#* when i say i edited the music
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Transcript:
Gabriel: CHAT, STOP TRYING TO FUCKING EAT ME.
I AM NOT NUTRITIOUS AND I DO NOT TASTE OR SPREAD LIKE BUTTER.
V1: Ah, you spread alright.
Transcript:
STOP TRYING TO FUCK ME.
Audio source
#gabriel ultrakill#ultrakill#normal posttss normall postsssssssssss yep this is fine yeah#the music kinda ruined my ability to edit this one. i try.#thank you v1 for saying what we're thinking#i hope you all know when v1 talks. thats not me adding that.#thats directly from the stream#suggestive
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"All you gotta do is not open this Bag!"
"Sounds too easy, what's the catch?"
"HA HA HA"
"Keep your friends close and your enemies closer!"
"Never really know who you can trust!"
#How do you guys like my Aeolus design? :D#This close 👌 to saying fuck it and trying to plan out and edit an animatic with just my sketchbook and capcut#I can draw hundreds of frames per hand in ink in full detail and manage to stay consistent right??? Right???#I honestly don't know but animation softwares are killing me I don't understand how to use them#Idk if I'm dumb or if it's because I'm still new to them but they're all so overly complicated 💀#Also i just feel like so much detail gets lost when i draw digitally it's annoying#epic musical#epic the musical#epic the musical fanart#epic ocean saga#the ocean saga#aeolus#epic aeolus#epic odysseus#odysseus#odysseus epic#odysseus fanart#epic#Aeolus fanart#epic fanart#jorge rivera herrans#winions#epic winions#Yes i know they look like butterflies#I thought I'd be cute if they were more fairy-esque looking?#i'm still figuring it out#keep your friends close#keep your friends close epic
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THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE
first song you heard — Mary On A Cross
September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.
#note: i'm aware this song is about so much more than the fictional ghost story. just really enjoying that aspect of it rn#very nearly didn't do this series because some people are a bit silly about fans who heard moac as the first song. i'm owning it sdkjcksh#it wasn't the song that made me a fan as i will show in the next post but moac slaps so hard and#if you only like moac and nothing else you're still a ghestie to me <3#not my fault i was on instagram in autumn of 2022#i was going through some stuff then and listening to clips of this pretty song on random videos was something i enjoyed#didn't know the name of it or who sung it but kept hearing it at 4am when i couldn't sleep and everything was falling apart around me#when all i could do was try to escape it until the morning#i feel a bit stupid saying this but when i listen to it now and remember hearing it back then#it's like ghost was there for me even when i didn't know it#waiting for me to find them and everything their music would teach me#until the time was right#ghost31#papa emeritus iv#the band ghost#papa nihil#sister imperator#mary on a cross#user copia edits#user copia all tag#wait for the next tags i'm also tagging:#rite here rite now spoilers#i'm emotional about their messed up little family finding each other right at the very end. they never let each other go#flashing gif#<- ig
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Kingdom Hearts Dream Drop Distance - Traverse Town
#kingdom hearts dream drop distance#khddd#traverse town#scenery#my gif#trying my hand at giffing the worlds of this game despite the lack of a first person view (something i'm very upset about)#so i have to obtain and edit these shots in a very awkward manner#all while constantly being shoved around by my dream eaters#i'm so serious when i say making this set was really really frustrating lol#i can't find a free roaming camera mod or anything else that would be helpful for me#but i'll keep at it because i love looking at still shots of video game environments#and being able to share it with other people who enjoy it too#ANYWAYS traverse town is so beautiful in this game they added so many gorgeous areas with pretty glowing lights#i like the wacky whimsical mail room too and how there's this entire secret workshop hidden beneath that weird mailbox haha#the world really does feel magical and dreamy especially with its updated music#just realized the stars in the first gif are moving which is strange
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the ruler electric
(text in alt, my handwriting is shit)
#MIND QUIT FORCING HEART TO ROLEPLAY KING AND SERF WITH YOU AND GET BACK TO WRITING MUSIC YOU SGUPID WANNABE KING IDIOT ASS#hc that the trident can throw lightning. becauseeee uhhhhhh#anyway you WILL look at my inconsistently edited scans of my traditional hms drawings and you WILL like it#in my head this is circa ruler of everything where heart just tried to kill mind failed and now minds taken advantage of his vulnerable stat#e#to be all immm the ruler of everything. do as i say. until soul sees what theyre doing and is like WHAT THE HELL ARE TOU DOING??#and they snap out of it. at least heart does#anyways this is one of my many many incorrect and correct interpretations of ruler of everything. not even something that i think happened#just silly doodles#based off the ending verses where heart sings that he understands mind is the ruler of everything in the end#whatever that means#posting mainly cus i liked the expression mind makes when soul yells at him. rlly good#ALSO ignore the shitty crown of thorns. i was lazy okay#if u read this ur cool#jaggy posts#chonny jash#cccc#chonny jash fanart#cj mind#cj soul#cj heart#chonnys charming chaos compendium
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I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
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(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )
