Pretty On The Inside; if you want a more refined and self-assured, slightly sarcastic but honest record after this listen, go to Celebrity Skin.

FUN FACT: Courtney Love’s late husband Kurt Cobain does backing vocals on ASKING FOR IT.

“ CELEBRITY SKIN ”

Petals... CELEBRITY SKIN of 1998 is about the lost people, the more opulent Los Angeles and Californian culture, about the promises and agonies of Southern California; it was aimed to divulge greatly from the grunge sound of before. It includes Courtney Love on vocals and rhythm guitar, Eric Erlandson on lead guitar, Melissa Auf der Maur on bass, Patty Schemel on drums, produced by Michael Beinhorn.

tracklist. CELEBRITY SKIN, AWFUL, HIT SO HARD, MALIBU, REASONS TO BE BEAUTIFUL, DYING, USE ONCE & DESTROY, NORTHERN STAR, BOYS ON THE RADIO, HEAVEN TONIGHT, PLAYING YOUR SONGS, PETALS.

IF YOU WANT... a rock-fueled pop sound with many lyrics that are references and have layered meanings, a comforting almost listen, listen to this album first.

The band sought to use Los Angeles and the state of California as a unifying theme and began writing what they conceived as a “California album” in 1997. Unlike Hole's previous releases, the final songs on Celebrity Skin featured instrumental contributions from several musicians outside the band, primarily Billy Corgan, who co-wrote the musical arrangements on five songs. Auf der Maur's former bandmate Jordon Zadorozny, as well as Go-Go's guitarist Charlotte Caffey, also contributed to the composition of one track. Frontwoman Courtney Love, who wrote all of the lyrics, named the album and its title track after a poem she had written that was influenced by T. S. Eliot's The Waste Land. Motifs of water and drowning are also prominent throughout the album, as well as recurring themes of angels, Heaven and stars. [< source, wikipedia.

If you want a tougher, rawer, more journal-entry music than this, migrate to Pretty On The Inside; if you want a grungier yet more depressed version of this album, migrate to Live Through This after.

FUN FACT: Love clarified that she had derived the album name from a short-lived band in Los Angeles named Celebrity Skin, as well as a bootleg pornographic magazine featuring nude candid photos of celebrities.

“ NOBODY’S DAUGHTER ”

Dirty Girls... NOBODY’S DAUGHTER of 2010 is about the time of rehabilitation that Courtney Love went through after a long cocaine addiction and legal troubles following that, written in rehabilitation; about feeling lost, confused. It was supposed to be a solo album of Love’s, but was made to be Hole’s last album after their 2002 dissolution. It includes Courtney Love on vocals and rhythm guitar, Micko Larkin on lead guitar, Shawn Dailey on bass, Stu Fisher on drums, produced by Michael Beinhorn, Micko Larkin, and Linda Perry.

tracklist. NOBODY’S DAUGHTER, SKINNY LITTLE BITCH, HONEY, PACIFIC COAST HIGHWAY, SAMANTHA, SOMEONE ELSE’S BED, FOR ONCE IN YOUR LIFE, LETTER TO GOD, LOSER DUST, HOW DIRTY GIRLS GET CLEAN, NEVER GO HUNGRY.

I DO NOT RECOMMEND LISTENING TO THIS ALBUM VERY FIRSTLY, but, IF YOU WANT... a polished and the most mainstream-sounding of the four albums, sad, confused, lost record written during rehabilitation, this is your key.

Before the album’s release, former Hole guitarist Eric Erlandson publicly disputed Love’s use of the Hole name, claiming it violated a previous agreement between the two, which Love contested. On its release, Nobody’s Daughter received generally mixed reviews from music critics, with some praising its instrumentation and lyrics, while others criticized it for its folk rock elements as well as production issues and Love’s vocals. Despite this, Love said in 2010 that she considered it the best record she had made. [< source, wikipedia.

