#(which I've abandoned for over a year)

[neo-zone]

TITLE DROP

[thevioletcaptain]

I know the ask is about ships but could you make a non ship one with Dean and Carlos from the Winchesters? I can't think of an exact thing for Dean to say, but the first sentence can be what Dean would say for their first meeting. Thank you if you can (*^‿^*)

"I like your hair," Dean says, staring up from where he's clinging to the bottom of Mary's winter coat, and Carlos grins wide when he adds, with all the breathless gravity of a four year old eager to impress their opinions upon a new friend; "It's swooshy and it's pretty like Mommy's hair, and your-- your beads are pretty and shiny and shiny is my favorite color."

"Swooshy and pretty and shiny is exactly what I was going for, so thank you, little buddy."

Even with almost six years between now and the last time he'd seen Mary, Carlos is relieved to find that they still have a good sense of one-another -- can still communicate silently, swiftly, like they used to when it was life or death. He meets her eye, and her face softens, and understanding passes between them before he slides one of his lucky beaded bracelets -- the bloodstone one -- free.

Dean's eyes light up when he takes it.

When he smiles, he looks just like his mother.

[for this askbox game if anyone else wants to send me a prompt]

[rotisseries]

every time I get on tiktok and am reminded how popular the attitude of not reading incomplete fics is I'm just so sincerely confused cause there is so much joy in just. watching something be created over time idk

[ottiliere]

I love crawling out of the depths, opening up tumblr, and seeing your art. I love it.

it is quite interesting how social media can fall to the wayside, and people on the internet can just disappear forever if they really wanted to! I admit I struggle to keep up with "public accounts", they are uniquely stressful and I solute your hibernating tenacity. always lovely to see you resurface regardless, thank you very much for the lovely compliment...

I will say in case any of my dear followers were wondering where i've gone for the past month and a half, for weeks i've been pondering how to even broach the enormity of the topic that is: I made the mistake of thinking about my most favorite character for more than 2 minutes in one sitting. I intentionally go out of my way to avoid this and have many strategies to evade this occurring because every time I do enter a sort of hermetically sealed mental chamber where it's just me and him and his life and I begin to ignore all points of previously established social contact and also my health indefinitely. It's difficult to convey the emotional experience of this or its psychic magnitude. and it's hard to say "guys i really love this character!" because that's just words. you can't see it. the 10 years of obsessively thinking about some guy so intensely on&off cyclically until you've made 20 different worlds he's living in... how does one convey the depth of these without artistically depicting them as you see them to be...? i am trying to figure it out. currently planning a longform comic for my favorite and several smaller comics for others, but logically an individual can understand this takes a while... he and I have had multiple rendezvous over the past decade and I wish I had more "historical" art to show but for many of these years I have been a bit too physically disabled to draw, the past several weeks have been spent attempting to recreate his ideal form as he exists in my head. he is starting to come around!

I typed up three separate disquisitions last month to try and explain my feelings on him and none of them felt like the proper vessel to communicate this concept. which is likely for the best. the obvious answer is "just draw him". fine with this being the case, difficult when I have so many drawing ideas I'm now sitting on 100+ works in progress and they just keep accumulating since my brain generates these like an old laptop you leave in the corner of your room to mine bitcoin. in a way I'm content with this being a very "personal" experience thus far, shared with me and those in my inner social circle (really cannot emphasize to my readers enough how fandom can poison your constitution without self-checked moderation). however... I yearn to meet others who are as passionately involved with him as I am, because I think we could coalesce our ideas, and passion, into something beautiful...

^dio brando

[imwritesometimes]

me: this is too much exposition. you should not directly tell all the time. let dialogue and tone/body language descriptions do some of the work

also me: this isn't exposition it's literally the second paragraph of chapter one you're setting up the plot you gotta drop a little exposition

also also me:

[drop--pop--candy]

i read your tenma siblings fic its so good <3

thank you!!! it's one of my favorite things i've ever written

[supercantaloupe]

ao3 stats game

tagged by @malcolm-f-tucker, ty!!

