#*sami

[autisticexpression2]

Seeing a lot of posts about the Palestinian flag, and it got me thinking about indigenous flags around the world.

Māori:

Kalaallit Nunaat:

Haudenosaunee

Nunatsiavut:

Australian Aboriginal:

Torres Strait Islands:

Rapa Nui:

Kurdistan:

Sami:

Ainu:

Of course, these are just a handful. May they all reclaim their stolen lands.

[thenuclearmallard]

The Sámi are being arrested for protesting.

[folkfashion]

Sami people, Finland, by Mikko Leinonen

[useless-catalanfacts]

Sweden saying they'll vote against allowing the use of Catalan, Basque and Galician in the European Union Parliament because "there's lots of minority languages and we can't allow them all" is so funny because CATALAN HAS MORE SPEAKERS THAN SWEDISH

Catalan is the 13th most spoken language in the EU. It has more than 10 million speakers, which means it has more speakers than other languages that are already official EU languages like Maltese (530,000), Estonian (1.2 million), Latvian (1.5 million), Irish (1.6 million), Slovene (2.5 million), Lithuanian (3 million), Slovak (5 million), Finnish (5.8 million), Danish (6 million), Swedish (10 million), and Bulgarian (10 million).

Neither Galician (3 million) nor Basque (750,000) would still be the least spoken languages to be allowed in the EU representative bodies.

But even if any of them did, so what? Why do speakers of smaller languages deserve less rights than those of bigger languages? How are we supposed to feel represented by the EU Parliament when our representatives aren't even allowed to speak our language, but the dominant groups can speak theirs?

It all comes down to the hatred of language/cultural diversity and the belief that it's an inconvenience, that only the languages of independent countries have any kind of value while the rest should be killed off. After all, isn't that what Sweden has been trying to do to the indigenous Sami people for centuries?

[probablyasocialecologist]

Europe’s oldest and last remaining Indigenous people are under grave threat as a result of borders, land seizures, construction projects dedicated to the extraction of natural resources and systematic discrimination. Yet, that creeping sense of suffocation has made the Sami reach out to another set of Indigenous people nearly 4,000km (2,500 miles) away, whose fight for survival they identify with: the Palestinians in the Gaza Strip and the occupied West Bank. Their own struggle for Indigenous rights and self-determination has turned the Sami into vocal advocates for the Palestinian cause.

[...]

In front of the Norwegian Parliament on a cold October day, surrounded by hundreds of Palestinian and Sami flags, Isaksen held a mic and performed the “joik”, a traditional Sami song performed without instruments. Her lilting sounds brought the noisy demonstrators to a standstill, carrying a prayer that she hoped would somehow reach the besieged children of Gaza. “I’m physically so far away from them, but I just want to grab them, hold them and take them out of this nightmare,” Isaksen says. “Without trying to compare situations, Indigenous peoples all over the world have stood up for the Palestinian people because our bodies know the pain of being displaced from our homes and forced out of our own lands,” Isaksen says.

[...]

“We live in a settler colonial society,” Holmberg says. “The Sami know how it is to be marginalised and lose our lands. The levels of violence are different in Palestine, but a lot of the underlying mindset is similar. The US and Europe have shown they are not able to fully acknowledge their own colonial history.” Holmberg delivers a stark warning that sounds eerily similar to the voices heard in Palestine. “We are at the edge now. Any more push, and we collapse.”

[doorhine]

"Europe’s oldest and last remaining Indigenous people are under grave threat as a result of borders, land seizures, construction projects dedicated to the extraction of natural resources and systematic discrimination.

Yet, that creeping sense of suffocation has made the Sami reach out to another set of Indigenous people nearly 4,000km (2,500 miles) away, whose fight for survival they identify with: the Palestinians in the Gaza Strip and the occupied West Bank.

Their own struggle for Indigenous rights and self-determination has turned the Sami into vocal advocates for the Palestinian cause.

“There is an instant urge to stand up for people who are being displaced from their homes,” Ella Marie Haetta Isaksen, a Sami activist and artist widely known for her singing, tells Al Jazeera.

Isaksen had just finished taking part in several months of demonstrations in Oslo for the rights of her own people when Israel launched its war on Gaza in October.

As the death toll mounted, anger about Gaza quickly spread through Norway generally and the Sami community in particular. Scores of Norwegians posted images of themselves holding “Stop bombing Palestine” placards on social media while mass demonstrations called for an immediate ceasefire after Nordic countries, with the exception of Norway, abstained from a United Nations General Assembly ceasefire vote on October 27.

For the Sami, it was a pivotal moment of two causes tangling into one. The community launched a series of regular protests in Oslo against the war in Gaza, and those rallies continue to take place."

