#(because I'm still a beginner and I have no expectations of myself)

[raven-master]

Only 5% of college students with ADHD graduate. A statistic that's disheartening on my good days and terrifying on my bad ones. Still, I know that I (and many others!) have so, so much to offer in my field of work once I get past all the hurdles of getting a higher education.

Hang in there, fellow ADHD students, I see you and I love you.

[tofupixel]

⭐ So you want to learn pixel art? ⭐

🔹 Part 1 of ??? - The Basics!

Hello, my name is Tofu and I'm a professional pixel artist. I have been supporting myself with freelance pixel art since 2020, when I was let go from my job during the pandemic.

My progress, from 2017 to 2024. IMO the only thing that really matters is time and effort, not some kind of natural talent for art.

This guide will not be comprehensive, as nobody should be expected to read allat. Instead I will lean heavily on my own experience, and share what worked for me, so take everything with a grain of salt. This is a guide, not a tutorial. Cheers!

🔹 Do I need money?

NO!!! Pixel art is one of the most accessible mediums out there.

I still use a mouse because I prefer it to a tablet! You won't be at any disadvantage here if you can't afford the best hardware or software.

Because our canvases are typically very small, you don't need a good PC to run a good brush engine or anything like that.

✨Did you know? One of the most skilled and beloved pixel artists uses MS PAINT! Wow!!

🔹 What software should I use?

Here are some of the most popular programs I see my friends and peers using. Stars show how much I recommend the software for beginners! ⭐

💰 Paid options:

⭐⭐⭐ Aseprite (for PC) - $19.99

This is what I and many other pixel artists use. You may find when applying to jobs that they require some knowledge of Aseprite. Since it has become so popular, companies like that you can swap raw files between artists.

Aseprite is amazingly customizable, with custom skins, scripts and extensions on Itch.io, both free and paid.

If you have ever used any art software before, it has most of the same features and should feel fairly familiar to use. It features a robust animation suite and a tilemap feature, which have saved me thousands of hours of labour in my work. The software is also being updated all the time, and the developers listen to the users. I really recommend Aseprite!

⭐ Photoshop (for PC) - Monthly $$

A decent option for those who already are used to the PS interface. Requires some setup to get it ready for pixel-perfect art, but there are plenty of tutorials for doing so.

Animation is also much more tedious on PS which you may want to consider before investing time!

⭐⭐ ProMotion NG (for PC) - $19.00

An advanced and powerful software which has many features Aseprite does not, including Colour Cycling and animated tiles.

⭐⭐⭐ Pixquare (for iOS) - $7.99 - $19.99 (30% off with code 'tofu'!!)

Probably the best app available for iPad users, in active development, with new features added all the time.

Look! My buddy Jon recommends it highly, and uses it often.

One cool thing about Pixquare is that it takes Aseprite raw files! Many of my friends use it to work on the same project, both in their office and on the go.

⭐ Procreate (for iOS) - $12.99

If you have access to Procreate already, it's a decent option to get used to doing pixel art. It does however require some setup. Artist Pixebo is famously using Procreate, and they have tutorials of their own if you want to learn.

⭐⭐ ReSprite iOS and Android. (free trial, but:) $19.99 premium or $$ monthly

ReSprite is VERY similar in terms of UI to Aseprite, so I can recommend it. They just launched their Android release!

🆓 Free options:

⭐⭐⭐ Libresprite (for PC)

Libresprite is an alternative to Aseprite. It is very, very similar, to the point where documentation for Aseprite will be helpful to Libresprite users.

⭐⭐ Pixilart (for PC and mobile)

A free in-browser app, and also a mobile app! It is tied to the website Pixilart, where artists upload and share their work. A good option for those also looking to get involved in a community.

⭐⭐ Dotpict (for mobile)

Dotpict is similar to Pixilart, with a mobile app tied to a website, but it's a Japanese service. Did you know that in Japanese, pixel art is called 'Dot Art'? Dotpict can be a great way to connect with a different community of pixel artists! They also have prompts and challenges often.

🔹 So I got my software, now what?

◽Nice! Now it's time for the basics of pixel art.

❗ WAIT ❗ Before this section, I want to add a little disclaimer. All of these rules/guidelines can be broken at will, and some 'no-nos' can look amazing when done intentionally.

The pixel-art fundamentals can be exceedingly helpful to new artists, who may feel lost or overwhelmed by choice. But if you feel they restrict you too harshly, don't force yourself! At the end of the day it's your art, and you shouldn't try to contort yourself into what people think a pixel artist 'should be'. What matters is your own artistic expression. 💕👍

◽Phew! With that out of the way...

🔸"The Rules"

There are few hard 'rules' of pixel art, mostly about scaling and exporting. Some of these things will frequently trip up newbies if they aren't aware, and are easy to overlook.

🔹Scaling method

There are a couple ways of scaling your art. The default in most art programs, and the entire internet, is Bi-linear scaling, which usually works out fine for most purposes. But as pixel artists, we need a different method.

Both are scaled up x10. See the difference?

On the left is scaled using Bilinear, and on the right is using Nearest-Neighbor. We love seeing those pixels stay crisp and clean, so we use nearest-neighbor. 

(Most pixel-art programs have nearest-neighbor enabled by default! So this may not apply to you, but it's important to know.)

🔹Mixels

Mixels are when there are different (mixed) pixel sizes in the same image.

Here I have scaled up my art- the left is 200%, and the right is 150%. Yuck!

As we can see, the "pixel" sizes end up different. We generally try to scale our work by multiples of 100 - 200%, 300% etc. rather than 150%. At larger scales however, the minute differences in pixel sizes are hardly noticeable!

Mixels are also sometimes seen when an artist scales up their work, then continues drawing on it with a 1 pixel brush.

Many would say that this is not great looking! This type of pixels can be indicative of a beginner artist. But there are plenty of creative pixel artists out there who mixels intentionally, making something modern and cool.

🔹Saving Your Files

We usually save our still images as .PNGs as they don’t create any JPEG artifacts or loss of quality. It's a little hard to see here, but there are some artifacts, and it looks a little blurry. It also makes the art very hard to work with if we are importing a JPEG.

For animations .GIF is good, but be careful of the 256 colour limit. Try to avoid using too many blending mode layers or gradients when working with animations. If you aren’t careful, your animation could flash afterwards, as the .GIF tries to reduce colours wherever it can. It doesn’t look great!

Here's an old piece from 2021 where I experienced .GIF lossiness, because I used gradients and transparency, resulting in way too many colours.

🔹Pixel Art Fundamentals - Techniques and Jargon

❗❗Confused about Jaggies? Anti-Aliasing? Banding? Dithering? THIS THREAD is for you❗❗

As far as I'm concerned, this is THE tutorial of all time for understanding pixel art. These are techniques created and named by the community of people who actually put the list together, some of the best pixel artists alive currently. Please read it!!

🔸How To Learn

Okay, so you have your software, and you're all ready to start. But maybe you need some more guidance? Try these tutorials and resources! It can be helpful to work along with a tutorial until you build your confidence up.

⭐⭐ Pixel Logic (A Digital Book) - $10 A very comprehensive visual guide book by a very skilled and established artist in the industry. I own a copy myself.

⭐⭐⭐ StudioMiniBoss - free A collection of visual tutorials, by the artist that worked on Celeste! When starting out, if I got stuck, I would go and scour his tutorials and see how he did it.

⭐ Lospec Tutorials - free A very large collection of various tutorials from all over the internet. There is a lot to sift through here if you have the time.

⭐⭐⭐ Cyangmou's Tutorials - free (tipping optional) Cyangmou is one of the most respected and accomplished modern pixel artists, and he has amassed a HUGE collection of free and incredibly well-educated visual tutorials. He also hosts an educational stream every week on Twitch called 'pixelart for beginners'.

⭐⭐⭐ Youtube Tutorials - free There are hundreds, if not thousands of tutorials on YouTube, but it can be tricky to find the good ones. My personal recommendations are MortMort, Brandon, and AdamCYounis- these guys really know what they're talking about!

🔸 How to choose a canvas size

When looking at pixel art turorials, we may see people suggest things like 16x16, 32x32 and 64x64. These are standard sizes for pixel art games with tiles. However, if you're just making a drawing, you don't necessarily need to use a standard canvas size like that.

What I like to think about when choosing a canvas size for my illustrations is 'what features do I think it is important to represent?' And make my canvas as small as possible, while still leaving room for my most important elements.

Imagine I have characters in a scene like this:

I made my canvas as small as possible (232 x 314), but just big enough to represent the features and have them be recognizable (it's Good Omens fanart 😤)!! If I had made it any bigger, I would be working on it for ever, due to how much more foliage I would have to render.

If you want to do an illustration and you're not sure, just start at somewhere around 100x100 - 200x200 and go from there.

It's perfectly okay to crop your canvas, or scale it up, or crunch your art down at any point if you think you need a different size. I do it all the time! It only takes a bit of cleanup to get you back to where you were.

🔸Where To Post

Outside of just regular socials, Twitter, Tumblr, Deviantart, Instagram etc, there are a few places that lean more towards pixel art that you might not have heard of.

⭐ Lospec Lospec is a low-res focused art website. Some pieces get given a 'monthly masterpiece' award. Not incredibly active, but I believe there are more features being added often.

⭐⭐ Pixilart Pixilart is a very popular pixel art community, with an app tied to it. The community tends to lean on the young side, so this is a low-pressure place to post with an relaxed vibe.

⭐⭐ Pixeljoint Pixeljoint is one of the big, old-school pixel art websites. You can only upload your art unscaled (1x) because there is a built-in zoom viewer. It has a bit of a reputation for being elitist (back in the 00s it was), but in my experience it's not like that any more. This is a fine place for a pixel artist to post if they are really interested in learning, and the history. The Hall of Fame has some of the most famous / impressive pixel art pieces that paved the way for the work we are doing today.

⭐⭐⭐ Cafe Dot Cafe Dot is my art server so I'm a little biased here. 🍵 It was created during the recent social media turbulence. We wanted a place to post art with no algorithms, and no NFT or AI chuds. We have a heavy no-self-promotion rule, and are more interested in community than skill or exclusivity. The other thing is that we have some kind of verification system- you must apply to be a Creator before you can post in the Art feed, or use voice. This helps combat the people who just want to self-promo and dip, or cause trouble, as well as weed out AI/NFT people. Until then, you are still welcome to post in any of the threads or channels. There is a lot to do in Cafe Dot. I host events weekly, so check the threads!

