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thecartoonarchivist · 6 years ago

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Weekly Spotlight #5

Welcome, welcome, one and all, to the Weekly Spotlight!

This week’s spotlight is~

*panting... and a weak drumroll*

Batman Beyond!

Some of my earliest memories of this show was watching reruns of it on Toonami at oddball times back just before Toonami got moved to a daytime time slot. During this time period, I found it to be a little mature for me, a little dark, and a little hard to follow since around this time I was about 4 years old. Still, I remember thinking it was cool, simply because Batman was cool, but otherwise, I wasn’t all that interested.

Back a couple years ago however, something in my mind trigger my memory of this show, and it became pretty apparent to me that I had never actually sat down and watched this show all the way through. So, I did some searching, found out Netflix had it on demand and I sat down and watched it whenever I was free to do so. I’d watch it a couple episodes at a time as I didn’t want to binge the entire thing in one sitting and leave me wondering how I was going to fill the void after finishing such a good series. It became a nice treat to watch on evenings and weekends and became a nice ritual for me. I enjoyed it.

However life became a little bit busy not too long later and I put the series to the side for a later date when things got a little less hectic. Besides, I was on the last episode and I really didn’t want to end the series just yet, so stepping away from the series didn’t seem like such a terrible thing to do.

I didn’t get back to it. Netflix took it off streaming. I pretty much admitted I was never going to finish the series and that was the end of that. I knew that it also had a movie afterwards to wrap up the series, since it was suddenly cancelled and since THAT wasn’t on Netflix either, it was pretty easy to just walk away from the show altogether.

However, a couple months ago, I saw a clip on Youtube that went into the origins of Terry McGinnis, the star and Batman of this series. It was in a completely different animation style, so I assumed that it was the direct-to-video movie. I was intrigued. And seeing as there was no hope that I was going to see this movie any time soon, I thought, “What the hell? Spoilers never hurt anyone.” The info, that I’ll get to later, left me so disgusted and outraged that I vowed never to watch the movie.

All of these things swirled in the back of my mind the next couple months and here we are! It’s getting it’s own Weekly Spotlight! So let’s get into it’s background, shall we?

Batman Beyond is an animated TV series that was premiered on Cartoon Network’s Toonami and even showed over on Kids’ WB’s Toonami on January 10, 1999. Yeah, you heard me right: Kids’ WB also had Toonami. So, let me throw down a little bit of history for ya’ll.

Cartoon Network is owned by the Turner Broadcasting Company, which is a subsidiary of AT&T’s Warner Media. Yeah--- that Warner Media. The Warner Media that makes DC comics, and DC TV shows, and just about anything DC under the sun. That means that they not only own the rights to Batman Beyond, they own the rights to Toonami, and Cartoon Network, and Kids’ WB. So as an attempt to diversify Kids’ WB’s afternoon line-up, Kids’ WB “borrowed” Toonami from Cartoon Network and began showing their own individual line-up, separate from Cartoon Network’s line-up. There was a little bit of an overlap, as I recall, since many popular shows were underneath the Toonami name, but overall, they’re line-up was fairly different. In 2002, Toonami was dropped from Kids’ WB and was replaced with syndicate programming and infomercials. (Kids’ WB wasn’t doing the greatest in the “kids” department and eventually, was absorbed by Warner Bros.’s other channel The CW in 2008.)

So, Batman Beyond was interesting in that it was showing on two stations at the same time. My research indicates that it premiered first on Cartoon Network, and then would show over on Kids’ WB not too long later, but there’s a lot of conflicting sources in that regard. Pretty much the only thing I’m certain of is that it premiered new episodes on Toonami, but as far as whose Toonami, I have no idea.