If you want a tougher, rawer, more journal-entry music than this, migrate to Pretty On The Inside; if you want a grungier yet more depressed version of this album, migrate to Live Through This after; if you want a similar but more scattered listen, to Celebrity Skin.

FUN FACT: The painting on the cover is of Marie Antoinette and the tracklist page has the edited background of a painting of Anne Boleyn.

MY RECOMMENDED PATHWAYS...

Lastly...

HOLE is a kinderwhore band, which is minutely distinct from riot grrrl. And, Courtney Love has a lot of beef with, to be honest, mostly everyone. So, yeah... For example, Babes In Toyland, a band often mentioned in the same vein as Hole, has their frontwoman, Kat Bjelland, in hatred with Love. I do not recommend looking up to these people as people, but please do try their music.

Die, cry, adore Hole.

FUN FACT: My favourite Hole album is Pretty On The Inside!

Dear Nobody’s Daughter, to Live Through This, you scrape off your Celebrity Skin; you know full well that you’re Pretty On The Inside...

DID YOU GET INTO HOLE?

[jupiitersreturn]

Astrocartography Observations Part Two: Saturn, Uranus, Neptune, Pluto.

(Disclaimer: A lot of Astrologers use different orbs of measurements for Astrocartography. My limit is 200 km because I have seen lines that have influences up to that point, and depending on the planet, sometimes more.)

Planets:

Sun: Fame, Happiness, Vitality, Children.

Moon: Home, Roots, Family, Nostalgia.

Venus: Love, Beauty, Luxury, Desires.

Mercury: Lower Education, Communication, Knowledge, Friendships.

Mars: Passions, Action, Pain, Anger.

Jupiter: Luck, Higher Education, Religion, Beliefs.

Saturn: Karma, Restrictions, Discipline, Commitments, Delays

Uranus: Unpredictability, Innovation, Rebellion, Technology, Humanitarian ideals

Neptune: Illusions, Dreams, Spirituality, Intuition, Fame, Popularity.

Pluto: Destruction, Transformations, Deaths and Rebirths.

Where your Pluto lines are running through are places where you could experience the most profound transformations in your life. Places where you can discover more about yourself thus leading to enlightenment. However, being at these lines does not come without a price. Many fundamental teachings of Pluto will be present here (Death, Rebirth, Destruction, etc.) I'd also like to add that when Pluto takes, it always gives something else in return.

☆ Aaliyah Haughton has her Pluto MC line running through Los Angeles. Robert Sylvester Kelly was her executive producer at the time she released her 1994 debut album "Age Ain't Nothing But A Number". It was then that the rumors began to circulate that 15 year old Aaliyah had married her then 27 year old executive producer who named her album and became the driving influence in her success and her music career. Los Angeles (Hollywood) = Fame, MC = Career, Pluto = Transformations.

☆ Ryan Reynolds has his Pluto AS line running through Brazil where he was almost crushed by a falling barrier during a fan event due to it being overcrowded with people. Interestingly enough, Reynolds has his Mercury MC line (which rules groups of people as well as social events) squaring this line. AS = You, Pluto = Destruction.

☆ Blake Lively has her Pluto IC line running through Los Angeles where she was raised. Blake Lively secure her first real movie role (that just so happened to become a huge hit) after her older brother called a casting director and asked them to hire Lively who had already had a ton of experience with acting, having a talent scout mother and director father. Pluto = Transformations, IC = Family, Home, Roots.

Where your Saturn lines are running through are places where you could experience or be subject to delays and restrictions. I've also noticed that where these lines cross are places where you could make serious commitments and decisions; good or bad.

☆ David Beckham has his Saturn DC line running through Toronto. After injuring his ankle, Beckham made the decision to sit out what according to MLS Soccer, "would've been Beckham's first official league game, shown to a national TV audience on ESPN2 and played in a stadium full of Toronto fans that are already considered the most rabid in the league."

