#(that's something directly from the post I'm thinking of)

[spelled-like-pajamas]

Something I don't think I've ever seen someone talk about with TF2 (though there probably is someone) is a small detail in the Expiration Date video (which came out in June of 2014, for context that's important later). For context, here's the clip in question:

Did you catch something small? When Scout stands up and says he'll do the date without Spy's help, Spy does something he rarely ever does, something absolutely tiny, but that speaks volumes.

He smiles. A genuine, non-snarky smile.

If you were to watch this when it first came out, and notice this detail, I'd not make any sense, really. Why would he be smiling, when Scout is arguing with him, telling him that he's wrong, basically saying he just wasted his supposed final hours on this world teaching him something he's not going to use?

But then, in January of 2017, nearly 2 and half years later, and (okay spoilers but this has been around for like more than 7, nearly 8 years since posting) it is all but directly shouted from the heavens that Spy is Scout's father. And all of a sudden, this small detail, Spy's smile, takes on a whole new meaning.

As Scout's father, Spy is proud of him.

Even though for what has been presumed to be the finals days of their life, even though Spy has taken ever opportunity to belittle him, to tell him he is a failure and this won't work, that he won't get Pauling (which he probably won't regardless since she is, much like the Spy-Scout relationship, pretty much confirmed to be a lesbian), Scout stands up to him. He stands his ground for something he wants to at least try to do.

And Spy smiles because he is proud of his son for learning one of the best lessons he could ever teach him: stand up for yourself when you believe in something and really want it. He never got to teach him so many things with how he never got to be involved in his raising because of his job, but over the course of 3 days they have, he gets to teach him so much, and leaves him with the most important advice without even saying it.

And it helps to explain a good bit more. It explains why the only reason he interrupts isn't to talk back or put him in his place, but remind him that he's got a date to get to, and his smile only fades when Scout just flat out insults him, like he ruined their father-son bonding moment. It explains why he's so attentive, watching him attempt to start the date, and why when he seems him next, instead of telling him something snarky or rude, or telling him to fight better, he reminds him there is someone he needs to make an apology to, and try to give him the space to take care of that admits the chaos.

Spy can't show it, but he is proud of his son.

Anywho, happy 100th post (took me long enough). Hope to be more active on here, and post more things, and maybe even show off some cool things I make. But to everyone who has been a part of this, from the voice overs on YouTube that first intrigued me to check this place out, to the few but wonderful mutuals I'm so lucky to have, to every weird and amazing person that makes this site somewhere we can call home, I thank you!

okay, bye!

[sockatoothewafflebird]

u prolly have already but pls i want in depth yap abt caitvi in arc3 and how they heal :)

oh anon i have NOT yapped about how they heal. not in detail at least. so here we go. there's not a lot that hasn't been said about them, but i'd like to put my perspective into the ring just because. as an eldest sister and as a lesbian i can relate to vi in a lot of ways.

i think my main takeaway for caitvi in act 3 is how they're both human, in the ways they love and in the ways they fight. arcane is a show that respects its audience and trusts us to be able to read between the lines and i appreciate how you can see every little detail of the words they're not saying if you look close enough.

in The Scene especially you can see just how real theyre being... im not gonna dwell on it, but by the skin of my teeth and the bones in my knees they LOVE each other. you can see it so clearly.

caitlyn walks in on vi questioning everything she is. violet legit just let her sister slip from her fingers, again. i cannot tell you how many times i've felt guilty when my sister or brother are hurt or do something wrong, even if i had no part in it. i cannot imagine how much it would hurt to lose them and keep going only because of the possibility of finding them again, and then when i finally do find then they're ripped from my arms. and it happens more than once. i would be in the same place vi is. blaming herself for all of it. making the burden of protecting her sister all hers and no one else's. wondering whether or not she's doing the right thing at all. (cough coughh petra minecraft is that you)

as stressful as they can be sometimes they're my siblings and i'd do anytning for them. and with the kind of person vi is, for her that means punching whoever's in the way. doing whatever she can. she has a big heart and she's never lost it.

after caitlyn basically dumped her in the most entitled way possible vi had nothing left. no one to protect and nothing to fight for. so she fought just for the sake of fighting. after getting her family back and losing them again (holy ballsockets she was put through the wringer) all she had was cait even if cait hurt her. i think even if cait never did anytbing to make it up to her, she would have stayed, because vi needs an anchor.

