#(or i suppose whatever's left)

[laurmaus]

a tribute to my favorite ship from age 8 to 18 You will never escape me AND A WELCOME BACK TO THEEE LAURANCE ZVAHL!!!!!

[batboopp]

thinking how bruce wayne’s mere existence single handedly defied khoa’s “dead is just dead” line of thinking in batman: the knight tbh.

[froegs]

Jayce “Facebook-Mom” Talis-Medarda

[sleepyminty]

So the new ordeal call 2 leak and uh

Oh no

Ooh noooooo

OOOOOHHH NOOOOO

[snakes-on-skates]

is this anything

(clarification for the "freedom" thing: they arent helping free others out of the goodness of their hearts, either doing so by proxy when completing their goal or using them to help complete said goal. they are still going about it in a selfish way and i dont mean to imply they actually care about the people and/or creatures being freed.)

[swoo0zy]

u guys think wander got him those headphones

[outlying-hyppocrate]

and with that, the duolingo finnish course is completed.

[gingermintpepper]

For the longest time, the quintessential song describing Apollo's wrath and consequent murder of Coronis for me was Marah in the Mainsail's 'Your Work isn't Done'.

It's dark. It's seething. Its image of Fate pushing the scorned speaker to complete his foul, terrible work of killing the man who stole his lover away from him is particularly powerful and it's always evoked this gruesomely tragic evolution of a glassy eyed Apollo stumbling through the streets, weak-legged and trembling from the betrayal growning more and more wrathful 'til he can think of no other course than to aim his bow and shoot. The price of betraying his trust is death and Coronis betrayed so much more than just his trust by taking Ischys as her lover.

The song itself captures that sensation of building wrath so well too. From the lonely guitar and vocals at the beginning which evoke this lonely, stripped back but distant grief to the way the singer is practically screaming his refrain of "Your work here isn't done" by the end, accompanied by the full blasting of instruments and an omnious chorus at his side, everything about this song is centered around building stakes, building realisations, building tensions and it creates this feeling of the speaker growing closer and closer with each new verse and chorus that adds to his anger.

There's also the absolute treasure trove of lyrics that work so well for specifically this tale. A brief overview of some of my favourites include;

- There's a crow overhead singing "Oh, Death is my friend."

- And though you think your time has come, the wheels of Fate have spun. Death has declared your work here isn't done.

- There's a girl on my heart safe ashore in her lover's arms

There's just such a vivid image to be drawn here - of Apollo's emotions being swallowed by his rage, of his resolve to end everything the more he bears witness to Coronis' brazen affair. There's even a strong female voice in the first two verses which seem to egg the speaker on in his spiral - a perfect opening to include Artemis who wishes for her brother to hunt that which brought him such pain alongside her. An Artemis who reinforces just what Coronis has done, an Artemis who does not want her brother to repress his anger after such grave an insult just because love was once there.

To me, it was perfect. Apollo's killing of Coronis was a crime of passion, an execution he sometimes cannot even bring himself to commit according to who is telling the tale. It's a wretched situation, harrowing, suffocating and cruel but if not by Apollo's hands, Coronis would simply die by another's. She cannot live after what she has done. The gods simply would not allow it.

AND THEN MY BIAS WAS COMPLETELY WRECKED BY LORD HURON.

Now, let it be known, I am a huge Lord Huron fan. Strange Trails is perhaps the most Apollo-coded album I've ever heard and songs like Yawning Grave and The Balancer's Eye capture such a visceral, gorgeous portrait of cosmic grief and anger that they haven't really left my brain since I first listened to them. Still, 'Setting Sun' from their Lonesome Dream album completely flew under my radar. Maybe it's because the commercial version is so much snappier than the Alive from Whispering Pines recording, maybe it's because I just hadn't listened to Lord Huron's discography in a while but my god. My god.

