#-> rebound with literally the worst guy you can imagine who you try to convince yourself/everyone is the love of your life

[jonismitchell]

... does anyone want to hear about how ttpd (title track) is about the male rebound you try to convince yourself is the one after you leave the love of your life

[bisluthq]

Could you explain to me why Dress has gay connotations? I just don’t see it, and it’s been years now.

Yes I can, because that was the song that lead me down this path of sin and insanity. The year was 2017. With more marbles and brain cells and far less COVID, I sat down to listen to the album Reputation. Perhaps I poured a glass of wine first. I don’t recall. I was but a more or less normal, very casual fan who had for many years enjoyed mocking Taylor for her messy ass personal life, supposed hyperconfessionalism and regular PR kerfuffles. One of my best friends and then roommate used to, as I’ve told y’all before, blast Blank Space as a chaos anthem every time we went out. Fundamentally, though I was too cool for Taylor Swift. I was listening for like... general pop culture knowledge because my brain is a treasure trove of entertainment tidbits and gossip. I got through almost the whole album and then I heard the song Dress and I said, “what the fuck did I just listen to?” And I replayed it and I went, “Damn Blank Space. That was gay.”

And that was the fateful day I came to believe in 2+ muses, Gaylor and, I guess, Kaylor as well because my (albeit surface level but even if I’d dug) Googling brought me mostly to supermodel Karlie Kloss’s door.

So why is this song so gay? I’m not even gonna give y’all the Kaylor reading today we’re literally gonna time capsule to 2017 before I knew any of this shit and when the only thing I knew was THIS SONG WAS GAY.

Our secret moments

In a crowded room

They got no idea

About me and you

Okay so they’re out and about. What secret moments? Like looks and stuff? I mean bold of her to assume nobody knows it’s pretty easy to convince people hets are fucking especially if they’re giving each other meaningful looks and shit. Idk like people whisper and gossip about hets just looking at one another all the time. This seems like she’s a bit overconfident in their sneakiness.

There is an indentation

In the shape of you

Made your mark on me

A golden tattoo

Right so whatever is happening between the speaker and the subject of the song has had an impact on her. This isn’t a thirst anthem. Like the secret moments aren’t because they’re just... looking at one another respectfully and kinda doing that “your place or mine” telepathic conversation. No, Tay’s body has a mark, an indentation from the shape of her lover’s body and the whole thing is a golden tattoo - temporary and removable, presumably, shiny and glittery, but visible to the naked eye. So shit’s already gone down. Friends with benefits maybe?

All of this silence and patience, pining and anticipation

My hands are shaking from holding back from you (ah, ah, ah)

All of this silence and patience, pining and desperately waiting

My hands are shaking from all this (ha, ha, ha, ha)

Nah, not simply friends with benefits. This is forbidden, right? Taylor can’t touch her lover. All they have are these secret stolen looks in the crowded room that absolutely nobody can tell mean anything. That... sounds like “gal pals” to lil gay me. Like she can’t touch her lover because it’ll be too obvious but as long as they don’t touch it won’t seem sexual at all. It’s not just that they’re friends and nobody knows there’s more going on, because why can’t they be friendly then? Why are they sharing secret moments but they can’t come close to the point where her hands are literally shaking from staying away? Why can’t she do that good old link arms with her good guy friend especially if they’re out and tipsy? And then it ends off with orgasm noises because... it’s this song so of course it does.

Say my name and everything just stops

I don't want you like a best friend

Only bought this dress so you could take it off, take it off (ha, ha, ha)

More nails in the coffin of “friends with benefits” and people just don’t know. This person saying her name makes her world stop. This ties into the forbidden vibe but it’s also so innocuous that it does fuck with the “we’re just friends with benefits but I want more” interpretation that a hetsplanation would require. Like this is clearly a lot more. It’s already a lot more. It’s not that she just wants more, this girlie is gone.

And then we get to my gayest line: “I don’t want you like a best friend.” Now I get saying you don’t want to be “just friends” with a guy. I also do get being best friends with a guy. One of my irl besties is Blank Space Chaos Anthem girlie and the other is a (mostly) straight dude. I also have other straight dude friends like my mate who I was trying to rescue from accidentally having to marry a converting girl a few years back. I’m like a (woke) straight dude whisperer tbh because being friends with me is a big win for their woke credibility and let’s be real I’m 1) irreverent and great fun and 2) give great advice on girls.