Batman Beyond was an intended continuation of the “Batman legacy,” or more importantly, a follow-up to the legendary Batman: The Animated Series. At the helm of this ship was a man named, Bruce Timm, who was a co-creator of Batman: The Animated Series. He would go on to co-create and produce Static Shock, Justice League, Justice League Unlimited, and produce for Green Lantern: The Animated Series. This guy’s a legend. Although extremely popular amongst fans and critics alike, the short-lived series only had 3 seasons before it was placed on hiatus and eventually cancelled. The simple reason? Time. Having signed aboard with the creation and production of Justice League, Bruce Timm simply didn’t have the time to be working on both series, despite attempting for a little while. All plans for a 4th season were discarded, and as to whether there were any episodes produced or if there were simply ideas on a sheet of paper, only the production team themselves know the answer to that question.

So! Let’s get to the premise!

So, the beginning of this series actually opens up with Bruce Wayne still as Batman. While his company of Wayne Enterprises is dealing with competition by the Powers Corporation, Bruce is on the look-out for a girl who has been kidnapped in association with the Powers Corporation. (At least, that’s how I interpreted it.) He finds her, fights the baddies to save her, but in the midst of the tussle, Bruce starts to suffer a mild heart-attack. He tries his best to continue the fight but is quickly overpowered. Having had the living snot beat out of him, Bruce Wayne does the only thing he can do in this situation (still suffering a heart-attack mind you) and pick up a gun and aims it at his assailant. Freaked out by the fact that Batman is threatening to use a gun for the first time ever, he runs away to meet the cops outside. The girl is freed and Batman hobbles away completely disappointed in himself. He places the suit inside the Batcave, seals it all away and vows never again to have the caped crusader to see another night.

Fast forward 20 years. Gotham is practically a brand new city. There are flying cars everywhere. Tech is crazy and out the wazoo--- think something along the lines of a Cyberpunk aesthetic--- and Wayne Enterprises is now dealing with a hostile take-over by the Powers Corporation with Bruce Wayne surprisingly absent from the whole affair. Gotham, as always, is dealing with rampant crime; one of the most vocal and trouble-making groups being the Jokerz--- a gang with its members dressed up in outfits very similar in style to the original Joker gang. Enter in Terry McGinnis: he’s just your typical teenager dealing with girl problems, bullies, and a real bad habit of placing his foot inside his mouth whenever he gets angry.

Having been grounded by his Dad for punching a kid at school for spitting on him, Terry sneaks out to meet his girlfriend at a local club. While there, the Jokerz show up and Terry quickly comes to the aid of his girlfriend and tries to teach these pranksters a lesson. Quickly overwhelmed by their sheer numbers, Terry steals a motorcycle and thus a good ol’ motorcycle chase begins. Finding himself outside of Wayne Manor, Terry runs into Bruce Wayne, almost hitting him with the motorcycle. Bruce Wayne tells him to get off his property, but with the Jokerz showing up mere seconds later, they team up to fight them off (Bruce doing most of the ass-kicking despite his crazy old age.) Terry turns to thank him but finds that Bruce is near collapse and needs help getting to his manor where his medicine is. Having gotten his medicine, Bruce falls asleep and Terry takes this opportunity to explore a little bit. Finding a bat trapped in an old grandfather clock, Terry stumbles upon the Batcave and all its contents. Bruce finds him in the Batcave and subsequently throws Terry out of both the Batcave and his property.

Terry, miffed about the whole experience, returns home to find the police swarming his Dad’s apartment. Questioning his Mom what happened, apparently, the Jokerz surprised him while he was at home and murdered him. Having fought with his Dad only hours before he was killed, Terry is distraught, wracked with grief, and determined to figure out who it was who killed his father. Looking amongst his Dad’s old possessions, Terry finds a disk with some suspicious looking info on it and goes back to Wayne Manor to solicit Bruce’s help. After a series of events, Bruce agrees to take him on formally as his personal assistant who chauffeurs him around and picks up items that he is unable to get himself, but secretly, he’s training him to become his successor and to become the new Batman!

Whew... I think that’s my longest premise to date! (I basically had to summarize the first 2 episodes because it sets up basic situation for the entire series. It’s a lot to take in...)

So...let’s start off with the animation.

