#- African attire for ladies

[kemetic-dreams]

The 1815 Igbo conspiracy in Jamaica’s Saint Elizabeth Parish, which involved around 250 Igbo slaves, described as one of the revolts that contributed to a climate for abolition. A letter by the Governor of Manchester to Bathurst on April 13, 1816, quoted the leaders of the rebellion on trial as saying “that ‘he had all the Eboes in his hand’, meaning to insinuate that all the Negroes from that Country were under his controul”. The plot was thwarted and several slaves were executed.

The 1816 Black River rebellion plot, was according to Lewis (1834:227—28), carried out by only people of “Eboe” origin. This plot was uncovered on March 22, 1816, by a novelist and absentee planter named Matthew Gregory “Monk” Lewis. Lewis recorded what Hayward (1985) called a proto-Calypso revolutionary hymn, sung by a group of Igbo slaves, led by the “King of the Eboes”. They sang: Oh me Good friend, Mr. Wilberforce, make we free! God Almighty thank ye! God Almighty thank ye! God Almighty, make we free! Buckra in this country no make we free: What Negro for to do? What Negro for to do? Take force by force! Take force by force!

“Mr. Wilberforce” was in reference to William Wilberforce a British politician, who was a leader of the movement to abolish the slave trade. “Buckra” was a term introduced by Igbo and Efik slaves in Jamaica to refer to white slave masters.

[omgthatdress]

Sometimes, the line between "drag artist" and "performer who is queer" becomes incredibly blurry and hard to define.

One of the most famous queer artists of the Harlem renaissance was Gladys Bentley, who was openly a lesbian and who wore men's clothing as a part of her stage persona.

Bentley sometimes used the term "male impersonator" as a way of being able to wear masculine attire on stage, but she was never fully pretending to be male. She was always being herself.

A virtuouso piano player, she was called "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs" She headlined at places like Cotton Club and the Ubangi Club, and always drew in massive crowds.

Described by Langston Hughes, "For two or three amazing years, Miss Bentley sat, and played piano all night long … with scarcely a break between the notes, sliding from one song to another, with a powerful and continuous underbeat of jungle rhythm. Miss Bentley was an amazing exhibition of musical energy – a large, dark, masculine lady, whose feet pounded the floor while her fingers pounded the keyboard – a perfect piece of African sculpture, animated by her own rhythm."

Gladys Bentley was far from being the only queer woman blues singer of the day. Lucille Bogan, Bessie Smith and Ma Rainey also had sexual relationships with women, and sang songs about same-sex desire and "bulldaggers."

Even still, Bentley stood out for her unabashed queerness. When performing at the Ubangi Club, she had a chorus line of drag queens performing behind her.

As time wore on and America became more conservative, Bentley's career struggled. In the 1950s, she renounced her old ways and claimed she had been "cured" of lesbianism and "become a woman again" through a regimen of estrogen shots. It was the only way she was able to maintain a career through the McCarthy era.

[jpriest85-blog]

With the latest update of the Thicker Than demo by @barbwritesstuff I decided its time to post a collage and some info about my Blackwell.

Name: Dr. Roxane Godwin Blackwell

Occupation: Doctor, single mom and unwilling vampire noble.

Pronouns: She/Her

Height:5ft.5”/165.1cms

Birthdate: June 19, 1981

Appearance: An African American woman of average height and build, with a heart shaped face, dark brown complexion, brown eyes, black braided hair, a full mouth, and defined cheekbones. Usually seen wearing modern fashionable clothes with silver jewelry, or medical scrubs. 

Family: Chris( husband, deceased),Percy(son, alive)

FC: Lupita Nyong’o

LI: Too many appealing ROs will play multiple saves for Marcel, Illya, Freya, and Nathan.

Misc. Info & headcanons:

Her name Roxane means dawn or light in persian. Her original surname Godwin means friend of God, and is a reference to Mary Shelly, as it was one of the author’s maiden names.

Her son's name, Percy means to pierce or destroy, and is in reference to Mary Shelly’s only surviving son.

Her initials RGBW are the same as a type of lighting combos used for electronics.

Roxane prefers to be addressed by Doctor rather than Lady, because she actually worked hard for her medical degree.

Due to working in the medical field Roxane already developed a morbid sense of humor to help her cope. This hasn’t changed much since becoming a vampire except the jokes have become darker.

Roxane knows how to play the ukulele. It was a hobby she picked up as a child, and she even used to play lullabies for Percy when he was a baby. She doesn’t play it much anymore since becoming a vampire.

Roxane’s symbol after becoming the new Lady Blackwell is a stylised plague doctor mask on top of a medical caduceus. So she winds up both bird and snake imagery when associating with house Blackwell.

Roxane’s favorite flowers are poppies because of their medical uses and they’re pretty easy to grow. Although she does appreciate the irony that poppy flowers are also associated with remembrance.

While she died in her late 30s Roxane was blessed with good skin, so even though she was overworked and tired when Lawrence turned her she still looked younger, and now she always will.

While Roxane has to practice and relearn how to emote, smiling seems to be easier due to muscle memory from her time as Lawerence’s thrall. Sadly it’s much different from the way she used to smile when she was alive, because Roxane used to have a beautiful smile that would light up a room.

