#(i love more characters than that i just have so many emotions abt them)

[ghostofsnails]

so did you guys know theres this character called tristan vik disventure camp and

[anendtopursuit]

i genuinely have so many emotions abt npmd, especially about max jägerman

he's such a tragic character!!! like yes max is the villain but he also Didn't Have To Be. one of the biggest issues w hatchetfield in-universe is how willing people are to take horrible things at face value - nobody thinks max can change because bad shit happens all the time in hatchetfield, nobody cares why this ONE kid is acting out. nobody looks for him when he disappears because people go missing all the time in hatchetfield, what's one more kid gonna do. even once they've found his body they barely mention him; richie gets more love and mourning and he was actively bullied by half his classmates. they care more about losing the big game than they do max's death.

and yes ok the repeated mention of them being 18 is 1) a joke abt slasher movie teens conveniently being Just Old Enough to sexualise and 2) a joke abt grace thinking that perfectly normal barely-flirtatious activities (like max offering to carry her books) are too scandalous and explicit for 18 year olds. but also like. he's a kid. 18 is an adult but also a kid, yknow? and he. literally thanks them for making fun of him because it's the nicest thing anybody's ever done for him. he takes it as an olive branch for friendship rather than the mockery it was meant to be. he's just a kid with a shitty life who's taking it out on people because nobody cares about him. he himself sings about how he knows he's gonna peak in highschool, so why not do whatever he wants now, since he'll amount to nothing later? and once he dies, his own friends sing about how much better their lives are without him.

yes obviously he's a bully and a villain, i'm not disputing that, but there's something so painful about seeing that glimmer of hope for redemption right before his death - that maybe he was wrong about them, that maybe his dad was wrong about him, that maybe they could be friends and he could have people who care about him and be somebody other than a mean jock - and then it's instantly snatched away from him, and all that's left is humiliation and misdirected rage. it's so fuckin sad.

or maybe that's just me. i dunno.

[bubblergoespop]

some rambles abt the patreon bonus scene of sam and porter <3 i was gonna wait until the audio released publicly to post this but idk when that's gonna happen so ta daaaa yes ik the audio came out like half a month ago shushhh

okie so first of all, i'm so happy we got another bonus scene like the first one with lasko, huxley and damien and the one with sam NAME DROPPING porter. they've always been fun and exciting and OHHH I LOVE just having audios that are structured slightly differently and these kinds of audios aren't always necessary for understanding the main plot but they reveal so much more about characters, i love them. erik please make this one public so the people can hear it, i'm begging you.

OH EM GEE i love porter and sam's dynamic so much! they're not blood related, not even vampirically, but you can't deny that they're literally family. porter making the classic old man jabs at sam and acknowledging that people always make those jokes towards sam, oh they're brothers.

porter saying "apparently i've become predictable in my old age" just has me questioning how old he is again. i mean, i've always assumed he was AT LEAST vincent and sam's ages but i've never really thought of him as a proper old vamp. just because his personality is youthfully mischievous and he's often just straight up immature in my opinion. was this just an exaggeration or is porter much older than sam? i doubt he's much older to be honest. hearing what went on in his life so far, i don't think there's enough there to make the assumption that he's got that many years behind him.

oh and porter also saying that the solaire clan is an institution that has kept sam and vincent "comfortable, satisfied and most of all SAFE" HAS GOT ME THINKING AHHH!! i hadn't considered that leaving the house would make sam and vincent vulnerable to enemies of the house and now i'm thinking back to the summit when deon wright mentioned that quinn must have come from somewhere, with possible allies that are still yet to appear. even if sam and vincent leave the house and do their best to distance themselves from william, they're still of emotional value to will and therefore are still a weakness of the house OHHH IM GETTING EXCITED

oh and porter's inability to hold in a scoff at samuel HE'S SO SASSY I LOVE HIM especially when he's all huffy and puffy.

"i am a vampire but that doesn't make them my people. i'm a healer. i'm a mate. i'm a friend. i'm a hellion when i wanna be. i'm a lot of things but i'm not that kind of person." sam i'm gonna sob into my pillow.

i adore how erik shows that despite all their bickering and downright mean attitudes towards each other, sam still cares deeply about porter - "you gotta live your own life the best way you see fit, porter. and i wish you well in it. i really do." oh and porter definitely also cares deeply about sam and vincent. i've said before that they're the closest thing he has to a family and i think porter mentioning that leaving the house not only endangers sam and vincent but also the people they care about shows that porter cares not just about sam and vincent's physical wellbeings but also their mental wellbeings. he cares about sam and vincent and by extension those they care about as well.

i like to think vincent attempting to call porter in porter's hbs is also a sign that somewhere in his heart, vincent cares for porter too. especially after learning a bit more about porter at the summit. hence why he wants to talk to porter about everything that's going on now.

"there's a place for you on this side of the table, if you want it. we just wanted you to know that." SEEEEEE SAM CARES HE REALLY DOES DESPITE IT ALL

sam acknowledging that porter's habit of constantly fighting anyone and everyone he encounters is a self destructive one and is NOT going to end well if he continues just leads me to believe that erik has something up his sleeve for this. either porter's relationship with treasure (arguably the healthiest one he's currently got) is going to help him heal from that constant need to fight or this addiction is going to lead to something horrible (but entirely avoidable if porter would just leave it be). oh what fun!!

[ambreiiigns]

so he says 7.5/9. he . really weird. i knew he probs wasn't gonna love it as much as i do and it really sounded like he was Hating it for the first half but then turns out he likes almost everything it's just that the very few things he dislikes are the big ones jfnsnfns ?? he doesn't love the Development of the characters and some plot points if i'm understanding it right. like he loves the artistic direction and the MUSIC is his fave and will add some songs to his playlist lmao and he likes homura and sayaka but then he feels a lot of other stuff wasn't handled in the best ways. i think he's insane bc it's perfect <3

me & brother have finished madoka (the series) wanna know his thoughts

[arrayoflightarchives]

Kagehina yap because I can't get them out of my brain even tho I need to go to bed bc I have a full day of lectures tomorrow,,,

(be warned yall that this is a long one, which is why I've put the big explanation under the cut)

Okay so Kagehina shouldn't be getting together before Brazil Arcc. If you wanna write them before then, go ahead I love a good bit of hs kghn or long-distance kghn as much as the next person. However, for their characters at the end of HS, I feel like they need to have the Adlers v MSBY match before they should be in a relationship:

The end of 3rd year:

At the end of their third year, Kageyama is still not fully open with Hinata, let alone anyone else. I'm not saying that you have to be completely open with everyone before getting into a relationship, but I think for their dynamic, he needs to learn to be more open with his emotions than he is at that point before you can have two personalities like him and Hinata in a relationship together.

At the end of third year, Hinata is still nowhere near Kageyama's skill level in volleyball. Again, I'm not saying that they need to have equal skill levels to be in a relationship however, Hinata does have a major inferiority complex about this specifically when compared to Kageyama and I don't think that, with he skill level he is at in 2015 (when they graduate). He can't catch up with Kageyama by becoming a skilled player in his own right without going to Brazil, we know this, but going to Brazil also develops his personality as well as his vb skills. He is now more confident and has learnt a lot and so he is able to be on what he considered equal footing with Kageyama (what he considered is the important part here bc of his issues with comparing himself to Kageyama, which we see the whole way through the story).

