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#...do they have a ship name is their ship name genuinely just triple baka.
graegrape-art · 2 months
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triple baka yuri. who agree
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lovesickutau · 4 years
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You heard of triple baka, now here’s triple yandere!
 So now that I’m rping three yandere’s(this blog @lovesickutau and my side blog @electriicangels​) I thought I’d make a post explaining how these lovely ladies yandere style’s are different!
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Tei’s Style: 
Usually takes a more violent approach, finds her rivals name and usually rids herself of them in their sleep. 
Has eyes only for her darling, usually the Kagamine’s and refuses to give anyone else her time and affection, the only way she’d move on from them is if they’re dead. (which i have a verse where they are, and open for other ships!)
Doesn’t mind her darling knowing what she does and her true nature 
She believes she should be completely honest, because lying to her darling is one of the worst things she could ever do. 
Despite her jealousy and violent tendency problems, she’s actually a very sweet girl, she genuinely loves the people she surrounds herself with. 
If she’s rejected time after time again, eventually she will take the life of her darling, burn their body, and put the ashes into what’s called  a Cremation Necklace, where she has them for the rest of eternity.(this is a last ditch plan, and will most likely never happen to anyone but the Len from my verse where it’s open for other ships) 
The best song explaining her would be “Smoke and Mirrors” by  LittleJayneyCakes 
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Mayu’s Style:
Usually takes a manipulative approach, only using more violent approaches as a last resort. She will poison, frame, spread rumors, torture, or trick her rivals in order to get them to back off. Also often calling her rivals “weeds”
She will NEVER revel her true nature to her darling unless her darling has been told, caught her in the act, (or in @kindcstguardian​‘s miku case) their nature is similar to her’s and will understand. 
in order to hide her true nature from others and her darling, she will act cutesy, innocent, and overall act like a whole other person when in reality she’s mean, manipulative, two-faced, and filled with a darkness dripped in poison.
She doesn’t care much for anyone other then her darling, while true, she may have like-minded friends that she’ll help if it benefits her, she will turn on them in a second to protect herself or her darling. 
 If she’s rejected by her darling three times, she will take drastic measures to secure herself, kidnaping them, spending hours and days torturing them so she can detach them from herself, feeling nothing for them, and then killing them.              •  Before any ship she has; she has done this at least three times.                 One of them being her “master”, the person who originally                  created her, explaining why she hasn’t been updated. 
The best song to explain her would “ Milk and Cookies “ by  Melanie Martinez
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Kiku’s Style: 
Considering that her darling is Taito Shion, a yandere just like her who is his darling; she doesn’t often feel the need to do anything, unless someone starts flirting with Taito, which she usually resolves by screaming at the person. 
However, in a verse where her darling is someone other then Taito, she will often take violent approaches, usually not carefully however, and will frame another person she doesn’t care for with the murder. 
She doesn’t bother hiding who she is from anyone, as her demonic and corrupted voice already creeps people out, so she figures “why hide it?” 
Kiku is a violent person all around, she will often inflict harm to her darling and herself just out of the pure delight of blood, pain, and screams. Often laughing maniacally while doing it or if she sees pain and sufferings.  
She won’t care if she’s respectively rejected, she will keep her interest and be very unwavering of her darling. The person can take all the precautions to keep her away that they want, Kiku won’t stop until she has what she wants. 
The best song to explain her would be “Rotten Girl, Grotesque Romance”
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nyerus · 8 years
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In Regards to Hate: On Victuuri
I don’t know what suddenly happened again but there’s a shitton of hate for Victuuri/Viktuuri(/etc) in the tags lately. People are welcome to feel however they want for a particular ship, but I just wanted to give my two cents by tackling the common complaints I’ve seen. I’ll start from the beginning so I’ll be addressing basically all the arguments against this ship I’ve seen so far. I’ve tried to maintain some sort of order for these, but honestly I just winged it at some point.  A lot of these arguments are also heavily character-based, so keep in mind that I’ll be deconstructing several scenes as well as character motivations as I go.  (As a note, this assumes you’ve seen the whole show. Also, I’m only using canon evidence from the show itself.)
This is like an informal follow-up to my super old post but also not really.