Rules: Give us the links to your wonderful words with the most hits, most kudos, most comments, most bookmarks, most words, and fewest words.

expect this to be skewed towards d20 bc while i haven't written much for that in a while it is easily the biggest fandom i've written anything for

Most hits: The Disappearance of Adaine Abernant - dimension 20 (fantasy high), 2,637 hits

Most kudos: ^, 193 kudos

Most comments: Extra Credit - dimension 20 (fantasy high), 73 comments

Most bookmarks: ^, 54 bookmarks

Most words: Starlight - oklahoma!, currently sitting at 34,091 words.

Fewest words: The Symphony of Hadestown - hadesotwn, 191 words. my first posted fic ever! look at her, she's so tiny, lol. my next shortest clocks in at exactly 400 words longer; even when i'm trying to be brief i tend to go on a bit, haha

i shall tag @tragedyposting @theresa-of-liechtenstein @kingfisherkink @grasslandgirl and @druid-for-hire! idk who else of my mutuals really uses ao3 at all so i'll just leave it there lol

[thepandalion]

once again devastated that I don't know how to make video games because my video game dreams are literally the coolest

[writingblueefurfire]

An unfinished fic is always going to be existing in a nebulous will-they/wont-they status.

I prefer to call a fic neglected rather than abandoned. Abandoned implies that there is little, to no hope for a continuation. Neglected means the fic is on the backburner, or in the attic gathering dust. It does, however, still live rent free in the authors brain, and the author might pick it up, blow the dust off and do something with it at any point in time.

And like, I get that people get upset when this wonderful piece of art hasn't been updated, and might never be updated, but thats the risk we take in reading fanfiction. Hell, we risk it reading Officially Published For Money books too(or watching good shows. Looking at you, Firefly). Which y'know, where a great number of fanfics spring from.

Some of you would not survive waiting months to years for a WIP to update.

Look at me, listen to me: A couple of months is way too early to think a fic is abandoned or dead. A year is often too early. Internalize this.

[alexiroflife]

"tears"

fluff for the sukuna fans bc i've been in a soft sukuna mood

ryomen sukuna x reader

Synopsis: sukuna isn't a stranger to arguments with you, but when he catches you crying after a particularly harsh one, he finds himself scrambling to fix it... in his own way

to sum it up: sukuna is an asshole but he loves you, so he tries his best

WC: 3,296

Warning(s): a lil angst

You knew exactly what you were getting into when you first started a relationship with the infamous king of curses, but that didn’t mean it hurt any less when his tendency to be an asshole hurt your feelings. 

You know Sukuna isn’t a sentimental person who cares much for things like verbal reassurance, or consideration for the way the things he says can impact you, or anyone for that matter, but damn! Sometimes, he’s just too much of a jerk for you to handle, and Sukuna himself has no idea why your fragile human emotions sway you to be so affected by him. He doesn’t even think he’s said anything wrong the times in which you grow angry with him.

Now, Sukuna can handle your anger. Anger is good. Anger means that there is something he can react to, something he can tame or involve into your intimacies when he takes your mind off of silly arguments or subdues your attitude over what he deems to be small inconveniences. Anger is the only human emotion that he has felt himself in his many years of existence, so he knows what to expect. He understands it. He’s not, in the slightest, intimidated by it.

But what Sukuna finds he can not handle is the sound of your sniffles that resound from behind your door after you’ve just slammed it into his face. Sukuna angles his brows, pressing his ear to the door in confusion. Are you… cold? Coming down with a fever? What the hell are you sniffing your nose so much for?

Then he hears the meek gasps that intercept, the vocalization of pain that creeps into your weakened inhalations that accompany your damned sniffling. That’s when he realizes that you’re crying, and his pupils shrink slightly knowing that he has gone a little too far this time. 

Hell, how is he supposed to handle you crying? He can’t fuck your sadness away like he can with your irritation. He can’t mirror your sadness, since he has no clue what the hell it’s supposed to feel like. He can’t empathize with it either, for he has no idea what he could have done to bring tears to your eyes and empathy, well, it’s not in his vocabulary to begin with. It’s pathetic, he thinks, the way you have allowed him to bother you this much…

Yet it kills him to know that he’s the reason behind your tears.

He stands there for some time, unsure of what to do. Should he get Uraume to handle this? No, that may make things worse. You may want to be alone.

