#(which is because of a lot of TikTok trying to promote him as this sex symbol and all)

[icharchivist]

French Lefties are on another level, in order to promote the new leftie alliance in order to counter the far right majority in the next elections, people have been working on promoting the alliance no matter what

..... with a visual novel/romance/dream daddy inspired dating game.

i'm losing my goddamn mind

[daisyvisions]

I Wanna Be Your Dog - (k.yh)

➺ Pairing: Rockstar!Younghoon x Assistant!Reader

➺ Summary: Your job as an assistant to the band is simple: handle their schedule, and do what they ask you to do. But how far are you willing to help one member out with a certain ask if it means keeping your job?

➺ Word Count: 3.8k

➺ Warnings: Smut (18+, minors DNI), fem!reader, unprotected sex, creampies, edging, male masturbation, guided masturbation, handjobs, slight fingering, riding, lots of making out, groping, sexual fantasies, mutual pining (?), younghoon is down bad for reader (sub!younghoon if you squint), marking, mentions of hookups, pet name used (baby)

➺ A/N: Finally, my birthday fic for Younghoon is up! I had planned to write for rockstar younghoon ever since this tiktok edit came out last year. This was not the original story I had in mind but I hated how the outline was going and decided to save it for another member and use this plot instead. Title is inspired from the song of the same name by Joan Jett & the Blackhearts because the lyrics fit so well with one particular scene of the fic (iykyk). Proofread once, enjoy 😉

➺ Network & Tag: @deoboyznet @snowflakewhispers @winterchimez @aimeecarreros (thank you for introducing me to the song 😈)

For as long as you could remember, you've always wanted to work in the music industry. There was something about that chaotic world that you thought was magical. You were so determined to become a part of that universe you didn't care where you would end up.

And that is how you became the assistant to one of the hottest acts to ever grace the stage.

At first, you were way too excited to be involved in the day-to-day of the band's schedule; you didn't even care if you had to run many blocks just to get the specific brand of coffee they wanted.

But soon enough, the rose-colored lenses you had on would crack. Not only did you have to take care of the band's schedule and be at their beck and call, but you were also in charge of cleaning up their mess.

Which is the reason you ended up sitting through a one-hour phone call with the band's manager as he practically yaps your ear off about the band's lead guitarist.

"Do you know how many NDAs I had to sign just so these groupies would keep their mouths shut about Younghoon?" Jacob exclaims.

"I know, I'm the one who prints and mails those documents for you." You sigh heavily.

"The board is getting pissed off. It's getting too much! He has a sex addiction at this point!"

"Well, it's not like we can make him wear a chastity belt or a purity ring to stop him! You know how he gets." You reply, trying to hold in your frustration from how long this call has been going.

"They are in the process of promoting their next album and going on tour. If Younghoon keeps this up and the press finally catches on, it will not be a good look for us all." Jacob takes a deep breath and pauses for a moment.

"I need you to keep him in line," Jacob says to you with a stern voice.

"What?! How the hell am I supposed to do that?"

"I don't know, you're the assistant. It's your job to take care of those guys. Do something about it or you can say goodbye to your job."

Jacob puts the phone down immediately without even waiting for your reply. You throw your phone to the side, your heart racing as you feel the frustration consuming you, and it's not even eight in the morning.

You can't afford to lose your job. Not after you've worked so hard to get where you are already. And you will definitely not lose your job just because Younghoon can't keep it in his goddamn pants.

No, you're going to do something about this no matter what it takes.

As you insert the spare key in the lock of Younghoon's apartment, you're instantly startled as a figure appears before you. Her disheveled appearance already tells you who or rather, why she's in his apartment. Great, another day of running into a groupie.

"Oh, Lin, isn't it?" You try to give her a smile. You introduce yourself as the band's assistant.

"Oh—hi," she responds, but her eyes were looking elsewhere. "Excuse me, I gotta go, late for… an appointment," she mumbles.

"Of course, it was nice meeting you!" You put on that people-pleasing voice. Lin nods in return before stumbling out the door. You make a mental note to track her address and send her an NDA later in the day.

You walk further into Younghoon's apartment, already listing out in your head the mess you have to clean up later as you quickly scan different areas of the living room. You find him still dead asleep in his bed, probably unaware that his latest conquest has left the building as you walk closer to sit on the edge of the bed.

"Younghoon? You awake?" You gently shake his shoulder. As you continue to wake him up, you're caught by surprise as he grabs your arm and pulls you into his embrace.

"Hey baby, up so early?" His deep morning voice rings in your ear as his face buries into your neck.

You try to keep yourself composed as you wriggle yourself free, but your eyes widen at the sudden realization that doing so was a mistake as you feel something hard digging between your ass.

"Younghoon, I—"

"So eager for round two, huh? Don't worry, baby, I'll let you take the lead this time." He kisses a sensitive spot between your neck and shoulder as his hands start drifting near your hips. Before anything escalates, you pull his hands away and reach behind to flick him in the forehead.

"Younghoon, it's me!" You shout, sitting upright once more and shaking off that fluttering feeling growing inside your stomach.

"Ow. What the— oh. Oh hey!" He smiles at you. "Where's—"

"Already left. Witnessed her walk of shame just as I was going in," you smirk. "I brought you breakfast; better see you outside in ten minutes, alright?" You slap his shoulder to wake him up.

"Alright, alright, I'll get up," he groans as he turns to his side.

"Aw, all this for me? You shouldn't have." Younghoon slings his arm over your shoulder as he watches you set all the food on the counter.

"Just sit down and eat. We need to talk about something." You shrug his arm off.

"To talk… What did I do this time?" He sarcastically replies as he sits across from you.

"It's not what you did this time; it's what you keep on doing, Younghoon." You grab his plate and fill it up with the food on the table.

"Look, Jacob called me this morning, and he's not happy with your—" You pause, trying to come up with a proper way to address the problem.

"With my… what?" Younghoon takes a big bite from his plate, his eyes trained on yours as he waits for you to finish.

"Your sex addiction." You decide to get straight to the point. "You fuck nearly every girl that bats her pretty eyelashes at you or even gives you a decent amount of attention."

"Hey, I can't help myself, you know? This is the rockstar's life, after all." He shrugs as he takes a sip from his glass.

"Yeah, well, if you don't get that controlled and continue thinking with your dick, it's not gonna look good for the press," you reply.

"Since when have we cared about what the press thought?" Younghoon asks with slight irritation in his voice.

"Please, Younghoon, I need you to keep it together just until promotions and the tour are over. My job is on the line here." Your voice starts quivering. Younghoon sees your eyebrows scrunching and the tiny tear forming at the corner of your eye.

Oh, how he wishes he could kiss those worries away right now and keep you close to him. Seeing you like this whenever you're frustrated or upset makes his heart ache with a feeling he can't explain. It's probably because he has a soft spot for you, ever since you started working for them. And if he's the reason that you end up losing your job, he doesn't know how he'll be able to sleep at night.

"Please?" Your tiny voice calls him back to reality as your soft hands hold one of his. And how could he ever say no to you?

"Alright," Younghoon sighs out. "I'll do it. But it's not gonna look pretty." You chuckle at his response.

"I promise you can go back to doing whatever after the promotions. Deal?" You gently squeeze his hand for reassurance. Younghoon places his other hand on top of yours and squeezes in return.

"You got it, boss."

Much to your surprise, Younghoon does a fairly good job at keeping his word. At first, it was a bit difficult, but he somehow managed to pull through.

He couldn't forget that one time he was almost about to fuck the girl lying on his bed until he suddenly remembered your face and how upset you would've been if you found out what he was doing. He couldn't bear the thought of disappointing you, so he just came up with a lousy excuse for the groupie to leave and fisted himself later in the night until he was satisfied enough.

And since then, that's what he had been doing to get by. He was either fucking his hand or fleshlight while imagining all the different one-night stands he had in the past. But as the days went by, it was getting harder for him to reach that sweet release. Not even watching porn would get him off the way it did before.

He needed to touch and be touched, a pair of lips kissing him everywhere, and moans of pleasure ringing in his ear… he couldn't wait till the tour was over until he could finally ravish someone and forget their name the next day. Sounds like a shitty way to live but hey, this is the kind of life he chose for himself.

Just two more months, Younghoon, what's the worst that can happen?

Sweat starts to form on Younghoon's forehead as he vigorously pumps his throbbing length. He had been trying to get off for a while now, but it seems nothing has been working. This was the worst case of blue balls he has ever had, and if he doesn't cum any second now, he might go insane.

Younghoon starts to dig deep into his memories of past hookups to see if there was one moment he can use to get himself off. There was one memory that seemed to pop into his mind, but not any of the hookups he had remembered. No, it was a memory of you. The day you came into the apartment to talk to him about his problem.

He recalls the smell of your perfume when he buried his face into your neck, the way your ass rubbed against his morning wood accidentally, and how soft your hands were when you held his hand during breakfast.

His cock throbbed in his hand remembering those small moments, playing an imaginary scenario in his mind wherein you didn't stop his hands from traveling to your hips. How he would've pressed himself into you further and continued kissing your neck. How his hands would’ve groped your breasts tenderly as he whispered filth into your ear and you would’ve moan his name in response.

"So pretty…" he murmurs to himself as he bucks his hips up, thinking how beautiful and kind you've always been to him even if he tends to be an asshole at times.

He moans at the thought of how soft your lips would feel against his own, remembering the time you drunkenly kissed him on the cheek during that one after-party a few days ago. He had to quickly turn away from you to hide his cheeks turning pink.

God, he knows his abstinence from sex has gotten so bad to the point that even the smallest gestures from you are enough to send the blood in his veins right down to his cock. He's never been this hard in his life, and he can't tell anymore if it's because he's blue-balled or because he's thinking about you.

Either way, Younghoon was all up in his head that he didn't even hear his front door being unlocked as you let yourself in.

Your visit to Younghoon's tonight was unplanned. He had forgotten his lucky leather jacket in the studio a week ago, and you took it upon yourself to get it dry-cleaned for him.

As soon as you got the call from the dry cleaners, you thought it would be nice to drop by his place and surprise him with his newly cleaned jacket and bring his favorite food for a late night snack. After all, you wanted to show him how grateful you were for keeping his word.

"Younghoon?" You call out his name. You knew he was home after spotting his keys and wallet on the console table. You try to call his name again but still no response. He must be asleep. I should go check on him, you think to yourself.

Younghoon? He hears your sweet voice ringing in his ear. God, he must be down so bad if he can start hearing you call out his name, as if you're right close by. He can already feel himself closer to the edge as he hears his name once again, pumping himself to the point of no return until his door suddenly swings open.

"Younghoon, I— Oh my god!"

"Shit!"

You both catch each other by surprise.

You tried to look elsewhere, but the image of Younghoon jerking himself off is now burned into your memory, and you don't know what to do. Younghoon, on the other hand, whimpers from the loss of his orgasm.

Had you been delayed by a second or two, he would've released his load onto his stomach, relieving himself of stress. But now, he's on the verge of crying as he feels himself getting incredibly pent up.

"I'm so sorry, I'll just go—" You turn around quickly.

"No, wait!" Younghoon's voice stops you from closing the door. You couldn't help but turn around and face him once more. He looked like he was in pain, his eyes becoming watery as he deeply breathes in and out.

"Help me…" He cries out to you.

"W-what?" Your eyes widen. He can't be serious, right?

"Please! I can't— been trying. I can't do it." A tear falls down his pale cheek.

"Please, it hurts so bad…" He whimpers once again.

"Younghoon, I can't—"

"Please! Just this once. We'll never speak of it again—" He pleads like his life depends on it. And with the way he's looking at you like you're the only one that can help him get out of this sticky situation, how could you say no to him?

"A-alright." Your feet move towards him even before you replied, your body already deciding for you on what you need to do next.

You sit beside him, placing your hand on his thigh as you glance over his hand gripping his cock. You feel your core pulsate at his pink tip peeking out from his fist. But you try your best to completely ignore whatever intrusive thought you have and place your hand on top of his, gently holding it as you look into his eyes.

"Just this once, okay?" You hover above his cock enough for your spit to fall onto the tip and move his hand slowly up and down as you guide him through his orgasm.

This wouldn't be the first time you've seen his cock. The first two times were by pure accident and from afar too. But nothing could've prepared you from seeing his member up close.

The way the veins are protruding from how rock hard he is at the moment, wondering what it must feel like to fill you up to the hilt. You try to think of anything deemed unsexy as you stare at his manhood, but that ends up failing as you start to feel your underwear slowly getting wet by the second.

While you're too caught up in your own thoughts, Younghoon couldn't help but stare at the way you looked at his cock, all slack-jawed and dreamy-eyed. It was like you wanted to do more than guide him, like you were ready to devour him any moment from now. As if a dark cloud of lust is slowly taking over you right before his very own eyes. And that was turning him on a lot.

He subconsciously reaches out for you with his free hand, his fingers holding onto the back of your neck as he pulls you in for a kiss. Your lips are even sweeter than he had imagined, making his heart beat so fast from how soft they feel on his own. Younghoon knows this moment won't last forever, so he decides to just enjoy it while it lasts.

You instantly moan from the feeling of his lips on yours, holding his wrist as you lean forward to press yourself against him. You pull his hand away from his cock and replace it with yours instead, the softness of your palm wrapped around his length making him hiss in pleasure. You start to grip him harder, controlling the pace of your hand jerking him off.

Younghoon groans into your mouth as he slips his tongue inside. His hands grabbing onto your hips before pulling you closer to him to straddle his lap. You continue to jerk him off as his hands start caressing the sides of your body.

"Please…" he whines into your mouth.

"Tell me what you need, Younghoon—" You kiss his cheek before moving down to his neck.

"Wanna touch you— fuck— Can I touch you? Please let me touch you." His eyebrows knit in pleasure as your lips suck a particularly sensitive part of his throat.

Too busy with lightly sucking on his skin, you grab one of his hands and guide him to the front button of your pants, signaling him to remove the article of clothing from you for better access. He wastes no time helping you out of your jeans and having you back on his lap.

His fingers slowly sliding beneath your underwear, groaning at the sensation of how wet your folds are. He's honestly amazed at how you're able to get this wet without being touched; it motivates him to slide his fingers between before finally circling around your sensitive bud.

You let out a soft whine as you feel your knees turn into jelly. All you could think about right now is to sink yourself down onto his member and ride him into the sunset. Somehow it was like he could read your mind as you feel his hand pull your underwear to the side and the other pull you by the hip to align your entrance right above his tip.

"This okay?" You look down at him.

"Y-yeah, more than okay." He stutters.

"C'mere." You lean down to kiss him, slowly letting yourself sink down to the base of his cock.

Both of you let out a breath you didn't know you were holding until you finally sat on his lap. The feeling of Younghoon being fully sheathed inside you already has you seeing stars, and you haven't even moved yet. He swallows your moans as he starts bucking his hips up, holding you in a tight embrace as he fucks himself into your tight hole.

"You're beautiful, you know that?" He mumbles as he pulls his lips away from yours to get a good look at your face.

The way he looked at you as if you had a halo around you was making the butterflies in your stomach flutter like crazy. You knew the effect he had on you, especially when he would randomly flirt with you. But for some reason, the effect of his words felt different.

It was like he was confessing something he had locked up inside of him for a long time, making you blush like an idiot. Your eyebrows knit in pleasure as his thrusts start to become faster. Your walls are gripping him like a vice; he knows he's bound to reach his peak anytime soon.

"Let go for me, Younghoon, you can do it." You whisper in his ear.

As soon as you say these words, a sudden burst of warmth blooms inside you. His hips relax onto the mattress as he comes down from his high, but his hands guide your hips up and down his cock, helping you reach your own release.

He must've been so pent up, you think to yourself as you feel him still incredibly hard inside you. The tip of his manhood nudges that sweet spot deep inside you so good you feel yourself nearly falling over the edge.

"K-keep going, baby—" He breathes out. "Use me."

You take control of your own movement and bounce on him like there's no tomorrow. Your fingernails raking the sensitive skin on his chest as you chase your own high. Younghoon can feel himself reaching his own high too the more you keep this pace up.

Everything about this moment was making him absolutely dizzy. Your walls practically choke holding his dick, his first load already dripping out of you and coating his balls, and the way the squelching sounds echo in the room as you use him for your own pleasure?

He will never look at you the same way ever again. You've officially ruined him for anyone else after this.

"Younghoon, I'm gonna—"

"C'mon baby, cum on me. Fuck— make me yours." He mumbles as he feels close to the edge with you.

After a few more bounces, the rope inside you finally snaps, making you cum so hard you feel like you're going to faint. Younghoon's second release follows right after yours, but this time his load is more than the first. You both know for sure that as soon as he pulls out, a waterfall of your mixed juices is bound to rush out of your hole. So you just decide to keep him close longer as you both try to catch your breath.

You lay your head on his chest, listening to the sound of his breathing pattern slowly regulating as he rubs his hand up and down your back. You both bask in the silence a little longer, secretly savoring the moment before you have to part ways.

"Younghoon?" You lift your head to look up at him. He hums in response.

"If— if ever you need help with this at a different time…" You pause for a moment. "I'd be happy to volunteer." You feel your cheeks burn up at the thought of doing this with Younghoon again.

"Yeah? You wanna help me out?" His eyes widen, his heart beating faster again knowing this wouldn't be the last intimate moment with you.

"Yeah, just as long as you sign an NDA about it." You jokingly reply. He chuckles and kisses your forehead.

"Well, get ready to print a lot of those—" He grabs your ass and gives it a good slap, making you yelp in surprise.

"—because you have a lot of catching up to do."

[froizetta]

20 Questions for fic writers!

Tagged by @ginbenci! Thank you! :)

How many works do you have on AO3?

12! All since last August

What’s your total A03 word count? 134,798

What fandoms do you write for?

So far just DCU, but I like a lot of things! I will branch out one day, when the brainrot loosens its grip.

What are your top five fics by kudos?

Padam Padam - superbat, E (7.5k)

Batman's heartbeat keeps speeding up whenever Clark is around. For instance: when Clark greets him, half-naked, on a Gotham rooftop. Or when he uses his superstrength to save a busload of schoolchildren. Or sometimes even just when he smiles. Clearly the poor man is terrified of him.

By far my most popular fic! Probably because it found it's way to tiktok (this still feels wild to me). Despite the fact that borderline crack and I wrote it in about 3 days, it has twice the number of kudos as the fic below in this list. Or perhaps it's because I took the idea from a tumblr post rather than coming up with it myself? Hmmmmm.

2. An Honest Conversation - superbat, E (60k)

“So Bruce’s longtime best friend had suddenly decided to start eye-fucking him at random. So what? Bruce was used to being the object of this kind of attention. It didn’t bother him. It was—should have been fine. The issue was that it was Clark, and Bruce had enough trouble remaining rational about him at the best of times.��� or Bruce and Clark go from friends to lovers the long, long, long way round. Featuring a number of revelations, a well-meaning but nosy son (Dick) and, most prominently, two adult men being completely and utterly useless.

My first fic, and the closest one I have right now to a magnum opus! It started off as a silly oneshot and then got surprisingly angsty towards the end (although no less silly tbh, that's apparently just my whole vibe as a writer).

3. Hiding In Plain Sight - superbat, T (3.5k)

Clark Kent, reporter for the Daily Planet, is clearly just Superman wearing glasses. For some reason, no-one but Bruce can see that. There is a distinct possibility that Bruce has lost his mind.

Written for Bruce Wayne Week 2023, as are the rest on this list! Written because...well. He totally is just wearing glasses. I'll happily suspend my disbelief, but I'm still not letting it go, damn it.

4. Holding Onto A Hero - superbat, T (2.5k)

Clark squinted sleep-tired eyes and frowned. “B? Everything okay?” And then Bruce shivered. In a fraction of a second he was beside the bed, and in another he was settling a knee onto the mattress and wrapping his arms around Clark’s waist, cowled face pressed into Clark’s chest. “So,” Clark said conversationally. “I’m gonna go ahead and take that as a no.”