No I’m not avoiding work why would you say that.
WARNING: This is a massive post/wall of text. Grab popcorn.
1.)  “Victor shows up naked at Yuuri’s home and continues to be uncomfortably forward with him.”
First let’s all remember that Yuuri’s family runs an onsen. People are naked in onsens. Very naked. That’s how hot springs generally work. And Yuuri is probably extremely used to nudity, which in and of itself is treated with less shock in Asian culture than it is in most western countries. Not to mention that Victor is unashamedly proud of his body. Also… in hindsight, we sort of understand why Victor was so forward with Yuuri. It’s because the last time they met, Yuuri grinded against him, nearly naked, after pole dancing. Then they proceeded to have this lovely dance together that basically changed Victor’s entire life. Victor genuinely thought that Yuuri remembered at least part of the banquet and just sort of cuts straight to the chase of “hey let’s get to know each other, personally *wink wink*” because he assumes that they’re past formalities by this point. When he sees that Yuuri is super shy and uncomfortable with this, Victor quickly changes gears. From the moment he realizes what Yuuri’s boundaries are, he never oversteps. All physical contact he initiates from then on is reciprocated or welcome (even if Yuuri is bashful about it).
 2.)  “Victor fat-shames Yuuri and never apologizes.”
People have already gone over this but as a competitive figure skater, Yuuri could not afford to be at the weight he was in episode one. It was dangerous, plain and simple. As someone who works in the medical field, I can’t understate how big of an impact weight has on joints in something like figure skating. Especially given how jumps are a major part of every routine, and landing those at a reasonable weight itself is rough on joints. (Not to mention, getting height for your jumps would also be more difficult.) As for people who’ll no doubt say “but Yuuri managed to do all the jumps in Victor’s FS perfectly at that weight”: no, he probably didn’t. We know from established canon that at that point, Yuuri could not yet reliably land a Quad Flip—which was the second jump in Victor’s FS. So even with just that information we can safely infer that Yuuri probably turned the Quads into Triples (or even Doubles). When Yuuko praised him on his perfect copy of the routine, she was probably telling him how he nailed the choreography as a whole—which in itself was hellishly difficult.
Victor is not the only person who points out Yuuri’s weight, as it’s Minako who first criticizes him for it. It’s not just an aesthetic thing. More so than his weight, Yuuri is out of shape. (He’s not able to run as far as he later is, etc.) And Yuuri himself knows this—he starts working out even before Victor shows up in Japan. Victor urging Yuuri to lose the weight is not abusive or fat-shaming, it’s just him giving Yuuri professional advice. Is it tactless and a little mean? Yeah it definitely is, but Victor is sometimes extremely blunt. More on this below.
 3.)  “Victor calls Yuuri ‘little piggy’ which is mean.”
I can’t really argue with ya there in that it was kind of mean. But just to clarify, the phrase he uses is “Kobuta-chan” which is oddly endearing and less “little piggy” and more “piglet” which has a different connotation entirely. Also the nickname is obviously not random because Yuuri’s favorite dish is a Pork Cutlet Bowl (which was the main culprit behind his weight gain). Like, that was the entire joke. It was based on katsudon. That was the whole point.
But anyway, Victor used the nickname for like one episode. Between episode two and three. After that he only ever refers to Yuuri by his given name, nothing else. It didn’t hurt Yuuri’s feelings, either, and we know Victor cared about Yuuri’s weight only in terms of figure skating.
Victor can be an asshole sometimes, and that much is true. But he’s not ever intentionally cruel for the sake of being hurtful.
 4.)  “There’s an inherent power imbalance because Yuuri’s idolized Victor for so long and now Victor is his coach.”
