#(I'm moving on to planning my next character now)

[moonjellysfeast]

My Own Galatea- Crybaby x Top Male Reader

cw; (C/n) is Code name, manipulation, abuse, unethical science, dehumanization, Crybaby is @yanderefarm's character

You were probably too young to be involved in such an experiment, not even proper college age nor finished with your classes. But, you were very advanced in your studies, you were still top of your classes despite moving up several grades when you were younger, and they were getting desperate. You remember sitting in the meeting, this company had really only planned to discuss simple matters as a way of showing you how you were expected to interact once you finished school and they actually hired you. They got caught up in more urgent matters and forgot you bore witness to their panic and desperation until you raised a hand to silence the room and flatly announced.

"I have the darling gene... I could probably further his infection. He'd listen to me, I promise" They weren't happy about it, but they were truly desperate, so you were hired.

You first met him in the facility's basement, he was in a large glass room, a small hole cut into the bullet-proof glass to keep you safe when talking with him. You had several psychology classes and so you felt confident in your scheme to make him obedient.

"Hello" You spoke softly and he turned to you, clearly upset, "It's nice to meet you. Do you have a name?"

He glared at you for a bit before walking towards the hole in the glass and quietly grumbling, "I do... A real one..."

You smiled at him, he was only a year or two younger than you, but you would have to treat him more like a child until he knew you were safe. You approached him, ensuring you looked as confident as you felt, you weren't scared of him and he had no need to fear you yet.

"Give me your name, then. We can't be friends unless you tell me at least that much" Your words were laced with honey, he eyed your sweet smile with suspicion and you watched his eyes shift. He was coming around to the idea.

"Elias... I think... no, I am right... I am named Elias..." Even just at the confusion of his name, his eyes were round and damp. You held back the tug of a grin to give him a gentle smile instead.

"You can call me (Y/n). Elias is a beautiful name. It suits you" He looked at you with awe now, like it was the first compliment he'd ever heard, "You know, the people here call me (C/n), isn't that a funny name? Do they call you something like that?"

"Yes. Crybaby... I don't like it" He'd looked so adorable, crouched on the other side of the glass, confessing his thoughts like deep secrets, and watching you with those wet eyes.

You had been completely correct in your assumption that you could further his infection, when you next saw him, his irises were clear heart shapes and he hopped up to greet you at the glass.

"Good morning, Elias~ You seem energetic" You mused as he fidgeted a bit and nodded. "I'd like to play a game today, if you're up for it"

"A game?" He was clearly wary, surely experiments had been done to him in the form of 'games' previously, but he had to trust you.

"It's like simon says. Do you know that game?" he shook his head slowly, "Well, I'm going to tell you to do things, but I only want you to listen when I call you Crybaby, Ok?"

"Why?" He whined

"Because, It'll be fun. Friends play games all the time and we're friends now! We'll start easy; Crybaby, sit down," He sat with little hesitancy, "Very good. Stand up, Crybaby," He stood, "Elias, please come closer"

He walked toward you and you made quite a show of disappointment, causing him to scramble back into place and apologize, already welling up with tears.

"No, no, it's ok. You forgot the rules. Like I said, we're starting easy so it's not a big issue. Crybaby, come here" He hesitated before scrambling to the glass window, tears streaming down his face already.

The games continued each day, once he was good at listening as crybaby, you started referring to Crybaby and Elias as different people, even giving them rules.

"Crybaby doesn't know my name, you only know me as (C/n), right? You pet his head, watching him nod along to your words. "Who am I?"

"(Y)- no... (C/n)..."

"Good boy, you're really learning. I'm sure Elias would be proud of you as well, Crybaby"

You also had begun entering his cell, he adored when you did and would cling to you until you demanded he stop. With becoming so close to him, you also had to begin enforcing all of your rules more strictly.

"(Y/n) I don't kno-" He crumpled to the floor the moment you hand landed on his cheek.

"That's not what you call me, is it, Crybaby?" You sneered as he cradled his cheek and began to tear up again.

"I'm sorry I'm sorry I'msorry- mhhn, Please don't be mad! (C/n), sir, please!" You placed a hand over his own, silencing him.

"I know you didn't mean it, but we can't have you being bad, can we? No, Crybaby, you have to be a good boy and listen to me. Now, you remember where it is, mark the artery I told you to."

He shakily got up and made an x on the mannequin's neck, precisely where you told him to.

"Good boy" you smiled a bit, " We'll have to work on your crying. as much as your name is apt, no one will like you crying so much when you start to actually work..."

There will be more of this fic but I am stuck.

[do-you-know-this-adhd-character]

Do you know this (noncanon) ADHD character?

SPECIFICALLY FROM THE BOOKS, HE'S BARELY IN THE MOVIES

Evidence below the cut!

In "Fellowship", Barliman is the owner of the Prancing Pony, and he is shown to be easily distractible - "There now, it's gone again but it will come back when I have time to think" and he talks about how "one thing after another drove it out of his mind".

Gandalf has this to say about Barliman in his letter to Frodo: "PPPS. I hope Butterbur sends this promptly. A worthy man, but his memory is like a lumber-room: thing wanted always buried. If he forgets, I shall roast him." (Spoiler: he forgor)

Despite this, Gandalf considers Butterbur trustworthy and corrects Frodo when Frodo calls Barliman stupid after Frodo has met him and received the delayed letter, Gandalf saying "you don't know much about [Big People] if you think Barliman is stupid… He can see through a brick wall in time, as they say in Bree".

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[butleroftoast]

[I am being totally normal and fine about postgame headcanons.]

---

Morris and Halsin don't part on bad terms. On the contrary, they both want to see each other again, desperately. But Halsin is busy rebuilding and helping refugees and Morris doesn't know where his head is any more, now that it's his again.

They do stay together for a while, learning real things about each other beyond shadow curses and tadpoles. Morris has developed various habits from living alone: muttering to himself, hoarding food, squirming in his sleep if he isn't allowed to share his bed with the sewer rats, which Halsin finds endearingly annoying while meditating beside him. Halsin's freedom with wildshaping and his rather energetic sex drive is a lot for Morris to get used to as someone accustomed to keeping his emotions under lock and key. Morris learns about Halsin's history, the pain he hides from in wildshape, and Halsin learns that Morris simply yearns to be able to fly in the wildshape of a bird. At the end of a long day Halsin will share his pipe, Morris will share his herbal teas, and they wait for sundown.

Their relationship has never been better as autumn draws to a close, and yet they both sense that this is the time to part. They don't plan it, or even want it (both think: it's what he wants). It's nearly unspoken. Morris makes a comment about hibernation, gentle teasing which is slowly becoming more natural to him, and adds matter-of-factly (quietly) that he'll see Halsin in the spring. Not long after the first snowfall, Morris slips away (to somewhere… much warmer).

(He hates this. He isn't an adventurer. The only thing which kept him going was the thought of returning home to the rats, but after what he's been through and what he's seen, the people he's met, that isn't enough any more. He never wanted a taste for adventure, but now he has one and it won't go away, a phantom itch in his brain and the less he dwells on that thought the better.)

Spring comes and goes with no sign of Morris. So do months, years, possibly decades before he's seen in Faerûn again. When he returns, it's been so long that he's not exactly forgotten Halsin, but put him in the "fond memory" corner of his mind, someone he loved once - that is, if he wasn't a cruel dream conjured up by the tadpole. Morris isn't sure any more. Besides, he doesn't like to think too deeply about it in case it awakens old hurt (love never becomes something he's familiar with), although he does pause every time he adds a spoon of honey to his tea. He definitely doesn't seek Halsin out immediately - he's got his Oak & Mistletoe plot to worry about, with Skullduggan and the Firefly Queen.

But one day he happens to be in Baldur's Gate, finishing up a quest, and realises that he has time. He has nowhere else to be. He could go to wherever Halsin was last. Not looking for Halsin, you understand, he just wants to see the results of Halsin's hard work. So he goes (secretly, denying it to himself, getting excited: will Halsin have changed? He's an elf and a druid, so he won't have aged much. Will he see the changes in Morris? Will he be surprised? Will he be waiting for him to appear on the horizon, like he promised?).

And Halsin isn't there.

He's not dead, not mysteriously disappeared, not avoiding him, just busy elsewhere through plain bad luck. Morris hates magically contacting people, it feels too invasive, so he doesn't bother. He looks around at everything Halsin built, waiting, waiting, and then moves on again himself.

At other times, Halsin goes into Baldur's Gate, searching for that balance he wanted between the city and nature. Not Morris himself, that goes against Halsin's beliefs (he tells himself), he is content to let chance reunite them only if or when that is what nature intends (so he tells himself again). But it wouldn't hurt to check up on the local rats, and if he were to ask them whether Morris has been around lately, well, that's just good manners.

Besides, Morris is never there anyway. He's always just left, or expected back soon, or travelling somewhere with the rats in tow.

It doesn't matter, each says to himself separately. Bears don't mate for life and nor do rats. They've led long and, if not happy, at least interesting lives apart. Halsin has taken many other lovers. Morris has been endlessly pestered by the Firefly Queen.

But they still think of each other, from time to time, when the days are getting shorter and the nights are drawing in.

Maybe one day spring will come.

---

No matter how long and cold the winter, it always ends eventually.

Much, much older, so old he isn't sure himself how many years have passed, Morris has been a sailor on a cursed voyage, a mind flayer's thrall, dragged through the Hells, played with and thrown away by Archfey, made friends, lost friends, possibly died and then been denied even that chance to get some rest because some god or other decided he wasn't finished with yet. He's starting to think that fate really hates him personally, and he's still a sourpuss, but on the other hand he has gained in courage and emotional maturity.

He comes home, tired and aching ("timeless body" doesn't mean he can't be bloody exhausted), promising himself as usual that he's getting too old for this and it will definitely be the last time, but the rats are excited by something. A strange person they've never met - this is many generations of rats after the Absolutist Cult - was hanging around earlier. Because the rats communicate through senses, not language, they show Morris the scent of grass, earth, sweat, and he thinks, oh, great, sounds like a druid, just my luck, they've probably come to revoke my Druid Licence after I've put in a lifetime of work on it. But then he realises there's another note to the scent, just a touch of honey.

Long forgotten memories come flooding back. Tadpoles, and goblin camps, and helping a bear in a cage purely because as much as he hated people, he would never let an animal suffer unnaturally. Bonfires, slightly too much wine, that first campsite by the river on a misty morning. Early summer. How young and stupid and petulant he was. All those hints, wilfully ignored, things unsaid spoken into shadows. Shutting him out while doing anything, everything, to keep him safe and bring him home. How young and stupid. A question on the docks by starlight, will he won't he, sneaking out of the camp, ratshape, suddenly alive again after so long alone, the shock of discovering each other in a precious moment stolen away from the nightmare.

How young he was.

He realises he's left home again, walking, searching, leaning on his stick for support. It reminds him of the old days in autumn, the excitement he barely lets himself feel: surely Halsin will have changed by now? He must be, what, four hundred years old, five hundred, more? It's hard to keep track of time these days. Does he still have the scars, the smile? What will he think when he sees Morris in his new favoured shape, a parrot? Does he still wildshape into a bear when he's excited? Will he be excited to see him?

(While nearby, somebody else thinks: does he still fidget in his sleep? Does he still mutter to himself without realising he's doing it? Has he learned not to be afraid of his own dreams? Does he ever dream of me?)

And as Morris - a druid whose devotion lies with the vermin and pests carving a niche in the human world - walks through the streets, a balance of the human city and wild nature, the first warm sun of spring lights up his old, tired face.

[unma]

The Heretics - An Undertale AU

The Heretics AU is an AU I came up with mid-October while thinking up a Halloween fic. I never did post the Halloween fic (I posted a preview and the first draft was 90% done by Halloween) because I got busy, but that doesn't mean I'll just let it collect dust (like 90% of all my other wips). I've spent a bit more time thinking about it, and while a lot still isn't final, here's the premise.

The Heretics AU takes place in sorta medieval times (I am not the best at writing that period so there will be inconsistencies. Also, magic) and is centered around Frisk and Sans. It's Frans, of course.

Frisk is a nun (not really) isolated in a nunnery while Sans is a curious demon who stumbles onto her while bored one day. Frisk can't leave (for reasons that will become apparent once I finally post the goddamn fic) the town surrounding the nunnery while Sans sees this as an opportunity to laze around and cause mischief.

Frisk, Sans, and Ivan (a character unique to this au) are the main characters of the fic I was working on, as the rest of UT's cast doesn't show up. I planned for them too, but that would leave the oneshot even bigger than it was. Then again, I might split said oneshot. It's grown far too large.

More about the mechanics of the world under the cut.

In this AU, monsters are known as demons or devils, both are interchangeable here and will be used as such, though I prefer devils. I tend to slip into saying demons cause I called them that at first. They, of course, aren't malicious. They act as devils do, and get summoned to earth to perform wishes to the best of their ability. They aren't godlike or anything and more difficult wishes (or those out of the realm of possibility for normal humans) get sent to high-ranking demons. There isn't a hierarchy, ranks for demons determine how difficult the requests they take can be.

The payment for a wish varies wildly depending on both the difficulty of the wish and the devil's whims. For example, Sans can and will overcharge or undercharge depending on how he feels (or so he says, but it tends to do with his feelings on the task). Payment is decided before the wish is completed, and devils can always just pop back to hell if they decide against it taking the job.