He turns to leave, but something stops him. He feels an ache in his chest, pressing his hand to his bicep. What the hell? What is this feeling?

He can still hear you crying, and somehow, it sounds like it’s getting worse, louder, or perhaps that is all in his head. He can no longer tell, but that sound you’re making is the only thing occupying his mind, and it’s ruining him. It’s making his chest tighten, his brow furrow, his lips press together tightly. He should leave, but he doesn’t want to. He doesn’t want to abandon you like this. 

Never once in his life has Sukuna felt remorse. Not even for all the times he has made you angry in the past when you two have had arguments. He is so quick to blame your reactions to things on your feeble human emotions. He is so quick to evade responsibility, or more so, refrain from guilting himself over the things he is responsible for. He is so quick to dismiss you, but it’s always fine because he has never witnessed you grow sad over his behavior, not until now.

Sukuna turns back to your door slowly. His hand flies to grab the handle to throw the door open, but he hesitates. He’s unsure of what’s happening to him, for he’s never hesitated before in his life. This, you crying, him second guessing himself, it’s all so new and he hates it. He needs to fix this immediately. 

What do you humans like when you are upset? There’s a word that’s slipping his mind, one he always hears you pester him for but turns down repeatedly. He had found the concept so irrelevant that he hadn’t even bothered to recall what it’s called.

He crosses his arms and stares ahead harshly in thought, then it comes to him. An apology! Yes, that’s what it is. But of course, you can’t expect him to verbalize such a thing. You must want something as a gift. A physical representation of his desire not to see you cry. He rushes off to locate Uraume for preparations.

About an hour later, you’re curled up on your bed and facing the wall with a blank stare. Your tears stopped a while ago, and since you hadn’t heard from Sukuna, you assumed he just didn’t care about your feelings. Like always.

“Oi,” a gruff voice through the door startles you. You jump and turn over, curling your brows in confusion at the sound of Sukuna’s voice. For a moment, you don’t believe he is speaking to you, so you wait some time to see if he will speak again. “I know you can hear me in there,” his voice sounds again, and you groan.

“Go away,” you tell him, flipping back over.

Sukuna, on the other side of the wall, clicks his tongue in agitation. “Quit your pouting and come open this door.”

“No. Until you learn how to treat me better, I don’t want to see you.”

Treat you better? Sukuna doesn’t understand this nonsense. You live in his large estate, you’re pampered by servants, showered with gifts and homemade meals, you sleep by his side every night, and he allows you to disrespect him far more often than he should. Not to mention, he has his arms full of presents at this very moment that are preventing him from opening the door himself. How can he possibly treat you any better than he’s already treating you?

He growls lowly and closes his eyes in irritation. “If you open the door, your mood will improve.”

“I don’t want anything other than what I just said.”

Sukuna’s eye twitches. Why are you so damn difficult? “What is your-”

“Go. Away.”

Oh. Alright, then. 

You sit up abruptly when Sukuna’s foot breaks in the door with a loud crash. You stare with wide eyes, the door, now off its hinge, creaking open weakly to reveal the king of curses with his arms full of several bouquets of flowers.

“What the fuck, Sukuna?!” you cry. He only stares frustratedly as he walks into the space univinted.

“This was going to go on for too long if I hadn’t done something,” he says, approaching the side of your bed.

“You can’t just- fuck! What is wrong with you?”

Okay… this is already going poorly. 

This is not the reaction he had desired from you, and perhaps he should have revisited the idea of kicking in the door, but he had been growing impatient. Despite his big talk, he doesn’t like when you speak to him in such a cold way. He doesn’t like being separated from you. He doesn’t like not being able to see your face, and after all the work he has just done to collect these plants for you, he can not tolerate being turned away. 

“Must you be so dramatic?” he tsks. “Do you not see what I have brought to you? Don’t you humans like these things?”

You stare at him incredulously, mouth agape. Sukuna can see the tear stains clear on your face, and his heart clenches again. God, why is that sight so abominable? 

He holds his arms out, presenting the flowers to you as if you could have possibly missed them. “They are yours. Take them and be done with this.”

“Be done with what, Sukuna?” you shake your head, face scrunched.

“With your tantrum- your tears, and the sniffles. Be done with them now. Here.”

