#1934 song

[la-cocotte-de-paris]

Poster promoting the film musical TOI QUE J'ADORE (1934), directed by Geza Von Bolvary and Albert Valentin. Starring Jean Murat and Edwige Feuillère.

[tawneybel]

The second time I watched Skinamarink, I realized the “I’m a Frizzly, Grizzly Bear” song was the ‘30 equivalent of “I’m a Gummy Bear.” 

[ducktracy]

crazy idea: watching every single Looney Tunes short in chronological order... but skipping all the Merrie Melodies (or vice versa). Especially if one were to continue doing this post-Looney Tunes switching to color and the distinctions between the two series cease.

IT'S FUNNY YOU BRING THIS UP because there was a point in time where i seriously considered tagging/separating my posts by series and was like. no. that would be IMPOSSIBLE TO SEARCH. the LT/MM distinction is so fascinating to me, but especially after the LTs switch to color and thusly reduce ANY difference between the two. i have no idea how they determined which fell into the LT category and which in the MM... i don't think "Bugs should only ever be in the more prestigious Merrie Melodies" was as much of a concern after the switch to color?? i have no idea. something for me to pay attention to as i continue to carve each cartoon inside and out!

all of my top 5 LT cartoons fall into the actual Looney Tunes series... in spite of Daffy Doodles getting a Blue Ribbon reissue and making the universe think it was a Merrie Melody by proxy. that is ANOTHER fascinating phenomenon. so i guess if i were to choose, it'd probably be that.. especially since the LTs used to be reserved for starring characters only, so that takes out the problem of drowning in samey song and dance shorts through the mid '30s. but.. at the same time.. you can't use those song and dance cartoons as an escape from the violent mediocrity that are the Buddy cartoons HAHA

[mariocki]

Infinite list of favourite lyrics: 224/?

Don McLean - On the Amazon (1972)

"Snarling equinox

Among the rocks

Will seize you

And the Fahrenheit

Comes out at night

To freeze you...

Wild duodenum

Are lurking in the trees

And the jungles swarm

With green apostrophes,

Oh, the Amazon is calling me."

[schadenfreudich]

I decided to listen to the song that is basically the only song Wilhelm likes (because he's not interested in listening to any other song) so now we have to listen to this song on loop because we cannot tell him no, he'll get sad.

I do like the song, but I always feel like I'm going to start randomly going "hollari hollari hollarooo" if we keep listening to it.

[snoopybutch]

(face down on the couch) some punk with a shotgun . . Killed . Young danney bailayy. . In cold blood, in the lobbay of a downntown motell . . Killed him in angah . A force he couldn’t handle . . Helpedpullthe trigger that cut shought his laifee andtheres NOT MANY knewhim the wayyyy that we did shohnough he was a wild one butthenareNt most hungry kids?? Ohnoo ohohhh ohohhh

NOW ITS AWL OVAH DANNEY BAILAYY

[nobbykun]

Artist - 松平晃 (Matsudaira, Akira) Song - 急げ幌馬車 (Isoge Horobasha) [Eng. "Hurry, Covered Wagon"] Release Date - February 1934

Listen 🎶

https://rumble.com/v4xnce5-akira-matsudaira-isoge-horobasha.html

My blog: Showa Music Library https://nobbykun.tumblr.com/

[taxi-davis]

[lamentationsofalonelypotato]

You Call It Madness But I Call It Love

Pairing: Pairing: Soldier Boy x f!reader, Reader POV

Tropes: Friends to Lovers, Slow Burn

Song Inspiration For The Series: You Call It Madness But I Call It Love By Russ Columbo

Series Playlist (Spotify)🥀

Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters fluctuate between past and present, beginning in 1934. SPOILERS FOR THE BOYS S3

Chapter 1: You Shouldn't Have Answered the Door

Chapter 2: Late Night Visitor

Chapter 3: Summer Has to End Someday

Chapter 4: It's My Party and I'll Eat Cake If I Want To

Chapter 5: The Man, The Myth, The Legend

Chapter 6: Batter Up

Chapter 7: Are We Old Friends Or Old Enemies?

Chapter 8: Jealousy Doesn't Look Good On Anybody Except...

Chapter 9: Wedding Bells or Gong of Destruction?

Chapter 10: How Did It End Up Like This?

Chapter 11: I Can't Think With You Yelling At Me!

Chapter 12: My Heart Is Beating For You Constantly

Chapter 13: You Made A Plaything Out of Romance

Chapter 14: You're All I'm Dreaming Of

Chapter 15: What Do You Know About Love?

