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#11/15/2017.
wd18 · 2 years
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FDNY Ambulance 071 Responding On 6th Avenue and Park Slope, BKLYN, NY.
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By storyboarding. Click the link below to see how use of website: .nyc.gov/site/fdny/index.page Taken on November 15, 2017 at 11:09AM.
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kargaroc · 1 year
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picked up heartgold that I last played in 2021 so idk my team
left off just before whitney
yea I won first try 😤
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renthony · 3 months
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Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship
by Ren Basel renbasel.com
The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.
The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)
On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)
Then the Walt Disney Company made a huge mess.
On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)
The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.
The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)
While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?
It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)
Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.
While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)
When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)
Nimona, however, is hard to kill.
While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)
Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.
Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)
When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)
Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.
Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.
Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.
The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.
There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)
The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.
To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.
The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.
Enter Nimona.
The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.
“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.
It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.
A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)
Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.
When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”
Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.
In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.
The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.
Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)
When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.
About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.
Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.
When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.
Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.
Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.
Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)
The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.
Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.
During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.
After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.
When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)
Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)
In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.
Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.
Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.
Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.
After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.
When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.
Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.
But she isn’t safe from the Director.
In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.
When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.
Nimona, however, is hard to kill.
Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.
The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.
The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.
In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.
In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)
The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)
Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.
Long live Nimona, and long live the transgender community she represents.
_ This piece was commissioned using the prompt "the Nimona movie."
Updated 6/16/24 to revise an inaccurate statement regarding the original comic.
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Notes:
1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.
2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.
3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.
4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌
5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.
6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.
7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.
8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.
10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.
11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.
12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.
13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.
14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.
15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.
16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.
18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.
19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.
20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.
21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200
22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.
25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.
26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/
27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos
28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.
29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.
33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.
37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.
38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.
39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.
40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.
41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.
42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.
43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.
44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.
46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.
47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.
49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
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Tesla's Dieselgate
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Elon Musk lies a lot. He lies about being a “utopian socialist.” He lies about being a “free speech absolutist.” He lies about which companies he founded:
https://www.businessinsider.com/tesla-cofounder-martin-eberhard-interview-history-elon-musk-ev-market-2023-2 He lies about being the “chief engineer” of those companies:
https://www.quora.com/Was-Elon-Musk-the-actual-engineer-behind-SpaceX-and-Tesla
He lies about really stupid stuff, like claiming that comsats that share the same spectrum will deliver steady broadband speeds as they add more users who each get a narrower slice of that spectrum:
https://www.eff.org/wp/case-fiber-home-today-why-fiber-superior-medium-21st-century-broadband
The fundamental laws of physics don’t care about this bullshit, but people do. The comsat lie convinced a bunch of people that pulling fiber to all our homes is literally impossible — as though the electrical and phone lines that come to our homes now were installed by an ancient, lost civilization. Pulling new cabling isn’t a mysterious art, like embalming pharaohs. We do it all the time. One of the poorest places in America installed universal fiber with a mule named “Ole Bub”:
https://www.newyorker.com/tech/annals-of-technology/the-one-traffic-light-town-with-some-of-the-fastest-internet-in-the-us
Previous tech barons had “reality distortion fields,” but Musk just blithely contradicts himself and pretends he isn’t doing so, like a budget Steve Jobs. There’s an entire site devoted to cataloging Musk’s public lies:
https://elonmusk.today/
But while Musk lacks the charm of earlier Silicon Valley grifters, he’s much better than they ever were at running a long con. For years, he’s been promising “full self driving…next year.”
https://pluralistic.net/2022/10/09/herbies-revenge/#100-billion-here-100-billion-there-pretty-soon-youre-talking-real-money
He’s hasn’t delivered, but he keeps claiming he has, making Teslas some of the deadliest cars on the road:
https://www.washingtonpost.com/technology/2023/06/10/tesla-autopilot-crashes-elon-musk/
Tesla is a giant shell-game masquerading as a car company. The important thing about Tesla isn’t its cars, it’s Tesla’s business arrangement, the Tesla-Financial Complex:
https://pluralistic.net/2021/11/24/no-puedo-pagar-no-pagara/#Rat
Once you start unpacking Tesla’s balance sheets, you start to realize how much the company depends on government subsidies and tax-breaks, combined with selling carbon credits that make huge, planet-destroying SUVs possible, under the pretense that this is somehow good for the environment:
https://pluralistic.net/2021/04/14/for-sale-green-indulgences/#killer-analogy
But even with all those financial shenanigans, Tesla’s got an absurdly high valuation, soaring at times to 1600x its profitability:
https://pluralistic.net/2021/01/15/hoover-calling/#intangibles
That valuation represents a bet on Tesla’s ability to extract ever-higher rents from its customers. Take Tesla’s batteries: you pay for the battery when you buy your car, but you don’t own that battery. You have to rent the right to use its full capacity, with Tesla reserving the right to reduce how far you go on a charge based on your willingness to pay:
https://memex.craphound.com/2017/09/10/teslas-demon-haunted-cars-in-irmas-path-get-a-temporary-battery-life-boost/
That’s just one of the many rent-a-features that Tesla drivers have to shell out for. You don’t own your car at all: when you sell it as a used vehicle, Tesla strips out these features you paid for and makes the next driver pay again, reducing the value of your used car and transfering it to Tesla’s shareholders:
https://www.theverge.com/2020/2/6/21127243/tesla-model-s-autopilot-disabled-remotely-used-car-update
To maintain this rent-extraction racket, Tesla uses DRM that makes it a felony to alter your own car’s software without Tesla’s permission. This is the root of all autoenshittification:
https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon
This is technofeudalism. Whereas capitalists seek profits (income from selling things), feudalists seek rents (income from owning the things other people use). If Telsa were a capitalist enterprise, then entrepreneurs could enter the market and sell mods that let you unlock the functionality in your own car:
https://pluralistic.net/2020/06/11/1-in-3/#boost-50
But because Tesla is a feudal enterprise, capitalists must first secure permission from the fief, Elon Musk, who decides which companies are allowed to compete with him, and how.
Once a company owns the right to decide which software you can run, there’s no limit to the ways it can extract rent from you. Blocking you from changing your device’s software lets a company run overt scams on you. For example, they can block you from getting your car independently repaired with third-party parts.
But they can also screw you in sneaky ways. Once a device has DRM on it, Section 1201 of the DMCA makes it a felony to bypass that DRM, even for legitimate purposes. That means that your DRM-locked device can spy on you, and because no one is allowed to explore how that surveillance works, the manufacturer can be incredibly sloppy with all the personal info they gather:
https://www.cnbc.com/2019/03/29/tesla-model-3-keeps-data-like-crash-videos-location-phone-contacts.html
All kinds of hidden anti-features can lurk in your DRM-locked car, protected from discovery, analysis and criticism by the illegality of bypassing the DRM. For example, Teslas have a hidden feature that lets them lock out their owners and summon a repo man to drive them away if you have a dispute about a late payment:
https://tiremeetsroad.com/2021/03/18/tesla-allegedly-remotely-unlocks-model-3-owners-car-uses-smart-summon-to-help-repo-agent/
DRM is a gun on the mantlepiece in Act I, and by Act III, it goes off, revealing some kind of ugly and often dangerous scam. Remember Dieselgate? Volkswagen created a line of demon-haunted cars: if they thought they were being scrutinized (by regulators measuring their emissions), they switched into a mode that traded performance for low emissions. But when they believed themselves to be unobserved, they reversed this, emitting deadly levels of NOX but delivering superior mileage.
