#...Should I tag this as 'Which Partner'?

[cosmicredcadet]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[atelierlili]

I always wondered why Katniss factored marriage and children into the equation when it came to reciprocating Peeta’s feelings for her. It’s a rather large leap, especially when Peeta himself never expresses wanting children at any point in the story. He uses children as a tool to persuade Katniss and the Capital to save her life, but the only time we see him express any desire/feelings of having one of his own is when he’s crying after the baby bomb. But we never hear his real thoughts.

But you wanna know who does express wanting children? Gale.

It’s one of the first thing he mentions in chapter one. And it pisses her off so much.

(I also want to add that Gale reframes/establishes the dynamic of Katniss and him caring for their siblings from something that is sibling-sibling to parent-sibling. And he is not wrong. Katniss doesn’t refute him. Both Katniss and Gale are surrogate parents to their siblings. Which is also why Katniss love and affection of Prim, is not just sisterly. I’ve seen people say Katniss is only sisterly to Prim- but she’s not. She’s parentified their relationship to the point she subconsciously see Prim as her child, which makes this a tragedy because she’ll loose her first child no matter what she does by the end of the story.)

But Gale’s phrasing here elevates himself as a potential suitor to Katniss by placing them both as the parental roles to these children. (Which irritates her a lot ). Which is why she brings the topic up with her relationship with Peeta. Because she’s subconsciously aware of Gale’s efforts and knows it will be a point of contention between them. It hangs over her head in a way.

With Gale, children are extra mouths to feed. (But Gale will do fine. He can work. He can hunt.) It’s all framed with calculated survival in mind. But it’s also not something she had planned in the future at any point.

But Peeta’s children? Oh they deserve to be born because Peeta deserves to be a father. He would be such a good father. They deserve to exist in a world where they can be safe and happy. (Even if it’s not with her.)

This is also why I think she subconsciously sees Peeta’s baby as her own. And I don’t think of it as a cruel/heartless thing, it’s just you’d be more protective of your own child compared to someone else’s. Katniss sees Gale as a reliable person who’s equipped to look after a kid. She doesn’t express the same kind of maternal instinct/yearning for the Baby Hawthrone’s safety as she does with the idea of Baby Mellark, because she doesn’t think of Gale’s child as her own. She never hopes for a better future for them, but she does with Peeta because he and that baby gives her hope. And she loves him that much.

[aurieeeeeenyx]

oh yeah also jayvik are extremely orpheus and eurydice coded i don't make the rules

[sugarcarnation]

love love love how similar these two panels are. makes me insane

[fantasticgothicpeachsludge]

There’s no way Jayce came out of the fucking Infection Dimension perfectly healthy except for his leg (and his mental health)

He had an open wound on his back before he even went in!! and then the one we saw on his leg! (which was broken in fucking half!!) like did y’all see how thick the fog was?? He was breathing that shit in for months!! That man was probably dying!!!

[kirby-the-gorb]

[moeblob]

Shavuli !

She's just. Into rocks. It's fine. She likes to collect shiny rocks. (this is dice related and I am not apologizing for giving her this trait)

[deeply-unserious-fellow]

The fanon interpretation of Vox and Valentino's relationship really is just Satan and Saddam Hussein in South Park huh.

[mj-slenderman]

Day two - encyclopedia

[akkivee]

idk if i ever got around to just commenting how strange it was that juto and rei swapped palettes in their bp outfits but it’s strange that they did lol and now we got juto straight up wearing his blazer the way rei wears his fur coat in the mtc album art

and now i’m really wondering if there was more to those duos in the block party lol

[thecapturedafrique]

When you’re reading the latest chapter of @coffeebanana’s awesome fic everything i know (brings me back to us) and suddenly realize that Marinette lying about Gabe to Adrien at the end of S5 is just a repeat of the scarf incident in S1:

[necrotic-nephilim]

Please infodump about the JayTimSteph Grotesquerie AU WIP if possible.

OF COURSE i've been thinking about it since i saw the trailer and now it's a little brainworm. (disclaimer i've not watched the first two episodes yet, this is like. solely on the vibes of the trailer. some details might change once i. watch the show depending on if i follow it or just go with the vibes the trailer gave me. which also means there will be no spoilers for the show if you care about that.)

the current idea involves Detective!Tim, Nun!Steph, and Priest!Jason. the vague idea for the plot so far is that a serial killer leaves a *very* artful display of a crime scene inside of the church that Jason and Steph operate out of. Tim is assigned as the leading detective on the case and ends up in a relationship with the both of them as he spirals in madness trying to catch the killer.

for Steph, i want to explore the idea of her father, Cluemaster, being a *very* prolific and artful serial killer who's whole gimmick was sending clues to the police until he was caught when Steph was still a child, and her and her mother were forced to go into witness protection for their own safety, which led her down the path of becoming a nun. it was a defining childhood moment for her to walk in on one of her father's crimes, so when she's the one who finds the crime scene in the church, it *immediately* sends her back to her childhood and she's caught between PTSD-fueled horror and a sick, enticing fascination. she wanted to become a journalist before going into WITSEC but that career was basically all but ruined for her. now she runs the small newspaper for the church and is desperate to write on the first "real" story she's ever had, dragging her into an intense obsession over the crime and trying to prove she can solve it.