☆ Blake Lively has her Saturn IC line running through South Carolina which is where she married Ryan Reynolds. Saturn = Commitments, IC = Home, Family, Foundations.

☆ Catherine Zeta Jones has her Saturn DC line running through New York which is where she married Michael Douglas. Saturn = Commitment, DC = Partnerships, Relationships.

☆ Selena Quintanilla's Saturn IC line runs through Mexico and she is Mexican. Although she became the biggest Mexican-American music artist in her 20's, when she was younger she had no connection to her Mexican ancestry (IC). She had to learn about her ancestry, AND learn Spanish before she was able to be labeled a Mexican American music artist. (Saturn represents restrictions and delays).

Where your Neptune lines are running through are places where you could experience or be subject to idolization, and extreme popularity or fame. Having it running through the United States can signify global fame.

☆ Gigi Hadid has her Neptune MC line running through Los Angeles where she gained fame from being a model.

☆ Kendall Jenner has her Neptune MC line running through the middle of the United States and she is famous for not only modeling, but being a social media influencer, as well as being a member of one of the most popular families in America; The Kardashian-Jenners.

☆ Ariana Grande has her Neptune MC line running through the United Kingdom which is one of her top countries in terms of popularity.

☆ Elvis Presley has his Neptune MC line running through America. He has a global amount of fame from being a famous musician, with America being his strongest country with the most listeners. Additionally, he also has his Neptune DC line running through London which is his second strongest country in terms of streams and listeners.

☆ Twice's Mina has her Neptune IC running through Japan which is her hometown as well as the location of her biggest fan base.

Where your Uranus lines run through are placed where you could be part of or cause a major change,places where you experience unpredictable and shocking situations. It can also represent places where you can take up Humanitarian beliefs and concepts.

☆ Tom Hanks has his Uranus MC line running through North Carolina. During the pandemic a small bookstore was in danger of shutting down permanently due to the lack of business. After Tom Hanks gave the store a shoutout on "The Late Show" and a million dollar ad was given to the store, business for the bookstore skyrocketed and they were able to stay open at least through the summer.

☆ Ariana Grande has her Uranus MC line to the East of Manchester where there was, sadly, an unexpected fatal incident during one of her concerts. Interestingly enough, she also has her Chiron AC line squaring this line.

☆ Bella Hadid has her Uranus AS line running through India. In 2022 she slammed India for their blatant Islamophobia regarding the hijab row. She went on to say that she stands in solidarity with Muslim women.

[consanguinitatum]

A Fun (David Tennant) Fact of the Day!

...brought to you by A Tennantcy To Act! Did you know two of the people in this screenshot from the first episode of 1994's Takin' Over The Asylum had worked with David before the filming of the series?

Yup!

Matthew Costello - who played Alastair - also graduated from the RSAMD. He had already worked with David twice before Takin' Over The Asylum!

Costello was in two of the four productions David did in 1992 with the 7:84 Scottish People's Theatre: on the left, he's pictured in a publicity still for Jump The Life To Come, (he's at the bottom of the globe), and on the right, with David (he's in the middle) in a scene from Scotland Matters!

The second noted person in the screenshot from Takin' Over The Asylum is Molly Innes.

Innes - who played Margaret - also graduated from the RSAMD! She played alongside David in the Dundee Rep's 1992 production of Tartuffe, where she played the role of Dorine.

She's pictured here next to David in a scene from the play.

Aaaaaaaaand now you know! You like learning new things about David's work and career, right? Well then - go and subscribe to A Tennantcy To Act (it's free!) at:

Hope you enjoyed!

[justforbooks]

James Earl Jones

American actor hailed for his many classical roles whose voice became known to millions as that of Darth Vader in Star Wars

During the run of the 2011 revival of Alfred Uhry’s Driving Miss Daisy in London, with Vanessa Redgrave, the actor James Earl Jones, who has died aged 93, was presented with an honorary Oscar by Ben Kingsley, with a link from the Wyndham’s theatre to the awards ceremony in Hollywood.