caitlyn's hurt a lot of people directly or indirectly. she grew up priveleged and stayed that way, never truly seeing exactly how much pain people are going through until it's too late to turn back. caitlyn's arc is a very interesting one because she never says the words "i'm sorry". she never tells vi that what she did was wrong and that she wants to fix it. but she does things that prove her remorse.

caitlyn works with vi in the end of act 2. i think this is partially because she was already skeptical of ambessa from the start, and partially because she wanted to find a way to make it up to her. caitlyn doesn't fold as soon as vi calls her cupcake, that's not what the look is. The Look is her thinking, "wait, does she not hate me? why did she call me her term of endearment even after everything i've done?"

in act 3, caitlyn takes all the guards out of the prison, because she knew vi would try to rescue her sister. in the words of another post i forgot to save (deepest apologies to the op of that one), vi could have taken jinx and ran. caitlyn might have never seen her again and she let that happen anyway. and cait even went to the cell to check to see if her theory was true, and lo and behold it was. and vi failed at trying to save her sister. again.

what does caitlyn do? she tells vi that she relieved the prison of the guards because of her. all confident and sultry and commanding like she knows what she's doing.

and then when they're getting into it caitlyn frantically pulls away. she realizes that, yeah, she still needs to make things right. she tries to be honest, tell vi that she saw someone else, and vi just reassures her and keeps going. i think thisnis because 1) vi wants the cupcake, who wouldn't, and 2) she's... not exactly forgiving, that needs more work- but she's showing her appreciation for caitlyn here. caitlyn did something huge for her, she let her break a prisoner out which could have dire consequences for both of them.

i think vi just absolutely smothering cait is also a way to show that even though cait hurt her physically as well as emotionally, she's gone past that. if vi hadn't at least given some thought about cait's actions she would not let this happen, i don't think, unless she's super desperate. this proves that vi is starting to move on and cait is starting to revert back to that sputtering stuttering pinned-to-a-wall-flustered woman she was in season one- that's the woman vi fell in love with, after all... and that woman is battered and bruised and has plenty of sins to stone for. but that woman is not dead.

The Scene in the cell is both them being desperate and them showing their love for each other without words. caitlyn's hand lingers on vi's injury, maybe about to utter an apology, but vi cuts her off anyway. there's SO many little things here gaughehgjf.

and in the end of the show, when caitlyn looks into the hexgates in her family's archives, she looks because vi probably asked her to. vi wanted to be sure. she looked because she cares about vi. whether or not she'll tell vi about this is an interesting thought- i don't think she would. it would undermine jinx's sacrifice.

jinx walked away so she could move on. so piltover could move on. so zaun could move on. so vi could move on. and caitlyn telling vi that she's alive would ruin the steps they've taken towards healing.

i think vi's main problem was dedicating her life to her sister and nothing else. and caitlyn's was just her exploiting a broken system and mever recognizing her faults. vi starts to heal because now that her sister is truly gone to her, she can move away from the past and build her own future. and now that caitlyn's fully realized her mistakes she can take steps towards changing piltover for the better. GAHH i love complicated sapphics especially when there's sapphic joy after all the suffering....

this was all written in one sitting so apologies if it's messy, and i've sort of compiled some other ideas and theories i've seen in here too; but yeah, these are my thoughts on caitvi in season 2. i think they could've been fleshed out a bit more, but overall their relationship is legendary. i'll never stop loving them. caitvi supremacy people 💪

[atheneum-of-you]

This is a repost with added information! The previous post has been deleted in favor of this one. Huge thank you to @theic-manic for reminding me ♡

I recently conducted a poll on what topic people would like an in-depth post/guide on and creating prayers was very largely requested! So today I'll be going step by step on the significance of prayer, how to construct one yourself, how to construct an "offering prayer", and some basic questions surrounding them.

As always, I'm just a single resource, and everything I say comes from my own personal research. Always make sure to do your own when possible!

Buckle up, cause this is a long one!

The Significance of Prayer to the Gods

When we think of prayer, oftentimes, the first thought is Abrahamic religion (Christianity, Catholicism, etc). We're taught that prayer is done to give thanks to the Lord, and to make our requests known.