While devils can and often will refuse jobs they deem morally evil, such as killing the vulnerable for reasons of greed and such, some devils will take the jobs anyway and go ahead with it. There is no rule against performing tasks of this kind, though it is frowned upon. Those who do it tend to with a catch; for example, Sans (yes, most of my examples will involve Sans as I by far focused the most on him) rarely takes the tasks but always puts a twist in them, to the detriment of his summoner. Perhaps overcharging to the point it isn't worth it or causing a riot that gets the people they wanted dead, but leaves them with much worse problems to worry about (like surviving).

Humans who die are brought to hell through reapers, two being the Sans and Undyne. Papyrus is a Reaper in training and Undyne acts as the leader of the Reapers. Reapers don't take humans directly to hell however, they gather their souls and bring them to the River Person, who ferries them to hell.

Most demons (Sans is one of the exceptions to this) tend to stay in hell. While it is possible and open to any with a good reason to roam the earth as a devil, appearing in front of a highly religious group is a surefire way to get hunted down, so many avoid it. Those that do, tend to hide their appearance using disguises, whether magical or non-magical.

Devils don't (usually) claim the soul of their summoner, as at the end of the day it brings about the same results as just straight-up killing them. Instead, they extract some of the traits and determination from a soul, for use back in hell.

When humans die, they are (whether immediately or eventually) reincarnated. More despicable humans may suffer in hell for their actions, but it's temporary and eventually, they too become reincarnated. Devils are quasi-immortal and live for extremely long periods of time. Falling down is still a thing, but it simply means the demon will be gone for a century or two before reforming, which is only a fraction of their lifespan. Devils usually retain the same form between lifetimes. Boss monsters, or rather, boss devils have never been recorded to fall down and seem to age even slower than normal devils. They do begin to age normally once they have children, just like in classic Undertale. Asgore and Toriel remain the only adult boss monsters, while Asriel is still alive.

A note here: Asriel is another monster who remains on Earth, for the single reason of travelling around with Chara. It's not impossible or unheard of for demons to extend the lifespans of humans, so yes, they have been together for a few hundred years or so.

The cycle of reincarnation is powered by determination and the other traits. As for how or why this works, not even Asgore knows. Gaster, who is at this point Schrodinger's devil, is still unsure of this. And who God is. The devils were created and put in place by something, they just don't know who or what. Angels are simply a thing of theory, even to the most knowledgeable. The prophecy remains, though it speaks of the queue of reincarnation and judgement, rather than Hell itself. While Frisk is the angel, how the prophecy comes to pass is still undecided (And the contents of said prophecy, because little old me forgot about it till now).

While magic is something that all of monsterkind shares, it isn't impossible for humans to learn magic. Witches and Wizards exist, though revealing oneself to be one is a surefire way to get hunted down for blasphemy.

To end it off, the abbey (or nunnery, I don't think there's much of a difference) that Frisk stays in has been abandoned for a good while. It fell into disrepair due to a certain man constantly fighting to get rid of it and finding ways to drain its funds and cause problems for the nuns till it was simply too much trouble for the nuns there to stay anymore. It was abandoned and no one bothered to meddle with it, either due to the fear of God or other, more troubling matters to deal with.

Sans is allowed to roam around Earth because he fulfils his quota swiftly and efficiently, as well as being skilled at disguises, stealth, and escaping from dire situations. He does show himself as a demon to people for fun occasionally, but it often doesn't harm him (due to his skill as a good judge of character).

A lot of this is subject to change and additions, but I thought I would put this out there. And yes, feel free to do whatever you want with this concept if you want, as long as ya credit me for it.

[johanna-swann]

I actually have sooo many issues with 911 lately that haven't even got much to do with any ships.

Like. They wrote out almost all of the side characters. Chris is gone, Linda and Sue are gone, Athena's kids are gone (even though Harry just moved in with her and Bobby again? Seriously, where is Harry?), Ravi is gone, Carla is gone. I know the GA maybe don't care that much, casual viewers might not even have noticed that this many characters have just vanished from the show, but in my opinion this is one of the things that give a show running as long as 911 life. Having a big cast is a good thing. Otherwise things are going to get very monotonous very soon.

Actually, that's my second point. They keep repeating storylines! Every season Hen and Karen have to fight a custody battle over one of their kids.

Every season Eddie ends up realising he has a lot of repressed trauma and issues which keep him from leading a healthy happy and free life.

Every season Bathena realise that they have communication issues and they fight about it, but then something traumatic happens and they forgive each other without ever really talking things out.

Every season we are reminded that Maddie's most prominent character trait is "traumatised", the writers just alternatingly bring up Doug again and sometimes the ppd arc.

Every season we see Buck being somewhat restless, looking and searching for something that will bring him true happiness and cycling through love interests that never stick around and each time when you think "oh, there it is, he's getting somewhere now" the writers go "BEEEP! WRONG!" and we start all over again. [This is not just about recent events aka Tommy, the break-up and Buck potentially going back to his 1.0 ways, this also happened in season 6 when he had his "it doesn't matter what other people see in me, I'm enough" revelation only to suddenly be like "omg, Natalia just sees me".]

And Chimney- he had his moment last season with the wedding episode, Kenneth Choi really ate that episode up, but his most prominent character trait is "Maddie's supportive husband". There's really not that much going on with him otherwise.

Another point I briefly touched upon above is consistency. Like Harry moving back in with Athena and Bobby and then just vanishing. Or Gerrard being more like a slightly unfriendly grandpa than an actual antagonist in season 8 when he was still spouting slurs in season 7.

And the timeline! We talked about this before ("last March", Mara's fostering to adoption timeline, Tommy tranferring to harbour "5 years ago"), but the newest "Tommy was actually Abby's Tommy" twist just adds to that. Tommy was with Abby for over 2 years. They were engaged. This was at a time when he was still at the 118. Tommy dated Abby presumably because he was in denial or maybe because he was hiding. In either case, wouldn't his team at least have heard about his fiancée, Abby the dispatcher? Wouldn't that have rung a bell when Buck eventually brought her around only a year or two later? Tommy did talk about his private life at least a little at work, even under Gerrard. It just doesn't make sense. (Not to mention this seems wildly out of character for Tommy who around the same time also said about himself "being single is easier".)

Then there's the pacing. This was a huge issue in season 7. They jumped from one personal soap opera drama to the next without taking any breathers, had almost no procedural in their drama the whole season, still somehow decided to spend one third of the entire season just on the opening disaster and also squeezed in a "Bobby begins for the third time now" episode. But okay, it was a shortened season, there were strikes, they switched networks, they were under a lot of pressure - I'll cut them some slack. At least they set up a bunch of interesting stuff for the following season.

But we're in season 8 now. The renewal was announced very early, they had a lot of time to plan this time. Also they have almost double the episodes they had last season, there's really no need to rush any of the major plots. I am done cutting them slack.

They wanna do a 3 part opening disaster again? Okay fine, you have the time now. I feel like they could've easily done it in 2 episodes (especially 8x02 felt a little "eh"), but okay. Better than the breakneck speed you were going at befo- Oh, what's that? 8x04 flying in with a steel chair. You resolved 70% percent of the plots you set up last season in one single episode with no build up, no emotional pay off and no lasting consequences? And you also squeezed in multiple unrelated calls at the same time? Damn, okay then. Good-bye potentially interesting storylines. Fuck me for being invested I guess. I thought there would at least maybe be some follow up in 8x05, but no.

Now that Halloween episode wasn't bad, it was actually the best episode of this season imo, but instead of following up on previously established conflicts and developments they just hit us with new Wilson family trauma and conflict that was also immediately fixed again. And now 8x06 has speedrun and dumped another storyline that had potential to go to deeper and interesting places. Not gonna talk too much about that though because this post is about the show as a whole, not ships.

And I am not yet convinced that there will be much more to come on the only thing that's left from last season: Eddie's deep dive into his trauma and repression. It's totally possible at this point that being told "you deserve nice things" by a random stranger actually solved all of his problems, it would be very in tone with 911's new style.

What are they even gonna do with the rest of this season? Revisiting the Hotshots set sounds fun, but ultimately inconsequential. You know what's great about a regular old procedural drama with ~20 episodes per season that comes on weekly? You have time. You can let the viewers sit with their emotions and thoughts for a week and keep them engaged by stretching things out a little.

But why should I bother getting emotionally invested in problems the characters are gonna solve within the same episode anyway? Or rather, even if I wanted to, how am I supposed to care if you don't give me the time to develop any feelings about anything that's happening? "Henren lost in court and are now completely forbidden from seeing Mara at all!" Damn, that must be so har- "JUST KIDDING! Ortiz is exposed and everything is perfect again now." Oh. Okay then, I guess.

Bottom line: The characters are all stuck in their own hamster wheels, they keep cutting side characters that could bring a breeze of fresh air (I'm honestly surprised they even kept Josh until now), they rush through all the storylines a such a ridiculous speed that I don't even have time to feel any sort of way about it, they don't even try to keep a consistency or sensible timeline going and they seem to strongly prioritise random funny bits that'll entertain the very casual viewers right now in this moment (tiger call, Billy Boils, Bee-nado, the 'Stache tm, "wait, it's the same Abby?", Gerrard being a fangirl at heart) instead of playing the long game and catering to people who actually pay a little attention to the show.

[On that last remark: I'm not talking about hardcore fans who analyse every single frame here, I mean casual fans who've watched the show on and off again for a while and who may not be involved in fandom but genuinely care about the show.]

I mean. What am I even still doing here? The show is treading water and I end up disappointed more often than not. I'm still holding out a little hope that they actually will do something interesting with Eddie and his sea-monkeys, but I wouldn't be surprised if they didn't.

[l1tw1ck]

top!amab male character x bottom!ftm reader

800 Words | Kinktober

think of whoever (endeavor, william afton, zhongli, etc)

Terminology Used: pussy, cunt, t-cock, slick

CW: Non-Con, Boss/Employee, Creampie, Daddy Kink

Your boss, the CEO of the most well known company in the country, decided that he needed a new assistant. An assistant that fits a special criteria. You applied and got hired on the spot, you barely even spoke. You were too excited to realize how bad that was. It was fine for the first few days and then he started making comments and staring at you for a bit too long. The job pays really well so you've been ignoring it and hoping he'd keep his hands off you. It was wishful thinking.

Your boss pushes himself against you, placing his hands on your hips while you make him coffee. He has his own private break room and decided to use that to take advantage of you. He leans into your neck and takes a deep breath in. "You smell nice."

You let out a shaky breath, trying to build up the confidence to tell him off. "With all due respect sir, I'm not very comfortable with this." You sound the opposite of confident. He ignores you and sucks on your neck while unbuckling your pants. "Please, sir..."

He groans. "Shh, it's okay." He touches you through your underwear, getting you aroused against your own will. Your breathing turns shallow as he spreads your legs slightly more apart so that his hand can comfortably slip into your boxers, thick fingers sliding into your entrance.

You grip the edge of the table for balance, your head hanging low as he fingers you. Your fear of his reaction stops you from telling him to stop. He could hurt you if he wanted to. You let out shallow breaths, staring at the coffee maker that just finished pouring his drink. If you could manage to grab it without hesitating, you could spill it on him. It might spill on you too but it’d be worth a shot.

He pulls his fingers out and the small feeling of relief you feel is quickly ripped away with the sound of his belt unbuckling and dropping to the floor. He pulls down your underwear, quickly escalating the situation and filling you with more fear and discomfort. You hold your breath, feeling his length in between your legs. "Sir..." You breathe out, anticipating his next move and planning your own.

He lubes up his cock with your slick and prods his tip against your entrance. Your boss groans into your ear as he forces himself inside your cunt. "Yes...so warm." He murmurs. You hiss as his fat length stretches you open. His fingers were not nearly enough to prepare you for his cock.

He doesn't give you any time to adjust, already starting to fuck you at a rough pace. You grip the table harder than before, moans involuntarily slipping out of your mouth. You lost your chance. You’d just burn your own hands if you tried now.

He lets out a dragged out groan. "You feel so damn good—" He moans your name. "You’re taking my cock so well, baby."

"Please–" You gasp. "Mr—!"

“It's Daddy.” He runs his hand up your body, from your pelvis to your jaw. You feel yourself twitch from the unfamiliar touches. He gently grips your jaw. “Say it.”

“Da— Daddy-” You choke out.

He lets out a deep groan of pleasure. “Good boy.” He leans into your ear, his heavy breaths and groans becoming easier to hear. “Your pussy’s so tight, so warm…you're perfect.”

“It hurts-” You let out another involuntarily breathy moan. “Too fast-”

“I’m sorry, baby, but I can't slow down. You feel too fucking good.” He kisses your cheek. “You can take it.”

You shut your eyes, knowing this’ll be a common occurrence from now on. Even if you managed to escape he’d try again and thanks to the contract you signed, you can't quit yet. Not like quitting would save you anyway. He’d find a way to keep you in his grasp. He lets go of your jaw and brings his hand down to your crotch, lovingly stroking your t-cock. You shiver in pleasure as your legs start to give in thanks to that. “I can't– I can't–”

“Yes you can. You're doing so good.” He gets even more aroused by the sound of your voice. He aims at your g-spot, earning a loud gasp from you. “Right there..” He hits it again. Your cunt flexes around his length. He fucks you through your orgasm, somehow going even faster. “You're so good for me...”