Chapter 16: Please Come Back To Me

Chapter 17: How Could I Ever Forget?

Chapter 18: First Impressions Are Often Correct

Chapter 19: I Know Who You Are

Chapter 20: You Were There

Chapter 21: Try To Understand

Chapter 22: I May Be Right Or I May Be Crazy

Chapter 23: Extreme Makeover Backyard Edition

Chapter 24: What The Past Held

Chapter 25: Are Family Reunions Always This Awkward?

Chapter 26: I Hate You, I Love You

Chapter 27: Take Me Back To The Beginning

Epilogue: True Love Is Hard To Find

Last Updated: 10/08/2024 (Series Complete)

One Shots:

Guess Who's Coming To Dinner?: All you wanted was for Ben to have a nice Thanksgiving, but when your daughter brings her new boyfriend over, all hell brakes loose!

[Extras]

Chapter 7.5: The Only Escape (Unused)

Happy Halloween! (Takes Place After Main Series)

If you'd like to be added to the taglist for this series let me know :)

Taglist:

@roseblue373 @anundyingfidelity @cheynovak @cassiecasluciluce @muhahaha303

@deans-spinster-witch @kayleighmeister @demodemo909 @fruitfacess @bobbobbobinogs

@bughill126 @simplyfixated  @tiredstrangerr @freefallthoughts @onlyangel-444

@lov3vivian @mxltifxnd0m @mayafatimakhan @marvel-mistress @my-obsession-spn

@lifeonawhim  @liuope @brynanna @carpenterswife

@xxannyxx

 @babyinatrench-coat1 @the-gentle-spirit @valryomen @cassieriddle713 @shaggzthatsnottheworm

 @lil-soup @ej13928 @topstory21 @boywivlove

@mrsjenniferwinchester

@vivre-dans-la-nuit @megara0224 @daisy-the-quake @thesilmarillionblog @samanddeaninatrenchcoat

@livya99 @peachhiz @tinydancer40 @tinystarfishgalaxy

@jvanilly

@lunaticgurly @i-am-typing @52ndstreeet

@anna6307

@pixviee @soldiergrimes @ladysparkles78 @ahoytothestorm

@octoazzy @modiddys-blog @marmie-noir @practicallylivesonline @impala67stellawinchester

@everlove @dangerousgardenchild

(Photos on mood board from Pinterest)

[doyoulikethissong-poll]

Johann Sebastian Bach - Toccata and Fugue in D minor, BWV 565 1700s

The Toccata and Fugue in D minor, BWV 565, is a composition for organ by German composer Johann Sebastian Bach and is one of the most widely recognisable works in the organ repertoire. Although the date of its origin is unknown, scholars have suggested between 1704 and the 1750s. The piece opens with a toccata section followed by a fugue that ends in a coda, and is largely typical of the north German organ school of the Baroque era. Little was known about its early existence until the piece was discovered in an undated manuscript produced by Johannes Ringk. It was first published in 1833 during the early Bach Revival period through the efforts of composer Felix Mendelssohn, who also performed the piece in 1840. It was not until the 20th century that its popularity rose above that of other organ compositions by Bach, as exemplified by its inclusion in Walt Disney's 1940 animated film Fantasia that featured Leopold Stokowski's orchestral transcription from 1927.

BWV 565 was used as film music well before the sound film era, becoming a cliché to illustrate horror and villainy. Its first uses in sound film included the 1931 film Dr. Jekyll and Mr. Hyde and the 1934 film The Black Cat. The 1950 film Sunset Boulevard used BWV 565 as a joking reference to the horror genre. The 1962 film adaptation of The Phantom of the Opera used BWV 565 in the suspense and horror sense.

Recordings of BWV 565 that have appeared on popular music charts include rockband Sky's 1980 rock-inspired recording (#83 on Billboard Hot 100, #5 on UK Singles Chart) and Vanessa-Mae's 1994 violin recording (#24 on the Billboard charts). Eurodance music act 2 Unlimited's 1994 hit "The Real Thing" uses BWV 565 and, in a list published by Classic FM and PRS for Music, was revealed to be among the best-selling pop singles to incorporate classical music.