Glenn Close in Los Angeles said that Jones represented the “essence of truly great acting” and Kingsley spoke of his imposing physical presence, his 1,000-kilowatt smile, his basso profundo voice and his great stillness. Jones’s voice was known to millions as that of Darth Vader in the original Star Wars film trilogy and Mufasa in the 1994 Disney animation The Lion King, as well as being the signature sound of US TV news (“This is CNN”) for many years.

His status as the leading black actor of his generation was established with the Tony award he won in 1969 for his performance as the boxer Jack Jefferson (a fictional version of Jack Johnson) in Howard Sackler’s The Great White Hope on Broadway, a role he repeated in Martin Ritt’s 1970 film, and which earned him an Oscar nomination.

On screen, Jones – as the fictional Douglass Dilman – played the first African-American president, in Joseph Sargent’s 1972 movie The Man, based on an Irving Wallace novel. His stage career was notable for encompassing great roles in the classical repertoire, such as King Lear, Othello, Hickey in Eugene O’Neill’s The Iceman Cometh and Big Daddy in Tennessee Williams’s Cat on a Hot Tin Roof.

He was born in Arkabutla, Mississippi, the son of Robert Earl Jones, a minor actor, boxer, butler and chauffeur, and his wife Ruth (nee Connolly), a teacher, and was proud of claiming African and Irish ancestry. His father left home soon after he was born, and he was raised on a farm in Jackson, Michigan, by his maternal grandparents, John and Maggie Connolly. He spoke with a stutter, a problem he dealt with at Brown’s school in Brethren, Michigan, by reading poetry aloud.

On graduating from the University of Michigan, he served as a US Army Ranger in the Korean war. He began working as an actor and stage manager at the Ramsdell theatre in Manistee, Michigan, where he played his first Othello in 1955, an indication perhaps of his early power and presence.

The family had moved from the deep south to Michigan to find work, and now Jones went to New York to join his father in the theatre and to study at the American Theatre Wing with Lee Strasberg. He made his Broadway debut at the Cort theatre in 1958 in Dory Schary’s Sunrise at Campobello, a play about Franklin D Roosevelt.

He was soon a cornerstone of Joseph Papp’s New York Shakespeare festival in Central Park, playing Caliban in The Tempest, Macduff in Macbeth and another Othello in the 1964 season. He also established a foothold in films, as Lt Lothar Zogg in Stanley Kubrick’s Dr Strangelove (1963), a cold war satire in which Peter Sellers shone with brilliance in three separate roles.

The Great White Hope came to the Alvin theatre in New York from the Arena Stage in Washington, where Jones first unleashed his shattering, shaven-headed performance – he was described as chuckling like thunder, beating his chest and rolling his eyes – in a production by Edwin Sherin that exposed racism in the fight game at the very time of Muhammad Ali’s suspension from the ring on the grounds of his refusal to sign up for military service in the Vietnam war.

Lorraine Hansberry’s Les Blancs (1970) was a response to Jean Genet’s The Blacks, in which Jones, who remained much more of an off-Broadway fixture than a Broadway star in this period, despite his eminence, played a westernised urban African man returning to his village for his father’s funeral. With Papp’s Public theatre, he featured in an all-black version of The Cherry Orchard in 1972, following with John Steinbeck’s Lennie in Of Mice and Men on Broadway and returning to Central Park as a stately King Lear in 1974.

When he played Paul Robeson on Broadway in the 1977-78 season, there was a kerfuffle over alleged misrepresentations in Robeson’s life, but Jones was supported in a letter to the newspapers signed by Edward Albee, Stephen Sondheim, Arthur Miller, Lillian Hellman and Richard Rodgers. He played his final Othello on Broadway in 1982, partnered by Christopher Plummer as Iago, and appeared in the same year in Master Harold and the Boys by Athol Fugard, a white South African playwright he often championed in New York.