“Too much– Please, it's- fuck~”

He ignores you and chases his own orgasm. “Gonna come right in your tight fucking pussy…” He moans. “Make you mine..”

He seems to like the idea of claiming you. Considering how good you feel right now despite everything, he might be able to fulfill that fantasy. And surprisingly, him coming inside you is the least problematic thing that's happening right now. Thankfully for you, he won't have much luck getting you pregnant.

He slows down, filling you up with his cum. He doesn't pull out though. Not even as he softens inside you. He doesn't want to leave your warmth, not yet.

[kookslastbutton]

Guilty Pleasures ༓ jjk, kth (m) | chapter ii

✒ Summary: Three years of being Seoul's power couple earns you nothing but a big fat divorce settlement and your face plaster on every gossip column around town. You're angry, hurt, and desperately want to move on, but worst of all? You're still in love with the man who started the whole mess, even though the most he can ever see you as is a friend. The renowned actor you've hired to be your company's new endorser seems to have a soft spot for you though. He's easy on the eyes, you'll admit, but who actually wants a divorcee like yourself? It's unrealistic really.

pairing: ex-husband ceo!jungkook x ceo!reader, actor!taehyung x ceo!reader

genre/AU: angst, smut, fluff, loverstoexesto ?, coworkers2?, unrequited love

Word count: 4.5k

Warnings: oc and jk are both 30, Taehyung is 32, swearing, fighting, confrontation, tornado of emotions, mentions of alcohol consumption, mentions of sexism in the media and business world, public shaming (both direct and indirect), morally grey characters, mentions of toxic relationships, mentions of abandonment issues, mentions of therapy, attempts to self-regulate but reader is pissed, mentions of self-blame though oc knows its not entirely her fault, mentions of defamation charges, JK is just 🤬 while KTH is 😇

playlist: Unkiss Me, Apologize, Hate That I Love You, etc.

a/n: Woah okay....so had I fun writing this, even though it took me a hella long time to decide whether to continue the story as a series or not 🫣 Anyway I altered the summary slightly from chapter one (and updated for consistency purposes), but it doesn't change my overall plans! As you read this chapter, I hope you will be able to see my vision (I'm nervous af! haha)! Enjoy 🥰 (edited but pls forgive me for any oversights...my typos are ridiculous)

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You’re seated in a wide sofa chair, surrounded by four blank walls, and the gentle sound of water tricking from a faux rock waterfall. Every element of the space is carefully integrated as a means to calm you. Yet it doesn't calm you in the slightest. Your hands are clammy. Muscles tense with the adrenaline spiking through your veins. It doesn’t help that you’ve been running on nothing but black coffee all week either, refusing to eat until the first promo shoot with your company’s new endorser was launched.

A natural in front of the camera, Kim Taehyung was able to speed the process up, yet it didn’t stop the massive dark circles from forming under your eyes. This morning, he'd told you they were unnoticeable but you've seen how you look in the mirror, and they're anything but unnoticeable. Still, you find his gesture to soothe sweet. Thankfully, your new partnership has been smooth sailing which is quite a blessing considering the disaster he nearly walked into.

Yes. You’re referring to that disaster in particular. When, in some desperate last-minute attempt for validation, you threw yourself into the arms of your ex-husband.

More like fixed the collar of his shirt and whoops, slid right on his dick…again.

What is wrong with you?

You’ve been asking yourself the question far too many times. You’d think being a hot-shot CEO of a million-dollar tech company would make you like titanium, resilient as finely pounded steel but no; you're just barely keeping yourself together. You regret your rash decision that day, you regret ever marrying Jeon Jungkook, and you regret ever giving in to your stupid feelings.

That’s why you’re here now, waiting in the office of your therapist’s private practice, hands restless in your lap. You’ve been seeing Melody for just over two months since your divorce was finalized, ready to move on; trying to, more like.

‘JeonX CEO Jeon Jungkook’s ex-wife compensated $1.8 billion in divorce’

‘South Korea’s Golden It couple split with ex-wife taking half the company revenue’

These are the lovely words that greet you from your phone screen.

You have the urge to grab your special red ballpoint pen from your bag and scribble out the entire paragraph, except it’s not a printed gossip magazine— it’s a newspaper column on the internet. Instead, you close out the pesky tab on your phone and reply to its sender.

Chim 🐥: can you believe this crap they’re saying about you?! It's no shit you were given a hefty divorce settlement. You brought in half the income! They’re making you look like some kind of gold digger. I swear if I ever lay my eyes on that pretty ex-husband of yours, I will end him! 😡 [sent at 5:06 pm]

Park Jimin, your childhood best friend, sends you a follow-up text when you don’t immediately reply to the news articles he forwarded over. He’s been extremely overprotective of you lately and especially pissed at how the media’s been portraying you, while Jungkook is seemingly getting a free ride. He’s always had an axe to grind with your ex-husband, to be honest, the divorce gives him only more reason to hate him.

You: Thanks for your concern Chim, but nothing they say surprises me anymore. If you don’t mind, can you stop sending these to me? [sent at 5:12 pm]

You hope your message doesn’t read as cold or dismissive. Jimin’s concern for you is a light in a dark place, but you don’t really want to be reminded of the amount of slandering articles still targeted towards you.

Gone are the days when the public saw you as a powerful woman in business, the one to watch, or the CEO of the fastest-growing startup in the last ten years. You're now simply Jeon Jungkook’s conniving ex-wife; as if you’ve merely seduced him for his money and ran when the going was good.

Of course, the whole situation is skewed to his side; half the world is in love with him after all, and that includes the few lingering reporters who've been practically salivating three feet from you at any given chance, hoping to get an exclusive “inside look”. Your marriage was a sham, you wanted to scream, a mutual business transaction.

Too bad rather than an increase in status, resources, and market share, you gained a pile of twisted, unwarranted emotions and regrets.

“I apologize for the wait Ms. __."

The door swings open as your therapist rushes into the room. She stops at her desk to retrieve last week’s session notes, then takes a seat in the chair adjacent to you with crossed legs.

“It’s okay,” you assure, straightening your posture. “I understand how crazy busy the day can get. It wasn't a long wait anyway."

Melody gives a small smile and jots a few words on her notepad. “Thank you for understanding. How are you doing this week?”

You take a deep breath. "Tired," you respond, "especially this week at work. It's like as soon as I wrap up one project, there's another jumping out from nowhere." You used to be ahead of the game. Now you're barely surviving.

"That's right," she hums. "Last week you mentioned having to attend a charity gala soon. Would you like to start there today?"

Crap, you're suddenly reminded that you have to pick up your gown by 7 pm tonight. You entertained the idea of not going to the gala at all, but that would do you no favors in the end. Given your situation, you can't skip out on such an important charity event.

"Sure," you nod. "The Winter Gala's tomorrow night, actually. It's funny how I used to look forward to it every year, being an opportunity to network and catch up with my peers. I can't say I feel the same thrill this time around."

"Because of the divorce you mean?"

"Exactly. Being the CEO of one of the largest software corporations in the world, my ex-husband's influence far exceeds my own. So whether out of loyalty or political agenda, anyone who's anyone will be on his side of the room. I'm gonna end up being that one awkward person in the corner in a far too expensive Dior gown who no one wants to dance with." You nervously chuckle out the last sentence.

Melody opens her mouth to respond, yet stops when she notices you're not quite finished.

"It'll be the first time seeing my ex-husband after months of no contact too. I guess that's what I'm looking forward to the least."

When you think about it, the most you've seen of Jungkook is his face appearing on the massive screens downtown. He's been featured in at least a dozen interviews lately, teasing a brand-new product his company's planning to release in the spring. Seems he's doing well.

"What you feel is valid Ms. __." Melody seeks to assure you. "In the past, you used to go to these events with Jungkook right? He provided you with a sense of safety, as you did for him, no doubt. I wonder if it's a lack of consistency and belonging that worries you, more than it is about seeing your ex-husband and your peers. Companionship too, of course."

"I suppose that makes sense, but it never used to be this way." Your voice raises to match your sudden argumentativeness. "I used to be very comfortable in my own skin. I used to be confident going to these events alone, long before Jungkook came into the picture."

You pause to take a breath before continuing.

"When Jungkook became CEO of his family's software company, JeonX, he was steps away from being bought out by both our competitors, so a partnership was proposed. We married at 27 as nothing more than two ambitious, rising leaders in business. Neither of us was after love or romance when our careers were at stake."

"But then that changed for you," your therapist carefully observes. "Combined, you both held the largest share of the tech market. You and Jungkook were also in an extremely intimate relationship, yet treated it as a business contract. Unfortunately, those don't always come out clean in the wash. It appears to me that while you gave him three honest years of your life, he stole those three years from you."

The words take a moment to sink in; Jungkook stole three years from you. It conflicts with what you want to believe, though from the bottom of your heart, you know she's right.

"I feel so...guilty. I hate that I fell for him, and I hate that I'm struggling this much to let him go." As you tear up, Melody hands you a tissue from the side table with an empathetic gaze. You mouth a thank you and gently dab your eyes with the soft fabric.

"I'd give yourself some grace Ms. __. But if I may ask, what about Jungkook?" she gently probes. "Do you think he feels the same?"

"No...," you say with remorse, shaking your head. "He's moved on."

Melody remains silent for as long as you need in the moments following, cautious to follow your lead. The last thing a therapist should do is rush their patient through the session, so she sits patiently and waits for your go.

"Sorry," you finally say. "We should continue."

"No need for apologies," she replies. "Take your time."

It takes a good minute or two longer of sitting in your car before you can fully compose yourself. As usual, your session with Melody was intense and insightful, but it was far too short. You're gripping the wheel with both hands when her final words of the session echo through your head: "Give yourself some grace; blaming yourself won't do any good."

Seemingly simple advice, yet tough to follow when you constantly feel responsible for the mess you're in. Yes, even though Jungkook has the bigger end of the stick, you made your share of mistakes too. You should have looked into other options when you found out your competitors were looking to buy out JeonX instead of eloping with their CEO.

Just what were you thinking __? you harshly scold yourself. You were trying to protect your company. You both were. Too bad you placed the cart in front of the horse.

Forcing yourself to take a slow, deep breath, your eyes widen in alarm when you catch the time on the clock— 6:38 pm. Fuck! The boutique that's holding your gown for tomorrow's gala is closing in twenty minutes. Without a moment to spare, you yank the seatbelt and slam your foot on the gas.

"Good evening Ms. __." A young woman, fitted in a black pencil skirt and white blouse, greets you with a faint bow as soon as you step foot into the posh boutique.

"Hello, Hana," you refer to the young lady by name with a smile. "I'm terribly sorry to be coming in this late. I came by to pick up the gown I sent in for alterations two weeks ago. The event's tomorrow and I know the shop will be closed for the day."

Knowing the exact dress you're referring to, Hana responds with a soft tone, "Please don't worry Ms. __. We have the gown ready." She disappears to the back of the shop to retrieve it.

As you wait, your mind drifts to memories of last year's gala. You had worn a vibrant, gold gown that evening, slightly risky with a low neckline. Jungkook liked it though, as he wore a matching gold vest himself. You can imagine how crazy the press went when you both set foot on the scene, arms linked and appearing to have coordinated your attire perfectly.

Every investor at the gig wanted to be your friend that night, anxiously pushing through the crowds to speak to you. One of them nearly split your dress in two, as he had accidentally stepped on your gown after one too many drinks. You recall Jungkook scolding the man before turning his full attention to you, making sure you were alright. You consider this to be the first time you truly started looking at him as your husband, a feeling of warmth blooming inside you.

How foolish you were to let that feeling grow.

You're attending the gala alone this year, without him.

Possessing no desire to call attention to yourself this year, you've chosen a rich, navy blue gown instead. It's subtle yet sophisticated. Made out of the finest silk, its silhouette is sleek and falls straight down to the floor without any extravagant frills. The neckline is simple too, paired with a tasteful open back. There are no flashy accessories or embellishments, just a straightforward, classic design. You find the gown beautifully elegant, and nowhere near as bold as your previous one.

"Here it is Ms. __," Hana chips from afar, her heels clacking against the polished floor tiles. In her hand is a generously sized garment bag, your dress flowing underneath.

"Thank you so much, Hana," you say, taking the gown from her hand. "Again, I'm sorry for my tardiness picking this up. I hope you have a wonderful night."

You leave the boutique, the sun having already set.

The Winter Gala takes place on the top floor of Seoul's most luxurious hotel, specifically in its grand ballroom. The walls are adorned with gold trim, and its floors are elegantly lined with polished black marble. Above, a magnificent glass chandelier glimmers, catching the moonlight filtering through the surrounding glass windows.

Despite being a private event, the gala attracts a whole slew of press and locals who eagerly gather on either side of the hotel's front doors, treating it as a prime spot for viewing the red carpet.

Physically, you're ready; dressed to the nines, and makeup done just right. Mentally, you're absent; secretly sipping a margarita at the end of the earth, wherever that is. The day finally comes for you to make an appearance at the Annual Winter Gala and it's clear, you're not prepared in the slightest.

Your nerves consume you as you sit in the backseat of your limousine. You protested against being dropped off at the front entrance. Hell, you hadn't even wanted to arrive in a limo. However, your PR team insisted you be seen arriving, happy to be supporting a charitable event for the eighth year in a row.