The conversion of the VW diesel fleet into mobile gas-chambers wouldn’t have been possible without DRM. DRM adds a layer of serious criminal jeopardy to anyone attempting to reverse-engineer and study any device, from a phone to a car. DRM let Apple claim to be a champion of its users’ privacy even as it spied on them from asshole to appetite:
https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar
Now, Tesla is having its own Dieselgate scandal. A stunning investigation by Steve Stecklow and Norihiko Shirouzu for Reuters reveals how Tesla was able to create its own demon-haunted car, which systematically deceived drivers about its driving range, and the increasingly desperate measures the company turned to as customers discovered the ruse:
https://www.reuters.com/investigates/special-report/tesla-batteries-range/
The root of the deception is very simple: Tesla mis-sells its cars by falsely claiming ranges that those cars can’t attain. Every person who ever bought a Tesla was defrauded.
But this fraud would be easy to detect. If you bought a Tesla rated for 353 miles on a charge, but the dashboard range predictor told you that your fully charged car could only go 150 miles, you’d immediately figure something was up. So your Telsa tells another lie: the range predictor tells you that you can go 353 miles.
But again, if the car continued to tell you it has 203 miles of range when it was about to run out of charge, you’d figure something was up pretty quick — like, the first time your car ran out of battery while the dashboard cheerily informed you that you had 203 miles of range left.
So Teslas tell a third lie: when the battery charge reached about 50%, the fake range is replaced with the real one. That way, drivers aren’t getting mass-stranded by the roadside, and the scam can continue.
But there’s a new problem: drivers whose cars are rated for 353 miles but can’t go anything like that far on a full charge naturally assume that something is wrong with their cars, so they start calling Tesla service and asking to have the car checked over.
This creates a problem for Tesla: those service calls can cost the company $1,000, and of course, there’s nothing wrong with the car. It’s performing exactly as designed. So Tesla created its boldest fraud yet: a boiler-room full of anti-salespeople charged with convincing people that their cars weren’t broken.
This new unit — the “diversion team” — was headquartered in a Nevada satellite office, which was equipped with a metal xylophone that would be rung in triumph every time a Tesla owner was successfully conned into thinking that their car wasn’t defrauding them.
When a Tesla owner called this boiler room, the diverter would run remote diagnostics on their car, then pronounce it fine, and chide the driver for having energy-hungry driving habits (shades of Steve Jobs’s “You’re holding it wrong”):
https://www.wired.com/2010/06/iphone-4-holding-it-wrong/
The drivers who called the Diversion Team weren’t just lied to, they were also punished. The Tesla app was silently altered so that anyone who filed a complaint about their car’s range was no longer able to book a service appointment for any reason. If their car malfunctioned, they’d have to request a callback, which could take several days.
Meanwhile, the diverters on the diversion team were instructed not to inform drivers if the remote diagnostics they performed detected any other defects in the cars.
The diversion team had a 750 complaint/week quota: to juke this stat, diverters would close the case for any driver who failed to answer the phone when they were eventually called back. The center received 2,000+ calls every week. Diverters were ordered to keep calls to five minutes or less.
Eventually, diverters were ordered to cease performing any remote diagnostics on drivers’ cars: a source told Reuters that “Thousands of customers were told there is nothing wrong with their car” without any diagnostics being performed.
Predicting EV range is an inexact science as many factors can affect battery life, notably whether a journey is uphill or downhill. Every EV automaker has to come up with a figure that represents some kind of best guess under a mix of conditions. But while other manufacturers err on the side of caution, Tesla has the most inaccurate mileage estimates in the industry, double the industry average.
Other countries’ regulators have taken note. In Korea, Tesla was fined millions and Elon Musk was personally required to state that he had deceived Tesla buyers. The Korean regulator found that the true range of Teslas under normal winter conditions was less than half of the claimed range.
Now, many companies have been run by malignant narcissists who lied compulsively — think of Thomas Edison, archnemesis of Nikola Tesla himself. The difference here isn’t merely that Musk is a deeply unfit monster of a human being — but rather, that DRM allows him to defraud his customers behind a state-enforced opaque veil. The digital computers at the heart of a Tesla aren’t just demons haunting the car, changing its performance based on whether it believes it is being observed — they also allow Musk to invoke the power of the US government to felonize anyone who tries to peer into the black box where he commits his frauds.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/28/edison-not-tesla/#demon-haunted-world
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This Sunday (July 30) at 1530h, I’m appearing on a panel at Midsummer Scream in Long Beach, CA, to discuss the wonderful, award-winning “Ghost Post” Haunted Mansion project I worked on for Disney Imagineering.
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Image ID [A scene out of an 11th century tome on demon-summoning called 'Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros. Anno 1057. Noli me tangere.' It depicts a demon tormenting two unlucky would-be demon-summoners who have dug up a grave in a graveyard. One summoner is held aloft by his hair, screaming; the other screams from inside the grave he is digging up. The scene has been altered to remove the demon's prominent, urinating penis, to add in a Tesla supercharger, and a red Tesla Model S nosing into the scene.]
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Image: Steve Jurvetson (modified) https://commons.wikimedia.org/wiki/File:Tesla_Model_S_Indoors.jpg
CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en
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a-kind-of-merry-war · 8 months
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A poll designed to make you recoil at the passage of time
cheat sheet with dates/years under the cut
if you joined in 2007 -  17 years
if you joined in 2008 -  16 years
if you joined in 2009 - 15 years
if you joined in 2010 - 14 years
if you joined in 2011 - 13 years
if you joined in 2012 - 12 years
if you joined in 2013 - 11 years
if you joined in 2014 - 10 years
if you joined in 2015 - 9 years
if you joined in 2016 - 8 years
if you joined in 2017 - 7 years
if you joined in 2018 - 6 years
if you joined in 2019 - 5 years
if you joined in 2020 - 4 years
if you joined in 2021 - 3 years
if you joined in 2022 - 2 years
if you joined in 2023 - 1 years
if you joined in 2024 - 0 years
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vettelsvee · 25 days
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HISTORY SERIES | Sebastian Vettel
f1 masterlist | ask me anything or let's talk!
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sebastian vettel x wife race engineer!reader | 2008 to 2022 f1 seasons
for more information to the reader: ❥ this series consists on a journey around the 15 years seb and y/n got to experience in formula 1. for this reason, this series (or saga, whatever you wanna say it) has a total of 15 independent series that will go from 2008 to 2022, and some other short fics that will be part of the story. ❥ it contains so many tropes, including slow burn romance, right person, wrong time, friends to lovers, enemies to friends to lovers, among others. ❥ some parts might include sensitive content. pay attention to trigger warnings at the beginning of each part. ❥ english is not my first language so apologies for any mistakes that you can read here!
started: AUGUST 25TH 2024 currently status: on going | last updated: august 25th masterlist of each independent series under the cut !
a/n: my maiden formula 1 and seb series with lots of modifications as it really needed it. love these characters, love every single plot and to sum up, love it, so i hope you love this as much as I do!
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© VETTELSVEE (2024). please, do not steal, copy or translate my works. thanks for reading!