Still married to Chris but he died from a car accident before the events of Blood Moon, and Thicker Than. Roxane kept both of their silver wedding rings on a chain around her neck, but Lawerence Blackwell took and melted them when he made Roxane a vampire.

Roxane’s attempt at friendship with Minjo is more tragic in retrospect, since Roxane knows intimately the kind of pain and grief of losing the husband and father of her child, but if she ever fully remembered the previous Lord Blackwall forcing her to hurt Minjo and her family. The guilt would devastate Roxane as well as make her wish she could have murdered her predecessor herself.

After becoming a vampire Roxane started wearing exclusively red or black for her more formal attire. That way the bloodstains don’t ruin her more expensive clothes.

When Percy was still a baby Roxane gave him a small stuffed rabbit and it became his favorite comfort toy. As he got older he decided to give the rabbit to Roxane, because he’s a big boy now, and he knows how much his mom misses being with him. He figures the rabbit will help Roxane not feel so sad and lonely because Percy loved it so much but he wants his mom to know he loves her more. Roxane always kept the little stuffed rabbit in her pocket or purse, like a lucky charm. Even when she was imprisoned for five years, focusing on the toy and memories of her son helped keep Roxane from completely losing herself.

Roxane’s relationship with her son, Percy, in an odd way mirrors the dynamic of Perseus and both his mother, Danaë, and Medusa (also Roxane would have definitely read the Percy Jackson books with her son). Like the Greek hero Percy is a protective boy who is raised by a single mother, and then separated from each other when Roxane is made a member of the Night Court against her will, although not by an unwanted marriage but by being made a fledgling vampire. Tragically Roxane could also potentially be like the gorgon, after breaking out of her 5 year imprisonment, she tries to visit her son, but ultimately leaves without letting Percy see her face. It would break Roxane's cold dead heart to be the cause of her son's demise, or have her baby boy look at her like a monster. As a vampire Roxane prefers to live in seclusion from the court, and while she doesn’t have the power to turn others to stone like Medusa. A vampire's predatory gaze can cause people to freeze and if trained enough in Path of the Master she can potentially command someone to be still as a statue. There are also some versions of Medusa’s origin where she was a priestess who was assaulted in her temple by a god, and cursed to become a monster. Likewise Roxane’s murder by Lawernence Blackwell in the hospital parking lot reads chillingly similar to many stories and police reports about victims of SA.

[abhishek-saini123]

Introduction to the Symbolism of Silver Bangles in Different Cultures

 Silver bangles for women have been cherished for centuries as elegant and versatile accessories. Women all over the world have a special place in their hearts for these timeless pieces of jewelry. Women's silver bangles often have deeper cultural and symbolic meanings than just fashion statements. In this blog, we'll learn why silver bangles are still adored adornments and the rich symbolism they hold in various cultures.

India: Silver bangles are a symbol of tradition and prosperity in India, where traditional attire includes them. They are frequently presented to women at significant life occasions like weddings and festivals. Silver bangles for women are a symbol of purity, wealth, and good fortune in Hindu culture. They are said to protect wearers from harm and bring good fortune. Additionally, women frequently wear silver bangles during religious ceremonies and rituals because they are regarded as beneficial.

Near East: A Sign of Wealth and Status Silver bangles are used as both an ornament and a sign of wealth and status in many Middle Eastern cultures. Ladies frequently wear complicatedly planned silver bangles as a presentation of their family's success. Sometimes, these bangles are handed down from one generation to the next, becoming prized keepsakes that tell stories of wealth and family history. These bangles can vary significantly in design and craftsmanship, highlighting the region's extensive artistic heritage.

Africa: A Connection to Ancestry and Identity Silver bangles play a crucial role in expressing identity and heritage in various African cultures. Women of the Maasai people in East Africa, for instance, wear silver bangles to represent their age and marital status. These bangles are usually made by hand and can have intricate patterns and designs that are only found in that community. Silver bangles are also believed to have protective properties in some African traditions, shielding their wearer from harm and misfortune.

Asia de la Sud: A Symbol of Faith and Spirituality In countries like Thailand and Indonesia, silver bangles are frequently infused with religious significance. They are sometimes worn as amulets for protection and good fortune. In Buddhist societies, silver bangles might be honored by priests and given to lovers as an image of confidence and otherworldly responsibility. The intelligent nature of silver is additionally remembered to address lucidity and immaculateness of the brain, making these bangles significant embellishments in strict practices.

Cultures of the West: A Mix of Design and Feeling

In Western societies, silver bangles for ladies are frequently valued for their stylish allure and flexibility. They can be incorporated into more elaborate jewelry ensembles or worn as simple, elegant accessories. Silver bangles frequently have personal significance, despite the fact that the symbolism may not be as deeply rooted in tradition as it is in other cultures. They can be given as gifts to mark special occasions and represent friendship, love, and treasured memories.

Conclusion

 Silver bangles for women are more than just pretty accessories. They have a lot of cultural significance and symbolism, which reflects the many different customs and beliefs of communities all over the world. Silver bangles continue to captivate and inspire women everywhere, whether worn as a symbol of spiritual faith, a connection to ancestry, or a sign of prosperity. Keep in mind the profound meanings and stories they tell as you adorn yourself with these timeless pieces.