You scoff. “Do you even know why you're giving these to me?”

Sukuna raises a brow. “To cease your tantrum. As I just said.”

“I can’t with you sometimes, Sukuna. Honestly.” 

“This is really the thanks that I get for bringing you these damn flowers? I thought you were supposed to like things like this. Why would you make me waste my time?”

“If you think it’s a fucking waste of time to bring me flowers, then there’s your problem right there,” you raise your voice, pointing at him accusingly. Sukuna’s face hardens. He thinks you’re getting angry again, but he can still see the sadness behind your eyes. You look almost… defeated. “And if you knew me at all, you’d know that I never cared about any of that stuff. I never cared about the flashiness or the gifts or whatever the fuck.”

Sukuna lowers his hands, letting the bouquets drop carelessly to the floor. “Now you are accusing me of not knowing you?” he seethes. “I’m not sure when you decided that it was acceptable for you to speak to me this way, but I will not tolerate it. I do nothing but dote on you, you ungrateful brat.”

“Yeah, sure, you dote on me, and then you turn around and berate me and call everything I feel stupid because you don’t care to even try to understand why some of the things you say are not okay!”

Sukuna walks closer to invade your personal space, leaning in to glare angrily at you as you do the same. This is what he knows. This is what he chooses to respond to. Not the curl in your brow, not the tremble of your lips, not the unsteadiness of your voice, but your anger. “Why should I care if all you do is whine,” he grumbles. 

You clamp your mouth shut as a lump forms in your throat. Sukuna watches you unravel before him, and while he tries to keep an unmoved expression, he is internally panicking when he sees your eyes gloss over again and your nose flare. 

Shit. He’s supposed to be making you feel better. How has he gone and made things worse again? Why is he incapable of understanding how to be what you want him to be?

You take in a trembling inhale as your hands clench and unclench at your sides. You don’t want him to see you cry. You don’t want him to call you weak, but you can’t help the tear that breaks past your lashes and dashes down your cheek, a physical display of your heartache. 

Sukuna’s crimson eyes fly to the tear, and his brows smooth out against his intent. 

Shit. Shit. Shit.

You’re crying again, and it’s his fault. It’s always been his fault. What is this now that he’s feeling? Regret? Shame? Is that what is clawing at his chest and stripping him of his resolve? Making him wish to replay this entire interaction so that you do not appear before him with tears in your eyes once more? Is this what it is to fall? 

You rub angrily at your eyes and huff, turning away from him and plopping back down on your bed, back facing him. You shut yourself away, close yourself off, and deprive Sukuna of your pretty face for the second time today. “Just leave me alone. You’ve made it perfectly clear that you don’t give a fuck about me or anything, for that matter.”

Sukuna’s eyes widen slightly with the deepening of his frown. That ache he has felt in his chest spreads throughout his body, serving as tension in his back, head, and shoulders. You think he doesn’t care for you? What nonsense. You’re the only being on this planet who has made a millennia of existence worth living, and you think he doesn’t care?

Sukuna can not even pin the blame onto you this time around. He can not accuse you of overreacting, nor can he evade such a thing that is so clearly his doing. He has made you feel uncared for, and while his temper may get out of hand, and his inability to fully comprehend the plagues of the human mind gets in the way, and he never tells you that he loves you, making you feel unloved is the last thing he ever meant to do. 

“Hey,” he mumbles, but you do not move. You cling to yourself for comfort because you do not believe he can provide any for you. “Brat-” he starts, but rethinks. He reaches his hand out to you. “(Y/n). Enough of this.”

“I don’t want to see you right now, Sukuna. Can’t you respect at least that for once?” you croak. 

His hand freezes and he lets it fall. Respect. Understanding. That is what you want from him, and he has not been giving it to you. He has not been giving you anything that you request of him emotionally, for that matter. He has been neglecting your mental needs whilst overpowering you with the physical, and it’s drawn you away from him. 

He could force you to get up. He could drag you by your hair to his bedroom. He could make you look him in the eye, make you stay with him, make you stay silent about this from this point on and forever more. Sukuna has the power and the authority to do so…

But the idea is not appealing. Not in the slightest.

