#(although i don't know if this is really meta?)

[starflungwaddledee]

Song quiery/request: Starstruck and Meta? o:

starstruck and meta knight (gen... ish?) ; liar by the Arcadian Wild

i sense deception to come, honestly, truth and i are never one coz i am the lying man, and i have made you my next victim oh, i need you to see through my act, to tell me i'm wrong, to take off the mask or else i'll be left in the lie, and i'll deceive my way straight to demise

[mooniety]

Concerning your last post, is there any chance you can tell more about your pupupu train au 👉👈

HI YES OF COURSE I AM FINALLY GONNA ANSWER THIS I AM SO, SO SORRY FOR TAKING SO LONG, MY BRAIN JUICES HAVE NOT BEEN FLOWING & I HAVE BEEN MENTALLY STUCK IN ESSENTIALLY WHAT IS AN EXTREME LACK OF MOTIVATION ALONGSIDE COLLEGE!!!!!!!!!!!!!!!!!!!!!!!

however, i will admit that this is AWFULLY barebones as what i have in my notes app besides this post is legitimately just a bunch of random comedic bits i've made regarding these two in a pupupu train context, mainly the "haha mk refuses to let susie transfer" bit

fair warning: this is a very metasusie coded answer so anyone who is uncomfortable by the ship, i really don't think this is your cup of tea ^^; sorry!

also here's cut so no one needs to read this freakishly long answer if they aren't interested

as of currently, i'm not really sure how the other units will work, but i do know that it will be based on the separate station masters of the real life collab:

kirby for tokyo

dedede for osaka

mk for nagoya

& with station masters comes units, & with units comes staff, which is where our favorite allies come into play:

in kirby's unit is magolor, who's only interest appears to be the fame it will bring him. despite being part of the most popular unit throughout japan, magolor wishes to be recognized, unhappy that he is simply regarded as another employee of japan's top unit, with kirby taking all of the press & fame

within dedede's unit is taranza, who finds trains to be a great solace after applying to the osaka train station as an internship during his stay at osaka university & since then has become a full time employee, working as the assistant station master. he appears to be romantically interested in a woman named sectonia who frequents the station. it's unknown how she feels about him though.

& in mk's unit...IS SUSIE, WHICH IS WHERE I'M GOING TO TAKE A HUGE DETOUR TO JUST TALK ABOUT (because i legitimately do not have this entire thing fleshed out despite it being over several months since this ask was sent in --again, i apologize.)

so, let's talk about susie! (best girlfailure 😍)

susie is an employee of the nagoya station, currently working as assistant station master. she's built her entire way up to her current position, initially working as a humble customer service worker to within several months the position she is currently after proving her worth through helping during dire situations at the station with her extensive knowledge in engineering

she got this job from taranza, an old high school friend of hers that she managed to keep in contact with. aware she was going to graduate from tokyo university soon & wanted to continue living there afterwards, he told her that job applications for all the train stations were opening up soon & recommended she start there in order to get some good experience or at least build a stronger resume for the future, even doing her the favor of recommending her specifically to kirby. although it didn't really seem to entirely work out unfortunately --good job on taranza for at least trying though, we all need a friend like him frfr 💯💯

unfortunately, even after climbing up the ranks, she's still somehow considered a nobody, often relegated as another typical staff member of the station. to add to her frustration, there's a frequent rumor regarding whether mk even has an assistant station master as he's known as "the lone station master" (DO YOU GET THE REFERENCE 👁️👁️) as the position of assistant station master was vacant for over a year until susie came along. they assume that whoever they are, they seem to rarely make an appearance (despite susie's near perfect attendance, even in comparison to mk himself)

well, now that i've mentioned mk, let's talk about him too:

unlike susie, mk is simply said: the literal face of the nagoya station. everyone knows about him & likes him--he's charming, he's eloquent, knows class, & although he can be overly elaborate at times, people like that about him --he's just a very DEMURE man in general (I WROTE THIS PART WHEN IT WAS STILL FUNNY PLEASE LAUGH 😭)

on the other hand, susie DOES NOT like him very much!!!!!! she finds him EXTREMELY annoying, a HUGE attention seeker, & VERY irrational

because of this, mk enjoys picking at susie as a pastime activity, especially over the fact that instead of getting a job for kirby's unit, she ended up working at mk's unit due to her father's address being in nagoya, the cause of it all

even though mk's a frequent dick to susie, he DOES see the effort she puts into her work &--even though he might not show it--greatly respects her as a result. after all, how did she get promoted to assistant station master? vul could've taken it as the longest standing senior member of the crew but mk chose susie instead

generally said, these two essentially have this rivalry on who can piss off the other most, evolving from "i hate you, i cannot stand you & i want you to know that all while NOT losing my job ^-^" to kaguya-sama: love is war type shit as they're both DEFINITELY into it & DEFINITELY into each other

small detour for those who haven't watched or heard of kaguya sama: love is war, it's a great romantic comedy anime/manga & i recommend watching/reading it if you ever find the time & you're into that kind of stuff, very cute & very funny

anyways, going back to susie, despite susie's attempts to piss off mk herself, unlike mk's more...elaborate ways of pissing her off, she typically has to go for the low blows which typically never works or if they do, he immediately gets back at her or if it really pisses him off, he will straight up pull the "i'm your boss." card which is a line susie wishes to never cross as long as she lives!

outside of mk, regarding her relationship with the rest of the nagoya station unit, she's relatively neutral as she doesn't really talk to any of them much outside of work, the only person breaking that rule being sailor dee, a junior staff member who she currently supervises with vul who, as stated previously, is a senior staff member. she enjoys spoiling sailor dee a lot & views him a lot like a younger sibling. she finds his passion for engineering inspiring & she can see a lot of herself in him

however, she does know others outside of her unit, such as magolor, who she met through taranza. as an interesting tidbit, out of the three, magolor is the youngest (& shortest), being 20 as he went to study abroad & graduated early before returning back to japan. taranza meanwhile is the oldest (& tallest) of the three, being 23. susie meanwhile is 21. (for anyone curious about mk's age, he's 24 in this au, which would mean susie & mk have a 3 year age gap)

mk really doesn't like magolor & doesn't want susie to be in a 10m radius of him, & although he doesn't know much about taranza's relationship with susie, he still doesn't want to take any chances

in terms of mk's own relationships, besides the wave 3 trio, he's basically buddy buddy with the rest of the nagoya station unit, absolutely adoring them. in terms of the other two station masters, he's best buds with dedede & views kirby as a younger brother, similar to how susie views sailor dee

going back to susie once again, although she does enjoy her job, she does wish she could maybe transfer to other units because they include closer friends such as magolor & taranza. however, whenever she looks for the transfer applications, they never seem to be there despite mk's claims of restocking them every single day. furthermore, whenever she goes to print out one out instead, the file is also corrupted to a degree that even susie can't save.

even more suspiciously however, the one day mk forgets to hide the transfer applications & witnesses susie take one (he definitely had heart palpitations after witnessing her actually do it), he has never received the application back from her.

now...i've been waiting for this part for a really long time now as this has practically been in the back of my mind ever since i received this ask...THEIR BACKSTORIES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

since susie's isn't all that interesting since she already gets tortured by mk, i'll start with hers first:

ever since she was born, susie has lived comfortably in nagoya, practically surrounded in wealth. however, this was all without her mother, who had shortly passed away after giving birth to her, thus the only parent she's ever had is her father. she's only heard snippets about her mother, but because she's never actually met her mother, she doesn't feel particularly close to nor all that curious about her

going into the logistics of her wealth: it is primarily old money, both of her parents--similar to her--born into wealth inherited from past generations. however, in spite of primarily consisting of old money, haltmann would eventually manage to hit it big through an ice cream machine & other similar appliances business he called the "Haltmann Works Company," thus the haltmann family would become a combination of both old & new money, so now…they've just gotten richer!!!!!!!!!!!! however, in terms of their ways & methodologies, they are VERY old money

despite the company's large success however, haltmann & susie would over time become much more distant: haltmann focusing on taking care of the company over his daughter & susie rarely ever able to see haltmann

however, as a still young & naive child, in order to feel some sort of closeness to her father again, susie would be inspired to share similar interests with her father, & would begin to secretly attempt to create inventions on her own

this would eventually cause her to get into a freak accident, leading her to retain a large scar on forehead hidden beneath her bangs & experience mild nerve damage on both arms that she would fortunately completely recover from after several months of physical therapy

however, at the moment, haltmann--fearful of what the press would say & the potential decrease in profits--would close her off from majority of the world, forcing her to keep her distance around others & a relatively low profile, even long after her recovery

that did not mean that he completely did not care for susie though, as during her slow recovery, haltmann would gift susie her mother's favorite silver pocket watch, "Star Dream," within it an old photo of him & her deceased mother carrying susie when she was around two months old.

unable to normally interact with others beyond the haltmann household now, susie would develop a large inferiority complex as she grew up, feeling the constant need to appear flawless & perfect. this would culminate into her often masking in many social situations, especially business related ones

regarding susie's school career, she lived her life going to the best private schools, receive perfect scores all across the board, took multiple extracurriculars --she was essentially your stereotypical perfect student

as stated previously, in high school, she would meet taranza, who was two years her senior & had similarly came from a wealthy background of old money. he would be the only person susie would ever consider a friend, her first real friend even (TARANZA SNATCHED THE TITLE FROM MK, WE LOVE A QUEEN LIKE THAT 💅💅💅)

however, despite being the supposed perfect student, susie was extremely emotionally stunted & very socially awkward, often keeping everyone at an arm's length & unwilling to let her walls down to anyone, not even taranza. she would get by through masking, using it as a defense mechanism--at that point of time in her life, she felt as if it were only her against the world--& as a result, unintentionally isolating herself further.

after graduating high school, thanks to her extremely successful high school career, she would be immediately accepted into tokyo university, graduating with a bachelor's degree in mechanical engineering

susie found tokyo university to be a breath of fresh air, a place where she felt she could just be: normal. she felt free during her time there, especially free from the constraints of her father. even though she still felt the need to keep up her prim & perfect persona--as the effects of her past basically already taken root deep into her identity--she nonetheless felt...free.

unfortunately, after graduating tokyo university, haltmann despite his success had been significantly dwindling in health, his health finally reaching a peak immediately after susie's graduation, falling into a crippled state

susie would be forced to go back to nagoya in order to take care of him & the haltmann household, frustratingly postponing her desires to pursue a life in tokyo but also causing her to feel an unreasonable sense of extreme guilt over the fact that she even wanted to abandon her responsibilities in nagoya to pursue her own aspirations in the first place (i specifically state "unreasonable" as it is not her fault for her father's poor health despite how she may feel, there is absolutely nothing wrong with pursuing your aspirations, even if they might be different from what is expected of you by parents & peers)

however, over time after being hired & continuing to work at the nagoya train station, she would eventually find her job to be a blessing in disguise as despite losing opportunities to pursue a life in tokyo, she would be able to reconnect with her father & finally let down her walls (THANKS TO MK), developing genuine relationships for the very first time (HER FIRST ONE BEING MK --lowkey i feel like this is how mk would act, just a huge egomaniac, but he does so as half joke, half who he really is)

as a semi un/fortunate little tease: susie will eventually move on from her job as assistant station master to fulfill the new aspirations she's found after working at the train station. the good news however, is by that time, she'll be in a romantic relationship with mk (MAYBE EVEN MARRIED WHO FUCKIN KNOWS!!!!!!!!!! (i don't)) & still live in nagoya…with him. :DDDDDDDDDD

however, unlike susie's backstory, mk's is much sadder...because he's mk & there seems to be a large consensus that the fandom must torture him in some way 👍👍👍 (ALLEGEDLY ALLEGEDLY ALLEGEDLY, IN FORTNITE, IN MINECRAFT):

mk came from a middle class family with the typical stay at home mother & breadwinner father, thus living a fairly decent life in nagoya

however, while mk was still in middle school, his family would suffer a horrific car accident that would only leave him as the only survivor of the tragedy

this would quickly worsen as immediately after his parents' funeral, he was siphoned of all of assets, including his own house & essentially abandoned by the rest of his family

this would cause mk to become bitter & resentful of others, & he would establish a negative outlook of the world

with no money or home to go to, he had to immediately drop out of school after completing his middle school education in order to find a job --being just barely eligible enough to apply for any sort of occupation

fortunately, he would eventually find work as a full time janitor at the nagoya train station

there, he would meet gk, the current station master at the time --though during the first few months, they did not know each other very well--gk barely aware of mk's existence--only aware that they humorously shared the same surname despite not being related

however, one day, due to extreme exhaustion from working overtime literally every day & obviously not in the right mindset as a high school dropout who essentially lost everything, mk would nearly fall in front of an upcoming train, gk being just there enough in the nick of time to save mk

from that point on, gk would learn more about mk, primarily using vul as his main source of information (as mk would only talk to him out of everyone else in the unit)

through this, he came to the decision that he would help mk out, acting as his guardian, especially after learning about his orphan status

as his new guardian, gk would send mk back to school. however this would not be an easy task as mk didn't want to lose his job due to school (fearful that gk might abandon him like the rest of his remaining family did as well as potentially siphon all his money). thus gk would compromise, changing mk's schedule to part time during the weekends as well as personally pushed to pay for mk's expenses until mk was financially stable enough to move out as mk could barely afford any sort of rent or even groceries--but most importantly of all--afford a normal life again.

