#(he hasn’t but you understand)

[gayeddie-saved-me]

can’t stop thinking about a post-canon arthur returns fic where instead of walking out of the lake, merlin stumbles upon arthur in the exact same way he did originally. arthur (who doesn’t remember his previous life at all at this point) is like 18, bullying a kid on the basketball court or something and merlin instinctively steps up to protect the kid. repeating the exact words without intending to, thousands of years later

“that’s enough. you’ve had your fun my friend.”

and arthur finally turns around, and says “do i know you?”

and merlin feels the entire world stop as he stares face to face with arthur pendragon again

[fellsoleander]

oh nothing just thinking about that period between xvii and xviii where flint wakes up alone in a cell, his partner’s blood drying on his face, and realizes with a terrible clarity that nothing will be the same ever again

[skelecentral]

what if Y/N could see Dust San's Papyrus & like ghosts & spirit's in general

They’re gossip buddies 🥰

When Papyrus finds out that you can see him, he’s elated to finally have someone new to talk to - don’t get him wrong, he loves his brother! But his interactions with Dust have been his only interactions for years at this point, so having someone new to dialogue with is like finding water in a desert. A very sock-filled, dusty desert. He wants to talk about anything and everything, desperate for any form of contact, and as a result he’ll probably come off as a bit intense at first; he evens out a little as time goes on and he settles into the new norm, though. He’s glad he can talk to you about what he’s experienced and all of the batshit things he’s seen as a spectator - gossip buddies!

He also likes to give you advice, especially related to his brother. He thinks you’re good for him, and knows he likes you, but he worries about what Dust will be like as a partner. He understands completely how unstable Dust is and doesn’t want you getting caught in a bad situation or some sort of crossfire, both because he’s desperate for company and because of his integrity and value system.

In the end, he decides that the best course of action is to help his brother become an Acceptable Datemate and to be there for you if you need any help or advice or encouragement relating to his brother (or anything else, really - he prides himself on being the best friend anyone could ask for, and what kind of friend would he be if he didn’t help you in your time of need even if it didn’t have to do with his plans? It’s all he’s good for at this point, anyways - it’s not like he could make any other sort of difference…but nevermind that! Moping won’t help anyone!)

I’d say that in the end, most Y/Ns would end up being pretty good friends with Papyrus - especially if they were living in Nightmare’s castle for any reason, but also just in general. Dust is silently happy Papyrus is happy, and finds a lot of joy in that you two get along - despite their damaged relationship, the brothers still care for each other deeply, and that comes out in a lot of their actions. I could see Y/N being really good for their relationship as well and perhaps even acting as a catalyst for healing it :)

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[brain-works]

this literally exemplifies everything that we’ve been saying. Lando hasn’t done a single thing to be this disliked except be himself, and if that’s that much of a problem to people then they should have a much bigger issue with many other drivers with even bigger personalities. this amount of hate is not normal. you want drivers to have personality, but you hate the ones that are true to themselves.

wish I could say I was surprised.

the link if you’re so inclined to go vote

(poll #16 might surprise you…not)

[foxgloveinspace]

People jumping ship cause of the new masks is very ahhhh. Telling. Tbh.

[laniusbignaturals]

ceasar is a beached whale with a several metere long penis

Four months ago you people were presented with a single piece of line art where Caesar had his yams out and took it as tacit approval to gushingly reveal by the dozens that you’d actually really wanted to have Lukewarm Geriatric Summer with a heavyset bald bastard for some time now, but had all simultaneously agreed to keep it on the dl with no coordination whatsoever, out of the collective fear that someone somewhere would give you stink eye for it.

My question is, who else? Who else do a couple hundred of you actually really want to act out an elaborate overstimulation scene with, even though you think it would gauche to say so out loud? We eating Salt Upon Wounds’ ass out next? Would pussy fix Father Elijah?

[angelnumber27]

It’s so embarrassing and heartbreaking being in so much pain over losing someone while knowing they don’t give a fuck if you live or die. Your favorite person becoming a stranger is a special kind of hell.

[opheliasam]

what is spn about if not humanising the monster (people who do objectively violent and wrongful Things) vs. villainising the humane (people who are labelled inherently wrong and sinful and therefore mistrusted and ostracised again and again . Regardless of what they do. they are not granted the grace of mistakes, or imperfections—they are held to a standard of ideality so strict it’s disturbingly cruel. Every thing they do Has to be about making up for what they are. The only way they r accepted is if they accept this rhetoric and use it to self-flagellate and overcompensate and beat themselves up again and again—)

[jasontoddenthusiastt]

I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.

Oh my goodness gracious I’ve been bamboozled

Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.