Now flip to post Brazil:

At this point, Kageyama has begun to open up a bit more by spending time with his teammates, mostly on Adlers, but you can assume JNT as well - we just don't see much of that bc Hinata is the protag, and he's busy sulking over Kags not visiting him atp. Like we can see this in small things like him showing Ushijima the photo of Hinata and Oikawa. He is now more open than he was in hs but he hasn't talked to (at least not much more than maybe like a couple two message interactions) Hinata in a couple years as far as we know. Because of their whole soulmate thing because Kageyama is still somewhat alone because of his skill level (see Kazuyo's promise)

At this point, Hinata is finally confident in his skill level, I mean, he was practically unknown and got into the MSBY D1 starting line-up. However, I think it's important to note that atp he has not beaten Kageyama so although he has definitely improved - he's earned the title of Ninja Shoyo, which is his own compared to the little giant (I can also yap abt that honestly) - he doesn't know whether he has caught up with Kageyama who, for all he knows could have improved just as much as he did in the time they were apart. Hinata might now have many brain cells, but he knows enough that it's silly to think that Kageyama has not improved at all while playing with the JNT and being in VL D1 since high school.

Post-Adlers v MSBY match:

Kageyama has now opened up. This bit is less about opening up to those around him (although he has, see "took you long enough") and is more about him being open with his own emotions. Obviously, he's not suddenly fixed years of emotional repression in one match, but he's chosen to open himself up to Hinata (see being happy/smiling at losing a match) and therefore also open with the audience (we finally see his backstory - that idea is not mine it's from this post it's rlly good u should read it). At this point, I feel like he is ready to have a healthy relationship with Hinata while still working through his other issues. He isn't going to be magically perfect now, but still, he's at a maturity point where he would be able to be in a relationship with someone as competitive as him and Hinata are together.

Hinata has now won against Kageyama. He now knows and feels confident with his skills as a player of his own right and worth, and so now his competition with both people like Hoshiumi and then especially with Kageyama is not going to be him seeing himself as the small junior high version of him who got beaten in 30 minutes still trying to prove himself, but the amazing Ninja Shoyo who is an amazing all-rounder and a wing spiker (the position he's wanted to play in order to be ace which he didn't get a chance to play before). He has grown as a person already while in Brazil, but this win is simply confirmation that he has done what he went there to do. He can trust that he made the right choice to leave Kageyama and the trust and dynamic that they had created (which was a major worry of his through the first part of the Brazil arc - with the homesickness and seeing Kageyama in the Olympics) and is better for it. this game proves it all to him, and he can welcome Kageyama and a possible relationship with him now that they are equals, rivals and a team at the same time.

Finally, onwards:

We finally see that they are together, whether you want that to be as teammates and best friends/platonic soulmates or as romantic soulmates it's up to you, but we see that they have improved both in vb and in their relationship together (see one of my fav panels to ever exist with their fist bump in JNT uniforms).

They are on the same team together, except stronger, when they go to the Olympics together. And then when we see after that, they still have a strong dynamic with them both declaring they're going to win in the Ali Roma v ASAS São Paulo game which makes me think that they keep in contact a lot better than they did while Hinata was playing beach - only bc there seems to be less of the tension that is there when they meet before the MSBY Adlers game.

Anywaysss that pretty much concludes my yap on why they shouldn't get together until after the Brazil arc. I could probably say a billion more things about this, but this was the best way to get any sort of coherence from me about this. I will probably do more yaps so if people want, feel free to ask me questions in my ask box or in the notes!!!!

(Also I hope yall appriciate the colour coding, I chose the purple over the blue cause I felt it was more Kageyama coded, at least on my phone it is)

[ourflagmeansgayrights]

ok so like i get where ppl are coming from with the “the crew loves izzy” takes but also like. ok. i think that take involves a certain amount of reading very deeply into the text to a degree that is almost reading against the text at some points. it’s like when ppl pour all this energy into an underdeveloped and unportant side character—none of those layers ppl add to the character are strictly contradicted by the text, but it clearly wasn’t what the writer intended for anyone to really focus on. and yeah, death of the author, just bc the writers didn’t intend for ppl to think abt something that hard or care about it that much doesn’t mean we’re not allowed to do whatever the fuck we want. but bc i love analyzing the shit out of this show i do want to talk about WHY i think the textual support for this headcanon isn’t rlly there.

first of all. when archie is like “why are we trying so hard to save this guy, he’s kinda a dick” and jim’s like “yeah but he’s our dick.” rather than elaborate on what makes izzy special to them they’re like “it used to be that the crew all had each other’s backs no matter what and things were better back then” while reminiscing fondly about 1. olu and 2. that shot from season 1 where the whole crew is hanging out except for izzy who’s sulking in the background hating everyone. if this was supposed to be an “izzy’s a dick but we love him anyway” moment i would expect jim to talk about. yknow. izzy. instead to me ot comes across more like an “izzy’s a dick but crew is crew, we stick up for each other even if we don’t particularly like each other bc it’s us against the world” which isn’t as impactful from an izzy stanning perspective but i think makes for, like, an interesting allegory abt the queer community. we all gotta defend the rights of ppl in our community even if those specific ppl are dicks and we don’t get along with them.

second of all. after they save izzy’s life and get caught by ed they all leave the room and then a few minutes later a gun goes off. maybe someone saw ed leave the room before the shot was fired, but either way they think either ed just killed izzy or izzy just killed himself. and then they DO NOTHING ABOUT THIS. nobody checks on the body. they put all this effort into saving izzy’s life and then when their efforts are foiled they do not seem that bummed out about it. the next scene with any crew member in it is frenchie talking to ed on deck, and ed is like “go take the day off” and frenchie is like “oh nice!” and he’s like, confused and a little concerned about ed suddenly steering the ship rlly erratically, but he also seems pretty excited about getting some time off (after so many raids in a row i would be too lol). and THEN!!! in the next scene where we get the whole crew, they’re crowded in the hallway that leads out to the deck and the conversation they have isn’t “oh my god i can’t believe ed killed izzy after we cut off izzy’s leg” it’s “maybe ed’s better now? maybe killing izzy was all it took? he seems pretty cheerful for the first time in ages, maybe ed’s okay?” like literally they think ed just killed izzy and they are more worried about ed’s emotional state than they are grieving a beloved shipmate

then in 2.04 the crew B plot is so blatantly “the crew struggles to trust each other again but after seeing izzy be incredibly sad and pathetic they remember that a good crew has each other’s backs no matter what and so they extend izzy some unearned kindness and make him a new leg” that i’m amazed that other interpretations even exist. like literally they’re all drawn away from screaming at each other with weapons drawn by izzy making some dramatic announcement and then falling and then drunkenly crawling away and refusing their help rambling “youre born alone you die alone” over and over again or whatever melodramatic bullshit he said. like he’s muttering abt being miserable and alone and there’s a WHOLE ROOM OF PEOPLE!!! standing RIGHT THERE!!!! like “oh hey man do you need help standing up? no? no ur just gonna crawl away? um. ok.” and then they all go “well at least we’re not as fucked up as that guy. maybe we should do something nice for him?” like they are literally almost explicitly motivated by pity, not fondness. which yeah, it’s probably fucked up the way they use izzy’s new disability to sort of emphasize how pathetic he’s being, but i think the intention there is not that izzy’s pathetic bc he’s disabled, he’s pathetic bc he’s refusing to accept help. like the crew doesn’t go “yikes 😬 at least we don’t have his issues” abt izzy falling down when his makeshift prosthetic breaks, they go “yikes 😬” when he bats away their hands and goes on a weird mumbling tirade. definitely not the most sensitive way to depict izzy in this mental state, but that’s a different post probably. for the sake of THIS post tho: the takeaway i got from this scene is that the crew is remembering how to be there for each other again. it’s easier for them to let go of their paranoia and stop being so defensive and distrustful when izzy is there as an example of what happens when you’re TOO defensive and distrustful. “the crew makes a leg for izzy bc they care about him on a personal level” did not seem to be the focus of that story arc. to me.