One of the major points of their entire relationship is the balance of power between them. First let’s examine the Victor-->Yuuri dynamic. At no point in time does Victor think of Yuuri as anything less than an equal. He never talks down to him, never belittles him, never makes him feel weak or lesser. Nor does Victor ever abuse Yuuri’s self-esteem issues; instead helping Yuuri seeing that he’s worth so much more than he realizes. He never uses his “power” over Yuuri to get his way like he probably easily could have. He knows that Yuuri’s idolized him for years, but he’s Victor Nikiforov. Everyone idolizes him. He’s a goddamn living legend, a Russian hero. Honestly, when this show first started, I was worried we’d get a weird hero-worship based relationship and the very thought of that made me super uncomfortable, but that entire trope was so masterfully subverted. In fact, Victor’s been pining over him for months before the two of them meet in earnest. Victor is enamored with Yuuri both as person and as a skater. It wasn’t just a really elaborate booty call. He was incredibly impressed with Yuuri’s skill and decided that he could help him, all the while trying to find his own inspiration again. It’s a symbiotic relationship.
Now the Yuuri-->Victor dynamic is a little more complex because it takes Yuuri time to get over his hero-worship stage. But he does. He completely does, and that’s a very important milestone in their relationship. By the end of episode four, he’s stopped seeing Victor as this God-like being and instead starts seeing him as a person. The change in their dynamic is instantly clear. Yuuri becomes a hundred times more comfortable around Victor as soon as he realizes that Victor—another human being with human fears like aging and male pattern baldness—is someone who’s going to meet him in the middle. (Interestingly, after the beach scene in episode 4, Yuuri uses more informal language with Victor instead, like how he does with his family. Beforehand, he always used very polite language only. This is a little bit lost in translation, but is actually really important. It shows how comfortable he’s become around Victor.) Yuuri’s infatuation turns into real love because he’s found someone who is patient with him, who doesn’t intrude upon his heart or his feelings, but pushes him to be better every day. And it’s important to note here that Yuuri never allows Victor to think of him of anything less than an equal. He calls Victor out on his bullshit, especially showcased in episode seven, where he yells at Victor in the parking garage and later when he roasts Victor in his head for the entire first half of his Free Skate. “Victor no baka!” is an important line, guys.
Victor and Yuuri are both consenting adults and Yuuri’s career does not depend on Victor. He can very well drop Victor and get a new coach if he wanted. (Let’s remember that he’s Japan’s #1 Figure Skater—there will be no shortage of people ready to be his coach, regardless of when it is in the season. And funnily enough, they would all probably be more qualified to do this than Victor is.) Yuuri is under zero obligations here.
 5.)  “Their relationship moved unrealistically fast with little development.”
See, the problem with a 12-episode anime that isn’t actually about their relationship but about Yuuri’s Figure Skating career is that we’re not going to get very much screentime for relationship development. After all, it’s a sports anime and not a romance. We need to read between the lines a lot because even when the writers want to give us more, they simply cannot (e.g. how they wanted to give us the beach date scene but couldn’t, and had to stick those stills in the ED instead). Victor and Yuuri’s relationship did not move at some whirlwind pace that people make it out to be. There’s like an eight month gap between when Victor shows up in Hasetsu and when they get engaged in Barcelona. Granted, it’s not a whole lot of time, but I know people who’ve gotten married in faaaaaarrr less time than that. But for those eight months (most of which we are NOT privy to, because it takes place off-screen), the two of them are together every day. There’s going to be a lot of development happening there, and we see clear evidence of it. For example, the two of them are EXTREMELY comfortable with physical contact from episode six onwards. Let’s take a moment to remember what happened in the previous episode. Yes, that lip balm scene. But also? Yuuri’s speech on live television. Between episodes 5 and 6 there’s about a month and a half gap where the two of them have gotten very comfortable with each other, probably aware that there’s mutual attraction. Their relationship is actually moving at a reasonable pace, all things considered. And honestly? Every relationship is different. It depends on the people involved in that relationship and how comfortable they feel with how it’s progressing. It’s not like there’s some guidelines like “must attain quota of 17 lunch dates before frick fracking” or something. No one gets to dictate the terms of someone else’s relationship. That’s silly.
 6.)  “It’s abusive for Victor to stipulate that they’ll only get married if Yuuri’s wins gold.”