[juniaships]

Here's the official bio for Queen Genevieve!! I've been watching Quest for Camelot bc this year is the 25th anniversary and it's a guilty pleasure op mine even tho it has a lot of flaws So I had to make an OC XD

Quest for Camelot is owned by Warner Brothers. I only own Genevieve. Made in Doll Divine Princess Maker ver. 1.0. & Barbie movie dress maker

Name: Genevieve of Camelot

Age: 40s

Occupation: Queen

Ethnicity: African British(Celtic?)

Friends: Lady Juliana, Kayley, Garrett, Devon, Merlin

Spouse: King Arthur

Allies: Knights of the Round Table

Enemies: Ruber and his army, Lady Jezebel (OC)

Voice Claim: Angela Bassett

Goals: Retrieving Excalibur (succeeded), avoid a forced marriage to Ruber (succeeded), saving Camelot (succeeded)

Appearance: Genevieve is a beautiful woman with long, dark and curly and dark brown eyes. She also has brown skin. Her regal attire consists of a light yellow dress with red shoulder pads, outer skirt, and gold belt. She wears a simple silver and tiara with a blue gem in the center.

Personality: Genevieve is a wise and goodhearted woman who devotes her time to overseeing the welfare of her kingdom. Like Kayley, she also dreamed of becoming a knight but were forced to set those dreams aside. While she sometimes regrets missing that opportunity, she doesn't regret choosing to be Queen. Genevieve encorages Kayley to pursue her dreams but warns her that the journey towards knighthood is not an easy one. It's implied that she and Lady Juliana were childhood friends.

Abitlities: Genevieve is adaptable, as when she spends her time in the enchanted forest. She also demonstrates her political prowess as when she tries to diffuse Ruber's attempts at invading the sea village, and later convincing the dragon brothers to help her.

The only magical ability Genevieve possesses is a mirror given to her by Merlin. This mirror can reveal a person's "true self", teleportation and some defense against dark magic. While it can deflect physical spells too much force leads to cracks, reducing the effective power of the mirror.

Inspiration: Guinevere (Arthurian Legend), Elinor (Brave), Tzipporah (The Prince of Egypt), Mrs. Brisby (Secret of Nimh), Fiona (Shrek), Asami (Avatar LOK), Snow White (Disney/OUAT), Annika (Barbie Magic of Pegasus)

If Quest for Camelot was about King Arthur it makes sense for Guinevere to exist too! So here's my idea of what she could look like. I think Arthur would want a strong, caring person who is just as devoted to the light as he is. But also because I am sick of media that only depicts Guinevere to serve that stupid love triangle; there's so much more to Arthurian legend and Guinevere than the men she sleeps with. It wasn't even part of the original myths! -_-

Anyways I wanted a story where Guinevere gets to be the hero. As for her role in the movie she visits Juliana and Kayley but their party gets attacked by Ruber. The queen and Kayley escapes and together, along with Garrett, Merlin's falcon and the dragon bros, set off to save the kingdom. She also does battle with an old foe, the bitter Lady Lizabet, who wants to get rid of her and take Arthur as a trophy husband.

As far as design goes I gave her a warm color palette to contrast the blue tunic Arthur wears in the film. Plus the "Primary Color Protagonist" trope.

[lindsaywesker]

Good morning! I hope you slept well and feel rested? Currently sitting at my desk, in my study, attired only in my blue towelling robe, enjoying my first cuppa of the day. Welcome to the weekend!

Wow! Here we are again: Friday! Where did that week go? No, seriously, where did that week go?

I don’t know if you’ve seen that unbelievable story about a recent party at Buckingham Palace and a rather insensitive guest. The late Queen's lady-in-waiting Lady Susan Hussey has apologised and resigned after she repeatedly asked a black British charity boss where she was "really" from. Ngozi Fulani, a charity founder, was questioned about her background at the charity event at the palace on Tuesday. Ms. Fulani, said she was "totally stunned" by Prince William's godmother's comments. An eyewitness to the conversation, Mandu Reid, told BBC News that Lady Hussey's questions had been "offensive, racist and unwelcoming". The leader of the Women's Equality Party said she had felt a "sense of incredulity" about the exchange in which Ms Fulani was interrogated about where she was from, even though she had already explained she was born and lived in the UK. Ms. Fulani was at a reception at Buckingham Palace on Tuesday representing the London-based charity Sistah Space, which supports women of African and Caribbean heritage across the UK who have faced domestic and sexual abuse. Afterwards, Ms. Fulani described on Twitter how the royal aide moved her hair aside to see her name badge, and then challenged her to explain where she was from. Moved her hair aside? You crazy? I can see we’re going to have to give some white people lessons on how to talk to black people. See? Meghan was right! She said the palace was racist!

So glad to see more people on public transport wearing face masks. It’s good to know that some people care about my well-being.

Today is the start of my marking period. The door to my study will be closed for the next two weeks. If you knock on it, you’d better have a good reason. I’m only coming out for special occasions. Next Thursday I’ve got two parties to attend, so I will make sure I have a productive day!