⭐⭐/r/pixelart The pixel art subreddit is pretty active! I've also heard some of my friends found work through posting here, so it's worth a try if you're looking. However, it is still Reddit- so if you're sensitive to rude people, or criticism you didn't ask for, you may want to avoid this one. Lol

🔸 Where To Find Work

You need money? I got you! As someone who mostly gets scouted on social media, I can share a few tips with you:

Put your email / portfolio in your bio Recruiters don't have all that much time to find artists, make it as easy as possible for someone to find your important information!

Clean up your profile If your profile feed is all full of memes, most people will just tab out rather than sift through. Doesn't apply as much to Tumblr if you have an art tag people can look at.

Post regularly, and repost Activity beats everything in the social media game. It's like rolling the dice, and the more you post the more chances you have. You have to have no shame, it's all business baby

Outside of just posting regularly and hoping people reach out to you, it can be hard to know where to look. Here are a few places you can sign up to and post around on.

/r/INAT INAT (I Need A Team) is a subreddit for finding a team to work with. You can post your portfolio here, or browse for people who need artists.

/r/GameDevClassifieds Same as above, but specifically for game-related projects.

Remote Game Jobs / Work With Indies Like Indeed but for game jobs. Browse them often, or get email notifications.

VGen VGen is a website specifically for commissions. You need a code from another verified artist before you can upgrade your account and sell, so ask around on social media or ask your friends. Once your account is upgraded, you can make a 'menu' of services people can purchase, and they send you an offer which you are able to accept, decline, or counter.

The evil websites of doom: Fiverr and Upwork I don't recommend them!! They take a big cut of your profit, and the sites are teeming with NFT and AI people hoping to make a quick buck. The site is also extremely oversaturated and competitive, resulting in a race to the bottom (the cheapest, the fastest, doing the most for the least). Imagine the kind of clients who go to these websites, looking for the cheapest option. But if you're really desperate...

🔸 Community

I do really recommend getting involved in a community. Finding like-minded friends can help you stay motivated to keep drawing. One day, those friends you met when you were just starting out may become your peers in the industry. Making friends is a game changer!

Discord servers Nowadays, the forums of old are mostly abandoned, and people split off into many different servers. Cafe Dot, Pixel Art Discord (PAD), and if you can stomach scrolling past all the AI slop, you can browse Discord servers here.

Twitch Streams Twitch has kind of a bad reputation for being home to some of the more edgy gamers online, but the pixel art community is extremely welcoming and inclusive. Some of the people I met on Twitch are my friends to this day, and we've even worked together on different projects! Browse pixel art streams here, or follow some I recommend: NickWoz, JDZombi, CupOhJoe, GrayLure, LumpyTouch, FrankiePixelShow, MortMort, Sodor, NateyCakes, NyuraKim, ShinySeabass, I could go on for ever really... There are a lot of good eggs on Pixel Art Twitch.

🔸 Other Helpful Websites

Palettes Lospec has a huge collection of user-made palettes, for any artist who has trouble choosing their colours, or just wants to try something fun. Rejected Palettes is full of palettes that didn't quite make it onto Lospec, ran by people who believe there are no bad colours.

The Spriters Resource TSR is an incredible website where users can upload spritesheets and tilesets from games. You can browse for your favourite childhood game, and see how they made it! This website has helped me so much in understanding how game assets come together in a scene.

VGMaps Similar to the above, except there are entire maps laid out how they would be played. This is incredible if you have to do level design, or for mocking up a scene for fun.

Game UI Database Not pixel-art specific, but UI is a very challenging part of graphics, so this site can be a game-changer for finding good references!

Retronator A digital newspaper for pixel-art lovers! New game releases, tutorials, and artworks!

Itch.io A website where people can upload, games, assets, tools... An amazing hub for game devs and game fans alike. A few of my favourite tools: Tiled, PICO-8, Pixel Composer, Juice FX, Magic Pencil for Aseprite

🔸 The End?

This is just part 1 for now, so please drop me a follow to see any more guides I release in the future. I plan on doing some writeups on how I choose colours, how to practise, and more!

I'm not an expert by any means, but everything I did to get to where I am is outlined in this guide. Pixel art is my passion, my job and my hobby! I want pixel art to be recognized everywhere as an art-form, a medium of its own outside of game-art or computer graphics!

This guide took me a long time, and took a lot of research and experience. Consider following me or supporting me if you are feeling generous.

And good luck to all the fledgling pixel artists, I hope you'll continue and have fun. I hope my guide helped you, and don't hesitate to send me an ask if you have any questions! 💕

My other tutorials (so far): How to draw Simple Grass for a game Hue Shifting

[sanzaibian]

I'm loving the stories! I'm heading to Mexico in a few weeks with work, but hoping to immerse myself in the culture a bit. Can you help me out?

You find yourself in front of your local Spanish-language association. You thought that taking a few classes in Spanish would help you recover some of the long forgotten classes you took in high school… though in all honesty, it won’t likely do much. You’re quite old, now, so it means that your brain cannot learn new languages as easily as it used to...

As you enter, you see the Mexican flag front and center, along with flags of many other Latin American countries, as well as that of Spain. You walk up to the receptionist, and she tells you, directly in Spanish :

“¡Bienvenidos! ¿Cuál es el motivo de usted venida? (Welcome ! What is the reason you came here ?) - Er…” You try to conjure some of the very old memories, and only manage a “Hola !” Before going back to English. “I’m sorry, I don’t really know Spanish… I’m here to take classes, in fact.”

The receptionist nods, and thinks a bit before taking out a timetable.

“Okay, well, you see, I have a... beginner’s course of Spanish in a few hours… It’s not perfect because they already started in January, but I think you can still catch up if you work hard enough.” She says, with a perfect American accent. She is visibly bilingual. - Oh, in a few hours ?”

You are quite interested, considering that you did want some beginner-level courses, but in a few hours… That’s too short to just go back home and come back later, but that’s also too long to just stay here and wait without getting bored !

The receptionist notices your embarrassment.

“You know, we are also a place where Spanish learners and native speakers can hang out. If you want, you can go to the hangout room while waiting ?” She offers sympathetically. - Well yeah, I could do that.” You nod. It may be geared towards more hard-core learners, but you can always try to immerse yourself…

You go to the room she waves you to. It isn’t loud, but there’s quite a lot of people in it, all speaking Spanish. You go and find somewhere to sit, when, on your way, someone hails you.

“¡Hola! ¿Cómo te llamas? (Hello ! (...) ?)”

Your long-buried memories start churning, as you recognize the second sentence as meaning something like “What’s your name ?”. You think a while, and then, flash of brilliance.

“Me llamo Charlie.” You answer, giving out your name in the most American of accents.

Your conversation partner smiles, and speaks quite slowly to let you understand what he means.

“¿Cuántos años tiene?” You understand the sentence to mean ‘How old are you ?’ - Er… Soy… cuarenta y dos… años ?” You try, but he shakes his head. - No, ¡es ‘Tengo ventidós’ o ‘Tengo ventidós años’!”

You blush of embarrassment as he corrects you. Yes, you now remember that to mean “I am x years old” you say “Tengo x (años)”… you even remember the worksheets from way back when… Huh, it seems like it was less far of a memory than you thought.

“Lo siento…” You excuse yourself with sentence that came back strangely fast. - ¡Jajaja!” He laughs. “¡No te preocupes! ¡Hablar español es difícil! (Don’t worry ! Speaking Spanish is difficult !)”

You are surprised how easy it is to understand him. Visibly, you had more memories than you expected ! Then, that guy continues.

“¿De dónde es? (Where are you from ?) - Soy de… Mexico… Nuevo Mexico. (I’m from… Mexico… New Mexico.)”

You almost stumbled on yourself. There seems to be something wrong with that statement. You know you’re American, but something seems wrong…

“Ah, de... ¿Nuevo México? Pero tu acento no suena asi… (Ah, from… New Mexico ? But your accent doesn’t seem like it comes from there...) - Si, es verdad… (Yes, it’s true...)” You’re about to tell him that it’s because you’re American, but then you say : “La gente dice que tengo un acento de la Ciudad de Mexico. Sabes, Mexihco Hueyaltepetl. (People say that I have an accent from Mexico City. You know, Mexihco Hueyaltepetl (?).)”

Wait, why do people say that ? You never went to Mexico City ! Okay, yes, you did go there for the holidays, after all, your father lives there… Wait, your parents aren’t separated !

You get more and more confused as multiple versions of your history start competing with each other.

“¡Ah, tenía razón! Puedo verlo en tu cara que eres… eh… ¿mexiqueño? (Ah, I was right ! I can see by your face that you are… er… from Mexico City ?) - ¡Jajaja!” You laugh. “¡No se dice ‘mexiqueño’! ¡Se dice capitalino, o chilango si estás familiarizado! (You don’t say “Mexiqueño” ! You say “Capitalino”, or “Chilango” if you’re familiar !)” You don’t quite know where this knowledge comes from. It seems like something only locals would know… - Perdón, soy chileno, no lo sabía… (Sorry, I’m Chilean, I didn’t know...)”

You smile at him. Of course, he couldn’t know that, you’re familiar with these terms because you’re a Chilango through and through ! Born in the city, lived in the city ! Yet you furrow your brows, as something still feels off.

Somehow, you’re convinced that you’re American, even though it seems to be a more and more distant fact. Well, when you look down and see those tan arms, you know that you aren’t, like, a total gringo, you’re at least part Latino…

“¿Cómo es la vida allá? (How is life there ?)” The Chilean guy asks you, a torrent of memories coming back (?) to you. - ¡Es complicado de describir! Pero México es muy dinámico, ¡entonces siempre es interesante! (It’s difficult to describe ! But Mexico is very dynamic, so it’s always interesting !)” You think back to how frantic life is over there… and how much you love that. “Especialmente comparado con aquí, parece que esta citudad está muerta… ¡En México siempre hay un xochitzin con el que te puedes topar! (Especially when compared to here, this city seems dead… In Mexico, there’s always an xochitzin (?) you can run into !)”

As the Chilean nods, you keep getting quite confused. You know you’re from Mexico City, you know you’re American, yet somehow there is like… a piece of the puzzle missing. You keep on thinking strange words like “Mexihco Hueyaltepetl” or “ihni”, and you know it’s not Spanish, nor English – not that you would know too much of that language.

You continue thinking as your body starts feeling strange, as you feel it shifting. You put your hand on your forehead and sense your wrinkles relaxing. You feel quite queasy…

“¿Estás bien? (Are you alright ?) - Me siento un poco mareada… (I feel a bit dizzy…) - Sólo tienes que ir al baño. ¿Quieres que te ayude? (Just go to the toilets. You want me to help ?) - No, estará bien. Tlazohcamati. (No, it’s gonna be alright. (???)) - Okay… eh... ¿Eres indígenas? (Okay… er… Are you a Native American ?)”

You don’t answer the Chilean, only giving him a small wave to thank him. You find your way to the toilets, still queasy, and look at yourself.