Reluctantly, you complied.

Chim 🐥: I wish I could be there with you tonight 😞 No matter what, don't let those snobs get into your head. You look stunning and you have nothing to be ashamed of! [sent at 6:23 pm]

"Thank you, love," you whisper to aloud upon reading your best friend's endearing message. Before you can craft a reply, your door is flung open, with harsh flashes of cameras blinding you. When you step out of the limo, you hear a mix of passionate cheering and interrogative remarks.

"Ms. __, could you share with us your experience of attending the gala without Jeon Jungkook by your side for the first time?"

"Ms. __, it's unexpected to see you here this year, especially considering your recent separation from your ex-husband, who is also on the guest list!"

"Ms. __, how do you plan to navigate the evening's festivities without the familiar presence of your former partner?"

Just keep walking __. If you can just get inside the building and tune out the noise, you'll be fine. You coach yourself with every step, but make little progress with the amount of discomfort only skyrocketing. Your photos are being taken, and questions barrage you from all angles. To top it off, you feel a strong migraine coming on and oh fuck— is that the devil now?

You don't have to glance back to guess the sudden increase in cheering is due to the arrival of another hot A-lister. It has to be Jungkook with a new woman by his side. You think he wouldn't bring a date to an event like this, even if she were a hire? You'd be horribly mistaken.

You fight against the urge to turn around and confirm if your suspicions are true.

"__!" a voice calls out, which you ignore.

But wait a minute.

You stop in your tracks—that's not Jungkook's voice at all; it’s far too raspy.

Peeking over your shoulder, your jaw falls open as you see Kim Taehyung steps behind you wearing a boxy grin on his face. He's dressed to the hills with a shiny maroon, Louis Vuitton suit hugging his slim waist. Quite handsome, per usual, but what is he doing here?

Taking the initiative, Taehyung strides next to you and waves to the crowd charismatically. “My movie shoot wrapped up early so I thought I’d swing by and see what all the excitement’s about,” he says.

You observe how easy it is for him to appease the crowd, a skill you’re still working to sharpen.

“Tae-” you begin.

He then turns to you and looks straight into your eyes. You shiver at from the sudden intensity.

“I got an invitation too, and the gala happens to support a cause that I find close to my heart.” His voice lowers for the next part, allowing only your ears to hear. “I also didn’t want you having to be alone this evening, __. I hope I didn’t overstep my boundaries.”

Taehyung’s words manage to coax you away from your previously frazzled state, comforting you as the chaos quiets around you.

“Thank you, Taehyung. You didn’t, don’t worry,” you reply, giving a tight-lipped smile. “It’s actually a good thing you came since you’re basically the second face of my company after all.”

“I’m happy to hear that. We’ve been working so well together recently, and I don’t want to ruin it. May I?” He offers you an arm.

“You may.” You slip your arm into his and continue towards the hotel entrance. You admit you’re glad to see him.

With Taehyung nearby, your apprehensions of the night start to subside. He’s not always beside you, slipping away to mingle often, yet his mere presence relaxes you. You haven’t even thought about Jungkook to be honest. Well, maybe a little bit.

You take a sip of the drink in your hand and casually scan the ballroom until bingo, you spot your ex-husband by the bar in the middle of half a dozen people. Figures he’s the center of attention, effortlessly tethering people to himself. Jungkook loves the spotlight, and the spotlight loves him. As you continue watching him from across the room, a whirlwind of conflicting emotions swirls within you; longing, sorrow, anger. You haven't seen him in over two months, it feels surreal.

Memories of your time together come flooding back all at once—both the good and the bad, yet mostly bad. It's strange how someone you were once so close to can suddenly feel like a stranger. You allow your gaze to linger a moment longer, curious to conclude a date is nowhere in sight. Perhaps you’re mistaken and they’ve merely slipped away for a second. You’re positive he would’ve brought someone.

Bitterly, you gulp down another sip of your drink. When you place your glass down, you nearly choke at the sight of Jungkook's dark eyes burning holes at you. You avert your gaze immediately, silently begging that he didn’t just witness you staring at him and take it as an unsolicited invitation to come over.

“So,” a provocative voice unexpectedly slides next to you. “Looks like you just traded one bachelor for the next __. I’m shocked to see you’ve shown up to our little soirée.”

Oh god, you roll your eyes, recognizing the owner of the slithery voice like the back of your hand. You do not have the stamina for this tonight.

“Kathy," you greet with the fakest, yet sweetest smile possible. "Nice seeing you again. I haven't seen you since last year. How's the baby?"

"Oh please," she scoffs. "Don't try to deflect, sweetie. We both know it's you who is of far more... intrigue. If you understand my gist."

You want to hurl at this woman's condescending tone. Nothing gets under your skin more than someone your age calling you sweetie. It's not endearing in the slightest, especially when it's Kathy Lee, Director of CommaTen. You despise each other, likely because you both hit it big in the industry at a young age. Meeting someone who reminds you so closely of yourself isn't always a blessing.

“Anyway, as I was saying," she continues, brushing her hair behind an ear. "I have quite the bone to pick with you about stealing that actor from me. Kim Taehyung was mine first, you know."

Hers? She speaks as if a person can be owned. You won't lie, you're surprised Taehyung agreed to partner with you at a time when most of Seoul's elites have turned against you. You're naive to assume that his support wouldn't backfire on his reputation. On the other hand, he's been your endorser for two months now and his following remains fully intact.

“To be frank, I didn't know the two of you were talking business at all," you respond to the accusations with composure, though burning up inside. "But of course, he's free to make his own decisions, can't he? Whatever the reason, something must have enticed him."

“You—" Offended by your insinuation that your offer was better than hers, Kathy doesn't stop what comes next. "We both know the only reason why Kim Taehyung's with you is because Jungkook left you! And you need the extra publicity, isn't that right?"

Fuck. Well, now you're really fucking embarrassed because, at that moment, everyone in the room shifts their attention your way. A pin drop could be heard in the entire ballroom since even the live band ceased their playing.

This is why you didn't want to come. Your fingers fumble with the fabric of your gown.

“Don't act like you're above me just because your company might be worth more than mine, __. We'll catch up with you soon," Kathy spits her final words before spinning around and triumphantly walking away.

Don't cry, you tell yourself. Everyone's staring at you; the press, your peers, Jungkook, and Taehyung. Don't you dare cry.

As the murmurs of conversation gradually resume around you, you force yourself to take a deep, steadying breath. Kathy's words were nothing but a feeble attempt to save her own face. Besides, what company doesn't have at least one endorser?

"Are you alright?" Taehyung's low, gentle voice catches your attention as he swiftly returns to your side, no doubt influenced after witnessing Kathy's verbal jab.

You manage a tight-lipped smile, nodding faintly as you attempt to push back the overwhelming wave of humiliation. "I will be," you reply, though the words feel hollow even to your own ears.

His gaze lingers on you for a moment longer, a silent understanding passing between you.

"I hope you don't take her words to heart, __," he mutters. "I chose to become your partner because I genuinely believe in your product. I'm selective about who I support, so please trust me when I say it wasn't because of material gain or pity."

You're on the verge of responding to his reassurance when you catch sight of your ex-husband from the corner of your eye, striding his way over to you for the first time tonight. His expression is unreadable, so you brace yourself, unsure of what to expect.

"__," he starts, his voice low but carrying an unmistakable urgency. "Can we talk?"

You and Taehyung share a quick glance before you follow Jungkook out of the ballroom, seeking privacy.

As soon as you're out of earshot, Jungkook turns to you, his features softened by a hint of concern. "Hey," he starts. "I meant to get over to you sooner but got tied up. You know how it is."

"Yeah, I know," you respond, though you'd rather he didn't come over at all, especially after being dragged into the spotlight in front of all your peers and colleagues.

The two of you share an unsettling silence before he speaks again.

"You-You look good." He allows his eyes to rake up and down your body, causing you to cross your arms in discomfort. There was a time when his gaze brought a flutter of excitement, but now, you're not so sure it brings you the same pleasure.

"I'm sorry for what happened in there," he says. "You okay?"

"What?" you repeat, your eyes wide with surprise, stunned by his unexpected apology. "Am I okay?"

Where was this concern when he handed you the divorce papers nine months ago? Or when he willingly took advantage of your vulnerability that time in your office, only to disappear afterward, as if he hadn't just torn your heart out of your chest? You clench your fists, trying to contain the rising temperature of your anger.

"Yeah, about what she said about you," he clarifies. "It was uncalled for, and I feel horrible about it." He reaches out to touch you, but you instinctively step back, as if his touch would scorch you.

"Please, don't," you sigh, a trace of weariness in your voice. "It's fine."

"I'm serious __, I can have her charged with defamation for that. It wouldn't take much!" His insistence is unwavering, and it strikes your last nerve.

"You don't need to fight my battles for me, Jungkook," you suddenly snap, voice stern. "I'm not completely helpless now that you've divorced me!"

Jungkook's expression darkens, regret flickering in his eyes. "I'm not saying you are. I'm just trying to help."

"Help?" you repeat, doubtful. "How do you think that's going to look for me in the media? Jeon Jungkook slaps another high society member with a defamation charge for ex-wife. Thanks, but no thanks. I get enough of that as is."

He sighs, running a hand through his hair in frustration. "I know they've been difficult on you recentl—"

"Difficult?" you interject, your anger bubbling to the surface. "In case you haven't noticed my face is on every gossip magazine, billboard, press release, and anything else they can use to scorn me with. It's unbearable, especially since I still have a business to run."

Jungkook winces, clearly stung by your words. "Then let me help. I'll get them removed for you. I still care about you, __."

You scoff. "You care about me? Is that why you made me sign our divorce papers three months after you found out I wanted more than a fake marriage?"

His jaw clenches, gaze dropping to the floor guiltily. "It's not like that, __. I'm not trying to be an avoidant asshole. I want you to-"

"Find someone else. Yeah, I got it," you mutter bitterly, feeling a fresh wave of hurt wash over you.

"I'm sorry, __. I am."

You stare at him, torn between resentment and a lingering ache for the connection you once shared. Now, he's apologizing?

"So am I," you say, slowly backing away from him. "You don't have to do anything, Jungkook. I'm fine."

You then turn on your heels to return to the ballroom where Taehyung still waits for you, leaving your ex-husband standing in the hallway, alone.

a/n: A much-needed confrontation between oc and jk eh? But... *laughs evilly*..this is not the end...LMK what you think! 🤔🤍

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no reposting, copying, or translating my work– © kookslastbutton

[ectospacecadet]

Sam's toxic relationship with Danny.

Alright, so, in Double Cross My Heart we all know Sam gets a new crush and Danny becomes jealous. But, after watching this episode for the umpteenth time, I really don't think he was jealous, he was just being overprotective as always (13).

Moving on, there was something about Gregor I noticed from the get-go and why I think Sam just fell for him on-sight, anyone want to take a guess?

Well, let's see, he's tan, wearing black and white, has white hair, and green eyes (he takes his sunglasses off at the end of the episode). Any of these attributes sound, I dunno, familiar?

Do I think this was intentional? Yes, but not from his end, he had no idea Sam has a crush on Phantom, and yes I mean Phantom. Why?

This is when Sam's crush on Danny actually started, this moment here. No not earlier in the episode when they're holding hands, she and Danny do blush but it's because they're in an awkward situation, not because 'oh no I'm touching my crush's hands'. Sam doesn't show any actual interest in Danny in any episode prior to this, sure she and Danny are dancing together at the freshman dance (parental bonding) but there's no romance underlying the scene, it's just two friends dancing platonically, Danny even says he wish he took her just because she wanted to go.

Do I think Sam even knows she has a crush on Phantom and not Danny? No, she's 14, she wouldn't understand that. Why do I think that? Well it's just the way she treats Danny as Danny and not as Phantom, when Danny does regular teenage boy stuff she gets all angry and annoyed by him and Tucker, but when it comes to the ghost stuff she's not as bad about it. I get she's trying to get him to be more mature etc, but he's 14 xD let him be 14.

Then there's Memory Blank, remember how she just straight up gets called out for her causing issues with Danny and just not apologising for any of it? She apologises for the fight, not for what she's done, and Danny just rolls over. It's insane. "Welcome to my world, remember? We should make the menu recyclo-vegetarian! We should let the gorilla out! We should sell all of your dad’s stuff at a garage sale!" "Anything else you want to blame me for? The ice age? Puberty?" "Sam, both monsters knew your name. Either there’s another Sam involved in ghost fighting-- or it’s you." "How about a “thank you”, huh?"

She never actually apologises for any of that tbh, even in this episode she had a go at Danny for beating up the possessed cow balloon and not for haunting the Truck Dealership place. Y'know, he does mature superhero things and she's like "yeah but my agenda", Sam has a tendency to only be mad at Danny for abusing his ghost powers if it doesn't give her perks.

Killer Garage Sale: Danny gains popularity, Sam is ugh. Splitting Images (the NEXT episode): Danny (who's possessed and Tucker even states Danny's acting weird) gains popularity, Sam ignores Tucker's observation and jumps on Danny's popularity to save the frogs.

I feel like the two finally getting together was only because of Elmer's initial plan, but in-universe they only got together because every other character insisted on it. Sam only has the Class Ring because Valerie dumped him and the only reason it has her name in it is because of Jack, Danny never actually gave it to her.