He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?

Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).

And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).

Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.

Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.

[181kmh]

this is kinda fucked but i don’t think logan has personally touched his socials in a really long time purely because he totally would’ve posted about the panthers being in the finals by now

[dilfdoney]

“i hate gale he is so egotistical and full of himself—“ it is explicitly stated in game that gale genuinely believes the world would be better off if he was dead.

[thewingedwolf]

deeply annoying when people say quinn would target leah over her not reciprocating his crush, he already knows that and he’s known it for weeks. i think people are being overdramatic about leah, i think it’s certainly a,,, idk mean strategy to just gaslight him about how she hasn’t been consistently talking shit about him, exaggerating what he says to make him seem worse, and saying she’s gonna nominate him, but like…so is the rat game quinn was trying to play, so is blindsiding people, like it’s a mean game, there’s a reason most people need therapy after this game even during seasons where nothing Genuinely Awful happened.

but targeting her Specifically bc she doesn’t return his crush IS douchey, and it’s also Not what he’s doing or would do if he found out what she’s been saying bc again he already knows she isn’t interested in him romantically. what he doesn’t know is that she has no interest in working with him & seems to dislike him enough that she doesn’t even want to be in jury with him. i don’t think either of them have done anything wrong, they just don’t vibe the way turner & jasmine didn’t or the way bowie jane didn’t vibe with the rest of bbb, and “we don’t vibe” is a perfectly legitimate reason for them to be targeting each other, you don’t want your fucking opps in the jury now do you??

[sunnnfish]

The fucking uh. Moments Hirano remembers that oh. Kagi loves him. Like. Loves him. Romantically and all. He doesn’t remember it often nor does he put much thought into it. But like. In moments like that ten second touch when Kagi takes both his hands and bows I have to wonder if Hirano thinks oh. This is something deeper than I understand right now. But he is trying to understand. He wants to understand. Love is a conscious effort and I think Hirano wants to love Kagi. Above all Hirano wants to make Kagi happy and if he has to love him to do that then he will and is that not already love. Is that not already love.

[carefulfears]

do you have a headcanon of when mulder caught feelings for scully? i’m on the same page w you that scully has had it bad since day one, but i can never make up my mind about mulder

yeah i’ve always said that i think he was aware of the connection between them since her abduction, but i think specifically 3.

ascension is very frantic, it’s rooted in so much trauma and desperation. very few moments are about scully, as a person, really. it’s about getting there in time. it’s about rewriting history. it’s about failure, and standing alone in the end.

in 3, he is surrounded in her absence. her badge. her file, marked with her name. her necklace, which he slips around his own neck, carries with him.

dana scully was farrrrr gone from day one, humming against him in the rain and telling her friends how cute he is, but mulder is more single-minded.

he’s so very fond of her, in the beginning. he knocks on her door to invite her on his run, when he knows she’s just supposed to be discrediting him. he lowers himself beneath her every time he has bad news or a vulnerable conversation. he says “dana,” softly, and checks in on how she’s doing. he believes she’ll be head of the bureau someday.

so much of that is just who he is (trusting, passionate, kind), and she’s the only person who has ever valued that, taken him seriously.

but he’s also internalizing who she is, the consistency and the curiosity and the quiet intensity.

that moment in the rain, before she laughs, before she asks where they’re going and follows: he says “you think i’m crazy,” and turns away. it’s the first time in the series (and remains rare) where you can see that there is a weight to it all. he plays into being “spooky mulder,” but part of him is really disappointed to think that this new partner won’t believe him either.

she thinks about what he said, and she meets him on his level. she questions it, she combats it, she adds to it.

when they both burst out laughing, it’s in pure joy and excitement. it’s the moment that spurs the rest of their lives.

that means a lot to him, to be listened to. to be held to a standard, not just dismissed.

but mulder only knows how to conceptualize love in absence, in the search, so when he’s left listening to her scream: he knows. it feels like the worst thing that could ever happen, because it feels like his closest person disappearing, and that’s the experience he’s most familiar with and enmeshed in.

i believe there’s a script note in ascension that mentions that he’s doubting if he had failed his “closest friend.” it’s the loss being so great, so unbearable, that makes it unavoidable.

(thinking of him smiling at diana, telling her, “i’ve done alright without you.”)

i see a lot of people describe msr as a “fell first/fell harder” trope, but i think most things just hit mulder harder. it’s their natures.

but by the time he hangs her cross around his neck, by the time he abandons the truth to sit and hold her hand, he knows.

[crowcryptid]

I don’t know who is responsible for this cause it sure as hell wasn’t me but my little cousin is watching halo music videos on YouTube