This song has it all; a quiet menace in its music, a strong male singer who sounds only barely restrained, an absolute HOST of lyrics that are so wonderfully perfect for the scenario -- after getting over how wonderful the song itself is, I immediately dethroned Your Work isn't Done because ultimately, 'Setting Sun' has something in abundance that 'Your Work isn't Done' minimised in order to focus on the wrath driving the song forward.

And that's love.

Setting Sun is so powerful because it's not just a revenge ballad - it's a dirge, a breakup song, a lament, a regret manifesto. So many times during the song, the speaker wonders when his lover stopped loving him. He recounts intimate moments and wonders if his lover was thinking of the other man when she was enjoying herself, wonders if anything she'd said was even real. And I love that so, so much.

Ultimately, Apollo adored Coronis. As inevitable as her death was, he regretted every second of it. No matter how angry, no matter how betrayed, no matter how intensely he was shamed, he still loved her. He weeps for her when she dies, he screams and grieves and cries when he's faced with her corpse. In some tales, no matter the cocktail of emotion driving him, he simply cannot bring himself to kill her. He'd rather cry in Artemis' arms and take his anger out on his own servant than hurt her. His own father has to dispatch Ischys since Apollo can't even bring himself to hurt that which Coronis once loved. Of course, in this case, Apollo's going to kill someone but the point is, it's not a decision of pure anger so much as its this complicated, horrible mix of resolve and lost love.

And my god does Setting Sun capture this conflict, passion, grief and love so well. UGH, I'm vibrating just thinking about it -- there are so many points where I hear its lyrics and can vividly picture Apollo, jaw clenched looking Coronis in her eyes and quietly confronting her.

Coronis, returning home at twilight after spending the day with Ischys to Apollo stringing his bow, "Oh? Is he ready to die for you baby? No, but you know I would."

Coronis lying to him about who she's spent her time with and Apollo's soft, near pained, "Does it hurt when you lie to me? If you asked, I would set you free."

I even really love the image of a Coronis who runs away from Apollo upon realising what will soon happen, not to escape his arrows but to warn Ischys who does not know what will happen. Of Apollo getting into his stance, taking aim at them and gathering his strength as the final refrains rings out "I know I'll never reclaim your love and that's as hard as it gets, so I'll be taking a life when the sun sets."

Other favourite lines of mine include;

- Oh, is he ready to die for you baby, now that the deed is done?

- Tell me when did I lose your love? Was it him you were thinking of?

- And I could never betray your love, you had me heart and soul. You might never have known it girl, but I was all yours.

And ultimately, I just like this conflicted portrait of premeditated murder much more than the crime of passion 'Your Work isn't Done' paints. Crimes of passion - especially when Apollo is concerned - are tragic in their own right, but in Coronis' case, I think I prefer it so much more when there's no way for Apollo's action to be misconstrued for anything other than what it is, especially since he goes on to cut Asclepius from his mother's corpse then carry on with building her funeral pyre. I think there's something so much more impacting about Apollo being unable to hide away from Coronis' blood on his hands and him having to raise Asclepius with those selfsame hands.

Love of the mortal does not supercede the responsibility of the divine. If Coronis' sentence no matter what is death, who better to lead her gently to the knife than he who still loves her?

[backfliips]

Someone totaled my car today and I do not like being in insurance limbo

[americankimchi]

god i wish they hadn't retconned maul's death. i get wanting to explore more of his character because he was, objectively, one of the coolest star wars characters to ever hit the big screen and didn't get much screentime prior to his death, but also his role was fulfilled perfectly within those constraints so i wasn't too upset by it.

