#.yeah fuck it i'll put this in the tag

[fullmoonfireball]

y'know, since i've gained a lot of followers from posting those Pikmin 4koma translations, i have a few questions

do you guys prefer multi-comic posts (such as this one), or individually-posted translations?

should i start putting my URL on these? it'd probably go down near the artist's name if i did. i don't care if people repost my translations or otherwise spread them, as long as they don't pretend they did them. regardless though, it might be a good idea.

on a similar note. should i translate the lil credit footnote? the official translations do this, but i've just left them as-is.

any other feedback on them would also be appreciated!

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[geiba]

GUESS WHO'S SICK AND MADE A SHITPOST

i am dedicated to always giving minimum effort. do i like the shading? no. will i do it better? also no <3 anyway hope ya like the shitpost (image reference below)

i found this on pinterest and like. big ruikasa energy, this is exactly the type of shit these two would pull. whether you ship them or not they for sure lose braincells in proximity to each other. i do have like, potentially 3 actually serious good quality fanarts knocking around in my empty cranium (make that + one (1) crack(ish) fanfic idea (romcom style), to tease it a little it's an idiot triangle basically. just one big hilarious misunderstanding really. also it's akitoya, plus tsukasa because the dynamic of akito and tsukasa as kinda in-laws is fucking hilarious to me, imagine the sheer fucking despair of akito realizing that the annoying guy from school is now his semi brother in law. peak shit ) but we'll see about actually making those.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[qourmet]

Like a Kept Dog...

[charlesemersonwinchesteriii]

happy hodgvingdays <3

[grimvestige]

I wanted to do a bit of a dramatic reinterpretation of one of my favorite moments in Dungeon Meshi s1 <3

Unwatermarked + HD version

[ratcandy]

3 straight hours of drawing and editing through a horrid migraine for a whole THIRTY SECONDS of self-indulgence beyond your wildest dreams. we call this being extremely normal

song is Bernadette by IAMX

[cure-stars]

HAVEN'T DONE THIS OR THAT YET, IT'S ALWAYS SO FORCED

IT'S LIKE I'M, LIKE I'M, INEXPERIENCED, SO FROM NOW ON,

LET'S JUST DO IT!

HAVEN'T DONE THIS OR THAT YET, IT'S ALWAYS SO SUDDEN

IT'S LIKE I'M, LIKE I'M, INEXPERIENCED,

BUT WHAT'S WRONG WITH THAT? 💛

[coleomegilla-maculata]

Best part of being an artist is that you can combine interests and nobody can stop you

Tried doing some effects with the first one too but I wasn't too sure about how it turned out? Here it is anyways. I haven't really fiddled with the filters in FireAlpaca too much lol

[ihateornithologists]

ok i'll probably be home until november so... if you wanted any of my merch i can try to take a few orders this month (right now this applies only to paper stuff - prints, artbooks, stickers etc)

BUT disclaimer i live in russia and i've never sent anything to other countries before xD technically this WORKS as usual, but there might be some problems with delivery (you might have to wait for a month or more (idk it depends on the country) + as far as i know russian post doesn't deliver to finland, and there are often problems with delivery to germany, maybe something else??) also this means the usual shit with the payment sorry.. paypal/other normal options are unavailable so. i'll accept payment via my friend's boosty (boosty accepts paypal afaik), and i don't really know how this works, so we'll have to figure it out in the process lmao of course if anything happens to your order, if it doesn't arrive etc i'll return the money.

... yeah. so. if you don't mind all the inconveniences and want to make an order you can dm my friend @graintourette (not me) if you just want to help you can reblog this post :)

here are the examples of what i have. prints/sticker sheets are $5-10 (different sizes and types of paper, etc), artbooks are $20, small stickers are $2 each. the shipping price will depend on your country, you can ask about it personally for more info dm @graintourette again (you can ask for closer photos/pictures, prices for each item or for the shipping, anything else you need)

more stuff under the cut 😩

more elisabeth stuff:

[brw]

I feel like I stole this idea from someone but thinking about the hypothetical AU where Wanda is a mech pilot and Vision is the big A.I. suit she wears... symbiosis on a fundamental level... Vision simultaneously sword and caretaker, Wanda simultaneously the arm behind the sword and the fragile heart inside... you know?

[somfte]

Flint was morally correct to bombard all the civilians in Charles Town, no I will not elaborate.

[astrolotte]

i haven't been able to get into perirep but tbh looking at it from a QPR angle... I can see it

world's first toxic yaoi queer platonic relationship

[revvethasmythh]

It is interesting, in retrospect, how during and immediately after their encounter with Delilah in episode 77, you can see it actively dawn on Imogen that Delilah is a 24/7 voyeur to everything that happens to/around Laudna, including her relationship with Laudna. Delilah taunts them by saying, "I'm always here" and Imogen whispers to herself, "Always," like this is the first time she's realized it and then immediately starts trying to plan a way, any way, to separate them, including saving the gods from Predathos specifically to call in a favor from one of them. It's such a numb, sudden, harrowing realization. It build perfectly to her admission of disgust when they were in the Fey Realm a couple episodes later

[vos-videmus]

You think Shishido can dance?🤔

kjbsgdkbjgds he can certainly try 💀 I did have him modded into LJ tho and damn look at him go