The prompt was cuddle pollen, and it really is just a short-n-sweet, soft, cuddly, getting together fic. Also, I got to insert a little vague allusion to neuroscience, which is always nice (although oxytocin doesn't actually work like that, the effect is sex-specific and increasing it can actually promote aggression in some- okay, okay, I'll shut up).

5. More Fun Than Counting Sheep - superbat, E (5.5k)

When Bruce can't sleep, Clark proposes an unconventional solution. (The solution is sex.)

The prompt I took was sleep-deprived Bruce. Nothing about that suggested it should be smut, and yet here we are. I wrote this because I thought it would be funny to have Clark try to seduce Bruce into sleeping (and for it to work), and honestly? I stand by that.

What’s the fic you wrote with the angstiest ending?

Hmm none of them really. Maybe A Stitch In Spacetime (Gen, 4.5k - in which Batman meets a version of himself whose parents never died so he became a surgeon like his dad). But only because the ending is more hopeful than actively happy. Batman has still lost Jason, but he's finally trying to heal; Doctor Bruce still wants kids he doesn't have, but maybe after this that will change. (Also, unrelated but I'm really proud of the title for this one lol. I love a pun, what can I say.)

What’s the fic you wrote with the happiest ending?

Again, they're most all happy, but probably An Honest Conversation? Just because the finale was INCREDIBLY sappy, and there was a lot bullshit preceding it that they had to get through, which certainly made the ending cathartic to write!

Do you get hate on your fic?

Not yet! Apart from a couple of slightly iffy comments, everyone has been lovely. But then, I'm not writing anything particularly controversial lol. Hopefully the trend continues outside of genfic and superbat.

Do you write smut?

Yes, a lot lol, nearly half of my fics are E-rated. Look, if I write a romance in which the pairing solves some kind of relationship issue and grow closer as a result, some part of my brain is always gonna be thinking, "Hm. What if they banged about it?" Also, I love a sex comedy, so there's that too.

Do you write crossovers?

No. I don't think I'm into any fandoms right now that I would WANT to cross over tbh. I've read my fair share, though!

Have you ever had a fic stolen?

Not that I know of?

Have you ever had a fic translated?

Not that I know of!

Have you ever co-written a fic?

No, but I'd theoretically be open to it! I think it would be tricky in practise though, unless you an your co-writer are really on the same wavelength. Even writers I really like don't necessarily write in the same style as me, so that could create difficulties.

What‘s your all-time favourite ship?

I mean. Superbat right now for sure. I'm usually a multishipper, but for whatever reason they have a death grip on me. I'm still basically an omnivore though!

What’s the WIP you want to finish but doubt you ever will?

Hmm, this feels like a very defeatist question since I do plan to finish everything I start. Probably the fic I started writing for a friend's birthday based on a premise we discussed nearly a decade ago. It's a wholesome romance between two of the sidest side characters in Haikyuu!! (Tanaka Saeko and Tsukiyama Akiteru, for the curious; they do interact, but barely), because my friend was there with her Charlie Kelly conspiracy board saying, "They're both in uni! They're in the same prefecture! They knew each other in high school! They're both older siblings of main characters on the same team, so they can go watch the matches together! There's so much to work with!!!" This has apparently been her lowkey white whale ever since, but she's never managed to write it, so I offered to have a go. Tragically, them being SUCH side characters means I have to all but invent a personality for one of them, which makes figuring out their dynamic a lot harder lol. But I still want to finish it one day, for her sake!

What’s your writing strengths?

Comedy I think, specifically deriving humour from awkward situations (that I have made up) - and often it's the quiet chuckle kind rather than the knee-slapping kind. But YMMV on whether anything I write is actually funny! I can only hope :')

What’s your writing weakness?

Well, I have lots of things I don't feel good enough to write (e.g. long, dramatic epics that I can't fill with jokes), but I mostly haven't wanted to try so I wouldn't say that's a weakness per se. And I have plenty of little things I feel like I need to work on, but none are an easy-to-identify kryptonite-style Weakness. Probably flow and pacing, as it's something I'm very particular about (especially for comedy, where imo it needs to be correct for it to work) but it doesn't always come naturally to me. I do a lot of rounds of editing trying to tweak things so they flow right. Hopefully that will come easier with experience! I'd be fascinated to know what other people thought my weakness was, though; it's often hard to judge yourself, since you're the audience you're writing for.

Thoughts on writing dialogue in another language for a fic?

In what sense? As in, for example, writing a French-speaking character in French in an otherwise English-language fic? I think that's appropriate when the POV character doesn't speak French, but perhaps can be avoided if they do, as then the average reader is understanding as much as the POV character is.

As to whether I personally would do it, I only really speak one non-English language at a decent level, and even then it's hard to convey nuance in any language you're not fully fluent in. So only sparsely, only if necessary, probably only if I could get a native speaker to check it.

First fandom you wrote for?

I think it was Free!, the anime about the swimmer boys. Back when I was a teenager in school, probably ~16, I anonymously posted a gen crackfic on the LJ kink meme based on an experience I had with some schoolfriends, where a few of us tried to give a less birds-and-the-bees version of The Talk to a sadly uneducated member of the group during a camping trip. (Our school did actually give proper sex education, with the putting expired condoms on dildos and everything, but didn't go into the specifics of, say, doggy style). ANYWAY, that was the only thing I'd ever posted until this year, but apparently my proclivity for writing sex-related comedy has remained unchanged lol.

Favourite fic you’ve ever written?

Man I don't know. I just did a similar tag thingy that asked this, and I wasn't sure then, and it feels boring to put the same answer twice? So I'll pick another that's my favourite for a different reason: Master of All Trades (Bruce & Hal, T, 4.5k). I think of all my fics, it has the highest ratio of good to not-that-deep, if that makes sense? Writing Hal's POV was incredibly fun, and I think it turned out really well! And it's definitely one of the few I can reread without cringing lol (reading your own writing after posting it is just embarrassing somehow).

Tagging: I nominate @burins and @unbreakabledawn, but literally 0 pressure at all!

[charlie-rulerofhell]

For they know exactly what they do

Today there was a pretty long article published in the German newspaper FAZ, written by Julia Schaaf. Since there were quite a few interesting topics raised in it and Måneskin talked about some new aspects (or in more detail), I translated the whole thing (it might also have helped me to procrastinate).

Full interview in English under the cut.

For they know exactly what they do

June 22, 2021

Four young rock musicians from Rome are today's hottest band. Måneskin are enchanting Europe. Why? We met them for an interview.

Every romance needs its founding myth, an anecdote from the beginning, something you can tell later in more difficult times for self-assurance.

In the case of the band Måneskin, who first had Italy and now half of Europe wrapped around their fingers, and who are now trying to conquer the rest of the world with their rock music, there is the story of the shoe box. Rome, around five years ago: Four teenagers who are meeting every day after school in their rehearsal room to make music together, and sometimes they play their songs on the Via del Corso in the city centre in front of a changing audience. One day they want to record their own stuff. They find a studio that they can actually afford and as they go there they bring a shoe box, with the name of the band written on it, 'moonshine' in Danish, the bassist's mother is Danish. In the box: around seven kilogram of coins. The things you get from playing music on the streets. Everyone searching through Instagram for photos from that time can find four hippies with children's faces, three boys in batik, the girl is wearing a straw hat.

As they have to pay [for the recording], frontman Damiano David, 22, says that there was this guy, Angelo, and his bandmate Victoria De Angelis, 21, is interrupting: “No, Andrea, not Angelo”, and all of them have to laugh because a rigid studio manager with the Italian name 'angel' would be even funnier for a founding myth. David continues his story: “The guy was completely dumbfounded. 'We can't do that.' We went: 'Sure we can, that's worth the same even if it's just 20 cent coins, it's still 300 euros.” Thomas Raggi, 20, the guitarist of the band, is gasping for air as he laughs, while drummer Ethan Torchio, 20, is smiling dreamily. David finishes: “And then we snuck off before he was able to count it.” [the German text says 'verdrücken' here which is just a colloquial way of saying 'we left', but it entails some sort of a dramatic exit, so yeah, let your thoughts get creative how they left exactly :D].

Four young musicians on the verge of global fame are sitting on a white interview sofa in Berlin, completely styled, babbling across each other like overeager teenagers.

Ever since the Roman band first won the music festival Sanremo and then also the Eurovision Song Contest, carried by the enthusiasm of European viewers, you could say Måneskin has become a phenomenon. “Rock 'n' Roll never dies!”, Damiano David yelled fueled by the adrenaline of winning, and the insinuation that circulated on social media of the singer snorting during the counting of votes in front of a live camera – including their strict denial followed by a negative drug test result – might have given an additional boost to their public interest, their exploding album, ticket and merch sales, and their outstanding success on Spotify.

“We think it's a shit prejudice against rock music that there always have to be drugs involved. We fully threw ourselves into our participation with the utmost professionalism. We give everything for the music. So of course we don't want people to think that we can only do that because we take drugs.” – Victoria De Angelis

Prior to Eurovision, Måneskin was more of an insider's tip outside of Italy. Handmade rock music, not creating something entirely new but paying homage to the good old times with classic guitar riffs and cracking drum beats, being a lot of fun but also quite fragile and vulnerable at times and, first and foremost, conveying a captivating energy. Finally, on the stage of Rotterdam, live after so many months of isolation and renunciation, this wave of energy spilled straight over into European living rooms. It seemed easy to (mistakenly) interpret the winning song “Zitti e buoni” (Shut up and behave) as a declaration of frustration of our youth in times of a pandemic. In fact, singer Damiano David is singing about the favourite topic of the band: the unrelenting need to, against all odds, be yourself, despite or perhaps because you are different. The message fits their provocative sex appeal, which the band uses to demonstrate their independence of gender norms at any given time. But the core essence of rock music has always been the promise of unlimited freedom.

Thus at the first moment, the meeting with Måneskin is kind of startling. It's Wednesday, we are in the top floor of the new Sony head quarters in Berlin. The four Italians have just started their two-week long promotion tour through Europe. In the afternoon there will be a live concert in a queer club [the SchwuZ, but that's not mentioned here] in Neukölln, which will be streamed via TikTok. Around one million viewers will watch the show, some of them even from Brazil, so people at Sony are pretty excited [for Måneskin to come here]. But at first, these stunningly gorgeous creatures [yes, that's the exact wording :D] are standing surrounded by an entourage of people – their management, PR team, a stylist, a photographer, people who can hold a smartphone or a cigarette if needed [this paragraph is worded a little weirdly, especially taking into account that basically their whole team / 'entourage' is just friends of them, but it seems like the journalist didn't know that or maybe they just wanted to describe their first impression]. They seem like fictional / artificial characters out of a Hollywood movie. Transparent frill blouses with blazers and flared leather trousers, even the platform boots, everything brand-new, the makeup makes their faces look like a glossy magazine cover even in person. The smokey eyes of De Angelis and Raggi make them look smug and bored. Later, on the pictures it will probably look cool.

So of course your first impression might be: This band is under contract to industry giant Sony ever since their success on an Italian casting show [X Factor] in Winter 2017. The music industry must have its hand in the game when a band is photographed half-naked by Oliviero Toscani and styled by Etro. Also, one does not simply rent a villa with a pool in Rome to produce new music there, isolated from the rest of the world. And who else went to London for two whole months, shortly before the winter lockdown, just for inspiration? After the TikTok concert in Berlin – De Angelis and David are now wearing fishnet shirts that sparkle with every move, their bare nipples covered with an X of black tape – the band is posing with a few influencers. In the world of social media you would call that 'producing content'. But what does that mean for a band who are preaching their hosanna of authenticity? How authentic is Måneskin? And is their pointedly casual approach to sexuality and gender cliches in today's pop-cultural spirit more than a marketing strategy?

We're in the interview, the recording device is running for not even five minutes, when Victoria De Angelis says: “Actually, we just try to be ourselves and do what we really want to do.” And really: The more you listen to those four how they speak about the early days of the band in their slurred Roman dialect, about the shoe box and their own experiences with being different, but most importantly about their shared obsession [with music], the more you realise that [De Angelis] is  very serious. Ethan Torchio, who got his first drum kit at the age of six or seven from his father because he was beating everything he could reach, says: “For me, music is like food. I cannot live without it.” The bassist next to him laughs at his pathos. Singer Damiano David applauds the otherwise more reserved friend for his truthfulness [it says 'klarer Punkt', meaning 'for the point he makes', but it makes it seem like Damiano is agreeing with Ethan here, although it doesn't indicate whether he agrees that yes, music is everything for Ethan or that he understands and feels the same].

De Angelis and guitarist Raggi already knew each other from middle school and they were the ones who tried to form a band at the age of only 13, a band that actually took music seriously.

De Angelis: “It's just difficult at that age to find other people who really put everything into music and who truly commit themselves and are willing to invest a lot of their time.”

Raggi: “We set strict rules and scheduled fixed times for the rehearsals, for every day.”

David: “Fever, stomach ache, there was no excuse. Even if you were feeling sick in the rehearsal room. At least you were in the rehearsal room.”

The way the four of them talk across each other, completing each other's sentences, taking turns in talking and sometimes joking about each other, seems intimate and playful. Singer David remembers how at first bassist [De Angelis] was merciless towards him when it came to her first metal band project, as she told him that he wasn't committed enough [to the music]: “Back then I was still playing Basketball. I was one of the people that Vic absolutely didn't want [in her band].” Drummer Torchio was later discovered through Facebook, even though there had already been a drummer, a close friend, but he was not good enough. It seems as if even back then music was everything for them. Even if it meant that only Raggi managed to graduate.

And why rock, why rock music of all things? Because it's great, the four of them say in unison. David adds: “Actually, it's a genre that allows you to do everything you want to do.”

When they played on the street, they were laughed at by their classmates. But not only there. De Angelis explains that she never wanted to be a typical girl: “I was always deterred by those stupid boxes that people put you in, and that are just restricting and constraining you, because something is only regarded as male or female. I always rejected that. Instead, I just wanted to do the things I enjoyed doing, I went skating and played football.” Torchio says: “Friends who are not friends anymore were already telling me at the age of ten that those“ – he grabs his long, silky black hair – “were wrong. Because I'm a boy and boys are meant to have short hair, long hair is only for girls. I was bullied a lot for that.”

“Compared to the past, people in our age became much more open-minded. It gets better.” – Thomas Raggi

Frontman David on the other hand, for whom eye shadow, jingling earrings and nail polish as well as his bare torso with the tattoos have become trademarks by now, says: “I was actually more of the average boy.” De Angelis convinced him to try out some eyeliner, which he describes as a spiritual awakening: “I liked myself much more [with makeup]. I saw myself more as myself. As if it had been a suppressed desire of mine.” On a trip to Copenhagen with the others, when he realised that it really didn't matter what people were thinking about him, he got his first fake fur [coat? the article doesn't specify that] in a second-hand shop and let his clothing style be guided by his own love to experiment: “I realised that my whole life I was just going at half speed.” When it comes to diversity all four of them are becoming almost missionary.

At the same time, their success is not only opening doors for them. Back home in Rome they are barely able to go out on the street due to all the paparazzi. “[You need a] hoodie and huge sunglasses”, David says, “the mask is quite helpful, too.” And still, none of them is complaining, and Torchio explains why: “Even if those experiences right now may have sides that are not so pleasant, we still know that for us a dream is coming true. We experience something that we always had in our minds, so we are willing to face every consequence that this entails.”

So is the band facing difficult times, is Måneskin going to change with all the success? Again, all of them answer at the same time.

David: “I'm not worried about that.”

Raggi: “No way!”

De Angelis: “On the contrary. Everything that happened to us happened because we are who we are, so we want to continue the exact same way and stay ourselves.”

Just a few hours later, they are at the stage in Neukölln, bouncing around like pinballs, hammering at their instruments, flirting with each other. “We are out of our minds, but different from the others”, David sings their winning hymn against conformism, and: “The people talk, unfortunately they talk.” Here on stage, the four paradise birds [a German word describing someone with a flamboyant personality] with their half-nude-glittering outfits are radiating an incredible energy with the utmost sincerity, and you begin to wish there was a live audience instead of the TikTok cameras, absorbing and spreading this energy. Måneskin. A cry for a life after the pandemic, a cry for freedom and a better world.

“We do what we wished for all our lives.” – Ethan Torchio

[sunmoonchanlix]

PINNED POST: Rough CHANLIX Timeline Theory

Hello! This is for an Anon Asks and someone who DM'ed asking my thoughts on when CHANLIX started. Mine is a theory and not fact and it's very rough. It's better to just show you through the videos I've been posting, but that's going to take me maybe MONTHS to wrap up chronologically if I don't get carpal tunnel syndrome first lol. So here goes:

(rough) CHANLIX TIMELINE THEORY

Before Q4 2019: My gay eyes spied and said that Felix always had an unrequited crush on Chan; I honestly thought Chan was straight at one point because of all the "bros" he kept throwing and that he was always around Felix's side because he could explain variety show stuff to him and other Korean culture and language stuff; I soon realized that they have such close proximity a lot of times on-camera compared to the other members and had the odd hand touching now-and-then that I stuck around because once I observed more straight K-Pop boy group behaviors, once I went back to Chanlix, I saw that this unrequited crush might not be so unrequited and this instance of Korean brotherhood skinship blurred the lines of same-sex romantic intentions.

Q4 2019 - Q2 2020: Romantic feelings and intentions emerge in full force especially from Chan; huge increase in physical affection and proximity; possibly waiting out for dating ban to end?; hard to say what type of relationship they have at this point; they have a of screen time together on SKZ Talker; members grow increasingly suspicious.

Q3 2020 - Q4 2020: All members know of Chanlix's intentions; relationship evolved before "All In" era; still have plenty of moments on-camera including on SKZ Talker; Chan reacts and says a lot of things that raised my gay alarm bells; I think they bit the bullet and quietly dated?

Q1 2021: Dating ban ends; they hold hands during K-Contact 4U that was meant to acknowledge Hyunjin's part during his hiatus, but they might have done it for themselves too; huge drop as an on-camera pairing; physically separate on-camera; they try so hard to put up a facade that they aren't dating that they come off looking like they don't even acknowledge or even know each other anymore on-camera; they were definitely an item during Kingdom filming.

Q2 2021: 100% confidence of their relationship status reached; huge drop of SKZ Talker screen time together; Felix doesn't realize he's so nervous now in regards to Chan; they stop doing the official group formation unless it's a red carpet or concert stage where Chan and Felix are no longer side-by-side (official group formation from Left to Right is: Lee Know, Han, I.N., Felix, Bang Chan, Hyunjin, Seungmin, Changbin).

Q3 2021: Orange-haired Chan era had the most obvious signs of body language love; K-Contact Hi5 had damning evidence where for a few seconds, Felix signaled Chan to stop embracing him before they played the next song not realizing they were briefly caught by a fancam angle; another Hi5 moment was released months later where the editor effed up the audio track on purpose but if you alter it again, Chan says "Baby, look--" or "Baby, look look" or "Baby, look at me" which they didn't think the cameras would be rolling and would make it part of the behind-the-scenes; huge drop again in SKZ Talker screen time together; during the time where Felix's famous TikTok exploded, they were promoting "The View" where Felix looked effing terrified to give Chan any eye contact in ANY of the performances; this is also the time where management got really scared that they were trending.

Q4 2021: Even though they're no longer living in the same complex, it stands to reason that they visit each other's bedrooms a lot; Chan and Felix weren't really allowed to be side-by-side anymore on-camera unless Chan interferes; I have enough footage though that shows that they're constantly side-by-side backstage in portions where they don't think they're being filmed; another huge drop of SKZ Talker screen time together; Chan literally makes his New Year's Eve post about Chanlix.

2022 and the future: they weren't roommates, but there's fan videos of Chanlix in the wild sitting or standing before performances or just by themselves during their Middle East stop; Chan showed his bedroom and it's literally empty besides the photo of Chanlix he posted on New Year's Eve even though he's lived there for months now; Chan seems ready to burst and declare his love for Felix, and I'm optimistic that Felix will come to an understanding that love is the core value you should hold onto besides thinking what their love can do to hurt maximizing earnings potential worldwide and Stray Kids' image. The people who scandalize same-sex relationships are not STAYs. I just hope one day they stop fearing something so many couples take for granted like holding hands in public.