You’ve got your usual short black hair, your nascent beard that doesn’t want to come along, your brownish tint, as well as your light muscles. Nothing looks out of place, yet something seems wrong.

Is it the fact that you are so youthful ? You know you’re quite twinky. Is it the fact that your skin looks weird ? You know that it’s clearer than the other’s because your mother is gringo.

You feel even more queasy, as you feel your entire body tensing. Memories come back of your time in the gym, but also of the time with all your xochitzmeh (bros)… Yes, you now remember how you’re the son of an American linguist and a Nahua man. How you grew up speaking Nahuatl along with the other kids from around Mexico City. How you started going to the gym to prove that gays aren’t cuiltemeh (sissies/fags). How you now cringe to that line of thought, yet continue doing it to attract guys.

As the pieces of your life go back together, your queasiness dissipates, and you feel better. You drink a bit of water, and then you go back to the hangout room. As you go in there, the Chilean hails you once again.

“¡Charlie! ¿Esta mejor? (Charlie ! Doing better ?)”

Laughable, “Charlie” is only the nickname your grandparents use when you’re at their house… Why does that guy even know it ?

“¡Mi nombre no es Charlie, es Carlos! ¡Carlos Zopiyactle! (My name isn’t Charlie, it’s Carlos ! Carlos Zopiyactle !)” You say in a very matter-of-fact fashion. - Lo siento, pensé que te llamabas Charlie… (Sorry, I thought that you were named Charlie...) - No es nada. (It’s nothing.)” You answer with a very Mexican accent, aspirating your ‘s’. “Pero, tengo que irme ahora. ¡Adiós! (However, I need to go now. Goodbye !) - ¡Adiós, Carlos! (Goodbye, Carlos !)”

You leave the room, go past the receptionist who smiles at you a bit weirdly, and make your way back to your grandparent’s home. You don’t really like going there, because you’re not very good in English, but eh. Pleasing your mom is a good enough reason.

Suddenly, you hear a very familiar-sounding sound from your phone. You open it, seeing a notification, smile, and answer it before calling your mother.

“¡Cualli teotlaltzintli! ¡Amo niyaz tlacualpan! (Good evening ! I’m not going to be there for dinner !) - Pff… ¡Aic timotlamahzehua nanmonahuac! (Pff… You never come eat with us !) - Nomati, pero tengo cosas que hacer. (I know, but I have things to do.)” You say, switching back a bit to Spanish. - ¿Zannima tihual mocuepaz? (You will come back soon ?) - Quema. Nantli, nimitz nequi. (Yes. Mom, I love you.) - Ohuihqui nimitz nequi. (I love you too.)”

You finish the call and smile. She doesn’t have to know that you’re missing the family dinners to be pounded. Those jocks on Grindr don’t know what your pseudonym “Moiztactlaca” means, but it sounds foreign, and they love it.

Soon, you’re going back home to Mexico City, but it doesn’t mean that you can’t take advantage of all the hot guys here in the meantime !

[thejockout]

New File! "P.S: Dumb Definition" (Beginner's Himbofication, IQ Play, etc.)

This file is the start of what may become a recurring series for me, the "Paradigm Shift" set of files.

My intent with this file is to help demystify and destigmatize elements of dumbing down in direct conversation with the subconscious mind of subjects who like the idea of it, but are a little afraid to try it... I've been there with myself, and I remember how frustrating it was to experience CRAVING this kinda dumbness and being unable to let go and sink in trance enough to feel it happen.

My own journey towards embracing this kink in a healthy way was a slow one; in truth, I might still be on it. I'm hoping this file can accelerate your progress on the same journey, by teaching you that it's the listener who can define what dumb means for them in the context of hypnosis. Permanent or temporary, intense or mild... all flavours of dumb are valid, and you should be able to chase the one you want without fearing the others.

Think of this as Dumbing Down 101; the introductory module. It will probably still dumb down some of you fuckers because you're all so soft and squishy and uwu, so it should have a fun little kick. But if you need a slow start/recontextualisation of the kink, this is the place to go. It's almost an accessory to Chill Out, Bro or Subconscious Protector in that way; ideal for a beginner to the dumb jock space.

Content warnings for this file:

Predictably, this file contains discussion of the word dumb and its societal trappings (so, discussion about how it's used to condemn people who aren't academically smart, despite any other sklls they may have) and uses the word dumb a whole fucking lot lol. If that triggers you, hypnotically or otherwise, beware!

There is discussion of such "clichés" of dumbness as bimbos, himbos, etc. during the file. However, it's not suggested that the listener specifically exhibit traits of any of these stereotypes.

I expect the file will elicit a dumbing-down response of varying intensities depending on the listener due to its permissive nature. You may leave the file feeling a little foggy, a little slow-brained... or just chilled out... or maybe entirely normal. It's very subjective and left up to your subconscious mind to decide how much of this you want to experience; but you can expect this to change with time, as your relationship to the idea of dumbing down changes too.

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When I'm not dropping myself or others, I'm off being a mystical forest bro in the wilderness of Ireland. But I am always available for commissions if you reach out via DM. My flat rate is currently $60-100, but you can check my pinned Tumblr post for more up-to-date info. You can also support me with a one-time tip either via Paypal or Ko-Fi... or by subscribing to me on Patreon! Keep listening, bros.

[tenyrasims]

Since im learning how to use Blender n Stuff atm i tried myself on some simple poses that I wanted to have since ages on my Game. They still need the finishing touch, however as i opened my game to test them Titan and Roxy just crashed it and i needed to do some photos 😂 Specially Titan is such a attention whore its like he want to be on every photo I take❤️

-

🡩 I dunno how it came to this but ... what are they both waiting for ... a treat?😂 Hard choice

─── ⋆⋅☆⋅⋆ ── Idk i think it will end up like 6 or 7 poses, the photos show just a few variations of them, not sure yet. Dont expect a wonder im still a beginner if it comes to blender😝 but for those who want them I will share them on my Patreon or might do a post about it with a simfileshare link too.

Maybe I can even share them later, or tomorrow. Depending on how it goes with blender struggle. I'm also working on a few animations for my story, because I wanted to take a look at it~ ─── ⋆⋅☆⋅⋆ ──

Have a nice day♥

[scandistar]

For the longest time, I've been stuck in a sort of writer's paralysis. Managing to make myself start somewhere is always the hardest part and keeping up a reasonable pace with what I am producing is a different challenge, but a challenge nonetheless.

I imagine that so many people, and not just writers, can relate to the feeling of getting nowhere because of a tendency to get stuck in their own heads. To obsess over the smallest details and eventually lose interest in what you once loved doing because of the immense pressure you put on yourself to perform and do so to amount to a nearly impossible standard no one expects you to reach but yourself. It is daunting trying to ascend a staircase when the steps reach higher than you can climb.

I've only been here for a short while and I've only known Charrelin for a few weeks, but I feel I'm finally getting somewhere, even if that somewhere isn't as much as I had hoped from myself. Not yet, at least.

I guess I'm writing this as a note to myself, and to whoever might get something out of reading this, but it's crucial to both focus on and enjoy the process. It's important to be aware of the overarching point, yes, but if you obsess over how to make every piece of the puzzle fit together flawlessly or on filling an unreasonable amount of criteria you've set for yourself, you'll lose all joy of creation.

I have a bad habit of comparing my skills to those around me. There are some absolutely amazing and talented people on this platform and I admire each and every one of them and the stories they tell through art in all forms. This is also a trap I'd imagine many are tempted to fall into, which is awful, but it's of utmost importance to remember that everyone has something to bring to the table, big or small. And even if you're a beginner and your skills are still far from advanced, you are (and I mean this with all my heart) a GIFT. Because, without your kind, we wouldn't have the amazing writers and artists who share their creativity and vision with the world. Because, just like you, they began somewhere. Just like you, they had to learn and grow to become as skilled as they are today. Just like you, they're open and willing to bring colour into the lives of others. If they didn't start somewhere, who would give us all those stories? If YOU don't start somewhere, who is going to give us all of your stories? It doesn't matter if you started drawing/writing last week or if you've been doing it since 85, I WILL eat everything you make.

[tzov]

I saved this as a draft for a long time but I want to share it now:

Boys and men in sports humiliate and injure to prevent girls and women from "encroaching" on what they consider their domain.

I've tried to talk about this many times in my life, and I always get the, "you just can't handle competition, you just expect me to go 'easy,' on you, you're just whiny/weak/holding up the game, this is unavoidable" when it was extremely obvious to me that I was being maliciously targeted by boys in an attempt to humiliate me, not in an attempt to simply win the game.

I recognize common threads between complex individual experiences:

-That the excess violence was CLEARLY not necessary to win;

-That it was done to me/other girls and not boys of a comparable size/skill (or, often, lesser size/skill);

-That it would occur when I was not that great of a threat i.e., they would spend the whole CASUAL game focused on shutting me down even though a lot else was going on; and then, when it was serious and we were actually trying, we would be having fun, getting rough, and then when I was up, the clear moment of a DECISION (with a petulant gleam in the eye) to make it unfun by SUDDENLY kicking/slapping/shoving me EXCESSIVELY hard (in a way I could not prepare for as it had no precedent in the game), PURPOSELY (this is not hard to tell) hurling the ball as hard as they can at my head while I'm not looking, etc. (and this was often on top of disproportionate, unsportsmanlike ridicule/taunting, i.e., condescending/disgusted/impatient that I never saw boys do to each other, instead of the fun shit-talking that I DO understand is part of sport);

-In situations where they would not allow me to play (i.e., ignore me completely as a teammate, refuse to assign me a role, etc.), because they ASSUMED I couldn't before I could prove otherwise, and then when I insist, instantly hurting me on purpose so I still never get a chance to show that I am skilled/competitive;

-And finally, it was ALWAYS in conjunction with specific comments about my femaleness, or comments about how I'm overconfident/need to be taught a lesson (and I would not include this point if I were bragging about my skills or messing up the game, I can tell if I'm holding up a competition).

In the end, all of this DOES result in my being less practiced and skilled, which serves as an ad hoc justification for it

In my memories, it seems like they are angry that a girl has the audacity to try, because nothing is more hammered into our heads than, "girls are weak and it's unthinkable to lose to them or take them seriously." Just because women can't compete with men at certain high level sports obviously does not mean that every individual girl will lose to every individual boy--- and it's so important for me to tell the difference that I am very thoughtful about whether it's "rowdy crazy high level man stuff--" I've never been interested in participating in that because it's scary and feels pointless.

As a lifelong athlete, I also have a lot of experience with accidentally getting hurt, with "intimidation" as a legitimate strategy, with making a beginner player quit because they obviously don't belong in your game; but these are all ways boys will try to pass off their cruelty.