Sukuna wants you happy. He wants you to want to be with him willingly, and if he ignores your consent now of all times, it would be like throwing away the life he has built with you. Throwing away your desires, and Sukuna does not long for a world in which you are any more uncomfortable than you already are. 

He takes a step back, looking over the flowers that he has dropped, and accepts the will of the mortal he fell in love with. 

“I will be in my chambers if or whenever you wish to see me,” he says lowly, giving in. He moves to leave but stops himself once more. He never had stopped himself this much before. “...I apologize for making you cry. I will send someone to fix your door immediately.”

Sukuna is well on his way when he hears you shuffling behind him. He turns, admittedly hopeful for your reaction, and finds you peeking in confusion over your shoulder. “...What did you just say?” you whisper.

The king of curses stalls, looking directly into your eyes from across the room. He feels suddenly… weak. Vulnerable. For the first time, he has relented his power for you to take hold of, and it feels strange to say the very least. “Do you wish for me to repeat myself?”

You sit up slowly, turning around. You knuckle at your red nose, watching him suspiciously. “I do. I may have misheard you.”

He studies you for a moment until he realizes that you are being facetious. “You heard me the first time.”

“Maybe I just want you to say it again.”

Sukuna sighs heavily. “I did not intend to make you cry, nor did I intend to make you feel as though I do not care for you. That is a foolish thought, but I understand I do not convey the depth of my feelings for you the way you wish me to convey it.”

You look dumbfounded as you stare at him in silence. Sukuna clicks his tongue, unsure of how you are going to respond. 

“Quit staring at me and say something, woman.”

“I just… never thought…” you trail off, swallowing harshly. “I never thought you would ever say something like that to me.”

“You will only hear me say such things when you are- when I’ve made you unhappy,” he clarifies firmly. Your nose twitches, an involuntary movement that Sukuna catches and finds entirely too adorable. Your eyes are still damp, but your breathing has evened out. 

“That’s the first,” you quip.

“Enough.”

You press your lips together, glancing at the flowers Sukuna brought you. Just then, you notice that they are your favorite. 

You tell yourself you knew what you were getting into when you first started dating the king of curses, but at times you forget that Sukuna is in fact a demon, and a king at that. He does not believe in any better than what he is.

“You hurt my feelings, Sukuna,” you say softly. “Don’t you get what that means? At least for me?”

“No,” he responds honestly. “But I do see now that you have different needs. And I understand that I refuse to watch you cry if there is something I can do about it.”

You try to remain angry with him. You try to keep yourself distanced, but you can not help the way that you are softening, and Sukuna notices. A hint of a smirk curves at the corner of his lips. 

“Is that all I had to say to make this better?”

“Shut the hell up,” you hiss. “It wouldn’t have killed you to apologize for the hundreds of other times we’ve fought, you know.”

“You weren’t crying the other times, woman.”

“It doesn’t matter,” you roll your eyes. 

Sukuna tilts his head, placing a hand on his hip. “You’re not still upset, are you?”

“Yes,” you pout, and he catches on.

“What is it you want now, to be pampered like a spoiled brat?” 

He makes the suggestion as if to offend you, but the two of you both know that he is hardly making a joke. “What I want is for you to fuck off.”

A chuckle rumbles in Sukuna’s throat as he makes his way over to you. You immediately break and screech when he yanks you forward by your ankle and loops you up into his arms before sitting down on your bed and setting you in his lap. 

He looks you dead in the eye and lifts a rough thumb, swiping stubbornly at your tear stains and your damp lashes. “Crybaby,” he mutters, and you swat his hand away.

“Whatever, asshole.” You push at his chest with weak contempt and he looks at you boredly.

“You’re pitiful,” he grumbles, gripping your chin securely and guiding it to him. His blood red eyes seep into yours, gazing intently. “No more tears, do you understand?”

“Then don’t make me sad.”

“I won’t,” he tells you confidently.

A smile twitches on your lips as you look over him, completely unfamiliar with this side of the king of curses. “Can you do one more thing for me, and then I’ll maybe think about forgiving you?” you bite your lip, pressing your finger to his broad shoulder.

Sukuna grunts. “More demands, huh? I suppose you know how to take advantage of a situation. What more do you want?”