Again, it's just my own timeline theory from observations. The one thing I will bet my life on is that they're 100% a real couple. No margins of error there. Thanks for stopping by!

[adultswim2021]

Aqua Teen Hunger Force #59: “Dickesode” | October 22, 2006 – 10:30PM | S05E04

The TRUE RETURN of Aqua Teen Hunger Force fills the void left behind by The Venture Bros. And thank god, too. There was a bit of a false start with this season way back in December of 2005 with Dirtfoot, Boost Mobile, and the Deleted Scenes special. And now we get 10 weeks in a row of new Aqua Teen Hunger Force to sooth our weary souls while the movie was still being worked on. Is it classic shit or is it gay and retarded? We shall find out.

Carl “wins” a prize at Wong Burger (an Asian-style fast food burger joint) which is that he gets his dick ripped off. This contest was concocted by Dr. Wongburger, who is trying to steal all the dicks he can from the general public so he can build a dick-shaped rocket out of dicks so he can return to his home planet Dick Planet. Two of his little henchmen, who are grains of rice drawn like WW2-era propaganda stereotypes with big buck teeth and necklaces made of dicks (that's not a stereotype I just mean additionally that's what these guys are about) try to “deliver” on this “prize” while Carl hides. When they tear his house apart and leave, Frylock attempts to solve the problem by giving Carl a sex-change operation, in which Carl gets his dick removed anyway. Eventually the Aqua Teens go to confront Dr. Wongburger who attempts to take off in his rocket before it's completed and crashes it into Wong Burger corporate headquarters which is a big tall building made of dicks.

This seemed sorta important at the time. Like the boundaries of what Adult Swim could and couldn't get away with were pushed back significantly. They didn't show you any dicks, really; everything was censored out using a rainbow/color bars/test pattern overlay. The pile of dicks on Dr. Wongburger's floor were one big 2D lump with the rainbow pattern covering them up, but then a few dicks strewn around not in the pile were more pronounced and unmistakable. Also, I recall them saying dick A LOT in this episode and it not getting bleeped. Impressive, especially because a lot of times when it comes to cursing on shows like this the ruling comes down to weather or not the offending word actually refers to anatomy or if it's a euphemism for jerk or whatnot. Here they are definitely saying dick, which refer to dicks that we see on screen in some fashion. Pretty cool in 2006 for a standard cable network that shares it's broadcast day with a children's cartoon channel.

This episode is PRETTY FUCKING GOOD. There's big-picture stuff like what I just described, but there's also really funny bits and character stuff throughout that keep things lively. Shake's bit at the beginning where he's ordered a huge soda, one that's about as big as he is, which he's selfishly forced his friends to carry out for him while he chows down on the edible handtruck designed to carry it instead (the wheels are made of chocolate). Shake explains that he needs that much soda to live, which, actually, him  being a big cup sorta makes sense? But he's such a cunt you believe that he's just being a jerk. This is a testament to Master Shake being one of the greatest comedy characters of all time. I mean this!

There's a scene where Meatwad re-enacts the commercial they just watched at home which explains the promotion (they don't have TiVo so they can't rewind) and while they wait for Meatwad to go get his puppets we can see Space Ghost doing the robot on screen.

Also, Brendon Small (as Donald Cock) plays Wongburger and the little henchmen. He's so funny in this role. Speaking of the credits, there's something VERY FUNNY about them that I won't spoil!!! Just kidding, yes I will, you're just going to go look it up anyway: everyone changed part of their name to DICK.

This episode is available on DVD in it's UNCENSORED FORM, so you can see all the actual meaty dicks in their nasty glory. Another reason to collect physical media, baby!

MAIL BAG

MC Chris announced on his tiktok that Adam Reed and Matt Thompson molested him during his time on Sealab. Still a fan?

Of MC Chris? Not really.

Did Tom Shales ever say anything nice about you?

The only Tom Shales anecdote I have is he interviews Garry Shandling on the long-out-of-print season one DVD of Larry Sanders (the first version that came out way before they released the best-of Box or the complete series) and he takes a moment to tell Garry that he was sorta snide to Tom when he did a guest starring role on the show and they left it in, I guess because Garry is obsessed with atoning for slights. I remember the thing he said, supposedly snottily, “this is LARRY’S Suit”

[callisto-rants]

Starting a new ✨series✨ that no one asked for! ( ꈍᴗꈍ)

Callisto-Rants presents...

Here's my Two Cents

Where we just throw down our two cents on how we would change a series to make it better, in our own personal opinion.

[You can Block this tag if you're not interested in this series: #Here's Our Two Cents]

Here's my Two Cents

Yarichin Bitch Club.

Ever since I had the misfortune of having that opening theme song stuck in my head because of countless memes and tiktok edits. . . I have wished for days to have the ability to create a time machine to prevent myself from saying. . .

"okay, fine I'll bite the bullet and check out the source material."

Now if you're reading this and thinking, "huh. I never heard of this series..." let me just tell you, GOD I WISH I WAS YOU RIGHT NOW.

No one was going to tell me this BL Manga about a "pHoTogRaPhY cLuB" wasn't completely INSANE? I was just supposed to find out Three Volumes Later??

Now some of y'all who have read the source material might be thinking. . .

"Okay Callisto, get over it it's obviously supposed to be a comedy it's not meant to be taken seriously 🙄"

And to that I say... I mean I guess??? But do we really need all of THAT to make it a comedy?? I feel like you could still have an entertaining comedy BL Manga without 90% of the shit that goes on in that series..... But that's just ✨my two cents✨ take it or leave it.

FIRST THINGS FIRST, here's all the stuff I'd automatically remove from this series off the bat.

💀 The Gang Bangs.

💀 Teacher x Student Relationships.

💀 In fact all instances of unconsensual acts & sexual assault committed in this manga. Throw all of that away.

💀 the fact that the term Bisexual was used as a replacement for the term switch, and had nothing to do with the sexual orientation itself whatsoever.

💀 The High School Setting.

💀 Whatever the fuck Yuri was on.

💀 90% of the hyper sexualized traits these characters had.

Now here's what I'd change to make it better... Basically here's an AU of what if it was actually a normal photography club....

Actually make it a fucking Photography Club. Not a sex club that's in a fuckin HIGH SCHOOL. Hell, you could just throw this in a college setting too, for more mature themes.

Main character, Takashi Toono a college student that's trying to get out of his comfort zone more. So he decides to join the photography club, because he thinks it's not demanding to require anything of him compared to any other club on campus. He knows completely NOTHING about photography, and doesn't have any passion for the art media. His Character growth would be learning to appreciate the art media While learning what it means to him, as well as who he wants to be as he enters the adult world as a young adult.

Yuu Kashima, can stay as Takashi's love interest. Also, I feel like all the members should have a specific style of taking photos that correlates with their personality in some way. Yuu's photography style would be something the lines of Candid photography which is a type of photography style that's main focus is to take photos in the moment or in surprise. Something he has already done when he took that photo of Takashi. I also feel like Yuu would be the one to keep pushing Takashi to love photography, and understand it's more than snapping a photo.

Kyousuke Yaguchi, can stay as the Love Rival for Yuu Kashima and overall keep his personality? It was actually pretty interesting and I liked his Character dynamics with everyone else. Kyousuke Yaguchi can also stay as the outsider that directly / indirectly influences Everyone else in the club. Causing Takashi to explore his feelings and expand his social group, and make him think about what he wants to capture in his photos. Overall the same interaction between Kyousuke & Yuu Kashima with their rivalry and brotherly relationship at it's breaking point. As well as, Kyousuke and Yui's relationship being tense with miscommunication.

Yui Tamura, I imagine Yui's photography style would be more of Adventure (capturing shots in the great outdoors, usually involving extreme sports; mountain-climbing, skiing, kayaking, sky diving, etc) & Sports Photography. Which could create interesting interactions between Kyousuke and Yui. Cue Yui trying to cover up the fact that, every time the soccer club commissions Yui to take some photos of their club activity to promote their club, all of Yui's photos are of Kyousuke playing soccer. Causing Yui to complain to Kyousuke to get out of his shots and that he's ruining them by being in all of them. So, Kyousuke just shouts back "then stop following me around with your camera, DUMBASS". Just imagine Them bickering, because Yui 100% did not delete the photo he captured of Kyousuke getting knocked out by a soccer ball to the face.

Itsuki Shikatani would definitely be in the club, but only because he prefers to have his photos be taken, more than he likes taking photos himself. He would probably be a cross dresser, who enjoys dressing up in feminine articles of clothing and posing for photos. Everyone on campus who doesn't know Itsuki personally, always asks who the beautiful woman in these photos are, the club president and vice President always just says it's one of their cousins that happen to be in town. If Itsuki had to have a style of photography, it would probably be fashion.

Toru Fujisaki. . . This one is difficult only because his Character is purely centered around Yuki's Character. . . So I'm going to take some creative liberties here. . . Probably really insecure about himself, because he feels like he's a wall flower that's really forgettable, that no one cares about. Although, it's mostly because he's shooting himself in the foot by not letting one have the opportunity to get to know him to give him a chance, in the first place. Until, he meets Yuki who makes him realize that not everyone sees him as a wall flower and someone can notice his nicer qualities about himself that he's hiding away. Toru's Character development in this AU, would be for for him to learn to love himself more and try to trust people to accept him. As well as to expand his social circle with the support of not only Yuki, but the Photography Club as well. At first I bet, he would only feel comfortable with Yuki taking his photos and modeling only for him, but over time he'd let the other club members take his photo when he gets more confident in himself. While also, developing his own style of photography, that isn't just "cute photos of Yuri", it would probably be Still Life or Portrait.

Ayato Yuri, okay first. . . I'm still not over the fact that this boy was written like a deranged feral child, that was given access to a pornhub account way too early in life. While being dropped on his head several times, before and after his first words. Anyhow. . . I feel like Yuri would fit the trope of the genius, that no one understands in any capacity. His mind is 10 steps ahead of everyone else and he forgets to slow down and explain what the fuck he's talking about, when he goes into a passionate rant about photography. With endless rambles about golden ratio, gold lighting and blue lighting, and how he needs these specific props, that don't seem to fit the theme of the photo at all to make it perfect. But despite that, his photos always come out beautifully. No one can deny that his methods might be extremely weird, but they always work out way too well to give anyone the opportunity to chastise him. Anyone trying to work with Yuri often leaves the experience with a beautiful photo in hand, but an enormous headache. Even members within the photography club can't keep up with Yuri most of the time either, he's often in his own little world that just makes sense to only him. He can be a eccentric and passionate about his hobby and goofy to not make people feel too uncomfortable with the huge distance he unintentionally places between himself and others when he doesn't bother to slow down for anyone. But, he still has a good heart to make sure everyone gets a piece of art that'll always be memorable to them. Additionally, with that being said I feel like Toru would be the few people that would consistently attempt to keep up with Yuri, when he's a light year away from everyone else in his rambles. Toru wouldn't shut down and show disinterest in what Yuri says when he can no longer keep up, he's always being supportive and encouraging Yuri to continue because he knows it makes him happy to be able to express his passion. And sometimes, Yuri will pause and explain a bit to let Toru keep up with him, because he just truly appreciates someone trying to get closer to him, without making him feel bad. I would say Yuri is a jack of all trades when it comes to Photography styles. There isn't a single style he is terrible at, but he truly excels at Abstract Photography.

Koshiro Itome I think Koshiro would fit the silent type trope, but with a lot on his mind. Always over thinking things, and although he looks calm his mind is always buzzing with 500 things at once. Because, of this the only way he can find some semblance of peace is by going out for a nature walk and letting the environment take his mind off things. He's always worries about deadlines for projects, meeting up with clients face to face for the first time, whether or not a company will like his photos he submitted, if his boyfriend Akemi is okay, what if he doesn't find anything to take a picture of or if he's missing the perfect shot right now, will the club be okay after they all graduate, what else can be learn to improve his skills etc etc. Akemi can always tell when he's actually calm and when he's just zoned out and drowning in his own worries behind his calm demeanor. Luckily for Akemi, he knows exactly what to do to make him feel better, like a life boat to his pleas for help in the vast ocean of his thoughts. Koshiro is 100% the mom friend in the club, always helping newbies out on how to properly take care of their equipment, and the general basics, stopping people from bickering and carrying around a Mary Poppins bag of useful items. "Damn I forgot to bring my infrared lens with me!" "It's okay I brought a spare, here you go." Koshiro's photography style would be Nature & Wild life, cue everyone wondering how the hell he managed to capture a photo of baby bear and it's mother so close up with such clarity with the equipment he has on him. It should be impossible there's no way he could it's just unlikely, but all Koshiro does in response is just shrugging calmly "I just slowly walked up to them, and took some photos and went my way after I was done, they weren't bothered at all." At first no one believes him, until they see the next photo of him petting the mother bear, and within the next photo of him holding the baby bears paw. I like to think Akemi is always bragging at how his boyfriend is basically a Disney Prince, with the way animals just trust him enough to let Koshiro approach to take the photos. Of course Akemi has the proof that his Boyfriend is not making any of these up. With photo evidence he had taken from a incredibly safe distance away, of Koshiro just interacting with wildlife at such a close distance. Because, Akemi was not in fact gifted the ability of a Disney prince, to be doing that shit that Koshiro pulls on a daily basis. I feel like because of this Akemi can be a bit over protective of Koshiro, always telling him to text him before he goes to work and he gets back home, so he knows a feral bear didn't devour his boyfriend in the woods. He tries his best to join Koshiro while he works so he can be at peace of mind that Koshiro is in fact safe, but they both know it's very difficult for Koshiro to focus. When his boyfriend is being incredibly cute how could he remember he's here to take photos of the wild life and not his boyfriend? That and Akemi always accidentally scares away the wildlife, when he accidentally reads the animals body language wrong as any attempt to devour his boyfriend. Akemi will lose 25 years of his life with amount of false alarms, he has encountered in those damn woods.

Keiichi Akemi, Akemi is definitely one of those smug bastards, that has an ulterative motive or an ace up his sleeve. Appearing sweet and kind until you realize it was a facade. But one way or another you find yourself wrapped up in his convoluted plans, where you're either in his photoshoot as a model or you're carrying all his equipment, while he goes from one job to the next. Akemi's photography style would be Wedding Photography & Landscape something he definitely would've picked up from the countless outings he had with Koshiro in the outdoors. Akemi's friends are almost always married or paired up together, and that's no coincidence. This man is a match-making demon, a hopeless romantic who loves to see a budding romance finally bloom. So, he can snag a fat check when they thank him for brining them together and hire him as the official wedding photographer. His intuition is never wrong about the perfect pairings and how to push the right buttons to move things along, without getting directly involved until the right time comes. Something, that will be a pain in Toono's ass down the line as he stays in the Photography Club.

Overall, I feel like this could've been a really nice BL Manga which was a love letter to the art media of Photography. As Toono figures out what Photography means to him and how he wants to use it to express his feelings. "Why do you take photos? What do you want to say in these photos and tell people without the ability of using your words?" I feel like at first Toono, would just be confused "it's just a photo what's so special about it? You take it as a cool momento for something."

But, as time goes on, and he learns why everyone in the club enjoys photography and why they're here, he learns it's more than that. Whether it be to vent something you're unable to express in words, express your love for something or someone, to tell a story, to inspire others, to feel free, to share something with someone. All these different forms of expression, will let Toono figure out what he wants from photography and how he plans on expressing it.

Also instead of the whole "have sex with someone in one month or we gang bang you against your will" dilemma. . . I feel like another suspenseful situation could have been, "Create a photo album, that will impress all of us in one month, or you have to help us all out with our next projects." Which at first doesn't sound terrible, until you remember...

Yui is a thrill seeker, and would probably push you off a cliff to snag a cool photo. Or force you to be his pack mule as you climb up serval mountains.

Itsuki would force you to cross dress and model different fashion styles to make you look like a clown for his own amusement. All the while he revels in your shame, and points out how these colors don't suit you at all, but ignores the fact he's the one who put you in that outfit in the first place.

Yuri is such a wild card that you honest to God don't know what the fuck will happen to you, it'll be like being on an acid trip the whole time. And not knowing what will happen brings you more fear than knowing what will.

Koshiro would probably bring you to a wolf den full of hungry ravenous wolves, and let you accidentally get eaten alive by a pack of wolves. While he takes pictures of puppies, without a care in the world.

Akemi... Akemi just scares Toono, he seems like the safest bet out of everyone else. But Toono knows better to trust that sweet smile. Toono would be safer walking into Satan's house than spend a day with Akemi at work. Whatever he would have planned for them if he were to lose this challenge would not be good for his sanity. He hates how he knows Akemi wants just that for Toono to know he's not going to be safe either. Akemi would probably make him cry with prying questions about his romance life. While hitting too close to home with all his assumptions about him that he can't argue back. It's losing battle from there on out.

The only problem for Toono is Everyone in this club is so different, that it's almost impossible to be able to impress them all. None of them agree, which style is better or having almost anything in common photography style wise. Toono can't just half-heartedly replicate anyone's style either, he's going to actually try and fail miserably to understand this art media better, like everyone else. I think after losing the challenge and spending time with everyone, Toono would come to really like the club and everyone else in it.

And that's my ✨two cents✨ on how this story could've been better if it didn't focus too much on the whole pwp aspect.

Take it or leave it.

[yvainegelinemarie]

How The MLQC Bois React When You Do A ‘Baby/Cutesy Talk’ To Them.

🖤🦋🖤Idk if anyone has done this one yet so here it goes...

𝚨𝖇𝖔𝖚𝖙 𝖒𝖞 𝖜𝖗𝖎𝖙𝖎𝖓𝖌: ✨ ALL my writing promts are gender inclusive and promote love, kindness and fun for all! 

✨I know that each and every one of our boys would love and support each and everyone of you and I hope that my readings portray that comforting, accepting and loving nature through and through~ 

✨And with that I hope you Spookies enjoy~~

☪ 𝕱𝖆𝖓𝖉𝖔𝖒: Mr. Love Queen’s Choice

☪ 𝕽𝖆𝖙𝖎𝖓𝖌:18+  Has mild talk about sex, mentions drinking/alcohol. 

☪ 𝕱𝖔𝖗𝖒𝖆𝖙 : Quick Read, bullet points 

𝕶𝖎𝖗𝖔|10/10

He eats the baby talk up!!! And does it right back to you with so much ease!

You guys have full on conversations with just the two of you using baby talk towards one another.

And you both have no problem doing it in public and annoying all your friends with how mushy and maybe a bit cringey you two can be.

Most of your baby talk conversations is the two of you whining back and forth about wanting food.

“Aww, Kiro can I pwlese haves a snack now? It’s been a few howers pwlesee?! 🥺🥺”

“Bwut what if I want a snack moreeeee?!”

You two stare at one another intensely with large, watery, puppy dog eyes and quivered lips.

Neither one of you is going down this easily over the remaining sweet candy that you have left. 

Kiro will ALWAYS use the cute talk on you when you are trying to keep him from eating sweets as Savin ordered. But the moment he brings out the cute voice and the puppy dog eyes you have lost.

It’s just so hard to not cave in to such a cute face!!! 

But it’s okay because he can’t resist yours either.

You and Kiro’s guttonness and cutesy manipulative ways towards one another can sadly only go on for so long before the fun comes to a painful hault.

It seems that you two have indulged in a little too much of the sweet treats, leaving you both to most likely take up a very simple yet painful month of dieting. 

Which is then filled to the max with pouty expressions and W words in hopes to just get one cookie from the bakery you passed on your daily run. 

𝓥𝖎𝖈𝖙𝖔𝖗|5/10

The world will NEVER know this side of Victor. 

He would probably throw himself off a bridge if anyone heard him use a cute voice towards you or anyone for that matter.

Even your future children and cute puppies will NEVER witness such a pure and child-like state with your stubborn CEO boyfriend. 