It's also worth noting that boys my age were UNABLE to physically overpower me until about age 14, and all of this still happened (though it happened a lot more after that). I know that sometimes girls can hold up games and be overconfident and I can imagine that would be annoying. But sport is so important to me, and this pain is so deep, and I've been told these things all my life, so there's no way I would not be looking out for such nuance.

For most girls, it really only takes the one experience for them to never try again. For me, I BELIEVED people for a long time that I just needed to accept that things get competitive and rough-- and that's why I put myself through it over and over, only to find that something else, something far more sinister, was clearly at play.

In summary, men and boys are actively unsportsmanlike and unnecessarily cruel to girls and women who want to try to build skill and compete in various sports, and this is nothing to do with biological differences-- just misogyny.

[thejessc0de]

Do you have any tips for someone who is trying a more realistic aproach for their art style? your painting and lighting are so good that I had to ask 🤠

Thank you!

So this question is actually pretty hard to answer, mostly because I still consider myself a beginner/hobbyist, and I'm pretty sure a lot of my technique comes from the ~5 years of classical art training I received in middle school and high school, and that's so fuzzy I can't tell what's intuition or muscle memory! I can go over some of my workflow/thoughts though and hopefully some of it is useful!

The first thing is that for realism, You. Need. References. It is impossible to replicate the level of detail in a realistic painting without a reference. I usually pick a reference, try to draw that reference exactly, and once I have the proportions correct, I'll change it to match the character/scene I'm drawing (move an arm, tilt the head, add a hand, make the eyes bigger, add anime hair etc. haha). Over time you'll get more comfortable moving away from a specific reference and piecing together a bunch of references into something more unique.

Here is an example of a recent post that was fairly simple. I take the reference image (link to reference here) and try to match it, and then I change it to match the character details, in this case, Kashimo.

As for the lighting, when I first started, my colors were a mess! I already know basic color theory which helps, but it didn't help enough haha. What I think helped me learn the quickest was color picking - in krita you can select a color directly from an imported reference figure. So I'd find a reference that I really liked the lighting on, and color picked from it while paying attention to the actual color I was grabbing (how warm it was, gray it was, what the typical skin tones were, etc).

Later on as I started to learn what types of color palettes I really liked working with, I'd open the reference photo in Krita and tweak the image's contrast and sometimes completely change the lighting and colors. However, at some point I started using it as a crutch and my skills stagnated, so you need to be careful! However, now I've progressed to the point of doing a painting in black and white and adding the colors later (with no color picking!), sometimes even without a reference for the color. This was a slow and painful process, so don't expect things to make sense overnight!

Also, don't forget that you don't have to make the colors perfect in one shot. Usually I'll color things using a color layer with minimal detail and basic color tone (Itadori's hair is soft pink, his hoodie is bright red, etc), and then create shadows and lighting with multiply and overlay layers (blues and purples for night, etc.). Eventually I'll build up the color and merge all the layers together, and then add details in full color. I can color pick from other parts of the painting to maintain consistency. Then to finish things off, I almost always tweak the colors and contrast using filter layers.

Here is an example from that same Kashimo painting, going from black and white to full colors using color, multiply, and overlay layers, and then ending with full color details.

As a side note, starting out in black and white can make things so much easier. When you're only worried about values, you can really focus on shadow depth and the shapes of things. It's so much easier to explore rendering when you're not trying to do color on top of everything! Don't try to do everything at once.

The rendering style I use is based heavily on trying to replicate the feeling of actual oil painting. I use the (free!) art program Krita, and my favorite, most used brush is from a free pack I downloaded from deviant art (here). I use the brush called R T Masked4 (shown below) for basically 90% of any painting I do. I use about 4 brushes total on a typical painting (R T Masked4, that same brush but tweaked to be narrower for hair details, a smudge brush that I discovered maybe 10 days ago that I'm now obsessed with, and sometimes a scratchy brush for additional texture).

One last thing - don't be afraid to use tracing! Block in a reference photo to get the head and shoulders in the right place!! Trace a few hands to see how it feels!!! Obviously don't trace somebody's art and present it as your own, and it should only be rough approximations of shapes so you learn how to break down the body into parts. Otherwise, it won't be helpful at all. I only use photographs for tracing, including pictures I've taken of myself. One of the more helpful things I'll do is free hand my drawing and try to make it match the reference as closely as possible. Then, on a separate layer, I'll trace the reference photo (again, no details, just general positioning/shapes), and compare it to my original drawing. I can immediately see the issues, and I'll use the liquify tool to get things in the right place. I've learned that my horizontal spacing is usually pretty good, but I struggle with vertical spacing, especially on faces. So now I triple check my work for those specific things!

This kinda turned into a book, I'm sorry! I hope some of this is helpful and doesn't sound like the 10:30pm ramblings of someone who didn't get enough sleep haha.

[datamodel-of-disaster]

Swordtember 2024: Wings/Eyes/Insect

Look at that! I managed to draw again, spurred on by the Swordtember prompts and (going by my lack of sleep recently) a hypomanic phase. Because I was late to the party and not super well-prepared, I'm combining prompts 🙈

This was the first thing I managed to draw in months, so I'm rusty AF and all my beginner-ness is on full display. Still, proud of myself for getting over myself! Turns out I have a lot of stuff to process, so expect there to be *themes* in the pieces I'll end up posting...

[chrisfriel]

beginners guide to dying 040724

rarely post non photographic stuff but this moved me today

In September 2023, Simon Boas was diagnosed with throat cancer. Aged just 46, he was told the disease was terminal, and that it would ultimately take his life.

Over the following year, he knitted together his reflections on life into a book - A Beginner's Guide to Dying. The book is set to hit the shelves in October. It will be a posthumous publication.

In what he expects to be one of his final interviews, Simon spoke to Emma Barnett on the Today Programme, offering his reflections on life and death as he moved into hospice care.

My pain is under control and I'm terribly happy - it sounds weird to say, but I'm as happy as I've ever been in my life.

I used to think I'd rather be hit by the proverbial bus, but having a couple of months knowing this is coming has really helped me both do the boring 'death-min', but also get my thoughts and prepare myself, and feel so accepting of what's to come.

It's been such a great bonus, actually.

The book is called A Beginner's Guide to Dying, but really what I'm trying to convey is how enjoying life to the full kind of prepares you for this.

In some ways I was lucky that my life and my career have taken me to quite a lot of places where death is more a part of life than it is for us in the West.

I spent my life as an aid worker - quite a lot with the UN - and I've lived in places where death is something that not just exists in the background, but is imminently possible.

I spent three years running a UN office in the Gaza Strip. I spent a lot of time in Rwanda, Sierra Leone, and I've been working in Ukraine. Seeing people there for whom death is such a part of life - they lose children, they don't know where the next meal is coming from - has really helped me.

I've also been a Samaritan for the past four years. In some cases you are on the line while people end their lives, so I think death has been more a part of my life than for many people.

It does us all good to think about it.

That's not in a gloomy way… by kind of realising it's inevitable and it's a part of life, it actually throws life into perspective and helps you to enjoy it more and prioritise the important things.

My family are about to go through the most difficult thing in their lives. My lovely wife, Aurelie, and my parents… are well surrounded, and I hope that my cheerfulness in the leaving of life might perhaps help them in the next few years…

All our lives are little books - but they're not someone else's complete book. You're a chapter or a page or a footnote in someone else's life and they are going to keep writing beautiful chapters when you are gone.

And those green shoots can grow around grief and put it in perspective. I hope people will think, "I'm glad I read that - Simon's story". And just because it's over, doesn't mean it's gone.

You don't need to have been a politician or a mover and shaker or an aid worker or anything in life. All of us make a huge difference.

I love this quote from George Eliot's Middlemarch:

"The effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistorical acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”

All of us make a huge difference in life. I love the idea that most films about time travel revolve around changing one tiny thing in the past, and of course they come back to the present and everything is different.

If you project that forward, you can change huge amounts of things into the future.

All our tombs will be unvisited in a few years - all our actions will mostly be unremembered - but the smile you gave the checkout lady or the kind words you gave to a stranger in the street could still be rippling forward.

We all have that opportunity and it's a huge power. And I want everyone to realise how special and precious they are.

I love melted cheese. Unfortunately I haven't been able to eat since Christmas. The chemotherapy killed my taste buds and the radiotherapy killed my salivary glands.

So, sadly, melted cheese and all the things I loved are off the menu.

However, I've been given full permission by my oncologist and my hospice team to enjoy as much Muscadet and as many cheeky rollups as I want - and I shall certainly be indulging in those and spending time with my family.

I'm sort of - not looking forward to my final day - of course that's the wrong way to see it. But I'm kind of curious about it, and I'm happy and I'm ready.

As Julian of Norwich said: "All shall be well, and all shall be well and all manner of things shall be well."

FULL INTEVIEW

[beforeiread-studies]

Korean Learning - Month 5 recap

I've failed at most of my goals but that is not a bad thing at all, I simply focused on different things than I expected.

Things I didn't do

I did not finish the King Sejong Institute Beginner 2 course (I'm at 6/20)

I did not add numbers to Anki (I have a couple of them on there, I'll add the others holistically)

I did not watch videos with Korean subtitles - I tried but the subtitles were SO FAST and it was just discouraging. I will try again in the future. (on the other hand, the more I try to read Hangul the more I'm surprised at how fast I can read the latin alphabet)

I did not go get the Korean grammar for Italians book at my local library.

I did try to speak to myself in Korean. It was successful to an extent but I still need to learn more vocabulary for sure.

Things I did do

I stayed consistent with Anki. My deck is now formed by 938 cards! Of which only 41% are new

One of my goals was to finish reading the first Easy Korean Reading book by the end of the month. Well, I just started the fifth book! I crushed it. I can not recommend this series enough. SERIOUSLY!!!

I downloaded TikTok and forced my algorithm to believe I'm a Korean displaced in Italy, therefore showing me lots of Korean content. I get a lot of comedy sketches and pet channels. Sometimes I can understand a couple of words or at least recognize sentence patterns (written) and it's always SO satisfying. I've also discovered a lot of cool places to visit in Seoul.

Why all this stuff happened

I think I dropped the ball on King Sejong Institute because it's more laborious and less satisfying than simply read an Easy Korean Reading chapter. Also, I do get some grammar points from Easy Korean Reading so... Also, I had uni exams.

I still want to finish the course tho but it will probably take me more time than the first one.

Some things I've noticed: 1 I'm now good enough at reading Hangul that I'm able to add audio to my Anki cards. Yay! 2 Reading out loud actually helps me understand it better? No idea why.