[prisonhannibal]

Sámi artist Mari Boine joiking the village Máze.

[ID: 1: Sámi activists in gáktis (traditional clothing) holding a banner that says “we came here first” in norwegian. A banner in the background says “we will NOT move”. 2: sámi man in gákti standing with his fist raised in front of big stones that have the word “let the river live” painted on them]

Joik is a type of traditional sámi singing that’s meant to evoke/express a person, animal or place through rhythm, sounds and energy. You don’t joik about someone, you joik them. Joik is mostly sounds, and often have no lyrics or short lyrics. “Máze” has lyrics calling Máze beautiful and saying “Under water they would put Máze church, Máze school”, which is referring to the Alta conflict in the 1970s and 80s.

Máze is a small village on the norwegian side of the borders in Sápmi. Around 98% of the population is sámi. In the late 1960s, the Norwegian government announced plans to build a hydroelectric power plant and dam in the Alta river, which would have huge consequences for sámi reindeer herding and fishing in the area, preventing sámi people from continuing to practice their traditional way of life. The earlier plans for the dam would have put Máze under water, displacing all the people living there and destroying a village that has existed for hundreds of years. After resistance from sámi activists, the plans were altered in 1973 so that Máze would survive.

Sámi people fought against the construction of the power plant for years, with protests, peaceful civil disobedience (like chaining themselves and creating blockades around the site), and a hunger strike where they slept in lávvus in front of the norwegian parliament in 1979, and a second hunger strike in 1981. 10% of the norwegian police force was sent to the construction area and there was talk of sending the military to assist the police, but this was stopped by the minister of defense at the time. several hundreds of people were removed by force from protests and arrested.

The Alta hydroelectric power plant was finished in 1987 and is still in operation. This is one of the most famous examples of Norway’s green colonialism in Sápmi, but it’s also one of the biggest examples of Sámi spirit and resistance. Máze continues to exist, more than 50 years later. Sámi people are still here and we’re still fighting for our right to continue our traditional lifestyles and culture, for example with the large civil disobedience actions in 2023 over the Fosen case.

Čájet Sámi Vuoiŋŋa! show sámi spirit! ❤️💚💛💙

[butchdiaz]

ask for essays on tommy's nerves have essays on tommy's nerves delivered directly to your doorstep!!! sorry in advance for the length and incoherency of this ask because lou's acting choices genuinely make me feel deranged, we are so lucky to have him.

exhibit a: the hand on the chin when buck opens the door. he's thought about this so carefully you can tell from the moment he enters the scene. and i don't even mean the kiss. i don't think tommy knew that was going to happen until approx. five seconds before it did. but he wants to get this conversation right.

exhibit b: the fucking breathlessness when he says "we can talk" (yes we're still not even in the loft yet). like that is the breathlessness of a man seeing whom he assumes is his emotionally unavailable big boy crush and realising he's going to have to smooth things over between him and the man most likely making him unavailable to tommy. (it's also just tommy seeing big beefy tank buckley and getting a little flustered methinks)

exhibit c (moving actually into the loft now): obsessed, deeply deeply obsessed with the way buck removes the obstacle of the kitchen island between them and tommy immediately crosses his arms over his chest like he's trying to put it back between them subtly because he still doesn't think he's allowed to Want.

exhibit d: the way he literally cannot look at buck as buck starts moving in closer quite literally makes me want to rip my hair out. like baby, you're allowed to look i promise, i swear.

exhibit e: the breakout of the laugh to full seriousness as he commits to the "i'm renowned for my fake mouth static" is so special to me because. i have done that. i have committed to a bit that was perhaps a bit too revealing/suggestive with my heart pounding as a way of testing the waters. and then the relieved amusement of his "cmon hey" when buck plays into it.

exhibit f: the way tommy looks at buck when buck's giving his little "threw in with us no hesitation" speech is so. that man is ANCHORING his eyes to buck's eyes. he's still not allowed to look, he is being respectful, he is overcompensating, he is FIGHTING for his life.

exhibit g: his tiny little smile when buck mentions the tour. you wanted to see me? 🥺

exhibit h: the fucking recoil when buck says he wanted to get to know him. the disbelief. the oh. the maybe i can have this.

exhibit i: the slow drop of his smile the more time buck spends mentioning eddie (which btw why is that line so long fuck off buck stand up!!) thinking oh never mind.

exhibit j: "i could teach you" with that bashful little shrug of his shoulders. i could teach you if you'd let me.

exhibit k: the realisation that sinks in after buck says about flying lessons. he wants to spend time with me, he's moving closer. oh shit, i'm allowed, i'm allowed, i'm allowed. the seriousness. the i have to make him understand i want him. the first time he lets his eyes drop to buck's lips.

exhibit l: my attention? one last check. one last check just to make sure. i can want this, i can want him.