Health-wise: I haven’t felt this spunky in ages! Yesterday, there were people passing me in jumpers, hats, scarves and gloves. I was out there in a T-shirt and my Harrington! My current regime is: Irish Moss, Wellman 50+ and echinacea, washed down with a fruit smoothie. I’ve also come off coffee and I’m just drinking green tea. I only have one cup of coffee with my evening meal. I make sure I get a good night’s sleep, so my energy levels are very good. Over the Christmas period, I plan to do some good walking, I will look even fitter than ever, so I can’t be held accountable for the lusty, insatiable women I come into contact with!

My Weskify Wrapped data has thrown up a lot of interesting stats. I listen to a very wide range of music, some of it very obscure. As I don’t have a Spotify profile, my data is compiled from assorted radio shows, my iTunes library and a random selection of websites. George Clinton once wrote a song about repetitious music called ‘Loopzilla’. The lyrics read, “Like ‘Planet Rock’, we just don’t stop, we’re gonna drive you nuts.” I need to be stimulated so, when I’m listening to music, the genre, mood and tempo always keep changing.

Hope you can join me tomorrow at 1.00 p.m. for ‘The A-Z Of Mi-Soul Music’. The first part of Letter K (Part One). Executive producer: Garry Cooper.

Have a fabulous and funky Friday! I love you all. You’re probably thinking, “You don’t even know me!” but, if people can hate for no reason, why can’t I love?

[stylecoza]

39 Amazing Shweshwe Designs for Ladies to Catch the Eyes

Shweshwe designs for ladies are a captivating fusion of tradition and modern fashion, making this fabric a staple in African fashion. Known for its intricate patterns and vibrant colors, Shweshwe originated in Southern Africa and is deeply rooted in the cultural attire of groups such as the Xhosa, Zulu, and Sotho. Today, however, it has transcended its traditional roots and is now worn by women…

[playgirlnaeemah]

Fashion in Guyana 20 years ago

Twenty years ago, Guyana's rich history and diversified people created a unique blend of cultural influences that defined the country's design scene. The clothing fashions were a blend of indigenous inspirations, British colonial vestiges, and traditional Caribbean aesthetics; these elements were frequently evident in the vivid colors, patterns, and textiles that embraced the nation's cosmopolitan culture. Given its tropical environment, geography exerts a major impact in Guyana's fashion. Because of the heat and humidity, lightweight, breathable materials like cotton and linen were recommended. Bright colors and designs that mirrored the verdant surroundings were common features of traditional clothing, such as the "bush dress" for ladies.  

Local fashion was also influenced by the availability of materials, with imported goods occasionally denoting a higher social standing. Social status had a big impact on fashion in Guyana. Richer people frequently had access to fitted apparel and foreign brands, while people from lower socioeconomic backgrounds had to rely on local seamstresses for custom or used clothes. Styles were determined by gender standards; men wore button-up shirts and pants, and women wore dresses and skirts. But as gender expression gained popularity, these conventions started to be challenged, giving people more freedom to dress however they pleased. Race and ethnicity also had an impact, as various cultural groups wore traditional clothing to celebrate their heritage. For instance, Indo-Guyanese populations may dress in kurta suits or saris for formal events, whereas Afro-Guyanese people may choose clothing that honors their African roots. Due to this diversity, the fashion scene became more colorful, with events like festivals and festivities displaying a wide range of inspirations. In Guyana, clothing frequently represented culture and personal ideals. For example, people might show their support for local artists or dedication to sustainability by purchasing eco-friendly products. Wearing traditional attire for cultural events emphasized a sense of community and belonging, but modern, Western looks occasionally represented hopes for globalization and a modern identity.   Local fashion was also influenced by the availability of materials, with imported goods occasionally denoting a higher social standing. Social status had a big impact on fashion in Guyana. Richer people frequently had access to fitted apparel and foreign brands, while people from lower socioeconomic backgrounds had to rely on local seamstresses for custom or used clothes. Styles were determined by gender standards; men wore button-up shirts and pants, and women wore dresses and skirts. But as gender expression gained popularity, these conventions started to be challenged, giving people more freedom to dress however they pleased. Race and ethnicity also had an impact, as various cultural groups wore traditional clothing to celebrate their heritage. For instance, Indo-Guyanese populations may dress in kurta suits or saris for formal events, whereas Afro-Guyanese people may choose clothing that honors their African roots. Due to this diversity, the fashion scene became more colorful, with events like festivals and festivities displaying a wide range of inspirations. In Guyana, clothing frequently represented culture and personal ideals. For example, people might show their support for local artists or dedication to sustainability by purchasing eco-friendly products. Wearing traditional attire for cultural events emphasized a sense of community and belonging, but modern, Western looks occasionally represented hopes for globalization and a modern identity. 

Imaged here: My mom's childhood photos (blue top) and her super cool punk pencil skirt she made with scrap fabrics

[scentedchildnacho]

The really thin lady i think will do those practices because she is like a model .....and look into all opportunities I guess

But noticing her lower leg was cut on the boney part until you could see the matter under the skin and i told her she has to go to the doctor

I saw her that way a few weeks ago and still that way so

Another thin lady was mushing and placing lemon on her cuts like it was a bandage that adheres by itself

And told me i would be suprised that in a few days it would heal...