in 2.05 we get our first ever instance of a character expressing appreciation for something izzy said or did or some trait he expressed (except for stede that time in 1.06 when izzy backed stede up on wanting to do a fuckery, which he only did specifically bc he wanted stede to fucking die and ed was taking too long), and it’s lucius saying he loves the shark izzy whittled. but during the entire episode leading up to that scene izzy is either in syede’s storyline where he’s not engaging with the crew or he’s getting snarked at by lucius, and not in a fun teasing way. like during that whole bit where izzy steals his cigarettes and calls him “twatty” lucius just looks so fucking annoyed and then uncomfortable. and then at the end of the episode izzy is sort of offering him advice and lucius is just sarcastically like “that sounds healthy.” and within this storyline, the point of these scenes isn’t rlly abt the developing and deepening relationship btwn izzy and lucius, it’s abt lucius individually coping w his trauma. izzy in this episode kinda exists in a weird place in the narrative, where he plays a supporting role in two different characters’ (lucius’s and stede’s) storylines without getting a central arc for himself. and both of those two storylines are only really about lucius and stede respectively, izzy is just there as this a static character who imparts wise advice. which is a very weird role for him to take, imo, but on top of that it doesn’t rlly contribute any sense of like, actual bonding btwn izzy and the other two.

and in 2.06 they just enjoy the show izzy puts on. they like listening to him sing. it’s all very cute! but also. i would not say that it shows the crew really cares about izzy?? i was in pit orchestra in high school and all the lead theater kids were always fucking assholes but they were also rlly good singers and it was fun to listen to them. i would mouth along to the words being sung by bitches who seemed to be trying to be sharpay evans irl for some bizarre fucking reason. like, cartoonishly mean girls. so like, the crew listening and dancing to izzy’s song doesn’t rlly sell “the crew loves izzy” to me. if anything, i would say that actually a stronger indicator of the crew loving izzy would be wee john sharing his makeup, and it’s a shame that we don’t get to see this happen. i mean that genuinely, i think that would’ve been a great moment to rlly strengthen izzy’s arc and it just. doesn’t exist on screen. and this isn’t like the finale where we know for a fact that they had to force a 40-minute episode into 30 minutes, Calypso’s Birthday has a runtime WELL under 30 minutes. it would’ve been SO easy to add another like 45 seconds of izzy and wee john getting ready together, but the only moment they show us is izzy walking in and discovering drag for the first time. it feels like the focus of this scene is less about a moment of connection between two characters and more about izzy individually having a gender breakthrough—and that carries on with the rest of the performance, too. bc it’s a performance, it’s everyone looking at izzy, it’s izzy a half step away from the crew as he puts on a show. the narrative framing of all this puts the focus entirely on izzy as a solo act, not on izzy as part of the crew. they like his performance, but we aren’t rlly shown evidence of the crew liking him as a person.

and that’s kinda it for izzy and the crew! up until he’s actively dying in ed’s arms and they’re all in the background silently weeping, at least (and btw, speaking from experience but uhhhh it’s pretty normal to cry when u watch someone die even if u have literally no connection to the person dying). even when they’re helping him back to the ship, ed is the one who notices he’s injured, nobody notices until he’s already giving izzy support. and i fully believe roach flips off izzy’s grave marker with fondness, but that’s also like. the only little personal moment any of them aside from ed has during the funeral. they do all laugh at his pinocchio joke earlier in the ep but idk if that one line can carry the entire weight of “the crew loves izzy” on its own. apparently there’s some shots during the zheng v stede fight where izzy can be seen in the background close to jim and archie??? but like, you can’t tell me a background shot of izzy standing near some crew members is strong textual support for the crew loving him. and i don’t think i need to argue abt any scenes in s1 bc literally every single crew member who was on that boat, ivan and fang included, was about to fucking drown him in the fucking ocean.

there is one single scene that gives actual strong evidence that anyone other than ed likes or cares about izzy. it’s the part at the end of impossible birds when fang is crying after ed shot izzy. so maybe fang specifically loves izzy, even tho izzy used to pull fang’s beard a lot and fang didn’t like it bc it hurt. idk.

here’s the thing tho. in 2.01 the writers use dialogue very effectively to tell us about the kraken era. the crew doesn’t say much, but what the do say tells us a lot: we know that archie thinks the kraken era is all normal pirating stuff, jim felt like the wedding raid (which seems like their only raid on a civilian ship and not a military one) was a step too far, frenchie is Not Okay but he’s doing a fantastic job repressing everything, izzy looks tired but the specific thing echoing in his head right before he starts crying in front of the crew is ed telling him “if you can’t do the job, someone else will.”

and we know fang, who’s known ed for decades, has never seen ed like this. and the specific thing he mentions as something he’s never seen from ed before is not batting an eye when ivan died. meaning that even before meeting stede, fang would’ve expected ed to have some sort of reaction to ivan dying.

and the thing about ivan is that we know next to nothing about him. he has very little dialogue in season one. we don’t even know how long he’s been working with ed—long enough to have at least heard about fang having to put his dog down bc “the love of a pet makes a man weak” when fang joined ed’s ship years ago, even if ivan wasn’t actually there yet at the time—but we do know that watching ed tell ghost stories was apparently the most open and available he’d ever seen ed get. so it doesn’t sound like ivan and ed were especially close. ivan was almost certainly less close to ed than izzy was.

if fang expected to see ed have some sort of reaction to the death of an ordinary crew member (who mightve been working for ed for decades, might’ve been working for him for months, we really can’t say) who wasn’t even that close to ed, seeing ed casually and unflinchingly inflict a life-threatening gunshot to his first mate must’ve been fucking earth-shattering. and interpretation is also supported by what fang actually says while he’s crying at the end of 2.01—it’s not “i can’t stop crying, izzy’s hurt” or “i can’t stop crying, izzy’s going to die.” its “i can’t stop crying, ed shot izzy.” more than the imminent demise of a crew member, fang is shaking and sobbing and traumatized because he can’t believe ed would do that.

and if that feels like a reach, just remember what happens after the leg is cut off, after the crew most likely believes ed shot izzy again, this time 100% fatally: the whole crew is crowded in the hallway, and fang asks “do we think he’s… better?”

fang is not sad about izzy. or if he is, it’s dwarfed by how much more sad fang is about ed.

in conclusion: have fun with ur headcanons i am not the boss of you but also there is less canonical textual evidence of the crew loving izzy than some of y’all seem to think k byeeeee

[yan-lorkai]

.⁠｡⁠*⁠♡ This hasn't requested but bro I so love him, even more in nightbringer. Platonic or romantic Solomon is quite interesting character, plus I just know that his lessons would be chaotic like one moment your learning abt magical healing spells or smth and the next he pulls out a dragon egg for you to care lmao

.⁠｡⁠*⁠♡ Warnings: Yandere content, possessive Solomon, platonic relationship.