Alright, gonna jump all the way to Frightmare now because I think, even subconsciously, Danny just doesn't have any real feelings for Sam. Why?

Because this happens. In order to wake up from Frightmare's dream helmet things, you need to have a shock in their dream, or basically a nightmare. So Danny's dream was basically perfect up until Danny was confronted with what he thinks is what he wants, yet he wakes up in distress over it. Then there's Sam's dream, which is identical, but Sam wouldn't have woken up from the kiss, it took this to snap her out of it.

Which feels... Kind of telling to me. Sam's perfect dream was happening and she would have remained asleep, but Danny's exact same dream was happening and he woke up. Our subconciouses are basically our thoughts and feelings in their purest form, the way how you feel about something will be very apparent in an instant.

Ok, last episode I'm gonna talk about it, ugh, Phantom Planet. I know, I know, the writing in this episode was so messed up, but the one thing it did get consistent was Sam's character in this. I'm just going to take her last line in the show, which also happens to be the last line in the show, period. "Why not? Cool statue. Personally I would have made it out of recycled materials but, you know, that's just me." Honey, your boyfriend just saved the entire planet and you're going to take the time to complain about his statue??? Like... C'mon Sam... Anyway, yeah, there's a lot more I could say about this btw, but I think I'm done here. Personally, I think if Paulina and Danny wound up together I don't think it'd be as toxic as one with Sam's currently is. "But she only loves Phantom", yeah, but also she's never mean to Danny on her own, she's only mean to him in front of her friends and to Sam to piss her off. She always singles Danny out from his 'loser friends'. Weird huh? ((Just know I'm not saying I ship Paulina with Danny, just that she's actually not as bad as people think she is to him, she's a lot less mean to him than Sam is tbh, you can probably guess who I think is the better person for Danny xD)).

So yeah, I feel like after some time Danny's relationship with Sam would dwindle and eventually end, they'd still be friends, but just that.

I'll end it there.

EDIT: I also forgot about this.

Danny spies on Sam with Gregor because he’s worried Gregor’s with the GIW and doesn’t want Sam to get hurt, Sam gets mad at him for spying on her whilst on a date.

But when both Sam and Tucker spy on him and Valerie because they’re worried Valerie might waste him as Danny Phantom (Sam also has some very blatant jealousy spikes) everything is ok???

I don’t think Danny gets upset that Sam and Gregor kiss because he’s jealous either, I think it’s because either: A) he’s realising he might be wrong, B) he’s worried that if he’s right Sam’ll be heartbroken. If he was jealous he wouldn’t have been suddenly ok with Gregor after stopping the GIW from attacking him, he even apologised to Sam for the spying, Sam and Tucker never did ouo

When Danny goes on to say there’s many reasons to want to date Sam, again, only Sam blushes here, Danny just plays it off and doesn’t blush at all. He was just being a good friend and making her feel better, not saying he would date her. He’s 14, he doesn’t know you can platonically call someone pretty.

Let’s not forget Danny’s feelings for Valerie haven’t gone anywhere yet, the episode (double cross your heart) literally starts like this.

[ilions-end]

i finished statius' ACHILLEID. thoughts thoughts thoughts:

i knew going in it was a VERY short unfinished epic, but i didn't know it would be FUN?? if i ever get that time machine, FIRST THING i go back and find one publius papinius statius, i lock him in a room, and i'm NOT letting him out until he's finished the achilleid!

achilles is statius' BLORBO in a way neither homer, quintus nor virgil have blorbos. statius likes achilles to be strong and pretty and graceful, but most of all ENDEARING even when he fails. and he fails a lot, because this is him still figuring out how to be an adult, not to mention a prophesied legend literally everyone is waiting for to step up

the one thing that gets tiring is just how many prophecies permeate the achilleid. nothing's left to chance, there are so few unknowns. even ODYSSEUS was aware that from peleus' wedding there would come a child destined to be a central warrior in an upcoming gigantic war.

as it stands, the achilleid is more of a... thetisiad? she is very centered in the narrative (we spend more time looking at things from her point of view than achilles') and there is SO MUCH SYMPATHY for her, oh my gosh!! she loves ONE person, her son, the only worthwhile thing she got out of a traumatizing marriage, and she despairs that he's fated to die young in a silly human war.

also i'm a deidamia defender forever now. so three-dimensional, so clever!

aughhh i love how much characterization statius puts in, even in the small scenes! my favourite example is odysseus and diomedes as they walk up to lycomedes' place (literally just moving characters from A to B). diomedes teases odysseus, and odysseus is delighted to be teased. that night we're told odysseus CAN'T SLEEP because he's too excited about showing off his plan the next morning!

the unveiling of achilles is completely different from the chagrined defeat/"achilles is a fucking idiot" ways i've heard it retold! i love that it's collaborative, it's a mutual triumph. it's just as much achilles (who's been suffering in gender dysphoria hell for a year) longing to be exposed as it is odysseus LIVING for showing everyone (especially diomedes?) how clever he is. it's not just the shield and the spear and the bugle, it's odysseus playing the part of the siren, whispering in achilles' ear that he knows who he is and describing how glorious he will be on the trojan battlefield. it's achilles' grateful relief at being ALLOWED not to pretend anymore as he rips off his own dress even before the bugle calls

also it's very important to me that the moment he's no longer hunching over trying to make himself look small and inoffensive, we're told achilles is taller than both odysseus and diomedes

i KEEP IMAGINING how good statius would have made the rest!! especially because as book ii ends, achilles regards odysseus as a cool uncle; he's the guy who rescued him! i want to think statius would have put in the big mystery quarrel achilles and odysseus are said to have had early in the war, something to drastically change that affection. i want to know how statius would have handled troilus, and the gods. augh statius you roman BLUEBALLER

an assortment of story beats still revolving in my head:

chiron is such a sweetheart!! he's SO gallant with thetis, he's so affectionate with achilles. he HIDES HIS TEARS when achilles leaves, awww

statius writes out phoinix completely. as a phoinix stan i object. sure chiron can raise young achilles, but i NEED phoinix to tend to him as a baby

i enjoy how achilles EXPLODES into a mess of teenagerly hormones when he first sees deidaima. it's so funny that thetis is looking on (and we get my favourite simile of the achilleid, of a herdsman delighting in a young bull snorting and foaming at a beautiful heifer) like "aaaaand there's my son's sexual awakening. i see! well, we can use that" and THAT explains why achilles is so willing to commit to the female disguise

(listen. listen. few things mean more to me than the love between achilles and patroclus. but achilles is a teenage boy at the age when a fucking breeze will give him a boner, and deidamia is the most beautiful and the cleverest of her sisters. i really enjoy a story where achilles and deidamia are neither "fated eternal true love" or one's a sneaky opportunist. it's much more compelling that they're both knots of budding emotions and bodily feedback)

i notice that statius never uses the name pyrrha, he doesn't seem to have a fake name at all, just "achilles' sister"

lycomedes is SO honoured and proud that thetis is entrusting her daughter to him. i feel sorry for lycomedes, he seems so earnest and hasn't done anything to get tricked

the one thing i can't forgive statius for is that after spending SO much time establishing that achilles and deidamia (who knows he's a guy) are genuinely into each other, it feels like statius goes OUT OF HIS WAY assuring us that their first sexual encounter is rape. sure they talk right after, deidamia forgives him, AND i understand there are social rules that makes deidamia more "honourable" and "worthy" when she resists, but like. sigh.

aLONG with the previously mentioned interplay between odysseus and diomedes as they walk up to lycomedes' court, there's a simile where they're both starving wolves on the hunt. so sexy it's almost illegal

the feast scene is SO FUNNY omg. all of achilles' careful feminine training dissolving because odysseus and diomedes are there with their boundless masculinity for him to feed off of. deidamia practically WRESTLING achilles back down on the couch every time he forgets himself and behaves too much like a man. odysseus chatting with lycomedes SPECIFICALLY trying to rile up achilles, and then after the women have left (achilles dragging his feet and looking back, YEARNING for their male company) odysseus specifically praises the maiden's "almost masculine" beauty (because ohh he suspects. he just needs to prove it in the morning. he can't SLEEP for it)

when they depart, achilles earnestly swears to deidamia that no other women shall ever bear his children. i find it interesting as a reminder of the social rules of its era. neither of them expect achilles to be sexually exclusive, just not fathering potential heirs. which again makes me wonder about the contraceptives in ancient greece

on the ship towards aulis, diomedes begs achilles to tell them all about his feats and training with chiron, and achilles is so shy about it! who can blame him! diomedes has a WAY more impressive track record

odysseus is SO good at firing up achilles' outrage at paris even as he's just catching him up on what the war's about. and he's so pleased at how easily achilles' outrage can be directed! you KNOW that would have developed in such an interesting way AUGH THE REST WOULD HAVE BEEN SO GOOD.

[desperatelyseekingcannibals]

Telling Hugh Dancy about trans masc Will and more...

As some of you already know by now, I went to Boston Fanexpo this past weekend for another stop on the unofficial Hannibal 2024 Reunion Tour.

I had planned to do autographs on the Friday before the Hannibal panel and had brought some gifts for Hugh which included a copy of Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal, which I compiled and edited last year. I also got him to sign my own copy (above).

It all moved quite quickly, but I did have the chance to explain that it's a volume by and about trans, non-binary, and genderqueer Fannibals that includes art, fics, essays, and personal pieces. He seemed intrigued and I said I hope he'd have the chance to read it and that the art isn't explicit/sexual but some of the fics are - he laughed and said he appreciated the warning.

It was all quite the whirlwind, especially after coming all the way from the UK, so I was absolutely mortified when I remembered the next morning that I had talked with a few trans Fannibals who had specifically asked me to let him know that he/Will is a trans icon. So I went back up to see him again on the Saturday morning when it wasn't too busy (and get more stuff signed) and this is what happened:

[I wrote notes down right after so this is as close an account I can get without having filmed it!].

Me: I saw you yesterday Hugh: I remember (smiley-friendly) Me: I gave you a book Hugh: I remember (smiley-friendly) Me: well, I forgot to tell you. A few trans Fannibals reached out to me to tell you that Will is a trans icon to them and we all love you for it. Hugh was surprised (in a nice way) and I was pretty much going to walk away then - job done and feeling like time for me to stop bothering Hugh lol. But before I could walk away he sort of held out his hand to stop me and said something along the lines of - I don't mean this in a disrespectful way, don't take it the wrong way... I'm genuinely curious- I get that it can be about identity- but what is the connection to Will and being trans? Luckily - my essay in the book is exactly about how Will can be read as trans, so I sort of gave him a summary of that. I explained that (obviously) both Will and Hannibal can be read as queer, and that - especially as both characters have dominant masculine and feminine traits, it's also easy to read them both as trans or in some way genderqueer. He was nodding and agreeing, so I further explained that with Hannibal, he is fully formed - he's already whatever he is - which Hugh also agreed with. But that Will is still becoming, still transitioning and therefore can be more relatable to trans fans who see that journey in themselves. So although it's not necessarily the same journey - there is enough to it that it resonates with trans people. I said that in the show there is also the added bonus of Will being seen and accepted for who he is, just as trans people wish to be. He was nodding along and agreeing with me and then he thanked me for explaining that. It was pretty quiet previously but I'd been there a few minutes so the queue was building up a little but he was so focused on me - so genuinely intent on hearing what I had to say and learning more. SO I CARRIED ON. (lols) I explained to him that it goes further than the show, that we have found a community in the fandom and that many trans people have a catalyst in their life that sparks their journey - like Will had in his friendship with Hannibal. For us it might be a person, an event, or even a TV show. I explained how the fandom are so supportive of trans people - that we are SEEN. That I for one wouldn't have been able to afford top surgery without the kind donations of Fannibals back when I was not in a good place (mentally or financially). That we all help each other and for some of us that has been life-saving. He did the hand on heart thing and said "wow" and was clearly moved. I said to him that so much of this is in the book, that I completely understand if he doesn't want to read the fanfic, but I really hope that he will at least read each of the personal pieces - that each of the fics and art also have a little write up from their creator about what the show and/or fandom has meant to them and their gender journey - how important this has been in our lives. He repeated a couple of times that he would definitely read it. I thanked him and he held out his hand and gave me the most genuine hand shake I've had in my life.

I want to really stress here how much this was instigated by Hugh. That he really wanted to know more and understand and didn't even look at the slowly growing queue but was instead intently focused on knowing more about the trans Fannibals and about why this show and the characters mean so much to us.

I then went off and spoke with a few Fannibal friends in the queue before getting around the corner to another Fannibal friend and having a bit of an emotional moment/breakdown. I can't even explain how grateful I am that he gave me the opportunity to explain all this to him. And I was especially glad I got to tell that Will is a trans icon because I'd have felt terrible if I'd have not done that after people had asked!! Thank you for trusting me to pass that message on for you!

💖

I know for many of you Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal might have gone a little under the radar. So here is some more about that >>

It was compiled last year for Trans Hanni Day, edited by Max Turner of (and in conjunction with) A Coup of Owls Press - and published under Max's ACoO imprint.

It features essays, personal pieces, fanart and fanfic by and about trans, non-binary, genderqueer and otherwise non-cis Fannibals.

IT IS FREE TO DOWNLOAD, however we ask that if you do that, please consider donating to one of the linked trans orgs if you can afford to (or a similar organisation/charity of your choice).