Now I can guarantee you my proposition to fucking any of my dude friends from besties to casuals would not be “I don’t want you like a best friend.” They’d be like, “my bitch wut? Are you with Pothead YouTube Ex again? Tell her BE GONE WITCH!” And sure, maybe that’s just me. But if was already fucking a dude I can guarantee you the words “I don’t want you like a best friend” would not exit my mouth. It’s not “I don’t want to be friends” or “I don’t only want to be friends” she says “I don’t want you like a best friend.” The implication is there’s an appropriate way to “want” a friend and the way she wants the person she’s speaking to is not like that. It’s a similie, she’s comparing the subject of the song to a best friend and saying this is not like that. Now, explain to me why that level of clarification is important in a fwb setup? You’re trying to make it more serious, I get it. You don’t want to be “just” friends with benefits (and we know they’re already fucking) I get that too. But why the similie?

Why would a dude you’re fucking ever misunderstand and think you want him like a best friend?

Carve your name into my bedpost

Cause I don't want you like a best friend

Only bought this dress so you could take it off, take it off (ha, ha, ha)

I mean again, if we needed clarity on why this is a sex anthem it’s the first line of this song. And she’s saying “have sex with me because I don’t want you like a best friend” again, they’ve already fucked that was established in the first verse. Why would this be stuff you clarify with a dude? Why would a man who is fucking you get the wrong impression and assume you want to be best friends? Not friends. Best friends. Why would he think that?

And then we get the dress line. Now, I know some people are like “I dress up for my boyfriend!” and sure. But let’s all be honest. 85%+ of the time girls of any sexual orientation wear outfits out - and we established this is an out type situation - it’s for other girls to notice their fashion. Come on, you’re not expecting your dude friend to be like, “nice dress, where’d you buy it?” “Oh, this? Hahaha it’s just Zara, they were having a sale. If you hurry you might get one too!” Like there’s something inherently sapphic/feminine about discussions of buying clothing. And come on, fellow queer ladies, clothes is a great way to get a chat going.

In this song, Taylor draws attention to this feminine article of clothing she bought to wear on the night in question and instead of saying “it’s Zara” she goes “I only bought it so you could take it off” - I’m doing an eyebrow wiggle but you can’t see because I’m just text on your screen. Why would you say that to a guy? Like if you did, if you’re that girl why are you holding back from him? Y’all are fucking and you have a massive thing for him. Surely he should know by now? Why is this dress even featuring in the conversation? Like I say bringing up a dress you bought in a conversation about sex feels pretty fucking gay. It’s either a really bizarre and kinda desperate flex which doesn’t really match the sexiness of the song or... it’s gay.

Inescapable

I'm not even going to try

Girl you’ve fucked why is there a point of trying at this stage? Unless you... can’t do this or it feels in some way wrong?

And if I get burned, at least we were electrified

Why the I/we split? Like why is only one of them burned if they were electrified? Sure maybe it’s a fwb thing and he can turn her down for more than sex and friendship but it sounds more like - given the best friends - this is her female friend and she’s maybe uncertain of the other woman’s feelings. This feels - and again we’re not doing a Tay’s personal life reading here - like one of them can be fully destroyed by this but despite that reality they are both lit up and hurt in the process.

I'm spilling wine in the bathtub

You kiss my face and we're both drunk

I mean this isn’t inherently gay it’s just sexy, get it Tay. This sounds hot.

Everyone thinks that they know us

But they know nothing about

All of this silence and patience, pining and anticipation

What do they know about you? Like again we’re not doing the Tay reading thing but like what’s the sekrit? She’s fucking her friend? Why don’t they know anything about this? Surely they can imagine it’s a possibility? Like however unlikely, why does nobody know anything about this?

The next chorus is the same as the one above and I still have no hetsplanation for it. Like especially in the broader context of this, again, very gay song.