#tumblr polls#hrmm... a little poll perhaps.. about a subject I find interesting.. since this image came across my facebook today#still really not feeling that well. no longer shaking violently and such but I still feel weird and weak much more than usual#They did say my markers for like infection or inflammation were elevated but that they werent sure of the cause so hopefully#it's nothing too serious. they did also say a lot of different things can cause that thing to be higher than normal but didn't go into spec#fics of what. maybe some of them are relatively benign or something. I still havent felt much back to normal since#I got really sick that one time though. I feel fine on and off but then little bouts of feeling weird and sick happen. hrmmm#ANYWAY.. looking for small ways to be productive. such as little doodles on evil ipad or editing game videos#or posting polls or cat pictures or some other like not very labor intensive things#I WISH I COULD FOCUS on writing HHRGGhh... I need to finish my game.. it would be so freeing.. a project that's been looming#over my head for like 5 years even though througouht that 5yrs I've probably spent a total of 3 months working on it lo.. ANYWAY#I still partially really cannot beleive that people CAN see stuff in their heads. There's always part of me that's thinking like. well mayb#e everyone DOES see the same exact thing but we just describe/conceptualize it so differently that we think we're talking about#different things when we're really not. But I have been assured by people I've talked to about it that they can GENUINELY really see#stuff in their heads like as vivid as an actual picture in real life or something. And the other senses are neat too. Like for exmaple I#can hear in my head much better than I can see imagery. I still CANNOT hear vividly like as if I were listening to actual music out loud..#but I think it's developed more than my sight. AND interesting how this varies the creative process. a friend I was talking to on the phone#said they write by literally just watching stuff play before them like a movie. where my process is COMPLETELY different. AND that affects#the content/what details we focus on as well as our individual styles of writing have differences that can be traced back to that.. hrmm
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#hamilton musical#alexander hamilton#hamilton#that’s when mrs mariah renolds walked into his life#no comment needed the photo says enough#i know damn well i spelt her name wrong#sorry it’s bad i’m awful at editing
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"Alright...let's go talk to your father."
Pocahontas (1995)
#not sure when i'm ever gonna get around to giffing the rest of this scene so#here u go~#disney's pocahontas#pocahontasedit#disneyedit#fyeahpocahontas#disneyfeverdaily#disney pocahontas#disney john smtih#pocahontas x john smith#pocajohn#pocahontas#john smith#this is such a sweet moment y'kno?#they are Stupid in love#and there's so much to say about the characters and the body language they went with here likeeeeeee#i mean ever since they Almost Kissed after Colors of the Wind and Pocahontas ducked out#it seemed that John was like ''okay so we're putting that possibility away Right Now that's fine.''#bc he's actually. like. really respectful of her boundaries. if she sets one he's like ''OK 👍!''#and now it's like. if all they ever did after that was hold hands and nothing more he'd accept that. do u see what i mean?#so her hugging him here is like. He's SURPRISED by it and that is so wild to me#bc they Are physical in so many ways like they're so comfortable in each others' space. and all the little touchesssss#but they've never crossed a certain line til This Moment and now the Line Is Being Crossed#and there's this sense of Relief happening with the music and the setting#and the expressions and the Everything#UHGHGHGHHG i'm rambling but they drive me so crazy dude.#queso*gif#queso*edit#pocahontas (1995)
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Kung Fu Panda 4 - The Movie
The last really, really long discussion post (for now).
Major spoilers ahead!
This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.
Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.
I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.
I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.
With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.
I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.
Here are my main points:
The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.
Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.
Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.
The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.
The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.
I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.
The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.
With my main points established, I do believe it's ranting time. Strap in, folks.
Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.
The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.
The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.
Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.
I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.
For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.
That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.
Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!
The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.
As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.
Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.
I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.
As I stated in my first discussion post:
Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.
When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.
While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.
We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.
A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.
The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.
Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.
The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.
Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.
Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.
Now, onto the Chameleon!