It can be purchased on Amazon, however, as the proceeds go to charity, and Amazon only gives royalties, more is earned/given if bought directly via Max's shop.

Dearest trans Fannibals, please know that YOU ARE SEEN!

[literaryvein-reblogs]

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source ⚜ Writing Notes & References

[wonderlandwalker]

First Impressions | Eddie Munson x Reader

Stranger Things Masterlist / Inbox Summary: Eddie learns that Dustin has a recently reunited sister, and from the moment he meets you he's a goner. (read part 2 here) Content Warnings / Tags: Pure fluff, henderson!reader, tiny mention of a fight but nothing descriptive, not edited, no use of y/n Word Count: 1.4k A/N: Eddie brain rot cause I couldn't keep it in. Don't know if this is my best work but I'm planning to write more chapters on this so it's just a start, hope you like it

“You need a ride home after this?” It was more of a formality than an actual question, he always drove Dustin home after a session.

“Oh that’s okay, my sister is picking me up.” Dustin didn’t even look up from packing his things away, but Eddie’s head shot up.

“Your- you have a sister, since when?” As far as he knew Dustin was an only child, but now he was wrecking his brain trying to think if he had ever mentioned you before.

“I know you’re bad at math Eddie, but I just told you she’s driving so try and put the pieces together.” Dustin was looking up at him now, challenging him.

“Alright smartass, it’s time for you to shut up.” He told him as he ruffled through his hair, leaving behind an agitated Dustin trying frantically to fix it. 

The others had already gone home, but Dustin stayed behind late to help Eddie finish up, a habit that became more and more common as the two grew closer. When they finished packing up Eddie locked the door behind them, and while walking to the parking lot decided he wasn’t quite done interrogating Dustin.

“If you have an older sister, how come I've never seen her around before?”

“I mean she’s been around during holidays before, she lived with dad though but they had a big fight so she’s moved here.” It seemed like a sore topic, so Eddie dropped it for now.

As they got to the entrance of the school and felt the cool air on their skin Eddie indeed noticed another car in the usually empty lot, and you were sitting on the hood of it, a book in your hands as you patiently waited. The last rays of sunshine graced your figure as if the heavens themselves were blessing you, and Eddie had never been so sure he’d seena goddess in his life. It was just like the tales he knew so well, the ones he still devoted his life to, it was as if they were becoming true. You looked up when you heard them approach, smiling at the sight of them and giving Dustin a quick side hug as they reached you.

“It’s nice to meet you, I’ve heard a lot of good things.” You held your hand out for Eddie to take, but all he could do was look at it, staring ahead as if hitting pause in a game, he stood still. He wanted to react, to not make the most horrible first impression possible, but the longer he looked at you the worse it got, getting lost in sight of your smile.

“Alright, not a fan of handshakes, noted.” You chuckled as you withdrew your hand, and Eddie cursed himself for not having taken the opportunity to feel how soft your skin must’ve been. You looked at him again, your eyes piercing straight through his soul and he wondered if maybe he had found himself in one of his fantasy worlds, he must have. But the next second he shook himself out of it, because you were real, you were real and in front of him and expecting him to say something.

“I’m Eddie.” he said, nodding his head as if to confirm his own statement.

“So I’ve been told.” Another giggle slipped past your lips, and Eddie wasnt sure if it was from nerves or entertainment, but he was dying to hear more of it, even if he had to make a fool of himself to do so.

Dustins head kept going back and forth as if watching a tennis match of idiocracy. He had never seen Eddie so flustered, so used to the man flaunting with every opportunity that presented itself that this seemed quite out of character. In full disclosure, it was kind of freaking him out to see Eddie so beside himself, and it was freaking him out even further that he couldn’t figure out why. It was probably blatantly obvious to anyone else, but maybe it was for the best that Dustin couldn’t place where the tension originated from, either way, his patience had run out

“Can we go home now, I still have to call Mike to discuss our net strategies” You tore your eyes from Eddie, deciding that maybe it was for the best to head home.

“Yeah alright, maybe I’ll see you around Eddie.” You gave him one last smile as you got in the car with Dustin and drove off, but it took him another minute to pick his shambled ego up from the concrete ground as he berated himself for not being able to utter one coherent sentence. As he got in his van and drove home as well he decided he’d have to grill Dustin for more information on you the next time he’d see him. As he got to the trailer he grumbled a hello to Wayne before disappearing to his room, ignoring the backhanded comment he got about his grumpy disposition. 

He wondered if he’d ever be able to convince you he was cool, whether he’d be able to get you to agree to see him again, but after what just transpired he figured the odds were slim. Not that he’d give up so easily, he didn’t have much of a reputation to lose and if he’d be able to get you to laugh again that would be more than enough. But he didn’t get to wonder for long as Wayne knocked on his door, he was ready to tell the man to leave him alone, but the next sentence was one that confused him immensely

“Someone on the phone for you.” Wayne held the phone out to him, expecting him to get up from the bed and take it, but Eddie didn’t move an inch.

“For me, you sure?” He was still not quite sure what to do.

“Unless another Eddie is living here I’m pretty sure.” He moved his hand again to accentuate the phone that was still on hold, but once again Eddie just sat there.

“If you want I can tell her to call back-” That’s when he sprung into action, snatching the phoen out of Wayne’s hand 

“No! No, I got it. Thank you.” The old man simply chuckled as he left again, closing the door behind him to give his nephew some privacy.

Eddie cleared his throat once before picking up the line put on hold. 

“Hello?” he asked, still not quite sure what to do.

“Hi, Eddie it’s me, just wanted to see if you were doing alright.” your sweet voice blessed his ears once more. He doesn’t know what he did to get the universe on his side like this, but he was grateful for it nonetheless.

“Yeah I’m good, listen-” Eddie figured this time he shouldn’t waste his chance, and he probably had some making up to do.

“- I’m sorry if I freaked you out earlier, just never seen anyone that pretty before.” You were giggling again, and it brought the biggest grin onto his face.

“You didn’t weird me out at all, it was kinda cute. I had to bribe Dustin to let me use the phone so I don’t have much time but I was wondering if maybe you’d like to go out this weekend?” Maybe he should’ve waited a beart before answering, but he was too eager to care.

“Go out, as in a date?” It got him blushing, the red creeping up on his cheeks as he wondered if that’s really what you were asking

“I mean, kinda, if you want to.” He could almost see you blushing on the other side of the line as well, and he decided it was now or never.

“I’d love to.” 

“That’s great, I’m still kind of new around here, do you know any good places?” Your smile was present as you spoke, and he was already looking forward to seeing it again, now knowing he wouldn’t have to wait long.

“How about I come and pick you up, we can go to the mall.” His confidence was growing with the minute now, absolutely elated by the turn of events.

“Im looking forward to it” He wondered what you’d wear, knowing whatever it was it would look beautiful on you, and he knew he’d spend the entire date amazed at your presence. 

“Me too” he said before the both of you hung up the phone, he had already started planning the most amazing evening out, and maybe, he thought, maybe this year really would take a turn for the better.

[part 2 here]

[hotjaneaustenmenpoll]

WHO IS THE HOTTEST JANE AUSTEN MAN ? THE FINAL

Propaganda...

Captain Wentworth (1995):

Ciaran Hinds has that perfect ruggedness yet friendliness to his face that makes him the perfect charming Wentworth. And all of the longing that he manages to convey in his eyes is so hot.

Wentworth may be angry/resentful with Anne but in general he is charming and the best friend you could ever have. Ciaran gets the pleasant parts of his character and brings them out, while keeping a guarded coolness (protective camouflage) with Anne.

64.media.tumblr.com

GIF by molinaesque

I dunno if this counts as propaganda or not, but Ciaran Hinds has a face that looks like it was jackhammered out of a shale cliff.

If a line like 'I am half agony...half hope' comes out of a face like that you know that man has a soul for poetry.

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in

F. W.

I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.  

This is propaganda for the next round because I need my boy to be a finalist! But this letter is all the persuasion I need to know that he is a winner

Ciarán Hinds in this is a whole other level of "a good man" He makes Anne's decision at the end so much more perfect.

LOOK

GIF by my-little-random-world

HOW

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HE

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YEARNS

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GIF by molinaesque

The yearning the yearning - JLM gives a great look but Captain Wentworth is the king of longing stares. He's trying sooo hard to hate her sooo hard to get over her - 8 years and he thinks he's ready to face her and move on but no he has to notice she's exhausted on the walk, that her nephew is being overwhelming, that she should be dancing and not just playing the piano for everyone else. And even though he's jealous later on when Mr Elliott gives her an "admiring look" in lime he's pleased for her because he knows she deserves to be admired and cherished even if he's angry that he wasn't able to be the one she let admire and cherish her. I just this man - he loves Anne so much and it's so so hot.

Propaganda for Captain Wentworth.

I've always loved Persuasion and so I was voting for him in his polls anyway, but I had never seen the 1995 adaptation. So because of this blog I decided to check it out.

Well. Now I'm obsessed. I came into this tournament fully expecting to vote Firth Darcy to victory. Ciaran Hinds suddenly showed up and sparta kicked him to curb. His every look, every gesture is laden with longing. He's so tender with Anne but then the barely restrained rage in his voice when he speaks to Lady Russell. He's rugged and manly yet tender and considerate.

I BURN, I PINE, I PERISH

If you're wondering why you should vote for Wentworth 95 in the @hotjaneaustenmenpoll, it's because he's got something hot for everyone.

Do you think it's hot when a man dresses up fancy? He looks very dapper in his uniform! Or do you find it more sexy when a man is more casual, a little mussed up, maybe even a little grimy? He does that perfectly too!

Do you find men hot when they're being tender and restrained? Or do you find men hot when they're losing control a bit, maybe getting a bit passionate with anger or jealousy?

Do you like a refined man of culture? Or a rugged outdoorsman?

A warm smile? Or something more broody?

Someone who's the life of the party, boisterous, laughing, charming? Or the strong silent type, serious, calm, mysterious?

Hinds's Wentworth does all of these sexy things brilliantly! You cannot lose with him, he's got it all!

II ranked Wentworth as the #1 Austen man in terms of fuckability, and I stand behind that when it comes to Wentworth 95 versus Knightley 09.

Is Wentworth 95 angry sometimes? Yeah. But that's hot, at least coming from Ciaran Hinds' ruggedly handsome face. Have you heard of makeup sex? Tell me Wentworth 95 and Anne don't have the most scorching hot angry makeup sex imaginable 🥵

And yet Wentworth 95 is also super tender! The slow, gentle, worshipful way he kisses Anne at the end?? So beautiful and hot. The longing way he looks at Anne in silence. The way he is so solicitous of Anne's comfort to put her on the carriage with his sister! You can just tell he's gonna take the time to worship his wife in bed.

And let's not forget that he writes the most romantic letter ever written! The depth of passion in this man, my god! 🔥💕🔥

This is not a who is the better man contest, or who is the more faithful to the book, or who would you most want to marry. This is a hotness contest, and Wentworth 95 is so fucking hot.

Mr Darcy (1995):

Colin Firth (1995) is book Darcy brought to life. He uses tiny gestures and looks to communicate with us and Elizabeth… his struggle is so subtle but so palpable. A beautiful asshole with a creamy nougat center. Just perfect.

GIF by sunsetboulevards

Those heart-eyes right up above☝️? Hot!

Passive-agressively drinking tea? Hot!

GIF by jaeausten

The way he rushes over to see Elizabeth at Pemberley on those delicious long legs of his with that slutty wet curl hanging over his forehead? Hot!

GIF by didanagy

Fencing? Hot!

GIF by greengableslover

The way he is so concerned about Elizabeth crying and takes her hand even though he shouldn't? Hot!

GIF by greengableslover

This dimple-y smile of pure joy because he knows he's married to Elizabeth freaking Bennet? Hot!

GIF by didana

Colin Firth Darcy is simultaneously immaculately put together and entirely falling apart internally. The wet shirt scene is so iconic not (only) because ‘oooh almost-shirtless sexy man’, but because it’s a metaphor for how he’s absolutely falling apart!!! This is a private moment, when he doesn’t think anyone can see him. And then he bumps. into. Lizzie. At his house!! And the entire sequence that follows with him rushing out still doing his jacket up to catch her before he leaves. They are both on the back foot and it’s THAT moment of confusion that opens a more honest dialogue between them.

Without Firth in a lake you wouldn’t get Macfadyen in a downpour!

There's a reason why Colin Firth is forever known as Mr. Darcy above all other roles he's had and will have! Even ignoring the wet white shirt, which has become A Thing now, he is so hot with his curly hair and his little half smiles and his intense looks of longing and his legs that go on for milessss.

This cannot be real. My fellow Jane Austen people. Without Colin Firth’s Darcy we wouldn’t have 90% of modern JA content. He opened a door and there was no turning back for modern culture. There would be no MacFadyen standing half undressed in a field at dawn without Firth jumping into a lake first. There would be no hand flex if there hadn’t been Firth doing his best impression of a man undressing Elizabeth Bennet with his eyes and hating himself for liking it. There would be no Bridgerton without Bridget Jones. Let’s face it people. We wouldn’t be here having these arguments if Colin Firth had not been Mr Darcy.