In August Wilson’s Fences (1987), part of that writer’s cycle of the century “black experience” plays, he was described as an erupting volcano as a Pittsburgh garbage collector who had lost his dreams of a football career and was too old to play once the major leagues admitted black players. His character, Troy Maxson, is a classic of the modern repertoire, confined in a world of 1950s racism, and has since been played by Denzel Washington and Lenny Henry.

Jones’s film career was solid if not spectacular. Playing Sheikh Abdul, he joined a roll call of British comedy stars – Terry-Thomas, Irene Handl, Roy Kinnear, Spike Milligan and Peter Ustinov – in Marty Feldman’s The Last Remake of Beau Geste (1977), in stark contrast to his (at first uncredited) Malcolm X in Ali’s own biopic, The Greatest (1977), with a screenplay by Ring Lardner. He also appeared in Peter Masterson’s Convicts (1991), a civil war drama; Jon Amiel’s Sommersby (1993), with Richard Gere and Jodie Foster; and Darrell Roodt’s Cry, the Beloved Country (1995), scripted by Ronald Harwood, in which he played a black South African pastor in conflict with his white landowning neighbour in the 40s.

In all these performances, Jones quietly carried his nation’s history on his shoulders. On stage, this sense could irradiate a performance such as that in his partnership with Leslie Uggams in the 2005 Broadway revival at the Cort of Ernest Thompson’s elegiac On Golden Pond; he and Uggams reinvented the film performances of Henry Fonda and Katharine Hepburn as an old couple in a Maine summer house.

He brought his Broadway Big Daddy in Cat on a Hot Tin Roof to London in 2009, playing an electrifying scene with Adrian Lester as his broken sports star son, Brick, at the Novello theatre. The coarse, cancer-ridden big plantation owner was transformed into a rumbling, bear-like figure with a totally unexpected streak of benignity perhaps not entirely suited to the character. But that old voice still rolled through the stalls like a mellow mist, rich as molasses.

That benign streak paid off handsomely, though, in the London reprise of a deeply sentimental Broadway comedy (and Hollywood movie), Driving Miss Daisy, in which his partnership as a chauffeur to Redgrave (unlikely casting as a wealthy southern US Jewish widow, though she got the scantiness down to a tee) was a delightful two-step around the evolving issues of racial tension between 1948 and 1973.

So deep was this bond with Redgrave that he returned to London for a third time in 2013 to play Benedick to her Beatrice in Mark Rylance’s controversial Old Vic production of Much Ado About Nothing, the middle-aged banter of the romantically at-odds couple transformed into wistful, nostalgia for seniors.

His last appearance on Broadway was in a 2015 revival of DL Coburn’s The Gin Game, opposite Cicely Tyson. He was given a lifetime achievement Tony award in 2017, and the Cort theatre was renamed the James Earl Jones theatre in 2022.

Jones’s first marriage, to Julienne Marie (1968-72), ended in divorce. In 1982 he married Cecilia Hart with whom he had a son, Flynn. She died in 2016. He is survived by Flynn, also an actor, and a brother, Matthew.

🔔 James Earl Jones, actor, born 17 January 1931; died 9 September 2024

Daily inspiration. Discover more photos at Just for Books…?

[magazinewankersworld]

Nikki Dial

One of the most popular starlets of the 1990's, Nikki Dial was born in 1973 in Erie, Pennsylvania, USA. Nikki began her career posing for nude photo shoots at age 18. Prior to moving to Los Angeles to start her professional adult film star career, she worked in bondage and BDSM-oriented clubs and appeared in a few amateur videos. Nikki appeared in over 70 hardcore films from 1991 to 1996 and worked for various companies including Legend, VCA, and Vivid. Nikki won the XRCO Award for Starlet of the Year in 1992, the F.O.X.E. award for Female Fan Favorite in 1994, and the XRCO award for Best New Starlet in 1995. She was later inducted into the XRCO Hall of Fame in 2008. In the early to mid 1990's, she also worked as a feature club dancer. While Nikki withdrew from the adult film industry in 1996 to focus on a college education, in the early 2000's she provided some voice acting with appearing in a number of English dubbed ero (hentai) anime.