While this is true to the gods of the hellenic Pantheon, there are some key differences. The biggest being tone and desire. Unlike what we're taught with the Abrahamic faith, the gods don't particularly favor "prayer." This is because prayer to the hellenic gods are typically crafted as petitions, requests for something, and the gods typically don't care for requests without offerings. This directly opposes the usual Abrahamic prayer, which typically is both request and praise simultaneously at all times. However, with the hellenic gods, prayer is typically just request FOLLOWED by offering. That's not to say a prayer can not become an offering, but the working of it is a bit different, and I'll go into detail about that later.

For now, we'll be separating the two as we learn how to construct our prayers.

Constructing a Prayer of Petition

Posture

One of the most important starts to a prayer should be establishing how you pray. If praying to Olympian gods, you'll want to pray standing with your hands upright, facing the sky.

If praying to the chthonic, your prayers should be whispered, with your hands and head down.

If praying to the einalic, your arms should be outstretched towards the sea. If you're not near the sea (as many people aren't), cult images of the deity also suffice!

That said, this applies mostly to the ablebodied. While standing for the Olympic gods during orayer is standard, if this isn't possible for you, then sitting and kneeling are just as fine.

Tone

One of the most important things about a prayer is the consistency of our tone. Naturally, we approach with respect, and that respect should be consistent throughout the entire prayer.

That said, your level of formality should be consistent throughout your prayer. If you start informal, the prayer should remain informal all throughout. The same is held for formal prayers.

When we craft our prayers, they require 3 main components. Invocation, our kharis, and our petition.

Invocation

Naturally, fhe first step to creating a prayer would be to invoke our gods. This is how we get that god's attention, and request their attention. This will always start with the god's name, and for our example prayer, I'll use be using Hermes.

However, there's a lot more to a god than just their name. An invocation should be recognition of that god, and tell them that you know who they are and their significance/importance. For this, you can use epithets, their domains, and even their residences and parentage. Epithets have different meanings, so make sure if you're using one, it should pertain to the reasons for your prayer. For example, if I wanted to ask Hermes for a little extra luck, I might invoke using his luck bringer epithet, Eriounês. Or perhaps I wanted to ask him to deliver a message to a passed loved one, then I would invoke Hermes Trikephalos of the crossroads. So an example invocation could go something like:

"O hear me please Hermes Trikephalos of Arcadia, Herald of the crossroads, son of Zeus."

With this, we've invoked Hermes and informed him of who we are and our placement. We can finally move forward with our petition.

Kharis and Justification

The next step in constructing a prayer is to remind the god who you are, and your relationship with them. This can simply be your name, or your title amongst them (if you have one), or even just direct reference to your status with them (servant, follower, worshipper, devotee, etc). That said, this should also follow the tone of the prayer.

If you were to address Hermes as a worshipper, you'd probably say something such as "I, [name], your follower and worshipper, approach humbly and with grace." Once again, this can be completely tailored to you, and you can change things how you deem more appropriate.

Additionally, reminding the deity of things you've done in their name/provided as offering reminds them of the relationship you've established together. Let's say we've set up an altar for Hermes. We can add that to our prayer!

So altogether, our prayer sounds like:

"O hear me please Hermes Trikephalos of Arcadia, Herald of the crossroads, son of Zeus. I, [name], your follower and worshipper, approach humbly and with grace at the altar I've set in your name."

With this, we've invoked Hermes and informed him of who we are and our placement. We can finally move forward with our petition.

Petition

With what we have, we can now give our petition. Our petition is our request to that god. Naturally, this can be asking for assistance with something, but it can also be asking them to accept an offering or simply asking for their presence to chat, say good morning/night, etc.

I can't really give much guidance on how to craft a petition, because each one is unique and personal to the one praying. However, I can give examples!

If I were to stick to the epithet of Diaktoros, my petition would more than likely involve a message to a passed loved one.

"I ask that you deliver this message to [insert loved one's name]. [Message to be delivered]."

This is, of course, just a basic example but you can tailor this to your needs and desires.

Vow

The vow is incredibly important in prayer, and is a promise of offering or sacrifice to that god for listening to your prayers. Vows can be anything pleasing to the god (ensure it's something your god would enjoy receiving), and you'll want to clearly state the intention of providing it if you're not already. Hermes enjoys coins, so we'll use that as our vow. So perhaps we would say something to the affect of:

"I offer a piety of gold and silver coins for your mercy and kidness."