Goals for June

Reading: I want to at least finish reading 3.1 and 3.2 of the Easy Korean Reading series, but I think I'll probably manage to also read the Level 4 books. If I have time even after that, I want to start reading this King Sejong free ebook I've had downloaded for a while.

Listening: I think I'm now mostly ready to listen to ChoiSusu's beginner podcasts. I want to listen to at least 1 new podcast every week.

Vocabulary: keep going with Anki. I've decided that by the end of August, I want to have 2k cards in my deck. Therefore, I need to add another 500 cards next month, or 16 cards a day, which feels doable. I'm currently learning 20 new words a day but I'll try to amp it up to 25.

Writing: I've heard that Anki allows you to add "fill it out" cards, so I want to add some to improve my spelling in Hangul.

Speaking: I want to start taking conversation lessons on Italki. It will be tricky to do because I still have to balance work and an exam, but I promise myself to book at least 1 lesson a week for this month. Gaaah, I'm nervous!!!

[fandomfluffandfuck]

S!! i just reread Cant Explain All The Ways You Get Me High and i’m here to give you double the kudos bc god it’s fantastic 🔥 Honestly that one and I’d Fuck Me are some of my favorites—guess I have a soft spot for your solo scenes! Would you ever explore the inverse, with sub!bucky or seb taking care of themselves? What are the differences there between how steve/chris do it?

Can't Explain All The Ways You Get Me High

I'd Fuck Me

You know, I genuinely never noticed that among those solo, jerk off, fantasy scenes, I've only included the tops and/or doms. Huh. That's interesting. I mean, literally, there's also a scene in my "For Beginners" series with Chris fantasizing about Seb subbing for him...

Chapter One of Accept It

Maybe it'd because I'm a dom? So that sort of fantasizing is closer to my heart? Maybe it's just a coincidence, lol. Who knows 🤷🏻‍♂️

Anyway--

I think it would be pretty similar, I mean, the thoughts going on would be different, of course, but very much that same heady, frantic headspace as they barrel toward orgasm.

I'm not taking requests at this time, but sometimes I can't help myself...

Immediately, I had something in mind for Sebastian:

It's been a while for Sebastian--a while since he's gotten off with all of the work he's been doing (what feels like 15 different projects all that once, he swears) and the resulting exhaustion, and it's been a while since he's seen Chris with the way their careers stretches them apart all too often. So... orgasming hasn't exactly been his top priority. However, he's got the afternoon off. Somehow, after the early morning and late nights and their dedication, his director has decided they all need an early end for this Friday.

Thank. god.

And, with his time off, his thoughts unbusied, it's the tiniest thing that sets him off.

With their dynamic and how Sebastian gets, Chris will regularly send him orders when they're apart. It helps keep Sebastian from being overwhelmed with the need to submit here and now and being unable to, shutting down instead. Order this for dinner. Wear that pair of boxer briefs today. Chose this for the premier. Prep your meals for a week. Send me a photo of you when you have a minute. Sebastian eagerly fumbles to do as Chris says, especially eager the longer they've been apart. Craving a moment of calm, both-feet-on-the-ground steadiness that comes with Chris' pride. His approval. Even if it's just a text--

Good boy.

--or if it's more of a treat like a FaceTime call or rumbling voice memo.

"You're such a good boy, Sebastian."

that leaves Sebastian with chills, head to toe, and a helpless erection.

This time, what sets him off is Chris' reminder that he needs to have real food for, at least, one meal today. He's off set, so he should find something other than what he could get at crafty. Some protiens and healthy fats. Then, when Sebastian sends him a snap of his finished plate, Chris sends him another order as if he can feel that Seb needs to occupy his mind, playing into their push pull.

Make sure to clean it up properly.

Sebastian hand washes the fucking plate, silverware, and glass, despite the equally avaliable and usable dishwasher in his rented apartment nearby to the location they're filming at.

Done!

Sebastian texts him back.

Perfect.

It's one word. And yet...

It hits Sebastian like kick to the chest. He stares at the word, biting his lip. He doesn't expect more. He knows Chris is still working himself. It's more than enough that he's even able to send him a few words back and forth. He's not looking for a follow-up. He's just staring at the word.

Perfect.

Perfect.

Perfect.

Sebastian can hear Chris' voice sliding over the syllables in his head. It echoes through him, leaving his toes curling against the kitchen tile while his eyes slide shut, vividly imagining himself at home with his dom. He's just finished preparing dinner for Chris, home cooked--something simple that he can manage without too much thought, but enough that Chris knows he put effort into it--he set the table, he served Chris his food, then he sat at the table with Chris, watched Chris eat with Chris savoring each bite with smooth swallows and heartfelt moans of approval at the taste, he let (what a hardship) Chris hand feed him bites when he so desired, and he cleaned up their dishes and table, hand washing everything. He wants to. And, now...

Sebastian feels a wobble in his knees, so he lets his phone clatter onto the countertop and grasps it tightly instead.

Now, in his mind, Chris is stalking up behind him and Sebastian's heart is in his throat, ready and waiting for Chris to crowd him against the counter and cabinets and put those big, heavy, commanding hands all over his body. Pawing at him. He wants it. He aches for Chris to bend him over the sink and fill him up, fuck him hard and fast and dirty, while he tells him that he's good. He did good. He served him so well. He takes care of him so perfectly, now he's gonna take care of his perfect sub--gonna take him and use him like he craves.

Chris doesn't.

Not even Sebastian's imaginary Chris bends to his will. He's in charge. He will do what he pleases, and Sebastian will obey his word.

Submit.

Imaginary Chris bypasses him and goes to the fridge instead, bending over--oh, Lord, that's a sight--to reach the bottom shelf on the door where the beer lives, happily awaiting to be drank.

Sebastian dries his hands from the dishes... imagined and real. Imagined, he wants to turn and watch Chris' skillful, beautiful hands crack open the bottle. He doesn't. Real, he stands in place, letting his imagination pull him away, deeper, with how imaginary Chris walks right past him again, this time sparing one hand just to proprietorily draaaag his palm against the small of the back, "join me in the living room."

It's not a question, seeking company, maybe. If you like. But, hopefully. Join me? It's a command.

Everything in Sebastian wants to follow. The gravity makes his muscles weak.

Sebastian follows.

He follows Chris like a lovesick puppy, trailing after him and panting when he arranges himself on the sofa. Always so alluring that it's unfair. How is Sebastian supposed to do anything when his lover exists in such a state? Lounging about, casually, but perfect enough to have come straight out of a photoshoot. Thick, strong thighs spread wide, giving himself room, one arm over the back of the furniture, draped and taking up all the space he likes, commanding all of the suddenly humid air in the room with a heavy, dark look in his eyes.

Sebastian swallows, saliva flooding his mouth.

Meanwhile, Chris' other hand, having come to rest on his knee before, now mimes a gesture or two that's irresistible.

Kneel.

Come here.

Sebastian's eyes fly open, shattering the delicious fantasy his mind is painting. The image so real, so much ink, that it's spilling into his real life. He can't. Sebastian whimpers out loud.

Jesus Christ.

Even in the cold light of his real, afternoon kitchen, there's that pull inside him, forcing him from his comfortable center of gravity. Like missing a step on the stairs. Exhilarating. Heart hammering.

He needs.

The ache is now terrible inside him.

More than he needs anything else, he needs to be between Chris' thighs. That's where he belongs. His vision starts to go a little hazy and useless around the corners at just the thought. Chris towering over him. Powerful and authoritative. It's been too long.

And now Seb can feel the phantom heat of Chris' knees pressing against his shoulders and the weight of Chris' hand on his head, his blunt fingernails scratching his scalp, running through his hair and messing it up. He can feel the friction of denim jeans or cotton sweats or mesh basketball shorts against his cheek, muzzling into Chris where he's packed into whatever the fuck he's wearing but shouldn't be. He should never be clothed. He should--

Fuck me.

He should be between Chris' legs.

Sebastian blinks harshly a few times, trying to clear his vision and push away the raw throb that has begun to spread from deep in his gut to the base of his cock.

Impulsively, he snatches one of his hands away from his white-knuckle hold on the counter, intending to press the heel of his palm up against himself, but--

He whines again.

Here?

He looks around, taking inventory of his current situation, Sebastian gets distracted as his eyes land on his phone, and he recalls that damn text.

Perfect.

Glittering pleasure of praise from his dominant crackles through Sebastian like a lightning strike. All over again. Suddenly, he is back between Chris' thighs. Warm and crowded and so close to falling forward and mouthing at the bulge of his hardening cock in his sweats. Overcome by hunger. He can smell his arousal. Jesus. Seb wants to melt. He wants--

He can't fucking jerk off in the kitchen of a rental.

Can he?

Sebastian whimpers to the empty room. It offers him no comfort. Not a sound.

No.

Not here.

Quickly, Sebastian snatches his phone and dashes on clumsy legs to the bedroom. He's intending on texting Chris, asking him if it's possible for him to steal a few moments away. Sebastian just wants to hear his voice. For a minute. He wants it gruff and pressed right up against his ear, telling him he's perfect and good, and, and tell him--

Sebastian flushes hot, just thinking it. Admitting it to himself for the hundredth time. No matter, it always makes him squirm.

He wants Chris to tell him he's pretty.

He wants Chris to tell him he wants to put him on display and show everyone how good and pretty and perfect and odient he is. And--

Sebastian ends up distracted. His phone ends up on the bed, where he intends to also be. Lying back, relaxing, shoving a hand haphazardly down his pants to let Chris talk him off while he incoherently whines and moans and begs, the closest they can get when so, so far apart, but... he doesn't make it.

He doesn't even make it that far.

Instead, Sebastian gasps to himself, embarrassment making his cock pulse, thinking about how Chris would answer the phone and peel the mortifying words out of his mouth, make him admit how needy he is, then tell him he'a such a good boy for admitting it and he bet he looks so pretty, flushed and horny, and... Sebastian stumbles.

He ends up on his knees.

And.

He can't get back up. Aching. He's on his knees in his rented bedroom, near to the bed, but also too far away for it to be worth it to move again when he's so fucking hard.

The back of his eyelids are painted with the sights and sounds and sensations of their living room. Hardwood floors bite sweetly into his knees. Chris' cologne and laundry detergent clinging to his clothes, fading and turned darker the closer Sebastian leans into him, sweat and musk and arousal. Chris' hands on him. Holding his shoulders. Entwinted in his hair. On his throat or the nape of his neck, squeezing. Holding. Chris' voice rumbling through him, leaving him aching. Aching. Sebastian wants--

He wants Chris' cock out of his pants and in his mouth.