[modrntravlr]

pre-canon campbell bain headcanons - takin over the asylum (1994)

Warnings: These headcanons are almost entirely based on Campbell's experience with his mental illness, and do discuss his experiences with both depression, mania, insecurities, and health concerns.

wanted to be a pro footballer - campbell, despite not being exceptionally good at it, really liked football. his father had no problem enrolling him in youth leagues when he was a kid, and he never missed a game on the telly. he played well enough, but he was definitely not going pro anytime soon, but he still tried his best to keep getting better.

never had many friends - growing up, campbell was a very likable person. he always had people to talk to in class, and someone to sit with at lunch, but he never had any real friends. plenty of people in his class thought he was funny and appreciated having a good laugh with him, but he never got invited to any birthday parties, or got asked to hang out after school or on the weekends.

was diagnosed at 15 - he had a manic episode for the first time when he was 15 and still in school. he had always been a bit of a class clown, so nobody really thought much of it when he started acting a little more disruptive than usual until one day he had a full on outburst in class, which led to him getting suspended. his parents were upset, but didn't think much of it either until a few days later when his mood drastically dropped out of no where and he had his first depressive episode. it wasn't until the morning he was supposed to go back to school and he refused to get out of bed that they all, including himself realized something was really wrong. his dad assumed he was just being a typical teenager, with typical teenage angst, but his mom was concerned and dragged him to a doctor, which led to a diagnosis after a few weeks of psych evaluations.

insecure about his diagnosis - after he was diagnosed, he had a lot of trouble coming to terms with it. even before his father started voicing his opinions on the matter, campbell himself felt ashamed about being mentally ill and vowed to keep it hidden from the other kids at school. for years he tried to convince himself that if he just ignored it, he could pretend that he wasn't sick at all. at that point, he even tried to act more "normal", making his first real attempts at making friends at school, and learning guitar to try to get a girlfriend just to be more like the other boys at school. he made a couple of friends, none of which he ever got very close with out of fear that they would discover his secret, but had no luck with the girlfriend bit of his plan. obviously, his fathers blunt judgement only intensified his feelings.

stopped planning for the future - early in his treatment, not long after he had been diagnosed, a psychiatrist had told him that manic-depressive people have a shorter life expectancy than those without it. after this, he stopped really putting much thought into his future. he knew for sure then that he'd never be a pro-footballer, but he never really gave much thought about other options for him either. for the most part, he figured he'd end up dying young, and felt that finishing school and having a career would be a waste of the little time he had left.

stable until he was admitted - after his diagnosis, he was placed on a low dosage of lithium that kept him relatively stable for the most part although he tended to lean a little further into the realm of depression rather than mania/hypomania. he had remained stable all the way up until he was 18, going on 19, when he had the episode that landed him at st. jude's. it had been determined that he had gained a resistance to the low dose of lithium and evidently went into a manic episode, which led him straight to the doors of the bbc, swearing he was gonna be the next big thing. once it had been determined that he needed a higher dose of medication as well as more intensive therapy treatments as well, his parents (mainly his father) and doctors decided it would be best for him to be admitted for some time. his mom on the other hand, was convinced that she could continue to care for him at home.

[mydaddywiki]

Dick O'Neill

Physique: Stocky Build/Heavyset Height: 5' 7" (170 cm)

Richard Francis O'Neill (August 29, 1928 – November 17, 1998; aged 70) was an American stage, film and television character actor best known for playing Irish cops, fathers, judges and army generals. He began his acting career as an original company member of Arena Stage in Washington, D.C. He was known for The Jerk (1979), The Taking of Pelham One Two Three (1974) and The Front Page (1974).