in addition, after graduating high school, gk & the rest of the current nagoya unit of that time would pitch in to help mk go to a junior college where he would pursue a major in mechanical engineering & achieve an associate's degree

living with gk would really change mk's initial negative outlook of the world to something much more positive. he can attribute some of his current eccentricities from gk such as his charm & borderline irrationality/overly elaborate nature as well as enjoyment for picking at susie (as gk teased him A LOT, though in a much more lighthearted way than what mk does to susie)

once finished with his studies, mk would move out & quickly climb up the ranks until he became assistant station master himself & eventually the new nagoya station master after gk’s retirement (who was at that point in his mid 70s, my man just enjoys trains yk)

after becoming the new nagoya station master, gk would gift mk his old gold pocket watch called "Galactic Nova"

he would work as the new station master for a bit over a year before meeting susie

funny little tidbit about gk since we've practically reached the end:

gk likes to call susie "mk's girlfriend," even before they were in a relationship (HE CAN SMELL LOVE FROM 1000KM AWAY)

he initially did this as a joke, but when it became real, he switched it up to "mk's wife." idk what he's gonna call her when she actually does become mk's wife. maybe just susie.

furthermore, when he learned susie called mk "Yumeta," whenever he refers to their relationship, he calls mk "Yumeta-chan" to get under his skin, but normally, he calls mk "Meta-chan" --unironically. he really enjoys using the "chan" honorific for mk & when i think about it, probably everyone. (this is a big headcanon of mine that goes beyond just this au)

eh, he's a retired old man, he can do whatever he wants as long as it's not illegal

ANYWAYS I HOPE THIS ANSWERS YOUR QUESTION, AGAIN, I AM SO SORRY FOR TAKING LITERALLY NEXT YEAR TO ANSWER

[starkaabii]

oh nova

hello kirby fandom it is time to relish in the kirby artist experience (based on things i am all guilty of)

[kermdoeswriting]

Bruce Wayne's a Foster Parent. Also he avoids death a lot so a dead person can usually tell if a humans meant to have died but didn't.

------------------------------------------------------------------------------

"Bruce you know I wouldn't ask this of you if I didn't have to but-"

Bruce just sighed from his side of the phone, pinching the bridge of his nose.

Nobody ever really expects to get a phone call nearing 3 am but exceptions had to be made when you were a legal foster parent and also a part-time secret super hero. If it wasn't one thing calling for him it was the other.

On the other side of the phone, Bruce heard the caseworker, Roni, chuckle.

"It's just for 3 nights and half of the day after, but I need you to be prepared for something before I can pass them off to you."

Bruce sat upright now on his bed, attentively listening to her words. Usually the kids didn't really come with any pre-warnings from the Caseworker themselves, letting anything about each Foster kid be said inside of their personal files that got sent along with them.

But when she gave out this information it was usually important. The last time Bruce had gotten a warning like this it was for Jason which was ages ago it feels at this point.

"What is it?"

"The kids are-" Her voice trailed off, like as if she was still searching for the right words to say. "They've been through what I can honestly only describe as the equivalent to a meta-kid trafficking lab"

Bruce shifted as he heard the driving continue on the other side of the phone.

"They're very guarded because of what they went through and they might display.. unusual behavior. More unusual then a meta-kids behavior after such a situation would be, but don't let it fool you! The kids are really sweet beyond being afraid."

Bruce frowns at the descriptions before replying to her, mentally trying to prepare himself for the idea of these kids and what they might have went through.

"I'll make a note of it then. Thank you, Roni"

"No, thank you, Bruce. I really appreciate this last minute placement. We'll be by really soon"

He was left with a click as he removed himself off his bed and threw the covers to the side of him. Alfred would want to know that they would have 2 new guests in the manor, at the very least to greet them and have rooms prepared even if they didn't need to have them prepared further then what they already were.

It was less then 5 minutes later that Bruce found himself, with Alfred, greeting the temporary fosters at the front door. Roni looked tiredly at them as she pushed the kids front and center.

Bruce could relate heavily.

"Hello Danny, Ellie. It's nice to meet you both, I'm Bruce Wayne."

Danny just stared at the mans outstretched hand for a second before he turned to look up at him, a pinched look on his face. Ellie matched his expression, although being a bit more subtle about it as she looked over Bruce as a whole.

Eerily, Bruce felt like his very soul was being judge the longer the kids stared at him. He also felt a sense of familiarity with these two kids the longer this continued.

They seemed detached rather than afraid like their caseworker had explained earlier, more so viewing the world as if they were outside of it rather then in it in any way.

Danny was quick to glare at him after another moment, "You're a fruit-loop, aren't you?"

Ellie broke from her own scanning almost immediately when she heard Danny's comment, cackling beside him before shoving him off with her arm. The action made Bruce smile as he took his arm back and placed it by his side.

Alfred also looked amused between the pair of siblings before turning attention to the task at hand again. Bruce just smiled at his pseudo-fathers usual fondness over children, knowing he was being reminded of his own grandchildren.

"This is Alfred. He's going to be the one to show you over to your rooms for the next few nights." Alfred greeted the kids in the same polite way he usually greeted all guests before he leaned down and extended his hands towards their belongings. He didn't grab their belongings just remained leaning over them before questioning the kids if they would like help to take their stuff to their rooms.

Bruce only really saw it faintly and if it were any other moment he might have ignored it as a sleepless hallucination, but for some reason he noticed the change immediately. The twins eyes go from a darker blue to a flashing bright green.

As if alarmed by the sudden movement towards their belongings.

Danny was quick to catch his own staring as well, eyes flashing back to blue for only a second before reverting back to green. Almost as if to give off some kind of warning.

Ellie noticed his staring immediately and shoved Danny again, this time more forceful for his attention before turning to whisper something to him when she had him back.

Bruce felt his skin crawl before turning away to face their caseworker, not really understanding anything they were saying beyond hearing a few words and feeling their eyes look between each other and his back.

Death Touched was an especially new description, and one that stuck in his head the second he heard it.

Bruce waited until the kids were guided away by Alfred before talking to their caseworker officially and waking her up from her half delirious tired drop-off.

"Hey Roni? Is there any chance we can extend the Fenton kids stay?"

There was something going on here with these kids and he was going to get to the bottom of it. One way or another.

[actual-changeling]

welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.

the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.

they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.

they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.

now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.

a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.

the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.

i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.

additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.

the movement in order:

bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:

a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.

the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.

to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.

as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.

don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing

[moongothic]

Rereading Dressrosa for the first time in quite a few years, after having become a Crocodad Truther specifically, was a really interesting experience, mainly due to the relationship between Kyros and Rebecca and Luffy's very strong feelings about those two in particular

Starting with the latter point; watching Luffy get really passionate about making sure Rebecca reunited with her father, instead of the two never seeing each other again as Kyros had planned, was just really facinating to me.

Now there ARE layers to this; Luffy saw first hand how much Rebecca and Kyros love each. Even if he didn't know or understand all the details, he knew these two were family forced to live apart due to Doflamingo's rule and that, even though Rebecca didn't know Mr Soldier was her father all those years, he still looked after her and did all he could to protect her. Luffy understands how much they matter to each other. Luffy also gets that Kyros was trying to make a sacrifice out of self-loathing; Kyros saw himself as a bloodstained monster who did not deserve to be by his daughter's side, thus his insistence on them going their separate ways. But not only is that "sacrifice out of loathing" not a thing One Piece rewards within the narrative*, but Luffy emotionally understands what Kyros was trying to do was stupid as hell. *(See; Robin trying to save the crew in the CP9 Saga, Sanji trying to offer his head to Kuma to spare everyone else (because he saw himself as the "least worthy", compared to Zoro who believed he was the only one who could actually tank Kuma and survive), Sanji again during Whole Cake Island, etc)

Adding to that, in what I feel also harkens back to Alabasta (vaguely important since Dressrosa in many ways is a reflection of Alabasta); Vivi made her decision to stay in her home because that's what she wanted deep in her heart, because she loved her country. Just the same way, dethroning Doflamingo, getting revenge for her mother and reuniting with her extended family were all fine achievements. But all Rebecca wanted deep in her heart was to stay with Mr Soldier (regardless if he was her father or not). That's what mattered the most to her.

How could Luffy even think about leaving without making sure Rebecca was able decide on her own if she wanted to stay with her father, instead of him making that decision for her, not because it was truly "for the best", but out of Kyros' own guilt and self-loathing.

All of that to say; Luffy becoming so emotionally involved in Rebecca and Kyros' father-daughter relationship is perfectly normal and on-brand for him, it's not strange at all.

...At the same time. I could not help but to wonder if those two's relationship could somehow reflect Luffy's relationship with his estranged parent(s), and more importantly, kind of debunk the fandom idea of Luffy as someone who 100% does not care if people are related or not and has ZERO interest in Dragon etc

Like I have discussed this before but I've been meta posting for so long on here I'll repeat myself just a lil; I feel like it's less "Luffy doesn't care Dragon is his father" and more "Luffy doesn't know HOW to feel about Dragon". We don't know what Garp told Luffy about his parent(s), presumably and based on the conversation post-Enies Lobby it just seems like Garp never mentioned ANYTHING to Luffy? Like he didn't even tell Luffy a white lie about why his parents weren't there for him? We simply do not know. But what we do know is these three things: 1. Luffy hates being alone, even more than "being hurt". Being alone is his worst fear 2. Although Garp was responsible for raising Luffy, he wasn't always there, meaning other townspeople and Shanks' crew alike were equally "responsible" for looking after Luffy. 3. Meaning Luffy was essentially an orphan. Fans will joke about Luffy's surprise at him having a father being because he's stupid, an asexy and doesn't know where babies come from, and while I may not be fully able to debunk that conceptually. Like. It's just as possible that because Luffy was raised like an orphan, he might have assumed that either his parents were dead or had abandoned him because they didn't want him. And I'm going to argue that if that's what Luffy always assumed was what happened, yeah, it'd contribute to his fear of being alone. It'd explain why he'd be surprised to find out he actually does have a father out there somewhere. And yeah, Luffy might not know how to feel about Dragon if that's the case. Should he hate Dragon because he wasn't ever there for him (from Luffy's POV)? Why wasn't Dragon there for him? Did he really not want Luffy, or did he have some reason for leaving Luffy? What is he like anyways, is he nice or cool or a dickbag?? Should Luffy even care about any of that stuff??? All of that to say; I don't think Luffy is completely disinterested in Dragon, I think he doesn't know how to feel or think about Dragon, and it's not relevant to Luffy right now anyways because Dragon's like, out there somewhere while Luffy is on his journey. Where as, if Luffy were to meet Dragon, get to know what he's like, why he wasn't there for Luffy and most importantly, how he feels about his only son (does he care about Luffy and his wellbeing? Is he a Kyros or a Kaidou?)- yeah, I think then Luffy COULD learn to be interested in Dragon and care about him Not out of obligation (because of their blood) but out of Luffy's own will, out of Luffy's acknowledgement of Dragon's love for him

And yeah, then we get to add the ever-delightful layer of Crocodad Trutherism to this mess.

You know how my personal theory goes; that Crocodile's been trying to find a way to overthrow and nuke the WG (potentially with an Ancient Weapon) to make sure his long lost child would be able to live freely and do whatever the hell he wanted without having to fear the WG would ever target him because he has Evil Revolutionary Leader Blood coursing through his veins. That's what makes the most sense to me as Crocodile's ultimate motivation. To protect his child, no matter the cost, even if he had to become the devil himself.

And hey, what was the story between Kyros and Rebecca again? Kyros trying to overthrow a corrupt government (a fallen Tenryuubito to boot) to protect his child so she could live freely without having a target on her back?

I don't need to explain how One Piece does have repeating themes and motifs, surely. (Also there's something to be said about fathers in One Piece who would go to hell and back for their daughters, Kuma being another example, but that's a whole different essay. But Oda's Girl-Dad Agenda is showing)

But yeah, what's even more interesting here is how Kyros believed he didn't deserve to have a reunion with Rebecca. He commited a murder decades ago, and although everyone else seems to have forgiven him for that crime, Kyros himself still thinks of himself as a horrible murderer with bloodstained hands. Not helped by how Kyros thought him teaching Rebecca self-defence skills was a failure on his part as a father (instead of him doing all he could in the horrible situation they were stuck in; teaching Rebecca how to defend herself was absolutely justified, and Kyros shouldn't have blamed himself for anything there).

Kyros didn't think he deserved to be with his daughter because he wasn't a good father, because was a monster. And Kyros could not believe anything other than that until Rebecca essentially forgave him, by explicitly telling him she wanted them to stay side-by-side. That she wanted him, and no one fucking else, as her father.