Colin Firth understood Mr. Darcy in a way no other actor ever has. He is awkward as fuck in a way that comes across as snooty and judgmental on a first watch-through, then can be read as awkward and longing on a second time. His performance had such depth while looking extremely shallow at first glance. This man WAS Mr. Darcy. (I love 2005, as well, and I love Matthew McFayden, but he was awkward for awkward sake.) Colin Firth made Darcy's awkward look snooty and aloof.

THE socially awkward Darcy is the 1995 Darcy - look at him coming and sitting in awkward silence with Elizabeth pointedly asking her if she wants to live a long way from her family (to obvious relief) and then abruptly leaving - vote for him please 😭😭😭😭

GIF by my-little-random-world

Colin Firth served so much as Darcy that when they did Bridget Jone's diary, they brought him back.... AS DARCY. The smoulder. The angst. The man is the quintessential Darcy.

“Firthing” is an actual term that is used now to describe someone yearning intensely. It is named after Colin Firth’s Mr Darcy performance.

Colin Firth all the way. He's known in our household as Owl Eyes because in every frame he's mooning over Elizabeth Bennet. Unsurpassable, unmatched, golden television (and some of the worst dancing you've ever seen).

Colin has beautiful, touchable curls.

Link

My high school English teacher was very into using movies to teach alongside literature, which was a great teaching tool. When we read Pride and Prejudice, he used both 2005 and 1995 for various scenes. What stands out to me all these years later was when it got to the part when Lizzy went to help Georgiana after Caroline dropped Mr. Wickham's name and Darcy gives Lizzy this look:

My teacher stopped the film and pointed at Darcy's face and said, "See that? That is THE look. If someone ever looks at you like that, you know they're in love." And what is hotter than that?

Also this teacher had two cats named Lizzy and Darcy. Not relevant to the poll but I wanted you all to know about them.

Colin Firth dazzles and amazes in the nuanced performance that just blows all other attempts away.

The best thing about the Colin Firth wet shirt scene is actually the scene that follows where him and Lizzie are both just dyinggg of embarrassment but Darcy pulls himself together refuses to lose his advantage and runs to get dressed and chase her down before she leaves - just the mix of cringe and hopefulness at seeing her again is so well done and so attractive!!! (this is just the bit where he's running after her but I love it all!)

[morbidapples]

good luck charm

𝗽𝗮𝗶𝗿𝗶𝗻𝗴: 𝗌𝗍𝖺𝗇𝖿𝗈𝗋𝖽!𝖺𝗋𝗍 𝖽𝗈𝗇𝖺𝗅𝖽𝗌𝗈𝗇 𝗑 𝗌𝗍𝖺𝗇𝖿𝗈𝗋𝖽!𝖿𝖾𝗆!𝗋𝖾𝖺𝖽𝖾𝗋

𝘀𝘂𝗺𝗺𝗮𝗿𝘆: 𝗒𝗈𝗎𝗋 𝖻𝗈𝗒𝖿𝗋𝗂𝖾𝗇𝖽 𝗂𝗌𝗇'𝗍 𝗉𝖺𝗋𝗍𝗂𝖼𝗎𝗅𝖺𝗋𝗅𝗒 𝗉𝗅𝖾𝖺𝗌𝖾𝖽 𝗐𝗁𝖾𝗇 𝗒𝗈𝗎 𝗍𝖾𝗅𝗅 𝗁𝗂𝗆 𝗒𝗈𝗎 𝖺𝗋𝖾𝗇'𝗍 𝖺𝖻𝗅𝖾 𝗍𝗈 𝖼𝗈𝗆𝖾 𝗍𝗈 𝗁𝗂𝗌 𝗍𝖾𝗇𝗇𝗂𝗌 𝗆𝖺𝗍𝖼𝗁 𝗍𝗈𝗆𝗈𝗋𝗋𝗈𝗐 𝖽𝗎𝖾 𝗍𝗈 𝗒𝗈𝗎𝗋 𝗈𝗐𝗇 𝗆𝖺𝗍𝖼𝗁. 𝖻𝗎𝗍 𝗁𝖾 𝗁𝖺𝗌 𝗁𝗂𝗌 𝗍𝖺𝖼𝗍𝗂𝖼𝗌 𝗈𝖿 𝖽𝗂𝗌𝗍𝗋𝖺𝖼𝗍𝗂𝗈𝗇.

𝘄𝗼𝗿𝗱 𝗰𝗼𝘂𝗻𝘁: 4,474 words; 24,496 characters

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀: penis in vagina sex, oral sex (male and female receiving), fucking on a couch, praise kink, pet names, cursing, art is lowkey kind of a freak here, oral fixation, needy! art donaldson, established relationship, lovesick fools, brief mentions of future plans yada yada ya, reader is also a tennis player.

𝗮/𝗻: hey... i'm ovulating right now so i had to crank out another art donaldson smut fic. i am genuinely obsessed with the man, it's a little scary. but, i am actually starting to write smut more and mayhaps have another art fic coming out soon that involves a kitchen countertop... anyways. this is a medium length piece, not as long as the other art donaldson smut fic, but still a decent read (I hope). Don't be a ghost reader, and if you have any requests for anything, feel free to dm me.

Art loved you. You were always there for him. In the stands at every match, patching up minor scrapes after a fall. You were always there when he needed you.

He craved your attention like a drug, like it was the oxygen he needed to breathe. A bit needy, in your eyes. But you never minded.

"But you always come to my matches."

He had a small frown on his lips, his hands gripping your waist as you stood in front of him, your hands gently massaging the nape of his neck.

You smile softly at him and his antics. "I know, but I have my own match tomorrow. I can't miss it."

His pout deepened, whining a bit as he pulled you down on the couch next to him, his arms wrapping around your waist and pulling you onto his lap, making you straddle his thighs.

"But you're my good luck charm," he whined again, burying his head in the crook of your neck, lips planting gentle kisses over your skin.

Your breath hitches slightly at the feeling of his lips against your skin, but you still manage to speak. "Y- you don't need luck. You're a good player, baby."

He continues kissing, moving upwards to the spot on your neck that he knew you loved, his hands running up your thighs, slowly but teasingly.

"Sure, I don't need luck, but I want it," he mumbled against your skin, his hands now slipping under the hem of your shirt, calloused fingers tracing patterns along your sides.

Your head instinctively tilts back to give him better access to your neck, as you struggle to focus on anything other than Art's mouth pressing hot, open-mouthed kisses to your skin. "Are we really... talking about this right now? It's hard to... think rationally right now."

His lips curved into a smirk as he nipped at a sensitive spot on your neck, knowing full well the effect he was having on you. His hands continued to wander, moving higher on your sides, thumbs gently rubbing over your ribs.

"Thinking never got anyone anything, sweetheart," he whispered, his warm breath against your skin doing nothing to help your current state of arousal.

His lips slowly make their way to your ear, his mouth nipping at the lobe before he spoke again.

"Besides, thinking is overrated. You should just 𝘧𝘦𝘦𝘭."

With that, his hands found your waist again, and in a swift motion he had you pinned against the couch, his body hovering over yours as he looked down at you with darkened eyes.

His mouth continued its work down your neck, moving along your jaw until he reached your lips, his mouth claiming your own in a deep, passionate kiss.

Art shifts, trapping your legs between his as he grinded his hips against yours, a low growl escaping him as he continued to devour your mouth.

You gasp into his mouth at the sensation, hands holding onto the side of his stomach. You're breathless, hungry for him.

He takes advantage of your gasp, tilting your head back to deepen the kiss, his tongue slipping into your mouth and exploring every inch of you.

His hands move lower, finding the hem of your shirt and starting to tug at the fabric. He breaks the kiss to pull the shirt over your head, tossing it aside before his eyes roamed over your exposed skin.

He leaned down, his mouth returning to your neck, leaving a trail of wet, open-mouthed kisses down your collarbone and between your breasts.

"You taste so good," be murmured, his fingers tracing over the lace of your bra, teasing you as he moved lower to your stomach.

His hands went back to your hips, holding you in place as he continued to shower your skin with kisses. He moved down your stomach, his lips tracing the lines of defined muscles, marking you as his own.

He could feel you squirming under him, your breathing becoming ragged, and he couldn't help but smirk against your skin. He loved having you like this, all flushed and needy, completely at his mercy.

Art's hands moved behind your back, easily finding the clasp of your bra and freeing you from the lace. He pulled away from your stomach to look at you, his eyes roaming over your exposed chest, a hungry glint in his gaze.

"So beautiful," he whispered, his calloused fingers gently tracing the curves of your body. The way he was looking at you made you feel exposed. Vulnerable. It was something only he could make you feel. You were okay with that.

His mouth was on you again, his lips attaching to one of your breasts, teasing and pinching your sensitive flesh. His teeth latch on to your pebbled nipple, nibbling on the hardened bud.

He heard you moan, the sound going straight to his groin, making him grind against you again, trying to get some friction.

He pulled away, his breath hot on your skin as he spoke. "You like that, sweetheart?"

He watched as you tried to nod, your eyes half-lidded, your body arching up against his touch.

He chuckled under his breath, his thumb and forefinger gently pinching your nipple.

"Use your words, baby."

You bite your lip slightly, trying to form a coherent thought, chest flushed and littered with love bites, gaze hazy as you look at him. "Y- fuck, yes-"

He smiled at your response, pleased with the sound of your voice as you spoke.

"That's a good girl," he murmured, his mouth continuing its journey down your stomach, his teeth nipping at the skin.

He moved lower, his lips trailing over the waistband of your sweatpants, his hands pushing the fabric down your legs.

He sat back for a moment, his eyes roaming over your body, taking in the sight of you sprawled out on the couch, completely exposed to him.

He smirked, his tongue poking out to wet his lips as he leaned back down, his mouth attaching to the inside of your thigh.

He left a trail of kisses up your thigh, his teeth gently biting at the sensitive skin. His hands held your hips down, keeping you in place as he slowly but surely made his way to your core.

He inhaled deeply, the scent of you driving him on as his tongue slowly traced over your folds, tasting you. He'd thought about being mean, teasing you, but his own desire overruled that thought process.

He heard you gasp, your body arching against his mouth, and he couldn't help but smirk against you, knowing how wet you were for him.

He continued to explore you with his mouth, his tongue swirling and tasting as he found the spots that made you moan and jerk against him. His hands kept you in place, his strong fingers gripping your hips as he worked you into a frenzy.

You felt like you were floating, the pleasure making your head spin. God, he was fucking good at this.

One of your hands grips his hair, while the other squeezes your breast, giving you that extra stimulation. Your head lolls back against the couch, half delirious and hazy, as you let out needy whines and moans.

"Art- Art, fuck- s' good... so good..."

His mouth never left its place between your legs as he heard you call his name, the sound going straight to his cock. He hummed against you, the vibrations against your sensitive cunt making you squirm even more, your hand in his hair tugging at the locks.

He pulled away for a moment, his mouth slick and shiny with your arousal as he looked up at you.

"That's right, sweetheart. You're being so good for me," he purred, his voice gravelly and low from arousal.

His mouth returned to you, his tongue picking up its pace as he devoured you. He could feel you getting closer, your body tensing, moans growing louder and more frequent.

He held you down even more, his fingers gripping your hips almost painfully as he pressed you into the couch, his mouth never stopping its relentless assault.

Your moans are rising in pitch, voicing his name repeatedly like a prayer. Your cunt is clenching around his tongue, and your chest is heaving up and down. You're going to cum very soon, and he knows it.

He could feel you getting closer, your body practically shaking with need. He doubled his efforts, his tongue working overtime as he pushed you higher and higher.

He looked up at you, watching the expressions of ecstasy on your face as he brought you right to the edge.

"That's it, that's my girl. Come for me," he growled against you.

His words combined with his tongue send you careening into your peak, hips canting up, core clenching, moaning his name almost pornographically.

"Oh, god- fuck, fuck, fuck, fuck, fuck- s' good to me, Art-"

He keeps mouthing at you through your climax, prolonging it by never letting up his efforts. He loved this, the feeling of you coming undone under him, the sound of his name leaving your lips in between gasps and moans.

He pulled away once he was sure you were spent, but he couldn't help but tease you just a bit more, his tongue darting out to swipe up the last bit of your arousal.

You whine, hips twitching at the overstimulation. Your gaze is hazy, lips bitten, eyes dilated, as your head tilts back against the couch, half delirious from your orgasm.

He watches you for a moment, a satisfied smirk on his face as he moved up your body, gently pressing a kiss to your stomach before capturing your lips in a deep, possessive kiss.

He pulls back to look at you again, his hand cupping your face.

"You're so pretty like this," he murmured, his thumb tracing your bottom lip where it was bitten red.

As Art's thumb presses into your mouth, your tongue darts out to trace it. He swallows hard as he slips his middle and ring finger into your mouth, and you keep eye contact with him as you suck on his digits, eyes blown wide with desire.

He watches you intently, the way your lips wrap around his fingers and your tongue swirls around them nearly making him shiver in anticipation.

He leans forward, his mouth hovering over your ear as he speaks, his voice low and seductive.

"You look so good with your mouth full, sweetheart."

You moan around his fingers, tongue still coating his fingers with saliva. You've always been a sucker for praise, especially from him.

He chuckles quietly at your response, his eyes darkened with lust as he watches you take his fingers deeper into your mouth.

"You like that, don't you? You like it when I tell you how good you are?"

He pushes his fingers deeper, his other hand holding the side of your neck, thumb rubbing over the skin gently.