Then we get a very straight bridge. It’s like it’s from a different song or was written much later:

Flashback when you met me

Your buzz cut and my hair bleached

Even in my worst times, you could see the best of me

Flashback to my mistakes

My rebounds, my earthquakes

Even in my worst lies, you saw the truth in me

And I woke up just in time

Now I wake up by your side

My one and only, my lifeline

I woke up just in time

Now I wake up by your side

My hands shake, I can't explain this

Aha, ha, ha, ha

Okay but this is a completely different vibe to the... entire song. The rest of the song was about the other person not being sure and that being the issue. “I don’t want you like a best friend.” So why: “I woke up just in time”? Like “if I get burned at least we were electrified” but then... “I woke up just in time” - is the rest of the song like a weird nightmare? That’s not, to me, enough of an explanation. She spends the whole song in sexy anxiety pining after someone who cares about where and why she bought her dress and then she’s like “you’re everything to me” - it doesn’t make sense.

The rest of the song is the chorus again. As I’ve said, I don’t see a hetsplanation for it.

This is a gay song. The bridge isn’t and the line about the bathtub isn’t inherently. But the rest of this song is gay af.

[why-this-kolaveri-machi]

you’re not the poison; it’s me.

... um. titans 2.07 absolutely WRECKED me you guys, and i would like to tell you why in excruciating detail:

SPOILERS ahead

(and before i go ahead, i just want to say this: this episode deals with ptsd and psychosis and suicidal ideation explicitly, in ways that even i found difficult to watch. it’s very intense. please keep that in mind if you decide to watch it.)

1. usually genre tv shows like to pile on the trauma but deal with its fallout either rarely or in oblique ways--shots of the character brooding, a couple of ‘candid’ talks filled with frustrating euphemisms, then it’s on to tackling the next plot point. not titans tho--for this show, the trauma is very much the point. the plot is wafer-thin and takes a backseat as the show takes episode after episode to break down its central characters and hammer it in that there are no easy fix-its for complex trauma, and that Dealing with it is a continuous, sometimes lifelong process. it forces you to keep re-evaluating and re-contextualising the actions of these characters and challenges your assumptions.

1.5. for instance: let’s take donna troy. in s1 she was the put-together big sister to dick, content with living her life outside the superhero community while giving sound advice to dick about how he can get his own life back on track. now? she’s a stressed, paranoid wreck, plagued by horrible memories and taking her insecurities out on dick and jason and whoever else is available. deathstroke’s machinations aside, there’s something deeply dysfunctional about the way the original titans operated, the ways they brought both the best and the worst out of each other. it seems like none of them really understood the seriousness of what they were doing until they did something truly terrible that they couldn’t take back, and it was earth-shattering enough that donna completely abandoned her old life to live as a civilian. trigon’s vision for her in 2.01 reminded her that she was fooling herself; coming back to titans tower and actually having to face what made her run away in the first place has broken down the walls she’s spent five years putting up. it’s not pretty to watch, but... it tracks.

2. after having written post after post about dick cracking under relentless stress and the weight of his own guilt complex, it was startling to see him actually fall apart. halluci!bruce was absolutely brutal and really brought home the fact that Good Lord, Dick Grayson Is So Far From Okay That It’s Not Even Funny Anymore. 

because here’s the thing: dick is deeply unwell, and however the show proceeds with his character from here on out, this episode made absolutely no bones about that fact. his single-minded dash to find and kill slade is framed as both irrational and suicidal. he’s visibly on edge, bursting into bouts of uncontrollable rage. he’s shown to carry a guilt complex the size of mount everest, to the point where it actually seems delusional. he’s fucking terrified of abandonment, to the point where he’d rather cut off ties on his own rather than have others leave him. he’s constantly berating himself and this doesn’t give him a moment to sit down and think and try to form a rational plan. halluci!bruce even mentions meds and “uppers and downers” to cope, and i am genuinely concerned that that was what dick actually did to cope in the immediate aftermath of whatever the fuck went down with him and joey and deathstroke. maybe it’s ptsd with a secondary psychosis triggered by nearly losing jason the same way he lost his parents (and massive sleep deprivation, i imagine), or maybe there’s another underlying chronic mental illness. either way, he needs help. 

man but halluci!bruce was vicious. if this is what dick has running in his head at all times, no wonder he broods, and no wonder he takes others admonishing his choices with barely any protest! 