Look, we know that Victor is very clearly romantically interested in Yuuri and had no real intention to cockblock(/weddingblock) himself. If anything, he meant it as a motivation for Yuuri to do his best and also in a teasing manner. It’s a way of Victor showing how much faith he has in Yuuri, that he’ll snag that gold medal. (After all, what Yuuri asks of him is his full faith and support in him, and this is another way of Victor taking that request to heart. He doesn’t even entertain the idea of Yuuri losing—in his head, Yuuri’s going to win, plain and simple.) Yuuri’s shock to the announcement was due to the fact that he was just put on the spot in front of his competitors, all who want to win too—not that he was uncomfortable at Victor’s “ultimatum.�� If that were the case, the rings would not be treated with such attention and importance in the following episodes. Yuuri very clearly holds their rings in high regard, emotionally speaking.
 7.)  “They’re not actually engaged.”
Listen, I’m very close with a few of my friends but I’ve never bought 800€ gold wedding rings to be exchanged in front of a famous basilica with a choir singing in the background following a romantic shopping date. Yuuri says that they’re good luck charms (“omamori” actually, which are a bit more than just good luck charms in Japan—but like a spell or a wish, too; though traditionally they are a specific type of amulet) to thank Victor for everything, but Yuuri very specifically chose those rings and chose to give it to Victor in front of a church. Where people get married. He could have done it anywhere, casually, like outside the shop or back in their hotel room. But he decided to do it there, blushing the entire time. It means Yuuri was very aware of what he was doing and what he WANTED, even if he was too afraid to say it aloud. And Yuuri is very much the type of person who would be afraid to straight-up propose to Victor because of his own self-esteem issues and also the fact that he isn’t sure of Victor’s plans post-GPF. Yuuri is not good with his words, but he is far clearer with his actions. It’s a key facet of his personality. Here, by giving Victor a gold ring in front of a church, he’s made his intentions known in a very Yuuri-like way. And Victor understood. He has always let Yuuri set the pace in the relationship, he never pushes too hard, so him “accepting” Yuuri’s “good luck charm” is him meeting Yuuri in the middle. And when he slips the other ring on Yuuri’s finger, Yuuri is clearly surprised. He’s overjoyed when he smiles back at Victor because he knows that Victor wants to be with him.
But okay, fine. Let’s leave that. Let’s go to the scene in the restaurant where Victor says in PLAIN WORDS that they’re engaged. He literally says the words “engagement rings.” It’s even partly in English so it can’t be mistaken for anything else. Yuuri freaks out when Phichit announces that they got married because, well, they didn’t get married. But Yuuri never, ever denies their engagement. (Neither does Victor, of course. No one does, in the show.)
Also an interesting point I have to bring up: Yurio. He asks Victor at the beach why he’s “so damn happy to be looking after that damn pig”—meaning Yuuri, of course. Looking after him??? What, like just bros??? For like, the rest of their lives??? Just in a totally bro way??? Clearly not. The entire conversation at the beach was Yurio being super pissed off that this could possibly mean that both Victor and Yuuri meant to retire after this season and would run off to get married and settle down. We see how much both Victor and Yuuri mean to Yurio, so he’s very clearly upset at the idea that he might never see either of them on the ice again after this. (And he’s basically like “well fine if you’re going to leave then just leave already” because #AngstyTeen.)
I also feel like a lot of these doubts stem from the fact that the way a western audience perceives such a relationship is inherently different than a Japanese audience. But in a lot of Japanese shows (and Asian shows in general), even when there’s a heterosexual couple, there is often no inherent declaration of love or on-screen kiss. Same goes for other forms of media. Many times they will imply that the two characters are together and then do something like a time-skip showing them with their kids or having dinner together at their home/a fancy restaurant, further implying that they’re married. And you know what? In these situations, no one ever questions the legitimacy of that het couple’s relationship. I know many people are scared of being queerbaited—and I’ll be honest, there’s a part of me deep down that always lives in fear of this because of how often we’ve been scorned—but I want everyone to keep in mind these cultural differences. (Furthermore, as someone living in South Asia right now and who watches Asian shows, I can re-iterate that things like on-screen kisses are SUPER rare (yes, between het couples). They’re on the level of being scandalous and not so long ago, they were literally illegal here.) 
(*And a slight spoiler here for the video game Final Fantasy X, to help me illustrate my point about cultural differences (I’ve seen other people mention this and am essentially using it myself, but cannot remember specific blogs—sorry!): in the English/International release of the game, the main female character Yuna tells her love interest (the main male character, Tidus) “I love you” at the end. HOWEVER, in the original Japanese version, Yuna says “thank you.” The phrase “I love you” is never uttered in that entire game, yet Yuna and Tidus’ relationship is never questioned. Not once.)