Toccata and Fugue D minor, BWV 565 received a total of 94,7% yes votes! 🎉

[billboard-hotties-tourney]

Freddie Mercury (1946-1991) Queen - lead vocals and piano Songs: "Bohemian Rhapsody," "Seven Seas of Rhye" Propaganda: see visual

Leonard Cohen (1934-2016) solo Songs: "Suzanne," "Is This What You Wanted" Propaganda: see visual

Visual Propaganda for Freddie Mercury:

Visual Propaganda for Leonard Cohen:

[halemerry]

So I was going through the season taking some screen caps for a different piece of meta when I stumbled on something interesting: the record Aziraphale listens to.

So in 1934, Shostakovich wrote an opera called Lady Macbeth of Mtsensk. It was popular but after Stalin himself deemed the work corrupt he wound up banned by the Soviet Union. This had a huge impact of Shostakovich's life and was a very dangerous thing to have happen to you. There are even stories of him sleeping in stairwells to avoid arrest. So by 1937 he released the Symphony No. 5 in D minor. It is a piece written to get him back into the good grace of the authorities and as such it is informally called A Soviet Artist’s Practical and Creative Response to Just Criticism. This worked. Which on the surface makes sense but I urge you to go listen to this song. It starts out very angry. Then retracts itself into a very hesitant sonata. And then the music cuts into a harsh pattern of notes. It's cuts are jarring and there's something just slightly off in nearly all the melodies. Notably, most symphonies shift to a major key by the end. This one, despite spending a great deal of time leading up to the shift into one, refuses to. It's all false triumph. It's all about pretending to folk under the authority's pressure without actually making something that would glorify it. And it worked. Stalin approved of him again.

This was what Az was listening to. Az who is about to make a series of not quite right choices that to the right eyes look like him bowing back again under authority's pressure. He's listening to a song built to deceive those with power over the composer into letting him back into the fold. Whatever Metatron did to him and whether Aziraphale was magically and/or mundanely manipulated (I suspect and) I don't think it entirely took hold.

[prince-liest]

The thing with Alastor versus Modern Stuff for me specifically comes down to his relationship with music. Because a lot of the jazz and blues artists that WE consider to be among the greats came after his time?

Not even "would he like Frank Sinatra", I mean- Ella Fitzgerald started her career in 1934, just missing Alastor, and she's considered the Queen of Jazz; Al probably died associating that title with Bessie Smith. Did he listen to any songs Louis Armstrong put out post-1933?

To be perfectly honest, I still hold with my original opinion that Alastor isn't actually, like, inherently against modernity. Every time we see him portrayed as such, it's in the context of Vox. He definitely doesn't like television and video, and actively derides those things, but when it comes to other modern advancements... like, yeah, he's not shown owning a cell phone, but at no point is he derisive (or really shown to care at all) of anybody using one. He doesn't even denigrate Angel Dust's "show and tell" of his adult films. We do see Vox calling Alastor outdated and old, but how much of that is an accurate representation of Alastor's genuine perspective on modernity, and how much of it is Vox being a salty bitch that Alastor doesn't like his specific brand of "modernity" and seeing himself as equivalent to progress?

Overall, Alastor strikes me as a guy with some nostalgia for his own era and the classics (which I think is true for most of the characters in hell: I mean, Sir Pentious is still out here flying fucking blimps, and then there's all of Cannibal Town), but not someone who actively eschews modern technology and media. I think he just really fucking doesn't like Vox, who has painted himself as the face of modern tech development in the pentagram and has a monopolistic stranglehold on modern media.

So I think he probably listens to and enjoys a lot of the tunes that came after his death!

[uwmspeccoll]

Voices of the Land

What better way to celebrate Indigenous Peoples’ Day than to highlight this landmark anthology that commemorates the Indigenous Peoples of North America? When the Light of the World was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry, edited by Joy Harjo with Leanne Howe, Jennifer Elise Foerster, is a curated collection that features the poetry of 160 poets each showcasing a distinct voice from nearly 100 Indigenous Nations. This is the first edition from 2020, published by W. W. Norton & Company in New York.

The anthology is the first to provide a historically comprehensive collection of Native poetry. The literary traditions of Native Americans, the original poets of this country, date back centuries. The book opens with a blessing from Pulitzer Prize winner American Kiowa/Cherokee N. Scott Momaday (1934-2024) and contains introductions from contributing editors for five geographically organized sections. Each section begins with a poem from traditional oral literature and closes with emerging poets, creating a rich and diverse tapestry of Indigenous voices.

Joy Harjo, a member of the Muscogee (Creek) Nation, is a prominent figure in the literary world. She is known for her work as a poet, musician, playwright, and author. In addition to her contributions to literature, Harjo is also a celebrated performer and has released several albums combining poetry and music. In 2019, she made history by becoming the first Native American United States Poet Laureate and only the second to serve three terms. Throughout her career, Harjo has been a vocal advocate for Indigenous rights and has used her art to shed light on the experiences of Native peoples.