You dont need to immediately follow up a prayer with an offering, however offerings should absolutely follow answered prayers without fail as this is your vow.

Ensure that your vow is POSITIVE. A promise to give. Negative vows such as "if you help me do x I won't do y ever again!" are unfavorable to the gods. They gain nothing from that, and it's not done for the god but rather yourself.

Prayers as Offerings

As stated before, prayers are not inherently offerings to the gods, moreso, they are requests. But can they be offerings? Well sure! However, our approach to them needs to be different.

Whereas our previous prayers were for requests, prayers for offerings should not contain requests but rather be appealing and aesthetic to the god.

A good example would be dedications of praise to that god. Once again, we'll invoke our god as we did previously. A dedication can start however you want and involve whatever praise you'd like! We'll use Dionysus for this example.

Dedication prayers will require some extra knowledge of your god than simply making requests, as we will be praising achievements of theirs. You can praise several achievements, or focus on a single one! For this example we'll praise several. So our example dedication can go as follows:

"Praise be to Lord Dionysus Eleuthereus, the almighty liberator, twice-born son of Zeus and Seleme!

Praise be to the generous wine giver, traveler of lands far and wide as his almighty vines spread!

Praise be the Bacchus, may we stomp our feet in joy and hail his mighty name! Father of kings!

We praise the mad one, slayer of the fool Damascus who denied our Lord's sacred gift!"

With this dedication, we've done several things. Invoked Dionysus with his epithet and parentage, praised his travels, glorified his lineage/children, praised his slaying of Damascus, and called attention to several iterations of him (the Bacchus and the mad one).

Additionally, this dedication gives the energy of being loud and high energy, things that are appealing to Dionysus. If we were to give praise to Apollo, we might favor a dedication more poetic with a more lyrical scheme. Or for Ares something far more militant and powerful, similar to a battle cry.

These dedications can also be accompanied by other offerings and given to the god during or after. Additionally, these dedications can be as long or short as you please! Just be sure to keep your god in mind while crafting them.

Take time to really learned your god, so thay you can offer dedications and praise to them in earnest!

Common Questions

Will my gods be angry if I pray informally?

I wouldn't say angry, no. That said, every god has a preference. Certain gods simply prefer more formal prayers, but in the end, it all comes down to your personal relationship with your god. If you have a more formal relationship, they would expect a more formal prayer. The same goes for informal.

Do my prayers NEED to be followed up with an offering?

Nope, although it's good practice. That said, if your prayer is answered, an offering of thanks is essential to maintaining good Kharis with your god.

Can the Orphic/Homeric Hymns be used as prayers?

That really depends, but the short answer is yes. I personally don't consider them prayers as the Hymns are moreso dedications, but its entirely up to how you view them.

Are prayers made by other people less valued than prayers I make myself?

Not at all! Prayers are prayers.

My prayer wasn't answered! Does my god hate me?

Nope! There could be a multitude of reasons why your prayer isn't answered, and truly, it all boils down to the will of that god. We have no way of knowing their will or what they think, so if your prayers go unanswered, try not to take it to heart.

This is my first time praying to a god and we have no kharis yet, can I still pray to them?

Yes! All relationships start somewhere~

I hope this was helpful for you all, and I truly hope it inspires more people to write their own prayers and dedications. Feel free to ask for any clarifications at all, and safe travels, friends ♡

[backslashdelta]

I like to think that if you're in a fandom space posting AI art, it's because you just aren't aware of why that might be a problem.

So in case you aren't aware: the generative AI you might be using to create "fanart" is trained on a countless number of artworks created by artists whose permission was not asked. Or maybe it was, technically, intentionally buried in a terms of service document somewhere, or in an update which they could either accept or else delete an entire social media account with years of history. This "art" is only possible because of stolen art. When you post images created by generative AI, you are supporting that.

Also, fandom is about creation and community. Individuals and groups creating art of all sorts, and sharing it with each other. When you post AI art... you haven't really created anything. To me at least, that's kind of detracting from what fandom is about. I want to share and raise up works of art that my community has worked hard to create, not something generative AI spit out from a couple key word inputs.

I can't tell anybody here what to do. If you are posting AI art, I'm sure there are some people who will like it, who will share it, who will be happy to do so. But there will also be people who aren't happy about it. There will be people – and especially artists – who will be frustrated to see other people in their community who support this technology that has stolen directly from them. There will be people who will block you, who will refuse to interact with your posts, and it will make your community smaller.