He wants to stare up at Chris' face, contorted obscenely into an expression of heat and pleasure, flushed and slack, as the weight and taste of his thick cock fills Sebastian's mouth. Heavy on his tongue. Coating his throat with the taste. Stretching his lips. Chris' hips pressed against his face, forcing him down his throat and making it hard to breathe in the most incredible way. Sebastian doesn't need to breathe. He needs to taste, to suck, to lick, to kiss, to gag and choke and cry.

He wants to cry on his cock.

He wants Chris to stare down at him over the handsome line of his nose and smirk. He wants Chris to tell him he's got such a good fucking mouth through a drawn-out groan. He wants to hear Chris moan through gritted teeth. He wants to have Chris cum down his throat and make Sebastian swallow, then lick him clean, then keep him warm while he finally drinks the beer he brought into the living room with him, watching the game, and keeping his needy submissive busy all at the same time. Multitasking.

Sebastian wants--

He wants--

Frantically, Seb shoves his hand into his sweatpants and cups his himself against his body, hissing with the temperature difference between his fingers and his heated, engorged dick.

In his mind, he's prolonging the moment of Chris' orgasm. The pornographic expression on his gorgeous face. Suspended in pleasure. The intense, incredible twitches and jerks of his cock as he pumps release onto Seb's tongue. The taste. The feeling. The way, oh, God, when Chris is really, really feeling himself, he'll reach down and recklessly plug Sebastian's nose as he shoves into his tight, wet, heat deeply. And Sebastian will spin. Sebastian will get dizzy. Sebastian will fly. His lungs aching to choke and sputter but not being able to. It all makes Seb so fucking hard. He's not in control. Chris knows what's good for him. Chris knows he's good. He's good.

He's so good!

Sebastian can't help but start to actually fist himself now. He's leaking enough to go faster. Faster. The friction is wearing his nerves down to raw wire, sparking and spitting electricity throughout his whole body. He's, oh, oh, he's--

It's so fucking intense, the images flashing through his mind. Now Chris has finished with him and Sebastian's chest is heaving, his lips buzzing, his mouth still stuffed full, tears and snot and spit running down his face, a complete mess, yet still pretty and perfect to Chris--for Chris. Sebastian helplessly cries out and loses his balance, his mind going haywire, imagining sucking Chris' still half-hard cock after he's finished, and grinding against his shin, feeling, feeling--

Good.

Obedient.

Sebastian falls forward, barely bracing himself against his now outstretched hand--the hand not wrapped around his cock--rather than faceplanting on the floor. His heart pounds in his chest. Lust rushes through him. Overpowering the fear. Pleasure rising and rising and--

"Gonna show me how pretty you are, baby? You gonna cum humping me with your mouth all full, jus' like you need, sweet boy?"

In his mind, in his fantasy, Sebastian cums with a muffled moan around Chris' dick. But, in his rented apartment, crumbling onto the floor next to his bed as if he might've been praying before he drifted off to sleep, he moans embarrassingly loudly. It's nearly a wail. It's like he's been hit over the back of the head. It hits him so fucking hard.

He's demolished as the pleasure crashes over him.

White-hot and ruining. Pumping wet, messy release into his hand and the inside of his boxer briefs. Humiliating and so, so good that he doesn't give a fuck.

"Atta, boy," Sebastian hears inside his own head, Chris' voice, as he achingly shakes through the last dregs of pleasure with a whine.

Oh, God.

But, (bratty) sub Bucky is pretty distinctive, too:

Steve's on a stupid fucking mission and he took his stupid fucking super dick with him (like an asshole) but, somehow, he didn't manage to take his stupid nuclear-level sex drive with him, too. Of all the things he has to leave behind! Fucking bastard.

He knows Bucky can't cope! And somehow, he still goes out there and fights the good fight despite being retired. Newsflash, Rogers, that ain't retired.

"Ugh," Bucky half groans, half moans, caught up in his thoughts, but also caught up in the physical sensations he's dealing with. Coping.

Steve's really left Bucky with no choice now. Not with his super libido bleeding over into Bucky, like, like--Bucky shivers, stifling a moan based on principle--bleeding into him like the hot, wet feeling of Steve fucking him with too much lube and then cumming inside him with his hurricane-like super-swimmers, pumping and pumping until Bucky swears he can see it stretching out his abs like he went too hard at dinner. Too much. Those goddamn swollen, heavy balls and...

"Guh." There's no stifling a dumb noise like that. It is what it is.

What is Bucky supposed to do but order via priority shipping and shove the biggest vibrating dildo he can up his ass?

This, this--

Bucky pants, his chest heaving, practically presenting his high, tight pecs and his begging-to-be-touched nipples. If someone was here to touch them! Bucky can't fight back a whimper, thinking about Steve's serum-hot, fever-hot body against his. His fingers--cruel and mean, plucking and twisting and pinching his nipples until they're puffy and raw, and Bucky is painting his belly white again. His mouth. Those lips. Plush, hot, and slick. Always just the tiniest bite of teeth that has Bucky shouting high in the back of his throat.

His cock jumps. Aching.

Fucking Steve.

This started out of spite. Bucky was bouncing on his fake cock, growling to himself, bratty and motivated. But it's devolved into something messy and pathetic and wet.

There are tears tracking shiny, salty paths down his cheeks when they're not being smeared into the sheets. It's really into a pillowcase. Not sheets. Steve's pillow. It still smells like him, and it's perfect for muffling the sniffling, howling moans that Bucky is pulling out of himself. He misses Steve's cock so much. He misses the rest of him, too. He misses the way he holds him down and pounds into him until Bucky is sure he'll finally fucking split into two. Hammering into him. Growling and grabbing him, throwing him around and making him take it. Bruising his hips and ass. Biting his shoulders, pulling his long hair until he's arched into a weak u-shape, every noise that Bucky has enough air to make fucked out of his wet, open mouth, "uh, uh, uh--"

Bucky aches for going dumb on Steve's cock.

He doesn't want to think! He wants to be able to do absolutely nothing. Fucked dumb.

He wants Steeeeeve!

Bucky whines to himself, his thighs quivering.

He's trying to replicate the magical ability Steve has to melt his brain out of his ears by giving himself as many orgasms as he can with the thick, heavy, vibrating toy shoved deep inside him. It's beginning to hurt. There's a puddle underneath him. Overflowing with pleasure. Yet, lust is still racing under his skin. It makes him whimper and squeeze the sheets in his fists.

He can hear Steve in his head, growling at him, smacking him around, goading him into another orgasm. The only one who can take Bucky; the only one who can hold him down and make him take it.

"C'mon, baby, I know that isn't all you got. You can take it. A cockslut like you? You can always take more. There's still spunk comin' outta'ya. I want you cummin' dry, darlin'. Then, then, I'll think about being done with you."

Instinctively, Bucky wants to do it. He wants to give it all to Steve. He has to. There's no other option.

So, he arches his back deeper. Blooming. His muscles complain, hurting with the stretch despite his daily yoga routine. He just can't--he's been at this for hours. He misses his fella bad.

He can't fucking be bothered, he's too frantically horny and too much of a spoiled pillow princess, to reach back and fuck his hot, puffy, wet hole with the vibrating toy. The closest he gets is jacking his cock. Even that's not normal, normally he has Steve to do that for him. Or, if Steve's not doing it for him because he's working too hard at working his cunt out--stringing him out until he's incoherent and stupid--Bucky is grinding against the bed, the couch, the floor, or whatever Steve has bent him over, unable to wait a minute longer. Right now, jerking off, he's so wet. His dick is swollen, and he can feel his pulse throbbing through it. He keens. Arching and spreading.

He feels fucked out and open but he knows he could be more. He could be hotter, he could be puffier, he could be wetter. If he pulled the dildo out of his hungry hole, he would be gaping. He could be gaping more if Steve had his way with him. Fucking him with that thick, thick cock, then getting frisky and sticking in his thumbs in alongside his dick. Prying him open. Wider and wider. Holding his hole open and feeling his own slick shaft thrusting in and pulling out as he ruins him.

He's thinking about Steve ruining him. He's thinking about Steve fucking him until he passes out--it ain't a true Rogers event until that happens, after all. He's thinking about Steve's strong fingers, scratching down his back, shamelessly groping his ass, and opening his hole. He's thinking about that fucking cock. He's thinking about--

Bucky doesn't want to think!

He wants to be ruined.

With an overwhelmed sob, Bucky collapses facefirst into his man's pillow and cums. Again. Crying out and jerking, soaking the bed.

The minute Steve gets home, he's demanding to be fucked within an inch of his life. Please. He'll get on his knees and beg. He'll break out the puppy-dog eyes and pout and beg. He'll offer to do whatever the hell, bendy painful (not hot, definitely, definitely. not. hot.) position his dog of a boyfriend wants. Anything. He neeeeeeeeds that dick.

[indignantlemur]

I was wondering if you had any advice for beginners writing a long fanfic?

Thank you.

Hello! I actually do have some advice, though of course I must stress that what works for me is not necessarily what will work for others.

I'll break this down into two categories - general and specific.

🖊️GENERAL WRITING ADVICE:

🌟FIRST: Find a process that works for you to stay on track.

Some people find making a diagram or a mind-map of ideas and plotlines helps them stay on track. Some people make a bullet-point list of what they need to accomplish in each chapter. Some don't even bother making a list at all, and write on the fly.

Personally, I've found that making an outline helps me immensely. I can flesh out the outlined points as I need to, throwing in possible bits of dialogue or descriptions that come to me when I think about a scene I've planned, and I can move each plot point around as needed. Not only does this keep me organized, but if I need to take a break from writing, I'm not left floundering when I come back to it. I can pick up the threads right away, because I know exactly how and where I left them and what they're meant to tie into. I keep all of my plot notes on a separate document that I can switch over to (or keep open on a second screen, or even just open on my phone, really) and I reference it constantly.

I do this for shorter stories as well as longer ones, and the key to make this approach work is understanding that the plot points and tidbits I have prepared are guidelines. Only the bare bones are set in stone, and even then I give myself as much flexibility as possible. Sometimes, the scene develops in such a way that I can't include the dialogue or descriptions I'd hoped to because now it doesn't make sense - and that's fine. I save the defunct bits, cut and paste it to a junk drawer document where I put all my missing and cut scenes, and see if I can reuse them in the future. No writing is a wasted effort.

🌟SECOND: Get a second pair of eyes on your work.

Find a beta-reader, or a very good friend who isn't afraid to tell you when something needs work. Ideally, both. Beta-readers are worth their weight in gold twice over (I love you @emilie786!) and will help you with the grammar and the flow of the scene, often catching mistakes you miss. Some beta-readers only want to proof-read, and some want to be more involved in your writing process - clear communication about goals and expectations is key!