And I once again repeat myself just a little as I ask; how would Luffy feel if he found out Crocodile was his father? How would Luffy feel if he found out the reason Crocodile was going to destroy Vivi's country was because he was trying to protect his son from the WG? And that son was Luffy himself? How would Luffy feel that the asshole who stabbed him through the gut, mummified him and poisoned him was his very own family? Who also saved Luffy's life the second he learned of their blood connection? How would Luffy feel in that situation, if he found out Crocodile cares about Luffy, and wants him to be okay? And how does Crocodile feel? After stabbing Luffy through the gut, mummifying him and poisoning the brat, does Crocodile feel like he has any right to call himself Luffy's parent, let alone father? He knows Luffy rightfully hates him for all the horrible things he has done, how could Luffy ever accept him?

The past is in the past and it can't be changed. But you always have the choise, the free will, to change yourself and become a better person. You can choose to do better things, to help others and be kinder. You can have a second chance.

Robin was given a second chance. Hacchi was given one too. Kyros was given that chance to become better. So why not Crocodile?

[gossippool]

what do you recommend for people who are very new to deadpool comics and looking to get into them?

hiii thank u for asking!! this is kind of a complicated question because there's no right answer really. especially with deadpool, there's no actual best starting point because besides the basic origin story that he was experimented on, everything else about him is fair game (he just lies all the time and has false memories about his past) and so all the comics are different, although some are connected. but here's a list of a few comics depending on what you want to explore (i have not read every deadpool comic ever so this is not the best list but i will get there):

for shorter and more lighthearted reads:

deadpool (2022)—SO so cute wade has a crush on this non-binary assassin and it's actually adorable how much he likes them lol. in terms of shorter deadpool comics i think this one is quite a standout [update: the ongoing deadpool (2024) is brilliant as well and is a direct more in-depth continuation of this]

deadpool infinity comic (2021)—a short partnership with sue storm. funny and the art style is so cute too

deadpool (2018) #6—the issues in this run are all kinda standalone stories (although they all connect at the end). they're all a fun time but this issue in particular is hilarious. comics usually don't make me actually laugh but this one did

for a more meta read that explores exactly what makes wade unique from other superheroes:

deadpool kills the marvel universe (2011)—in my opinion THE most iconic deadpool run, i'm sure everyone's heard of it lmao. a little darker but hey cameos from every marvel character ever. this was the first deadpool comic i ever read and it was a good time

for a familiar face from deadpool and wolverine (for other specific familiar faces you could just search "deadpool vs [character]" and that comic would probably exist):

honestly just search "deadpool and wolverine" and you'll probably get the whole list but here are some i've read that are lovely:

deadpool & wolverine: wwiii (2024)

deadpool vs. wolverine: slash 'em up infinity comic (2024)

weapon x-traction (2024)

for long in-depth characterisation that explores a lot of deadpool lore:

deadpool (2012)—if you've been following me you might know this is my favourite deadpool comic ever. it's pretty depressing and much grittier than the movie deadpool you might be used to, also REALLY long so it can be daunting but it's very worth it imo. it starts to get really good by the good, the bad, and the ugly issue and there's just SO much in it. for me wade in this run is inseparable from wade as a character to me (this comic is also followed up with deadpool (2015) and despicable deadpool (2017). these aren't necessary to read because 2012 kind of wraps up on its own, but it's definitely bittersweet to get to the end)

deadpool (1997)—another hulk of a comic run. i have not read this yet but i've heard very good things about it, and many people say that joe kelly is the defining deadpool writer so you could give it a go! older comics may be a little harder to read though, from experience

for comics featuring ellie (wade's daughter) that you may want to read in order if you want to fully appreciate her and wade's relationship:

deadpool (2012, 2014, 2015)

deadpool (2018, issues #8, #12, #15)

deadpool (2024)

a lot of comics will sometimes redirect you to other comics that explore a sideplot, and the main comic will just pick up where those left off so you could miss some storyline. despite this it's not necessary to read those other comics, but if you want to avoid multiple instances of this when you first go in, then i would suggest starting with the shorter runs!!

i hope this was helpful lmao sorry this got really long but i think the starting point really is different for everyone depending on what they like

[noxiatoxia]

do you have any favorite or standout things in the japanese version of dr2 that doesn't get translated properly/at all into the english version? anything from jokes to speech quirks or differences in characterization. anything at all! i'm just super curious about the differences so i want to give you an opportunity to ramble.

Thank you, anon! I'm sorry this too so long. I've been busy and I had many different things I wanted to share.

I'm sure there's gonna be a lot of stuff I'll miss...I'll just tell you what's on my mind.

Well, firstly, I'd say what I lament most always is how everyone's speech patterns got largely phased out. You see it here and there still with Souda and Owari - occasionally they try to keep the urban accent. Komaeda's filler words got removed, as already discussed. Really, everyone had something unique to them that got removed, and that makes me so sad! Granted, I understand some of it can be quite tricky.

For example, Mioda is a big one. Remember in the NISA translation, she always refers to herself in third person? This is a somewhat clunky translation. Mioda does call herself "Ibuki", but in Japanese, this isn't as weird, and is seen as a sort of cutesy thing. You can pull it off if you're a young/cute woman.

Mioda also calls everyone first name-chan, making her appear childish/quirky.

She also ends her sentences with っす ssu, which is a version of です desu. This makes Mioda, technically, one of the few Danganronpa characters to use keigo speech, although it's so quirky/casual I wonder if it counts...

Souda also uses keigo, but only when talking to Sonia. He calls her Sonia-san, which got translated as "Miss Sonia" (great translation choice btw!) and is the only character he uses honorifics for - well, typically. There is a part in chapter 5 where Souda calls Hinata "Hinata-chan" to tease him, and it's so cute to me xD

By the way, I don't talk about V3 much, but I know there's contention with how they translate Gonta. From what I've seen of V3, the thing that sticks out about Gonta is he, too, uses his first name as his pronoun. I believe the ENG version went with a Tarzan-esque choice of translation, but the joke in the JP version, I believe, was - as said - first person self-pronoun is reserved for young, cute girls...Gonta neither looking like either.

Most of all I lament Hinata's speech...he sounds so similar to Naegi in English, which is a shame, as he was meant to be Naegi's opposite. In Japanese they're night and day, and Hinata really loses that bite he had in the NISA version. It's what makes me sad most :(

On the game itself, there's a joke I think about a lot, that (understandably) loses it's meaning in English. It's in Tanaka's freetime event.

I have no issue with the translation itself. It's sadly just a joke that's lost in English as things are.

It's in the word kotodama. Kotodama refers to the idea that words hold spiritual power. Like a spell, or something. The joke here is Hinata...actually is a kotodama user. Literally.

In JP Danganronpa, truth bullets are called...kotodama. It's a cute little meta joke.

On the flip side, here is a translation I do take issue with:

I understand how they made this error, but it's still a little shocking to me.

First, let's look at context. Context is important in any language, but in Japanese especially. The context is this: Komaeda has a dramatic buildup, talking about how it's time he's gotten a little good luck, that now he can finally say it, and then dramatically pauses after saying Hinata's name...

Let's not be naive. This reads like the buildup to a love confession.

And then, Komaeda just asks, "Can you be my friend?"

It's a wonderful scene. Perfectly captures Komaeda's life in that asking just to be friends requires this much forethought, and it's wonderfully hilarious at the same time. Very Danganronpa, isn't it? Makes you think about the character, gives you some emotion, but also makes you laugh.

I digress. Now that we have context, let's examine Hinata's response.

First he goes, "What?" or え？in Japanese.

Then he says: ああ...なんだ。

"Ah...oh, that's it?" is a fine way to put it here. Literally speaking, the line basically reads: Oh...what? but なんだ is used as a sort of emotional signifier. The words are failing me right now but here are some examples of how なんだ could be translated when used like this:

"What the hell. Okay."

"Jeez, really?"

"That's crazy!" (in response to a story or suchlike)

Does this make sense? It expresses disbelief, shock, surprise, irritation...stuff like that.

So "Oh...that's it?" is good in this context. Clearly, Hinata also expected Komaeda to say something more heavy.

It's the last line that bugs me.

"So that was all just for fun..." is not how I would put it at all. I see how they got that, but I don't know why they didn't realize it sounds super odd. I will break it down.

...そんなことで、よかったのか... ...sonna koto de, yokatta noka...

そんな means "that" or "those", as in "that person" or "those books", etc.

こと means thing, but usually is abstract for an idea. It's a bit hard to explain, but think of it like the English word "it". You say stuff like "it's cool" when someone screws up. "it" represents an abstract idea: referring to the accident a person just made. Instead of repeating that all, you condense the idea down into the word "it". Very similar.

で is a particle that marks "direction" here. All you need to know is that here it's saying "everything that comes before me is what the words after me are referring to".

よかった, literally speaking, is the past form of "good". This is a very flexible word, and we will come back to it.

のか is some sentence ending particles. Again, we will come back to this.

Strictly and literally speaking, the sentence goes:

In response to those words you just said, it was good...

The issue that occurred here is how they read よかったのか. They took よかった to literally be the past tense of good (fun), and のか to be questioning in tone. These are both correct ways to read these individual words, but not in this context I think. It's how we got:

So that was all just for fun...

But I think it's obvious よかった is supposed to be read as it most commonly is in this past-form: an expression of relief/happiness, while のか is supposed to be more monologue-ish.

I emphatically think the line should be read as:

Oh, thank God that was it...

I think it's pretty obvious Hinata is rejoicing that Komaeda, in fact, was not going to suddenly dump something like a love confession on him out of the blue.

Sorry that was a longer one. I don't know how many of you care to hear the in-depth technical talk of how it got mistranslated. Usually I just provide my translation, but I know some people out there probably like the explanations. (I also get a little embarrassed because I often run in circles worrying I'm getting stuff wrong myself....and the fact I'm aware I suck at words. I'm just writing how I read it, and putting it in a way that makes sense to me. I'm always open to discussion if you are a beginner speaker or a native and anything between.)

OK, moving on...I want to talk about Owari's island mode ending. Not because it was translated badly per se, but because it hinges on an element that's impossible to translate. To be fair, the team did their absolute best with it.

Owari never talks about wanting to talk more "girly" outright in the Japanese version. Rather, this is what the line (plus the last as it is part of the sentence) reads literally:

OWARI: So, would it be weird if...I started using a-atashi for myself?

Through the whole game, Owari talks in a very rough manner. She uses オレ(ore) to refer to herself, which is a very masculine pronoun. The Katakana script makes it even more rough. I believe in SDR2, only Souda and Kuzuryuu also use this pronoun/script combo (I can never remember if Monokuma uses オレ or ボク).

However in the Island Mode ending, Owari wonders if it'd be weird if someone like her uses あたし(atashi) for herself. By contrast, "atashi" is at the complete opposite end of the spectrum. It is a very feminine pronoun, and would be a complete 180 from ore.

It is also written in Hiragana, further lending it to be "feminine" and "soft".

So the translation change to her saying she wishes to speak more girly is pretty apt. I dunno if there would be a better way to do this. It's very difficult.

Speaking of Owari and pronouns, her pronoun changes again when she catches the despair disease.

When she has the coward's disease, Owari no longer uses オレ(ore), but instead 私(watashi). This is considered a rather basic/default casual pronoun for women, but it is exceedingly more polite/feminine than what Owari normally uses. Coming from her also, Kanji is a very odd script choice, almost opposite to Katakana.

She also never uses honorifics for people, but while sick, she calls Nidai "Nidai-kun" 弐大君. It's sad this detail, unlike in Island Mode, did not get translated whatsoever.

If I'm on the topic, I might as well talk about some other script changes that weren't translated into English well (or at all).

Remember fake Naegi in Ch.6? Well, I always thought this part was strange:

To me, nothing Naegi is saying warrants Sonia to respond in such a manner. Bryce Papenbrook's delivery of the line doesn't make Naegi yell or anything, either.

But this line makes a whole lot more sense in Japanese.

Fun fact, I'm getting these screenshots from a (mostly silent) let's play by a Japanese channel. The let's player almost never talks, but during the first screenshot, he let's out a questioning "Hm?" and then the second, he chuckles and says, "What's with this sudden sharp turn, man?"

That's because in this scene, Naegi completely changes the way he talks. I've talked about it before, but to reiterate: Naegi talks in a very mild way. He's casual, but he never uses any masculine particles, or employs the imperative form.

However, in the first screenshot, Naegi ends his sentence in ぞ, which is a masculine sentence ender (Hinata uses it). Then in the second one, he uses やろう, which is a very rough/derogatory way to say "you guy(s)".

Anybody who's played DR1 would instantly know something is wrong, since Naegi never speaks like this.

To be honest, it could've easily been translated as making Naegi swear at them, since Naegi doesn't swear a lot - certainly if you had him use "fuck", it would have achieved the same effect.