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TORO ROSSO ⋆ 2008 | VOLUME 1: MEETING
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REDBULL RACING ⋆ 2009 | VOLUME 2: SHE'S NOT HANNA ⋆ 2010 | VOLUME 3: LEAVE ⋆ 2011 | VOLUME 4: HOW YOU GET THE GIRL ⋆ 2012 | VOLUME 5: THEY DON'T KNOW ABOUT US ⋆ 2013 | VOLUME 6: LET'S PLAY A LOVEGAME ⋆ 2014 | VOLUME 7: HER NAME IS EMILY
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FERRARI ⋆ 2015 | VOLUME 8: WILDEST DREAMS ⋆ 2016 | VOLUME 9: REPUTATION ⋆ 2017 | VOLUME 10: HURTING, HEALING, LOVING ⋆ 2018 | VOLUME 11: BLACK AND WHITE ⋆ 2019 | VOLUME 12: WOMAN'S WORLD ⋆ 2020 | VOLUME 13: DON'T GIVE UP
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ASTON MARTIN
⋆ 2021 | VOLUME 14: END OF BEGINNING ⋆ 2022 | VOLUME 15: LONG LIVE
EXTRAS CLIFFORD AND EMILY I ALREADY HAVE A WIFE DO YOU REALLY WANT US TO TRY? YOU CAN STAND UNDER MY UMBRELLA
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toskarinarchive · 7 months
Text
Toskarin Database
Last updated: 2024-08-25, 23:02+00:00
Current Toskarinlike Count: 44
toskarin-blog - First post (2017-11-14, 08:38)
toskarin - First post (2021-09-08, 21:59)
niraksot - First post (2022-10-25, 23:55)
toskarinfr (original, deleted) - First post (2023-05-26)
toskarinfr - First post (2023-12-08, 14:05)
toskarinpl - First post (2023-12-19, 22:31)
yoskarin - First post (2023-12-21, 04:18)
toskarintetris - First post (2024-02-13, 02:26)
kojmahid - First post (2024-02-14, 21:53)
toskarinalternia - First post (2024-02-15, 00:21)
yamitoskarin - First post (2024-02-16, 21:09)
toskarinus - First post (2024-02-22, 20:41)
shkinamiasuka - First post (2024-02-23, 19:51)
toskarintoast - First post (2024-02-28, 08:14)
toskarinnl - First post (2024-03-01, 16:01)
toskarinjp - First post (2024-03-01, 16:31)
toskarinfrfr - First post (2024-03-01, 21:18)
toskarines - First post (2024-03-01, 21:36)
arturigon - First post (2024-03-01, 23:11)
tossedkarin - First post (2024-03-01, 23:41)
toskarin-gpl - First post (2024-03-02, 01:04)
cambrarin - First post (2024-03-02, 01:47)
toskarinhole - First post (2024-03-02, 01:58)
toskarininthecornerofyourvision - First post (2024-03-02, 04:37)
toskarinkr - First post (2024-03-02, 05:27)
toskarinarchive - First post (2024-03-02, 07:05)
toskarinde - First post (2024-03-02, 18:04)
toskarinternetexplorer (deleted) - First post (2024-03-03, 21:23)
tezkarin - First post (2024-03-04, 19:51)
castgil-cmd - First post (2024-03-05, 01:46)
Oskar In (LinkedIn) - First post (2024-03-05, 20:50)
toskarincoffee - First post (2024-03-06, 01:42)
newtoskarin - First post (2024-03-06, 07:58)
halimedefr - First post (2024-04-13, 00:17)
homumi - First post (2024-05-05, 04:40)
toskalain - First post (2024-05-18, 19:57)
ntriderpt - First post (2024-06-13, 17:00)
ntriderie - First post (2024-06-17, 20:47)
cyberbunes - First post (2024-06-20, 17:18)
bulletliger - First post (2024-06-25, 04:20)
kirikomamurafr - First post (2024-06-25, 07:13)
freyalisefr - First post (2024-06-26, 02:06)
ntriderbr - First post (2024-06-26, 04:03)
toskarinbunny - First post (2024-07-06, 21:09)
ingridgal - First post (2024-08-21, 04:32)
647 notes · View notes
chipadequeso · 7 months
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#falsettos recent posts simulator
person 1: omg.. does anyone like this show falsettos is the fandom dead am i the only one still here????
person 2: [revival cast art that makes the characters look like anime boy twinks]
person 3: [the seventh time youve seen the same joke about trolls 3 and hazbin hotel whizzer and marvin]
person 4: marvin is getting FUCKED hes getting his shit ROCKED BACKSHOTS HAIR PULLED EVERYTHING
person 5: I DIDNT KNOW FALSETTOS WAS SO SAD????? IM CRYING SO HARD MANN WHY DID WHIZZER DIE 😭😭 im gonna read fics where nobody dies and they celebrate christmas
person 6: OK HEAR ME OUT [worst au ever]
person 7: wow i love whizzvin i love falsettos i love the show abour gay people!!!!!! hi old man yaoi show hi gay people show falsettos is sooo gay its so so gay haha the thrill of first love is so gay guys its gay They break up over chess lol its a lesbian from next door!! its a gay show falsettos is gay guys
person 8: [2017 post stolen from pinterest]
person 9: i feel like we all forget about the obc cast like omg has anyone ever heard of or posted about this before???
person 10: mendel is so sillyyyyyy^_^
person 11: [retrofalsettos good post]
person 12: [genuinely the smartest analysis youll ever see]
person 13: [good art!!!!]
person 14: [the worst take on the history of the entire earth made with the smallest amount of media literacy ever you literally cant get this anywhere else]
person 15: marvins getting FINGERED straight up getting his shit PLOWED
473 notes · View notes
sofs16 · 8 months
Text
let you break my heart again — 4
previous | series link
♫ i miss you i’m sorry - gracie abrams
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charles_leclerc
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liked by landonorris, lorenzotl, pierregasly, and 21,833 others
charles_leclerc Really happy to be part of the Ferrari Drivers Academy and be development driver for Scuderia Ferrari :) For you, (your initial).
view all 25 comments
march 1, 2016
charles_leclerc
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liked by arthur_leclerc, lorenzotl, and 12,392 others charles_leclerc 🏆🏆YESSSSSSSSS!!!!!!! GP3 CHAMPION !!!! A huge thanks to all ARTGP !!!!! WE DID IT !!! ❤️❤️ This one is for you Julio
view all 112 comments
november 26, 2016
yn.yln.16 has gone public!
yn.yln.16
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liked by kylie_yln, and 4,839 others
yn.yln.16 holy moly so proud of you big sister 🥹
view all 103 comments
kylie_yln 🥹❤️
january 5, 2017
charles_leclerc
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liked by 13,484 others
charles_leclerc Dreams come true 💫
view all 28 comments
january 15, 2017
yn.yln.16
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liked by pascale_leclerc, and 7,292 others
yn.yln.16 REAL VOGUE GIRL!!!
view all 110 comments
kylie_yln best vogue intern 🤩
february 8, 2017
yn.yln.16
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liked by bellahadid, lorenzotl, and 12,942 others
yn.yln.16 made a best friend at work ❤️‍🩹
p.s new article is up in my blog 🫧
view all 39 comments
bellahadid youre something special 🦋
user92 what do you write about? :)
⤷ yn.yln.16 sports and fashion 😚🤍
february 20, 2017
yn.yln.16
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liked by 17,393 others
yn.yln.16 tonight’s football game article is up!!! view all 158 comments
march 4, 2017
charles_leclerc
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liked by zhouguanyu24, and 18,295 others
charles_leclerc Prema today ! Working to get back on the top step as soon as possible 🙂🏆
view all 22 comments
april 26, 2017
yn.yln.16 posted a story!
caption: “me and the boys when we aren’t writing a 10 page essay ”
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viewed by pascale_leclerc, bawsixteen, and 521,102 others
replies:
kylie_yln anyone cute? 😚
⤷ yn.yln.16 looollll no 😖
pascale_leclerc Stay safe, chérie ❤️
⤷ yn.yln.16 ouiii maman!!! see you soon:)
gigihadid
monaco gp
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liked by charles_leclerc, and 8,368,560 others
gigihadid Go HAM lewishamilton!
view all 132,395 comments
Maman 💇‍♀️
Charles, before you find out from anyone else, I am having lunch with Yn today.
Charles🤦‍♂️
What? Where?