You wrap your arms over his neck. “Tell me how much you care about me,” you sing. 

“Did I not just do so?”

“No, I want you to spell it out. Tell me you love me.”

“I highly tolerate you.”

“Tell me you loveeee me.”

“You are the only human being I do not frown upon.”

“Sukuna.”

“Christ, woman, you’re mine. Isn’t that enough?” he grits his teeth and you snort, patting his cheek gently. 

“For now.”

“Such a pest, you know that?” he mumbles, pushing in swiftly to press his lips firmly to yours in a swift peck. “Don’t ever say I don’t care for you again. It is the most false and offensive thing I have ever heard."

[iralthegreat]

Why does everything have to be so complicated blughrurjrjsjrn

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.

[losersiren]

𝓨𝓪𝓷𝓭𝓮𝓻𝓮 𝓛𝓸𝓻𝓭

"𝒷𝓊𝓉 𝑜𝒽, 𝒾𝒻 𝓎𝑜𝓊 𝒸𝑜𝓊𝓁𝒹 𝑔𝓇𝒶𝓃𝓉 𝓂𝑒 𝓈𝓊𝒸𝒽 𝒶 𝓅𝓁𝑒𝒶𝓈𝓊𝓇𝑒.” CW: Fem reader (she/her), possessiveness, suggestive Note: This is my first time writing something like this and posting it...go easy on me o(>< )o

The chandlers decorated the ceiling above the spacious ballroom, giving a gentle glow to the people filling said ballroom. The social season has just started to blossom, giving men and women room to court each other if one is blessed with the opportunity for such an experience. Catching the eye of a reliable suitor is quite troublesome– most of the men here do not fit any of your requirements, and if they did, they would suddenly be caught in a scandal of sorts, causing them to be an outcast. Not a good look on you or your family name.

You idly toy with the fan in your hand, your gaze sweeping over the sea of faces in the room. The task at hand feels insurmountable, and finding a suitable suitor in this town is daunting. Perhaps, you muse, debuting late was a misstep, a decision that now seems to mock you. You could always become a spinster…and ruin your reputation and lineage because you choose such an idiotic choice… regrettably it may be the easier option. 

“Pray tell why you’re glued to this corner as if you’re some wallflower,” A witty baritone voice whispers in your ear, the hairs of your neck standing upright while a cold shiver runs down your spine.

The sense of familiarity washes over you, and the resentment still lingers from years ago makes its way forward. The Earl’s son, your childhood close friend, who left you without a word after he said he’d be there for you.

What a bastard

“Have you ever heard of personal space? Or have you forgotten the amount of lectures your mother ingrained into your head on etiquette when you were just a brat?” You bite back with venom coating every word you spit out. You place your fan on your left ear.

”Ah, I see.” He steps back and gives you space. “You’ve become cold-hearted towards me since my departure overseas. I was only gone for a mere moment.” He switches his position from behind you to in front of you. He takes up your whole vision, his maturity, more evident now since the last time you saw him as a juvenile boy. It's been a few years, hasn't it? Yet he still has his teasing nature; no boarding school or amount of lectures can take that away from him. He bows a little lower than he should, his right hand to the opposite shoulder and his left arm behind his back. He looks up at you with those oh-so-regretful grey eyes. “I wholeheartedly apologize for departing overseas in such an impulsive matter without even notifying you in any way. I should’ve sent you letters and a hoard of messenger doves to accompany you”. “But I did not, and for that, my Lady, I've made a significant sin in your eyes– I do not deserve your forgiveness, but oh, if you could grant me such a pleasure.”

His voice is as quiet and soft as a starving mouse stealing food from a kitchen, careful for only your ears to pick up his pleas for forgiveness. Just as though you were a goddess punishing him, which he should be reprimanded tenfold in his eyes, who was he to abandon you without a trace? Though the situation before was entirely out of his hands, he didn’t want to go to that goddamned private school that was away from you; he fought tooth and nail not to go. Every house servant had to push and hold him down because he kept fighting; even his family members were victims of his wrath. His father, The Earl, still has fading scars from that night years ago.

He should’ve fought harder for you.