I told her the doctors are modest and will clean and dress it for you and you especially get the medicated moist bandages then the gauze then something to stabalize your ankle....

But the doctor will do it or students that put the thick ointment on it

But the lemon stuff kept going on so

I don't know if she is foreign....China based real estate and i have been taken to mazappas rock concert and beat up in a mosh pit so I think she more a narcotics case narcississts dont maturate so

A lot of homeless people tell me their like this scandinavian author suggests....as children they were so why would adulthood be formal casual attire

She is maybe veteran like if people tell her too she does it so

They were also discussing bartending and he told me it's technically wrong for the bartender to use product....which I didn't understand from natchez learning....its cigarette companies the alcohol companies do believe you need your stomach with a fermentation or your gut isn't releasing a lot of

The tall thin lady came around the library with the dogs princess and something African I think in name.....but was still stopped by police and animal protective services

I think they werent making her get help because the dogs around her still had their water and a cart ride with padding and grass and people to take interest in them

So she was I think capable still at her weight of normal data processing....

The puppies did like their bellies rubbed and they were soft white under bellies....

I think though the injuries not healed and the weight and the toleration of non sensical commands like go under the bridge and you have to be a bitch faggot and that is too bad of domestic abuse for replacing jobs

New security and new city jobs about guarding the water and that's gang process and that is too bad

It is more of a sexual discrimination.....you can't though as a woman admit the energy desires some home play mate if the energy requires your shirt loose and your peck boobies showing can't do that

Its also about hip thrust if hip thrust is to hyper manic and over extended that also can't be very extroverted and honest

I will if asked to go to the shelter say sure....so I think I voluntarily arrest myself so

[kemetic-dreams]

Ikenga (Igbo literal meaning "strength of movement") is a horned Alusi found among the Igbo people in southeastern Nigeria. It is one of the most powerful symbols of the Igbo people and the most common cultural artifact. Ikenga is mostly maintained, kept or owned by men and occasionally by women of high reputation and integrity in the society. It comprises someone's Chi (personal god), his Ndichie (ancestors), aka Ikenga (right hand), ike (power) as well as spiritual activation through prayer and sacrifice.

Ikenga is exclusively an Igbo symbol. Nevertheless, various peoples of Southern Nigeria have slightly different notions of the components of an individual personality, but all agree that these various aspects can only be affected through ritual and personal effort. Some variants of it are found in Ijaw, Ishan, Isoko, Urhobo and Edo areas.

Among the Isoko people, there are three types of personal shrine images: Oma, which represents the "spirit double" that resides in the other world; Obo which symbolizes the right hand and personal endeavor and the lvri which stands for personal determination. In the Urhobo areas it is also regarded as Ivri and in the Edo areas it's called Ikegobo

[crg2]

Mary McLeod

Made by artist Nilda Comas, commissioned in 2022.

     Dr. Mary Mcleod Bethune was a prominent African American leader and civil rights activist during the 1900’s founding a school for African Americans in Daytona Beach which still stands today and served as a presidential advisor for Franklin Roosevelt. The statue rests today in capitol hill inside of the national sanctuary hall, amongst many other notable leaders and activists from across American, enshrined in our nation’s capital. The purpose of her statue serves not only to represent the state of Florida, but also represent the different prominent Americans who have influenced this nation and become prominent leaders and inspirations. Mary Mcleod Bethune’s memory is represented through her attire and the objects she carries, best seen by her outfit as an educator highlighting her main passion and role as an activist for education. Perhaps what is most notable is the black rose she carries in her left hand, black roses being how she often lovingly referred to her students. The cane in her right hand represents the political impact she held on to the nation during her time as a cabinet member, the cane in question being a gift from the first lady due to her outstanding service during a critical and uncertain time during our nation’s history. The statue is one of many on display at the national sanctuary, where other various civil rights, political activists, and other famous people who have one way or another held an impact on the nation. But what Mary Mcleods statue represents is one that goes beyond just enshrining the inspiring people to come out of Florida, it is to highlight the great men and women who have come from across America to inspire others and been in one way or another a beacon of hope. Which defines the purpose of the national sanctuary and why she is joined by so many of her fellow activists like Martin Luthor king across from her, and Rosa Parks to her right side. The statue of Mary Mcleod Bethune is enshrined inside the state capital to serve as a reminder of our nation’s history, struggle for equal rights, and she serves as one of the countless historical figures to represent the spirit of equality and justice in the very heart of the nation.

[ardn716viviandoan]

Week 2 SDL: Developing a draft pitch for a test idea

Big dream ideas/where I want to go with my career, work?

As a communication design major, I aspire for my photography to make a big impact alongside my design work. As a communication designer, I believe it's my job to use my graphic and visual communicator skills to step into the role of a visual storyteller to convey the idea of brands, personas, and individual identities.