How long will she be there?
Is she with you now? Maman?
yln.updated
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liked by yn.yln.16, and 7,292 others
yln.updated yn out having lunch with her childhood neighbors! via. chefsmonaco: “Met yn.yln.16 this afternoon! Kindest soul who had lunch at our restaurant!” view all 1,684 others
yn.yln.16 chefsmonaco Loved the food, will surely come back! 🤍🥹
may 28, 2017
kylie_yln just posted a story!
caption: “little sis & me work time 🤪 yn.yln.16”
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viewed by charles_leclerc, and 32,910,842 others
yn.yln.16
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liked by kylie_yln, bellahadid, bawsixteen and 1,017,605 others
yn.yln.16 so so thankful to have written my first vogue article about my beautiful sister !!!! kylie.yln 🥹🤍
view all 232,923 comments
user82 notice how her first article is ab her sister.. talentless nepo babbyyy lol
⤷ yn.yln.16 yeah but hey, atleast im writing in vogue and not crying abt it in someone’s post 🤷🏻‍♀️
⤷ user1 GAGGEDDDD LOLL I LOVE HER ALR
lorenzotl So proud of both of you! ⤷ yn.yln.16 ❤️
may 11, 2017
charles_leclerc
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liked by kylie_yln, pierregasly, and 21,292 others
charles_leclerc POLEEE POSITIONNN 🏎️ 2 poles out of 2 Qualifyings. Thanks again prema_team for the great car. But tomorrow is the day that counts ! 👊🏻
view all 48 comments
kkkwupdates what is kylie doin in his likes 😭
⤷ user27 theyre friends
may 12, 2017
BBC NEWS • SHORT STORIES
MEET YN YLN May 29, 2017
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Yn Yln has been making her mark in the industry.
From detailed writing on fashion pieces to analyzing the newest models of F1 cars, Yn Yln is racing through the internet.
Yln told the BBC it was her bursting of emotions that first got her to write.
Her love of fashion was what started her journey. She put up her first blog up in 2010 titled “Layering”. Yln showcased several ways to style for the winter which skyrocketed her blog.
She then wrote about the racing sport. Yln mentioned a friend of hers raced and that is where her writing started to flourish.
“He just got me really interested in the sport that I couldn’t go a week without writing whether Hamilton got a win or modifications had been made to the sport.”
The writer got her first issue in Vogue out this May 11th. The issue was about her sister, Kylie Yln, and her entrepreneurship.
But while she has achieved much beyond her years, Yln has much more ahead of her. She continues to help the writing industry advance and flourish.
MORE
F1 2018: Charles Leclerc confirmed at Sauber
Kylie Yln launches new collection
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yn.yln.16
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liked by bellahadid, lewishamilton, voguemagazine, kylie.yln, pascale_leclerc, lorenzotl, bawsixteen, and 3,594,192 others
yn.yln.16 you're looking at the new f1 correspondent and presenter 😭😭😭😭😭😭😭😭😭😭😭 tears 😭😭😭😭😭 screaming
view all 310,282 comments
lewishamilton Welcome to the club!🖤
⤷ yn.yln.16 Thank you so much🥹🥹🏎️
kylie.yln Proudest of you
[liked by yn.yln.16]
lorenzotl ❤️❤️❤️
pascale_leclerc 😍❤️
user1 what will you do? ⤷ yn.yln.16 writer some articles and present with sky tv 🍓
november 28, 2017
charles_leclerc
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liked by kylie_yln, and 1,812,292 others
charles_leclerc I remember watching Formula 1 being younger and dreaming of one day being part of it. I can't believe this day has arrived and that I will be racing with Alfa Romeo Sauber F1 Team for the 2018 Formula 1 World Championship. I am hugely thankful to all the people who have been involved in my path to Formula 1.
A special thought to my father that did absolutly everthing for me to get there and to Jules that also helped me massively, I wish you two were here to see that but l'm sure you will follow me from up there.
A special thank you to the Ferrari Drivers Academy/Scuderia Ferrari, my sponsors/partners, Nicolas Todt/All Road Management, my family, all the people close to me during all these years & obviously Alfa Romeo Sauber F1 Team for giving me this opportunity.
Also, a special thank you to (your initial). This is also for you and I’m proud of you.🤍
Still a long way to go to my second dream..! So back to work and see vou in Melbourne 🏎️
december 3, 2017
Charles Leclerc explains reasons behind #16 F1 number choice
december 13, 2017
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Since he was young, Leclerc has been dreamt of his future in being an F1 driver, as well as his future number.
The 20 year old driver explains it has always been the number he was going to pick.
“There is too much emotional connection for me to not pick this number. I hold this number deep in my heart and the person who helped me achieve everything, is mainly the reason. I hope to do the number well and give it justice.”
He has yet to specify who he is talking about but fans would guess a close friend. READ MORE…
16spriv
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liked by kyliexoxo, bells888 and 47 others
16spriv
view all 21 comments
bells888 the no caption is so real
⤷16spriv STOPPP ITS MY NUMBER. NOW I HAVE TO CHANGE MYUSERNAME. goodbye yn.yln.16.
kyliexoxo deeeep breaths sister
⤷ 16spriv 🧘‍♀️
yn.yln
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liked by bellahadid, lorenzotl, and 4,217,282 others
yn.yln bffr. time to work
view all 1,282,955 comments
user2 why is she famous again?
⤷ yn.yln am i even famous
⤷user2 😂
⤷ user3 she’s a talented writer and her sister is $$$
ylnsbabe the 16 in her user is gone????
⤷ f1wags holymoly
february 13, 2018
MARCH 25, 2018
it was nerve shaking for both yn and charles to come into the paddock knowing the other would be there but they both walked in with confidence.
with charles in his rookie season, many interviewers were trying to get his input on it. he searched the faces for that one (y/h/c) but proceeded to answer questions while walking.
as he started to leave the group, he had the urge to turn around. and when he did, he was met with those (y/e/c) and nostalgia.
the interviewers started to disperse, getting in his line of vision for a moment before they were focues on her.
this was his second shot and he was not going to waste it.
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TAGLIST @1655clean @uuzhanggggggg @cmleitora @annie115 @valntynebaby @mrosales16 @d3kstar @stopeatread @chimchimjiminie16 @viennakarma @peqch-pie @scaramou @daniellarogers
NOTE sorry it took so long to upload:( hope everyone has a good year!! this took me a while and a lot of things aren’t accurate, such as the job description, but its fictional!!
425 notes · View notes
sweetiepoison · 6 months
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Famous Baby (social media blurb)
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Who’s (Y/f/n) (Y/l/n) Dating Now?
(Y/f/n) (y/l/n) has been in the spotlight since she was 15 so it’s no surprise her relationships have been as well. From first love to whirlwind romance , we’ve seen it all from the singing sensation. She’s mainly been in serious relationships, but the lineup is impressive.
Shawn Mendes
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(Y/l/n) and Mendes came into the spotlight around the same time. The pair met, instantly hit it off, and became the new young Hollywood “it” couple. They dated for three years from 2014-2017 and wrote a few of their hit songs about each other. (Y/f/n)’s song ‘Dandelions’ on her debut album is about Mendes. The love wasn’t one sided though, as Mendes reveled many of his love songs were about (y/l/n). After winning an American Music Award, Mendes said, “All of my songs are about her, so this award is as much hers as it is mine, she’s my inspiration.
We loved watching their young love romance evolve, but the two split in early 2017. (Y/f/n) discussed the breakup on the Jimmy Fallon show. “We just realized we were growing apart and going in different directions, but he will always hold a special place in my heart as my first love and no can ever replace that.”