BUT surprisingly enough he has done it a few times.

You always tease him for it since he likes to make fun of you for when you try to use your cute voice to beg for pudding or a longer time for your deadlines. 

And although this tough looking CEO wouldn’t admit it, he likes seeing you pout your lip and add a W to every two words of sentence.

The one and ONLY time victor has ever used the cutesy voice on you was when you were really sick and asking for soup. 

He was caring for you for about a week now with little to no progress of your health improving. 

And aside for all the nagging you were getting from him for overworking yourself he was truly worried about you.

Now that your cold was coming to and end and with Victor in a tired state and comfortable enough to relieve himself of worry, along with being a bit flirtatious (probably from light sips of whisky he had been drinking to keep himself in motion) the cute words just kind of...slipped out...

You are in complete shock as your brain is trying to process what it just heard. 

Did Victor really just say “does my whittle dummy want some swoup?”

Trust me he is just as shocked as you are as he quickly escapes the bedroom with cheeks as red as a cherry.

He is so shocked in fact that it takes you a good three hours to get your soup so he could have some time to regain himself after the embarrassing encounter.

To this day he is still haunted by it as you taunt him every once in a while for it.

*poking his forehead lightly with playful giggles* “Aww, Come on Victor, don’t chu want to mwake me some swoup?” 

“If you have time to bother me then maybe I should consider raising your deadline to three days instead of the end of the week?” 

And with that you scurry out at lighting speed leaving Victor to wallow in his face palmed blushes. 

𝕷𝖚𝖈𝖎𝖊𝖓|8/10

Lucien LOVES the shit out of your cutesy talk.

BUT is probably the only one capable of not letting you get your way with it every time.

He loves to tease you not the other way around! 

His plans would be foiled if just your cute little voice defeated him.

He will however use a cute voice in comparison to yours. 

He likes when you say little words in a cute way like tank you instead of thank you or putting a w in pretty please 

and he will repeat them back to you the same way you said it. In a mocking yet flirtatious kind of way.

After a soft chuckle Lucien looks to you. “Pweety Pwlease?” He questions as you puff your cheeks at the fact that he doesn’t seem phased by your cuteness.

His eyes however, quiver with complete delight at just how cute you are to him.

Your Scorpio boi can only hide his feelings for so long and despite his calming expression his eyes alone can only hold what is truly running through his brain. 

There are times the Professor falls victim to your cute ways but they usually end in some more...explicit moments with you. 👀

You learn rather quickly that this seems to be one of the very few things you have in control over Lucien, unlike the multiple ways he has control over you. 

Though, your ways of manipulation are nothing to take lightly either. 

Lucien seems to be really focused with work right now. Staying up all day and all night eyes glued to books or his tablet filled with words that just give you a bit of a headache.

And despite not hating Lucien’s passion and hardworking energy towards his career you are now starting to realize that it’s been almost a month since you have been close and intimate with him.

So much so that you can’t even remember what his gorgeous body looks like under all that lab coat. 

And desperate times call for desperate measures. 

Setting yourself up into cutness overdrive and plopping yourself right down and in front of your boyfriends work and onto his lap 

along with a simple tilt of your head and eyes as wide as the moon doesn’t take long for all the blood to rush to you know where for Lucien. 

And when Lucien falls victim to you he FALLS. but he’s not a man who enjoys failure. (So be prepare for one intense and intimate ride.)

His sex drive and stamina is not something to question and if you sneeze just two octaves higher than normal 

you’ll most likely be attending his lecture with wet, shaking knees. 

𝕲𝖆𝖛𝖎𝖓|7/10

Also loves your baby talk and will say it back to you casually.

It is something that he only does around you though and doesn’t let anyone see.

Gavin is 100% those TikTok videos where the girls are recording their boyfriends cutesy talking to them and then instantly start talking in a deep voice the moment they see the camera. 😂

Will use it a lot when you aren’t feeling good and goes nutso bananas if you use it to reward him.( Kind of like a puppy. 😂)

“Was ywu a tood boyfwriend today? Wes. Wes you were.” *Gives Gavin happy head pats*

Gavin is also a huge sucker for your cute ways and will not hesitate to compliment you on your new hair accessory, the way you did your makeup, or how you added a new watch to match the bracelet he gave you.

He’s actually really good at paying attention to small details despite not being the romantic.

And with this you'll find him getting you cute treats and toys to cheer you up. 

And even if he truly doesn’t quite understand why you are so obsessed and squeal as loud as you can when you see pusheen he can’t say that he hates seeing how excited you get when admiring the cute and simple things of life.

One moment in particular that will always be engraved in Gavin’s head is seeing you hold the chubby grey cat plushie as much as you could in your arms

you were practically swallowed behind it, it was just as big as you were, if not more.

Seeing you walk through the store and doing your best to avoid falling over not daring to let go of the giant fluff ball of cuteness sent a pierce through Gavin’s heart.

How the hell can they be so cute?!? Was the only thought running through Gavin’s head the entire time. 

And once he regained his composure he helped guide you through the store by your arm. 

Sadly you had to part ways with the kitty plushie when a small child became just as in awe of it as you were and knowing she was the last one, handed it over kindly.

Seeing you a bit sad only put Gavin in a low mood before motivating him to an idea.

And with that; a few weeks later a new fluffy, plushie cat as big as your front door awaited the front of your apartment with a cute (is that letter blood stained???) note from Gavin. 

𝐒𝖍𝖆𝖜|-9000/10

Hatesssss! The baby talk with a passion and will not ever use it with you.

You made the mistake to use it on him once and the amount of awkwardness in his expression was overbearing.

The two of you just sat in your apartment blinking wide eyed at one another in silence.

Shaw broke the awkwardness first by just flat out saying “yeah, no.”

And with that you sulked back into your seat realizing that he didn’t seem phased at all by how cute you were.

And for a moment a bit ticked off. I am cute Shaw?! Don’t ignore me like that! UGH! He can be so nerve racking sometimes!!

Despite not being a big fan of the voice, after dating Shaw for a while you have come to find that he doesn’t mind you doing cute things with him like cuddling up together, squishing his cheeks, or rubbing your face on his ect.

Playing with his hair when he’s strumming away on his bass or latching onto his neck when his skateboard slips from under your feet are some of his favorite moments with you.

But the big eyes and pout get him ALL the time!

He will try his best not to be swayed by them especially when the tears seem genuine.

Shaw and your relationship is like when the older sibling hits the younger one and they start crying and the older one starts to freak out. That. That’s you and Shaw. 

𝕭𝖔𝖓𝖚𝖘|𝐒𝖍𝖆𝖜

When he gets drunk he uses the baby talk on you!

Will mumble on his words but tell you just how pretty and cute you are.

But you know that if you bring it up to him he will never drink around you again so you have to keep it as a little secret between you and your friends

You even have recordings and voice messages of him drunk off his ass and calling you just to say.

“Babbbyyyy, I mwissed ywu so muchhh!! Ywu are dhe pwrettiest girl I know and I luv ywu and I just want to kiss your cute wittle face!”

He’s also a very clingy and loving drunk who can’t seem to stop from covering your face in kisses.

It is most definitely a moment in time that you will happily remember for years and years. 

𝕿𝖍𝖆𝖓𝐤 𝖄𝖔𝖚!!! Spookies for giving this a read and for giving me the opportunity to share something fun and light hearted with you guys about all our favorite Evolvers. 

✨ I am hoping that more writings are to come to you guys from me but this is all a fairly new and a bit out of my comfort zone to do haha  so please be patient with me. 

✨ But please be open to comment feedback you may have through this post and In my asks on what you thought about this and if you guys enjoy more bullet point writings like this or would like more of a story style. I would love to hear what you guys have to say!!! 

[onisiondrama]

(Note: I’m not repeating stories he’s told before and just putting them in parenthesis. I have a lot more videos to go until I’m caught up so that would save me a lot of time. If he gives details I never heard from him before, I will type those.)

“Should I Get A Divorce?” Speaks,  Oct 6, 2020

- This video is weird. He’s trying to make himself seem smart and insightful about marriage because his marriage is “successful”, while most people complain about their marriage. - There’s one part where he says people don’t understand you don’t have to be lied to or cheated on in a relationship. Which is pretty ironic coming from him. He shows a clip of an upset wife asking her husband what he’s doing with a woman in a bedroom. The husband and the woman are getting dressed. The husband keeps asking “Who?” “What?”, pretending the woman isn’t there. Later he shows more of the clip where the wife is still questing him. He keeps pretending he doesn’t know what she’s talking about. She looks in the bedroom again and the woman is gone. The wife looks confused. Love that gaslighting. Just like when Jamsey boi cheats. “I didn’t cheat. It was the other person who cheated on you, my spouse” “You said I can’t have oral or vaginal sex with your friend. You didn’t say anything about anal.” - In another part he says there are people who constantly complain about their s/o and they hide away in a man cave.. he says this while in his garage man cave. 😑 Which we know he spends most of his time in. Like, way longer than normal working hours.  - He says he used to look angry in his old Speaks videos because of his marriage at the time. That’s total crap. He only shows clips from videos where he used his old militant persona for videos like his anti-meat videos. He made plenty of mushy Speaks videos talking about how happy he was with Skye back then too. 🙄 - I think he made this video during his short guru / advise phase.

“gotta say goodbye for a little bit” Speaks, October 8, 2020

- Tells his viewers they can listen to this video without watching it if they like to listen to people talk, like Kai used to do. [This is definitely meant to be another guru / advise type video. I can tell by his tone.] - Says he’s married to Kai for almost 8 years. (How Kai found James story) Says he married a fan and had children with them. He says they now have an awesome dynamic, but he knocks on wood because people who are together 18 years still get divorces. Says you never know, things can suddenly fall apart. - Says it’s cool because at the time he didn’t listen to social standards. Kai was 17 at the time, but lied about his age. Most people would have said don’t go for the relationship because Kai lied and the age gap, even though it was legal. He listened to the law and his heart and now he’s in the happiest marriage of his life. - “F society.” If he listened to society, he wouldn’t know where he’d be or what relationship he’d be in. Says you have to follow the legal system or your life is ruined. - Says he was an air force cop at one point because he believed in justice. He doesn’t think he wanted to shoot people, but he excelled in the cop program. He says he met Magic Johnson in the cafeteria at Lackland Air Force Base. He barely knew who Magic Johnson was, but he thought it was cool a famous basketball player was there. James asked him if he could take a picture and he said yes. He says he took a picture of him like a reporter and not a selfie. He still regrets that. - Says he wants to talk about the future of this channel. Some people appreciate he’s been uploading every day, but he wants to focus on sites that aren’t shadow banning people or algorithmically demoting people. He feels like Youtube is king in letting negative opinions prevail, even if it’s invalid. If the engagement shows people are mad at you, Youtube used to go the harsh truth route. He says that was nice. He says he once made a fake meltdown video in response to a video Leafy made about him. He says it’s fun for him to make fake meltdowns. - He says he and Kai took a quiz today and found out Kai’s IQ is 136 and his is 129, so Kai is smarter than him. - After the meltdown videos, Youtube algorithm didn’t favor him as much. He says maybe it was because he said they were fake. - He says he has been thinking about websites and how they treat users. Says Twitter is one the best because they don’t care about what your opinion is. They just care about their rules. Says if people don’t like you on other sites, they will shadow-ban you and you’re done for. He says his reaction video to Leafy’s video got 1/6th the views Leafy did, so there was a bleed over of traffic. Now when someone says something negative about you, YouTube will only promote videos that agree with that narrative. Says if you only want to hear negative stuff about Joe Biden, you’ll only see negative stuff. He says it’s financially productive, but it’s not ethically productive.

[I just want to pause here and vent a second. Yes, James fell out of the YouTube algorithm, but he’s had plenty of chances to sweep back into it. Like when he was getting tons of views on those fake meltdown videos in January. The reason those viewers didn’t stay is because there is nothing good for them to watch. His Speaks videos are boring, long, rambling messes. He repeats himself, contradicts himself, talks about the same topics over and over. These videos are mind-numbingly boring. His comedy videos are extremely outdated. The characters, topics, and humor he uses are not going to get him anywhere anymore. Like is the Death Note fandom really that strong in 2020? That anime came out 14 years ago for Christ sake. His music is not particularly good or interesting. On top of all this, his reputation is complete garbage.

People just don’t want to watch Onision. If the algorithm tried promoting his Speaks videos, I guarantee most people are actively choosing not to click on his videos. The non-subscribers that do click probably regret it. He’s made ZERO effort into making interesting or engaging content. He’s ONLY been making Speaks content that either fuels his ego or defends himself using the same old arguments he’s used 100+ times before. He’s got to be in some kind of deep denial if he thinks his Youtube views are down because of the algorithm. 

There used to be a saying that whenever Onision’s fans grow out of him, there will always be a crop of young teens that start watching him. That’s not happening anymore. It’s not cool for the alt / loner kids to watch edgy Youtube videos anymore.]

- Says people only want to hear things they agree with, people want to take what he says out of context, blah, blah. I’m only 1/4th of the way through this damn video. - He asks why he’s busting his butt when there’s no chance for him to prevail on Youtube or anywhere. He says he’s on TikTok, OnlyFans, Twitch. [This video was from before his partnership was taken away on Twitch.] He says those are slightly less problematic because they are driven by human beings and not drama. - He says when you see him posting less to Youtube in the future, you’ll understand why. He says he wants to wait you guys out, 2 years, 20 years. (He tried to call out Shane story.) He says he had to wait a year or two until people admitted he was right about Shane. He says he has conflicting feeling about Shane because they had a personal friendship. Says Shane told him they were friends. - He says you guys seem to drive your narrative and agendas by emotion rather than science and facts. He can’t reason with them unless he picked a greater evil and wages war on that. You would have to join forces with him because the enemy of my enemy is my friend. He says he wouldn’t do that because he’s not interested in being a professional wrestler and making fake drama. - In time you will feel passionately about other things. You don’t actually care about anyone involved because none of you are consuming yourself with anything that is not pop culture. You’re only interested in things other people are pretending to care about. None of you would care if someone found three bodies in a basement. If they were not celebrities you wouldn’t care. You only want justice for things that will get you attention. - If someone builds their whole platform about anti-person they might get bored and become anti-you. That’s why you don’t want to be friends with dramatic people. - He says he was dramatic about things, but that’s because he did care about those things. He wasn’t talking about 3 bodies in the basement either. - Says a long time ago when a celebrity died, he pointed out 30 people were murdered and washed ashore in another country. No one was talking about it because they probably didn’t hear about it. Nobody actually cares about human lives. If you did, every second that a human dies you’d be tweeting about it. - (Sarah blackmail story.) He says in a number of words Sarah said she wouldn’t ruin his life if she slept with him, then went back on it. [Wow. He really morphed his original story. It used to be: One time she jokingly said she could ruin our lives. Later we wanted her to sign an NDA and she said only if she gets something out of it, meaning sex. James said it was “good vibes” that day and he perceived that as her being kinky. She also said it was just a joke in the “proof” clip he always uses. They signed the NDA, then James pressured / tricked Kai into having sex with himself and Sarah. Then Sarah later came back and he decided they should have anal while Kai was out of town because Kai didn’t say no genital to butt. He only said no genital to genital and no genital to mouth before he left.] He says he decided to no longer sleep with Sarah because it was toxic and he decided he would rather be ruined than be with Sarah. [I have a theory he stopped sleeping with Sarah because he was afraid of Kai finding out. If he was truly afraid of Sarah ruining his life, why did he make those videos about weed smokers and BPD that would piss her off? She didn’t speak about their relationship publicly until he started bashing her through those videos.] Says Sarah went ahead and ruined his life and you fell for it. - He keeps mentioning Joe Rogan. - He says others have said he built an empire, uploaded thousands of videos. He gave so much of his life entertaining people and making them laugh. It was so important to him. He changed a lot of lives for the better. Says if you look on Twitter before the drama, you’ll see a lot of people thanking him. Says he was a positive influence to millions of people. That’s a fact. It all came crumbling down because people lied. They’re all criminals he kicked out of his life. He tries to play hero and he was only right with Kai. Kai wasn’t playing victim, he was on his way to college to be a surgeon. Once he was in the process of having kids, he lost the taste to be in a surgery room. Instead he got a bachelor’s in psychology. Kai’s diagnosis of James is aspects of narcissism, but says he doesn’t meet the qualifications to be a full blown narcissist. - He is investing a lot of time in people who don’t listen and don’t appreciate his content. Social media is a drug that tries to take up as much of your time as possible to make advertisers money. He doesn't create content that lies to you or brainwashing you into thinking your opinion is valid. He doesn’t pander to you to make money. Says when he says he’s one of the most honest people on Youtube, the bar is low. OnisionSpeaks is snake poison because snakes don’t survive on this channel. They aren’t going to have a voice that isn’t questioned. Most snakes on Youtube don’t even know how to activate charities on their channels. - Says he had a conversation with Kai about someone who said they vote for the economy over people. Humans are divided between helping their neighbor and helping themselves. - Says he was never taken to court because he never did anything. He’s still posting to places that he thinks is beneficial to himself and his family. Why would he stop because people have a bad idea of him? You shouldn’t alter your life just because people have an opinion of you. If you quit it makes you look guilty. If you quit you’re either guilty or incapable of dealing with it. He says he’s used to dealing with abuse since he began social media. - He wants to create content and help people and make them laugh. He wants to be socially capable and experienced. His ambitions are aligned with what he’s doing. - He says he can’t forgive his father if what people say about him is true. Everyone else he can forgive. If you are at odds with him, he doesn’t have any hate for you. He understands people can hear the wrong narrative and make mistakes. Says we are both imperfect people and have gone through different things. Says if we went through the same experiences, we’d think the same. Says we aren’t so different.  - Says he’s going away and he hopes you watch all his videos so you’ll know a little bit about who he is instead of listening to what Youtube manipulates you into watching. Says his advise is to quit social media. He wouldn’t quit because he’s passionate about it.

[deadcactuswalking]

REVIEWING THE CHARTS - SPRING 2020

It’s been a while since I’ve had to look at a blank Microsoft Word document and write these words but: welcome to REVIEWING THE CHARTS! 

This may or may not be a pretty long episode but this is also the start of a new edition of the show in which the format is changed pretty immensely. After a couple years of this chart show, I’m going to be honest: I got bored of doing it every week, so I simply stopped doing it. I reviewed songs in secret, wrote notes of future potential episodes, but never released anything. However, recently, I’ve decided that perhaps it would be smarter to not cancel the show but adopt a new format. Basically, I will not do an episode every week, rather every month, where I review each new arrival on the UK Top 40 during that month, without covering any of the nonsense that happened during that month outside of the new arrivals. I’ve actually been wanting to change the format to this for a while but after doing the BRITs special I’ve decided that this actually might be a more palatable workload. Hopefully this’ll work and I can get back into this chart thing and start enjoying looking out for new music again but we’ll see; potentially if I enjoy this I can get back to the weekly stuff. So, let’s start off the new format with a bunch of garbage from March, April AND May that I didn’t review, in chronological order, rounding up everything that I missed in these interim weeks. So, let’s start:

MARCH NE W ARRIVALS: 01/03

#40 – “Moral of the Story” – Ashe

Produced by FINNEAS and Noah Conrad

This is Ashe, a female singer-songwriter from California who got big on TikTok. This song, from the soundtrack of Netflix comedy To All the Boys (Haven’t watched it), is produced by FINNEAS, as he branches out from just producing for his sister Billie. Yup, that’s my pre-amble. The song is pretty cute, and I admit I quite like Ashe’s sing-songy, musical theatre style of singing, which is actually more of a spoken style in the verses. FINNNEAS’ production isn’t too bad, either, with an infectious and jaunty piano melody as well as some cool, explosive choir samples during the post-chorus that sound pretty cool. Admittedly, I’m not listening to this with my headphones (Not currently working because of course they’re not), so I can’t really tell about the mixing (which is something FINNEAS has gotten wrong a worrying number of times). For Ashe’s first UK Top 40 hit and first hit in general, it’s not a bad song at all. I’m not going to save it or praise it to high heavens, but for what it’s worth, I can’t complain. Decent track.