You may be young, but even you could see that someone like Solomon was very secretive and that it had been a long time since he had created any emotional bond with another human or living being, he didn't even know how to develop a true friendship with someone without any other intention. Solomon is a kind mentor who likes to tells silly jokes while teaching you about protective barriers, how to manipulate the elements of nature or travel through the rifts of time and space but sometimes he has difficulty expressing what he thinks and feels.

Solomon acts with extreme patience and care when teaching you, ensuring that you fully understand the subjects and constantly testing your knowledge with questions and surprise attacks. For someone everyone thinks is shady, he is sweet and easily adapts his teachings so you understand them. Solomon also loves listening to your questions and he answers each one carefully. Though do be careful, he tend to pinch your cheeks or do something annoying at every wrong answer you give.

As time passes and you become closer, Solomon resembles more an older brother than a mentor and he takes advantage of this to tease you and play small pranks to scare you. He becomes absolutely unbearable. But he is also your own cheerleader, encouraging and motivating you, and listening to each of your complaints and fears without judging you, especially if you feel insecure, in your own words, that you're still weak compared to him.

Despite the comfort offered to stop these thoughts, Solomon actually enjoys knowing that he is potentially stronger than you. This means that you still depend on him, you still need him and Solomon is extremely protective and possessive of you, he doesn't have many people in his life and he doesn't want to lose you. He values ​​your happiness above all else, but a happiness that you should share only with him.

He is always alert to any situation that could jeopardize your safety, Maybe one of the reasons why he only teaches you the theory but doesn't show you the practice if there is a chance of you getting hurt in some way. He could even use his magical abilities to create a rift in time-space to build an environment that was safe and nothing and no one could hurt you, a perfect environment and if he wasn't so weak because of your puppy ​​eyes he would have trapped you there a long time ago. But he can't.

Not when he wants your physical and mental safety, and arresting you would affect you negatively. Solomon feels conflicted about this, but know that he is always there for your.

[kacchanrawr]

mha final volume spoilers

For the past few months I've kinda just come to accept MHA's ending to be whatever. Not the best, but not the worst I've seen it's fine whatever. But seeing the final volume extra content honestly just has me genuinely hating the ending. I'm trying to keep an open mind cuz it's not officially out yet and leaks can be kinda dubious, but I'm genuinely so upset.

Ig the main feeling I have is: genuinely what's the point??? I mean there's a lot of things going on in mha and depending on what you care about ig you could feel like everything's fine and resolved, but personally? Just no. My main problem a few months ago was with Toga's death, but now I'm just even more pissed.

As so many people have probably already discussed: killing the villains off after all this stuff about saving them is a fucking problem right?? With Toga's case specifically (cuz she's my fave and I care the most about her), it's her just dying after she finally found the love and acceptance she's always wanted from Ochako. Like why? Even if you can technically make sense of it with her explanation of "I want to live life as I please", it's just stupid and distasteful. It would be one thing if she said that cuz she was just running away to be free, but to kill her? Of bloodloss of all things? Idc abt people going oh thats sooo poetic, no i think it's stupid. So many other characters have lived after going through worse like for fuck's sake, Edgeshot's still around.

What's the point of that emotional resolution if you don't show the aftermath, of her being able to live happily, or at least how she'll go on with life from then on? She didn't have to die, she could've just escaped or whatever (I was hoping that was the case when there was no mention of Toga's body). But by killing her, the only message I got from mha's whole saving the villains thing is: "sooo maybe having empathy for the deviances of society is important actually, but it's kinda inconvenient to deal with them." And even if that wasn't Hori's exact intention, that's what his story seems to be saying by killing off the villains.

And then the fucking nail in the coffin is the fact that Hori used Toga's death to drive Izuocha. It was one thing when he did it with the cliff talk when Ochako was mourning Toga (I always found it distasteful okay), but it's so much worse to write Toga literally pushing Ochako to Deku. So not only did Hori kill off the queer character who finally had her resolution and romance so he won't have to deal with her, but he's really following through with the Bury the Gays trope by using her o push the girl she loves to a man? Ew.

The worst part is that even if Izuocha got together and they're canon or whatever cuz of that last part, the way Hori did it is so fucking mid. Like seriously, if you were gonna do my girl dirty like that for that het romance, at least make it good?? But noooo. I mean they don't have to be like kissing and getting married and having babies or whatever (that'd just be shit), but at least have them properly get together. What is that "implied romance" ass handshake?? There's no fucking reason to make it implied, they're not queer or forbidden or complicated or anything. Bro just didn't wanna commit to actually fleshing out their romance. And you used Toga and her death for that, for absolutely fucking nothing?? The funniest part is that everything Togachako did is infinitely more romantic than that handshake, so how am I supposed to be convinced by this "implied romance"? (anyone who says implications enough for izuocha I'd say the bar's just on the floor for you cuz they're het)

And then there's Bakugo. I mean I was fine and whatever with the original epilogue, but what the fuck? So you're telling me bro lead Project Deku Hero Suit or whatever for 8 years, only for Deku to reject him when asked to be a part of his agency? It may or may not have been explicitly stated that they'd be in a hero agency together whatever, but I feel like it was a natural conclusion that they'd end up working together/closely as a hero duo? Win to save and save to win, wonder duo defeating ShigAFO together, that hospital talk about competing together for the rest of their lives, him being the one to reach out to Deku at the epilogue chapter, hello? DEKU REJECTED THAT AND FOR WHAT. Also ok fine this may sound stupid to be upset over, but why the fuck is Bakugo rank 15. Like we do just be writing whatever I guess

I'm still holding on to some hope that the leaks were ass and inaccurate. Or maybe even completely fake cuz the chapter's been getting a lot of AI art allegations? Though it's also probable that's just the leaker who used AI to get high res pictures of the leaks. IDK MAN JUST PLEASE DON'T LET THIS BE COMPLETELY ACCURATE PLEASE LET ME STAND CORRECTED

[shakingparadigm]

it makes me very sad that we never seem to get till's perspective on the story... his rs with mizi is so underexplored when it literally constitutes a core aspect of his character (and this in turn lead to some uncharitable interpretations by those who want ivans love to be requited and well, the fandom in general), we barely even know abt his dynamics with other characters besides Ivan (and even that isnt told through his eyes), his past is just visible through glimpses etc. there's just so. Little about him. And yet he's such an interesting and complex little guy, i really really hope now that king yaoi the third's arc has concluded, we finally get some till crumbs bc im starving. or maybe the authors just downright hate him lmao

I've thought about this for quite a while!

I agree! Unlike the rest of the cast, Till doesn't have his own content where he states his thoughts and emotions (like Mizi's monologue, the Hyuna and Luka comic, Ivan's confession comic, the Mizisua interview + all other interviews). In many pieces of official art, Till is either a supporting character or comic relief, rarely in the focus. Although we saw a bit of him in the contents leading up to (and the few arts after) ROUND 6, ultimately they were centered on Ivan.