The steel gray hair, the chipmunk like cheeks and that voice. Plus he had a nice rack on him. Ahh… I blown plenty a loads over O'Neill watching the show Dark Justice in the 90s. I actually started to watch the show just to get a glimpse of him. Since then, I’ve always had a soft spot or should I say a hard spot for Dick O'Neill or just about anybody named O'Neill. Ed O'Neill, Tip O'Neill, etc.

He died of heart failure on November 17, 1998 at the age of 70. He is survived by his wife of 34 years, Jackie, and three daughters.

RECOMMENDATIONS: Home Improvement (TV Series 1994–1996) 3 episodes - sexy (1994) My Summer Story - sexy Dark Justice (TV Series 1991–1993) - sexy (1986) The Mosquito Coast - sexy Diagnosis Murder (TV Series) - S3/E4 (1995) - sexy (1995) The Unspoken Truth - sexy

[shannendoherty-fans]

Here I am sharing all the Shannen Doherty Photoshots & Magazine Scans photo albums I have on google photos to all of you!

You don't need a gmail account to view them. All the photos have been collected from the net for decades, some albums are still not complete and many of them are still being updated on a regular basis.

I've tried to collect the bigger/better quality picture with the most accurate information. Feel free to share the albums with your friends, and to download/share anything on your websites, blogs, instagrams, etc.

I'll be doing the same with acting career.

1980s photoshots: https://photos.app.goo.gl/gHXaX2pjXkbhd6Ha9

1990 photoshots: https://photos.app.goo.gl/gbL35zCb6J7USqYE7

1991 photoshots: https://photos.app.goo.gl/CsSuSPeMwhNjcLVe8

1992 photoshots: https://photos.app.goo.gl/ACHDUbW1kpM75BH67

1993 photoshots: https://photos.app.goo.gl/WFpVsZD2fVoJnpFk7

1994 photoshots: https://photos.app.goo.gl/wYzUBWo53xTJzPJr8

1995 photoshots: https://photos.app.goo.gl/Twk3bDwrYnWSfbPz9

1996-99 photoshots: https://photos.app.goo.gl/XsmM3azw6evJEVS48

2000s photoshots: https://photos.app.goo.gl/3StgZE5ryj3vrRjPA

2010s photoshots: https://photos.app.goo.gl/sxmfDU2WvsM9GEu86

2020s photoshots: https://photos.app.goo.gl/KUJFk6uuP9icus866

[gone2soon-rip]

TERI GARR (1944-Died October 29th 2024,at 79.MS).American actress. She frequently appeared in comedic roles throughout her career, which spanned four decades and includes over 140 credits in film and television. Her accolades include an Academy Award nomination, a BAFTA Award nomination, and a National Board of Review Award.

Garr gained prominence for her roles in Francis Ford Coppola's thriller The Conversation (1974), Mel Brooks's comedy Young Frankenstein (1974), and in 1977 both Steven Spielberg's science fiction film Close Encounters of the Third Kind and Carl Reiner's Oh, God!. She earned an Academy Award nomination for Best Supporting Actress for her role in the Sydney Pollack comedy Tootsie (1982). She reunited with Coppola in a role in his musical One from the Heart (1982), starred opposite Michael Keaton in the family film Mr. Mom (1983), and acted in Martin Scorsese's black comedy After Hours (1985).

Garr's quick wit and charming banter made her a sought-after guest on late-night shows such as The Tonight Show Starring Johnny Carson and Late Night with David Letterman. In the 1990s, she appeared in two films by Robert Altman: The Player (1992) and Prêt-à-Porter (1994), and in Dumb and Dumber (1994), followed by supporting roles in Michael (1996) and Ghost World (2001). Teri Garr - Wikipedia