#39 – “City of Angels” - 24kGoldn

Produced by Neek and Omer Fedi

Speaking of people who got big off of TikTok and have their first UK Top 40 hit, here is 24kGoldn, a rapper-singer also from California. You probably know him from his breakout single, “Valentino”, but this other single from his debut EP, Dropped Outta College (Classy), seems to be the bigger hit worldwide. I hate “Valentino”, for the record, and I think it’s practically unlistenable garbage, so I don’t expect to like this. Also, fun fact: This trap-rap song about sex and drugs does not have any profanity. Kids these days with their clean, acceptable music. To be fair, I don’t actually hate this, mostly because of that catchy guitar line used as the main backing for what isn’t actually a trap-rap beat and instead kind of a power-pop type drum beat, with this Juice WRLD rip-off vocally riffing over it in a way that’s just disrespectful to the producers. Jokes aside, this is a good song, with a pretty catchy chorus, though admittedly an underdeveloped structure, with only one verse and two choruses. It’s kind of edgy nonsense but I could see an emo-pop band doing this justice, so I can appreciate it, actually; I do like the rough-around-the-edges vocal style in this context a lot more than “Valentino”. Also, this kid got a Fetty Wap feature on his EP. I’m jealous.

#34 – “Mice” – Aitch

Produced by LiTek and WhYJay

Ah, this guy, back again for more whitebread British trap, hey? Well, I guess I’ll give him another chance; the guy keeps coming back on the chart so there’s got to be some appeal to him, right? Well, nah, not really. This beat is kind of funky but it’s just his other big hit’s beat with less instruments anyway. It’s got the flute, it’s got the crow, it’s got this white dude talking over it. If you make a song that’s just one verse and has a standard beat, you should know that people expect BARS – if the focus is on Aitch, and not the minimalist beat, which didn’t need two producers, or the catchy club chorus and hook, then we need impressive flow or lyricism. You know, wordplay, cool punchlines, something. Aitch doesn’t even have bars. How are you going to make a song about bars when you don’t have bars? I mean, the flow does get impressive by the end and I’m astounded by how he just keeps going here, especially when he’s got nothing interesting to say, and he does ride the beat fine, until he literally gives up at the end. Like, come on, this is a lead single, not a SoundCloud loosie one-off. At least try.

#33 – “Dior” – Pop Smoke (featuring Gunna)

Produced by 808Melo

When this charted, the late Pop Smoke would have recently passed away as result of a shooting and home invasion. I was never a fan of Pop Smoke, and I won’t pretend to be like most of the people listening to his songs after his death. I can say that anyone who is murdered by cowardly thugs at age 20 deserves at least a respectful message and best wishes to his mourning family and close friends. May he rest in peace. You hear that, record labels? In peace. Don’t milk this guy’s unfinished material like you did X. At least be respectful with it like they did with Peep (mostly) and Mac. My feelings on the song are irrelevant at this point, and I feel like bringing them up would be almost disrespectful, but it is my obligation to say that I don’t like the song, his uninteresting cadence, his somewhat homophobic lyrics or the shitty Gunna guest verse on the remix. The beat admittedly does kind of bang but otherwise, I’m just not a fan; the rest of his posthumous album is actually quite a bit better. I personally really like “Snitching” and “Make it Rain”. Regardless, rest in peace, Pop Smoke, and I’ll stop the review here.

#21 – “On” – BTS (featuring Sia)

Produced by Pdogg and Mick Schultz

Oh, yeah, these Korean boys are back... kind of. I mean, they’re always gunning for a “comeback” but it does feel arbitrary to have comebacks every four months. I like BTS for the most part, and their songs do tend to grow on me a lot as time goes on. “Boy with Luv” is such a grower, as are “Fake Love” and “Make it Right”. However, I didn’t like the lead-off single from Map of the Soul: 7 (“Black Swan”) to be interested enough in this new album, so I haven’t listened to it and probably never will; I never actually listened to the last album. I was hoping that this new single wouldn’t fall into the trap a lot of K-pop does, and, oops, it does. There’s a chaotic structure that mixes tribal drumming intros with spacey trap drums, awkwardly Auto-Tuned bilingual singing and rapping from all of the boys, none of which sound particularly good here, not even in the chorus, which has a lot less groove than the other singles I like from them, with a pretty stiff, electronic drum beat. The flow isn’t particularly impressive and I don’t really buy in to the cute aesthetic of the music, so overall, this is just ear fluff that serves little purpose to me other than wasting my time. The Sia remix isn’t any better, either. Congratulations on the top five hit in the US, though, boys. I hope the record label isn’t treating you that bad, although they probably are, knowing the situation with some other overworked bands there. I won’t make any baseless assumptions, though. In terms of K-pop, I prefer YUMDDA. Check him out, I like “Flight” especially.

#20 – “After Hours” – the Weeknd

Produced by the Weeknd, DaHeala and Illangelo

By this time, the Weeknd has released his album, obviously, but at this time, it was a promotional single that came out of nowhere and surprised everyone with how non-single it was. Despite me loving the two lead singles, I didn’t listen to the album for whatever reason (I should probably get on that, actually, since it’s the Weeknd I’m probably missing some good stuff), so let’s hope the title track boasting a six-minute runtime and no discernible chorus gives me a good taste for the album. I mean, the production here is pretty sweet, for the most part, and I like the urgency given by the alarming synths in the intro, coupled with a pretty tight falsetto and grand vocal performance from the Weeknd as always (Can I call him Abel?). I can’t help but feel the song does drag on a bit, though, and I hope that’s not just my attention span but this does get a bit tedious, especially due to very little interesting development towards the climax in the intro, which means the drop feels abrupt and thus not satisfactory in the least, but it’s a pretty great beat admittedly. Actually, the song reminds me of one of my favourite songs of all time, “Instant Crush” by Daft Punk and Julian Casablancas, which is a similarly eerie robotic funk song with vocoder-mangled falsetto vocals. Whilst that song is constantly emotive and full of great hooks from each and every inch of the music, vocals and lyrics, this one feels completely aimless, and after four and a half minutes, it just meanders for a little bit, proving itself as a bit of a waste of time, frankly, even if the lyrics are very well-written albeit vague and perhaps not necessarily too profound or interesting, especially since this is building up a story presented throughout the album. I appreciate this for what it is, but it could have been a LOT better.

Conclusion

Best of the Week probably goes to “City of Angels” by 24kGoldn, which isn’t what I expected but it’s the only song I actually saved from this bunch. “After Hours” by the Weeknd gets the Honourable Mention, but just barely. Worst of the Week would be a bit of a dick move if it went to anyone else but Aitch for “Mice”, and there isn’t really anything worth a Dishonourable Mention here. Let’s move on.

NEW ARRIVALS: 08/03 #40 – “Blueberry Faygo” – Lil Mosey

Produced by Callan

Listen, I really didn’t want to like this stupid TikTok dance song that samples a cheesy 80s R&B track by Johnny Gill, but, man, this is just inescapably catchy. Lil Mosey is a pretty pathetic rapper on his own, so I didn’t expect him to hold himself in any capacity here, but he flows and rides the beat well enough, which is surprising considering his hot garbage fire of an XXL cypher verse. The real standout here for Lil Mosey’s first UK Top 40 hit is the beat from Callan. You just can’t resist the soulful sample and jovial vocal samples here, it’s such an addictive, fun track, and that’s without Li Mosey rapping a repetitive but infectious chorus that can’t get out of my head at all. Yes, he doesn’t talk about anything interesting here, at all, and he bites TAY-K of all people in the first verse, but the verses are short and they immediately transition back to that sweet, sweet chorus. I feel like this is the stuff Lil Yachty should still be making right now, but alas, he’s being Oprah, I think. Yeah, I love this type of cloud rap that just oozes sunshine and beachfronts. It’s not a great rap song and it’s not even a great song, but it’s impossible to resist that beat, and it’s not like this kid from Seattle who may or may not be able to say the N-word is ruining that for me.

#35 – “Death Bed” – Powfu featuring beabadoobee

Produced by Otterpop

Or, as it now wants me to call it, “Death Bed (Coffee for Your Head)”. It’s not often a song just straight-up renames itself but hey, it’s the streaming era. Anything can happen. Speaking of unpredictability, this is the first UK Top 40 hit single for both half-Filipino BRIT Award nominee beabadoobee as well as sadboi Canadian rapper Powfu, and the first UK Top 40 hit single for the genre of lo-fi hip hop beats to relax and study to. You love to see it: lo-fi hip hop in the charts. Honestly, this genre gets way too much slack and there are releases I adore from people like Jinsang and GentleBeatz, and if you look at it in a broader sense, you can look at stuff like MIKE, Navy Blue or the newer Earl Sweatshirt stuff, and I eat that stuff up now, so what I’m saying is: you can’t really go wrong with lo-fi hip hop... until you do. This song sucks. Powfu’s flow is cringeworthy at best, and the pitched-up beabadoobee sample runs through the whole song, becoming pretty irritating by the end of the song in all honesty, despite the original song being pretty sweet, in my opinion. This got big on TikTok, and listen: Powfu can’t sing and he can barely rap (This dude’s flow sounds like it came from Looperman.com), but I won’t complain about people digging the undeservedly maligned genre of lo-fi hip hop in 2020, so I’ll accept Powfu and I’ll accept Will Smith’s quarantine beats, if it makes people accept and appreciate the genre just a bit more.

#28 – “Boyfriend” – Mabel

Produced by Steve Mac

Mabel will not bring anything interesting to the Tabel. I can almost guarantee it. I don’t mind Mabel at all, I mean, Neneh Cherry’s daughter has got to have some talent, right, but relistening to her discography, I noticed it is plagued by bland and uninteresting R&B production. I love her voice and some of the songs are still pretty fun, especially “Don’t Call Me Up”, but overall, I find myself disappointed and the potential wasted. This song is actually pretty okay, to be fair, as most of her songs are, but mostly due to an interesting sample choice – “Remember Me” by house DJ Lex Blackmore, or Blue Boy. “Remember Me” was a massive hit for him, and in reality, the sample here is actually a sample of a sample (from “Woman of the Ghetto” by Marlena Shaw), but my favourite song of his is “Sandman”, which is an infectious and fantastic song that I think is quite underrated, despite performing somewhat well on the charts at the time. You should check it out, it’s amazing. This song, on the other hand, has no interesting characteristics other than said sample. Thanks, Mabel, very cool. Let’s move on to something interesting.

#5 – “Stupid Love” – Lady Gaga

Produced by Tchami and BloodPop

I mean, I hope this is interesting. It’s the big return for Lady Gaga onto the pop scene after A Star is Born practically saved her career, and with BloodPop behind the boards, it’s got to be at least interesting, right? Right? Unfortunately, I don’t think so. I actually like the sound of the chugging 80s synths here that remind me of the 2010s club boom, which of course was Lady Gaga’s heyday, and while I didn’t exactly expect lyrical depth from that era of Gaga, I expected some of the development in her music since to shine through here and it just hasn’t, making this song feel really shallow and empty, and dare I say, boring. Gaga’s vocals here are as good as ever, and in fact, quite unique in the pre-chorus, and I can definitely say the whole song is just one train of constant hooks playing on top of each other, but the transitions are shoddy and abrupt, the vocaloid drop is typical and whilst it sounds great and is well-implemented, strips the song of the character it could otherwise have, especially coming from one of the most interesting and engaging pop singers of the last decade. I can see why this underperformed, as this song is like a Simpsons rerun with all of the funny jokes cut out. Basically, it’s disappointing.

Conclusion

I don’t think there can be an Honourable or Dishonourable Mention here, but Best and Worst of the Week fall out pretty nicely. Best of the Week goes to, and I can’t believe I’m saying this, Lil Mosey for “Blueberry Faygo”, whilst Worst of the Week goes to “Death Bed (Coffee for Your Head)” by Powfu and beabadoobee, for just being the epitome of dullness. Again, let’s move on to something different.

NEW ARRIVALS: 15/03 ALBUM BOMB: Eternal Atake – Lil Uzi Vert

Hey, an album I actually listened to – and liked! Lil Uzi Vert has always been hit or miss with me and whilst Eternal Atake is more of the same in that regard, its highest highs are incredible, especially in the middle third of the album, but overall, despite some filler and straight-up bad tracks sprinkled throughout, Uzi’s sophomore effort is very enjoyable, slightly more so than its pointless deluxe reissue (although I come back to “Bean (Kobe)” with Chief Keef a lot more than I’d like to admit). Now that I’ve praised the album, let’s talk about one of its worst songs, because, well, that’s how chart works.

#37 – “P2”

Produced by TM88

Should this really count as a new song? I mean, it’s a glorified “XO TOUR Llif3” remix, with the same producer, practically the same chorus and definitely the same premise, and whilst I didn’t like the original, I understand its purpose, story and appeal. Here, despite my respect of the continuation of the song’s narrative, I question the existence of the song. Did the original need a continuation? Not at all. Does this cheapen the original song’s impact, legacy and influence? I mean, not directly, but instead of being able to appreciate the original in the context of one-off hit single by charismatic emo-rapper, I know have to comprehend it as the disappointing sequel to a film that was never all that great in the first place. I’m not a film buff so I can’t think of an analogy that’ll work for that exactly, but you know how there was that old episode of SpongeBob with Bubble Buddy that was fun but overall pretty forgettable? Yeah, they tried to bring him back in season eight but the new episode was just bland and didn’t even promise what a sequel should promise, whilst also being pretty pointless as the original’s cliffhanger worked fine and added to the episode, as did the overall mystery of the Bubble Buddy character that had been dissolved with the creation of a new episode? Yeah, that’s my analogy, don’t care. Next song.

#36 – “Baby Pluto”

Produced by Cousin Vinny, Bugz Ronin, Brandon Finessin and Ike Beatz

Now THIS is the Uzi I like. Much like “Free Uzi”, which probably should have been on the album, this is Uzi spitting rapidly with a slippery flow that at times creeps into off-beat territory but isn’t noticeable because his energy level is astounding and rubs off on the listener. Lil Uzi’s charisma and tone is determined yet loose, and he switches from flow to flow and from topic to topic swiftly and without a care in the world. It helps that the beat from the Working on Dying collective is freaking incredible (Although not the best beat on the album), with sweet glistening piano loops and sci-fi sound effects dropped in for some reason or other. The beat is also genius in how it cuts off exactly where you’d expect it to drop, teasing you every time that Lil Uzi’s flow reaches the point where the beat should logically drop, until it finally does and it is so satisfying, especially when Uzi gets in his lower register and actually sounds intimidating. The term “Baby Pluto”, whilst being a nickname Uzi uses, isn’t even mentioned in the chorus, but there’s an equally iconic line here, “I turned to an addict, I bought me a Patek”, which is just poetry. I don’t know exactly why he’s going to war, either, but hey, it sounds cool, right? “I bought a G-wagon, that shit was the BRABUS”? I have no clue what the hell that means, but it sounds awesome. He’s so casual in how he goes from verse to verse and from flow to flow, it sounds effortless. Lyrically, it’s all over the place (But generally correlates to luxury) – his neck is “on squeegee”, he mentions Ouija boards because of course he does, he seemingly doesn’t understand the concept of blindness (Seriously, Uzi, Stevie Wonder couldn’t see THEM, not the other way around). In the second verse, he brags about being a pescatarian (In a pretty clever way) and moves states for again, seemingly no reason. And, of course, in the third verse, he says he is so sex-deprived that he’d even do it with your girlfriend in a Honda Accord. Sure, there are some filler lines (I don’t think any “icy wrist” pun can beat Future’s ridiculously blunt “I just put my whole damn arm in the fridge”), but they go by so quickly and so breezily you don’t notice them. This is a great song, and an incredible introduction to the album as a whole.

NE W ARRIVALS #39 – “Supalonely” – BENEE and Gus Dapperton

Produced by Josh Fountain and Gus Dapperton

A song by zoomers for zoomers which got big on TikTok. It’ll make sense in the context of this depressing pandemic, in fact all pop music seems like it’s having suicidal thoughts right now. I’ve heard of Gus Dapperton before; he was on the 13 Reasons Why soundtrack with a vaguely 80s-sounding indie pop song that to be fair, I actually really liked! In fact, listening to it now, I think “Of Lacking Spectacle” should have actually been the big hit, but alas, we have “Supalonely” by BENEE, who I’ve never heard before. She’s from New Zealand but her biggest listening audience is Jakarta, Indonesia, for whatever reason, and I guess I should get onto the song... wow, this sure is a song. It’s like the groovy funk and disco pop without much groove or even funk – this song feels really staccato, especially due to that droning chorus, intentionally of course but accentuated by more sincere, Auto-Tuned inflections and ad-libs that add emotion and character that take this song from being “understandably boring and annoying due to its subject matter and hence better in that it reflects those emotions effectively” to being “wasted potential and perhaps just a failure at making a pop song”. I like to use the word “janky”, but so far, most of these songs have been too competent for my liking. Oh, and Gus Dapperton sucks here too. Have fun with your guitar lick you found on FL Studio, guys, but I’m not a fan.

#26 – “Self-Obsessed” – Da Beatfreakz featuring Krept & Konan, D-Block Europe and Deno

Produced by Da Beatfreakz

If you’re not British, you will statistically have no idea who these people are. If you’re British, you will statistically have no idea who most of these people are. Da Beatfreakz produce a lot of British trap and Afroswing hits, Krept & Konan are one of the biggest grime duos of all time, Deno was a guy who was vaguely funny on a song once so we kept him around, and D-Block Europe... well, they’re D-Block Europe. Just as I was talking about songs being too competent, we review this song, which will likely be a trainwreck. Firstly, let’s get it out of the way: what dumb shit does Young Adz say in this song? Well, it’s not initially clear who’s self-obsessed but he’s talking about a woman here, because we’ve got to love that sweet, sweet misogyny, which is even blunter and more disgusting in British rap for whatever reason. You know that if you already ate it in the Porsche, you’re not legally obliged to give her some more, right? You can just give who is assumingly  a prostitute a wad of cash and drive off, as you are big famous rapper man. In the chorus, he also says he sells crack but only smokes marijuana, which is reassuring I suppose, and that he plays chess on his Louis Vuitton bag because he is bored. Okay, he’s trying to say that he’s so rich he could deface designer fashion but playing chess isn’t exactly a messy activity, and I highly doubt this man knows how to strategically play it. Also, who are you playing chess with? The prostitute, or the other member of D-Block Europe, Dirtbike LB? Speaking of, his verse depicts the time where he was thinking about the... anatomy of the woman his best friend was... interacting with when he crashed that Porsche. Also, if this woman is so self-obsessed, why are you not letting her get a Louis bag before she sucks you off? I know it’s just flexing and rapper talk, but it’s painfully not self-aware. He also has an odd moment of feeling love for the woman but immediately retracts it after a one-line topic shift, because of course he does.

Girl, I hate it when that love’s feeling strange / Paid cash for the car, that’s the Range / If I ever said, “I love you”, then I think I’ve gone insane

Wait, how many cars do you have? Oh, and Young Adz comes in immediately afterwards.

Long story short, made a boy do the running man

Oh, and he’s actually kind of funny on purpose for once.

Three litres of blood, swapped it for a couple grand

Wait, wh—

Should have saw her face when I crushed a Xan

Huh?

Every bitch want to f*** a man

Somebody’s got to tell this dude about lesbians before it’s too late. This is all, in typical D-Block fashion, rapped awkwardly and stiffly with 17 layers of malfunctioning Auto-Tune and reverb coating the two until they’re indistinguishable over a beat that... admittedly, this one’s pretty good, but I swear it’s a fluke. Oh, and if you hadn’t had enough of Young Adz, his ad-libs are all over Konan and Deno’s verses. No-one else says anything interesting, by the way.

Said she want to F a drug dealer, but, baby, I wasn’t raised in the trap

Bro, then why are you on this song? Deno’s whole verse seemingly revolves around the fact he has never sold drugs and doesn’t use swear words. Yeah, this is tough, but exactly what I expected.