The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.
Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.
Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.
An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:
I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.
While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.
The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.
It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.
Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.
I have to talk about the pacing. I have to. I'm sorry, bear with me.
To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.
KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.
A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.
As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.
In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.
"If you only do what you can do, you will never be more than you are now."
"I don't want to be anything more, I like who I am!"
In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.
Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.
With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.
Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.
In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.
I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.
Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.
KFP4 has its flaws and there are a lot of aspects that I dislike, but the I greatly admire and respect the hard work put into the film by those of the crew who put their efforts forward and tried their best to make it work. This does not at all excuse my issues with the movie, but it's worth saying.
As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good (even great!), but only given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).
Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.
Until next time!
#kung fu panda 4#kung fu panda#dreamworks animation#kfp#kfp 4#movie review#i'll add the actual picture of the furious five's cameo when i can get ahold of one of decent quality#my time has come#so i didn't love it#but it is what it is#free the five#perhaps i treated kfp3 too harshly#don't get me wrong the movie had good qualities and i can tell a lot of work went into it#a lot of missed potential imo#a lot of characters done dirty#i didn't even mention the score but i thought it was just okay#i wasn't wowed#i know close to nothing about composing though so i should probably just not even go there#credits were the best part both cinematically and musically#i feel mean but i'm not going to be dishonest#bc obviously you all simply must know how i feel about the silly panda movie#a more detailed version of the grievances i have w the dragon warrior plot can be found in my og discussion post if anyone's interested#as well as my thoughts on bringing back old villains#might make some edits to this in the future but this is all i have to say for now#doesn't hurt my love for the og trilogy but i'm still upset#alas we move on#kfp4 is not canon idc fight me
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Hi there! I read your review of Cabaret and saw that one of your main complaints was that a lot of Jewish culture was staged/written out. I’m not Jewish and don’t have that baseline understanding of the religion/culture and was wondering if you could elaborate further?
Hi Anon, I'd be glad to elaborate a little more, with the caveat that I'm not Jewish either, but I do know a thing or two about the history of this show. I'm also long-winded, so... buckle in.
I don't believe the production team intentionally went into it and took an eraser to Judaism as they went, but I do believe that being an English team with far less Jewish influence in their culture and society has made them blind to the inherent Judaism of the story beyond the glaringly obvious. As I've said before, this is a revival made by gentiles for gentiles right from the very conceit. In centering the show on this nightmare puppet spectacle of a cabaret, it does a disservice to the real heart and moral of the story's true epicenter: the boardinghouse and Schneider and Schultz and the grounded people around them. The very fact that it's officially been retitled "Cabaret at the Kit Kat Club" (frankly redundant) shows that this production is no longer about the actual book, but about the frivolous hedonism. Schultz's Jewish storyline is an afterthought hastily plopped down into the cabaret setting. Because of this staging, the focus is never away from the now-very goyish cabaret. Cliff, Schneider, Schultz, and even Ernst were very much given the "I don't care much" treatment by this director who wants everyone to ooh and ahh over the exorbitant pre-show gimmicks and whatever the fuck the Emcee and Sally are doing, and to hell with the actual plot.
Everything from the direction to the marketing to the creative tone seems to scream out that no one on this creative team actually understands the message. The nightclub might be the titular setting, but it's a looming figure in the shadows. A seedy little joint in a back alley where everyone's just trying to survive. Vaudeville could be bawdy, certainly, but the staging and choreography here is vulgar and tiresome, and says to me that the creatives also have little to no knowledge of that artform either.
Cabaret is an inherently Jewish musical. The three original creatives (Joe Masteroff, John Kander, and Fred Ebb) were Jewish men who were all alive during WWII and old enough to understand the horrors happening around them and overseas. Director and producer Hal Prince was Jewish. Revival director Sam Mendes is Jewish. Both Joel Grey and Alan Cumming are Jewish and/or gay. Eddie Redmayne is the first major Emcee on Broadway (baring a few late-run replacements, in the other runs, I'm sure) who is neither. Rebecca Fracknell is not Jewish and beyond the fact that I just don't think she's a good director of musical theatre (which is an incredibly hard artform that differs from directing straight plays), she has no inherent understanding or trust of the rich material already in place. She chose instead to create spectacle without actual spectacle, and focus all the time and energy into the Emcee--a character who was never meant to be the protagonist. The charisma and iconic performances of past Emcees have elevated this role in all subsequent productions, yes, but always as a centrally Jewish (and subtextually queer) figure. By having that representation and interpretation, Cabaret remains a centrally Jewish musicals. By stripping this particular Emcee of that, we get a goyish nightmare puppet, not a man. Not a Jewish man hiding or highlighting his Jewishness. We get a re-centered gentile production dead behind the eyes.