I understand it's tempting, especially if you aren't an artist yourself. But if you want art that fits a specific prompt, there are other ways to get it that actually support the fandom community: submit your prompt to a fanartist who accepts prompts, or commission someone for a piece of art, or even give it a try yourself and start learning to actually make art!

I don't hate AI as a whole. I think there are a lot of really amazing things we can do with AI, if it's used correctly. But posting AI fanart is not one of them.

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[sanders-sides-uncorrect-quotes]

I feel like when Virgil said he used to be scared of Remus he meant he was scared but would try to get a long with Remus. (While keeping distant lol)

Then Remus is madly in love and tries to get close to Vee no matter what lol

Yess

Whenever I think of them I think of that trope of a huge dark insane character that goes all dopey with heart eyes when that one character (who is usually much smaller than them) as much as lightly touches their hand (or, in other words, they are Morticia and Gomez)

I also like to think that in the past Virgil used to like listening to Remus' rambles every once in awhile because sometimes they involved things he likes (spiders, darkness, vampires, etc), and that was enough for Remus to decide that he was Good™

[hecatesbroom]

did I finally manage to write a brand new fic? I sure did!! with many, many thanks to the lovely @eeblouissant for inspiring me with these beautiful drawings of Blanche dipping Dorothy (and the incredibly sweet follow-up with Rose playing the piano, after our chat about this scene!!) I hope I managed to do it justice ;)

Summary

When Dorothy mentions she’s never been dipped before, Blanche and Rose decide to take matters in their own hands.

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[uncanny-tranny]

On the "darker" side of being comforted by one's immortality (not in the physical, but metaphorical), I've always been comforted by bone needles.

The idea that even after death, you've still been remembered by how you are used. No, bone needles probably weren't used with human bones, but it's a reminder that you aren't just going to... disappear. I'm comforted in the knowledge that I don't end in a "me" but in a "we," in nature. Everything about me is reused material so much more ancient than I am, and knowing that, I feel so much closer to the world.

[lieutenant-amuel]

Elena of Avalor is genuinely such a good show.

[north-wilkesboro-moonshine-cave]

I Am Once Again Begging Y'all To Be Fucking Normal About People From Other Countries

[butterflieswhisper]

i was genuinely planning to watch more of ratastrophe tonight but i started it, got to "[you whispered to unidingo: please don't die out there yet] I think their hunt is more successful if i'm not there" and my phone case literally fell apart in my hands. so.

[even-more-pro-fiction-jellicle]

Sucks to see the same kind of attitudes that ensured I would never be comfortable calling myself a feminist are still around

[emometalhead]

.

[whatudottu]

The inner struggles of a worldbuilding nerd: “Just because an alien species looks similar to an Earth animal doesn’t mean they’ll function the exact same as them, especially if said species is sapient, and assuming such is pretty biased and Earth-centric” vs. “Haha giving alien species based on Earth animals biology and behaviors similar to their respective animal and exploring how said biology and behaviors might influence their society and culture go brrr”

That's why you go to a mental randomiser and pick the weirdest shit you can and pair it with your selected species; case in point, my talpaedans = armadillos + ants headcanons!

I have certainly fallen into the pitfall of 'base a series of headcanons of alien that resembles an Earth animal USING the animal as a guide' but I am no stranger to making things alien (another I have are orishan = clam + cockroach headcanons). Heck, if I either can't think of an animal or an idea I had for a more animalistic alien may end up treading on bad ground, I pull out a random sociological thing humans have done. I mean I can't think about vulpimancers without thinking about politics, both on Vulpin and outside of it, discussing local matters to international matters to straight up intergalactic matters and the ethics of Null Void imprisonment (you cannot tell me all the vulpimancers in there were even given a trial let alone a fair one).

It's good to start with a base that has happened before - convergent evolution and everything, very good template to work from - and you can pick and mix whatever the heck you want to make your alien, well... alien-! Either you randomise the heck out of it, you have a very specific idea that would help expand the worldbuilding, or you just want to orchestrate how you can logic something out and connect the dots later, it's really fun to just ramble the shit out of alien biology.

[septembersghost]

what addictive stardust does baz put in his movies