As you can see from the previous gifs thus far, for how old this series is the animation is is really fluid. The fight scenes are clean. The attention to detail is so fantastic. Even the character expression are so subtle and beautiful that it’s just so hard not to feel for the characters whenever tragedy strikes. But... it’s also dated. Since many of the backgrounds are hand-painted, a lot of fights on city rooftops, or bridges, or even sinister laboratories are pretty generic and even recycled from time to time. The color palette, although unique enough to give it its own funky style, is... yikes... And the intro? God, it just screams the 90s.

Since I can’t get any other gifs of the intro to work, if you want to see it in all its 90s glory, here’s a link: https://www.youtube.com/watch?v=sMXjtvMAFlI It’s so cheesy and awful and terrible. I fucking love it.

The soundtrack is this weird... 90s punk with a twinge of metal, with its shredding electric guitar and electronically distorted bass as well as some... electronic additions? Honestly, if the intro didn’t sell you on how old this series is, the soundtrack does. For the most part, the soundtrack sounds like an regular action cartoon series, but went that electronic guitar kicks in.... *whistles* It’s bad.

As for the rest of the show? It’s... it’s fucking fantastic. You’d think that writing for a teenage protagonist, especially a Batman teenage protagonist, they’d really hype up the melodrama and the angst to the point that it’s just flat-out cringe-worthy. I mean, all you have to do is google the recent dystopia craze that’s been plaguing teen action movies to see how... cringey the protagonists are. And I mean, how was a 19-year-old action animation not only touch on the stress of being a teenager, but also one whose Dad is murdered in the first episode of the series? It sounds like a disaster waiting to happen.

Turns out... they actually did a really great job of writing Terry. He really does seem like any other male teen you’d meet in high school. A lot of people try to talk about how teenage angst is just so terrible and awful to watch and that it’s flat-out cringey. The problem is that teenage angst is a real thing and if it’s written-correctly, it actually seems believable. The interesting part about Terry’s case that makes him an actually interesting character instead of a walk-talking edgelord is that a lot of his “angst” comes from a place that he believes is injustice. He believes that a lot of people are being unfair (and in some cases, they really are) and so he goes out to fix these “injustices.” Problem is that in his attempt to “fix” things, he actually makes things worse. He doesn’t see that other people’s decisions are actually made to protect him, or made for other reasons that he can’t see. So instead, he rushes in headlong and unprepared, running his mouth because he feels he’s doing the right thing, and ends up getting himself in deeper trouble. I felt a connection with Terry because although he was a punk kid getting into trouble, causing fights and mouthing off to his parents, he’s just somebody trying to make the world a better place and ultimately, failing really bad at it. He makes stupid decisions because he doesn’t think things through. He thinks that he knows best, when in all reality, he isn’t even playing with a full deck of cards. And it’s because of these character flaws that I love Terry and it’s what makes him so interesting to watch. And the best part is? When Terry realizes he fucks up, he admits it. He apologizes. He even cries because he’s made a mistake that he can’t ever undo. He’s not some idiot who thinks he’s better than everyone else--- he’s just an idiot who’s trying to make the world a better place. And that’s really cool. They wrote him with real emotions and a realistic responses to stressful situations that never came across as melodramatic. Instead of writing him as a teen who has emotions, they wrote him as a person with emotions who just happens to be a teen. And that’s just fucking awesome.

I loved Bruce’s and Terry’s dynamic. You had grouchy, old Bruce who’s just way too tired for this shit, helping out sassy, back-talking teenager Terry that made for fantastic snark sessions. Like... the sarcasm was palpable between these two and I loved every second of it. The fact that this series won numerous awards when it debuted isn’t surprising because it’s just a treat to watch the misadventures of these two sass-masters is fucking great.