2.25. looking at this from a different perspective, tho, here’s another way in which bruce wayne functions as a symbol on this show. phantom!bruce is how dick normally externalises everything he hates about himself, and this dynamic plays out very literally in this episode. 

interestingly, and somewhat heartbreakingly, it took dick accepting and internalising his low opinion of himself and his veritable ocean of guilt for judgy!bruce wayne to turn into loving, concerned!bruce wayne, who would comfort dick and wipe his tears. (it is entirely heartbreaking that that’s what dick subconsciously craves from bruce.) dick must debase himself for love and acceptance. it’s fucking tragic. 

2.55. and what does it mean--for dick and for his friendships with the og titans--that he’s so convinced that they would leave him if he told them the truth about jericho? for one, even back then, it seemed like dick was doing a lot of the emotional labour for the team: as a leader he both funnelled and executed the team’s plans, with responsibility for the fallout falling unevenly and mostly on his shoulders; he acted as the go-between for the team and bruce, for donna and garth, probably for hank and dawn, given he was dawn’s rebound. later, hank and dawn are visibly concerned by how viciously he fights. after re-forming the titans, he continues to shoulder responsibility for the shit-show that deathstroke rains on them, although he didn’t know deathstroke was alive when he re-opened the tower. of course he thinks that the team will think that he’s beyond redemption if they find out the truth; of course he’d want to go and finish off deathstroke on his own--or die in the process--before any of them finds out. 

2.75. but guys, here’s the thing: in spite of all of this, dick grayson still went around to check on conner and jason and assure the latter that he didn’t blame him for running off on his own. he saw jason standing there on a precipice right at the end, and decided he was going to be opaque anymore, or fall back on what he learned from bruce. he sits down with jason and finally divulges the secret that he had been willing to die to protect--making himself vulnerable to save jason’s life. he’s trying so goddamn hard even though his brain is rioting against him right now and probably has been for years. it’s just--i can’t imagine a truer, more sensitive portrayal of dick grayson than this.

3. watching jason reach his breaking point was,,, Not Fun. it’s one thing to be seemingly passed on like unwanted baggage from guardian to guardian. to be viewed with contempt and impatience when he just wants to make sure his voice isn’t lost in the constant shuffle. to be looked at as an impostor by the very people he looks upto. to be assigned the role of hot-headed fuck-up despite all his attempts to be useful, to prove himself. but to have all of that fall on him all at once on top of (poorly) dealing with a near-death experience? yikes.

3.25. and the horrible, tragic, human part of it all is that donna and the others probably didn’t even know what they were doing to jason by piling on him like that? he’s a relative outsider to both rachel and the og titans. he’s an arrogant prick that’s easy to hate. without dick and gar to stand up for jason, he’s cornered by people who haven’t even gotten to the point of seeing him as a vulnerable kid that’s struggling, just like the rest of them.

3.5. and so the two robins perch on the ledge, each convinced that they are poison that will either kill or drive their friends away. it’s a fraught moment of connection that stops jason from jumping, but he doesn’t step away. both of them are on a precipice in more ways than one; i can only hope they help each other land on the right side.1

also, bruce wayne? send your sons to therapy MY GOD

4. kory and rachel using their awesome powers in concert to cure conner! kory using her cultural background to connect to and help conner! conner mumbling in kryptonian! krypto fucking shooting across the sky with eve on his back! in such a sad and intense episode, it’s important to remember that some fantastic things happened as well!

5. here’s the thing: i don’t think dick killed jericho in the way that he probably thinks he does. dick is a hugely unreliable narrator--that’s been his Thing since s1. part of me thinks jericho should be dead; whatever happened with him and the titans has been built up to be such an earth-shattering event that it would kinda be cheating if he survived anyway. the other bigger part of me says: fuck that noise. JOEY WILSON LIVES, and that’s that

6. gar was sleeping? are you kidding me??? i’m assuming deathstroke drugged him or something so that he wouldn’t be there to Talk Sense and stop these melodramatic fools from tearing into each other. i can only hope that there’s some Big Plans for him down the line.