I know we want explicit confirmation and I know why that’s important (and that it’s also important to discuss this and demand better from creators) but let’s not outright dismiss what we got so far. But ah, we could spend years talking about this one thing and others have already done it, so I’ll finally move on.
 8.)  “They have so many communication issues.”
I agree with “they have communication issues” but not the “so many” part.  People against this pairing seem to be under the impression that they constantly miscommunicate and I have no idea where that stems from. They’ve had two big failures in communications (episode 7’s garage scene and episode 11’s hotel room scene) and sometimes they may not be on the same page in terms of their relationship, but they actually do remarkably well. Remarkable because both of them are both actually quite terrible at communication in general. I’m going to heavily break down both of those aforementioned scenes so we can discuss what exactly happened.
We know that Victor has never had any serious relationship in his life. He admits himself that for the last twenty years, he’s basically ignored both life and love. So he has very little experience in comforting someone else—because he’s just never had to do something like that. He doesn’t know how to handle Yuuri’s anxiety because it’s not a problem he is familiar with, and while he knows that Yuuri has anxiety, it’s never manifested this intensely before. So it’s no wonder he’s at a loss for what to do. He does what he can: making sure Yuuri gets a little bit of sleep, advising that he not to any jumps during warm-up, not berating him when he does those jumps anyway and instead being calm and supportive, and taking Yuuri away from other people when he sees it’s detrimental. When nothing, absolutely nothing seems to work, Victor becomes desperate. He decides to try something out of left field that will hopefully jerk Yuuri out of his self-destructive state. And thus the infamous “if you miss the podium I’ll take responsibility and resign as your coach” speech. And I want to point out that Victor very specifically says “I’ll take responsibility.” As in, “I’ll attribute it to myself.” While this is actually somewhat noble of Victor to avoid ever placing blame on Yuuri directly, it actually only makes matters worse. This is because we know that what Yuuri’s primarily afraid of is not messing up, but messing up and having it reflect badly on Victor. He cannot bear the thought of people talking ill about Victor—someone he loves very dearly—and while Victor was trying to be as gentle as possible while, well, shattering Yuuri’s heart, it ends up backfiring doubly because of this. 
The last thing Yuuri wants is to drag Victor’s name through the mud and the idea that Victor would do that himself, if Yuuri messes up, is horrible. Never mind the very idea that Victor would leave. (Though, of course, Victor actually never says this either—only that he’d resign as Yuuri’s coach, not that he would straight-up leave Yuuri; though since Yuuri doesn’t know the full extent of Victor’s feelings for him, he assumes that Victor quitting as his coach would also include him leaving Hasetsu altogether.) And of course, Victor doesn’t mean any of this. This is probably how he was motivated by his coaches (and seeing as he’s new to coaching, he’s probably taking ques from them) so he figures, hey, since nothing else is working, maybe shocking Yuuri out of his funk will do the trick. It absolutely does not do the trick and Yuuri ends up bawling his eyes out—but not at the prospect of Victor leaving. No, he’s furious that Victor would say something like that. Victor backs down IMMEDIATELY. He doesn’t try to justify himself, he doesn’t try to give any sort of explanation or defend himself. He just apologizes because he knows he fucked up. This is more than most people do in an argument. And not only does Victor apologize, he takes this to heart. He never, ever pulls something like this again. He actively changes his behavior. This is so important. 
And now, since neither of them are very good with words, their official “make up” doesn’t happen there, even if Yuuri wasn’t actively mad at Victor after the fact. But he didn’t know how to express that and Victor probably felt like he was walking on eggshells at that point so he smartly kept his mouth shut. Still, Yuuri knows its important to communicate that he isn’t angry at him. So what does he do? The head boop. It’s a clear throwback to episode 4—the scene that showed that Yuuri was coming out of his shell and impulsively acted upon realizing that Victor was a normal, human person with his own fears and insecurities. And this is Yuuri’s way of essentially rubbing that in, in an affectionate way. Saying “You’re an idiot, but you’re my idiot.” (By the way, this is the final step of Yuuri letting go of his idolization of Victor and fully coming to see him as a normal guy with his own shortcomings.) And if Victor had any doubts of Yuuri forgiving him, Yuuri does the Quad Flip at the end of his routine to signify that yes, you’re forgiven (and also I will surpass your wildest imagination, among other things). They didn’t have to implicitly say “I’m sorry”/”I forgive you”/etc. It was all made crystal clear in the one way they always communicate freely in: skating.