We've yet to hear from Till himself, to understand his thoughts from his own words and not from the perspective of other characters. On the rare occasion the focus is on him, it's devoted to his adoration for Mizi.

His relationship with Mizi underexplored... I mean, it is, but I feel that was intentional. Despite all his attachment to Mizi, he never actually managed to get close to her (although he spent a majority of his childhood trying). The goodbye letters reveal Till's regret at this fact, and from other pieces of content we can see that he was always too shy and afraid to approach her. His love for Mizi seems shallow and underdeveloped because, well, that's kind of just how it is. He's in love with the image of her he admired from afar. It's puppy love to the highest degree, but you know how humans in ALNST are. They'd completely break themselves down for love.

Funnily, this all seems in character for Till. We don't get to hear his thoughts because he's too rebellious for an interview. His most significant presence in the comics are when they are Ivan-centered, we lack his perspective because the moment always matters more to Ivan than it does to Till. His relationship with Mizi is underdeveloped because he himself has an underdeveloped understanding of her.

Okay, I know I keep going on about "oh we never get to hear Till's side!", but I acknowledge the fact that with Till, they seem to be going with a more "show, not tell" angle. We can't gauge how his thought process works through monologue, but the little things he does can say a lot about him (Crying over his lost recorder, a gift from Mizi. Picking fights when flowers are treated cruelly. Encouraging a wilting flower to keep surviving). He's not one for long monologues anyway, Till follows his heart through passionate action. Still, I really hope to one day have a comic narrated by him, something to put us in his perspective.

And on the last note, don't even worry about the authors hating him! I find it so funny to hear that, actually. QMENG and VIVINOS adore Till. He's actually QMENG's favorite! They love him so much they inserted themselves into a meme fangirling over him.

That's them right there. For their baby boy. Anyways, hopefully we can learn more about Till now that he's the only survivor left in the competition to face Luka. Apparently, they've had ROUND 7 planned for a really long time now. Both excited and nervous to see how it goes!

[ventismacchiato]

Okay I have far too many headcanons/ideas about scarayn and music they’ve done or would later do post-swy. So bc I have no life atm and this is all I can think about here are a couple:

• I’ve already mentioned them shifting their music to literally only writing shit about each other (largely to spite everyone telling them to write about anything else than each other for the rest of eternity), but I raise you — one of them finally writing about something else like a breakup or other relationship issues and dropping it with no prior warning to anyone. Naturally this causes everyone and their mother to question if their beloved otp is going to break up or if they’re having trouble getting along again. Only for their friends to find out they wrote the song bc a) they just felt like it, literally no other reason or b) they wrote it together just to fuck with everyone

• second/last one (bc I didn’t realize this was already pretty long and I wanna get out of your hair abt this before I end up writing you a 50 page essay and analysis on this smau 💀) — I was listening to My Kink is Karma by Chappel roan and can’t get the idea out of my head that that’s a song y/n made in this au. The music video is this au is similar to Chappel’s actual mv. And it just so happens that one of scara’s previous mv’s have a very similar vibe to y/n’s, leading to a now very popular scarayn edit where Simone used clips that work surprisingly well together to make the my kink is karma mv with both y/n and scara together and it’s hot and done concerningly well to where a small amount of people have seen clips of the edit and thought it was the real mv. (Hopefully that makes sense 😅)

Okay, that’s enough from me, I loved the new chapter tho!! Got me giggling, kicking my feet over two characters unable to express their emotions ❤️❤️

omg i love long asks don’t even be sorry SEND ME ALL THE ANALYSIS’S U WANT MY WAY EVEN IF IT TAKES ME A WHILE TO REPLY

omg i love this i can see scarayn in their lowk honeymoon phase and only wanting to release songs about each other or related to each other. like obviously the albums do well but the fans r like wow we miss scaras old style can he release smth different and scara fucks around and releases an album that’s the opposite themes of his usual happier songs centered around u and ppl think u both broke up for a few hours anyway i have more but ill save it for the end of the au so i don’t spoil too much

OMG YES I GET WHAT UR SAYING it reminds me of when ppl edit together hyyh yoonkook with their new mvs ,, another song i had a head canon about was close to you by gracie abrams and its a song one of them wrong about eo, maybe scara about yn and he releases it a while after the show and gets yn to be in the mv and it cuts between them two do u guys see the vision or do i sound insane

and ahh thank u!! im so glad u enjoyed and i’m always so flattered people have headcanons for my fic

[cherrytinz]

Hello, I really like your character and I’m curious do you have any story on your oc if so, I would love to hear it (:

Hello darling! First of all, thank you so much! It really makes me happy that people like my ocs! It really means a lot. Not to mention that I was generally surprised to see that so many liked Lucy's design! thanks yall! I was so happy to read those comments 🖤

And well, yeah! I want to write a fanfic with her so I have a few things planned. Lucy is an old oc frommmm 2019, but I decided to bring her back to life with a redising and all 🦇

Soooooo Lucy Fernby is a British girl who was born in 1975. Her parents are quite famous musical artists (especially her father) so she always had an approach to music. Actually, Lucy has absolute pitch and ease with some instruments, however she prefers to play the bass and write songs to cope with certain emotions that she doesn't know how to share. If I had to assign her a voice, I would say that she speaks like Gwen of Total Drama but with a British accent (although certainly Serena's voice from downtown is still an option lmao) , and when she sings it would sound like Mary Elizabeth McGlynn.

Even so, her parents (Emily, a goth singer and Luke, a rock band guitarist) got divorced when she was still a child. Her father returns to the USA but still tries to be as present in her life as possible. Despite this, due to a situation that Lucy does not want to talk about, they distance themselves when she is 14. I CLARIFY because I know it is very ambiguous, no, her father did not hurt her or anything, only Lucy keeps everything to herself.

Lucy had a lot of problems that affected her way of relating to others, both with people of her age and with her own parents. Due to a series of bad decisions she misses the school year and that's when her mother decides that it is best to send her to live with her father so that she can get away from "the toxic environment she is in."

(conclusion that Emily draws after brief questions that Lucy did not develop when she answering)

This is how Lucy ends up going to live with her father at the Addison Apartments because well, a rock star who lives in a town that no one knows = peace of mind and time which he can dedicate to his daughter and himself!

oh, another fun fact of her! A year before moving to the Addison Apartments, she had a platonic friend/crush named Meri with whom she lost connection. I mention this because Lucy has a tendency to isolate herself when something happens and simply end a relationship instead of fighting for it, which she did at the time with Sally and the rest of the gang, but she has learned to be more open about how she feels.

thanks for asking! just in case, if anyone is interested feel free to ask me anything abt my ocs or even if you want to know my headcanons of Sally Face (in this case bc im in others fandoms like BG3 and Gorillaz) I'm more than happy to share them 💖💖💖

[mangocallum]

just discovered ur acc, who's ur fav character? (and yeah, this is me asking for u to rant abt ur fav)

L A N C E !!!

Lance is my favourite!! For many reasons, but mostly because I relate to him on a lot of levels, mainly with

- self recognition issues, aka what happened when Lance doubted his skills as a paladin, and was thinking about stepping down.