Antisemitism in Weimar Germany takes on a featured role in what should be a starring turn. Fracknell clearly sees herself as Sally, and she's made it all about the Sally in a painfully white goyish feminist way (don't get me started on a rant about the "girlbossification" they're trying to make happen), but the VERY CLEAR intent of the material is that we should not want to be Sally. We should not be proud of being this willfully ignorant girl who doesn't care about the rise of fascism all around her, and actively states that it has nothing to do with her. We should be horrified at her complacency and shamed that we might have gone in feeling the same way. And Schneider says it, she says it right there in what's meant to be the scene, that Cliff and Sally can just run away when the going gets tough without a care in the world, but she can't. When a show takes a Jewish story, written by Jewish men, and turns it into a gentile funhouse carnival and refuses to acknowledge its Jewish-centered book characters and actors (notice how Bebe Neuwirth and Steven Skybell were almost entirely excluded from promo materials until late into the Award Season publicity) to instead prop up a white gentile man and a white gentile woman...well, that's just blatant Jewish erasure.
#cabaret#broadway#musical theatre#i've listened to several jewish friends and strangers (i like talking to people i sit with when i go see cabaret acts) with these critiques#edit: meant to say “and/or” Jewish and gay and didn't catch the omission so apologies
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14 what a catch, donnie mv - commentary (patrick, joe, andy)
#fall out boy#patrick stump#pete wentz#andy hurley#joe trohman#time capsule#on film#bndv1dvd#i want to have listened in on that pete+alan ferguson convo abt this treatment. this sentimental melancholic patrick-centric treatment.#0:35 patrick considered this one of the best songs they ever wrote... literally speak your truth say it so loud i am always listening king#1:53 i like that he knows jonathan livingston seagull as the movie first and foremost and not as. the novella.#4:13 the joetrick hug was scripted and patrick would never hug joe irl its so joever /j#i love this mv so much i bought it with actual monetary currencyfrom itunes in like 2012#and such is the nature of itunes purchases that it inexplicably followed me on EVERY device since then#when my own music files photos documents dont got me i know this 2012 purchase of the what a catch donnie mv got me#i believe there may be an additional carpal tunnel one but im still waiting for the jp edition in the mail.. if it's true i will upload!#if it's not true then ig i'll just go fuck myself
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Transcript:
In the stripped club.
Straight up.
Jorking it.
and by "it", hah.
Well. let's justr say. My peanits.
Audio Source
#gabriel ultrakill#ultrakill#i trust that you all know what this is a reference to#BEFORE ANYONE ASKS......... i've already posted the full pic on here before. scroll for it. you animal.#its less cursed in color#suggestive#<- adding that just cause of the pic more than the audio#* when i say i edited the music#basically i take it out as best i can#do the effects n basic shit like cutting out silence and as many sound effects as i can#then edit it back in
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Is somebody gonna match my freak(watch edits to Hamilton songs)
#pjo edits to Hamilton are peak#I ❤️ Hamilton#say no to this got me feeling a type of way#jasmine cephas jones vocals in it are heavenly#I can hear her in my sleep in a peaceful happy dream kind of way#her voice pops up in my head during tests#hamilton musical#say no to this#hamilton edits#hamilton edits to hamilton go hard too#but when I’m watching a pjo edit and realize hamilton is the sound I squeal#pjo#percy jackson and the olympians#hamilton songs#fandoms#pjo edit#lin manuel miranda#bro is everywhere#I can’t watch Moana without focusing on his voice in those few songs he sings in#percy jackson#annabeth chase#heroes of olympus#hoo#better yet can somebody watch me recite all of hamilton playing multiple characters at once and applaud me when I’m done
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Sparkstember Day 11: Angst In My Pants (The Decline And Fall Of Me)
Album two of two in the series of Sparks' immaculate new wave releases! Iconic in every way imaginable from the music to the artwork to ONE music video. I think it's more musically (and lyrically!) varied and mature in tone (besides... a couple exceptions. Yes, an album called Angst In My Pants) than its predecessor, which is a very good development. These songs will leave you chuckling and bopping along and also pondering the intricacies of human existence. Ok, maybe that's a bit of a stretch, but it can't be denied that behind much of the earnestness and theatricality here, there's lots of quite emotional, introspective and thought-provoking stuff to be found.
