#*the lost days

[priv-heree]

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[glitch-h]

Emily and her cats :)

[local-hyena]

Just finished reading Emily the Strange the Lost Days and I loved it !!!

I really like the diary style of writing, it really shows her personality. I also enjoyed her little drawings, and the illustrations overall are lovely 🐈‍⬛🐈‍⬛🐈‍⬛🐈‍⬛

[bandcampsnoop]

7/9/23.

By the time this posts, the 2nd run of this release may be sold out (check out Molina's page...there might be some there). Slumberland Records and Speakeasy Studios SF are co-releasing this ode to The Softies and Tony Molina.

Tony Molina get the lion's share of the ode. Rose Melberg and Jennifer Sbragia (The Softies) cover the entirety of Molina's "Dissed and Dismissed". Molina covers three songs by The Softies. It's everything you think it might be.

We'd previously covered another excellent Speakeasy Studios band - The Lost Days.

[dustedmagazine]

The Lost Days — In the Store (Speakeasy Studios)

Photo by Alicia Vanden Heuvel

In The Store by The Lost Days

Tony Molina is the West Coast’s reigning king of concise, devastating power pop, with a string of sub-30-minute albums that approach Teenage Fanclub levels of hook-and-feedback alchemy. Sara Rose Janko’s Dawn Riding inhabits a more shadowy, folk-centric space, all intricate finger-picking and looming, Gothic doom. The pair made one album, Lost Demos, together in 2021, then Janko moved to New Orleans. When a mutual friend passed away, they reconnected and began working together remotely, recording songs in their respective homes and passing them to one another online for further embellishment.

The two shared a love for Bill Fox, the brash power pop auteur behind Cleveland cult band The Mice, an early influence on Guided by Voices, and a band that like Molina (and many others), sought the sweet spot between rock ‘n roll clatter and irresistible tunefulness. Here, Molina and Janko meld wistful jangle with rainbow-after-the-thunderstorm radiance but never linger. The whole album—ten songs—plays from start to finish in 14 minutes.

The two singers take turns on lead vocals. Janko wraps “What’s On Your Mind?” in dreaming softness, her voice lingering like morning fog, while Molina spins out twining guitar parts braced by a boom-ba-boom-chick backbeat imported direct from the 1960s. Molina moves to the front for rueful “Pass the Time,” a ringer for the softer side of Teenage Fanclub.

What’s remarkable about these songs, though, is how much they do with so little time. In “For Today,” Janko metes out a small, contained parcel of real life, confiding “Seems to me the hardest part of staying sober, is any time that you come over today.” Two guitars cross each other, one climbing a steep melodic line, the other tangled in reassuring chords. The song is just about perfect — wistful, wry, instantly memorable — and it lingers only just over a minute.

The title cut comes late in the album, but it’s the clear centerpiece, with swirling harmonies and chiming guitar tones and brief rambunctious eruptions of drums. Both Janko and Molina sing this one, and there’s a bit of organ in addition to guitar, so it’s got a full, enveloping sound that’s almost what you’d call epic. Even if it does last just a couple of minutes.

Lesser bands might belabor hooks this strong, throwing in a dilutive middle eight or 16, and coming back to the well for one more chorus. In the Store strikes a pose, raises a question and makes an exit. Song after song feels like a match flame, struck suddenly, burning bright, then flicking out into smoke, every second beautiful until it’s over.

Jennifer Kelly  

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x03 - “Finally Got The Name Right”

[marypsue]

Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.

All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.

[crumb-crumblet-s-crumbington]

bumblebees first day out of sublevel 50

[hinamie]

surprise it's yuri!!!in 2024

[chloesimaginationthings]

Michael can survive (almost) anything in FNAF

[egophiliac]

can't believe that skeleman has turned on us, and Halloween Prom is tomorrow.

(what a top-tier UM...we are about to be just totally obliterated in the absolute silliest way. what possible use could this power have outside of bringing us to the brink of utter holiday disaster.)

[komy-0o]

Little sunshine ☀️✨¡¡

HAPPY BIRTHDAY LUFFY!!! 🌟👒

[glitch-h]

4 black cats sniffing 4 black cat statues

[gumisgirl]

[bandcampsnoop]

8/26/23.

Anna Hillburg has been a fixture of the San Francisco music scene for well over a decade. She often lends her trumpet skills to friend's bands or recordings. But Hillburg has an impressive solo catalogue as well. "Tired Girls" is her 3rd album and first for Speakeasy Studios SF (we've previously posted about The Softies + Tony Molina and The Lost Days).

Yea Ming Chen plays a catchy piano line throughout "Holdin' On" - the only song currently available. Hillburg has played in Yea Ming Chen's band, but also played with Chen in the incredible Bay Area band Dreamdate - which I bought years before I started the blog.

Jason Quevers (Papercuts) recorded this and Mikey Young mastered it.

[makeshiftloops]

Okay, stick with me here— Jonmartin if you aren’t a coward

(also go support the artist wtf look at how cool that is)