Likewise, a writer-friend who's willing to look at your work while it's still rough and give you feedback on it (becoming your alpha audience, as it were) is an amazingly helpful person. They can help you by suggesting different takes on a scene, or alternate phrasing when your writing feels a bit awkward in places, or even workaround for plot problems and any difficulties you run into. I frequently chat with @the-lady-general about our different writing projects, and it's been immensely helpful for both of us.

🌟THIRD: Be prepared to kill your darlings.

So, you've written a thing. You worked hard on it, poured your heart and soul into it, and you love it to pieces. Of course you do! Only... your beta-reader had torn a scene or a character to shreds, however kindly, and now you have to cope with rewriting it.

A kneejerk response a lot of new writers have to this is to get defensive and upset - I've been guilty of this myself, in the distant past when dinosaurs still roamed the Earth. I'll tell you now what someone should have told me then: sometimes, a person has to be cruel to be kind. A beta-reader or a friend telling you a scene needs work is a gift compared to your story being panned by negative reviews after the fact, especially if you are the sort to put a lot of emotional value on your reviews (as many of us do).

When this happens, because it inevitably will, listen.

Step back, take a day or two to reset your brain if you need to, and then review what your beta-reader told you. Look at it objectively, without emotion. If you cannot, bring in a friend or mentor who can help you do so. Go over what's been said, the chief complaints and concerns, and open up a new document. Copy the scene. Paste it over. Rewrite the scene in the new document, taking all of the advice given to you into account. Once you're done, take a break. Make a cup of tea. Grab a snack. Go for a walk, even. When you're done, come back and read both the original and rewritten scenes.

You may very well find that your writing has benefited from the exercise, if nothing else, but I suspect you will find you like the rewrite a little better.

🌟FOURTH: Writing tutorials and guides are goldmines.

If you're struggling with writing a scene, or even if you just think it doesn't flow the way you want, look at what other writers who can write these scenes suggest. I struggle with action scenes, personally, and I've been referencing a lot of guides for Hoarfrost (which is still in the works but getting closer to completion!) to shore up those weak points in my writing.

Heck, I spent a literal week reading nothing but smut guides and writing tutorials, learning everything from phrasing to atmosphere-building, before I felt brave enough to try writing TSKW, never mind actually posting chapter 44 of Emigre. My ads haven't been the same since. The VPN did nothing.

Of course, a thesaurus is a valuable tool as a writer, but learning how to stitch your words together to create a scene is more than just knowing twelve different synonyms for the word "said." To that end, I would say that there is absolutely nothing shameful about taking inspiration from other writers and published authors, or from guides and tutorials. So long as you're not copying another's work or borrowing their ideas without permission, of course.

And, finally,

🌟FIFTH: Don't be afraid of writing badly.

I started writing when I was 8 - silly, nonsensical things with no particular plot or plan. Charming, but terrible. I got into fanfiction at 12, and the stuff I wrote was beyond cringe-inducing. Mary Sues, flat descriptions with no life to them, using too much emotion or too little, unrealistic reactions and irrational decisions from every character unfortunate enough to be involved - you name it, I wrote it.

All of this is a perfectly normal part of writing, even if I'd rather walk into the sea with a canon ball lovingly bundled in my arms rather than let any of it see the light of day ever again.

Through these horrible, absolutely godawful first steps into the world of writing, I grew. I got negative reviews, and supportive ones. I took breaks and tried again later. I wrote and rewrote. I erased entire documents and started from scratch more times than I can count (which I kind of regret, hence my advice to make a junk drawer document). I spent weeks, months, even years using my maladaptive daydreaming to hone scenes, refine characterizations, and tweak plot ideas. I have stories and worlds in my head that have been percolating for a literal decade or more, and they still don't feel ready to put onto paper yet - but if I don't start despite that, they never will be.

So don't be afraid of writing badly, and certainly don't let that fear stop you from writing at all. After all, churning out a rough, unrefined first draft is the first and most important step to learning how to write well.

✒️SPECIFIC WRITING ADVICE

The first, best piece of specific advice I ever got when starting out was this:

🌟Describe the scene as if you were describing it to a blind person.

(I always took this advice to mean someone who had recently lost their sight, rather than someone who would have no shared frame of reference for visual descriptions, but you're quite welcome to interpret it differently.)

The colours and shapes we readily think of when it comes to describing a scene are important, but what about texture? Scent? Taste? Scent in particular is hugely important to people because it's directly linked to our memories, but sound and touch are also very important for setting a scene. By excluding those details, you are robbing the audience of layers of immersion.

Think about the sights and scents and sounds around you as you go about your day. How would you describe them? The smell of coffee from across the room - is it earthy, bitter, burnt? Is Karen from accounting eating fish tacos again, despite multiple complaints, and now the cloying, oily aroma of microwaved fish has saturated the entire office? What about the warmth of sunlight streaming through a nearby window against your arm, the way the light catches on the hard edges of the furniture and the highlights in a woman's hair. What about the sound of your shoes against the floor as you walk, the click of heels and the shuffle and squeak of sneakers? Think about how you would describe what you're wearing, beyond bare facts. The softness of the fabric, the sturdiness of the construction, the weight of the material - how would you put them into words?

Spend time actively paying attention to the world around you, to conversations and scenery and people, and ask yourself: how would I write this?

The second piece of advice may seem contradictory, given the first, but it's worth hearing anyway:

🌟Sometimes less is more.

Descriptions and explanations are an important part of story-telling, enhancing the scene and building the world around it, but there's a time and a place. We don't need to know every single descriptive detail about the main character in the first paragraph, or even the first chapter. We don't need to know the entire history of the new alien species the moment we meet them, or even for years after the first encounter. We don't need to wade through ten pages describing how strange and bizarre the alien trees are, nor do we need three different descriptions of the shape of each leaf on every branch.

Learn to space out your expositions and descriptions. Treat them like sprinkles - they look better when they're spread out over the whole cake, rather than clumped in one spot.

My third bit of general advice is this:

🌟Don't rush it.

It's really, really tempting to rush towards that one amazing scene you have planned out in your head - the one with the big emotional impact, the plot twist, the big scene - but don't! Hold off! We, the readers, don't know about all the details that lead up to that scene. We don't know about the layers of meaning and all the build up that leads to that great pay-off. Without that, we simply won't get it. We won't understand what you're trying to convey, or why it's such a big deal.

Take the time to build up the story, to show us how your characters learn and adapt and grow with each challenge. That journey is important. It might feel tedious, like a slog you have to get through to get from Point A to Point B, but we need it! We need those scenes, those moments, in order to stand where you want us to stand when the big scene begins, to know what we need to know and feel what you want us to feel as we watch it happen.

And finally, my fourth and final bit of specific advice:

🌟Wish fulfillment is fun, but realism is what draws us in.

We have all made Mary Sues, Gary Stus, and every possible permutation of them, even if we never quite put pen to paper with them. Many folks who get into writing start by imagining a character who serves as a kind of wish fulfillment or power fantasy put into writing. It's perfectly normal - but the thing to remember is that those characters are a bit... bland. They don't struggle. They don't fail. They don't lose. Or if they do, it's not in a meaningful way. That kind of character is so divorced from reality that it breaks the readers' suspension of disbelief.

Everyone alive has a combination of talents and failings, weaknesses and strengths, insecurities and weird quirks. That's part of the Human experience. A perfect, flawless character defies that experience, and thus we cannot relate to them. The character becomes flat and uninspiring to the audience, and once that happens all that remains is apathy. When there are no stakes, there is no investment. Why should we care about a character who will never fail against even the most overwhelming odds? We already know the ending, because the character cannot lose.

So I urge you to really look at your characters. Some folks recommend taking "Mary Sue Litmus Tests" and such to get a rough idea of how your characters might be received, and those are certainly useful tools - but they are not the only tools at your disposal. Read constantly. Watch films and documentaries alike. Try out new show and book genres, even the ones you don't think you'll like. Really look at the people around you, at how they act versus what they do, and how their unique combination of personality traits and flaws coalesce into a perfectly ordinary person. Inspiration is literally everywhere around you, if you look for it.

Now, everyone creates characters differently. Some folks start with an idea, or a core concept, and build the character around that. Others make characters more procedurally (wherein those "20+ questions about your OC" posts are actually quite useful), and some even use generators to slap a bunch of traits together to see what sticks. Some characters seem to spring fully formed from the ground one day, and others can take years of tinkering to really come into being.

Look for inspiration everywhere, and you'll eventually find a way that works best for your writing.

...I know, I know. You asked for advice and I wrote you a book. If you've made it this far, kudos. Writing can be a lot of work, but never let it be anything other than a labor of love.

[howlingday]

tragic backstory (tm) au) having slayed a dragon and saved his friends jaune's kinda feeling himself. well we can't have that now can we?

as per the rules of d&D you let your characters kill something big to make them feel great and have them fight a bunch of small things to humble them. like goblins!

the goblins in question are toddlers, human toddlers I mean. and jaune's mission is to baby sit them

Another War

Jaune: Come on. Come on. ...Da- I mean, darn it.

Nora: Nice save, Jaune!

Pyrrha: Still nothing from your sister?

Jaune: No. I've tried calling her, but I get sent straight to voicemail. I tried calling Mom, but that only gets Mom a locked door in her face. It's not good for her to be shelled up like this.

Ren: It's understandable, though. She likely feels responsible for what happened with Adam.

Jaune: She shouldn't, though! I never blamed her, and I never will. What happened that night was a complete accident.

Nora: Except when you totally kicked that guy's butt!

Pyrrha: As expected of our future king.

Ren: A decisive victory for all to see.

Mercury: (Jamming on his headphones)

Jaune: Ugh... I wish that last part wasn't true.

Pyrrha: Oh! The bullhead is here.

Nora: Woohoo! Springtime, here we come!

Ren: You packed your motion sickness pills, right?

Jaune: ...

---------------------------------------------------

Cinder: And how exactly is visiting a daycare supposed to improve his training?

Ozpin: First, it is a beginner school, not a daycare. Second, it will help him maintain self-control. His training has improved his strength, reflexes, and endurance just fine, but all of that is wasted if he's expended all his energy on the first move.

Cinder: And dealing with snot-nosed brats are supposed to help with that?

Ozpin: Have you ever interacted with children that much younger than you?

Cinder: No, because I don't want to be anywhere near them.

Ozpin: And why is that?

Cinder: Because I don't want to.

Ozpin: You're afraid, aren't you?

Cinder: Listen here, you-

Ozpin: It's only natural. For one reason or another or yet a third reason, children can terrify us. Be it their boundless energy, their piercing cries, or even their fragility itself, controlling your strength when near them can be a most daunting task.

Cinder: ...

Cinder: Hey. Do you really think he can beat her?

Ozpin: As he is now, no. In time...

Cinder: ...Yes?