The following is an excerpt from Harjo’s introduction to this work:

“The anthology then is a way to pass on the poetry that has emerged from rich traditions of the very diverse cultures of indigenous peoples from these indigenous lands, to share it. Most readers will have no idea that there is or was a single Native poet, let alone the number included in this anthology. Our existence as sentient human beings in the establishment of this country was denied. Our presence is still an afterthought, and fraught with tension, because our continued presence means that the mythic storyline of the founding of this country is inaccurate. The United States is a very young country and has been in existence for only a few hundred years. Indigenous peoples have been here for thousands upon thousands of years and we are still here.”

View other Indigenous Peoples' Day posts.

View other posts from our Native American Literature Collection.

-Melissa (Stockbridge-Munsee), Special Collections Graduate Intern

We acknowledge that in Milwaukee we live and work on traditional Potawatomi, Ho-Chunk, and Menominee homelands along the southwest shores of Michigami, part of North America’s largest system of freshwater lakes, where the Milwaukee, Menominee, and Kinnickinnic rivers meet and the people of Wisconsin’s sovereign Anishinaabe, Ho-Chunk, Menominee, Oneida, and Mohican nations remain present.

[dwellsinparadise]

Millions live like this (or die like this) without knowing it: They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.

—Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

Photograph of Anaïs Nin by Jules Halász

[inkdemonapologist]

!!!!!!!!!!! New Cthulhu Season has started!! this time featuring:

The band at our fancy party started playing a song that Sammy INSTANTLY recognised as his own improv, played a year and some change ago from the balcony of a New Orleans hotel to calm his nerves, which really should not be turning up perfectly replicated here and unsettled him so much that he ended up trying to communicate this to Jack in the LEAST CLEAR WAY IMAGINABLE

we got a supernatural partycrasher at the fancy party which means wE GOT PROPHET IN A SUIT!!! FANCY PROPHET FOR JUST A FEW MINUTES!! his previously prophesied warning of what was to come included the phrase "a report that silences the tongue of ythill," which is apparently what this was, and he got SO EXCITED about the appearance of this weird man making people bleed from the eyes that he booted Sammy from the front to take it all in. THE TIME IS FINALLY AT HAND!!!

i also have a lil smattering of out-of-context quotes from session 1 if ur into that sort of thing: here under the cut!

[Sammy is played by me, Joey is played by Boo (inkyvendingmachine), Henry is played by Maf (inkcryptid), Jack is played by Mochi (whatyouwantedmetosee) and Thren (haunted-hijinxer) is our GM!]

[Jack] Aw, there's no snow in the year before, so probably no snowball fights for Christmas, [GM] Well, we can invent our own, that's fine. [Sammy] It's the ONE difference! IDENTICAL TO OUR WORLD, except for on December 25th there was snow, don't worry about it. [GM] And tape recorders! [Sammy] There's tape recorders, and there was snow on December 25th, 1934. [Sammy] AND ALSO CTHULHU IS REAL. But other than that it's exactly the same. [GM] That's it, just those little things. [Henry] A minor detail.

[GM] Another question: Christmas is on a Tuesday, does the Studio get days off? [Joey] In the Cthulhu universe, yes… And It's All Henry's Fault.

[Jack] Anyone who failed their Sanity gain checks in '35 -- it's the anticipation. [Sammy] Yeah, it's just driving you absolutely bonkers that this prophecy still hasn't happened, can it go ahead and get it over with? I hate having this hanging over my head! [Sammy] And if you PASS your sanity check, and gained sanity, it could be that you're just INCREASINGLY IN DENIAL. Like, you know what? Maybe he forgot!