Coming to episode 11…. Yuuri, being the nervous ball of anxiety he is, often has moments of intense self-doubt. Often times he thinks “what does Victor see in me” throughout the show and is quick to become disappointed in himself. This is what happens in episode 11. Yuuri doesn’t do as well as he wanted to in his Free Skate, causing his anxiety to kick up to 100. But Yuuri doesn’t say anything about it. He doesn’t tell Victor what he’s feeling or what he’s afraid of. So Victor has no way of understanding what’s going through Yuuri’s head and reassuring him that everything will be just fine, regardless. After his own lackluster performance, Yuuri sees that Victor is watching other skaters and assumes that Victor wants to go back to skating. And sure, while it does sort of spark that competitive spirit in Victor, his only concern at the moment is Yuuri. But Yuuri completely misunderstand Victor’s appreciation of other skater’s performances and jumps to conclusions because that’s what anxiety does. It takes an otherwise innocuous situation and twists it until you can only think of the worst-case scenario. To Yuuri, this is Victor leaving him behind to go back to Russia. And this is where it becomes a sort of double-whammy. 
Despite his moments of confidence and delight at being the one who “stole Victor away from the world,” Yuuri suffers from an immense amount of self-doubt that tells him “you aren’t good enough.” He feels like he’s keeping Victor from doing something that he loves (skating) and after that lukewarm performance, he figures that maybe he’s not worth Victor’s time, coaching-wise. And he loves Victor enough to not want to hold him back anymore, either. He feels like he’s a burden and thus should cut Victor free and let him go. And after all, didn’t Victor say it was until the Grand Prix Finals anyway? But moreover, what Yuuri does at the end of episode 11 is a defensive tactic. He’s terrified at the prospect of Victor leaving him, yet he feels backed into a corner, so he decides to put distance between them in order to protect himself. (Remember Victor’s line from episode 10 about how when athletes feel pressured into a corner, they sometimes act unexpectedly? Foreshadowing.) Yuuri is giving Victor a way out, should he want it. It’s Yuuri’s way of minimizing the pain he thinks is inevitable. 
But what Yuuri here doesn’t understand is that Victor is fully invested in their relationship. Victor’s shock makes this completely evident. He never for a moment entertained the idea of parting from Yuuri, especially not now. He just lived under the assumption that once the Grand Prix was over, they’d go onto Nationals and Worlds and so on. Victor had NO IDEA the turmoil that’s been plaguing Yuuri this entire time (who has honestly spent much of the show afraid that his time with Victor is limited—and that’s another reason the rings were so important to Yuuri; they were genuinely a wish he made of keeping them together). For Victor, skating doesn’t hold the same joy it once did for him. Without Yuuri there, it feels lackluster; he’s tired of feeling alone. I will argue that yes, Victor’s competitive spark was re-ignited by Yurio (and also Yuuri) breaking his world record, but Victor clearly values his relationship with Yuuri more than he does his skating. 
Now, we don’t get to see the rest of what happens in that scene but they at least got to the point where they put it on hold until after the Finals—because it was obviously important that Yuuri focus on that, first and foremost. And what happens at the finals? At lot of things, really. The most important thing is that Yuuri’s Free Skate is his way of communicating to Victor what he feels. His skating says “do you see how much I love you?” and Victor—with tears in his eyes—understands. They communicate a lot through skating; that was the entire point of the Quad Flip as I mentioned before. It was a conversation between them. But now I’m veering off into poetic territory, so I’ll bring it back. Yuuri realizes here that he doesn’t want either his career or his relationship to end there. In the end, they not only decide to keep going—together—but also apparently have to redo whatever their initial plans were and move to St. Petersburg together because they can’t bear to be apart—and that much is confirmed canon.