#3 – “Rain” – Aitch, AJ Tracey and Tay Keith

Produced by Tay Keith

Tay Keith’s beats are all the same. Aitch’s bars are all the same. It’s a perfect combination. At least AJ Tracey could be amusing here, and admittedly he is, with a catchy chorus and a pretty great verse, where not only does his flow stand out as particularly interesting but he throws a lot of funny pop culture references in there too, like Kenan Thompson, Bugs Bunny and the ridiculous “gyal on curry, neck McFlurry”, which he accentuates with a “bling-baow”? The first line is actually a reference to an obscure term for people from Manchester coined by Liam Gallagher, and Aitch is from Manchester, so, you know, it’s those nice little additional touches that count, and while AJ’s verse isn’t exactly flooded with wordplay, Aitch, come on, man, step your game up. Your flow and rhyme scheme is excellent but you have absolutely nothing to say. There’s a vague Blueface reference, I think, but that’s all. Ultimately, the song isn’t bad at all, and the beat is pretty menacing and slaps pretty hard, with both rappers riding it effectively, especially Aitch’s straightforward, intimidating triplet flow in the pre-chorus and AJ’s more rapid, free-flowing cadence, and, hell, I have a soft spot for that dumb eagle caw sound... but I mean, it’s just more of the same, and I can’t think of a way to restructure it that makes sense; without the chorus it’s too short and directionless, without Aitch it’s too staccato, and without AJ Tracey, it’s outright garbage, so, yeah, mixed feelings but I can listen to this with no issue. Oh, yeah, and this is Tay Keith’s first UK top 40 hit as a credited artist.

Conclusion

Best of the Week definitely goes to “Baby Pluto” by Lil Uzi Vert, with an Honourable Mention to Aitch, AJ Tracey and Tay Keith for “Rain” because, well, it’s somewhat entertaining, I guess. Worst of the Week goes to “Self-Obsessed” by whoever the hell with a Dishonourable Mention to “Supalonely” by BENEE and Gus Dapperton for existing simply without purpose. Let’s move onto something different.

NEW ARRIVALS: 22/03 #37 – “Papi Chulo” – Octavian and Skepta

Produced by Go Grizzly, YoungKio and BricksDaMane

Or something exactly the bloody same. This is Octavian’s first UK Top 40 hit. Welcome to the chart. As you can tell by the Skepta, this is a British rap song that might have some more quality to it than usual. So, it’s produced by the “Old Town Road” producer, YoungKio, and it’s got a Latin-flavoured guitar, as well as stupid falsetto skrrt ad-libs instead of a chorus, gross sex talk that is just unpleasant to listen to, misogyny for days, and Octavian sounding like Sean Paul on painkillers. Yeah, just absolutely disposable, exhaustingly dull garbage which I don’t have much to say about. Maybe doing this in bulk is getting to me.

#35 – “The Take” – Tory Lanez featuring C**** B****

Produced by Sergio R., Play Picasso, Papi Yerr, Tory Lanez, Alo905 and Rajah

There was a Drake interview where he said he squashed his beef with CB because it was “silly” and “girl stuff”... you know, like when he gruesomely and infamously assaulted Rihanna. Silly girl stuff. Yeah, I’m glad you and Ray William Johnson are on the same page, Drake – I hope at least someone gets that reference. I am not listening to CB, I am not helping CB, I am not funding his bail next time he kicks a woman in the face for not liking his new five-hour epic about having sex with your girlfriend. Tory Lanez, please don’t play as an enabler or apologist for this man anymore. I’ve heard your album, you know how to rap, don’t give any playtime to this sicko who barely knows how to function as a non-violent, law-abiding citizen. Thanks, Tory.

Edit: Fuck, nevermind. Both of these guys make me sick.

#34 – “Boss Bitch” – Doja Cat

Produced by Sky Adams and Imad Royal

Finally, someone talented this week. I don’t know why this song actually peaked and debuted this high though – I don’t know if the film it was attached to, DC’s Birds of Prey, did particularly well here in the UK, but I know the nation likes the Harley Quinn character enough for E4 to start airing the mediocre animated series to much appraisal, so I’d assume the song got popular off of that, maybe? Otherwise, Doja Cat’s a pretty big star now so it’s a good choice for the soundtrack, especially since she does give off the same vibe as a lot of the film. Yes, I did watch the movie, and it was, as most movies I have watched, vaguely tolerable. This song was in it, during a scene that I remember being colourful. What insight. Anyway, the main focus here is the song itself, and yeah, it’s pretty awesome. Sure, you can rip on how derivative of Nicki Minaj it is, and she does sound exactly like her here sometimes, especially with the Barbie references, but you can’t deny that infectious, simplistic mantra of a chorus, and the pure charisma diffusing out of the sassy lyrics and nasal, aggressive vocals from Doja, often resorting to yelling, as well as that noisy house-pop beat with chimes and screaming in the background. It is just a beautifully chaotic song, especially with the off-beat pitch-shifted vocal loops in the final chorus; hell, it doesn’t really work well as a pop song because it’s just so bloody all over the place, and, yeah, I can dig this. It’s pretty much a complete mess, but it takes you along for a ride with it, so I’ll endorse it.

#32 – “No Judgement” – Niall Horan

Produced by Tobias Jesso Jr. and Julian Bunetta

Before I write this section, I am going to take a break because I have written entries for a bunch of songs in the span of an hour and a half if that, including one or two that were very long, hence I am starting to grow tired of the chart music and also sound very cynical. I didn’t want to sound too cynical when talking about a pop song like this, which is frankly just existent and relatively inoffensive, even if its funky tropical guitar beat does feel dated and Niall Horan’s vocal presence is so small compared to “Nice to Meet You”, which is a really good song, and—Goddamn it, I’m reviewing the song anyway. Okay, well, let me just conclude this and then I’ll take a rest.

Conclusion

No Mentions of any sort here because there’s one garbage song, one awesome song, one song I cannot mathematically have an opinion on, and one which I do not want to listen to due to being morally righteous or something like that. So, yeah, obviously Best of the Week is Doja Cat’s “Boss Bitch” and Worst of the Week is “Papi Chulo” by Octavian and Skepta. See, this different format works out well because this would have been a short-ass episode otherwise. I’m barely awake now and actively feel myself nodding off every few sentences – sorry for any errors due to this but I can’t be bothered to fix them – so I’ll see you when I’ve rested, I hope.

NEW ARRIVALS: 29/03 #39 – “War” – Mastermind and Bandokay

Produced by LiTek

Just so you know, I had to check the Spotify credits for this song because there is seemingly no Genius lyrics page with all the details and such (as of my writing this). It exists, for sure, but it just lists the artists, the title and displays a “no lyrics available” message, with the cryptic song bio of “Mastermind X #OFB Bandokay”. I mean, sure. Well, I have no idea who these guys are, but their song kind of bangs. Well, at least the beat does, produced by LiTek, who I have also never heard of. That fluctuating flute paired with the pretty intense, exploding trap patterns make for a rap song that actually feels like it’s fulfilling the purpose trap should. I say that without taking into consideration that both of these guys can’t rap for squat and that most of the time, their high-pitched nasal Auto-Tuned whining – or “crooning”, if I’m being kind – is pretty aggravating and pretty derivative of their American contemporaries. British hip hop has never been particularly unique but with the pretty great drill beat here I expected at least some attempt to reflect its intensity in the vocals, but alas, this is just okay, if that.

Oh, apparently Bandokay was the son of the late Mark Duggan, who was killed by police, leading to the 2011 England riots. The more you know.

#36 – “Sunday Best” – Surfaces

Produced by Forrest and Colin Padalecki

I listened to this once without writing anything about it, and honestly, yeah, that’s enough. I should, hypothetically, love this song. Surfaces are two dudes with pretty alt-rock voices who decided to make a pretty, cute pink indie-pop song with a pretty nice trap skitter and simple piano chords, as well as a lot of robotic stuttering. This sounds like it should be some great, catchy stuff, but I actually found this pretty infectious in a different way, which may sound insensitive considering the current state of the world, but I don’t care, this song is garbage. These guys can’t sing, and they don’t want to attempt to hide that fact, instead obnoxiously sharing that with the world through their egregiously optimistic lyrics that seem pretty reassuring in these times, if you’re into shallow, vague rhymes and repetitive fluff that substitutes any kind of genuine, inspiring message or motive. I would say I’m disappointed, but I’m not entirely sure how low my expectations were in the first place.

#34 – “Flowers” – Nathan Dawe featuring Jaykae

Produced by Nathan Dawe

I assumed this would be another trap or grime song but actually this seems to be a DJ once again using uncredited female vocals for his electro house tune fused with dance-pop and a bit of UK garage. I am pretty intrigued by Jaykae’s feature though since he’s a rapper. The song focuses on the UK garage sample used, which is “Flowers” by Sweet Female Attitude and Cutfather, which was a pretty massive song for the genre in the year 2000 that seems to be pretty adored amongst British musicians. It’s been covered by Bastille, remixed by AJ Tracey and finally sampled by Nathan Dawe and Jaykae. I recognise the song – I don’t particularly like it but I respect in how it is a pioneer of the Vocaloid drop that became big in electropop, house and related genres like future and bubblegum bass decades afterwards. Nowadays, despite some pretty and surprisingly modern production at times – it definitely sounds like some bubblegum bass stuff from years later – it’s a pretty sloppy song, thanks to some unneeded complexity in the drop, and ends up sounding clunky as all hell. This new song uses the stems of the vocals – or perhaps a re-recording from the group themselves, or at least a pretty damn good impression – to create a pretty standard house tune that is nothing to write home about but is joyful enough and pretty club-ready. I like the vocodered “Whoa, baby” in the pre-chorus, but overall it just seems like a lazy flip of the original, especially since the drop is basically unchanged. Jaykae’s verse attempts to recreate the hype of a fun verse the DJ or a classic grime MC would add at a club and I do appreciate the new nostalgia for this type of music, but his verse is also kind of garbage. Also, despite his lyrics, this song is decidedly not the type of music you would sip lean to, but, sure, Jaykae, whatever you’re into.

#17 – “In Your Eyes” – the Weeknd

Produced by Max Martin, Oscar Holter and the Weeknd

It’s the Weeknd’s 22nd UK Top 40 hit: the double A-side with “Heartless” was released oddly, with “Blinding Lights” here being released days after and about a week after, was finally accompanied by a music video that’s really just an advertisement for Mercedes-Benz vehicles. Neither single got to experience their best possible tracking week in full, but nonetheless, both are still pretty high because it’s the Weeknd, and I’m actually somewhat excited for this. I’ve heard that it interpolates A-ha’s cheesy 80s synthpop classic “Take on Me”, and it wouldn’t be the first rendition I’ve heard of the song in 2019. That would be Weezer’s hilarious cover on both the Jimmy Fallon show (Where they played it with kids’ toys) and their “Teal Album”. Sorry, I bring Weezer up too much. Is the song good? Hell, yes. It starts with an overwhelming wave of ominous distortion before retro 80s synths quickly come in and an iconic, reverb-heavy drum pattern comes in that sounds awfully familiar – it’s probably also from “Take on Me”. The synth riff, as typical with 1980s synthpop, is hilariously grandiose and egregious, but the Weeknd kills it here as well, not letting the instrumental or even the freaking bongos playing during the verse shine over him or put him off. He blends in with the airy synth painting in the chorus, and it is gorgeous, it really is. I wish this was a tad catchier but that definitely will be a possibility for it to grow on me later on (Which hopefully it does, it’s already perfectly qualified for my best of 2020 list). The Weeknd’s vocals on the bridge are oddly powerful, and that last moment in the penultimate chorus where there is this epic beeping synth that rises until the synth riff drops once again is awesome. The pre-chorus is probably my favourite part, though, especially when the synths cut out for it to just be the Weeknd over the drums, right before the chorus kicks in. I love this so much, unexpectedly so, and I’m so glad it charted so high. I hope it survives the Christmas songs, though.

Okay, all jokes aside, this is a good song, albeit safe as all hell. I feel like I’ve heard this song a bunch of times before, not just in “Blinding Lights”, and Abel can perform, sing and even produce better than this, so I’m left with little to no original insight. I’ve grown to like the Weeknd more when he’s on his depressed trap-R&B style as well, so this is even less appealing to me now. Oh, yeah, and the Doja Cat remix is cool, in fact I might prefer her verse to the original song. She flows pretty well. Oh, and I figured I should specify the Doja Cat stuff would have been written before the whole ‘oops, she’s racist’ scandal. I don’t defend her on that really. In fact, due to a lot of this being written in bulk at different periods of time (Half of this review is from January, the other half being from both May and July), some things may be pretty dated or currently untrue.

Conclusion

The only good song here is Abel’s, so I guess Best of the Week is going to “In Your Eyes” by the Weeknd and Worst of the Week goes to Surfaces’ “Sunday Best”. Nothing else here is all that good or bad, or even worthy of a mention, so next month?

APRIL NEW ARRIVALS: 05/04 ALBUM BOMB: Insomnia – Skepta, Chip and Young Adz

No, I didn’t listen to this album either. What, you think I’d listen to an album by a guy called Young Adz? The Guardian gave it four stars because it had Skepta on it, if you’re interested. Let’s just listen to the songs and get this over with. It’s Young Adz so it’ll have some funny lyrics at least.

#32 – “Mains”

Produced by Skepta

Oh, no, I like this song. This beat, produced by Skepta, is actually pretty incredible, with a very catchy, joyful flute loop smoothly placed under a pretty hard trap beat, which sounds really cutesy, kind of like some Lil Yachty stuff. And Skepta, of course, being Skepta, pretty much kills it – in a good way, that is. His flow is impeccable and I mean, how can’t you ride a beat you produced? Young Adz is actually fine here, and I’d argue his ad-libs actually add to the experience here rather than subtract from it as usual. I’m actually starting to like this guy’s zany charm. He’s much better than Chip, who sounds rusty as hell here, with some badly-fitting Auto-Tune and an off-beat flow. The whole song is one verse between a chorus, with all three rappers sharing the verse pretty much equally. Young Adz kills his second verse in a way I never expected him to, and I love how his ad-libs are implemented into the beat and his “WHAT?! SKEET!” yells are honestly really charming. Yeah, this is pretty good, but it’s Young Adz so...

I’mma whip that crack like banana pudding again / When I step in the bando, fiends and the workers act like Vladimir Putin just came

Got a little three-two concealed in my boxers, call that fire in the mains

You know, now that this guy has improved, these ridiculous non-sequiturs start to sound more like a genuinely funny guy rather than just... an idiot. Also, this:

Come in her p****, a lava lamp

That’s just gross, man.

#18 – “Waze”

Produced by Cardo

I hope this one is good, I mean, I’ve never liked Cardo as a producer, but trap has always been dependent on the vocalists anyway, and Skepta and Adz have both never been ones to disappoint, each in their unique ways. The music video for this is rather pretentiously subtitled “the movie” for whatever reason, by the way. The song, despite the beat coming in via a fade out, which is an odd decision, is pretty okay beat-wise, albeit uninteresting. Young Adz decides to be a lot slower and whinier here so he’s pretty boring and much worse than when he goes on his speedy, rapid, ad-lib-a-plenty verses. Chip tries to be badass but ends up sounding pretty dull, although his verse about rappers claiming they’re the best when they’re the only people in the room is kind of funny, unlike Adz here, who isn’t even humorous here. Skepta is just as bad as Chip, arguably worse, with a really short verse, so, yeah, this album is looking pretty inconsistent so far, just from two tracks. The album’s actually pretty short so I might listen later.

NEW ARRIVALS #38 – “If the World Was Ending” – JP Saxe and Julia Michaels

Produced by FINNEAS

I don’t know who JP Saxe is, I assume he’s some industry playlist singer. Julia Michaels we know, I assume, and FINNEAS is, of course, the producer of Billie Eilish’s hits and her brother. However, most of the time, his other productions don’t end up being nearly as interesting, unique or really anything like his work with Billie. Maybe that’s a good thing, maybe that’s a bad thing, I, however, do not care, because frankly, nothing he produces outside of his solo work and with Billie ends up being all that noteworthy. His voice is just a typical white-guy-with-an-acoustic-guitar voice, the instrumentation is minimal and generic (I swear I’ve heard that same piano sound hundreds of times before). This song has been contextualised to relate to the whole COVID-19 pandemic and its consequences but that is arguably as ridiculous as the whole 5G garbage. Speaking of garbage, this song. Music criticism, everybody.

#28 – “Savage” – Megan Thee Stallion (featuring Beyoncé)

Produced by J. White Did It

I haven’t listened to a Megan Thee Stallion project but what I’ve heard ranges from tolerable to pretty damn great. I particularly really enjoy her breakout single “Big Ole Freak” and of course, I applauded “Hot Girl Summer” with Nicki Minaj and Ty Dolla $ign on this show before. On the other hand, songs like “Captain Hook” or “Cash Shit” with DaBaby, where Meg boasts about her prowess in both the bank and bedroom over a pretty simple bass-heavy trap beat are just dull to me, regardless of how funny her wordplay is or how occasionally impressive her flows happen to be. “Captain Hook” especially, I mean, at least “Cash Shit” had the DaBaby verse, splashy percussion and sound effects and some pretty memorable bars, as well as the iconic profanity-laden chorus. I haven’t listened to the Suga EP but I did like the lead single, “B.I.T.C.H.”, with the pretty nice 2Pac sample flip. Given that and the other songs I like from her, she may be at her best when she’s rapping over a soulful, early-2000s-esque R&B beat with a helpful pattering of trap skitters. Considering this is produced by J. White Did It, whose discography consists of cheap pianos, stiff trap drum patterns and blocky 808s, he sells off to mostly female rappers like Cardi B or Iggy Koopa, I’m not expecting that, I’m expecting a boring brag-rap song that Megan sounds way too good to be on, and, yeah, pretty much. To be fair to J. White Did It, this beat is pretty nice with the smooth keys and the driving beat behind Megan who kills it with the sass here in the verses, even with an overly repetitive chorus. I especially like the opening verse where she’s the hood Mona Lisa and breaks a [gnarly dude] to pieces, although the second verse has its equal share of notable and funny lines.

I keep a knot, I keep a watch, I keep a whip, ooh / Let's play a game, Simon says I'm still that bitch, ayy

A while ago, I made SpongeBob say the second verse using artificial intelligence and that was funny. Again, music criticism, everybody. Beyoncé isn’t out of place on the remix but I still think she’s not intriguing as a rapper, and I personally prefer her trailing ad-libs in the chorus. I do appreciate Megan adding like three new verses, which is pretty unprecedented, but the two do not have chemistry and it just feels like Beyoncé singing along to the original song sometimes, although her second verse is a lot better. I still prefer the original, though, it’s just more concise. Oh, and there’s an official chopped-and-screwed remix of this, and it’s pretty good, although it doesn’t give me the same ethereal vibe DJ Screw does. The whole “Say So” vs. “Savage” thing was a bunch of malarkey, by the way. No malarkey in Bikini Bottom, please.

#12 – “Believe It” – PARTYNEXTDOOR and Rihanna

Produced by NinetyFour, Cardiak and Bizness Boi

I still can’t tell if PARTYNEXTDOOR is a parody of alt-R&B yet. As with most of Drake’s OVO signees, he makes most sense as a backing vocalist for Drake. I like him ooohing on “Ratchet Happy Birthday”, which is a ridiculous joke song in itself, and his crooning on “Loyal” is just hilariously awful, so he’s just Drake’s friend who decided he could be funny and sing R&B songs, right? So. how did this dude get Rihanna? Okay, I’m half-joking, he’s a serious R&B singer, he just happens to be bad at it. We’ll talk more about Drake in a bit, so let’s listen to the single from PARTY’s most recent album... PARTYMOBILE. Come on, this has to be satire. Anyway, this collaboration is a perfect fit, mostly because PARTY wrote a bunch of Rihanna’s recent songs, but the song itself is a pretty soulless washed-out guitar lick under some inconsistently intricate vocal layering, a gross chipmunk vocal sample, a boring trap skitter and barely any Rihanna.