[Jack] Jack's the most likely to keep up with these poor people we keep roping into our nonsense! [Joey] Hey, HEY! [Jack] "Welcome to the group! You're only here for a little bit, but have some trauma! Trauma for you! And trauma for you! BYE"

[Sammy] We're like Absol. We're not CAUSING the trouble, but it IS in our wake, constantly. [Jack] Absol is 100% a modern teenage Joey Drew's fursona. [Joey] ….Yeah…

[Henry] Is it an easier apartment to get to, for Joey, than the one he has? [Joey] That is a really good question. [GM] It has ONE flight of stairs, but it doesn't have ten zillion flights, so I mean, it's better, probably! It DID have an evil ritual in it,

[Jack] *reading the inflation calculator* $1,000 in 1935 is… 22 thousand.. and a half… dollars????? [Joey] GREAT! *claps* STUDIO'S FUNDED! :D [Jack] Joey, no, [Sammy] You can do that with YOUR money, [Joey] I mean, that IS what's going to happen to Joey's money, Joey's just going to immediately dump it into the studio. Grant gets a LOVELY holiday present where suddenly, the numbers are not in the red anymore! [GM] This is how Grant doesn't become the final boss. [Sammy] Is that a present? IS THAT A PRESENT??? Grant looks at the numbers and they're suddenly bigger? WHAT'S HAPPENING [Jack] Sounds like a tax nightmare… he assumes his mind is broken, he's gone delusional, [Sammy] Joey's not thinking about how this affects TAXES he's just like, OH BOY! More money! Grant'll work that out. :) [Joey] Yeah! :D

[Sammy] Oh wow, mistletoe's been around for a while. [Sammy] …I say, as if mistletoe, the plant, is newly invented,

[Jack] We need to even the playing field; Henry's the highest, we need to drag him down to our level!

[GM] Let's say it's just you guys, and Peter and Susie, and Norman took off. [Sammy] Aw, don't wanna stay late? Old man, gotta get to bed? [GM] Maybe not if people are saying THAT at him,

*after finding a major ice rink was not built until 1936* [GM] Well, maybe everyone can do that when they DEFINITELY survive and come out victorious next year! :) [Sammy] ….survive?! Nothing's happened! It's a CHRISTMAS PARTY. [Jack] I HOPE we're surviving the Christmas Party, the food's not THAT bad, is it? [Henry] We solved your Christmas puzzle! [Jack] The Christmas Puzzle is how much food can we trick Joey into eating by handing it to him,

[Jack] Oh no, Spark's gone to… CATCOSA…. !

[Sammy] That's fine, Disney still hasn't caught up with us, so. [Jack] Well they're havin' this whole weird issue with like, ink and cultists, it's a bit weird… bunch of the staff started going missing…? [Sammy] *laughing* The entirety of Bendy and the Ink Machine happens, just OVER THERE. We averted it so now Disney has to do it.

[Henry] I will say, Henry's been a little uneasy all day. This doesn't affect anything, it's just for flavour. [GM] But he is in a really nice suit! [Sammy] Well THAT's why he's uneasy. They had to smooth his hair, and he's in a whole suit, [GM] In a vest that actually fits, [Henry] Unrecognisable. [Jack] Who is this stranger?

[GM] Make spot (hidden) checks! [Jack] *whispering* I hope it's Norman. [GM] Both of you spot a familiar face, before he's able to come accost you -- it's not Norman, it's Denis! [Sammy] oh gosh. [Joey] Well… I don't know if that's better or worse than my initial guess of Avedon,

[GM] He greets you all cheerful-like, "fancy meeting you here!" sort of thing-- [Sammy] Sammy still doesn't shake his hand. [GM] --he knows you as Joseph, doesn't he? [Joey] Oh no…. Joey was trying to hide his name in New Orleans… [Jack] That's fine, it's all about reinvention!

[Sammy] You know how in the Illusion of Living, Wally comes up and Joey randomly starts talking about how he's a great guy and a hard worker, and you're like, we were talking about something else ten seconds ago Joey PLEASE stay focused, [Sammy] Anyway, I'm imagining that but with Peter?

[Sammy] The Studio just had a big release last year, and I just got this really nice car! and *mumbling* those events aren't actually connected, BUT!! Through the power of leaving out the middle bit, you can assume they are!

[GM] Sammy, make a listen check! [Sammy] EXTREME SUCCESS, I rolled a THREE. [GM] Oh cool! Make a sanity check! [Sammy] oh no,,, [Joey] *Mario voice* HERE WE GO!

[Sammy] Sammy is gonna look at Joey, see that Joey is like…. in the midst of a conversational manoeuvre, and go, run try to find Jack. I don't know if he'll GET there, but, [GM] He can at least locate Jack, I would think, unless Jack is in a back room kissing boys or whatnot!

[GM] This guy is wearing a really severe, matte black suit, and has unnaturally white skin, his hair is black and very oiled in a severe widow's peak-- [Jack] It's him! Bendy Inkmachine!! [GM] I'm reading this description RIGHT from the book, I need you to know that.