Harry Styles
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The British singer is (y/l/n)’s longest and most high profile relationship. The two began dating at the end of 2017 and remained together for four years before breaking things off. Their love caught the attention of the world and had many talking. It’s believed Styles hit song, Adore you is about (y/l/n) before they were official.
The couple raised the bar for relationships. Harry took (y/f/n) on a vacation to Greece for her 21st birthday. Which she followed up by throwing him a massive surprise party with all of his close friends and family. When asked about their relationship in an interview (y/l/n) said, “Harry is the type of boyfriend girls dream of. He loves me so well and he wears his heart on his sleeves which is beautiful.”
The breakup came as a surprise to many as it seemed the couple was going strong. It didn’t last for long though as they got back together at the end of 2022 before finally calling it quits mid 2023. Neither have revealed why they split, but both have remained consistent and committed to supporting each other.
Michael B. Jordan
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During her brief break with Harry, (y/f/n) dated Creed actor, Michael B. Jordan. Despite the 11 year age gap the couple had a lot in common and spent plenty of special occasions together. Jordan helped her celebrate her 24th birthday where we got their most infamous pictures together as a couple.
The relationship lasted 10 months before they broke up and (y/l/n) was back with Styles. Despite the sudden end Jordan had only good things to say, “She’s an amazing, hardworking woman who deserves all the success she’s had.”
Auston Matthews
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The newest boyfriend on the list may be NHL superstar, Auston Matthews. An insider reveals they saw Matthews and (y/l/n) at a bar together in Toronto. They were with a group of friends including Justin and Hailey Bieber, but the two seemed particularly close. The pair was also spotted leaving together at the end of the night. While nothing is confirmed, we could definitely get behind this match.
268 notes · View notes
thealieninhiding · 4 months
Text
The Katie McGrath Archives (WIP)
A repository of my ongoing digital archeology & archival work please contact me if you have anything to contribute and buy me a coffee if you value my content
message me if you want a link to her complete filmography 🤫
Updates
(last updated 2024-07-03)
2024-07-03
Scans:
2014-02-07 London Times - Dracula sets
Audio:
(Un)likeminded 2x02 How to Survive The Apocalypse
2024-05-24
Video:
2017 Katie McGrath interview [CW|KMcGsource]
2017 Supergirl Season 3 Sweet dreams (are made of this) Music Video
2017 CW SDCC Promo Supergirl and Arrow
2019-01-01 The CW Promo Open To All
2021-04-25 Supergirl Season 6 Katie McGrath Lena Luthor
2021-09-15 Supergirl Season 6 Katie McGrath Reflecting on Supergirl
2024-05-22
Audio:
Interview - 2009-07-17 Katie McGrath Mr Media interview
Interview - 2009-10-15 Geek Syndicate Merlin BTS special
Video:
BTS - 2008-10-08 Blue Peter Merlin BTS
Events - 2009 TV Choice Awards Digital Spy interview
Events - Getty Videos of 2009 TV Choice Awards, 2010 Merlin Series 3 launch, 2011 W.E. premiere, 2017 King Arthur Premiere
2024-05-17
Archived interviews
2008-12-07 Tribune Magazine - What Katie Did
2011-10-14 What's on TV - Merlin's Katie McGrath- 'Bad girls have more fun!'
2012-12-03 Fanhattan Blog - Colin Morgan, Katie McGrath and Bradley James on Season 5 and The Series Finale
2018-08-01 The TV Junkies - Supergirl SDCC 2018 Interviews- Lena’s Impractical Lab Outfits, the Return of Reporter Kara and a More Grounded Season 4
Audio
HHush samples
Interview - 2009-2011 Sci-fi Talk rewind merlin the series specials episode 1
Interview - 2011? Merlin S4 Sci-fi talk byte katie mcgrath on morgana
Interview - 2013 BBC Radio 1xtra part 1 & part 2
(Un)likeminded 1x02 While You Were Dreaming
Trees a crowd- Irish folklore segment
Magazine scans
2008-09-20 Radio Times
2009-06-08 TV Week (Aus)
2010-09-05 Sunday Express
2010-09-30 Totally Merlin Magazine
2011-12 Total Film
2012-03-14 Sci-Fi Now
2012-10-06 Radio Times
2013-04-06 Irish independent
2013-09-02 Marie-Claire (UK)
2013-12 Instyle
2013-12 Total Film
Video:
Fans - 2012-04-16 Merlin4 [carlospyrrhus]
Fans - 2017-08-30 Supergirl cast together on set [Joyce Law]
Interview - 2009-09-?? Merlin S2 audio interview with Katie McGrath [BJsRealm] part 1
Interview - 2010-09-06 Merlin Series 3 - BBC Radio 1xtra Interview with Angel Coulby & Katie McGrath [BJsrealm]
Interview - 2011-10-14 Merlin S4 Colin Morgan, Eoin Macken Katie McGrath on The Late Late Show
Interview - 2012-07-15 Colin Morgan and Katie McGrath at SDCC 2012 - innerSPACE [merlinnetwork2]
Interview - 2012-07-18 Katie McGrath Talks Merlin At Comic Con 2012 [ThinkHeroTV]
Interview - 2012-10-25 BBC Radio 1 Breakfast - Colin & Katie part 1 & part 2 [BJsRealm]
Interview - 2012-12-03 Merlin S5 Katie McGrath interview international press day [BJsRealm]
Interview - 2012-12-03 Colin, Bradley, Katie phone interview [BJsRealm]
Interview - 2013-11-09 Katie McGrath on BBC One Saturday Kitchen [BJsRealm]
Interview - 2019-07-22 ENTREVISTA SUPERGIRL Elenco fala sobre a nova temporada [Warner Channel Brasil]
Interview - 2019-07-23 Melissa Benoist Teases Directing An Episode Of 'Supergirl' [ET Canada]
Interview - 2020-02-21 ‘Supergirl’ Celebrates 100th Episode [ET Canada]
Panels - 2011-07-28 Merlin Comic Con 2011 Panel [ThinkHeroTV]
186 notes · View notes
najia-cooks · 10 months
Text
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[ID: Seven yoghurt balls on a plate drizzled with olive oil. The one in the center is plain; the others are covered in mint, toasted sesame seeds, ground sumac, za'tar, crushed red chili pepper, and nigella seeds. End ID]
لبنة نباتية / Labna nabatia (Vegan labna)
Labna (with diacritics: "لَبْنَة"; in Levantine pronunciation sometimes "لَبَنَة" "labanay") is a Levantine cow's, sheep's, or goat's milk yoghurt that has been strained to remove the whey and leave the curd, giving it a taste and texture in between those of a thick, tart sour cream and a soft cheese. The removal of whey, in addition to increasing the yoghurt's tanginess and pungency, makes it easier to preserve: it will keep in burlap or cheesecloth for some time without refrigeration, and may be preserved for even longer by rolling it into balls and submerging the balls in olive oil. Labna stored in this way is called "لبنة كُرَات" ("labna kurāt") or "لبنة طابات" ("labna ṭābāt"), "labna balls." Labna may be spread on a plate, topped with olive oil and herbs, and eaten as a dip for breakfast or an appetizer; or spread on kmaj bread alongside herbs, olives, and dates to make sandwiches.
The word "labna" comes from the Arabic root ل ب ن (l b n), which derives from a Proto-West-Semitic term meaning "white," and produces words relating to milk, yoghurt, nursing, and chewing. The related term "لَبَن" ("laban"; also transliterated "leban") refers to milk in Standard Arabic, but in Levantine Arabic is more likely to refer to yoghurt; a speaker may specify "لَبَن رَائِب‎" (laban rā'ib), "curdled milk," to avoid confusion.