I struggle with this, mostly as an artist, as I've seen my friends, and other people I know in life, have better skills, and most of the times doubting myself about my artist skills 😔 But I've gotten better at just focusing on my own art and in turn I felt like it helped me get better!!

- value in relationships, platonic, family, romantic even. I love how he values his relationships with the other paladins, about how he's always willing to take steps for others, comforting his friends, and always willing to step up as a person, even though he's cocky and can be full of himself (mostly in the earlier seasons) he's got a heart of gold underneath all that!!

Lance tends to put up this persona of himself being a "ladies man," the cocky flirt even. But there's so much more to his character than just that, he's not just the love interest, he tends to be the emotional support of others, a hard worker, he's also a pretty good well rounded character, he has his own flaws and insecurites, which help him become a better paladin throughout the show. Honestly, though, later, seasons mainly treat him as the "love interest," and I don't think that's really a way to describe him, as he's just SO much more than that!!

I love his dynamic with other characters, SO SO MUCH!

There's Hunk and Lance. They're basically best friends!! Best friends since the garrison, I love their moments together, even though it's not much, and mostly joking and small banter, but in the end they're really close friends who've always got eachothers backs, and knowing how close they are, makes them a really good team. They show their best values and bring out the best in each other!!

There's Pidge and Lance, who are more like a brother/sister duo, with Lance being like a second brother to Pidge. A moment that really stood out to me was Pidge dragging Lance along to help her find enough GAC to purchase a video game from the space mall, I love how Lance just simply went along with it, spending time with her as if she was his own sister, and in return, Pidge traded away a video game so that Allura could get a dress for her date with Lance, as Pidge knew how much this meant to him, even though she was reluctant at first!

Coran and Lance, having a father-son bond, similar to Shiro, being the guide for the paladins, acting as a father figure (space dad)

And then there's Keith and Lance, Keith and Lance, the "rivals" who compete for Np reason, who grow to accept eachother. A good example of acceptance shown between their bond is when the Black Lion had chosen Keith as the paladin, while at first, Lance was jealous, he learned to realise and proceeded to comfort Keith about his new position, showing that yes its going to he difficult, but he says to Keith that he is the one for the job, and gives him a fond look, stating that even though no one can replace Shiro, Keith can lead the team, and that he'll always be there with Keith. (Kinda cute as Lance sorta becomes his right hand man!) And the fact that Lance trusts Keith enough to get some words before his date with Allura, Lance going to Keith of all people when he was unsure about his place as a paladin, Lance even comforting Keith, and helping him during missions, being by his side, the jokes, the playful name calling. Everything, I love their dynamic!!

I love Lance as a character, sure, I'm still SUPER upset on how his life is after the events of the series, but in short, Lance, Lance McClain is my favourite vld character.

Literally the best sharpshooter ever !! ⬆️

[burningcheese-merchant]

Abt burning spice's kingdom interaction with nutmeg tiger when he says "this place it reminds me of the first kingdom i..." do you think he destroyed that kingdom? Or built it?

The fact that he shows regret and hesitation in that line is interesting...

Do you think he became what he is because he doesn't have anything left to lose?

This can perfectly foils Golden cheese's story, even after her kingdom got destroyed she eventually embraces that fact and process that emotions healthily

Sorry im just yapping here, i love me two character that perfectly foils each other while being more similiar than enyone else and form a weird ahh relationship balancing between romantic or wanting to kill each other

-🌾anon

I'm going to go ahead and say both. I think he built it AND destroyed it. In fact, I'm going to go a step further and specify that he accidentally destroyed it while trying to defend it from some invading force, thus making this the first real step down that dark path. Think of it: in a mad frenzy to protect something he loved, he destroyed it instead. He unwittingly became what he was fighting against, if only for a moment - and that moment would set many things in motion, each more terrible than the last, for not only has Burning Spice now come to truly know the bitter taste of loss and history's seemingly futile nature, it came to him in perhaps the worst way possible, and so left the most lasting impression. (Idk if what I tried to cook here came out of the oven right, but there was an attempt lol)

I 100% agree with the idea that Spice became who and what he is after succumbing to despair in the face of seemingly unending loss (I go into detail about it here, this is how I personally headcanon his descent into villainy), and that there is still a lingering sense of regret somewhere inside of his heart, even if small and not strong enough to influence him anymore. That dialogue he has with Nutmeg Tiger is what pushed me to want to analyze him and construct a possible background and motive for him, and later what inspired me to want to redeem not only him, but all five of the Beasts. The fact that he might have regrets is very interesting and very promising to me, and lends itself to the idea that, with time and the right guidance, he could perhaps... change (to keep with the theme haha).

And I also agree with you on him and Golden Cheese being perfect foils for one another (it's part of why I ship them so hard lol). They mirror each other SO well in my eyes. And in the face of the same exact loss, one folded while the other stood strong (although you can say that GC folded as well, at least for a while, before she realized the folly in her delusional grief and collected herself). Nothing lasts forever, that's true, but that doesn't make it meaningless - quite the opposite. It is the ephemeral nature of life that makes it beautiful and worthwhile. It's alright to be upset when something ends, but you can't let that define you. Everything ends eventually. Focus less on what's far ahead or what's far behind and focus more on what's in front of you right now. That's the lesson GC more or less learns, and it's the lesson BS needs to learn too, in my opinion. And I honestly think GC is the right one to help teach him that.

Sorry, I sort of spoiled the "Change" arc in my Reformed Beasts AU a little bit here lol. You really hit the nail on the head with your thoughts here and it prompted me to puke this word salad. Great minds lol

[astronomical-bagel]

I wanna hear you talk about chilchuck the most that sure is a guy ever

YAY I GET TO TALK ABOUT MY GUY THANK YOU BELOVED MUTUAL KYSOOT 

(Warning for lots of spoilers from chapter 30 of the manga (right after the red dragon))

Anyways fun fact! The thing that made chilchuck my favorite character was actually when he was trying to convince senshi to lie to the Laios and Marcille in order to get them to turn back and give up on finding falin. I made a whole post about it too, i LOVE cowards. I was reading in my car waiting my twin to get off work and i was screaming my head off the whole time because it was such a good revelation about his character.

And it’s not that i love scared guys (i do, absolutely, but chilchuck doesnt apply here), and its not that i love disloyal people (i also do, but once again, not the point), its the whole character arc where it goes:

1. Once he reaches a limit for how much danger he is willing to be in he will break any moral code of his to keep himself safe. He will lie, he will abandon his friends, whatever, so long as he makes it out alive. 

2. But THEN, he realizes that his want for safety isn’t just for himself, this time. He realizes that he wants his friends to survive as well. (and that he has gotten way more attached than what was in his job description)

(look how fond he is!!!! Look how fond he is!!!!!! Im banging my head on the wall AWUGHH!!!!)

So 3. He is forced to go against his own nature of secrecy and being reserved and has to tell the team outright that he doesn’t want them to die.there is just something sooo *vague waving of hands* about a guy who absolutely hates talking about his feelings being forced to do so auughhhh. And he did it to convince Laios to not be reckless and get himself killed!!!!

