#(i am absolutely not good with horror)

[ender1821]

im a child of divorce

[melatien]

tiny yoichi (unwillingly) lures out soldiers by being his helplessness little self so his brother can strike

[shy-sapphic-ace]

Guys should I write a Dracula musical. Should I???

[naamahdarling]

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[bacchuschucklefuck]

i love your bard! riz au so much. he is so tragic as a character for all the reasons of what living in constant danger fear does to your mind. can i ask about his relationship with the other bad kids and the major differences vs canon?

hey I'm glad ur enjoying what's goin on here! I don't have a Lot of it clear in my mind yet bc it is a full class swap of the entire party so some stuff will just. not play out until they do yknow? it is how it is. but I think from the beginning riz's motivation is decently different so he'll just get into it on an entirely different path - he did Not start out a very kind kid. he would be extremely conflict avoidant, he's got the Actor feat, he's stocked up on Disguise Self, he's ready to disappear mid-conversation, anyone who looks like troubles he's steering Clear of. he goes to aguefort not because he wants to be an adventurer but because sklonda was like "this works for you?" and he was like "yeah 's all good :]" (he is about to throw up bc that's where penny went missing)

I'd say he runs into fabian (rogue) first very briefly and they'd mutually be like oh. a guy. and immediately forget each other once they get out of the same like locked classroom they accidentally both hid in. and then during the corn cutie fight fabian would see the way riz react and Not Like It (haha whoa. like looking in a mirror amirite) and go actually I'd rather be a hero (derogatory) than whatever that is that guy's got going on. great surprise for him when they got out and registration's closed and the mirror is now one of his partners in the career-long group project :]

kristen (sorcerer) would be an Insane encounter at first for riz like this is someone who is extremely powerful, not very controlled, and so fucking starved for people to be nice at. riz is cordial to her on the way and she is like Fuck Yeah Friend! please go do paperwork with me I don't know shit from fuck I haven't had proper paperwork since I was like twelve and gay. do you like candies? she then throws ragh through a window for trying to bully gorgug and netting her and gorgug the detention (riz is of course immediately someone else while this is happening) (he shows up again right after like haha sorry that was scary! resolutely not looking at how kristen's face falls at the idea of someone being scared of her again)

riz and gorgug (cleric) get on like house on fire at first in the sense that they're at that point both fake bitches and they know this about each other and acknowledge this with each other implicitly and they're like I'm not poking at what's going on with you if you don't poke at what's going on with me. and then gorgug dies and sees that the god he's been feeding his anger to isn't real (yet) and has his realization that he's been indoctrinated into a cult through the support group he's been to and starts on deprogramming and in that process he starts poking at riz's deal just by proxy of dealing with his own. riz gets vicious about this a bit into it but after the arcade he kinda comes around again. it helps that at the end of sophomore year gorgug becomes the saint of the Inbetween and riz is very much in need of that stop on his way right then

fig (barbarian) on the other hand does Not like riz off the bat (her whole thing is leaning into rage to live her truth without fear) but then being as perceptive as she is soon she's like ohhhh you're just scared. like Really scared and it's ruining your life. and after that she's like I'll just protect you then :] (this is her solution to most things her friends go through) this does not help at first bc riz has picked up the pattern that is if you're protective of him bad things will happen to you. he will have a breakdown about this in sophomore year but it'll get better from there

adaine (artificer) on the Other other hand just straight up doesn't like riz until after the arcade lol. he's on the prep side, he's not socially awkward and he doesn't use that power for anything but being a coward, he lets biz talk at him in the AV club and that means biz never stops fucking talking, and every time adaine raises a complaint all he does is being like "sorry :[" and changing nothing. it's fucked up between them riz tries to appease her by doing nice things but he doesn't address the things she actually complains about so she doesn't take it. she's the person who outright calls him out for not having the backbone to stand up for himself or his party. despite this she never thinks of throwing him out of the party and he does pick up on this. they get better after the arcade and riz apologizing and by junior year adaine's the one handling the tech end of riz's freelance publication

all of this is subjected to change of course I'm mostly keeping things mobile that's where all the fun is hehe. the world is constantly in motion etc but this is kinda how I'm coming into my art atm we'll simply see!