Next, Twogami's final free time event is full of quirky things that get translated a little poorly.

Firstly, there's this line from Hinata:

While not a mistranslation on a technical level, I feel like it sort of misses a joke here.

Twogami asks Hinata if he likes him (好き). In Japanese, 好き is often used to declare your (romantic) love to someone, or ask someone if they love you. I think then Hinata's answer being "I don't hate you" is him skirting around saying "I like (love) you" to not sound like he's confessing his love, or something.

Then, there's this:

Much like we've seen before, this line makes more sense in the context of Japanese.

Since Twogami is impersonating Togami, he speaks like him, too. And when Togami refers to others (the "you" pronoun, as there are multiple in Japanese), he uses お前(omae). This is very masculine and pretty rude.

However, in this scene, Twogami suddenly calls Hinata キミ(kimi), which is much softer and warmer. Hinata picks up on that, but in English, it comes across a little weird, because what exactly is Hinata picking up on in the English version, then?

HINATA: But you've got to stop using "kimi", it's making me sheepish. And besides...the you I know has always called me by "omae".

Here's a literal translation for you, to illustrate this scene better. I don't know why they cut out the part where Hinata directly tells Twogami to stop calling him キミ because it makes him flustered (very cute by the way), but I feel there was probably a better way to go about this anyhow...

I understand it's a very tricky thing to translate since both キミ and お前 mean "you" in English, but surely there was some better way to word it...

I'd have Twogami talk to Hinata more friendly-like, and have Hinata say "The Togami I know has always been a bit mean to me" - or suchlike.

Moving away from scripts but sticking to Freetime events, here's a mistranslation from one of Saionji's:

There's one big issue in both of these that changes the meaning of the scene entirely. Firstly, 人好し means more than "kind-hearted" - it comes with the impression that the person is easily exploitable for their kindness.

Likewise, 勝手に言って is more than "I don't care" - I think they got that because it literally translates as "say what you want", but it's used as a sort of angry statement. See, it literally translates as "speak as you'd like", but 勝手に is usually used to show that someone will do something in spite of anyone else's wishes. So, really, the phrase means "say whatever you want jerk, I know I can't stop you".

I'd write this scene as:

SAIONJI: You're a really big pushover, mister. Well...I guess that's good for me. HINATA: No one fucking asked.

(I would assume Hinata is doing the equivalent of swearing, as he is using an already antagonistic phrase + imperative form + よ).

Also, if you're wondering...while "say what you want" is a valid English phrase, I feel it doesn't really work here...? Though that's how 勝手に言って translates, the phrase focuses more on the disrespectful aspect of speaking out of turn. I feel "nobody asked" is then more accurate.

This line is also interesting. It's not a mistranslation, but I'm just interested in the Japanese text, because I don't think Hinata's ever replaced ない (nai) with ねー (nee) before? It's a sort of urban accent - Owari, Kuzuryuu, and Souda all have it. It makes you sound rougher.

Like instead of "Jyanai yo" ("that's not it") you say, "jyanee yo" ("Tha's not it") <- I'm unsure how to convey an Urban accent...

"Hell no", then, is actually quite appropriate since it is rougher-sounding (meaner). But it interests me since Hinata's never (?) used this accent before. I guess he was so pissed off he didn't even think about it.

Actually, because of the nature of Saionji's talent and fixation on her home country, her Island mode and FTE is full of references to Japanese culture that doesn't get translated well. It's a tough spot to be in - do you not translate it for the sake of staying accurate to the Japanese culture, and let the Western players stay confused, or do you change it to something more understandable, but lose that nuance? I think it depends case-by-case on what's decided.

I sadly don't have a screen cap of the JP text, but I do have it from the game's files, so I'll write it down here:

SAIONJI: あー、馬鹿とナントカは高いところが好きって言うもんね。 HINATA: そっちを伏せるのかよ…

This is a Japanese saying, the full saying being 馬鹿と煙は高いところが好き - "Idiots and smoke like high places". It refers to people who foolishly advance "higher and higher" without thoughts of the consequences (when they come crashing down).

This saying though gets often changed to "idiots and so-and-so like high places".

I don't really agree with the English translation because "you-know-what" sounds...sexual? To me, at least. While there is nothing sexual about the original phrase whatsoever. The reason it gets "censored" to ナントカ (nantoka, literally the quotation marker とか with the word "what/something", making it "that 'something'") is unknown to me, but the phrase with ナントカ instead of 煙 is pretty popular especially in spoken Japanese. I think it literally just has to do with the fact that "baka to nantoka" flows out the mouth easier than "baka to kemuri", and isn't because of actual censorship.

Hinata's response then may be to Saionji specifically or in general. Either he's A) asking why Saionji bothers to censor the second part (implying he's never heard the abbreviated version before) or B) he's wondering to himself why people bother to censor the second part in general (implying he is well aware of the abbreviated version).

So, the convo may actually look something like:

SAIONJI: Oh well, as they say: "Idiots and so-and-so like high places!" HINATA: I wonder why that's the part that gets skipped over...

I think this is more plausible. It really has nothing to do with Saionji in particular.

Actually, if you'll recall from earlier in this post with the Komaeda Island Mode ending, we touched on のか, and Hinata is using it again here. Funnily, if we go with my translation, then they ran into the same issue with Komaeda. They read のか in the same erroneous way.

I could be wrong of course...but given the surround culture of the phrase + common sense (I find it hard to believe Hinata would have never heard 馬鹿とナントカ before), this makes more sense I think.

An English version is hard to think of, since this is related to the option "Climb the Statue", so Saionji whipping out that metaphor is a joke in the fact she's calling Hinata an idiot for literally wanting to climb a tall statue.

The closest I can find is a quote form the bible, "Folly is appointed to great heights, but the rich sit in lowly positions". This seems to be somewhat known, but I didn't know of this quote before researching for an English version, so replacing it would make little difference, then...the whole point is the phrase is a common one, but I don't know any common English phrases about idiots in high spots.

...I think this is a good stopping point. There is surely so much more to talk about - more I am forgetting and more that I'll find in the future (and other small things that could not make this post due to image constraints) - but this is what I have right now! I do have more SDR2 translation post I'm working on, but that's it's own beast so it's not something I can really go into here.

Hope any of this was interesting! Thank you!

[ennn]

Guys, Agatha and Rio fighting because of Billy is OKAY

Because it’s not really about Billy. It’s about them. Billy’s just the immediate problem, the catalyst for a fight that’s been brewing since the first episode.

Now I know there’s been more focus on Billy lately, the same way Wandavision at times focused on Monica and her hero origin story – but Billy's story is here because of what it tells us about Agatha – who's projecting hard on the boy (see my other meta post on their relationship).

And this development isn't a twist. The situation between two has always been tense (in ways good and bad). And it looks like these two messy bitches are basically making their relationship problems everyone’s problem.

Let’s look at what the text’s been telling us, shall we?

GIF credit to michaun

There’s animosity between Agatha and Rio that’s unresolved

As sexy their fight in episode one was (and boy was it), there’s certainly anger and resentment between the two, or at least the easily combustible grounds for it. Now we have an idea of why Agatha is mad at Rio (Nicky) although we're less clear about what Agatha did to piss Rio off: was it just Agatha running away or was it something specific she did?

Regardless I don't think Rio is kidding when making threats of bodily harm.

GIF credit: sersi

And neither does Agatha. But she knows all too well how quickly Rio caves to her pouty flirting (and let’s be honest Rio knows too), and basically manages to get a reprieve from her exe’s retribution in episode 1.

GIF credit: marril96

The agreement: They’ll continue fighting it out once Agatha gets her powers back.

We know this is a serious threat on the backburner because you can hear Agatha muttering about how "she's unstoppable" at the start of episode 2 while planning to flee.

More obviously, Agatha touches on it again in episode 4, asking for Rio to hold off on her violence until she finishes the Road, and they can hang out like old times: “Maybe the Road is like Switzerland…”

GIF credit daisjohnson

I absolutely get how it can be confusing because these two clearly still care for each other and are still attracted to each other, with lots of yearning looks across episode 4 and 5. As Schaeffer puts it, the muscle memory of that love is still there, feelings are still there. They were in love and there is still love between them.

But they never worked through what tore them apart in the first place.

And you can see this when Rio gently and firmly reminds Agatha that Billy isn't her son – that Nicky is really gone, and Rio still did the thing that Agatha hates her for.

Agatha closes herself off and runs, and Rio feels her scar tear open again.

Notably, Rio isn't sorry for doing her job. Her heartfelt confession – possibly the most emotionally vulnerable she can be – isn't an apology. She didn't want to hurt Agatha, but she couldn't do what Agatha wanted either. There's a disconnect there.

Chaotic vs Lawful: Billy is basically the new Nicky

Now we know Nicky was the reason they first separated. And it’s still a theory but I think there's a good chance of Rio wanting Billy dead because he probably should be. Billy Maximoff, born from The Hex, "broke the rules" to survive and some piece of Billy Kaplan still lives on despite a fatal car crash.

And that's partly why Agatha is hardcore-projecting on Billy, Agatha "I did not break the rules, they simply bent to my power" Harkness has always been a rule-breaker. That's what started her path to become the infamous witch-killer.

Not to mention Agatha is a shameless survivor. She'll certainly cheat or take shortcuts if she can get away with it. See episode 3:

GIF credit: daisjohnsons

Rio, by contrast, follows certain rules – which Agatha taunts her for — "You can't kill me, it's not allowed" – and she has a job she has to do, even if she doesn't want to. There’s a clash here of value systems as well.

To be fair, at this point Rio's motivations aren't entirely clear. It's possible Rio just wants more dead witches, or she gets impatient and angry and decides to go at that emotional vulnerability as a way of hurting her (“You’re vulnerable.” “Only physically.”)

Either way, Rio taking away a boy that Agatha now considers hers (even if only with a massive amount of projecting) after Agatha’s freshly reliving and processing the absolute devastation of Nicky's death. That is sure to bring things to an open conflict.

And these two (in their own way) are so dramatic.

Change and Growth

There are other factors as well, in terms of Agatha’s character arc and journey, which I’ve talked about in my other meta post on these two being star-crossed lovers.

It's a tragic, complicated story with these two. It’s about them, it’s about more than them.

[kcwriter-blog]

I've been thinking about how we the players know so little about Solas compared to what the writers and developers know about him and how that affects the way he is written.

I mean we know he is an ancient elf. We know he was powerful enough and skilled enough to create the Veil. We know he and Mythal were friends. He doesn't seem to have liked Andruil and Falon'Din much. Skyhold belonged to him. He removed vallislin. He tried to free slaves. He had kind of an underground railroad thing going. He seems to have had a lot of money secreted away. He painted even back in Arlathan. A lot of statues seem to have been made of him. People in the Vir Dirthara knew he created the Veil but were surprised that he would do something like that. He seems to have always had an affinity for the Fade and spirits. He enjoyed whatever version of the Game nobles in Arlathan played. He was cocky and hot blooded, always spoiling for a fight. He is capable of love and friendship.

I think that's all and it really isn't much. Everything else anyone says about him is pure speculation. It makes meta fun but its easy to get too caught up in our own ideas.

We speculate about him based on things we learn from his personal quests and what we see in Trespasser but we don't know anything for sure. Was he a slave? Was he a spirit called out of the Fade by Mythal and given a body? Did he manifest a body like Cole? Was he just a normal elf born in a small village to the north? Was he a noble and privileged or did he work his way up? Did he join the fight against the Titans? Was he a genius who theorized that the waking world and Fade could be separated? Did he use untried magic because his back was against the wall and he couldn't think of any other way to save the world? Was he a friend of the Evanuris so they trusted him enough to fall into his trap? Was he one of them?

So many questions. The writers have tried to portray him sympathetically. They want us to empathize with him. And I have to ask myself why? He is one of the antagonists. Wouldn't it be easier to portray him as not having any redeeming qualities? And yet, he is basically described as the hero who lived long enough to become the villain.

I know his detractors believe he is a genocidal, racist maniac but that doesn’t track with everything we learn about him as high approval or romanced Inquisitors. It certainly isn’t born out by his statement that he is doing his best to minimize the damage.

He truly believes what he is doing is best for the world and is willing to break it and remake it. What does he know? But more importantly, what do the writers know? Fen' Harel has existed since Origins. Devs have always planned for him to make an appearance. That means the valleslin has always been a mark of slavery even if the Dalish didn't know. The Creators have always been horrible, slave owners even if the Dalish don't remember. Which means Solas has always been the rebel fighting for what he believes is right.

Why do the writers see him not so much as the villain (although Epler uses that word constantly - he is usually the only one though) as they do a somewhat noble person who keeps making mistakes? Why is he portrayed as just a sad man who can't see past his regret and guilt. What was he like? What changed him? What did he know about the Veil before he put it up?

I get that a lot of people don't like the idea of being tied to him in Veilguard but maybe the writers did that so we have no choice but to get to know him - the good and the bad. Maybe we finally get to know Solas the way the writers and developers know him. I'm looking forward to that.