That entire chapter had such a good journey through chilchuck’s emotional state. From him beign 100% ready to trick them in order to turn around (even contemplating breaking marcille’s staff!), then reminiscing on the fun or brave moments that theyd just had, then remembering that he was mad at them for being idiots and doubling down on his decision. When talking to that orc woman (Leed), he was trying to convince himself that his actions were justified, not just her. 

And I also quite like the moment when Leed realizes that Chilchuck isn’t angry at the others for putting him in danger, but for putting themselves in danger. Chilchuck didn’t realize this himself yet! Him saying that he wished the others would give up, even when he was removed from the equation, makes Leed realize that he is unselfishly wanting them to turn back so that they would be safe.

And when she points this out, Chilchuck is absolutely gobsmacked and barely even talks for the rest of the trip because he’s too busy thinking over this revelation. Love a guy who keeps to himself being forced to reconcile with the fact that he has actual friends he cares about now. Look at him!! Hes so shocked he doesn't even know what do to with himself !!! I love him!!!

And also, another part i really liked abt this chapter is when chilchuck is trying to convince Laios to go back and he’s like “LISTEN i know you are absolutely terrified for your sister but I have THREE PEOPLE TO WORRY ABOUT AND IM NOT USED TO THAT IM GOING TO VOMIT” its just so silly and endearing to me because he really isn’t used to caring about so many people at once – he’s a reserved guy who has been living alone for multiple years! – and its just so important to me because he’s been forced to acknowledge that he cares about his team so hes like “if you guys put yourself in mORE danger im going to scream and cry and throw up SO YOU BETTER TURN BACK NOW PLEEEAASEE”

Anyways, chapter 30 was so well done and was an absolutely fascinating insight into his character and I was instantly obsessed. There’s a lot of other reasons why I like Chilchuck, but this chapter is the definitive reason why he’s my favorite. (I also just like seeing a guy when he’s terrified, sue me.)

[alciedoodles]

hi!! i saw your other post about how you simplify details and it was really helpful - was wondering if you had any tips abt drawing expressions/poses to express a story/emotions. like i saw your recent sumeru char doodles on twt and the way you draw alhaitham and hungover kaveh is so!!! ahh!! all of the lines feel really intentional, from the expressions to the fabric of the clothing and omg i love it so much. anyways sorry for rambling HAHA thank you sm for sharing your art! gl w art school 💪

Hello!

Thank you so much for the lovely words <3 it's really such a honor to hear that so many people consider my art to be very expressive, which I think is an essential skill to have for storytelling in comics!

First of all, I'd like to say this isn't something I can easily answer... you must already know there's no easy step-by-step guide on how to be "good" at art or expressions or whichever aspect you're trying to improve, the answer will always be observation and practice. However, I can tell you some of my methods I use to make sure emotions are conveyed as efficiently as possible(?). Here are the key points I always try to apply (note that these aren't rules, these are just my guiding points):

Understanding the character(s), the context, and how the two work together

Laying down a foundation

Not letting dialogue be the main driving force behind storytelling

Paneling conveys emotion too, actually

The absence of something can also convey emotion

You didn't specifically ask about comics, but since it's my favorite subject and it ties into your question, I'll be using a lot of examples from the comics I made! And it might interest other people who were curious?

VERY long post ahead :)

1. Understanding the character(s), the context, and how the two work together

This is what I think is the most fundamental part of storytelling! I mean, makes sense, right? Obviously you don't need a PhD in The Character to make stories based off them. I literally cannot tell you every detail about my favorite characters despite loving them very much, but I think understanding them and their relationships on a big-picture level is primordial. What drives them, what are their principles, what are their biggest fears, who do they make exceptions for, etc. Also, to me, understanding their relationships is sometimes more important than understanding the character at a molecular level. We can tell so much about someone just from the way they interact with specific people vs how they interact with strangers. The person I am online isn't the same I am with friends nor even with family-- like one of the reasons some characters can feel one-dimensional is because they don't show variation in their character throughout their relationships (and since you mentioned Kaveh and Alhaitham, I don't need to tell you the way both of them interact with each other is far removed from the way they interact with friends, strangers, etc... I think a lot of people forget who they are outside of their relationship, which a huge point of contention behind mischaracterization in fan works). I don't have much to say about this other than this is something I keep in mind every step of the way through.

2. Laying down a foundation

This is what the majority of my comics look like on second draft:

I said second because the first drafts usually look like this, which are barely comprehensible to anyone but myself:

The purpose of these are not only to give me a better guide for posing than whatever i did on the first draft (storyboard), but also have a first pass at motion and emotion. The expressions and gestures are legible enough that you can probably glean the emotions of each character based off the little sketches. Ultimately, some of the things I'll draft will end up adjusted, changed, expanded on or even removed.

This particular panel of Reigen is a favorite of mine, because the first pass already shows his confusion, but the final one is even more distorted because it felt like it needed to be even more accentuated.

This panel where he mansplains is also a good example, because the first pass gave him too much of an arrogant/uninterested look (notable with his upturned face), whereas Reigen is more likely to take pride in explaining something he knows to make himself look like a wise and mature figure (notable with his slight smirk and downturned face, as if nodding to himself; the hand is also slightly more forward as if inviting rather than dismissing). And since I basically made an example of it above: body language is super important! This applies for everyone. It doesn't stop at characters who make grand gestures and exaggerated poses every waking moment of their life, but also characters who are socially awkward, private, reclusive...

The posing here is intentionally stiff but not entirely closed off, giving the sense that he's earnest, tries his best to make connections , but also doesn't want to take too much space, thinking the smallest wrong move could cause trouble. Also, give room for the body to do its thing. Avoid cropping out things that shouldn't be cropped out. Leave enough room between the edges of the panel and the point of focus to emphasize what you want to emphasize. Close-up shots shouldn't be too frequent (in fact, personally I don't like doing close-up shots but it doesn't mean they're bad or shouldn't be done, again, my word isn't gospel!), especially if what you're conveying isn't too emotionally charged. Lastly, I have terrible news for people who hate drawing hands. Hands are possibly the second most expressive part of our body (if we don't count the body as a whole), so especially for your charismatic characters, you will very often want to use hands as a tool of expression.

(Think how much emotion and personality would be lost if the hands weren't there!)

3. Not letting dialogue be the main driving force behind storytelling

With my comics, I play an incredibly dangerous game called "I'll think of dialogue as I make the storyboard and then when I'm done drawing every page I'll write the dialogue over it guided solely by memory and whatever I drew". Don't do this. Have a script in hand or write it at the same time as you draft your storyboard. The reason I do this is because I'm lazy and I don't want to open a simple writing software to type down a script. Genuinely I have no other reasons. Anyway, the only advantage this gives to my comics is that they will generally be able to stand on their own without much dialogue; obviously dialogue is essential, but what I mean is that we don't need it to have a pretty accurate read on the room.

For example, if I remove all the dialogue from this page, you probably can't guess exactly what's being discussed. However, you can identify through their emotions alone that there is disbelief, bargaining, and finally a pretty devastating info was dropped. Alternatively, cutting down dialogue from your page and leaving room to expressions/body language alone can be entirely more beneficial than having any dialogue to begin with.

AKA Readers aren't stupid (some may be, but the majority can extrapolate just fine). You'll realize how much you don't need words and how your stories can be even more funny/impactful by pushing forward visual storytelling.