Labna is a much-beloved food in Palestine, with some people asserting that no Palestinian home is without a jar. Making labna tabat is, for many, a necessary preparation for the winter season. However, by the mid-2010s, the continuation of Israel's blockade of the Gaza strip, as well as Israeli military violence, had severely weakened Gaza's dairy industry to the point where almost no labna was being produced. Most of the 11 dairy processors active in Gaza in 2017 (down from 15 in 2016) only produced white cheese—though Mustafa Eid's company Khalij had recently expanded production to other forms of dairy that could be made locally with limited equipment, such as labna, yoghurt, and buttermilk.
Dairy farmers and processors pushed for this kind of innovation and self-sufficiency against deep economic disadvantage. With large swathes of Gaza's arable land rendered unusable by Israeli border policing and land mines, about 90% of farmers were forced by scarce pasture land and low fodder production to feed their herds with increasingly expensive fodder imported from Israel—dairy farmers surveyed in 2017 spent an estimated 87% of their income on fodder, which had doubled in price since 2007. Cattle were thus fed with low quantities of, or low-quality, fodder, resulting in lower milk production and lower-quality milk.
Most dairy processors were also unable to access or afford the equipment necessary to maintain, upgrade, or diversify their factories. Since 2007, Israel has tightly restricted entry into Gaza of items which they consider to have a "dual use": i.e., a potential civilian and military function. This includes medical equipment, construction materials, and agricultural equipment and machinery, and impacts everything from laboratory equipment to ensure safe food supplies to packaging and labelling equipment. Of the dairy products that Gazan farmers and processors do manage to produce, Israel's control over their export can cause huge financial losses—as when Israel prohibited the export of Palestinian dairy and meat to East Jerusalem without warning in March of 2020, costing estimated annual losses of 300 million USD.
In addition to this kind of economic manipulation, direct military violence threatens Gaza's dairy industry. Mamoun Dalloul says that his factory was accused of holding rockets and subsequently bombed in 2008, 2010, 2012, and again in 2014, resulting in repeated moves and the loss of the capability to produce yellow cheese. The Israeli military partially or totally destroyed 10 dairy processing factories, and killed almost 2,000 cows, during its 2014 invasion of Gaza, resulting in an estimated 43 million USD of damage to the dairy sector alone. Damage to cow-breeding farms in 2014 reduced the number of dairy cows to 2,600, just over half their previous number. Damage to, or destruction of, wells, water reservoirs, water tanks, and the Gaza Power Plant's fuel tank exacerbated pre-existing problems with producing cattle feed and with the transportation, processing, and refrigeration of dairy products, leading to spoiled milk that had to be disposed of. Repeated offensives made dairy processors reluctant to re-invest in equipment that could be destroyed at any time.
Israeli industry profits by making Gazan self-sufficiency untenable. Israeli goods entering Palestine are not subject to import taxes, and Israeli dairy companies are not dealing with the contaminated water, limited electricity, high costs of feed, out-of-date and expensive-to-repair equipment, and scarce land (some companies, such as Tnuva, purchase milk from farms on illegal settlements in the West Bank) with which Gazan producers must contend. The result is that the local market in Gaza is flooded with imports that are cheaper, more diverse, and of higher quality than anything that local producers can offer. Many consumers believe that Israeli products are safer to eat.
Nevertheless, Gazans continue building and rebuilding. Despite significant decreases in ice cream factories' production after the imposition of Israel's blockade in 2007, Abu Mohammad noted in 2015 that locally produced ice cream was cheaper and more varied than Israeli imports. In 2017, the amount of dairy sold in 74 shops in Gaza that was sourced locally, rather than from Israel, had increased from 10% to 60%. Ayadi Tayyiba, the region's first factory with an all-woman staff, opened in 2022; it produced cheese, yoghurt, and labna with sheep's milk from affiliated farms. However, demand for sheep's milk products has decreased in Gaza due to its higher production costs, leading the factory to supplement its supply with purchased cow's milk.
The current Israeli genocidal offensive on Gaza has caused damage of the same kind as—though to a greater extent than—previous shellings and invasions. Lack of ability to sell milk that had already been produced to factories, as well as lack of access to electricity, caused an estimated 35,000 liters of milk to spoil daily in October of 2023.
Support Palestinian resistance by calling Elbit System’s (Israel’s primary weapons manufacturer) landlord, donating to Palestine Legal's activist defense fund, and donating to Palestine Action’s bail fund.
Equipment:
A blender
A kettle or pot, to boil water
A cheesecloth or tea towel
Ingredients:
1 cup (130g) cashews (soaked, if your blender is not high-speed)
3/4 cup filtered or distilled water, boiled
1-3 vegetarian probiotic capsules (containing at least 10 billion cultures total)
A few pinches sea salt
More water, to boil
Arabic-language recipes for vegan labna use bulghur, almonds, or cashews as their base. This recipe uses cashew to achieve a smooth, creamy, non-crumbly texture, and a mild taste like that of cow's milk labna. You might try replacing half the cashews with blanched almonds for a flavor more similar to that of sheep's or goat's cheese.
Make sure your probiotic capsules contain no prebiotics, as they can interfere with the culture. The probiotic may be multi-strain, but should contain some of: Lactobacillus casei, Lactobacillus rhamnosus, Bifidobacterium bifidus, Lactobacillus acidophilus. The number of capsules you need will depend on how many cultures each capsule is guaranteed to contain.
Instead of probiotic capsules, you can use a speciality starter culture pack intended for use in culturing vegan dairy, many of which are available online. Note that starter cultures may be packaged with small amounts of powdered milk for the bacteria to feed on, and may not be truly vegan.
If you want a mustier, goat-ier taste to your labna, try replacing the water with rejuvelac made with wheat berries.
You can also start a culture by using any other product with active cultures, such as a spoonful of vegan cultured yoghurt. If you have a lot of cultured yoghurt, you can just skip to straining that directly (step 5) to make your labna—though you won't be able to control how tangy the labna is that way.
Instructions:
This recipe works by blending together cashews and water into a smooth, creamy spread, then culturing it into yoghurt, and then straining it (the way yoghurt is strained to make labna). It's possible that you could skip the straining step by adding more cashews, or less water, to the yoghurt to obtain a thicker texture, but I have not tested the recipe this way.
1. If your blender is not high-speed, you will need to soak your cashews to soften them. Soak in filtered or distilled water for 2-4 hours at room temperature, or overnight in the fridge. Rinse them off with just-boiled water.
2. Boil several cups of water and use the just-boiled water to rinse your blender, tamper, measuring cups, the bowl you will ferment your yoghurt in, and a wooden spoon or rubber spatula to stir. Your bowl and stirring implement should be in a non-reactive material such as wood, clay, glass, or silicone.
3. Make the yoghurt. Blend cashews with 3/4 cup just-boiled water for a couple of minutes until very smooth. Transfer to your bowl and allow to cool to about skin temperature (it should feel slightly warm if dabbed on the inside of your wrist). If the mixture is too hot, it may kill the bacteria.
4. Culture the yoghurt. Open the probiotic capsules and stir the powder into the cashew paste. Cover the bowl with a cheesecloth or tea towel. Ferment for 24 hours: on the countertop in summer, or in an oven with the light on in winter.
Taste the yoghurt with a clean implement (avoid double-dipping!). Continue fermenting for another 12-24 hours, depending on how tangy you want your labna to be. A skin forming on top of the yoghurt is no problem and can be mixed back in. Discard any yoghurt that grows mold of any kind.
5. Strain the yoghurt to make labna. Place a mesh strainer in a bowl, making sure there's enough room beneath the strainer for liquid to collect at the bottom of the bowl; line the strainer with cheesecloth or a tea towel, and scoop the cultured yoghurt in. Sprinkle salt over top of the yoghurt. Fold the towel or cheesecloth back over the yoghurt, and add a small weight, such as a ceramic plate or a can of beans, on top.