but by retconning it and making it so he never died it's like. okay. what now? the whole point (well, to me, ymmv of course) of the theed generator fight was that it was the first ever fight between the jedi and the sith in thousands of years, and that in the end even though the jedi (obi-wan) won the fight, a jedi (qui-gon) and a sith (maul) still died. a master and an apprentice dying together to herald the start of a new age/the return of the sith. perfectly paralleling the way in rotj a master (palps) and an apprentice (anakin/vader) died together to herald the return of the jedi. in both instances, a father figure (qui-gon/vader) dies in the arms of their son (obi-wan/luke) as a sith (palps/maul) is cast down into the abyss to their deaths. (palps being alive in the ST and retconning his death in rotj is also annoying for this reason)

i mean i like maul. don't get me wrong. he's an incredibly compelling character and i enjoy seeing more of him... but there's always the thought hovering in my mind like "he should be dead though. he should 100% be dead. this wouldn't be happening if he was dead, but i honestly would rather it not if it meant that maul was dead."

like the tpm fight just doesn't hit the same knowing that canonically he's just. going to become a robot octopus at some point. (shoutout to palps becoming sith glados in the ST) it cheapens the moment for me. it was supposed to be a moment of triumph marred by the deep and soul-crushing loss of a loved one and it's just... not, anymore. or at least not to the same extent. AUGH i'm just. frustrated. wish star wars as a whole wasn't constantly reframing/retconning what's been established. just puts a bad taste in my mouth.

[pushing500]

So i was looking into the canon romworld lore and, learning that spaceships cant do any warp speed travel bc they never developed it immediately had me thinking of mechi and his sister :(. Like, i'm just imagining the angst of mechi going home with kwahu, thinking its only been like 10 years and its actually been 100 or something bc cryosleep.... could definately be a reason why the two would go for the ideology or anomoly ending

Yeah, it would make for a very heartbreaking story if Yamka wasn't every bit as stubborn and reckless as her brother. She followed him all the way to the Rim and dragged their parents along as well. They're on the planet somewhere, but as Mechi and Kwahu aren't particularly inclined to build hotels for interaction with other factions, it may take us a long time to encounter them (if we ever do).

I'm sure Mechi imagines that their reunion will begin with a long-awaited hug, but Yamka is absolutely going to punch him first. She was not happy that he decided to go galavanting about the galaxy without her, and she'll probably be torn between yelling and crying when (if) they do meet again. Mechi will be suitably chastened, I'm sure. Maybe Kwahu, too, even though he technically never did anything wrong.

[lae-zels]

they''ll be're putting my inquisitor in veilguard and expect me not to want to romance him lmao.... whimper............

[opens-up-4-nobody]

RODBT therapist @ the group: Does anyone have any examples of situations that generated complex emotions?

Me: Well... recently, scintists identified the remains of James Fitzjames who died in the Franklin expedition for the Northwest Passage like 176 years ago... it made me feel a lot of things...

[slayerdurge]

i just found out that there is a way you can keep wyll & karlach and still raid the grove and it's if you kill them first and then resurrect them after its over which is kind of hilarious... like... imagine...

"why did you kill us??" "it was an accident!! so sorry!!! i brought you back as fast as i could!" "hmm... okay... well... did anything important happen while we were gone?" "nope! anyway let's go visit that githyanki creche right now immediately."

[sword-swordswordsknife]

hot busty time-stopping kings in YOUR area

NOT MY ART MY FRIEND AYA MY DEAR FRIEND AYA DREW THIS AND GRACIOUSLY IS LETTING ME POST THIS AS HE DOESN'T EVEN GO HERE

(LINK TO HIS TWT HERE BTW CHECK HIM OUT SHE IS SO COOL AND EPIC AND WONDERFUL AND AWESOME!!!!!)

like these cursed vibes? epic! my cool and awesome and epic and wonderful friend squid whom i have been inflicting torment upon and also me a miki are AND ALSO SPECIAL GUEST AYA WOO streaming ISAT rn link right here where the vibes stem from LMAO

or vods in this link here instead if thats preferred :]

[poscariastri]

HAH in the video where drivers rate their teammates oscar comments on how lando draws his 8 weird (around 3:50)

i draw my 8 the same way (which ive also been told many times is the wrong way of doing it) 😭