[randomfoggytiger]

Fox Mulder: Jewish, Dutch, Or Other Some Such (UPDATED)

In my curiosity to explore Jewish cultural practices, I stumbled on an enlightening article (and a couple noteworthy theories.)

AUTHORIAL INTENT AND OTHER INTERPRETATIONS

I've briefly explored this concept in another meta post here, but it's wisest to tackle the subject as thoroughly as possible.

**Note**: This post has been shelved, since it failed to achieve its original goal. Proceed at your own peril.

Chris Carter named the Mulders in honor of his mother, a descendant of Dutch-Americans.

April 2001:

Loyal “X-Files” fans may know that Fox Mulder, the brainy protagonist played by David Duchovny, was named after Carter’s mother, the late Catherine Mulder Carter. (Scully was named for longtime-Los Angeles Dodgers’ baseball commentator Vin Scully – no relation). But very few people know that Carter’s mother was born to a Dutch-American family in Manhattan, Mont.

According to McCoy [Carter's cousin], the Mulder family moved to the Amsterdam-Manhattan area from Grand Rapids, Mich. Seven of their nine children were born in the Gallatin Valley and after an unsuccessful turn farming here, the Mulders moved to Southern California to start a feed and grain business in Bellflower, Calif. Norman Mulder was the only one of the nine children in the family to return to the Gallatin Valley. While McCoy and Mulder are Carter’s closest area relatives, there are probably many distant relatives still living in the Gallatin Valley’s Dutch community, McCoy said. She added that the California and Montana Mulders have always been, and remain, close.

(**Note**: While Kuiper, Tena Mulder's maiden name, is also of Dutch origin, that does not exclude the possibility of Jewish heritage.)

Meanwhile, David Duchovny and Vince Gilligan had a differing view. David inherently played any character through his experience of the world-- culturally-ish Jewish-- while Vince worked in a reference to Mulder's "Jewishness" in a deleted portion of Drive's script:

Crump: You know... what kinda name is Mulder, anyway? What is that, like, Jewish?

Mulder: Excuse me?

Crump: Jewish. It is, right?

Mulder: No it's not, yes I am....

But there is, yet again, another schism of dissent: Howard Gordon, write of the episode Kaddish, agreed with Carter's perspective, stating that he didn't think Mulder was Jewish "or even half-Jewish." The purpose of his work was to set Mulder up as the outsider peering inward: "We had never dealt with the horrors of antisemitism and the power of the word [on The X-Files]. And because I'm Jewish, it was something that was really compelling to me personally." As explained in Paula Vitaris's Cinefantastique article, Gordon purposefully wrote in three references to Mulder's Gentile identity: Mulder is unable to identify a Jewish book, does not read or speak the language himself (" I don't speak Hebrew, I don't know what that means"), and is unwilling to pass up a reference to Jesus Christ's Christian resurrection ("A Jew pulled it off 2000 years ago") in response to an antisemite. Gordon's Mulder, then, is a man who related to all people while still remaining, fixedly, an outsider.

CHANGES IN JEWISH CUSTOM

When toying with the idea of Mulder's Jewish ancestry, I had assumed that matrilineal lineage was the opening and closing authority on the subject.

Not so, apparently (or not completely.)

REFORM

Chabad.org

The Code of Jewish Law clearly states that a child of a Jewish mother is Jewish, regardless of the father’s lineage (or whatever else may show up in a DNA test), while the child of a non-Jewish mother is not Jewish. Matrilineal descent has been a fundamental principle of Torah since the Jewish people came into existence.

The code, however, has gone under intense scrutiny in recent years.

As My Jewish Learning explains: Although the Hebrew Bible defines Jewish identity in patrilineal terms (determined by the identity of the father) the Mishnah [a record of the oral Torah in the aftermath of the destruction of the Second Temple, 70 CE] states that the offspring of a Jewish mother and a non-Jewish father is recognized as a Jew, while the offspring of a non-Jewish mother and a Jewish father is considered a non-Jew. This talmudic position became normative in Jewish law.

This continued as the religious and ethnic norm for many centuries until, about, 1947: ...the CCAR adopted a resolution that stated that if a Jewish father and a gentile mother wanted to raise their children as Jewish, “the declaration of the parents to raise them as Jews shall be deemed sufficient for conversion.” And though the wording changed somewhat in 1961 ["The insistence on a “conversion” was dropped completely...."]

But it did not become-- in effect-- law until 1983 resolution:

By 1983, the CCAR was ready to spell out the patrilineal descent resolution in greater detail. By this time there was a broad-based commitment to egalitarianism. To many, it seemed unnecessarily biased to accept the child of a Jewish mother and a gentile father as Jewish while rejecting the child of a Jewish father and a gentile mother. 

[Rabbit Alexander] Schindler initiated a process that eventually led to the CCAR voting in favor of what became known as the Patrilineal Descent Resolution....

What this meant was that if a child was born of either a Jewish father or a Jewish mother, and was raised as Jewish, that child would be regarded by the Reform movement as Jewish. They were, however, expected to participate in the various Jewish life-cycle ceremonies which usually mark the life stages of a Jewish person.

1996 brought another development:  ...the CCAR created an 11-member task force to interpret and develop guidelines for the successful implementation of the patrilineal descent policy. The task force recommended that the resolution be referred to as “equilineal descent” or simply “Jewish descent” rather than patrilineal descent since the resolution accepted descent from either the mother or the father.

The radical shift, encapsulated, is as follows: While Jewish children had always been asked to prepare for their bar and bat mitzvahs, their Jewishness was never contingent upon successful completion of that ceremony or any other.  The Patrilineal Descent Resolution shifted the emphasis from birth to conscious choice.

DISSENT

Regardless, there is still broad disputation between Conservative and Orthodox Jews and Reform Jews:

...However, patrilineal Jews are likely to encounter problems later in life if they decide to become more traditional in their observance. A problem arises if Reform Jews who are Jewish by patrilineal descent choose to participate in ritual or celebrations at more observant synagogues. 

...Conservative and Orthodox Jews do not recognize patrilineal descent as a valid means of passing on Judaism. “Who is a Jew?” has been a controversial issue for several decades, and the Patrilineal Descent Resolution deepened the division between the opposing viewpoints. 

The article also raises an intriguing point:

Interestingly, this created the possibility that someone who had a Jewish mother, but had not been raised Jewish and had not had any public religious acts of identification such as a Jewish baby-naming ceremony, a bar or bat mitzvah, or a Jewish confirmation service could theoretically be regarded as a non-Jew despite his or her lineage. However, many rabbis recognize lineage alone.

SECULAR JUDAISM

If we work off of the assumption that Tena Mulder was a Jew, then Mulder's heritage is without question, as matrilineal descent is a core part of the Jewish identity.

It would then inherently inform Mulder's branch of Judaism, nonbeliever that he is--

Phoebe Maltz Bovy, The Canadian Jewish News:

Secular Jews are in some sense a process-of-elimination category. If other Jews register you as Jewish, if antisemites hate you for being Jewish, but you are not a practising member of any religion, then you are a secular Jew. It’s roughly the same as being nominally Jewish. It’s Jewishness, rather than Judaism, perhaps. A convert from Judaism to another faith might be culturally or ethnically Jewish but is not, obviously, a secular Jew. I will not belabour the terminological aspects of this....

“Secular” is a spectrum, and means different things to different people. It might mean avowed atheism, it might not. Secular Jews pick and choose from elements of their—our—religious heritage, but tend to interpret these as cultural, rather than spiritual, traditions. Though “pick and choose” suggests more intent than may enter into it.

MULDER'S EARLY PARENTAGE: A DIFFERING THEORY

Early canon states that Bill Mulder was Mulder's father, while later canon debates the issue back and forth a bit before settling on CSM in Season 9. In spite of this, the world en masse wouldn't have known the murky nature of Mulder's paternal origins; and, thus, would have regarded him in line with Bill's (and Tena's) ethnic heritage.

That being said, I do find it interesting that Mulder wouldn't have been considered a Jew until the 80s by the broader, entrenched community had his father-- and not his mother-- been a Jew.

Regardless, this speculation bears little weight on canon; and is just an interesting thought exercise.

CANONICAL INTERPRETATIONS (AND GAPS)

We are shown three Mulder family funerals: Bill Mulder's in The Blessing Way, Fox Mulder's in Field Trip, and Fox Mulder's again in Deadalive.

For Bill's funeral, Tena Mulder made the executive decision (or carried out his expressed wishes) to involve a minister, not Jewish Rabbi, in her ex-husband's final service:

For Mulder's Season 6 funeral, Scully glimpses a cross of white flowers standing above her partner's casket; and doesn't bat an eye:

For Mulder's Season 8 funeral, Scully chose a Protestant (or derivative thereof) minister-- not rabbi or priest-- to read from scripture and pray over her partner:

We aren't shown Tena Mulder's funeral; however, her burial wasn't within the traditional twenty-four hour timetable for Jewish custom (i.e. her body was likely preserved for multiple days while Mulder was tracking his sister.) Barring Shabbat or other religious observances, this points to two possibilities:

Tena Kuiper-Mulder was, like Carter originally imagined, a "generalized" American with Dutch roots.

Tena Kuiper-Mulder was a nonsecular Jew (with or without Dutch roots.)

Both interpretations work for her son, as well. Referring back to Howard Gordon's Kaddish, Mulder can't read or speak Hebrew; additionally, he is nonreligious (and devoutly so.) However: as @waxworkdaughter and @leiascully both pointed out (here and here, respectively), Jewish identity is a complicated, personalized topic that expands beyond simplified, black-and-white thinking. Mulder's lack of familiarity in Gordon's script could (and can) easily be explained if Tena Mulder distanced herself-- and by extension, her children-- from her heritage, for a myriad of reasons. Mulder's familiarity with other religious observances (i.e. kneeling in a Christian church and weeping for his sister in Conduit) could as equally be explained by many other factors without erasing a tie to that Jewish heritage.

With reference to the end scene in Conduit, Mulder's observance could simply be a shadow of Bill Mulder's WASP upbringing: Protestant symbolism tied to his father's upper crust, in-group sensibilities-- a societal expectation passed down as tradition.

CONCLUSION

Church and prayer, funerals and flags, could all be part of the nostalgic American 90s, symbols of meaning rather than actual belief.

Mulder could have been raised Christian, Jewish, agnostic; or all three. Mulder himself could be Jewish or Dutch or Dutch Jew or generic American (or a combination thereof.)

Tena Mulder could have been Jewish. Or Bill Mulder. Or neither.

The truth is, ultimately, what you make of it: everyone has their own perspective.

Thanks for reading~

Enjoy!

[cr-aspec-fest]

CR Aspec Fest - Info & FAQs!

The Critical Role Aspec Fest is a month-long fanwork fest (with a prompt for each week) celebrating aromantic-spectrum and asexual-spectrum experiences!

Schedule and Prompts

WEEK 1 (Feb 1st-7th): Aro-spec

WEEK 2 (Feb 8th-14th): Ace-spec

WEEK 3 (Feb 15th-21st): Unconventional relationships

WEEK 4 (Feb 22nd-28th): Free week! Whatever your heart desires.

FAQs

(if something isn't answered here, please feel free to send an ask or message!)

Can I make something about a character being demisexual or demiromantic or (insert other label)? Can I make something about a character who's straight?

Absolutely - please do! Aspec is a very broad umbrella term, and this event is all about celebrating a variety of experiences that aren't well-represented in media. If it feels right to you, go for it. I'm not going to exclude any works from the fest just because they aren't relatable to me.

What types of fanworks can I make for the fest?

Anything! Be that fanfiction, fanart, meta, gifsets, edits etc. - everything is welcome! If you're writing fanfiction, you're encouraged to post to the AO3 collection here.

Which Critical Role characters can I make fanworks about?

Do I have to make a fanwork for every week to take part?

Nope! The more the merrier, but we're doing this for fun, not to stress!

Anyone in anything they've streamed - so the main campaigns, EXUs, Candela Obscura, Daggerheart or other oneshots!

Do I need to be aspec to join?

Definitely not, as long as you're coming in with the mindset of being respectful of our experiences. For one, I'm aromantic but not ace-spec - so making works about ace-spec experiences is naturally going to be more difficult for me, but entirely doable with a little bit of research! I think it's a great way to learn about others.

Why February? Why a whole month?

Yes, there are plenty of aspec weeks hosted in other fandoms, which are great and the inspiration for this event! But personally, I am both slow and busy, so making just one thing per week is much more achievable for me. I chose February because Aromantic Awareness Week is the week after Valentine's day, and this fest was originally going to take place during that time. I'm also unaware of any other fandom events happening in February (although please let me know otherwise, just for my own interest!). The fact that February splits so nicely into 4 whole weeks is an added bonus!

Edit: There is another CR fandom event this month - @vexlethuary!

Would you like people to share around the existence of this fest?