Moodboard/Ideas

Following up with my big dream ideas. My photography is based around the idea of personas, self expression and storytelling. Over the summer I've been involved in the creative art scene in Auckland, going to gigs, photoshoot, modelling for fashion brands and I find myself being interested in different artists across various creative fields like fashion, photography and performance art and how they represent themselves. There are also aspects of sexuality and gender norms in and outside the creative industries, of how people should wear and act so I want to explore this idea further.

Andy Warhol - Self portrait in drag (1981)

Overview: Andy Warhol in drag, taking self-portraits polaroids of himself in different personas and expressions.

Target audience: People who are into the postmodern art world, and artists that are in need of inspiration for their projects

Goals & deliverables:  The themes of sexual identity, the idea of being who you want to be. Self expressions and storytelling.

2. Kristin-Lee Moolman (Photographer) and Ibrahim Kamara (Stylist) - 2026 (2016)

Overview: Photographer and stylist duo Kristin-Lee Moolman and Ib Kamara styles and photographs young Africans on the streets of London. A sense of expression and a lot of underlying issues about gender blend fashion was shown through his "2026" exhibition in 2016.

Target audience: People who are interested in gender blend fashion and the creative world.

Goals & deliverables: Clothes don't have gender. Breaking the stereotype of societal norms of what men or women should wear. An expression and appreciation for personal styles and Ibrahim Kamara's position in the industry of trying to create a new wave for creatives to tell stories that are authentic to themselves.

2. Harry Styles for Beauty Papers (2020)

Overview: Harry Styles, a famous singer appeared wearing fishnet stockings, make ups for a fashion magazine, and beauty papers. The idea of defying gender norms. Harry Styles expressed his point of view on his style and the idea of gender fluid aspect in fashion:

“What women wear. What men wear. For me it’s not a question of that,” Styles told The Guardian in the accompanying interview. “If I see a nice shirt and get told, ‘But it’s for ladies.’ I think: ‘Okaaaay?’ Doesn’t make me want to wear it less though… I think the moment you feel more comfortable with yourself, it all becomes a lot easier.”

Target audience: Harry Styles fans or music supporters. But also those who embrace gender-blending fashion.

Goals & deliverables: Exploring fashion as a means of expression while challenging gender norms, this project celebrates the playful versatility of clothing, and the idea of freedom of self-expression regardless of societal expectations regarding gendered attire.

[adamandevestores]

Adult Fancy Dress Costumes

Adult fancy dress costumes offer a fun and creative way for adults to dress up for themed parties, Halloween, cosplay events, or costume contests. There are countless options available, ranging from classic characters to pop culture icons, historical figures, and mythical creatures. Here are some popular adult fancy dress costume ideas to consider:

Superheroes and Villains: Dress up as iconic superheroes like Superman, Batman, Wonder Woman, Spider-Man, or Captain America. Embrace your dark side as famous villains such as The Joker, Harley Quinn, Catwoman, or Darth Vader.

Movie and TV Characters: Pay homage to your favorite movie or TV characters, such as Harry Potter, Hermione Granger, James Bond, Indiana Jones, or Princess Leia. Choose characters from popular TV shows like Game of Thrones, Stranger Things, The Mandalorian, or Friends.

Historical Figures: Transform into historical figures such as Cleopatra, Julius Caesar, Marie Antoinette, Abraham Lincoln, or Queen Elizabeth I. Represent famous figures from different eras and cultures, including medieval knights, Renaissance artists, ancient warriors, or 1920s flappers.

Cultural and Ethnic Costumes: Explore different cultures and traditions by wearing ethnic costumes like traditional Japanese kimonos, Indian saris, Scottish kilts, or African tribal attire. Celebrate cultural festivals and holidays with themed costumes such as Chinese New Year, Dia de los Muertos, Mardi Gras, or Oktoberfest.

Fantasy and Sci-Fi Characters: Step into the realm of fantasy and science fiction with costumes inspired by elves, wizards, fairies, dragons, or aliens. Embrace your inner geek with costumes from beloved franchises like Star Wars, Star Trek, Lord of the Rings, Doctor Who, or Marvel Comics.

Animals and Creatures: Dress up as your favorite animals, whether it's a fierce lion, playful puppy, majestic unicorn, or adorable panda. Get creative with mythical creatures like mermaids, dragons, centaurs, or werewolves for a fantastical look.

Decades and Retro Styles: Travel back in time with costumes inspired by different decades, such as 1920s flappers, 1950s greasers, 1970s disco dancers, or 1980s rock stars. Embrace retro fashion trends like hippie flower power, disco fever, punk rebellion, or glamorous Hollywood icons.

Couples and Group Costumes: Coordinate with your partner or friends for themed couples or group costumes, such as famous duos like Bonnie and Clyde, Batman and Robin, or Shrek and Fiona. Go all out with group themes like superheroes, movie franchises, historical events, or TV show ensembles for a memorable group costume.

Funny and Punny Costumes: Get laughs with funny or pun-themed costumes like a taco, avocado toast, pineapple, or emoji characters. Dress up as humorous characters or concepts, such as a giant inflatable dinosaur, walking banana, or crazy cat lady.

DIY and Creative Costumes: Get creative and crafty with DIY costumes made from everyday materials or thrift store finds. Customize your costume with unique accessories, props, makeup, and special effects for a one-of-a-kind look.