You got the power, p***y power

I can’t be the only one who thinks this guy is joking, right?

#9 – “Break Up Song” – Little Mix

Produced by Goldfingers and KAMILLE

Little Mix are a girl group practically formed by a talent show that have had more longevity than anyone would have expected but after leaving their awful label management under Simon Cowell, they’ve pretty much consistently flopped. They have these high debuts and drop off pretty quick, whilst Cowell is making cameos in sub-par Scooby-Doo movies. The whole team isn’t doing well after their decade of success, really, and one of them’s hosting a show on MTV or something? I don’t know, I keep getting adverts for it. This is not a good song. It is a vaguely EDM-fused pop song with some reverb-heavy 80s-esque drums. It sounds a bit like “Blinding Lights” production-wise. The lyrics are a remnant of the Industrial Revolution, the melodies could rebuild the Berlin wall, and the song has about as much worthwhile content as the Jewish Autonomous Oblast has Jews. That sounds a lot better than it is, but trust me, this song is just empty and void of anything. It makes his three-minute runtime feel like a Star Wars VHS, complete with grain.

#6 – “Break My Heart” – Dua Lipa

Produced by The Monsters & Strangerz and watt

Now THIS is some good nostalgic dance-pop. I loved the album, it was full of energetic, perfectly-constructed and excellently written bops, although it was slightly knocked down a few points by some filler, which sounds weird saying about a 37-minute record, so it’s a lot more or a bit less noticeable than a longer effort, if that makes sense. In this case, I was jamming out to the infectious hooks so much I didn’t even notice that two or three of the tracks were samey and boring... including the second single, for some reason. I still think “Physical” is pretty mediocre. This song, however, is one of the highlights of the album. The groove here is undeniable and Dua’s voice compliments the at-times minimalist production perfectly, especially in the intro where it’s just her and the bassline before it abruptly transitions into a dreamy pre-chorus full of strings... and then drops back into the pure funk for the chorus, full with strings and horns that despite sounding particularly 90s are effectively timeless. Is this anything that impressive production-wise? Well, no, it is a pretty simple track which is admittedly at times kind of sloppy and rushed, especially in said chorus, but the little touches like the spitter-spatter of 808s in the first few bars of the chorus before it truly drops are there, and they are pretty sweet. The bridge is my only real complaint because I don’t really see the point in its existence since it just repeats a line from the chorus in a really short string break and it seems kind of messy overall, kind of dampening an already fragile structure. Okay, well, it’s not a perfect song, and its flaws are evident towards the end of the song, but I can’t say that detracts from the experience for me overall. Oh, yeah, and I don’t usually watch the videos for these songs when or before I review them but, oh, my God, Dua Lipa in this video is so--

Conclusion

Okay, so Best of the Week is actually pretty much a toss-up here because there are two great songs with pretty obvious flaws that debuted this week, but I’ll give it to Dua Lipa’s “Break My Heart”, with Honourable Mention going to “Mains” by Skepta, Chip and Young Adz. Worst of the Week is also pretty difficult to plot, but I think I’ll give it to “Believe It” by PARTYNEXTDOOR and Rihanna for just being a joke of an R&B track, with a Dishonourable Mention to “Break Up Song” by Little Mix. Moving on...

NEW ARRIVALS: 12/04 #39 – “This City” – Sam Fischer

Produced by Jimmy Robbins

Am I the only one who thinks Jimmy Robbins is a funny name? No? Okay, well, let us discuss this next song then. Who’s Sam Fischer, you ask? Well, I  had no idea either so I looked him up and found out that he was some R&B singer from Sydney, Australia, and this song is a single he released in January of 2018 that happened to get big on TikTok – so big in fact that RCA Records slid in his DMs and signed him to re-release the song. So surely there must be something in this song to make it memorable to the average TikTok viewer, and hopefully something good. Before I talk about the song though, the Genius page at the time I’m reading it and writing this is hilarious and kind of heartwarming. Seemingly, this guy communicates with his fans via poorly-written Genius annotations, and there’s specifically this one person in the comments, Genius user “Sechser”, who is lonely, or “lonley”, during quarantine, and she wishes to express this on this Genius lyrics page for whatever reason, leading to someone else asking if they were on Instagram so they could talk. That’s nice and friendly, unlike my reaction to the person who said the song was underrated when it had four Goddamn remixes, including some from Anne-Marie and Kane Brown. While I’m on Genius, I might as well explain what the song is about: being exhausted and tired by the city you live in, and becoming disillusioned by everything going on around you, but not in Sydney, Australia. No, instead, this is a diss track towards Los Angeles, California. Clearly a cultural and economic hub that happens not be the capital of one of the biggest and wealthiest English-speaking countries in the world wasn’t good enough for him, so he moved to another one that fit the exact same description. Oh, and the song? It’s kind of boring. It’s just a white guy with an oddly-mixed acoustic guitar and vocal chords as generic as the plastic finger snaps that suck the power out of this power ballad. If this were the only pop music I knew existed, I’d say pop is dead. Let’s move on.

#34 – “Thank You Baked Potato” – Matt Lucas

Produced by Kevan Frost

Okay, so at this point, the UK is on full quarantine COVID-19 lockdown mode, and I am forced to talk about this in this episode because of this unfunny racist Anthony Fantano-looking motherf—

Okay, so back story: Matt Lucas is a comedian who got big off of the comedy show Little Britain with David Walliams and as a connoisseur of the Dave television channel, I conclude that he’s not very funny. Due to the fact that he portrayed iconic British stereotypes of the 90s and 2000s, such as the disabled guy (?), homophobic homosexual (Wait--) and... okay, so I don’t know how he got so loved by the British public, but he’s a bald guy who people found funny and now he’s making charity singles, not the first time he’s done so either. He also lent his voice to Gnomeo and Juliet because, well, of course, and fittingly this is a children’s song. In the early stages of the pandemic, Europe was asking everyone to wash their hands and stuff like that, focusing on the hygiene ethics that you should follow every day to prevent spread of the virus. So he adapted this song he wrote on some comedy show a couple years ago to fit with the ongoing pandemic, and it’s going to help the NHS workers. It’s a valuable cause for a guy who is ‘very sorry’ but also ‘very willing’ to bring back the blackface from not the 1920s but the mid-2000s, and also really eager to defend Israel’s breach of international law only when Black Lives Matter starts to comment on the situation in the occupied territories. He has also been rather cryptically tweeting videos daily despite his pinned Tweet claiming he has been taking a break from the platform, seemingly to hide his gross-out jokes and gross-out politics in case anyone realises that no, this man isn’t as much of a CBeebies-friendly happy chap with a bald shiny head and enthusiasm as you could have suggested. He’s still got the bald head I suppose but that’s beside the point. The song is (vaguely) listenable despite being completely irrelevant to the cause and also completely bad because he puts on this nasal annoying voice for half of it, when he can’t sing anyway. It’s almost like he’s making a mockery of the pandemic. Regardless of the song’s contents and history, we can all agree it’s a children’s song with a runtime of barely a single minute, hence it shouldn’t be in the UK Top 40, or even the charts at all. At least the guy who made “Baby Shark” wasn’t racist. Free Palestine. Anyway: Drake.

#2 – “Toosie Slide” – Drake

Produced by OZ

You know, I didn’t like “Nonstop”. In fact, I really hated “Nonstop” – but there was at least some charm in it, intentional or not. You know, the Tay Keith beat kind of bangs for what it’s worth, and some of the lyrics are really that bad that they cycle all the way back to being really funny again. “I just took it left like I’m ambidex’”, “Yeah, I’m light-skinned but I’m still a dark [gnarly dude]”, “Bills so big, I call ‘em Williams, for real”? Only Drake could make up garbage this humiliating for both him and the listener, and kind of get away with it. Surely, he can replicate that in “Toosie Slide”, his new drab, dry trap banger with a pretty audible lack of colour, especially in this time of depressing quarantine and lockdown and... yeah, no, this song just doesn’t work in any context. It was propelled by TikTok and is effectively and by all intentions, a dance song much like “Watch Me” or “Crank That Soulja Boy”. Unlike “Crank That”, however, it is not a song you can use in a mash-up or DJ mix, it is not a song you can exploit or have fun with, or even really dance to, despite the cynical, unabashed trend-hopping on display here. Maybe that’s the point, right? I mean, in the video, he’s dancing by himself in his massive mansion where he keeps art of Chairman Mao (Relatable) with a ski mask on, so maybe this intends to reflect the current lockdown period... but I can’t even stretch that far enough, and I tend to stretch the meanings of songs a lot on this show. Sure, musically, with its ambient synths and piano loops, it works as a parallel to real-life, and I guess how easy and depressingly boring the dance is also reflects that, but the rest of the song is completely irrelevant to both the lockdown and dance.

Black leather gloves, no sequins

Oh, thanks for specifying that you have no sequins, Drake, I appreciate that, it really helps create the imagery of a dull white void or a single balloon in the wind, drifting into thin air.

It goes: Right foot up, left foot slide, left foot up, right foot slide

Alright, so that’s a pretty simple set of instructions, I mean, I could do—

Basically, I’m saying, “Either way, we ‘bout to slide”, ayy

So the last instruction was not an instruction but just a recommendation? I just have to slide and that counts as a Toosie Slide?

Can’t let this one slide

So you are prohibiting any form of sliding. Got it.

Don’t you want to dance with me? No? I could dance like Michael Jack... son / I could give you thug pass... ion / It’s a Thriller in the trap... where we from

Okay, first of all, you cannot dance like Michael Jackson, secondly other than “Smooth Criminal” and I guess, “Bad”, he had very little thug passion. Thirdly, this is just lazy and Goddamn unbearably so. He mumbles to himself in a single, droning Auto-Tuned vocal layer, with little to no dynamics in the vocal at all, and clearly an obscene lack of effort that is just despicably abusive of the platform Drake has. He built his career through connections and a universal, likeable charisma, and he is doing a solo song where he shows absolutely no unique charisma at all. After not long ago reviewing “Baby Pluto”, where Lil Uzi masterfully creates a burst of character through rapping about being vapid, materialistic, and having as little character as possible, this is just shockingly bad, honestly. How are you going to make a simple, fun dance for children sound this grading and colourless? It’s almost impressive, honestly, which makes a nice contrast for the non-existent but nonetheless pathetic bars on this track. “It’s a Thriller in the trap where we from”? Bro, he said the Michael Jackson album and he just compared himself to Michael Jackson! This guy’s a genius? Oh, and he said this trap house he most likely did not grow up in or participate to the extent of having any detailed memories about that would constitute a rap verse was as scary as Michael Jackson! Wow, Drake, how many millionaire kiddy-fiddlers were in your meth labs? Jesus Christ, this is just deplorable, honestly. I try not to get upset or mad at songs anymore on this show because it’s just sounds at the end of the day, but this may just be the worst song I’ve reviewed this year so far. Usually I can put up with Drake’s nonsensical garbling or misogynistic rambles but without anything to sugarcoat Drake’s questionable morality and ethics, we can just see a pure-bred Aubrey Graham doing what he does best: being an absolutely miserable man in his thirties surrounded by yes-men and drunk on star power. It doesn’t even have an insensitive and nonsensical reference to Osama bin Laden like the other big Drake singles completely lacking in structure that were released this year, “Life is Good” and “Oprah’s Bank Account”, which by the way are both pretty great songs.

I could give you satisfac... tion

That’s not even a freaking Michael Jackson song—you know what, let’s just conclude this. I’m sick of this.

Conclusion

Oh, I wonder who will be getting Worst of the Week. Yeah, it’s obviously “Toosie Slide” by Drake, and I haven’t even written the reviews for the other songs while I’m writing this one, so make of that what you will; I will be more opinionated on the rest of the songs by the next sentence.

I wish I wasn’t. Both of those songs were garbage. No Best of the Week.

NEW ARRIVALS: 19/04 #39 – “Skechers” – DripReport

Produced by Ouhboy

This is a TikTok meme in which the Indian YouTuber talks about a woman being attractive because of her light-up Skechers. That is the song. That is the joke. Let’s move on.

No, but seriously, while I don’t find the song funny I appreciate it being some kind of lighthearted fun in what seems like a dour pop scene. The trap beat here is freaking pathetic though, and don’t get me started on the Tyga remix; seriously, I’m surprised his verse didn’t make Skechers cease-and-desist Tyga for defamation. The Badshah guy on the other remix kind of kills it though. Oh, and the actual Skechers gave away like a million face masks because of this song so I guess I do respect this stupid freaking song for its... cultural impact. Yeah, shawty bad with the Skechers. It’s a movement.

#24 – “Rover” – S1mba featuring DTG (DejiTheGamer)

Produced by RELYT

S1mba is a Zimbabwean musician who spent his first nine years under Mugabe before moving to Swindon, England, where he started listening to gospel music. DTG is a YouTuber from Croydon. Naturally, their big breakthrough single is a trap-Afroswing song about cars, or specifically the women that young British men can potentially attract with said cars... and somehow it is pretty good. That chorus is undeniably infectious and S1mba is a pretty damn charismatic guy who honestly sounds pretty good singing in the pre-chorus. DTG is considerably less impressive, Auto-crooning repeated lyrics several times with very little effort put into the inflections or cadences. The pianos here are pretty solid and I particularly like the strings in the outro. Also, the build-up to the third chorus is pretty epic. There are also four remixes of this song, including big names like ZieZie, Joel Corry and Lil Tecca, accumulating about 10 people across five songs. I listened to them all and here are my opinions: On the first remix, Poundz sounds kind of awkward as an auto-crooner, ZieZie sounds pretty great – I don’t really know why his verse is bilingual but sure, why not – and Ivorian Doll, who I assume is rather fittingly from Cote d’Ivoire, sounds great rapping but her stuttered singing is less than impressive. S1mba provides a new verse here and it’s pretty mediocre. The Lil Tecca remix is pretty great actually, with Tecca riding the beat effortlessly. Maybe the song can have some popularity stateside because of this? I mean, Young T & Bugsey did it with “Don’t Rush”, which I was surprised to see. Tecca sounds great on the outro, too. Oh, and there’s an Australian remix, too, because Aussie drill is a thing, apparently. The Youngn Lipz guy wastes time, and is not really sounding very Australian unlike the thickly-accented Hooligan Hefs who provides a pretty good verse which is kind of tonally out of place, which is the same with the Hooks guy. And finally, the house remix with Joel Corry, which is censored for some reason but I imagine is getting a lot of radio play despite being a lot less interesting and joyful than the original. It’s a pretty danceable, club-ready banger but you can’t really just get a song’s isolated vocals and put it on an unrelated house beat and expect the best... okay, well maybe Imanbek can, but that’s not the point. Joel Corry just does his thing here, and his thing is pretty freaking boring. Also, I’d like to point out that this is only the remix with DTG on it, and is hence not one of the best remixes. I’d put this above the Aussie remix and the first remix with Poundz and ZieZie (which ZieZie kind of carries), but below the original and the Tecca remix, which is my personal favourite and the one I’ll be saving. I really hope this remix trend continues to be a thing because I’m getting so much more writing out of this. Also, apparently this song is about a specific Range Rover – the 2019 Land Rover Evoque. Great.

Conclusion

“Skechers” by DripReport is Worst of the Week. I know it’s harmless and ultimately just a fun time but that Tyga remix is a crime against humanity, so “Rover” by S1mba featuring DTG and eight other dudes is Best of the Week. I mean, there’s only two songs so you could probably infer this conclusion.

NEW ARRIVALS: 26/04 #39 – “Where We’re Going” – Gerry Cinnamon

Produced by ???

Yeah, neither Genius or Spotify knows who produced this. I assume it’s the artist, Gerry Cinnamon, but that’s just my best guess. He’s an acoustic guitarist from Scotland, which is a bad sign, but this is actually a pretty damn good song. It’s a new wave-ish post-punk song with a fast-paced folkish riff that reminds me of The Cure, specifically a slightly more depressive “Just Like Heaven” came into mind immediately. Cinnamon isn’t a bad vocalist but his performance here is kind of sub-par and lyrically the song suffers from la-la-la syndrome but it makes perfect sense in the profanity-laden, careless tone of the lyrics and the song itself, which relies on the oddly profound hook of “Where we’re going this shit don’t matter”. Whilst I like this song a lot, I am slightly turned off by its dreariness which would work if the song weren’t four minutes, which is perhaps a couple choruses too long, but yeah, this is pretty good for what it is. I’m surprised it’s here in the UK Top 40, but this guy has been big in Scotland for a while so I guess this is his big single. He seems like more of an album artist, anyway. I need to listen to this guy’s album, perhaps.

#29 – “Rockstar” – DaBaby featuring Roddy Ricch

Produced by SethInTheKitchen

It’s funny how two songs can be so different yet so similar. At its core, both this and “Where We’re Going” are profane, carefree and reckless pop songs with acoustic guitar as a focal instrument and a pretty bleak-sounding atmosphere to it all, which is fitting with the world being bricks and all. The main difference between the songs is that DaBaby is not a Scottish punk singer, and, last time I checked, neither was Roddy RIcch, although things change pretty fast in the music industry, and Taylor Swift just released her overhyped indie folk album as I’m writing this, so who knows? It’s not even her best album. I stand by reputation being her best but I don’t think I should elaborate on that hot take until “cardigan” inevitably debuts at #1. This is the second #1 hit trap song in the US to be a duet between two rappers about being a rockstar (this one is stylised in uppercase rather than lowercase, though). DaBaby also made a song about being a “Pop Star”, which Drake and DJ Khaled did a couple weeks ago. Trap-rappers are really original, I swear. Anyway, the acoustic plucking here courtesy of SethInTheKitchen is pretty funky here, but the drums do feel pretty stiff here. I love the Auto-Tuned “Oooooooh” that I think Roddy provides; again, the second #1 this guy has had with a vocal gimmick. DaBaby flows impressively in his first verse, where he recounts when he killed a man in front of his daughter and that he’d do it again. As you do. Roddy isn’t particularly interesting here but his Young Thug impression hasn’t worn off on me yet, so, yeah, pretty okay, decent song. Not many lyrics to analyse here, either.

Brand new Lamborghini, f*** a cop car / With a pistol on my hip like I’m a cop

This line in the chorus inspired DaBaby to release a “Black Lives Matter” remix of the song, and whilst it’s not as good as the original, simply because the beat doesn’t drop or hit as hard due to the extended intro and the song’s brevity is kind of its main saving point for me, I really respect his introductory verse on the remix where he raps viciously without a beat about police brutality, even referring to personal experiences he’s had with systematic racism in the United States. Also, in both versions, the sudden and brazen “SETHINTHEKITCHEN” producer tag never fails to get a chuckle out of me. Now that we’ve listened to two pretty respectable pieces of art, how about some manufactured plastic-wrapped garbage made in a factory by television producers?

#25 – “You Taught Me What Love Is (Britain’s Got Talent Live Recording)” – Beth Porch

Produced by Matt Banks, Charlie Irwin and Paul Jones

Those are the producers of Britain’s Got Talent, if you’re wondering. Spotify doesn’t list any producer credits because of course, they don’t. This is not really a typical pop song rather it is Simon Cowell’s attempt at replicating an indie-girl songwriter with an acoustic guitar and typical indie-girl voice, and, man, I don’t like half of those artists and Porch here can sing, but come on, this is just pathetic and desperate. I remember when Cowell started the talent shows, he didn’t have to directly replicate other trends really because he was making and defining the sound of British pop music in a way. It wasn’t very good but you can remember some of his signatures that are still present in remnants of pop music on the island today, especially this song, which has the skyscraper chorus and crowd cheering at the end, but God, this is just sad. I’m glad we’ve moved past the need for singer-songwriters, boy bands and girl groups created by reality television for the sake of putting more money in old rich white guys’ pockets. If I were doing this show any earlier than 2015, I feel like it would have been plagued by this stuff. Thank God for the streaming era, I suppose.