exhibit m: his little kind of glassy-eyed smile between "i did maim my best friend" and "my sister". he is not listening to a word buck says. he is making a decision. a terrifying decision, but he's already made it.

exhibit n (typed through tears lol): the way he squeezes his eyes shut as he pulls away. buck is opening his but tommy squeezes his shut harder. he doesn't want to see the disgust on buck's face. he's bracing for rejection. he's hoping, hoping, hoping.

exhibit o: the breathlessness of "like that?" please tell me that was okay, please tell me that's allowed, please please please. the clench of his jaw as he waits for buck's answer, the slight nod like he's confirming something to himself.

exhibit p: the smile when it sinks in that buck wants this. the smile before the immediate "so that was okay?" just needing that verbal confirmation for buck, yeah, but also for himself.

and then for me it's the complete shift in tommy's demeanour after buck confirms it's okay. he goes from this quiet, hesitant, reserved tommy to this confident, flirty, little bit sensual tommy the moment he's allowed. cross town traffic 🫦 came in a car this time 😏. it's just such a wild switch up but it makes so much sense because the nerves have gone. he's allowed to want. (jesus got halfway through the alphabet sorry)

SAMI IM GONNA SCREAM BRB TIME TO WATCH THIS SCENE SIDE BY SIDE W UR ANALYSIS THIS IS SO FUCKING GOOD !!!!!!!!!!!!!!!!!!!!!!!

[vintage-sweden]

Unknown children of Sami (northern indigenous) heritage, 1943, Sweden.

[strangebiology]

Reindeer roundup

[soulthesimmer]

unwise by lotus: world premiere 🌎

[inariedwards]

Museum news from Finland:

Museum of Northern Ostrobothnia donates its Sámi collection to the Sámi Museum Siida

The Sámi Museum Siida is the national museum with the responsibility for preserving the material and cultural heritage of Finland's Sámi people. The Sámi objects in the Museum of Northern Ostrobothnia's collections were mainly acquired between 1900 and the 1960s with the last ones added to the collections in the 1980s.

The first part of the donation, which includes the textile items of the collection, will be transferred to representatives of the Sámi museum in the collection facilities of the Museum of North Ostrobothnia on Tuesday, 16 January 2024.

– As the new collection and exhibition facilities of the Sámi Museum Siida are now completed, this seemed like a good time to donate the objects of Sámi origin back to the Sámi community, says Pasi Kovalainen, Director of Cultural heritage work at the Museum of Northern Ostrobothnia.

– The Sámi objects and their return have a profound meaning for the Sámi community. The donation is a significant addition to the oldest part of the Sámi Museum Siida's collections. We thank the Museum of Northern Ostrobothnia for this important decision, says Taina Pieski, Siida's Museum Director.

The collections of the Museum of North Ostrobothnia that include objects of Sámi origin date back to the early days of the only professionally run museum in Northern Finland. The objects were collected by Samuli Paulaharju (1875–1944), a folklorist and museum curator from Oulu. The collection was destroyed almost completely by two fires in the museum buildings in 1929 and 1940. After both fires, replacement items were collected in Lapland.

The collection of approximately 400 items now donated consists of Sámi textiles and utensils, including a goahti (traditional Sámi hut) and several sledges. The oldest items include a cheese mould from Enontekiö dating back to 1797 and rare crossbow stocks, the oldest of which dates back to 1730.

As a large part of the Sámi cultural heritage is still held by museums outside the Sámi region, the transfer of the collection is important for the Sámi community.

The Sámi material culture is both practical and beautiful in its diversity, and the museum objects contain a wealth of intangible knowledge about their manufacture and use. This knowledge is best preserved in Sápmi by the Sámi themselves. Through the study of artefacts, it is possible to revive the old craft traditions and techniques of the Sámi community, knowledge of materials and the vocabulary related to the production and use of the objects. The revitalisation processes are a form of communal and intergenerational transfer of learning and knowledge, and they contribute to the transmission of Sámi material and immaterial culture to future generations.

The transfer of Sámi collections to the Sámi Museum Siida over the past decade is a concrete demonstration of genuine cooperation between museums and the increased understanding of the importance of cultural heritage for the Sámi community.

[thenuclearmallard]

Sámi speaking up

[folkfashion]

Sami bride and groom, Saija and Piera Ande, Norway, by Johtti Productions

[mapsontheweb]

78,5% of Kola Samis live in 3 municipalities of the Murmansk Region of Russia, but they are not a majority anywhere

[reyturnofbensolo]

I’m sure they’re planning to bring some of these characters into live-action(prob Ahsoka S2/Filoni’s movie), but I would love to see another animated show(whether it be a continuation of Rebels or something new)!😍