[empty-blog-for-lurking]

So i finally listened to The Magnus Protocol and uhh holy shit, yall mind if i

[The contents of this post has been deleted]

[dexter-erotoph]

i havent mentioned how unreasonably happy i am about this….. id say im like one of eyes’ biggest fans i love them so much

[mosstrades]

no one's doing it quite like Wrong Organ is doing it and thank god for that

[practically-an-x-man]

I'm really eager to start writing more for Spider and Vivienne because, being from horror movies, the tone of their pieces are a lot more pure horror and I'm eager to write it

[mossy-paws]

I have recently discovered SOMA has a fandom on tumblr and I don’t think my life has ever been more complete

[unproduciblesmackdown]

(genderly) chill as hell if i was only ever glimpsed / detected like this

[op3ra]

"whatever you do, don't go to the old railyard on the outskirts of town. there's something living out there, man. i swear i've seen it."

old design from mid 2023 under the cut

[deathwish-mp3]

what is even the point.

[nejackdaw]

Thinking about Celann and his ever present grief at the life he could have had, he and his wife and (he always hoped) their daughter. A life where he was a father--he'd hardly ever wanted anything more than that. So full of love he was ready to burst and needed somewhere to put it, wanted a life with his favorite girls.

Thinking about how the ever present desire haunts him no matter how deep he buried it. It keeps coming back, relentlessly, this anguish that he threw it all away. He could have had exactly what he wanted and he was stupid enough to abandon it all, and for what? Because he was upset? But then he always remembers how hollow he felt after the incident, like if you rapped him with a knuckle you'd hear he was just a shell. He forgives himself, then, remembers how wrong everything felt, and he thinks about all the time he spent desperately trying to make everything feel right again.

Remembers when he realized he was the problem, what needed to be fixed. Removed.

He abandoned the life he had and every dream he'd ever held close because he wasn't him anymore. Celann would never have killed anyone, would never have done... that. He was some other Celann, different, trying to make himself fit in the life of a man that no longer existed. And so he left.

And he has no right to ache so badly at the thought of what he gave up, no right to ache at the loss of a family (of two families, but he starts thinking that and breaks every time, so he's gotten good at simply skipping over the thought) when he was a killer--an adept one, a practiced one--that could mangle and maul and kill and do it again and again. What right does he have to still want that happy little dream?

But the dream is a ghost and it haunts him, is there every time he's out on a supply run and sees kids playing around the marketplace, sees women cradling infants and fathers carrying sons on their shoulders. (He reminds himself of the blood on his hands, is scared he might stain them with it if he reaches out to touch them.) It's there when he has a bag and his axe hanging from his hips and finds a girl crying for her mother, lost and separated, jostled by the crowd.

It's there as he calms her, kneeling on wet and gritty stone, hovering between her and the flow of the crowd so they give her space. He lifts her and holds her against his side with one arm and something in him weeps, feels something soft in him as her tiny weight settles and she starts chattering at him about the groceries she and her mother came to buy.

They weave their way through the marketplace as they help each other--she tells him where he can find what he needs, and he silently curses the nords and their height as he tries to peer over shoulders to catch a glimpse of the woman she described--and that cold weight that's usually settled in his chest, his grief and remorse, lightens with every step. She's warm through his sweater and splutters indignantly every time the ever changing wind blows her brown hair into her mouth and he laughs, quiet and warm.

They check places she's already been, in case her mother doubled back looking for her, and take detours so Celann can fumble to place newly acquired groceries in the bag beneath her, unwilling to hold her over the side with his axe and equally unwilling to put her down, awkwardly shifting her weight as she laughs at him. He's silly for buying such expensive things, she tells him, and he light heartedly tells her Skyrim is silly for not having the things he used to use in High Rock. The revelation he hasn't always lived in Skyrim excites her to no end, and the rest of the trip is a Q&A of the sort only a small child can provide.

He feels warm inside, in his chest, where usually he feels vaguely cold at best, and for a moment he's reluctant to relinquish her when they finally find her mother, guided by the sounds of panicked calls of her name. There's a fond sadness as he sets her down on the stones again, and the woman looks at him oddly for a moment before the look turns knowing, though he's sure the conclusion she reached is slightly off.

She quietly asks if her daughter reminds him of her. He stands there silently for a moment, looking down at the little girl as she rifles through the things her mother's found.

He tells her yes.

[lmaster37]

if you can, i highly encourage you to interact with fan artists of all formats, including fic authors, because even apart from that being really really nice for the artists, it's also good for you on a personal/selfish level !! it's a win-win situation !!

because let me tell you, there's a rush like no other when you finally get your shit together and comment on a fic that you've been rereading for years and the author responds (!) and tells you "That is an incredibly high compliment" (!!) and gives you a bit of insight into how they conceptualise the character (!!!) . like. oh my god i'm doing it i'm getting a good grade in Fandom

(engaging with fan art of all formats will also greatly increase fan artists' energy + desire to continue doing fan art, which, again, win-win situation !!)

[avocado62524]