Do they still have issues to work out after this? Absolutely. There will no doubt be more things that come up if we get more seasons. But Rome was not built in a day, people. And to expect a perfect relationship with zero miscommunication ever is highly unrealistic. That’s unhealthy. Even couples who have been married for decades and are on the same page regarding everything still have their squabbles now and then. You’re not always going to understand what your partner feels/thinks in a given moment unless you have telepathy, and you’re going to disagree over things. That’s just how it works. The most interesting part of Victor and Yuuri’s relationship is how genuine it feels, for these reasons.
 ***Now mentioning two additional points that are not strictly about Victuuri, but YoI as a whole***
9.)  “Other shows have done representation better.”
I know other shows like No. 6 and Shin Sekai Yori (which are both based on pre-existing novels and not original works like Yuri!!! on Ice) have done things like show explicit kissing between two same-sex characters and should not be forgotten or dismissed, but “better” is a really subjective word. (*Spoiler alert*) In neither of those two shows do you get a queer couple that is happy and together by the end of the show. In No. 6, Shion and Nezumi part ways and we are never explicitly told if/when they reunite and if/when they officially get together. In Shin Sekai Yori, Shun is killed off and Satoru marries Saki, instead. (Though this in itself is not horrible, per se, the “Bury Your Gays” trope is so prevalent that I personally couldn’t help but grind my teeth at it.) However at the end of Yuri!!! on Ice, Victor and Yuuri are both alive, happy, engaged, and looking forward to a future together. Take this to mean what you will. Some people value an explicit romance even if it ends in tragedy more, but personally I prefer when my same-sex couples are alive and happy together for once.
And just to say it: even though other shows have been more explicit about homosexual or otherwise queer relationships, not all of them have handled it with the same level of respect they do with heterosexual relationships. More below.
10.)  “Yuri on Ice doesn’t address homophobia, and thus Victor and Yuuri’s relationship is unrealistic.”
I for one am exhausted. Exhausted because so many shows featuring queer characters inadvertently turns into a struggle due to those characters’ identities. It becomes a part of the plotline (and often is the whole plotline) and while I think it’s incredibly important that we do have stories like this—because they’re especially important for young people who are finding themselves—it’s also important that we showcase a world in which equality exists and a character’s sexual orientation does not encompass their entire story; and in which they are allowed to have story arcs about literally anything else like their heterosexual counterparts. I was dreading this happening in YoI following the kiss, to be frank. I didn’t want to tune into the next episode and see homophobia of any sort. YoI was like a safe haven for me and so many others—a blanket you could wrap around yourself and find hope that one day, yes, the world will really be like that. It seems so wonderful and simple and liberating. I didn’t have to watch this show with a dark feeling in my gut, angry at the world. I could watch it feeling happy and light for once. I am so grateful that Yuuri and Victor’s relationship is treated the same way as a heterosexual relationship would be. No one makes snide comments, no one doubts their legitimacy, it’s never the butt of a joke, none of that nonsense occurs here. Normalizing same-sex relationships is an important step, especially when such a relationship aired for all to see in a country where gay marriage is not yet legal. (And also the fact that the relationship features an interracial couple who both come from conservative counties.)
There are no doubt a ton of things I’ve missed here and I’m not going to get into things like “YoI has poor animation” and “YoI didn’t deserve all the awards it got” because that’s not the point of this post—and this post is monstrous enough. Everyone, everyone is entitled to their own opinion. But once you make your opinion public, you are inviting discussion. You can’t spout hate against something other people love and not expect to be challenged.
I know I’ve basically been preaching to the choir with this post, and thank you to everyone who’ve taken the time to read this or skim this. Hopefully it helps you organize your own thoughts. For dissenters who’ve read this post, thank you as well and I hope we can have some interesting discussions regarding Victuuri and Yuri!!! on Ice as a whole.
TLDR; Victor and Yuuri’s relationship is not picture-perfect, but that’s what makes it all the more compelling. It feels real and genuine because these characters feel real and genuine—flaws and all. If anyone has anything they want me to address specifically, please drop an ask or a message!
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