Ozpin: I hope so.

---------------------------------------------------

???: HAHAHA! Team JNPR!

Jaune: Hello, sir! (Extends hand) My name is- HURGH!

???: (Crushing Jaune) Oh, there's no need to introduce yourself, Mr. Arc! Ever since your debut, the children have been talking about you non-stop.

Jaune: Oh... Really...

???: Of course! You're a hero! Oh, but I'm getting ahead of myself. I'm Johann Trüllen, the headmaster of Springtime primary school.

Jaune: Er, nice to meet you. This is my team. Nora Valkyrie.

Nora: Hi~!

Jaune: Pyrrha Nikos.

Pyrrha: Hello!

Jaune: Lie Ren.

Ren: Hello.

Jaune: And Mercury Black.

Mercury: (Still on his headphones)

Jaune: Mercury?

Nora: (Grabs headphones) Hey!

Mercury: Hey! Hands off, dammit!

Johann: HEY! WATCH YOUR MOUTH!

JMNPR: ...

Johann: (Ahem!) Excuse me, but we have a strict no swearing policy.

Nora: Heehee! Sucks to be you~!

Johann: That's pushing it.

Nora: Wha?! How?!

Johann: Come along now! The children will be excited meet you all!

---------------------------------------------------

Emerald: (Lays down card) Boom! I win!

Ruby: Wha- You cheated!

Emerald: Listen, you might be good, but you're not that good I have to cheat.

Weiss: (Takes cards) I don't know why I'm surprised. A thief would be a decent card player.

Emerald: I don't know what to be more offended by; you calling me a thief or decent card player?

Blake: (Reading) I would say the thief remark. You're not a thief anymore.

Emerald: Tell that to Mr. Bunny Love down the hall.

Blake: Bunny Love? Who-

Yang: (Walks in) Guys, you're not gonna believe it, but Cardin is freaking out right now!

Ruby: What do you mean?

Yang: He's outside, and he's being chased by Professor Goodwitch for tearing up Beacon looking for something.

Weiss: What's so important that he's tearing up campus property?

Emerald: (Smirks) Oh, I can think of a few things~.

---------------------------------------------------

Jaune: And that's why, no matter where you go, or what you do, you should always think before you leap! ...Seriously, you have no idea how important thinking is. Uh, are there any questions? (Flinches from kids clamoring)

Boy: What was it like to ride a horse?

Girl: Do you have a girlfriend?

Boy: What's your favorite color?

Girl: Who's your favorite superhero?

Jaune: (Thinking) I pour my heart out to give these kids the most important life lessons, and they don't care in the slightest... Is this how Mom and Dad felt?.

Nora: (Giggles) I can answer them in order! He hates riding Ichor because he keeps getting stomped on. He doesn't have an official girlfriend... yet. His favorite color is viridian lavender. His absolute favorite hero is The Huntsman. His favorite food is...

Pyrrha: It seems Nora can keep up with them.

Ren: Could you trust anybody else? (Smiles) I've never met anyone has energetic as Nora until today.

Pyrrha: Are you getting ideas, Ren?

Ren: I don't know what you mean.

Mercury: Yeah, sure. Whatever you say, dum-

Johann: (Glares)

Mercury: (Looks away) Dum-tee-dum-dum...

---------------------------------------------------

Jax: Would you stop humming?

Gillian: Pardon me, brother. I heard it on the radio as we came in.

Jax: Well, keep it to yourself. It's hard to think with your buzzing around me.

Gillian: Forgive me. What is our plan?

Jax: We are to seduce this supposed "King" of Vale and their most powerful student as well.

Gillian: How are we to do that?

Jax: In your regard, you must study him. Learn his true nature. Get in close and become the perfect fit for his missing piece. Meanwhile, I shall look over the recent articles regarding his entourage. Power draws power, as you know.

Gillian: Of course.

Jax: Once we find them, we use our divine right as the King and Queen of Vacuo to make allies of them. They become ensnared in our plan, and become servants to the Crown.

Gillian: And if we are unable to seduce them?

Jax: Well... That's when the fun begins.

---------------------------------------------------

Kids: (Waving good-bye, Cheering)

Jaune: (Waves back) Haha, yeah! I'll, uh, see you guys another time, maybe! (Chuckles)

Pyrrha: It was very nice of you to visit the school, Jaune.

Nora: Yeah! Those little kids are gonna remember this for the rest of their lives!

Mercury: Or whenever the next new video game comes out. Who knows?

Ren: I'm sure there are plenty of students who will remember this. There are worse memories they could experience.

Jaune: Yeah, I guess you're right. Oh! Hang on, I just got a message from my sister!

Text: We need to talk.

Pyrrha: Is it from Cinnamon?

Jaune: Yeah! I gotta- Hang on, I think I have a signal closer to the cockpit!

Mercury: Better hurry. They'll be back from their smoke-break soon.

Pyrrha: They don't smoke.

Mercury: Or snack break. Potty break. Whatever! Point is when they get back, you're gonna make 'em miffed.

Ren: Miffed?

Mercury: Look, the sooner we're away from that huge, hairy headmaster, the better!

Nora: Huge hairy headmaster! Huge hairy hearmaster! Huge hairy hairmaster!

Jaune: Come on! Come on! Yes! (Scroll dies, Hits panel)

Jaune: (PA) NO! DAMMIT! SHIT SHIT SHIT! FUCKING COME ON, MAN! WHAT THE FU-

Pyrrha: JAUNE!

Nora/Mercury: (Laughing their asses off)

Ren: (Covering his face) Your PA was on.

Jaune: (Looks down at panel, Confirms light, Looks outside, Sees running pilots and absolutely livid headmaster)

Jaune: AH... CRAP-BASKETS.

[theneighborhoodwatch]

Hi! Gonna start off and say that I love the work you're doing with the Welcome Home neocities website! It's perfectly stylized for the project/puppet show and I can see the work you're putting into it.

I'd love to learn how to make my own neocities website (for fun? For a personal project??), so I was wondering if you could provide some tips and/or pointers for a first-timer.

Thank you!

HAHA well first of all i'm flattered that someone would think i'm skilled enough to be giving pointers in the first place. i still consider myself a novice when it comes to web design (for example, if you're wondering why every page on welcome to welcome home has its own CSS, it's because CSS is Way harder for me to wrap my head around than HTML) so i can't give any Super advanced tips, but i can at least write about what's helped me so far:

GUIDES. neocities has its own tutorial and list of HTML/CSS resources, but user-made guides are your best friend when it comes to figuring out where to go from there. a.n. lucas and pauli kohberger both have really good guides for beginners, but for the more advanced stuff, i found myself referencing the resources on solaria's webspace and sadgrl.online the most. w3schools is also very helpful when it comes to answering more specific questions like "how do i use two different fonts on the same page?" (and probably more.) if all else fails, then usually just googling "how to (x) in HTML" or "how to (x) in CSS" will yield at least one useful result. for making your website more accessible, there's the accessible net directory and this masterpost by foxpunk on tumblr.

it sounds obvious, but it helps to have a solid idea of what kind of site you want to build before you actually dive in, and then snoop around on neocities to get an idea of how other users approach the same topic. for example, i got the idea to start a welcome home wiki on neocities after being reminded of the 8:11 wiki on the same site, and then i spent a couple days just looking up stuff like "wiki" or "fansite" on neocities and then clicking on any page that caught my attention to study it.

layouts! there's no shame in using a premade one, and you can even learn more about HTML/CSS in real time just by messing around with the base code before implementing any intentional changes. sadgrl.online's layout builder is a VERY popular choice, since you can already do a lot with the basic options it offers and it's easy to further customize once you have it set up on your page; it's what i used to make welcome to welcome home. sadgrl.online's webmaster links also feature a bunch of other options under the "layouts" tag, and if none of those work for you, then you can even find something just by looking up template/templates/layout/layouts/HTML/CSS on neocities itself.

side note: if you're reading this and you want to make a wiki then you can also use this wikitable code. it came out after i had already established the Look of welcome to welcome home, so i probably won't implement it any time soon, but i TOTALLY WOULD HAVE if it was around when i first set the site up.

you can scale images up or down using percentage, with 100% being the image's default size. i don't know how helpful or acceptable that is, but i use it a lot.

don't feel pressured to get everything done at once, even if you expect people to be visiting your site frequently. usually if you just slap on an "under construction" gif or even just write "hey this site is still under construction" then people will understand. i don't think i've ever seen anyone get super huffy about slow updates on neocities, anyway.

EDIT: OH. GRAPHICS. i mention all of these on welcome to welcome home's front page but i Also wanted to note them here: betty's graphics and websets by lynn both have HUGE collections of background tiles and other graphics that work especially well if you're going for that old web charm. i also like to use this mirror of patterncooler for backgrounds bc of the customization options. you can also make your own background tile and then use a seamless tile maker like this if all else fails.

EDIT 2: ALSO. obviously. do not be like me and use discord or any other chat client as a filehost, no matter how promising it looks, because one day you WILL get a very nasty surprise when the request signature on those urls expire and the images are no longer accessible on other sites. there are a myriad of other filehosts out there, but personally i recommend file garden (and also donating to file garden if you can, even if only for a couple months. i know i said that just yesterday, but if it gets more folks to subscribe then i'm gonna keep saying it.)

[persona-5-the-gaybreakers]

I’m not asking for an actual timeline of the game development process, I was just wondering what you had expected as far as a time frame when you started? I’m new at programming and game development myself and I know it takes a long time, especially on a solo mission, so I was curious if you were pretty close to estimating your skill level in terms of getting where you are… if that makes sense?

To be up front, I'm not the best person to ask this. I'm a hobbyist, and do this between the occasional commissions, my day job, ADHD, and frequent health problems.

When I suggested this game about 8 years ago, I was in art college for an animation degree with just a few *coughpoorlytaughtcough* game dev classes. I thought I could make it in maybe 3 years because that's what I heard was a usual amount of time, only to stop for a several year hiatus until about 2022. I only recently started learning how to pull my shit together in the form of doing small build after small build. That's still an uphill battle with ADHD, but I'm trying.

I didn't start my dev journey..."professionally," as it were. I still treat this as skill building. Like a beginner pianist who's learning their scales and how to read sheet music. I learned the most about the engine I use, RPG Maker MV, by fucking around in projects that didn't get too far. I love to push it's limits by attempting to execute visual elements that the engine wasn't built for, which requires me to learn about it's basics. I'm as clear on the path to the end of this game only because I have a good grasp on what MV can do now, on top of dropping some features that crept up on me.......I was actually planning to animate every menu in the beginning. Like a maniac.

So, uh, my answer is I missed my timeline by a huge margin and I'm still terrible at estimations. I try not to let that past hold me back though.