#100/100 experience

[iftitah]

the limit was seven pegs last night

[starbuck]

“…to me” is one of the most powerful disclaimers we have on here… is this character analysis accurate? debatable. but it’s real… to me.

[poley-world-draw]

Mob in the style of Serial Experiments Lain, or so I tried heh

[rythyme]

if you've been to more than one, pick the one that's further down on the list. stopovers don't count unless you actually left the airport.

feel free to say how many / which ones you've been to in the tags!

[femaleboysblog]

okay listen. im gonna say something here, I'm not black. however, the non black people in the tags (mostly the kendrick lamar tag) being like. oh well uwu 😔☝️how come no one talked before about drake being a pedophile and preying on black women etc? thats weird! uhhhh??????? black women have? for years???? yall didnt listen when they said 'hey this is weird' n it only got a considerate attention when it was about millie bobbie brown and still you people were like "oh whatever he still makes fire music" or whatever. and some people still are acting like this. so, listen to black women when they tell you they feel or know that something is not right. listen to black people.

[redysetdare]

You can help an aroace this Valentine's day for the low low price of 1 billion dollars sent to me.

[loz-tearsofahomo]

I was telling my dad about ao3 and he asked "But why would anyone do it if they're not being paid?" And that genuinely makes me so sad. The fact that the majority of people are told things are only worth doing if there is financial gain in it. Oh you're an artist? Artists don't make any money.

Sometimes the point isn't money. Sometimes it's just to create.

[feelo-fick]

um ok cool thanks for letting me know .... why are you telling me this

[steelsartcorner]

BG3 Comic: An Unwelcome Surprise

(Be forewarned: Dark Urge Act 3 Spoilers. Post is tagged. Click “read more” for the full comic.)

I always find myself wondering about the side conversations that must happen between the other characters while your PC is busy talking to the plot point givers.

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[dark-manga-stuff]

[karinhart]

my piece for the girl psycho 100 zine, which you can download for free on gumroad!

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[bambiilooza]

i had this idea ever since i reread the odyssey a while back and the recent epic saga just drove this idea into my head

he got cast out or smth idk. he can drink from coconuts and eat crabs which doesn't sound too bad but he's lost his waterbending (and everything else) which sucks

he's still immortal tho. i feel like it's one of those 'fate worse than death' situations

if u recognise which design of mine i'm referencing with his jewellery, you rock <3

i'm gay and stupid

[nothingbizzare]

???%

[ryllen]

x ❤️ ace is at it again ❤️ x