#20 – “I’m Ready” – Sam Smith and Demi Lovato

Produced by ILYA

This is a Sam Smith song featuring guest vocals from Demi Lovato. They are both good vocalists. The production from ILYA is not very interesting. Okay, I take it back, the production here is kind of cool, because it’s half an intimidating dated trap song and half a piano-based power ballad, and neither of these guys are convincing on a deep sliding 808 or rattling hi-hats. Oh, yeah, and the trap beat sucks. Like what’s with that snare? Yeah, this is garbage. I’m not sure why I expected otherwise, to be honest. If this is motivational to you, all respect to you but to me, this is pure cremation.

#5 – “Times Like These (BBC Radio 1 Stay Home Live Lounge)” – Live Lounge Allstars

Produced by Fraser T. Smith

“Times Like These” is actually my favourite Foo Fighters song; I’ve never been a big fan of the band but they have some incredible songs that I love very dearly and “Times Like These” is one of them. I guess it’s a fitting song for the current situation but I’m not expecting the Live Lounge Allstars to bring anything other than a washed-out, dry and bland cover of this classic. Who are the Allstars? Well, BBC Radio 1 has a series called Live Lounge where artists perform covers live or something to that effect – I don’t watch/listen to it – and this song features a lot of artists from that show who are more relevant, commercially viable or connected to Foo Fighters genre-wise, including Simon Neil, Zara Larsson, Sam Fender, Rita Ora, Rag’n’Bone Man, Paloma Faith, Mabel, Hailee Steinfeld, Grace Carter, Coldplay, Celeste, Biffy Clyro, Anne-Marie, AJ Tracey (Wha—), 5 Seconds of Summer, Dermot Kennedy, Sean Paul (Because of course), YUNGBLUD, Sigrid, Royal Blood, Dua Lipa, Bastille, Ellie Goulding, Jess Glynne, and of course, the only Foo Fighters present, Dave Grohl and drummer Taylor Hawkins. I’m not going to pretend this song doesn’t have potential (I love Royal Blood and Dua Lipa, hell, a cover of this song with just those guys – or even Bastille – could work pretty damn well) but this is over-flooded with completely random artists, other than a couple rock bands picked out so they could replicate some sense of vague guitarism, whatever that means. Anyway, let’s remind ourselves why “Times Like These” works in the first place: it’s a lighthearted adult alternative song with a real message to learn from mistakes and to always think about the decisions you make before you hurt feelings or you feel guilty. It’s got a maddeningly infectious chorus, an iconic guitar riff and a so bad it’s good music video. It’s what the Foo Fighters are good at making, but it’s warmer and perhaps more intimate than usual, being based on actual events and internal drama within the band. It’s almost a diss track Dave Grohl wrote to himself, but in the most jovial tone possible with metaphors that are just odd and creative enough to be memorable to the listener. In the song, he beats himself up for being indecisive, ignorant and confused, before reassuring us and himself that he will learn from these lessons and become a better person, even if he has to drill the mantra into our heads. It’s just a great song... and it doesn’t really work in the context of this pandemic. Sure, the whole vague idea of becoming a better person in the new normal following lockdown, and how the lockdown will be troubling for the mental health of the British public, but otherwise, I mean, it’s a song that specifically refers to an event in Dave Grohl’s life, and has the typical, sludgy post-grunge vocals and some charmingly janky production choices (There, I said it), such as that echoing vocal in the verses. It all makes sense in the context of the song, though; here, it just feels impersonal. Sure, Grohl himself wrote off on it and contributed to the song, but there’s a certain lack of sincerity to the vocals here that makes the song’s profound lyrics feel cheap. I’m not going to say they disrespected a classic anthem. After all, “Times Like These” isn’t a brilliantly written song in the first place and it’s not like it’s influential or held in high regard. These singers are generally pretty talented, albeit not showing their best performances here. Despite that, with the slow, acoustic trod of this new cover, the shadow of dullness that looms over the whole song, and some outright garbage vocal performances from Simon Neil and YUNGBLUD, it doesn’t hold up to the original in any way. I wish this wasn’t acoustic either; again, Bastille, Royal Blood, Dua Lipa, Biffy Clyro and Coldplay could all do great covers of this song with some electric backing and some actual Goddamn energy. As is, it’s just a shoddily made charity single that misses the point of the original song completely. Oh, yeah, and the AJ Tracey guest rap verse is freaking AWFUL, and so out of place. It’s about making a wicked pasta bake, seemingly, and is capped off by Sean Paul giving the best performance out of any of the singers here, because, well, of course, he does. It’s Sean Paul. Big up the dude on the glockenspiel as well.

#1 – “You’ll Never Walk Alone” – Michael Ball, Captain Tom Moore and the NHS Voices of Care Choir

Produced by Nick Patrick

Reviewing this song misses the point of the song, as this isn’t a song for you to listen to, really. This is a song for you to appreciate and respect the charitable cause it represents. Captain Tom Moore is an army veteran who is 100 years old, making him the oldest person to ever get a #1 on the chart. He served in India and Burma during the Second World War, and 70-odd years later, he started walking laps around his garden to raise charity for NHS workers, and, naturally, he garnered media attention and attracted more than £30 million in donations. This song in particular is pretty special to a lot of Britons because of its attachment to the Liverpool football team (it’s been a crowd chant for a while after it was originally written by Rogers-Hammerstein in 1945 and further covered by Gerry and the Peacemakers in 1963). Even The Weeknd, who was #1 at the time, asked his fans to give him the #1 instead. Several people were inspired by Moore and practiced similar fundraising efforts that also raised millions for similar causes. After the song was released, Queen Elizabeth II, who is also approaching 100, knighted Moore, so, yes, he is Captain Sir Thomas Moore. I have nothing but respect for the man and his service to the country. To many people in the United Kingdom, especially elderly people who have had particular struggles during the pandemic and increased loneliness, especially without the otherwise regular family visits, he is a hero, and I completely understand that. I mean, the guy was on Blankety Blank once in 1983, so you’ve at least got to respect him for that. If you have the time, read up on the man’s life story, because as one would expect, he’s been through a hell of a lot in 100 years.

Conclusion

I can’t give Worst of the Week to charity singles, I’m sorry, I don’t have it in me. Sure, the Allstars butchered a great Foo Fighters classic, but if it helps people in these trying times, then I can’t say the song is worthy of my bile, really. So Worst of the Week goes to “I’m Ready” by Sam Smith and Demi Lovato, and Best of the Week goes to “Where We’re Going” by Gerry Cinnamon. Next month.

MAY NEW ARRIVALS: 03/05 #39 – “Kings & Queens” – Ava Max

Produced by Cirkut and RedOne

I just today found out that Cirkut ISN’T Dr. Luke. For some reason I always assumed so. Anyways, Ava Max is back to prove she’s not a one-hit wonder by making her one hit another time. Man, I’m just so bored of this. One of the reasons I stopped bothering or trying to make these blogs and music review list type things is that I gravitate less than ever towards music reviewing and journalism. I would love to use this hobby and passion for some good at some point and maybe make a career out of it but as an Internet music critic who reviews nearly exclusively chart music, this shit is just boring – and 2020’s supposed to be a really cool, unique interesting year for the charts. I’m kind of disillusioned with the whole cinematic top 10 build-up and this massive, melodramatic aggravated assault on the #1 worst song, when in reality everything is subjective and it’s not worth doing that. I mean, as well as I rested my case about “Taki Taki”, it doesn’t remove the song from existence or the charts. People won’t stop liking the song, it’s just my measly opinion, and, yes, while I think the whole idea of reviewing art is futile and at times counterproductive or toxic, it is completely fair to say your opinion on something, otherwise I wouldn’t be still writing this months after this song had first charted. I just don’t get the idea of a pop music reviewing community or whatever, which obviously does exist, and you’re probably a part of it if you’re reading this in all honesty, if you even got  this far. In the bluntest way possible, they just argue with each other. I don’t know, maybe I’m thinking way too much into this, it’s just a bit of fun but I just don’t care for the whole slog of reviewing five songs every week when I know I won’t like half of them. I feel like when I started, I viewed myself as one of those music-reviewing YouTubers with Pokémon avatars and top 20 rankings, and yeah, I don’t get that anymore from doing this. I just get apathy, although when I do feel happy and productive, which isn’t often nowadays, this is one of the first things I start thinking of and start doing so that should show that maybe chipping at this brick wall of Top 40 singles every couple months is fun? I don’t know. I decided today that I’ll release this block as the first part of this wall of sound, no pun intended, and I don’t know how good that’ll make me feel after releasing it. It’s definitely a relief, I guess. Anyway, Ava Max, I guess.

If all of the kings had the queens on the throne / We would pop champagne and raise a toast

Wait, sorry what was that?

We would pop champagne and raise a toast

Sorry, could you clarify that first part?

We would pop champagne

No. NO.

Pop champagne

#38 – “Don’t Need Love” – 220 KID and GRACEY

Produced by Will Graydon, Sam Brennan and Mark Ralph

Okay, back from mental trauma, is this song good? I don’t know, man, I don’t know who these guys are. 220 KID is a self-proclaimed “fizzy pop” artist from the UK, and GRACEY is a singer from Brighton who at some point lost her voice. Sure. This is their breakthrough song, I assume because of TikTok since they both don’t have an album yet, and I haven’t heard anything about them or their other singles, but I’m probably just ignorant. I mean, this is 220 KID’s debut single so they might just be a great, upcoming artist. I wouldn’t be able to tell because this is just really a mediocre house-pop song in theory. I mean, it has the exact same robotic, distorted and echoey vocal production, similarly thumping bassy beats, a stitched-up vocal drop, but something about this sounds cold. Maybe it’s the weak albeit bouncy production and snapping, maybe it’s the odd amount of dead space, maybe it’s the admittedly cool-sounding synth pads, but really, I think it’s just that non-existent drop. It doesn’t feel climactic, it doesn’t feel like anything, it just feels like someone ate the charting dance-pop singles from the past three years and regurgitated it. GRACEY sounds really nice in the falsetto towards the end now, and I like the melodies in the verse, I suppose. It’s not all bad, not that it was bad in the first place, just sonically void of personality. Also, there are way too many remixes and different releases but I still listened to all of them. The acoustic version is really sweet, and I think I actually really like how this song is written when hearing it stripped-down, but her desperate moaning in the chorus of the acoustic version feels a lot more genuine than the pitch-shifted garbage we get on the official, not that it doesn’t sound awkward on all versions. The Majestic remix is kind of nuts and I like the UK garage production but it’s way too long, and the TCTS remix is just the original with annoying beeping.

#26 – “Righteous” – Juice WRLD

Produced by Charlie Handsome and Nick Mira

I’m still pretty hurt that Juice passed. To be only 21 and die so suddenly after such a successful albeit brief career, at a moment where Juice seemed to be on top of the world more or less, is a tragic reality and Juice seemed like a nice, genuine guy from interviews so it was pretty shocking to hear the news, to say the least. Now, this gets awkward, like Pop Smoke from earlier, in the case that I was not a fan of Juice WRLD, and I’m still not. I think he was a very talented songwriter who attracted a fanbase due to a pretty unique 2000s emo-pop-inspired brand of trap, and he wrote some of my favourite emo rap songs ever, like “Lean wit Me” or “Robbery”, which is a damn excellent song and one of my favourites of last year. It even was in the top five of my Spotify Rewind 2019 playlist, I love that song to bits. However, most of his music had not appealed to me, and to be honest, I haven’t listened to that posthumous album, Legends Never Die, and probably never will because of that. I don’t want to dislike an album that serves as a genuine tribute to a good person, and I also am not sure if I’d be able to get through the entirety of the album, to be honest, mostly because of this song, which impacts me emotionally in a way not many songs do. The instrumental consists of a pretty sparse, spacey and minimal guitar-based trap skitter that is just a perfect base for Juice to pour his emotions onto in a way that feels eerie and sad but also pretty accepting, which makes the lyrics feel haunting, especially because the topics he discusses are mostly centred around how he thinks death for him is imminent. The first lines of the chorus already hit so hard with how he pictures himself as a “righteous” angel figure in his all-white Gucci suit and says, “I know that the truth is so hard to digest”. Then Juice continues to talk about the sheer quantity of drugs he’s consuming, which is just harrowing. This song feels like Juice was introducing someone to his lifestyle and realising how depressing and draining it was as he goes, especially in the first verse, where by the end he starts reassuring someone, who could be his girlfriend, his audience and fanbase, but most dauntingly, himself, that he’ll get out of this addiction and lifestyle at some point, when, in reality, he passed before he could even try, and he passed as a consequence of this lifestyle. In the second verse, he parallels how he died in his lyrics, saying and almost threatening to his inner demons, who he characterises as people he knows (but they “don’t know [him] like that”), that he will “take a pill for the thrill, have a relapse” and “crash”. The fact that this song is sprinkled with the silly, melodramatic metaphors not atypical to Juice, makes this song feel directly personal and not a retelling of the same line a lot of emo-rappers have sang and sadly, some have fallen victim to, about taking copius amounts of Xanax and codeine. Much like “Robbery” and a lot of his other work, Juice adopts a longing and nasal cadence and vocal delivery, but it feels much more trained and tuneful here, especially among the subtle vocal samples in the verse, and it is used sparingly in turn with a more muted delivery, particularly prominent in the chorus and the second verse, which connotes Juice’s lethargic acceptance with a lifestyle that he fell victim to. I don’t react emotionally that much to music, and I think that’s the same with a lot of people, but those first two lines in the chorus hit like a dagger and sound so great while doing so. Rest in peace Jared Higgins, and may the beauty of this song reflect on your talent.

#14 – “If You’re Too Shy (Let Me Know)” – The 1975

Produced by Jonathan Gilmore, George Daniel and Matthew Healy

I really loved “Me & You Together Song” but I find it hard to get behind anything else these guys made, really. They actually released an 80-minute album this May featuring backing vocals from Greta Thunberg, because of course, they did. I feel like if they started making music that was more natural and organic and didn’t try to make Pitchfork-bait political statements or whatever, I would appreciate them more. Not that I’m against political statements in songs – I’m definitely not, in fact, I’m sad “The Bigger Picture” by Lil Baby missed the top 40 this year – but the 1975, particularly Matt Healy, have never commented on pop culture in a way that’s not incoherent, preachy and frankly kind of stupid and obnoxious. Thankfully, this song, their biggest so far, is just about meeting a girl on FaceTime so you know, it makes me much more optimistic. The intro is really pleasant ambiance, but that awkward main guitar/bass riff makes it sound a lot less serene and more chaotic, even with FKA twigs providing some choral background vocals. Then the steady drums and 80s synths drown it out and once again, it suddenly becomes a fun, catchy song, even if Healy sounds really annoying with some inflections and notes that just sound... kind of horrific, especially with the multi-tracking that makes him even more irritating. He sounds even worse on the pre-chorus, but the cheesy and unabashed chorus where he says “Maybe I would like you better if you take off your clothes” followed by this corny, clearly synthesised horn riff, is just incredible. I kind of have to embrace Healy’s incompetence here because I can’t help myself but chuckle hearing him shout over 80’s beats in a way I guess isn’t too dissimilar to bands like Duran Duran, and hey, I love Duran Duran, and this is a good replica of a post-new wave 80’s synthpop track, even with a Goddamn saxophone solo. Is it too long? Yes, but so were those 80’s songs, and they just awkwardly faded out afterwards, and there is a shorter edit without the intro that cuts a whole minute off the track, meaning it starts just as awkwardly as it finishes, but that’s kind of the charm. Yeah, this is a pretty fun track, and maybe that Notes on a Conditional Form album is worth checking out. Maybe I give the 1975 too much flack. Wait, nevermind, no, I don’t, they’re called the 1975.

#11 – “The Scotts” – THE SCOTTS (Travis Scott and Kid Cudi)

Produced by Dot da Genius, Plain Pat and Take a Daytrip

Whoever decided to call this song “THE SCOTTS” is a brilliant mind and intellectual. Not only do I laugh every time I see this song title, just on pure absurdity alone, but it’s also by The Scotts. No one will proudly say, “Yeah, I’m listening to “THE SCOTTS” by THE SCOTTS.” It’s also in all caps as if it’s this monumental, groundbreaking track, or at least an important, interesting one, but it’s actually just because all Travis Scott songs will be TITLED LIKE THIS NOW, ever since ASTROWORLD. It also amuses me that this makes absolutely no sense if you tell someone that this is actually a collaborative project between Kid Cudi and Jacques Webster. Travis Scott’s name isn’t even Scott, and Kid Cudi’s never used it in his name, although admittedly, in a lot of songs – and many I adore and remember fondly – he does say his name, Scott Mescudi, or some shortened variation of it. He doesn’t do it here, but Travis does say “You lettin’ THE SCOTTS outside”, as if it’s dangerous to let THE SCOTTS outside of their zone or outside of their cage or whatever. This song was also performed and premiered live on Fortnite, has like ten different vinyl editions to bump up its sales (It went #1 on the Hot 100 in the US in fact), and, man, the very idea of this song and everything surrounding it is just funny to me. Too bad the song’s not. I really like the keys loop used here coupled with some great-sounding drum fills but it is just destroyed by this ugly, slow bassy trap skitter and really gross-sounding Travis Scott vocals. He just uses this one lethargic flow, and switches it briefly in less of a technical or interesting way than Cudi does later in the song, delivering a really great verse, but my issue is that it sounds like a Travis Scott verse. He even tries to do his ad-libs. Then there’s this chiptune outro that sounds like a Mike Dean idea, mostly because it sounds kind of cool but doesn’t go anywhere and doesn’t do anything to improve this shoddy song and its messy, dare I say, janky structure. “Baptized in Fire” is a much better collaboration from these two, and it’s telling that that one doesn’t have a verse from Travis at all. Rodeo is still amazing, but this guy has been disappointing and underwhelming for such a long time now. Maybe he’s lost his charm, but even with ASTROWORLD, where his experimental production shines and he is the most energetic he is in recent years, he just sounds tired and lazy. And Cudi, well, he’s Cudi. He’s made some of my favourite songs of all time, and some of the most confusing garbage I’ve ever heard. The duality of man.

#6 – “Houdini” – KSI featuring Swarmz and Tion Wayne

Produced by AjProductions and Jacob Manson

Hey, this mildly amusing but definitely not my thing YouTuber got two of my favourites of the recent crop of British Afroswing and drill rappers on the same track. That’s something, right? I mean, yes, this is something, because this beat is AWESOME. It’s so full of joy and energy, even with the dark 808 tones and sparse vocal tones. I just love the bouncy, funky production on this thing and Swarmz kills it on the chorus with his typical happy nasal tone. Stormzy also kind of kills it, at least for the first half where he flows really swiftly and with a lot of smooth swagger, before he starts listing things and saying “Check” afterwards, for whatever reason. Tion Wayne delivers the clumsy fun he usually does, and whilst neither him or anyone here really brings any interesting lines or wordplay with them to the track, except a really awful corny line from KSI where he says his fourth letter is getting bigger in the alphabet, the track still feels really fun and cheerful, and most importantly full. Even when there’s literally silence, or no-one’s saying anything, it never feels like there’s dead space because the beat is always doing something cool. This is notable especially when Tion Wayne starts flowing really awkwardly and even when the beat cuts out for a really odd, nothing line, it still feels kind of worth it. Not much to say about this song other than it bangs, and a lot more than I’d expect from a guy like KSI.

Conclusion

I actually have pretty positive feelings on this week, which is good to go out on, I suppose. Best of the Week is obviously and undeniably going to the late Juice WRLD’s “Righteous”, with tied Honourable Mentions to the 1975’s “If You’re Too Shy (Let Me Know)” and, yes, KSI’s “Houdini” featuring Swarmz and Tion Wayne. There’s not much to complain about here, so Worst of the Week goes to “Kings & Queens” by Ava Max for the kind of vapid nothingness I can’t even bring myself to stay on topic to talk about and Dishonourable Mention to “THE SCOTTS” by THE SCOTTS because it’s “THE SCOTTS” by THE SCOTTS, and I don’t know about you but to me, that’s just laughable. See you in the next year, hopefully.