People around you start noticing; who wouldn’t? One of the most prestigious Earls of this country’s only son is bowing dishonourably low, borderline grovelling like a peasant caught stealing a measly loaf of bread. You feel eyes turning onto you, women whispering between their fans to one another, wondering in what predicament the next-in-line Earl would be for him to be embarrassingly bowing to a one-of-a-mill daughter of a viscount—a rank lower than him and a woman at that; your fan placement is not making it look better. Immediately change the position of your fan from your left ear to twirling it in your left hand, hoping he understands the situation he has put not only him but you in.

 He only smiles in return. “Stand straight; You look like a fool.” You hiss, “Do I have your forgiveness, Darling?” a scoff escapes your mouth. “That is either here or there! Be proper. Others are watching.” That doesnt deter him, nor does he care about them. “So my apology wasn't sufficient? Since you are thinking about everyone else but me.” More eyes make their way onto the pair of you, and whispers grow with the exchange of gossip. “You’re acting like a child-” He cuts you off. “Shall I go on my knees for you? I mean, I wouldn’t mind, but preferably, I would love to be in a more…secluded environment.” A smirk graces his lips at the thought. “Or shall I kiss your feet-” 

“You are a soon-to-be- Earl! Has that school taught you nothing? God, you’ve become more insufferable, I swear.” Your face feels warmer now, and embarrassment takes over you from his childish yet sincere teasing.

The young lord’s eyes fixated on you, on your lips, how your dress accentuates your already perfect self, your hands, oh, how he wishes to feel them against his. The years it's been since he saw you, he could listen to you scold him for hours on end; it doesn’t matter what you are saying. Just hearing your voice is enough. God knows it's been too long since he’s been deprived of you. He thanks his past self for sabotaging whatever male decided to even think of courting you. Though he was far away, his social standing never changed.

The lord decided by the second month he was away from you to pay his old servants to send him as much information as possible on the vermins that would try to nestle their way into your life. He would…No, he has ruined anyone who wanted to get in between you two. And he’ll keep it that way. You’ve stolen his heart since meeting him as a lad.

“So you wish for me to kneel? As you wish.” He starts to kneel; gasps can be heard. But you stop him, holding his shoulders upright; his eyes widen as you touch him.

You’re so close

“I forgive you…I forgive you…”

“I forgive you, Ambrose…”

Oh…

His name on your tongue….

His mind blanks. Has he gone to heaven? Oh, you sweet angel, you have him wrapped around your finger. And he wouldn’t want it any other way.

His smile is blinding as he stands and looks down at you.

“Then now that's settled…May I have the honour of a dance with yours truly?”

.." Or shall I beg more?"

End Notes: Fun fact (not really): I based most of this post on The Regency era, and that includes fan language! That is why I described the readers' actions with it. Placing the fan on your left ear means "I wish to get rid of you." Twirling the fan with your left hand means "We are watched." Thought that would be something fun to add (^.^)

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[fuiru]

A 44 year old man goes to a K-Pop Concert

I promised you a report on the K-pop concert that I, a 44-year-old accountant, went to a couple of weeks ago with my wife and daughter in Toronto. So here it is.

The band we saw were Ateez. They're my daughter's favourite band and my wife's second favourite. I know most of my mutuals are similarly aged like me and may not be familiar with them so let me give you a brief primer on Ateez.

Imagine the most attractive eight men you can think of, just unfathomably beautiful specimens of aesthetic perfection, and make them sing songs that somehow combine the subjects of 'dancing like nobody is watching' with 'we live in a dystopian hellscape that we must all work together to overthrow'. Give them an ongoing music video story lore that literally nobody - not even the band themselves - understand, so that online discussion of their visual motifs looks more like the fevered rantings of a conspiracy theorist, complete with speculation about alternate realities and time being a Moebius strip. There is also a giant sand timer, for some reason.

That's Ateez. That's what you need to know.

Now, K-pop concerts are very different to the gigs I've been going to for the last 28 (!) years. There's no support act, for a start. Also the band perform for like, three hours, with breaks for costume changes and interpretive dance. Furthermore, hanging above everything is the constant looming threat of mandatory military service.