(Okay, maybe this one's a bit of a cheat.) Yes please! Even if you don't plan on taking part, getting eyes on the existence of this event would be wonderful. This is the first fandom event I've ever hosted, and I don't have a huge platform among fic writers, who are likely the largest contingent of nerds (lovingly) who'd be interested in taking part in an event like this.

Other Rules

Please don't bash any ships or headcanons you don't like! Part of the fun of fandom is seeing the broad range of possible interpretations, and I'd always rather foster a sense of community rather than opposition.

Suggestive, NSFW and whump content is fully allowed, but must be tagged correctly for whatever platform you're posting on. When reblogging suggestive or NSFW content, I'll use the tag #CRAspecFestNSFW, so filter that if you'd like.

Fanworks should be focused on aspec experiences or characters, but other topics or characters can totally be included, and these experiences don't have to be super clear or well-labelled in-text (gods know that real-life experiences are often opaque and confusing) - it's your intention that matters. This is up to your discretion, really. As with the rule of thumb for AO3 tagging - if someone was viewing this for aspec content, would they be disappointed? If so, you can always rework it, or post it outside of this fest.

Please consider adding alt text to any images you post - here's a useful guide if you're not sure what to write.

This account will be reblogging every fanwork made for the fest - just remember to tag us, and use the #CRAspecFest tag! If you don't have a tumblr account and want a post about your work to be included, send a message.

There'll be more posts on this account with ideas for how to approach the prompts, plus reminders at the start of each week, tagged #CRAspecFestPosts. All submission reblogs will be tagged #CRAspecFestWorks (and #CRAspecFestNSFW if applicable).

[yearofthesnape]

Meta: Is Snape a Good Teacher?

The complicated thing about teaching is that to be good at it, you need to be good at several smaller skills: 1) subject competency, 2) communication of facts, 3) rapport with students, 4) organization, 5) safeguarding students, 6) establishing consistent and fair expectations for classroom conduct, 7) enforcing those expectations on the spot in class, 8) giving learners feedback, 9) having reasonable expectations of students' skills and knowledge. Among other things.

Snape's teaching skills: I think we all agree that Snape is really good at subject competency. HBP establishes that strongly, and so does Umbridge's rare praise that the class seems up to snuff in OotP. Snape's communication of facts seems good as well; Ernie MacMillan praises his lesson in HBP, and Snape's students have a high proportion of passing the classes well. Also, no one needs Remedial Potions; it's unheard-of that Harry is rumored to do so (and, although he hates Potions, he passes the subject with an E). Organization is something Snape takes very seriously; his competency at it is supported by the O.W.L. examiners' independent verification that he has covered what he should have covered in class, and his students are never heard complaining that they don't know what they're supposed to be doing or saying that they never learned about some important potion in class. His expectations for student conduct (as opposed to knowledge/skills) seem to be fairly reasonable to me; students should be on time, not fight with each other physically, not talk out of turn, not insult the teacher... pretty standard stuff.

Snape's teaching weaknesses: Snape's rapport is absolutely abysmal, and he truly does not seem to be trying to improve it. This could be because poor rapport is part of an act to maintain his cover, as a Death Eater who makes all the Muggleborns at school feel good is not a very convincing Death Eater. It's also true that when students like you, they take up more time (see Harry seeking out Lupin to ask him questions), and time is something Snape has in short supply. Additionally, Snape may simply not understand that rapport is a requirement, as no one has ever bothered with establishing rapport with him and he turned out jUsT fInE!

Possible areas of dispute:

I think Snape is great at safeguarding students, given the dangerous discipline he works with. When something goes wrong with a potion, he has the antidote on hand, and he frequently provides emergency care to people like Katie Bell. But I suppose one might argue that students do get sent to the Hospital Wing from his class.

His expectations for student knowledge are admittedly high, but I don't think it's unreasonably so; Harry and Ron aren't the most shining examples of academic work, but they mostly seem to complain there's a lot of Potions work, not that they don't know how to do it. Neville is not good at most subjects, not just Snape's. Snape's only example of unfair questioning is the first class with Harry, and even then, as others have pointed out, he's asking questions it would be possible for a first-year student with only the textbook to answer.

Snape's grading methods are also generally on the strict side, but still fair. I can't find the post right now, but I believe it was @lilithofpenandbook who pointed out that in the British system, getting a zero for a day's exercise is frustrating but has no real effect on your academic career, as grades are meant to direct you to the areas which need work. So Snape's most egregious offence of breaking Harry's potion in OotP is (while unjust) not going to destroy Harry. Harry rather dramatically thinks Snape's going to fail him at various points, but Snape doesn't, which should put that to rest. Others have also observed that the grades seem to have the intended effect of motivating Harry to put Potions work above other things. As for his other feedback, Snape (though harsh) always ensures his students know exactly which step they missed.

I also think Snape punishes reasonably for Hogwarts. The things which spark his punishments are (aside from Harry's tiny deductions the first day) generally reasonable, though to be fair, he ought to give them to Slytherins too. (The fact that the Slytherins still bother to try to hide their misdeeds implies he probably does punish the Slytherins in some way, as has been mentioned. Also, the information that Snape favors Slytherins comes exclusively from Gryffindors; when Ron confidently asserts this is so, he has no source but his Gryffindor brothers from which he could have gotten this information.) The punishments themselves are usually within reason, too; 10 House points is the amount given by other teachers for answering a question correctly, so removing 10 points for being late isn't as bad as it sounds. There are the infamous detentions where Neville disembowels horned toads and Ron pickles rat brains. These are unpleasant, but not life-threatening, and (as an elusive post has pointed out) "horned toads," also called horntoads, are in fact lizards that look nothing like toads, so Neville isn't harming Trevor lookalikes. Ron is harming Scabbers lookalikes, possibly, so I could see faulting Snape more for that, although since Harry has to do it too, it seems more like an unfortunate coincidence. I still think that, in the scope of the other life- and sanity-threatening punishments at Hogwarts (getting sent to the Forest to track a twisted killer because you missed curfew; getting turned into a ferret and bounced because you got into a fight; getting locked out of safety to possibly face a murderer because you wrote down your password...), Snape's aren't too bad. But he could do better on the emotional side.

Concluding estimation

Snape is not a perfect teacher, especially when it comes to providing his students with emotional support, but in terms of more quantifiable outcomes like physical endangerment, student academic success, organization, and maintenance of appropriately high standards, he succeeds. It's interesting to note that in this way, he's almost the exact opposite of Lupin. As to whether this makes him a better teacher — I think that depends. Students need different things from their teachers. Perhaps, in the end, a good teacher is always in the eye of the beholder.

[n0-1r]

Everything to do with Duke Thomas, the Signal

So this is just going to be a long spiel on who Duke Thomas is and all the information we know about him in the comics. I mostly just made this to give writers and batfam fans a summary on this character or to inform fans of this guy without needing to read through many comics. This is not a post discouraging headcannons, you can use this information or you can take it with a grain of salt. Well that's enough from me, I hope you enjoy!

His age in reference to the other batfam members. Although we don't have a canon age for him, he is shown to be in high school, I assume his second year, but we don't actually see much of his school life. He is around 2 years younger than Tim and 3 years older than Damian but you can correct me.

Duke was not adopted by Bruce. HOWEVER he was taken in as a ward, just like Dick. He has living parents and family like Steph and no one considers her a Wayne (actually, people do but I guess they're just weird /jk)

He does not live at the manor, he lives in the Narrows. I did this whole thing already, His legal guardian is his older cousin Blah Blah Blah just read this thing i wrote

His parents are literally cured. This is actually a pretty recent addition so I don't blame people for not knowing but yeah, his parents are fine. I'm not sure what this means for Duke because DC just loves him so yk...

His powers. Well to start, his powers include Photokinesis, Ghost Vision (seeing into the past), Cosmic Perception, X-Ray Vision, Telescopic Vision, Microscopic Vision, Invisibility, Umbrakinesis, Shadow Absorption, Shadow Generation, Shadow Bending, Shadow Traversal, Photo-Umbrakinesis, Power Amplification (of other metas) and Accelerated Healing. And, he awoke to his powers AFTER becoming Signal (surprising, I know!). Additionally, His mom does have the metagene, so yes he is a meta but! his biological father, Gnomon is an immortal albeit, not very clearly established. We don't know what effects this has on Duke, whether he will become immortal or something but people have wrote some really interesting explorations of this idea.

His suit and everything were designed by Bruce. Duke didn't actually ask to be bright yellow but at least he got to name himself, in memory of his mother.

We Are Robin. Okay let's see, vigilante group, kids from all over Gotham, started by Alfred, still exists in canon just not as the team we know (Dax, Riko, Izzy, Dre) Speaking of, the WAR kids have been sent to Arkham Juvie, Duke and Izzy are dating and Dax & Riko are meta vigilantes now and they hate Duke for 'betraying' them and becoming a Bat.

[chiisana-sukima]

hi so what qualities do you think dean admires about sam and vice versa would like to know your thoughts

Love your meta btw as a new spn fan

Hi Nonny, tysm for the ask!

I haven't thought a ton about this question prior to now, so I'm interested in other people's opinions too if they want to add them on reblog. But it seems to me that the 'what does Dean admire about Sam' half of the question is pretty easily answered, because Dean isn't shy with his praise of Sam in canon.

He's also not shy with his criticism, of course, and I think this is because some of the things he admires most about Sam are the same things that are dangerous to him personally. My favorite recap is in the finale:

And there's this from 15.11:

Dean says similar things in other episodes, going way back to 1.11, which the finale speech is practically a word for word recap of:

I think Dean legitimately believes all this; that Sam is better than him in practically every way-- smarter, more compassionate, more optimistic, possessed of a better moral compass (usually), more skilled in a variety of ways, etc. And especially that Sam is healthier than him; more of a complete, autonomous human being who would be fully able to live a "normal" life if circumstances were right, whereas he, Dean, would not be. By "you're stronger than me" (which he also tells Sam before he goes to Hell in s3) he means "capable of independence".

I have decidedly ambivalent feelings about the "Dean is Sam's Parent" reading of spn, but I do think this is a very parental type of admiration; both because of the 'I'm proud' piece and because 'I raised you to be able to outlive me' is maybe a parent's primary responsibility second only to unconditional love. And I think it's realistic and sympathetic that Dean admires these traits in Sam while simultaneously fighting tooth and nail to undermine Sam ever actually becoming fully independent as long as Dean's alive (and until the finale, even afterwards). "You're better than me; don't leave me" is honestly extremely relatable.

R.e. the 'what does Sam admire in Dean' part of the question, I think that's more complicated to explain, and I'm especially interested in what other fans think about this part. I think obviously if someone asked Sam what he admires in Dean, he'd be able to run off a list of traits. And he does sometimes mention traits he finds admirable in Dean, like in 8.14 where he says "You're not a grunt, Dean. You're a genius" and says Dean is a better hunter than either himself or their father.

But for the core of what I think Sam feels about Dean that's in the same, idk, synonym group ig, as 'admiration', I don't think 'admires' really covers it very well. It's almost more like worships. He thinks, quite simply, that Dean is good. And since he thinks that he, Sam, is fundamentally not good, he sees Dean as the final arbiter of, well, everything. Sam thinks Sam could never go on a quest like Galahad, but although it's never specifically mentioned, I think its pretty clear he believes Dean could.

I think Sam feels about Dean the way I think deeply religious people--not the kind that mouth platitudes but the kind that have really struggled with and thought long and hard about their faith--feel about God. He knows Dean makes mistakes, he knows Dean is deeply fucked up in many ways, he yells at and argues with Dean and goes behind Dean's back and lies to him and etc, all because he does truly understand that Dean's decisions are, on a practical level, sometimes honestly pretty messed up. But he also has an unshakable faith that where he, Sam, might make bad choices because he's bad, Dean will struggle but ultimately always eventually choose correctly, even if one of the steps along the way is chopping Sam's head off with Death's scythe. Because Dean is good. Sam fans (myself included) will look back on the panic room and think "wow Dean sure was living up to the family-is-hell premise on that one", but Sam will look back on it and think "he saved me".

[stagefoureddiediaz]

Costume Meta 7x04

How we all doing?? have we managed to find some semblance of equilibrium in this new world where we have canon bi buck?? I’m not sure I’ll ever know how to exist in this world but that’s fine with me! I’m still here writing my silly costume metas and having a blast in this bright new world!

No Hen this week as we never see her out of uniform!

The rest is below the cut because you would all hate me if i clogged your feeds with this beast (shes 7k)- you have been warned!!

Actually going to start this week with a uniform out of work section!

Because three times in this episode, we had one of the firefam wearing an element of their uniform out of work and its actually pretty key!

We have Bobby in his LAFD polo when he informs Athena that Harry is wanted for assault and he fled the state.

Then we have Chim at the basketball game in his LAFD hoodie

And finally Buck at the airfield on his tour with Tommy.

All three are playing into the idea of protecting ones self by being in an official capacity in some way. Firefighters (like all first responders) are of course there to 'protect and serve' the community.