[GM] The music's also definitely come to a stop, while all this was going on. And then there's a gunshot! And now there's just a big, yknow, panic, like you get! [Jack] Avedon's here! [Sammy] There'd be more French-accented yelling if Avedon were here. [Joey] I like how we're just going to end up willing Avedon into this scenario by making repeated "Avedon's here" jokes, [Jack] I mean, I've been trying to do the same with Norman, but it's either not working, or we haven't rolled Spot high enough to find him yet!

[GM] You guys get interviewed and asked what you saw, and what happened! [Sammy] …hang on, I gotta roll a check. [Sammy] *rolls* … OKAY COOL Sammy's back. [Joey] *laughing* Sammy interview, or Prophet interview? [Sammy] They were going to get a REALLY interesting interview if I rolled better on willpower!

[GM] Do you suppose Joey would've helped Susie shop for a dress that she could conceal a firearm in? [Joey] [Joey] sURE! [Joey] I mean I feel like, "would Joey help Susie shop for a dress," stop the sentence there: absolutely yes. There's other things to consider with dress? Well that just makes it a fun challenge now!

[GM] The police ask you what you saw. What do you tell them, about your experiences this evening? [Sammy] Sammy didn't see a lot. There was some commotion and a gunshot. [Joey] Yeah, I think Joey's just going to report that he just heard commotion happening up front, and quickly decided that he wasn't interested in commotion!

[Henry] Who was it who saw people with bloody eyes? [Sammy] Uh, that was Sammy, he's not mentioning that part.

[Jack] *rolls* Normal success for Jack. [Henry] *rolls* Hard success! [Sammy] *rolls* EXTREME success, I rolled a ten! [Joey] *rolls* …what's the fumble point, again?

[GM, as Denis] "There was a yellow sign at the Mardi Gras party last year! I thought it was a lucky charm, but I guess… it wasn't? I had a friend who said it wasn't, actually. You should watch out for those signs. Yes." [Joey] *so tired* Okay, that's… that's fine… [Henry] "Very helpful, thank you." [Jack] (This guy's great, can we keep him?) [Joey] (NO.)

[Henry] Henry is going to have so much anxiety. Like, just in general, but over this, too. [Sammy] "going to"??? [Henry] *laughing* No, you're right. What I'm learning is that Henry CAN slide into being mostly even-headed about crises, but he has to have a moment of "Oh God, oh fuck, oh geez" first. [GM] I think Peter does that in reverse. [Sammy] Yeah, that makes sense -- Sammy just shoots straight for "OH COOL, WE'RE GOING TO DIE!!!"

[GM] How much do you suppose these boys are up on vernacular and slang? [Henry] Henry might've picked up something from his kids, that's all I've got [Sammy] That's cute… Henry knows what yeet means... [Joey] I WAS ALSO GONNA SAY HENRY KNOWS WHAT YEET MEANS,

[Sammy] I do appreciate Jack being the one to notice that the prophecy might be a pun.

[Sammy] What do we even DO with this? What do we do next… [Joey] *muttering* That's what I've been trying to think of for the last like… half hour, Sammy…! [Joey] This isn't Joey-voice, this is just me-voice. [Jack] Yeah, Joey would never admit weakness in front of Peter Sunstram. [Joey] Yeah. Correct.

[Jack] Well if anyone else wants coffee, Jack might end up makin' some! [Jack] You know, that 11:30 coffee.

[Sammy] "Well, if he plays clarinet, let us know." [GM] Peter tips his head as if he's thinking of looking that up -- not looking it up, looking into it! [Jack] Yeah, just google it, Pete! What are you waiting for! [GM] On his cell phone, [Jack] You gotta pull out your Bendyphone! [Sammy] JDS is responsible for all anachronistic devices.

[Jack] Is It An Insanity Or Is It Just The ADHD

[Joey] Is Joey gonna make stupid decisions…? [Sammy] JOEY,,, [Sammy] Augh, I should've gone with him, [Joey] *rolls* *starts cackling maniacally* [Jack] *deadpan* Oh gee I wonder what the result is, [Joey] *audibly grinning* Joey might try to dream spell… Y? [Sammy] WHAT?! [Henry] Joey what are you doing…. [Sammy] JOEY DREW!!!

[Henry] I roll to see if Henry's "Joey's Doing Something Stupid" senses are tingling [Joey] Yeah, I think it's fair for Henry to have a "Is Joey Doing Something Stupid" sense that goes off fifty percent of the time, [Sammy] It's NOT USEFUL because it's ALWAYS HAPPENING,