4. Paneling conveys emotion too, actually

Being a "good" artist isn't enough to make good comics. The way you panel things is extremely important, because it sets the tone, mood, pace, you name it. Some of the best works out there are the ones with the most care put into the flow of the comic. You need to understand how people will read it, and it starts with what order you deliver the information and how. This is paneling 101, but a page with irregularly shaped panels, multiple changing camera angles and such will be exponentially more dynamic than a page where each panel is the same size, have similar compositions and/or repetitions with little to no diagonal or curved lines of action.

The two examples above are WIPs from 2 different stories so unfortunately you'll have to make do with the rough sketches. That being said, you don't need to know the context of either pages to know the kind of emotion that should be felt through the paneling alone. Give time for the important emotions to be processed by the reader (unless it's intentionally fast-paced). Every emotion that needs to be emphasized should have its own panel.

In this example, I could easily have condensed these two panels into one by transferring the dialogue from the second into the first and jumping on to the next action. However, it would undeniably give much less impact to Kaveh's disbelief. On an inverse situation, sometimes you will want to condense two panels you made into one, because whatever those two panels are doing are perhaps not important enough to deserve separate panels! Lastly, you can notice that the space on the page is not always filled. Leaving space between each panel and/or between the edges of the page gives room for the reader to breathe and slows down the flow; and inversely, if you want to make the situation more frantic, make everything look more tight and constricted.

5. Not showing facial expressions sometimes conveys more emotion than doing so

This ties nicely to the point I made about body language. You don't need to see a character's face to know what they're going through, necessarily. Sometimes, their posture or their dialogue is enough. In my opinion, a story is more compelling when this equilibrium of facial expressions / body language / paneling / dialogue is correctly adjusted-- you will not need to have all the elements to convey the message or it could be a little overbearing. I don't have many examples for this one because they tend to be more relevant in dramatic scenarios, which I haven't done that many of.

(The first one is once again from a WIP)

And that's about it for my insane guide on comic-ing. I hope ANY of it made sense.

***

Here's a round up of extra tips, focused entirely on the drawing part which might be more of what you asked to begin with :'D

- That little line/wrinkle that adds so much character

Yall know what I'm talking about. In my opinion, too many artists are afraid of giving laugh lines/wrinkles because it makes their characters look older, except when it's to add those sexy sexy eyebags. I'm encouraging everyone to add them to their art little by little and see how much it can improve the expressiveness! Obviously, I don't use it everywhere, but it's a very effective way to make your expressions feel even more... well. expressive.

- Line of action

You've probably seen this picture going around before, from Preston Blair:

Although it's called line of action which implies action, this line is important even when the character isn't really in action.

You can gain a lot in expressiveness when you think of the body as one whole fluid instead of a sum of multiple disjointed parts. This is why drawing a very rough base comprised of only lines and circles can help figure out if the posing works before you start refining it.

On a different note, animation principles work very much in comics as well! I recommend looking up animation guides especially those that show how to make key poses.

- Shadows and/or color fill

This is one I will use quite often for different situations.

Shadows can immediately set a tone when they're used dramatically. For example, a shadow over a character's face can convey unease and/or evil intent.

On the other hand, I will use color fills for different purposes:

Differentiating ground layers

This can help with readability.

2. Conveying a certain mood

It can separate the character from the color of their background to give a sense of isolation, reflection, realization, being disconnected from their surroundings, etc...

- Don't be scared of using codes / tropes / archetypes

...As long as it benefits the narrative, of course. By codes / tropes / archetypes, I mean posing or expressions or visual effects that are universally understood and used for specific expressions. The semicircle sweatdrops and blush made with slashes are incredibly typical of manga/anime, but it doesn't mean they're bad! Visual effects are there to help remove the ambiguity of an expression considering a single expression without visual codes could convey multiple emotions!

- Find what inspires you and take notes!!!

In my case, what greatly shaped my art style to what it currently is: One Piece, the Ace Attorney series and Mob Psycho 100 (yes, I only watched the latter last year but it still managed to become a source of improvement/inspiration for my art even at my current level, because you'll never stop improving :) )

I hope this wasn't too long or too off-topic, and I hope it can also help other people who might be interested! Thank you for reading!

[kaiboone]

Freaky sciencewranglers can I get a hell yeah (nsfw headcanons under the cut MDNI)

All of them are switches, and it takes a long time for them to get around to exploring all the different possible dynamics between them, but everybody is 1000% willing to go at a slow pace that they’re all comfortable with

Kate’s favorite thing to do is get both her boys all worked up and begging by taking turns edging them, then making them play fight for dominance and fuck while she watches and gives them instructions. She enjoys the control it gives her, and she loves how eager to please they both are

Tyler’s favorite thing to do is manhandle his partners, picking them up and carrying them around, tossing them onto the bed, take Javi’s face in his hand and turn his head to make him make eye contact (even though he gets SO shy bottoming), stretching Kate in different positions, gently pushing both their limits and leaving them totally and completely satisfied

Javi’s favorite thing to do is submit. He’s not new to it, in fact he’s somewhat of a size king (Scott is HUNG but we can talk abt that in a different post), but every time he’s blushing and whining and crying like a virgin. Part of it is acting, because he likes to roleplay about Tyler taking away his innocence, Kate teaching him new things, etc etc, but a lot of it is also just shame. He still has a lot of self-hatred to unlearn, and that bleeds heavily into his sex life

Tyler is totally an exhibitionist, and while they never do anything outrageously risky, he really enjoys messing around in or against the truck when there’s no one around to catch them

Kate is really self conscious about her body, so she prefers to stay semi-clothed or in the dark when they do things. This only makes things all the more heartfelt when she’s introduced to the idea of body worship, though— it’s Javi’s idea, he’s been fantasizing about it regarding her for years, and it’s a very intimate thing that the two of them share

Tyler doesn’t really get as emotional about it, but he LOVES when Javi praises him. That’s the one thing that really gets to him. Javi likes to tease him about being self absorbed, but he just melts when the other man tells him he looks pretty.

Javi also has a huge thing for denial. They don’t do this very often, because it’s kind of a time commitment, but he owns a chastity cage and enjoys wearing it casually or while going down on either of his partners

Kate is surprised on their first time doing it all together; Javi’s dick is substantially larger than Tyler’s. Javi had been rather meek during their previous one on one encounters, while Tyler had been full of bravado, so she just assumed— turns out, you can’t really judge a book by its cover :P

Javi doesn’t often top because of this, actually. Neither Kate nor Tyler is very into pain, and they’re all so impatient that they never want to take the time to stretch out properly, so when Javi feels like being dominant he just does it in other ways

Tyler on the other hand is usually asked to put it in pretty much whenever possible. It’s the perfect size, not enough to hurt, just enough to hit the right spot

Tyler is so good at giving he’d it’s not even funny. Like, it gets annoying to Javi sometimes because he wishes he could be that good at it, and sometimes he complains lightheartedly abt this while Ty is lazily going down on him, but then he can hardly get another word out because it’s just so good when he’s really trying, and it’s embarrassing

Going into the relationship, Javi and Kate were not very experienced (both having had only one partner in the past), and Tyler really feels lucky to be the one to have so many new experiences with them

Should I write more of these for other ships/characters? I have a ton of ideas! ^_^ maybe I could even take requests hmmm