Bobby delivers the news to Athena about Harry - he's in uniform because he can inhabit a small aspect of his captain mentality - makes it easier to deliver the news and also gives him the distance to play the 'don't shoot the messenger' card if necessary.

Chimney has to step into paramedic mode at the end of the scene. The LAFD hoodie separates him from everyone else at the court and foreshadows that he will have to 'go to work' its also about chimney being there as the colleague not the almost brother in-law of Buck. An important distinction - it protects Chim from being seen to favour anyone (specifically from Buck. (Buck is angry and not being rational so Chimney has protection from Bucks potential anger for helping Eddie - Buck is already feeling awful by that point so the protection isn't needed but it provides cover if it were) and allows him to go into first responder mode. (this is so badly worded but I'm sure you get what I mean!!)

Buck is at the airfield under the guise of wanting to find out more about becoming an air support firefighter - its the cover under which he is operating to try and befriend Tommy. The jacket also provides him protection from Eddie when he shows up and finds out Buck is not coming to Vegas with him and Tommy.

Bobby

Just the one costume for Bobby this week - a maroon tee that her's wearing to sleep in. we see him in this colour a lot - its a bit of a staple colour for him and I've spoken a lot about maroon tees and shirts representing parental roles in relation to the various children of the 118. Its no different here -we can see from Bobbys face he isn't buying what Harry is saying and the parental concern we see evidenced here plays out with him calling Michael and finding out what is really going on.

Athena

Athena wears a lot of black this week, which is fairly typical from her, although we are in a much more overall muted palette than usual and its missing the jewel tones we're used to seeing her increasingly wear. its a bit of a signal of returning to normality now they're back from the cruise disaster.

She starts off in black and pink pyjamas but I'm going to talk about those at the end in the pink section so we're skipping ahead to this ruffle smocked cream blouse and her gorgons head necklace is back. the ruffling is an nod to her feathers being ruffled when Bobby tells her about Harry and his arrest warrant, and the white with the black trousers is about things being black and white - for Athena as a cop things do tend to be black and white when it comes to the law - of course Athena has always been one to work within the law to bend the rules but in this moment things are black and white.

Then we have her all in black with a red longline cardigan which has a open weave that give the appearance of mesh or a cage. The show has been using Red since day one which makes sense as it is a first responder show and you literally cannot escape it when the fire trucks are red! But they have always been pretty careful about when they use bright red in the costuming meaning its appearance with such regularity this season so far is pretty telling. Its an advance warning of incoming danger/trouble/strife, but it is rarely worn by the one who is directly in danger - they will be involved, but not the centre of it. The best example of this is Bucks bright red broadcloth shirt when Christopher calls him because Eddie is smashing up his bedroom.

Here we have it on Athena in the scene when things are about to properly kick into action with Harrys story. Athena is literally a red net about to ensnare Harry. its the one time in this episode we see Athena in a bold bright colour - something that generally is attached to her being happy or having fun, but not here.

The denim sleeveless shirt/jacket when Athena goes to the hospital to visit the lady who shot her son (does she have a name - I cant remember!) and later to talk to Harry about the reality of his altercation, is quite bulky and blocky. It's far less fitted, structured or flowy that we are used to seeing on Athena. To me this is about playing into her struggles to tread the line between mother and cop - that neither role fits right. That denim is also a fabric associated with labour, it suggests Athena is working hard to figure it out.

Then we get this all black outfit when she takes Harry to the station - it is such a simple yet effective bit of costuming, especially with the silver zips and buckles- it blends her in with the police officers in the station so she can hover the line between mom and cop - and makes it look like an arresting officer bringing in a suspect.

Harry

New Harry comes with a new style!!

I actually can't wait to see how they dress him over the rest of the season because there was a definite colour theme at play here this week with all the beiges, greens and redish browns which is very not how younger Harry dressed (he was much more bright colours).

Not going to lie - my hatred for the copaganda and the fact I've been in Bi Buck land since the episode aired has made it hard to focus on Harrys outfits in greater detail, but I do have a few thoughts!

This first shirt is a map print, maps denote journey's andHarry is on a literal and metophorical journey - the literal being the one he made form Florida to LA. The metaphorical one is all about his journey to become a man, and learning to take responsibility for his actions, so this shirt is essentially setting out his arc for the season - Makes me feel like the storylines with harry we're going to see are going to be about the community service he has to undertake and him figuring things out and growing up a bit in relation to that.

Then next up we have this cream hoodie with an brownish beige pocket. the thing I found interesting about this choice was the fact that Harry played himself off as innocent. lawyers usually instruct their clients to wear white shirts to court, and to avoid loud patterns. The white is because i suggests purity or innocence, and the loud patterns should be avoided because it suggests you're trying to employ subterfuge (that you're lying). So Harry wearing a block of cream is a play on this idea. We see him in the map shirt before - when he is employing subterfuge about his reasons for visiting, and now this cream is him trying to suggest his innocence to his mother - the use of cream rather than white is telling us that he isn't as innocent as he is making out!

Finally we have check theory (my most beloved) in play. harry returns to wearing patterns - this one check and in greens and browns. there is an element of military to the green shades, its a coloour we've seen used on Eddie to show his military background, but it is also a colour frequently worn by Athena - usually when she is fighting for her family in some way. Here it feels like a refelction of that, with the added aspect of green being a colour of growth. Harry shows contrition and is willing to take his punishement, showing his growth, but also showing his understanding of fighting for his family - and Athenas willingness to do the same. its showing us tht he is his mothers son. And of course the check is the pointer towards the fact he is in trouble - that his earlier protestations of innocence were false!

Then we move on the he Buckley-Hans

Chimney

Only the one for Chimney this week, it's a very short scene where he is completely oblivious to the tone of the conversation. He's dressed completely in greys and is by all accounts neutrally costumed. this is intentional - he's not the focus of this scene and when we think that so much of this episode is shown from Bucks pov, the use of neutral grey makes sense - Buck is projecting on to chimney in this scene. Buck himself is speaking his jealousy and fear, while what Chimney says is actually the little voice inside his head that isn't in fact jealous of Tommy, but is impressed by him

Maddie

Again only two costumes for Maddie this week and one of them is her dispatch outfit, but I'm including it because of its place with a mini colour theme for this episode, which both of her outfits play into.

I spoke about the use of red in Athenas section and its representing danger, and it is in play for both of Maddie's outfits, the wearer changes though. In the first scene, Maddie is in blue - dark blue. a tee with 'The Great School' and bobcat logo on the front. I love this, the bobcat is a symbol of inner strength and resilience in the face of adversity, while Maddie is a great source of learning for Buck - he essentially raised him and has been a sounding board for him since she returned to his life. Maddie is the next level wise older sister, her point of view is important to Buck and is grounding for him. She had got him to back down from his spiral over Eddie and Chris, until Chimney came in (and like I said above, that was Bucks inner voice, not really Chimney)

Then we have her dispatch uniform and its red. This is a clever play actually, it allows the costume team to put Maddie into red, a colour we don't really see on her outside of work (a deliberate choice as it helps distinguish work from non work to the audience). Just like Buck was the angry one in the other Buckley siblings scene, her Maddie is the one who is angry (with good reason) and we again get Buck recieving education at he hands of Maddie - in her place of work where she is a lifeline to people and where she holds authority. Buck needed her in a lifeline capacity in this moment and he got it, despite her anger. She gave him the advice and help he needed.

Eddie

Eddie my man looking suave and confident - this Eddie is Bucks version of Eddie so of course he looks cool, well dressed and in a green and black combo. In nearly every scene where Eddie nad Buck have a deep meaningful conversation - one that gets through to Buck on a higher level - that works on Bucks abandonment complex, Eddie is dressed in a black shirt and khaki green trousers (the only exception is the will reveal when he's in navy blue but that is to play in the yellow blue colour theming and its a close to black as they could have a blue!), this outfit is an inverse though, which is actually really clever. Eddie (Bucks version) here is playing into Bucks fear of abandonment - Bucks version of Eddie has spent so long building him up and chipping away at that fear that to invert that colour theme and have green on top and black trousers is a fun way of inverting that chipping away at Bucks fear - this is putting another brick in that abandonment wall

The black tank top!! Its back and everybody cheered! Ok so I wrote this meta about when the show puts Eddie into a black tank top and how it means he's in an emotionally vulnerable place and once more, the theory plays out. Obviously Eddie gets physically injured, but his face when he looks at Buck after he's gone down shows him emotionally vulnerable. Yes there is a little bit of anger and a lot of pain in the look he gives him, but there is also understanding and a little guilt too.

It's the moment Eddie realises that he has unintentionally sidelined his best friend, and the effect that has had on Buck and his abandonment issues. This is Eddie showing his truly deep understanding of Buck and how Buck ticks (and because this is also from Bucks pov, its also showing us Buck understanding that Eddie understands how Buck ticks) we get all of this proven when Tommy comes over to Bucks later and clearly states that Eddie is feeling bad about the whole situation.

It is also worth noting that When Buck has seen Eddie at the gym or being sporty in some way Eddie has either been in uniform or in a black singlet and that he always looks super competent (even if he is working through things when he is in the black singlet). From my perspective, this is an interesting choice to play into because it suggests Buck recognises Eddies emotional maturity over him, even when he's not in a great place (we can discount fight club Eddie becasue Buck didn't actually see him there), its clearly something Buck admires and places as central to how he sees Eddie.

Tommy

Tommys costuming is chefs kiss perfection to me. The wardrobe department have literally dressed him as Eddie and I am living for it.

Its a way to emphasise that Tommy and Eddie are super similar. this serves two purposes - it builds a visual connection for the audience - we don't need to be shown Tommy in the army or fighting/ training in Muay Thai etc, we can mentally make a connection to the ones we've seen of Eddies in the past and accept the information as fact. obviously not all people who join the army or undertake MMA are going to dress the same, but this is television where visual information is valuable real estate, so playing into tropes and stereotypes is a key piece of arsenal.

The other thing about it is the specific Eddies its calling back to - fight club Eddie and to a lesser extent, post breakdown Eddie when he's back in therapy and unrepressing himself.

Tommys basketball outfit is really about making him stand out from everyone else - it makes him seem to appear more because the blue shorts and the light coloured top will catch your eye, even if he's not the focus of the camera at that moment. This is all about the fact that this is Bucks perspective on things - he is seeing Tommy everywhere and feeling like he's taking over/ taking away Eddie and so we the audience feel that same thing in a visual way. The thing the blue shorts do is visually connect Tommy to buck in the next scene we see Buck in - when he is talking to Maddie at dispatch - the blues are similar enough for us to subconsciously connect back to that scene and link Buck and Tommy together rather than Buck to Eddie - who Buck is dressed more similarly too in the basketball scene.

It doesn't hurt that the blue shorts also play into yellow blue theory - especially against the sunsets yellow hues in a scene that is playing homage to a famously queer coded scene from Top gun.

Then there is this outfit from Bucks loft. again is very similar to an Eddie outfit - its the same style of shirt we often see Eddie wearing especially in seasons 4 and 5.

Tommys jeans have always been reminiscent of Eddies Jeans (I mean I know they are jeans, but I promise the significance will become clear when I get to Buck!)

Even Tommys watch is similar to Eddies Christopher watch (every other watch in the show worn by the men is all black - black strap black face and mount only the Christopher watch is different) in that it has a different coloured strap to the watch face and its mount.

The other thing I want to mention quick, is the progression of Tommys costumes in relation to them being similar to Eddies. By this I mean the first non uniform costume we see Tommy in is very stage 2 Eddie, while the one below is very much more stage 3 Eddie.

I also really like the use of a purple/red/black shot tee for this scene as well. If you watch the scene through, the way its lit changes its colour as different sections of the scene unfold. The red tones are there early on, during the apology and conversation around Eddie being allowed to have more than one friend and Christophers adoration of Buck. it gives it that air of danger lurking, because Tommy isn't sure how things are going to play out. and plays into the red/blue theme we saw with Buck and Maddie in this episode - just on a much lower level.

Then it turns this purplish shade as we move into the initial stages of flirting - from the moment Buck moves around the counter to put himself in the same space as Tommy. It gives things an air of mystery, but purple can also be a colour of enlightenment - both elements are in play here and I love they were able to do this with this shirt.

The shirt turns black at the moment Tommy says 'my attention' - the moment he essentially hold all the cards on making a move - he is the one with the power here (as the already queer person in the room) and black is a power colour, so its the perfect choice for the moment he makes his move.

Buck

Buck my beloved bi disaster. His costumes were doing some pretty impressive storytelling this episode!

We start off at the air field - I spoke at the start about this LAFD jacket and the theme of protection, but I also have other things to say about it and the rest of the costume. We don't generally see Buck out of work wearing uniform (we actually don't see many of the firefam in uniform out of work tbh) so when we do its going to have meaning. T

he thing with the bomber jacket being the choice (they could've made it a hoodie which we've seen him wear out of work more!) is that on one level plays into its name and the fact that its being worn at an airfield, while on another level it low key plays into the Buck cheating arc. which is actually fun - the idea that he's 'cheating' on the 118 by claiming he's thinking about his career options and also cheating on Eddie by trying to befriend Tommy (because at this point that is all it is its only once Eddie appears that things change).