You can also tie the cheesecloth into a bag around a wooden spoon and place the wooden spoon across the rim of a pitcher or other tall container to collect the whey. The draining may occur less quickly without the weight, though.
Strain in the refrigerator for 24-48 hours, depending on the desired texture. I ended up draining about 2 Tbsp of whey.
6. If not making labna balls: Put in an airtight jar, and add just enough olive oil to cover the surface of the labna. Store in the fridge for up to two months.
7. To form balls (optional): Oil your hands to form the labna into small balls and place them on a baking sheet lined with parchment paper. They may still be quite soft.
Optionally sprinkle with, or roll in, dried mint, za'tar, sesame seeds, nigella seeds (القزحة), ground sumac, or crushed red chili pepper, as desired.
Optionally, for firmer balls, lightly cover with another layer of parchment paper and then a kitchen towel, and leave in the refrigerator to dry for about a day.
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Place labna balls in a clean glass jar and add olive oil to cover. Retrieve labna from the jar with a clean implement. They will last in the fridge for about a year.
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549 notes · View notes
zelda-heritage-posts · 11 months
Text
Remakes and re-releases count!
Official mainline list:
The Legend of Zelda - August 22, 1987 - NES
Zelda 2: The Adventure of Link - December 1, 1988 - NES
The Legend of Zelda: A Link to the Past - April 13, 1992 - SNES
The Legend of Zelda: Link's Awakening - August 6, 1993 - Game Boy
The Legend of Zelda: Ocarina of Time - November 21, 1998 - N64
The Legend of Zelda: Majora's Mask - October 26, 2000 - N64
The Legend of Zelda: Oracle of Seasons and Oracle of Ages - May 13, 2001 - Game Boy Color
The Legend of Zelda: Four Swords - December 2, 2002 - Game Boy Advance
The Legend of Zelda: The Wind Waker - March 24, 2003 - GameCube
The Legend of Zelda: Four Swords Adventures - June 7, 2004 - GameCube
The Legend of Zelda: The Minish Cap - January 10, 2005 - Game Boy Advance
The Legend of Zelda: Twilight Princess - November 19, 2006 (Wii) / December 11, 2006 (GameCube)
The Legend of Zelda: Phantom Hourglass - October 1, 2007 - Nintendo DS
The Legend of Zelda: Spirit Tracks - December 7, 2009 - Nintendo DS
The Legend of Zelda: Skyward Sword - November 20, 2011 - Wii
The Legend of Zelda: A Link Between Worlds - November 22, 2013 - Nintendo 3DS
The Legend of Zelda: Tri Force Heroes - October 23, 2015 - Nintendo 3DS
The Legend of Zelda: Breath of the Wild - March 3, 2017 - Nintendo Switch
The Legend of Zelda: Tears of the Kingdom - May 12, 2023 - Nintendo Switch
563 notes · View notes
lilyrizzy · 11 months
Text
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max & daniel's relationship, told through 13 years of max's google searches. thank you to @catofthecanals289 and @lajnias for reading through this for me!!! also on ao3
2010-2015
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2021
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& 2023
“Max,” Daniel calls to him from the bedroom, just as he is rinsing the shampoo from his hair. Not wanting shampoo in his eyes or his mouth, Max keeps them all firmly shut.
“Baby?” Daniel says again, louder.
The warm water is a gentle relief running over his sweat sticky skin, nowhere near the scalding temperatures Daniel sets their shower to at home. It’s why Max had insisted that they clean off separately, the Austin heat far too much for Max to endure boiling water too, despite Daniel’s pouting and dramatic insistence that Max couldn’t just ‘fuck and flee.”
“Yes,” he calls when all the suds are safely sliding past his shoulders, but he didn’t need to shout. When he opens his eyes he sees Daniel leaning against the doorway with a smirk, still wearing his unbuttoned satin shirt, cowboy hat and nothing else. His wedding ring sits heavy on his finger, and Max thumbs over the matching one on his own hand.
Max’s come is a shiny presence he can still see smeared between Daniel’s thighs.
The sight of him makes Max’s dick twitch. Daniel notices and his grin only widens.
“Baby,” he says again, too sweet. “Baby, why is your most recent Google search is it weird that my husband saying yeehaw makes me come?”
And just like that, Max suddenly longs for a hot shower, an excuse for why his cheeks start to burn red.
“Why are you snooping through my phone?” He demands, forcing himself not to turn away casually and instead keep rubbing the hotel’s own body wash under his armpits.
“I wasn’t snooping,” Daniel says easily, “I was looking to get us some ribs delivered, my phone died at the track, remember?”
Max makes a noncommittal noise because vaguely he does remember Daniel saying he needed to put it on charge. That was before Max started pawing at him the moment the hotel door shut behind them though, and then it had been forgotten by both of them.
There’s just the noise of the extractor fan whirring for a moment, but Daniel doesn’t move. When Max sneaks a glance at him, he’s still leaning against the door frame looking amused.
“Sooo.” He drawls out the word in the stupid Texas accent that Max wishes he didn’t find so strangely sexy. “Are we going to talk about this, little lady, or-“
“Nope,” Max says firmly, turning off the shower.
Daniel nods. It makes the lights of the bathroom catch on his chain and Max- Max really wants to fuck him again.
“What about the one below it?” He asks, “Daniel Ricciardo Austin 2023 photos?”
“Nope,” Max says again, stepping out of the shower and reaching for his towel. He’s smiling now too, because he knows that beneath Daniel’s teasing that one will have made him happy to see.
“Okay,” Daniel says, then he unlocks Max’s phone. “What about how to ask my husband to-“
“Daniel,” Max interrupts, taking the phone from his hand and putting it into the empty sink. “Do you want to read more of my internet history, or do you want to get back on the bed and play good cowboy, bad cowboy again?”
Daniel grins, takes the cowboy hat from his head and puts it onto Max’s. When his arms wind around Max, the silky fabric of his shirt presses cool against Max’s shower-warm skin, his nipples.
“Well, when you put it like that,” Daniel says, leaning in to put his mouth on the skin just beneath Max’s ear. “Yeehaw, baby.”
Max laughs and pinches Daniel’s ass, at the same time as his dick twitches again. Backing him out of the bathroom, towards the bed, his phone is forgotten in the bathroom.
Google never had all the answers when it came to them, anyway.
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reasonsforhope · 11 days
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"France is to trial a ban on mobile phones at school for pupils up to the age of 15, seeking to give children a “digital pause” that, if judged successful, could be rolled out nationwide from January [2025].
Just under 200 secondary schools will take place in the experiment that will require youngsters to hand over phones on arrival at reception. It takes the prohibition on the devices further than a 2018 law that banned pupils at primary and secondary schools from using their phones on the premises but allowed them to keep possession of them.
Announcing the trial on Tuesday, the acting education minister, Nicole Belloubet, said the aim was to give youngsters a “digital pause”. If the trial proves successful, the ban would be introduced in all schools from January, Belloubet said.
A commission set up by the president, Emmanuel Macron, expressed concern that the overexposure of children to screens was having a detrimental effect on their health and development.
A 140-page report published in March concluded there was “a very clear consensus on the direct and indirect negative effects of digital devices on sleep, on being sedentary, a lack of physical activity and the risk of being overweight and even obese … as well as on sight”.
It said the “hyper” use of phones and other digital technology was not only bad for children but also for “society and civilisation”.
The report recommended children’s use of mobile phones be controlled in stages: no mobile phones before the age of at least 11, mobiles without internet access between 11 and 13, phones with internet but no access to social media before 15.