Thematically, this album goes everywhere. One moment we are in Sextown U.S.A, the next we're visiting Disneyland, California where we make friends among people and animals. On a more serious note though, I think the biggest emotional whiplash one could experience between different songs on an album is between Mickey Mouse and Sherlock Holmes. And yet there's still a very prominent element of humour, even in those songs that are on the more serious or dramatic end of the scale.
I said a few days ago that I'd try to return to the topic of Sparks' brand of humour and how it works, but I don't feel intelligent enough to analyse that today. And I'm pretty sure that from what I've seen, Other People And The Maels Themselves (Said It Better Than Me). So instead, as a little send-off, please remember: if a mouse can be special, well, SO CAN YOU!!! 🫵
Favourite songs (and other highlights):
Angst In My Pants: literally no other song like this one in this world. I can't tell why that is but it's just. So great
I Predict: I had a weird kind of effect where I heard this song in my early days of Sparking and it felt VEEERY familiar to me. I think it was due to the genre / style here, it reminded me of something specific, at first I thought it was very glam rock but I'm pretty sure that this is not it but something else (and I don't know what to call it in that case!). Anyway, banger song
Tarzan And Jane: whoa wait, am I already skipping to the third-to-last song on the tracklist?? I guess I am. This one's great and one of my early favs too (I wonder how long it will take until I run out of things to say about my fav songs and it all just becomes this list of 'it's very good and I like it a lot. next.')
The Decline And Fall Of Me: it's great!! I like it!! And, of course, "check out my pizzas"
Eaten By The Monster Of Love: personal reasons that lead to a printed and framed mini-comic of my making appearing on my desk, which features some of the lyrics of this song, which caused me to have it permanently stuck in my head for a pretty long period of time. And this way I ended up liking it much much more than I did in the beginning, when it still seemed somehow pretty unremarkable to me
#i probably should have been putting these under a read more from the start. welp.#not very happy with this post idk really what my vision here was. but if i try to rewrite it i will start progressively losing my mind#so please accept this mess today. ability to articulate my thoughts died a final death i think#i hope that the tone of a Slightly Annoying Music Reviewer Who Tries to Appear Smart Yet Cool#that i accidentally put on here. is at least somewhat enjoyable#i think that someone who actually loves angst might be a better person to talk about why it's so good#i like it a lot but in a more 'acknowledging its brillance and respecting that deeply' way#nothing negative to say about it! it's just not a personal favourite. and yet i still find it so great on some fundamental level#oh and credit to @carcarrot for the idea of how a collection of frozen pizzas could be displayed hehehe#sparkstember 2024#my art#goose monologues#edit: ok i guess tumblr decided that it'll just post scheduled posts instead of saving them when i edit them#so have an early post in that case (i already had to delete it and make it again bcs of this yesterday ugh)
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the pacific ‘where is my mind?’ edit by who cares on youtube is literally my cocomelon. me when the beats of the song match up with mortars going off in the sand: i’m going to watch this every day of my life now
#every time i watch it i say ‘WHAT THE HELL DOFFERENCE DOES IT MAKE WHAT WEAPON WE USE’ with sledge like its a line in the song#eugene sledge#the pacific#and when all the instruments come in with all the battle scenes>>>>>#and when the music becomes muffled after a mortar goes off next to sledge’s ear>>>>>#also all their other hbowar edits are certified bangers like the sledgefu ‘protect what i love when i don’t even feel’ !!!!#that is cinema to me#hbo war
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Doodle in between ref sheets bc i am trying to keep focus
I cant say MUCH but. Well no im already saying much by showing catmura 🗿 yeah so vampyr shamura can turn into . A cat. Anddddd they have their eyes on sozonius like a definitely normal suspicious vampire would for sure for sure. Anywhom theyre kinda silly goofy
#sydneys doodles#Making this made me realize how im gonna draw the different hunter outfits! Yippeeeee!!!!#Sozonius is just trying to make his way to work and hes like holding a box with three hands and a music player btw 😭#Shamura may be stupid (thats it)#No theyre not actually theyre probably the smartest coven leader but when it comes to the ant boy ??? They suddenly forget their objective#Do i tag . Im not sure yet maybe ill edit this in the future#Id also like to say the mortals are kinda stupid so sozo did in fact not know he was holding shamura (ITS SO OBVIOUSL BRO PLEASE)#Votof
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