for Jason, i want to deal with his history as Bruce. the current idea is that Bruce is Tim's police chief who adopted Jason and Dick from a young-ish age and raised them to be detectives, taking them to crime scenes as teenagers and teaching them the ins and outs of how criminals think. it leads to Dick becoming a detective, but when taking them to crime scenes led to Jason being kidnapped and brutally tortured by "Jack Napier", almost dying. Dick kills Napier to save Jason and it fractures their little family so badly that Dick switches departments to another city and Jason runs away at 17, eventually happening upon joining the clergy. he's the new, young priest in the church who's known for being very pretty but very emotionally distant even if he's nice enough. and he's *pissed* that Bruce is in his church investigating a murder and that no matter where Jason goes, he can't seem to get away from the horrors.

and for Tim, he's the young new detective in his department who is *entirely* unaware that he's been taken under Bruce's wing bc Bruce is treating him as a surrogate replacement for Dick and Jason. haven't fully decided his backstory yet, but it'll likely be similar to canon with losing his mother and father. i kind of want him to be lost and lacking a sense of direction. very gifted in noticing patterns and detective work, but it's clear he doesn't *really* want this job. and when he's assigned as the lead on a case that feels *way* too big for his experience bc Bruce is showing clear favoritism, he's forced to go to Steph for help, which leads to Jason ending up wrapped up with them too.

despite how heavy the plot *sounds*, i honestly want this fic to be like. 40% porn. like the show i want to explore a lot of fucked up sexual interests in Jason who's punishing himself for it, Steph being too interested in things for her own good and desperate for a taste of what "real life" feels like, and Tim just being incredibly repressed. like i want the line between horror and erotic to feel like a jumprope. lots of fucked up sex balanced with like. them actually trying to catch the killer. and then of course the emotional aspect of how Jason's baggage with Bruce works into all of it. also want Tim to have a mild hero worship for "the great Detective Dick Grayson" while being clueless that he's Bruce's son and Jason's brother. i sort of want it to be Steph-centric, but still have POVs from Tim and Jason just to round out their emotional arcs. i haven't fully decided everyone else who'll be in the fic but i know i want Cass to be a fellow nun and friend of Steph's, Babs to also work at the church, Helena to be Tim's favorite coworker, and possibly for Damian to be around somehow. those roles will probably get more fleshed out when i. watch the damn show tho.

anyway TLDR: religious imagery, body horror, kinky sex, and a mystery that might break everyone psychologically once they get to the bottom of it. i have some very specific scenes and dialogue planned out. probably cannibalism as a metaphor for love thrown in there too. idk i just want these three to be as fucked up as possible and unhinged about each other but fighting their repressed side with their unhinged feral side. and since it doesn't exist by god I'll create it.

[moth-spiderling]

Things do get better.

Life can be cruel and unforgiving, like a writer killing off the most beloved characters and making everyone suffer through a lot. Yet every bad moment eventually shall pass.

We don't stop reading a book, just because the writer made things seem grim for a bit. We shouldn't stop living just because we're afraid it'll get worse.

Things can go badly, sure, but they can also turn out for the better. You can also survive.

Even giving up for a day, a month, a year, does not mean your life is not worth living.

It doesn't mean you're gonna be stuck here forever. It just means that for now, maybe for a long time now, things have been rough.

And you need a break, and a hug.

And someone to tell you, that you are very much loved, even if Life (as the most bitter and inspired writer) has decided to take it out on you.

You are loved, you're not weird, and you deserve good, beautiful, lovely things.

[aristoteliancomplacency]

Really bummed about ONRAC, even more bummed about the reason why.

[bijoumikhawal]

also it really is shit how several popular bloggers were like. Horribly bigoted towards ace people when it was cool, but once it stopped being trendy they 1) deleted those posts so receipts couldn't be pulled 2) maybe put up claimed "redactions" or said "omg its been years if you really wanna know wether i still hate those people dm me" but never apologized for their behavior lmao. I don't think any of the people who did that actually changed, I just think they know it's not such an acceptable/fun target to bully anymore. It's really sick how that type of bullying was encouraged for years and how few people repented for their behavior.

[sforzesco]

Are Marcus Antonius and his friend in love? Cuz... If he touched Marcus Antonius' lips, what does that mean?

I don't think I've drawn Antony with a friend on this account before, do you mean Octavian? for me, they hate each other, but there's an overlapping area where resentment, desire, violence, and power come into play, and past that: familiarity, only it's the kind of familiarity where the pitch was turned up too high and it becomes claustrophobic.

if Antony shoves his fingers into Octavian's mouth, it's coming from a place of erotic debasement and power play, but he's also giving Octavian the opportunity to bite his fingers off. If Octavian kisses Antony, it's less a display of romance and more of a desire to consume, to conquer, to bite, to cannibalize.

They can't get what they want from each other, and in the end they're too similar and too different so it becomes absolutely unbearable.

On the Translation (of Sophocles' Philoctetes), Carl Phillips