As far as Terry’s home life, it seems pretty realistic. Terry’s got a little brother named, Matt, and as an individual who has a little brother myself, the interactions are pretty realistic. The little arguments, the nit-picking, the pranks--- all of them felt pretty true to life. Now, the interesting thing about this series is that the martial status of the McGinnis’s are unknown. Although Terry’s Dad gets murdered in the first episode, Terry makes a comment about wishing to live with his mom instead of his dad, which leaves the impression that the two are divorced. However, later on, as the origins of Terry are revealed in further detail, it’s pretty heavily implied that Terry’s parents were together before Terry’s dad’s death so... I don’t know. However, Terry still seems to deal with normal teenage problems: fights with his mom, annoyances from his little brother, stresses of schoolwork, a girlfriend that wishes he was more around, problems with kids at school and his friends. When you layer that on with the grace in which they write Terry’s character, it produces a very believable character that you can build a connection with and feels hella realistic. I completely approve.

Honestly, although all of it is so... dated, the aesthetic is pretty pleasing. It’s weird enough that makes you think, Ew, what the fuck? but also the fact that it’s set in an unnamed (yes, unnamed--- I’ll get to this later) future, makes you go, Oh. Okay. Weird, but interesting. If you want a famous example to compare it to, think Samurai Jack. Otherwise, see Cyber-six for a similar cyberpunk, futuristic tech vibe. Speaking of future timelines, the show’s idea of teenage lingo in the future is just so... laughable. You constantly hear teens say that things are so, “Schway” or let slip a fake curse word, “Frag.” It’s terrible. I legitimately thought it was something that kids used to say back then but after doing some research, I realized how ridiculous it actually was. Just as a tip: if you’re going to change the way people speak in your writing, you’re going to have to change a pretty much all of common speech in order to make something like this natural. Otherwise, it just looks more and more stupid as it ages.

Each episode is a villain of the week with a couple of two-parters here and there. Although there isn’t much in terms of an overarching story, there are references to previous episodes and encounters, so watching these in some sort of relative order is pretty recommended. There were also a number of interesting cross-over/reference episodes, which I found myself pretty surprised by. But I guess it also made sense, seeing as it was a very popular series that ended way before its time. In the beginning, the writing’s a little clunky, and the animation is a bit fuzzy, however, it’s a series that ages better overtime; the pilot is pretty fucking good one-two punch. But as I was watching it, I couldn’t help but laugh at the melodramatic close-ups and the pauses between some dramatic lines of dialogue. I never felt that the drama itself was melodramatic. Just the way they presented it.

In a lot of ways, this series is very dark and mature (especially the movie like holy shit it’s fucked up) which is really ironic considering it was intended for kids. However, they never really showed any gruesome deaths, showed pretty much negligible amounts of blood, and honestly, the majority of the “dark” stuff would pretty much go over kids heads. I say this as someone who has watched this show once or twice as a teeny child. I always knew bad stuff was happening, but I don’t think it ever really hit me as to the gravity of the situation. Yet, I also remember labeling this as a “big kids’ show” growing up so... who really knows. But for the best amount of enjoyment, I’d recommend this more to teens or young adults than for kids. It seems more up their alley.

Now... let me touch a little bit about the movie and subsequent crossover episodes that were released after the series ended.

The direct-to-video movie that “wrapped up” the series so to speak wasn’t what I thought it was. It was a fantastic, dark, macabre, sinister ending to a great series. I think I’ll save my thoughts on that for a different post. But to give you a little taste: it involves brainwashing, a child murdering a fucking adult, a whole lot of guilt and regret, and even a bit of a hostage situation so... Yeah. It’s great. I highly recommend. Don’t be afraid of what I said before.