The trousers are also important. I know I've said before about how trousers are less important than tops because they are less likely to get screen time. We not here - here they are really important, but only with the context of the rest of the episode.

These are the short in the leg dark trousers we've come to know and love on Buck - he's been solidly wearing them since season 2 and what we have seen him wearing so far in season 7 so no surprises to see them here. But this is the last time we see them and its super important and telling.

We also have Bucks white trainers - the ones that he wears when he moves forward on his journey - we see him in them the entire time this episode.

Buck and Maddie this episode have a red v blue thing going on in their scenes together. In this one Buck is in red and Maddie in blue. I spoke about the red for danger theme they seem to be using this season for the red clothes above in Athenas section and it applies here - Buck in red is foreshadowing the danger/strife that the basketball game presents as that is what he is talking about and what he is most upset about over Tommy and Eddies friendship.

It's a slightly burnt out red in comparison to Bobbys red shirt from the cruise, Athenas red cardigan, or even the red he wore when Eddie had his breakdown. Its not a full high alert colour, its a more muted and restrained colour - suggesting the danger is going to be less of a big thing, that it's just a part of it rather than the main big thing

We can also see that Buck is now wearing more traditional stonewash jeans - this is the first time we're seeing them on him since Eddies arrival at the fire house. I'll explain them in more detail in Bucks last outfit of the episode, but I needed to point their presence out here.

Basketball Buck in his white shirt and dark blue marl cut off tee - its very Buck posturing at the firehouse gym and its meant to be. Its a direct reference to the last time Buck showed any jealousy towards Eddie. The shorts are different this time in that they're white/light grey rather than black, but I think this is done for two reasons - it creates a pairing with Eddie - they are dressed similarly with dark tops and lighter grey shorts, but on opposite teams/sides.

It also makes him stand out from everyone else at the game - excepting Tommy (and a random guy in a red top with white shorts that I'm living for. When Red = foreshadowing as I've talked about above, this guys actions on the court are precursors of what is about to happen - we see him bump into Tommy - a couple of moments later and Buck does the same thing, then just before Eddie gets taken out by Buck, he gets breezed past by Eddie stumbles and starts limping. Its fun and clever and not something many people will pick up on - its a bit like the role of the bullet in Hamilton!)

Bucks bright blue chunky corduroy shirt with white tee underneath. I already spoke about the visual connection between Tommy from the basketball game and this shirt. It also fits into the red and blue theme I spoke about above - this time Buck is the one in blue and with the combination of Buck in his danger incoming white shirt and Maddie being in red it signals exactly what this scene is going to be about.

The danger, in my opinion, is Maddies wrath at Buck getting physical with Eddie. Its a perfectly valid and important response from her and plays into the growth we get from Buck in this episode that is not connected to his bi awakening - the recognition and acceptance of his bad behaviour in a far more mature way than we saw from s3 Buck.

The chunky corduroy give the shirt vertical stripes and we all know how I feel about Buck and vertical stripes at this point - I wrote about them a lot in my seasons 5 and 6 metas and the blue and white nature of bucks outfit plays into the theming that was at play in early season 6 - where Buck was free from Taylor and resisting buying a couch because he was looking for the right couch etc. (and playing house husband to Eddie nad feeding them!!!)

Here in this episode we kind of have Buck going through a similar process - free from the shackles of death and trying to figure things out - who he is and what he wants, he's still on that hamster wheel in many ways at this point in the episode but he is about to jump off it.

This is the key to happiness and Lev's advice and the year of yes scene 2.0 - the same shade of blue are at play here. Lev figuring it out ('I get it now') just as he's dying and Buck then trying to figure out what Lev had figured out and essentially failing before he died only to now get it and free himself is a blue thread we've been following through season 6 up to bucks death, then the use of this shade of blue in Bucks costumes tailed off - we saw it reappear a couple of times after the lightening strike - specifically around Natalia and his continues flirtation with death - almost like his hovering around death was him trying to grasp what Lev had figured out.

Then the blue had been gone again only for it to reappear here in this episode in a scene that precedes Bucks bi awakening and his comments about being free and 'yeah that works' with their double meanings that play in the same way as lev's 'I think i get it now' just without death coming immediately after. It's a scene when he starts to get an inkling on what his jealousy is actually about. (The fact we know he's going to be back in this bright blue in the next episode in a scene with Eddie - that is very likely a coming out scene also plays into this idea.)

And the stone wash jeans are once more there for all to see!

Then we get this dark navy blue shirt with silvery white dots and yet again those stone wash jeans.

Ok lets talk about the jeans! The fact that we haven't seen Buck wearing stone wash jeans, which if you watch the opening couple of seconds of the dispatch scene, you will see are proper normal length on him and not ankle swingers like we've got used to seeing him in for the last few seasons!

The thing with him suddenly wearing these stonewash jeans is all about imitation - imitation of Tommy (and by extension, imitation of Eddie even though we don't see Eddie in stonewash denim in this episode) because you know that old adage of dressing like the person you want to be , or the idea that you subconsciously start dressing like the person you have a crush one?? Well yeah - Buck has all these new feelings that he doesn't know what to do with, but Tommy is cool and Tommy dresses like Eddie and Eddie seems to like Tommy better than Buck now so maybe if Buck starts dressing a bit like Tommy he'lI get Eddies attention back. So he's pulled out the stone wash jeans so that he's dressed a bit more like Tommy, but he's also dressing a bit like his crush that he doesn't yet realise is a crush.

The other small thing that I think is a nice nod - So Like I said earlier, the last time we see the jeans is in 2x01 - Eddies introduction to the firehouse. This is the moment (on screen at least for us as viewers) that Buck ceases to be the probie - that baton is passed to Eddie, so its almost like a symbol of him graduating and maturing in some way. then we get the jeans back for Bucks bi awakening - we see them the entire time he's navigating all these new feelings he has - he's never been with a man, so he's like a probie again.

The thing is, that the jeans appear to be gone for his date with Tommy (makes sense - he's on a date so he's got to look good for his man!) , and from what I can tell from the (super dark even when brightened) stills from the Buck Eddie loft scene, it would appear they are gone for that scene too. We've had bts of Oliver in the jeans again, so I don't think they're gone completely, but that makes sense, he's still a baby queer after all, still navigating his way through things.

On to the shirt! I wrote a whole meta about this shirt (and the jeans actually!) when we first got this still - you can read it here and I'm still a little awestruck at how close to the mark I got!

What I want to add to what I said, now I have context is that the two previous times we've seen blue shirts with dots are played upon in this scene - the lawsuit is the obvious one and the parallel is showing Bucks growth - he got jealous and worried about being replaced and ended up lashing out and suing everyone, now he got jealous and thought he was being replaced, but as soon as he lashes out, he realises he is in the wrong and verbally acknowledges it.

The diner with Maddie scene is a bit more tricky to parse out, but for me, it ties to Doug - Maddie is quick to call Buck out when he confesses to Eddies injury not being an accident, because of her experiences at the hands of Doug. In the diner scene she is determined to go back to her apartment and her life in the aftermath of killing him - she wants life to go back to normal. In the loft scene Buck is trying to achieve that end too - he's in a new world where Tommy exists as part of his life now (as Eddies friend initially) and he wants to clear the air and move forward - so he's still a part of Eddies life.

I also want to talk about the contrast between this scene and the one where Taylor turns up at his door after the shooting and the difference between being chased and doing the chasing. Its spots v stripes!

Buck is in a similar shirt - short sleeved button up in a dark shade (black) - this one with vertical stripes for the Taylor scene and he thinks he's being chased for the first (ish) time (Abby sort of chased him but he is the one who pushed for it to be a relationship when I think she just wanted a bit of fun and a hook up! so I'm not sure if it actually counts or not). Thing is Taylor only chases him after they've already kissed and when he's then made it clear thats what needs to happen. (as an aside - Natalia does pursue Buck - not romantically, but because he has died - and she is the one wearing vertical stripes

While in this scene he doesn't have to say anything, yes he flirts, but he isn't explicit about what hewants - Tommy is the one who makes the decision to go for it, and so when he genuinely gets pursued, he is wearing dots

Chased verse's doing the chasing - dots v stripes

Then we have the Pink.

Pink is back in full force in 7x04 with it popping up regularly throughout the episode.

I didn't include Athenas pink dressing gown or Bucks pink shorts in their sections because I actually wanted to talk about them here. The context the scenes they were in gave me the information I needed to figure out what I think the purpose of all the pink we've been seeing is.

Lets start with a quick recap of all the pink from the 3 previous episodes then we'll look at the pink from this episode as well as the fact I've already spotted some for 7x05 from the trailer

7x01

Athena's pale pink top in therapy with Frank

Sue at dispatch in a pink cardigan

Christophers pencil is pink when he's sat at his desk - when he reads the letter from Shannon

Marisol in her bright pink strappy top

Lola's Manzanillo outfit is bright pink and white

Norman has pink flowers on his Hawaiian shirt and he later wears a bright pink polo shirt when he's pretending Lola is still with him.

7x02

the woman who is teaching her daughter to drive

the pink roses on Hen's jacket (which I know I said play into the theme of family bonds etc but the pink has a second meaning)

7x03

The cruise ship family nearly all wear pink at various points (grandma and mom are the exceptions)

and now 7x04

We have Ashley C in hot pink at the Bachelor mansion

Athena in her dusty pink ddressing gown (and pyjama pants

The woman who shot her son is in pink

And then there are Bucks pink shorts!

All of these scenes with the pink are scenes about either naivety and or innocence

The pink on Athena is about her being naive about her relationship with Bobby - not recognising that she is nothing to fear about them spending time together.

Sues pink cardigan. Sue's line is about the civilians at risk from the fighter jet - she is representing their innocence

Christophers pink pencil - in that scene his behaviour might be naive (he's a child so of course it is) but it comes from a place of complicated feelings as he does begin to mature - he was the innocent party in the loss of Shannon and he is the one left to suffer.

Lola is naive on the ship about having an affair and thinking she could get away with it and that it wouldn't hurt Norman. She’s also innocent in the plot regarding the bitcoin (or whatever it was)

Norman is also both naive and innocent - not recognising the fact his wife is cheating, for selling up their entire life and he is innocent in the bitcoin plot.

The mother and daughter were innocent in the car crash.

the pink flowers on Hens jacket hint at her being innocent of any wrong doing (from a departmental perspective) at the car accident.

The cruise family are innocent - just in the wrong place at rhetorical wrong time and they are a representation of all the innocent people on the boat who end up in danger on that ship.

I think the Marisol top is an interesting one - it plays into Chris being naïve thinking he can date multiple girls without them finding out. But I also think it’s foreshadowing her naivety in general - I think we might either see her immaturity in some way (perhaps on a date with Eddie) which will prove terminal for her relationship with Eddie. Now we know about this date scene coming up this is possible but it could also end up being about the fact that she is likely going to be an innocent party caught in the crossfire of Eddie unrepressing himself (much in the same way Ana was back in s4/5.

Ashely C's pink dress is a representation of the innocence of trying to find love.

Athena's pink dressing gown is about her innocently and blindly/ naively being excited about Harrys return home to her.

The lady who shot her son is innocent in that her actions were brought about by something out of her control and so she can't truly be held responsible for them.

Then Bucks pink shorts are about his queer innocence and naivety about his feelings the fact that we see them in a scene where Tommy isn’t present, a scene that is meant to inform the audience that his behaviours is all about Eddie and not Tommy - that he’s naively not grasping that part of this internal confusion that he's experiencing.

To add to all of this, we have Marisol carrying a pink bag in the teaser for next week, to me if pink theory is correct then this is playing into the idea that Marisol is naively dating Eddie and that she's going to be an innocent caught up in whatever goes down in that scene (part of this arc) the use of lighter pink here specifically on a handbag is giving me babyish vibes as well (its screaming little girl playing at dress up!). As a quick aside - I am very amused that shes been dressed in a basic black top - she looks like wait staff!

And of course there is Eddies pink ensemble that is connected to either Chims bachelor party or the Madney Wedding. I have no idea what is going to happen in this scene(s) but whatever does go down - place your bets on Eddie being innocent (and or naive!) in whatever goes on - itll be fun to see if I'm right! 🤓

Right 7k later and that is me done for this meta!!! I am handing out the tea, coffee, cake and biscuits (all dietary requirements catered for!)🫖☕️🧁🍩🍪- you've earnt them if you've made it to the end of this monster! Hope you enjoyed reading. i'm off to revel in Bi Buck some more - I can't believe its happened I'm overcome!!! 🩷💜💙

Tagged peeps as always are below!

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks @bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothill @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses @radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove @sherlocking-out-loud @tommykinarddd @satashiiwrites @lover-of-mine

(if the tags don't work its because people have changed their url (very valid of you!) and I didn't know, so let me know if you want tagging in future in the comments so I can catch the new urls!