It also suggested children under three years old should not be exposed at all to digital devices, which it said were “not necessary for the healthy development of the child”.
“We must put the digital tool in its place. Up to at least six years old a child has no need for a digital device to develop,” Servane Mouton, a neurologist and neurophysiologist who was on the commission, said. “We have to teach parents once again how to play with their children.”
Banning phones in schools has long been debated across Europe. In countries where bans exist this is most often confined to their use and do not require children to hand them over.
In Germany there are no formal restrictions but most schools have prohibited the use of mobile phones and digital devices in classrooms except for education purposes. A quasi ban has been in place in Dutch secondary school classrooms since the beginning of this year, but as a recommendation and not a legal obligation. From this school year the directive will also apply to primary schools.
Italy was early to phone bans, introducing one in 2007 before easing it in 2017 and reimposing it in 2022. It applies to all age groups.
In February this year, the Westminster government issued non-statutory guidance that said schools in England should prohibit the use of mobile phones throughout the school day, but that it was for individual headteachers and leaders to decide on their phone use policy.
Portugal is experimenting with a compromise by introducing a number of phone-free days at schools each month, while in Spain schools in some autonomous regions have imposed a ban but there is no nationwide prohibition."
-via The Guardian, August 27, 2024
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fruityforsaari · 25 days
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Duration of Killing Sprees and Police Responses to Mass Shooting Incidents
(from first 911 call to either when shooter is killed or disarmed)
2019 Dayton Shooting – 32 seconds
2014 Marysville Pilchuck High School Shooting – 2 to 4 minutes
Stockton Schoolyard Shooting – 3 minutes
2023 Allen Texas Mall Shooting – 3 to 4 minutes
2022 Chesapeake Shooting – 4 minutes
Oxford High School Shooting – 5 minutes
Gilroy Garlic Festival Shooting – 5 minutes
Sandy Hook Elementary School Shooting – 5 to 6 minutes
Parkland High School Shooting – 6 minutes
2022 Buffalo Shooting – 6 minutes
Red Lake Shootings – 9 minutes
2023 Louisville Bank Shooting – 9 minutes
2014 Isla Vista Killings – 10 minutes
Sutherland Springs Church Shooting – 11 minutes
2023 Jacksonville Shooting – 11 minutes
2017 Aztec High School Shooting – 12 minutes
Luby’s Shooting – 12 to 13 minutes
2023 Nashville School Shooting – 14 minutes
Walk of Death Killings - ~20 minutes
Cleveland Elementary School Shooting - ~20 minutes
Jokela School Shooting – 22 minutes
Columbine High School Massacre – 49 minutes
Pittsburgh Synagogue Shooting – 1 hour and 14 minutes
San Ysidro McDonald’s Massacre – 1 hour and 17 minutes
Uvalde School Shooting – 1 hour and 17 minutes
Halle Synagogue Shooting – 1 hour and 32 minutes
University of Texas Tower Shooting – 1 hour and 36 minutes
Kauhajoki School Shooting - ~1 hour and 40 minutes
Virginia Tech Shooting – 2 hours and 36 minutes (main shooting was 9 minutes)
2016 Kalamazoo Shootings – 6 hours and 58 minutes
Sources:
2019 Dayton Shooting: https://www.foxnews.com/us/dayton-gunman-shot-26-people-32-seconds-police
2014 Marysville Pilchuck High School Shooting: https://www.heraldnet.com/news/marysville-pilchuck-high-school-shootings-timeline/
Stockton Schoolyard Shooting: https://www.sacbee.com/news/politics-government/capitol-alert/article252289238.html
2023 Allen Texas Mall Shooting: https://www.dallasnews.com/news/crime/2023/06/05/medics-saved-every-recoverable-victim-of-allen-mass-shooting-fire-department-says/
2022 Chesapeake Shooting: https://www.13newsnow.com/article/news/crime/timeline-walmart-mass-shooting-in-chesapeake/291-845fb5f4-8baa-403c-ad37-6df930330a3c
Oxford High School Shooting: https://www.clickondetroit.com/news/local/2021/12/05/sunday-read-everything-we-know-about-oxford-high-school-shooting-timeline-charges-evidence-more/
Gilroy Garlic Festival Shooting: https://www.abc10.com/article/news/local/california/timeline-gilroy-garlic-festival-shooting/103-8e09e76d-e560-4c28-93b6-c4d94a272308
Sandy Hook Elementary School Shooting: https://www.nbcconnecticut.com/news/local/timeline-of-sandy-hook-school-shooting/1916530/
Parkland High School Shooting: https://www.cnn.com/2018/02/15/us/florida-school-shooting-timeline/index.html
2022 Buffalo Shooting: https://buffalonews.com/news/local/crime-courts/we-have-bodies-down-here-police-radio-transmissions-reveal-grim-scene-at-saturdays-mass-killing/article_2335d1d0-d3c0-11ec-8bc0-4f348962ee1e.html (paid article, just scroll really fast or use an extension to bypass this)
2014 Isla Vista Killings: https://www.cbsnews.com/news/timeline-of-murder-spree-in-isla-vista/
Red Lake Shootings: https://vault.fbi.gov/red-lake-high-school-shooting
2023 Louisville Bank Shooting: https://www.yahoo.com/gma/louisville-corner-changed-forever-9-152203640.html
Sutherland Springs Church Shooting: https://www.ksat.com/news/2018/02/06/700-rounds-in-11-minutes-sutherland-springs-survivor-says-hes-amazed-hes-alive/
2023 Jacksonville Shooting: https://www.cnn.com/2023/08/27/us/jacksonville-florida-shooting-sunday/index.html
2017 Aztec High School Shooting: https://edition.cnn.com/2017/12/08/us/aztec-high-school-shooting-william-atchison/index.html
Luby’s Shooting: https://www.crimemagazine.com/lubys-cafeteria-massacre-1991
2023 Nashville School Shooting: https://abcnews.go.com/US/timeline-shooting-covenant-school-unfolded/story?id=98158185
Walk of Death Killings: https://www.smithsonianmag.com/history/story-first-mass-murder-us-history-180956927/
Cleveland Elementary School Shooting: https://www.latimes.com/local/lanow/la-me-ln-san-diego-shooting-anniversary-20190130-story.html
Jokela School Shooting: https://schoolshooters.info/sites/default/files/Jokela%20School%20Shooting%20Official%20Report.pdf (page 20 and 47)
Columbine High School Massacre: https://columbineonline.weebly.com/timeline.html
Pittsburgh Synagogue Shooting: https://www.cnn.com/2018/10/27/us/pittsburgh-attack-timeline/index.html
San Ysidro McDonalds Massacre: https://www.kpbs.org/news/local/2019/07/18/san-ysidro-mcdonalds-massacre-35-years-later
Uvalde School Shooting: https://www.texastribune.org/2022/05/27/uvalde-texas-school-shooting-timeline/
Halle Synagogue Shooting: https://www.mdr.de/nachrichten/sachsen-anhalt/halle/halle/pressekonferenz-stahlknecht-zu-anschlag-halle-100.html
University of Texas Tower Shooting: https://www.tshaonline.org/handbook/entries/university-of-texas-tower-shooting-1966
Kauhajoki School Shooting: https://schoolshooters.info/sites/default/files/Kauhajoki%20School%20Shooting.pdf (page 26)
Virginia Tech Shooting: https://en.wikipedia.org/wiki/Timeline_of_the_Virginia_Tech_shooting
2016 Kalamazoo Shootings: https://www.cbsnews.com/news/kalamazoo-shootings-timeline-rampage-suspect-jason-dalton/
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