So this being my first such concert, I wasn't sure what to expect. What happened was difficult to explain, but I will try as I am already six paragraphs into this write-up and I'm too invested to stop now. Here goes:

In his Wicked + Divine comics series, Kieron Gillen places modern pop icons as deities, feeding upon and gaining strength from the worship of their fans at the altar of musical performance. I thought I understood that metaphor. I thought I understood it AS a metaphor. I was wrong, because that night Ateez WERE Gods with a capital G and we were their worshippers, a crowd emanating adoration (in the religious and non-religious senses), bestowing strength upon them and gaining their strength in return.

If that sounds weird, it probably is. But as pointed out above, I have lived over four decades and never yet experienced anything like the overwhelming passion of that crowd, the utter abandon with which they conveyed their love for the band.

"But Fuiru, what of the actual music?" you ask. Thinking back, there was a moment in one of their songs - I can't remember which - where I watched the stage, and the people around me, taking it in, and I thought, "Man, I just love Music". But that doesn't answer your question, sorry.

Ateez's music is bloody great. As a tiresome indie/rock/metal kid I'm resisting the urge to add the usual tiresome indie/rock/metal caveat of "...for pop music" because honestly that does it a disservice. They have some genuinely amazing songs. Halazia is an absolute fucking masterpiece that descends into furious hardcore breakbeat. Bouncy is a big, brash racket that somehow is also a perfect pop song. Utopia, Wonderland, and Guerrilla are similarly superb. The obligatory boy band slow number is represented by Dancing Like Butterfly Wings which will make you cry because you will forever associate it with your twelve year old daughter being pointed to and waved at by her favourite Ateez member (Seonghwa) because of her Seonghwa-branded lightstick.

That might just be me, though.

So in summary: being a 44 year old dad at his first K-pop concert rules and you should endeavour to partake in the experience if the opportunity arises.

Finally, for any Atiny reading this: my bias would be San or Seonghwa but my wife and daughter said they were taken so it’s Mingi. My concert outfit (designed and created by my offspring) reflects this.

[heritageposts]

Google-translated, posted October 8th

This piece Manoel wrote in 2020 should also be mandatory reading for all Western "leftists," especially now as the Western illusion of military invincibility is being shattered

[...] Another factor that is very common in the western left is to treat suffering and extreme poverty as elements of superiority. It is very common in Western leftist culture to support martyrs and suffering. Everyone today likes Salvador Allende. Why? Salvador Allende is a victim, a martyr. He was assassinated in Pinochet’s coup d’ etat.

And, on Western leftists support of Palestine (pre Al-Aqsa Flood — Manoel, writing in 2020, was clearly underestimating the military capabilities of the Gazan resistance)

Palestinians are a people who are deeply oppressed, in a situation of extreme poverty, that don’t have a national economy because they don’t have a national state. They don’t have an army or military or economic power. Therefore, Palestine is the total incarnation of the metaphor of David vs Goliath, except that this David doesn’t have a chance of beating Goliath in political and military conflict. Therefore, almost everyone in the international left likes Palestine. People become ecstatic looking at those images -- which I don’t think are very fantastic – of a child or teenager using a sling to launch a rock at a tank. Look, this is a clear example of heroism but it is also a symbol of barbarism. This is a people who do not have the capacity to defend themselves facing an imperialist colonial power that is armed to the teeth. They do not have an equal capacity of resistance, but this is romanticized. Western leftists like this situation of oppression, suffering and martyrdom.

If you're a Westerner, I think it's worth investigating to what extent this image Palestinians as 'defenseless' or 'defeated' (I've seen some of you talk about Palestine in the past tense) factors into your support of Palestine as it is now, under occupation.

Because there will be an after.

Everyone supported Viet Nam when it was under attack, being destroyed and bombed for over 30 years. Viet Nam beat Japan in WW2, then had to fight France, and then had to fight the United States. It passed 30 straight years without being able to build a damn school or hospital because a bomb would drop, first from France and then the United States, and destroy it. When the country was finally able to beat all of the colonial and neocolonial powers and have the opportunity to start planning, to build highways, electrical systems, schools and universities without having bombs land on them the next day and destroy everything that was being done, the country was abandoned by the majority of the left. It lost its charm, it lost its enchantment. There is a fetish for defeat in the western left. It is an idea that defeat is something majestic.