Whether you prefer classic characters, modern icons, historical figures, or imaginative creations, there's a wide range of adult fancy dress costumes to suit every style, personality, and occasion. Have fun exploring different themes, trying on different costumes, and embracing your inner child with a playful and creative costume ensemble.

[drew-mga2022mi6011]

Research | North African Attire

Another big aspect of my character design is the clothes that they would be wearing; how would my character dress in this world? In order to create a point of visual reference, I decided to look into traditional Moroccan and North African garb.

Djellaba

One of the most commonly worn pieces of unisex clothing in Morocco, despite its existence in other North African countries. The djellaba is a long and loose type of robe that is often worn over the top of other clothes. It has long sleeves and a pointed hood, which provides shade in the sun and keeps people warm in the cold. In the past, when there were larger numbers of desert-dwelling and nomadic peoples, it prevented sand from being blown in a person’s face too.

Woolen djellabas are the most traditional, but cotton djellabas are becoming increasingly popular too. Naturally, woolen garments are favoured in the cooler winter months, while light-weight cotton djellabas are preferable on hot, sunny days. Colours vary and the garment can be won in many different settings, from day-to-day activities to at special occasions.

Gandora

The gandora is similar to a djellaba, with the major differences being that it has shorter sleeves and does not have a hood. It too is unisex and comes in various colors. It is more commonly worn in the summer months, though typically not for prolonged periods outdoors—the shorter sleeves leave people more at risk of getting burnt by the harsh sun.

Kaftan

The kaftan is another long and flowing type of robe-like dress worn a lot in Morocco. Unlike the djellaba, though, the kaftan is only worn by women. The kaftan once strongly associated with royalty and nobility, though its use spread to the general populace during the Saadian dynasty. It is the ceremonial dress of judges. They are usually ornate and elegant, more bourgeois than the other garb covered thus far, with beautiful braiding, beads, and sequins sewn onto luxurious fabrics.

The fanciest ones are made from silk and velvet, however they are commonly made of wool or cotton. Kaftans are not generally worn outside the home for performing everyday tasks, rather, Moroccan ladies don an attractive kaftan for special occasions. Plainer kaftans, made from regular materials, may also be in a lady’s casual wardrobe. In some nations, kaftans are worn as an outer garment, whereas in Morocco they are worn like a dress. Moroccan kaftans may have long or short sleeves, which may be fitted or loose.

Tackchita

Another Moroccan item of clothing worn by women, the tackchita is perhaps the most formal and beautiful ladies’ garment. It is not an item for everyday wear, but is reserved for special occasions such as weddings. As with fancy kaftans, the tackchita often has stunning designs and details. A two-piece item of clothing, it has an under-dress and an over-dress.

The over-dress is generally a lot more patterned and detailed than the under section, and a wide belt is worn over the two pieces to make it more fitted around the waist. Usually fitted around the top and cinched in at the waist, it then flows to the ground in a majestic manner. The top later may button up the front completely, or may be buttoned only to the waist, allowing the lower part of the under-dress to show through.

Abaya

The abaya is a standard item in almost every Moroccan woman’s wardrobe. An over layer, it is worn on top of other clothes to hide the lady’s figures when she’s out and about in public. A long and loose item that is rather similar to a cloak, it covers the entire body save for the head, feet, and hands. Not all Moroccan women choose to wear the abaya on a day-to-day basis, although there are many women who do prefer to cover up in this way when outside of the home.

Tahruyt

A tahruyt is a large embroidered scarf-cum-headdress that is often worn by Berber ladies, especially those that live in more remote mountain areas. It is comprised of two pieces of cloth, usually dark in colour, that have been stitched together and adorned with colourful and intricately embroidered details. It is thought that the practice of embroidery is related to the past traditions of facial tattooing in Berber groups; the individual patterns are believed to take the symbolic place of the facial markings.

The large piece of cloth covers the head and is long enough to drape over the shoulders and upper body, with one corner crossed and tucked in at the shoulder. Some women have tassels on the scarf too, which frame the face.

Tarbouche / Fez

Many people know the tarbouche hat by an alternative name: the fez. It does not, contrary to what some people think, originate from the Moroccan city of Fez, or even from Morocco. It is worn by some men in Morocco, and is also part of some official uniforms; you may see it being worn by the Royal Guard on ceremonial duties.

Taqiyah

Another type of male headwear, the taqiyah is similar to the Jewish kippah, a short and rounded skullcap. It is a symbol of religious devotion for Muslims. Most commonly white, the taqiyah can, however, be found in an array of colours.

Hijab

The hijab is a type of head covering that is often worn by Muslim ladies, and is one of the more known items on this list. A fitted headscarf, it can come in a variety of colours; many ladies like to wear a hijab that matches their abaya or other clothing. Not all Moroccan women choose to wear the hijab.

Niqab and Burqa

While the niqab and burka are both sometimes worn by females in Morocco, particularly those from the older generations, their use isn’t so common nowadays. The niqab is a type of head and face covering that usually leaves the eyes visible, whereas the burka conceals the whole head, face, and body.