However. There is an episode in the Justice League Unlimited which is supposed to reveal the secret origins of Terry McGinnis. What supposedly happened is that Amanda Waller (or the lady that ran the Suicide Squad) saw that Bruce Wayne was getting older and would eventually have to retire as Batman. Knowing that Gotham wouldn’t survive without some sort of Batman out there, Waller concocted a plan in which she would make sure that Batman would live on forever. What she did was without Bruce’s knowledge, she took a bit of his DNA and made it into a serum that would overwrite the host’s reproductive code to that of Bruce Wayne’s. She found a neo-Gotham couple that had a psychologically identical match to that of Bruce’s parents, Terry’s mom and dad, and injected it into Terry’s dad in the guise of a flu shot. This means that Bruce Wayne is Terry McGinnis’s father. Waller, then, concocted a scheme to get Terry’s parents murder but after the assassin called Waller out on her shady tactic, the project was dropped. It was just sheer coincidence that Bruce and Terry met and that Terry’s father got murdered in an unrelated incident. Here’s the thing: the great and fantastic aspect of Terry’s McGinnis’s character is that we finally saw a Batman, a successful Batman at that, that was neither Bruce’s child nor a Robin or a Batwoman/girl that he basically housed and raised. He was a completely unrelated kid who took up the mantle of being the next Batman. The Batman was no longer a person, but a symbol, and that’s one of the things that made Terry’s Batman so fantastic! But this episode completely ruins Terry. It’s awful. Especially when you consider the fact that they didn’t even have the guts to make their own movie about it with the original crew, they simply slapped it on as in after thought in series that fans may or may not follow to. It’s terrible! A complete afterthought!

It also comes with some interesting implications. As I said before, when the series begins, we get the implication that Terry’s parents are divorced and he resents the fact that he’s living with his dad against his wishes. If Terry’s parents are a psychologically identical match to Bruce Wayne’s parents (which, what the fuck does that even mean???) does that mean that Bruce Wayne’s parents were eventually bound for divorce? Something to think about.

For those Batman fans out there, I’m not entirely sure where this series fits into the whole Batman continuity. First off, there’s no reference at all to Jason Todd--- especially not in the movie, which seems kind of odd considering that Tim Drake plays a big role in the movie itself. Part of me says that it has to do with the fact that Jason Todd fucking died yo and you can’t really put that in a children’s TV show/movie. But at the same time, with the shit they wrote in the movie and the other dark and fucked up things they put in the movie, it seems odd they wouldn’t at least mention it... An interesting thing to note as well is the fact that this was before the movie Under The Red Hood was made, so the Jason Todd resurrection canonically hasn’t happened yet. So the fact that there’s no reference to The Red Hood makes sense. This is also before the rather... problematic origin of Damian Wayne has been created, so again, no references to Damian Wayne despite the fact that Talia al Ghul makes an appearance in the series. However, the TV show was resurrected into a comic book series that continues to this day. Having not read them myself, I have no idea what the current status as far as Terry’s origins/relevance within the continuity. But I am eager to find out.

Overall, this series was a wild ride! I loved every minute of it, and sitting down and watching not only the episode and movie that I hadn’t before but a couple of my favorites made me fall in love with the series all over again. I’m so upset that it ended.

Rating this series out of 10, this easily earns an 8.5 on my scale.

It’s aged pretty poorly. I can’t deny that. And for that reason, although I want to give it a 9, it really is deserving only deserving of an 8.5. Despite that though, this series is easily one of my favorites. I love sitting down and rewatching it and the intro always gets me hyped despite the fact that I’ve seen it a thousand times already. If you haven’t seen this series already, go fucking watch it. Seriously. It’s sssooooooo gooooooddddd. I’ll always have fond memories of this show. And the moment that they discuss bringing it back, given that they have a good writer/producer/animator and all that, I will be the first person on board for that reboot. It was such a good show for how short-lived it was. It’s simply tragic...

If there are any corrections you’d like to make in regards to this post, please feel free to send me a message with your corrections and I’ll get back to it as soon as I can!

Do you remember a cartoon your friends have never heard of? Got a scene from an animated film that you’re dying to know the name to? Send your questions to The Cartoon Archivist and I’ll see what I’ve got in the vault!

#batman beyond #Cartoon network #kids' wb #toonami #terry mcginnis #early 2000s #weekly spotlight #The history on this show is fucking WILD #It's so looonnnggg.... and COMPLICATED #I just hope I did it justice

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