As the most concealing item of Islamic dress for females, and one that is generally worn in more conservative Islamic nations, it was reported in early 2017 that the Moroccan government had banned the import, sale, marketing, and manufacture of the burka.

Balgha

Also known as the babouche, the balgha is a traditional type of shoe in Morocco. Soft and slipper like, the leather footwear can be worn both inside and outdoors. (It’s still normal, though, to take shoes off when walking on carpets in a home.)

Balgha are made in various colours and range from the rather plain to those that are ornately decorated. Traditionally made in the Moroccan city of Fez, the slippers are found in souks all across the nation. While sturdier shoes are often preferred today for everyday activities, the balgha is often worn for special events and during religious celebrations.

Henna

While not technically a piece of clothing per se, henna skin designs have great significance in Morocco. Although visually appealing, the use of henna is often seen as having more than just an aesthetic value. Traditional Berber beliefs see henna designs as bringing good luck and helping to ward off ill fortunes. The khamsa hand symbol, diamonds, and eyes are common features in intricate henna tattoos, along with flowery patterns, swirls, and geometric forms.

The henna party is an important part of wedding rituals, and it is also often applied by married women for celebrations and festivals. It also played a traditional role in circumcision ceremonies. Henna may also be used by men to color their beards when grey starts to set in, and by both men and women to color their hair.

This information may not all make it into the final character design, however the study of North African fashion could aid not just in character but in prop and set design going forward. Some stand out features of past Silent Book Competition winners are the use of geometric shapes and patterns in the background of an illustration in order to add visual interest. Having these things be laced with rich culture and history is a nice additional touch.

References

Planet Marrakech (2017). Traditional Moroccan Clothing. [online] Planet Marrakech. Available at: https://planetmarrakech.com/traditional-moroccan-clothing-and-moroccan-fashion/ [Accessed 5 Feb. 2024].

[gender-in-the-media-glee]

Glee S1 E20 - Theatricality Analysis - LY

Gender in this episode is portrayed through characters' costume choices, performance styles, and dialogues. The Lady Gaga theme encourages students to explore their identities through her iconic, gender-bending style. A standout example is Kurt, whose outfit and performance challenge traditional gender norms. Kurt, wearing high heels and flamboyant costumes, pays homage to Lady Gaga and simultaneously challenges gender conventions. He articulates this in a memorable line: “I dress to be me, not to impress or offend anyone.” This statement directly reflects the personal and liberating nature of gender expression.

The assumed genders of most characters align with their biological sex, but characters like Kurt break this mold. Kurt, an openly gay character, transcends traditional male boundaries in his gender expression, showcasing the diversity of gender representation. Meanwhile, characters like Rachel and Mercedes adhere to traditional female gender norms but display strength and independence, emblematic of female empowerment. Dialogue frequency is relatively balanced between male and female characters in this episode. Importantly, each character’s dialogue ties closely to their personal stories and the overall plot. Kurt's dialogue and storyline are particularly prominent as he navigates exploring his gender identity and seeking understanding and acceptance from his father. For example, he tells his father, “I know I'm not the son you wanted, but this is me.” This reflects his struggle between pursuing his identity and seeking familial acceptance. The episode challenges traditional gender stereotypes through the portrayal of characters like Kurt. Kurt breaks stereotypes not just in his attire but in his personality and emotional expression, challenging common tropes about homosexual characters. Similarly, female characters like Rachel and Mercedes might adhere to some traditional female traits in appearance but demonstrate strength and depth in their pursuit of dreams and self-expression.

Through Kurt's narrative, the episode addresses the political issue of LGBTQ+ acceptance and rights. Being an openly gay character, Kurt has difficulties at home and at school, which is representative of larger society problems with acceptance of LGBTQ+ people. His battle is a microcosm of the LGBTQ+ community's struggle for acceptance and equality. Kurt once said to his father Burt, "When you're different, when you're special, sometimes you have to get used to being alone." It's a moving quote that perfectly describes this. This sentence challenges social standards that compel conformity and captures the sense of alienation that members of the LGBTQ+ community frequently experience.

In this episode, choir director Will Schuester gives the students a "Lady Gaga"-themed assignment designed to encourage them to explore and express their personalities and identities through performance. The episode also focuses on Tina Cohen-Chang, who is challenged and pressured by the campus administration for her gothic style.

In the twentieth episode of the first season of Glee, "Theatricality," the issue of race is not the main focus of the episode, but it is still represented through the backgrounds and interactions of the characters. The episode focuses more on themes of gender and identity, but it indirectly demonstrates racial diversity through its diverse cast of characters. For example, characters such as Mercedes Jones (played by African American actress Amber Riley) and Tina Cohen-Chang (played by Asian American actress Jenna Ushkowitz) demonstrate the importance of racial diversity through their presence and participation, and this diverse characterization is in itself a challenge to the traditional television series racial monolithic nature. 

[manahegy]

25 Best Swati Traditional Dresses 2023 For South African Ladies

Swati traditional dresses have always been a source of pride and elegance for the Swati people. The attire is unique in that it is very colorful and includes a variety of textures and patterns. It is also very comfortable and practical, allowing the wearer to move freely. Traditional Swati dresses are usually worn on important occasions, such as weddings and funerals. In recent years, there has…