You moan again, eyes fluttering. You both have a heavy oral fixation, you know it, and he knows it, too. Your hands go down to his jeans, fingers grazing over his erection. You want to please him, too, just as he had done for you.

He can feel your hand on his jeans, the gesture not going unnoticed as he sees your eyes flutter. He growls lowly, the sound somewhere between a laugh and a moan.

"You want to take care of me too, sweetheart? You want to show me how good you can be for me?"

You whine, needy and uninhibited. You want to make him feel good, too. Your mind is fuzzy with only one thing, him.

He smirks faintly, watching you get lost in the feeling, the sound of your whine making his cock twitch inside the denim confines.

"Alright, baby," he purrs, taking his fingers out of your mouth and gently lifting your chin with his hand.

"You know what to do, don't you?"

You're quick to discard him of his jeans and shirt, and underwear, as you lightly push him back on the couch, his legs spread. You settle in between his legs, on your knees on the floor, sucking and biting the skin of his thighs and hipbones, your slender hands pressing down gently on his thighs.

His head rolls back at the feeling of your lips and teeth on his skin, a low moan leaving his lips. He watches you through half-lidded eyes, his muscles tensing as your touch sends jolts of pleasure through him.

"That's it, sweetheart," he gasps breathily, his grip on the couch tightening. "You're so good to me."

One of your hands move to cup his base, squeezing gently, and you begin to leave teasing kitten licks at the top, the other hand gripping his thigh.

Art hisses at the feeling of your hand on him, his hips involuntarily bucking at the contact, his toes curling against the carpet.

"Fuck..." he gasps, his hands finding your hair and fisting the locks, trying to control himself. "You're playing a dangerous game, sweetheart."

When your tongue runs up from his base to his tip, and flattens against his slit, he nearly loses it. And you haven't even put your mouth over him fully yet.

His eyes are squeezed shut, his chest rising and falling rapidly, his hands trying to ground himself in your hair. He's never felt so wound up, so worked up, the touch of your tongue making him lose his mind.

"Baby-" he gasps, his head rolling back against the couch. "I- I won't last if you keep this up."

When your mouth closes around him, his mind goes blank. It's so warm, so soft, so good. Your tongue is swirling around his slit now, hands gripping his legs as you take him in fully.

Art can't think, can't form a coherent thought, can't do anything except feel the sensation of your mouth on him. His hips twitch, his hands gripping your hair tighter, his breaths coming out in ragged gasps and moans.

"Oh, god-" he gasps, his back arching off the couch slightly. "That's- that's good- s' so good, sweetheart-"

It isn't long before his hips are stuttering forward into your mouth, and you're taking it like it's nothing, mouth wrapped around his cock. You aren't letting up, and he's on the cusp.

He knows he can't hold on much longer, the pleasure building higher and higher, his hips involuntarily bucking into your mouth, needing more friction.

"I- I'm gonna-" he chokes out, his hands gripping your hair tighter again. "I'm gonna- sweetheart, I-"

After a few seconds, you ease off, and he scrambles to get himself the rest of the way off. His hand frantically moves up and down, he's so close, so, so close- he cuts himself off with a strangled moan as he cums, releasing on his hand, and all over your chest, dripping down the valley between your breasts.

He can barely catch his breath, his chest heaving as he comes down from his high, his body shaking slightly from the aftershocks.

He looks down at you, a mixture of satisfaction and awe in his eyes as he takes in the sight of you, your chest covered in his release. The sight nearly does him again.

"You're- you're amazing, sweetheart," he gasps, his voice hoarse from the strained vocal chords. "So fucking good to me."

You look at him then, eyes hooded and half-lidded. Then, you take your index and middle finger, scooping up his creamy spend on them, and suck your digits clean, all while keeping eye contact with him.

𝘖𝘏 𝘔𝘠 𝘎𝘖𝘋. He could come again just from watching you.

Art's eyes widen as he watches you, a guttural moan escaping his lips. "You're going to be the death of me, you know that?"

He reaches down, grabbing you by the upper arms and pulling you up onto his lap, his mouth finding yours in a desperate, messy kiss, tasting himself on your tongue.

You moan into his mouth, hands cupping his face, hips rolling against his. God, you're soaked, he can feel the wetness against his exposed cock.

He breaks the kiss, his mouth trailing down to your neck, biting and sucking at the skin, leaving his mark on you. His hands are on your hips, gripping them tightly, helping you move against him.

He can feel how wet you are, how much you want him, and it drives him wild.

"You want me, sweetheart?" he murmurs against your neck, his breathing ragged. "You want me inside you?"

You gasp, tilting your head back to give him better access to your neck. His cock is hitting the right spots to make you squirm, and that's all you can think about.

"Yes- fuck, please- need you-"

He smirks against your skin, his hands roaming all over your body, leaving a trail of fire in their wake.

"You need me, huh?" he teases, his mouth now on your ear, his teeth grazing your sensitive skin. "You want me to fill you up, sweetheart?"

Your voice takes on a high and breathy tone, bordering on begging. At this point, you are.

"Please, please- I need- need you to fucking fill up- Art-"

He leans back slightly, his eyes roaming over your body, raking over every inch of skin. He takes in the sight of you, desperate and needy on top of him, and it takes all his self-control not to give in right then and there.

He captures your mouth in a rough, hungry, messy kiss, mostly teeth clashing and tongues licking into each other's mouths.

"Get on your knees, baby."

You do as he says, as he places a cushion under your hips. Always thoughtful, he is, even when he's completely feral for you.

He presses hot, open-mouthed kisses to your spine, as he positions you comfortably and prepares you.

He takes his time, his mouth and hands roaming over your back, leaving a trail of kisses and bites in their wake.

He positions himself behind you, his hands gripping your hips, his breaths hot on your skin as he speaks.

"You ready for me?"

You nod so fast he swears you could've given yourself whiplash, moaning softly, needily. "Yes, yes- please-"

He holds your hips steady, his cock pressing against your entrance, teasing ever so slightly.

He leans down, his chest pressed against your back, his mouth by your ear.

"Take a deep breath and relax," he murmurs, his voice almost sultry.

He takes a moment to let you adjust, his hands rubbing soothing circles on your hips, waiting until you give him the okay to continue.

When you do, he pushes into you slowly, watching your face for any signs of discomfort. It's a struggle to not start pounding into you immediately, but he's coherent enough to recognize you need a minute.

You moan once he fully bottoms out, your hands curling into the fabric of the couch, arching up against him. You feel so full, so stuffed.

Art holds you close, his chest pressed against your back, his mouth leaving tender kisses on your shoulder. He takes a moment to gather himself, his breaths coming out in ragged gasps.

"You okay, sweetheart? M' not hurting you?" he asks, his voice thick with arousal, his hands on your hips holding you still.

You take a second to adjust to the stretch, and when you feel like you're ready, you tell him. "I'm good. Y- you can move."

He nods against you, his hand coming up to gently grab onto your hair, pulling lightly to get your attention.

"I want you to look at me. Can you do that for me?"

He watches as you turn your head to look at him, your face flushed and your eyes hazy with desire.

"That's my girl," he praises, his grip on your hair tightening slightly. "Now hold on tight."

Within a second, he's pulled out, turned you over so you're on your back, and gone back in. He wants to see your face as he makes you feel good. And you already look wrecked.

He looks down at you, his eyes scanning your face, taking in every little expression— the way your mouth hangs open, how your eyes flutter shut, the moans and gasps leaving your lips.

"That's it, baby," he murmurs, his hands coming up to cup your face, holding your head in place so he can watch you come apart under him.

He continues to move, slowly at first, his eyes never leaving your face, taking in every reaction you have to his every touch and movement.

He watches as the pleasure builds within you, your body arching up towards him, your hands coming up to cling to his shoulders.

He leans down, his mouth finding yours in a deep, messy kiss, his tongue delving into you, tangling with your own.

He feels your legs come up, wrap around his waist, pulling him even closer, deeper, the new angle making him let out a guttural moan.

You moan into his mouth, as he hits a deeper angle inside, nails digging into his shoulders, leaving half crescent moons in their wake. The room is warm, not only from the hot summer air, but also the heat coming off of both your bodies.

He breaks the kiss, his forehead resting against yours as his breaths come out in ragged gasps. He can feel your nails dig into his shoulders, and the stinging sensation only serves to drive him wilder.

"You're so good to me," he pants, his hands roaming over your body, tracing over every curve and contour. "So goddamn good to me."

He quickens his pace, his hips snapping forward harder and rougher, his eyes locked on yours, not wanting to miss a single expression.

He can't even think coherently anymore. All he can focus on is you. How you feel, how you look. Every noise that is drawn out of you with each thrust of his hips.

He can feel his own release building, the pleasure coiling in the pit of his stomach like a tightly wound spring, ready to snap at any moment.

He continues to move, his motions growing sloppy and erratic as he begins to lose himself to the sensation.

"I'm gonna-" he gasps, his voice strained and uneven. "I'm gonna-"

He's determined to bring you over the edge first. He reaches down in between your bodies, thumb finding your clit, and applying pressure.

You moan, eyes fluttering, lips parting, jaw going slack. Your nails dig into his shoulders, as you clench around him. You're so close, he can feel it.

The feeling of your walls clenching around him drives him insane, the moans and gasps escaping your lips only adding to the sensation.

He keeps up the pressure with his thumb, his own release building, his muscles tense and taut with effort, but he refuses to let go until you've come undone first.

"That's it, sweetheart," he gasps, his voice low and rough. "Come for me. Let me see you come apart."

"F- fuck- Oh, oh god-" His thrusts hit just the right spot inside you, and it sends you careening over the edge, eyes rolling back, voicing his name over and over like a prayer.

He watches as you fall apart beneath him, your body writhing and trembling, the sight of you coming undone pushing him right to the edge.

His movements become erratic, his hips stuttering as he clings onto the precipice, the sensations almost too intense.

"Oh god-" he moans, his voice trembling. "Gonna- I'm gonna-"

When you clench around him again, it's enough to finish him off. He moans hoarsely, hips thrusting through his own release.

His release hits him like a freight train, his hips stilling, his body shuddering with the intensity of it. He buries his face in the crook of your neck, his breaths coming out in ragged gasps against your skin.

"Fuck-" he pants, his grip on you tight, his whole body shaking from the aftershocks.

He tries to catch his breath, his body still slumped over you, his heart racing in his chest. He lifts his head up slightly to look at you, and god, the sight of you, so utterly wrecked and breathless, nearly does him in again.

You look down at him, eyes hazy and filled with affection, as your hand comes up to gently card through his sweaty hair.

He practically melts under your touch, his eyes fluttering shut for a moment as he lets out a contented sigh.

He moves slowly, carefully pulling out of you, trying not to hurt you. He then collapses beside you on the couch, his head resting on your stomach.

"You're going to be the death of me, y'know that?" he mumbles sleepily, his voice rough but fond.

You laugh quietly, a faint smile appearing on your face. "That wouldn't be so bad, would it?"

No, it wouldn't. It really wouldn't, he thinks. You are marked with love bites, put there by him, you're this wrecked because of him. You love him.

He grins at your comment, his eyes drifting up to take in the sight of your marked skin. He feels a sense of pride at the sight of the love bites he left behind, a silent claim that you were his.

He lifts himself up, propping himself up on his elbow so that he's staring down at you, his gaze soft but possessive.

"You're right," he answers quietly, his fingers gently tracing patterns on your skin. "It wouldn't be so bad at all."

The adrenaline is wearing off, and you're both tired. Art can feel his eyelids drooping, the allure of sleep calling to him. And you're not faring much better, drowsy and content being here.

He can tell you're just as tired as he is, both of you coming down from the adrenaline high and now feeling the exhaustion seeping into your bones.

He pulls you closer, wrapping his arms around you and pulling you flush against his chest. He burrows his face into your hair, inhaling the scent of you.

"Let's take a nap," he murmurs sleepily. "Just a little one. We can clean up later."

You hum softly in agreement, body perfectly melding into his. As Art drifts off, he's only thinking about how much he never wants this to end. He never wants to stop having you.

The last thing he remembers as he slips into unconsciousness is the feeling of your body against his, the sound of your breaths, and the gentle beat of your heart.

He falls asleep dreaming of a life with you, filled with love, laughter, and happiness. And he knows, deep down, that he'll do anything to make those dreams a reality.

[fragilefable]

nobody's son, nobody's daughter.

Pairing: Joel Miller x Fem!Reader Rating: Mature (18+ minors DNI) Summary: When you and Joel get separated the night of the outbreak, you spend the next decade searching for him. Just when you've given up— a miracle occurs. Warnings: heavy angst, canon typical violence, character death (sarah), discussions of grief, very brief mention of suicidal ideation, alcohol used to cope, depression, suggestive language, lovers reunited, hurt/comfort, happy ending.

Word Count: 6.6k Currently Playing: Chemtrails Over the Country Club by Lana Del Rey ♪

A/N: This piece has been months in the making, hours of rereading and rewriting. This is my love child. I'm possibly (definitely) planning a part 2 with smut... ;) I am a full-time college student who unfortunately has other responsibilities, so please be patient with me. My first lengthy piece in a while, so please be kind & enjoy my doves!

Sleep was the most convenient temporary escape available in the post-cordyceps world. Oftentimes, if you were lucky enough, with sleep came dreams—glimpses of a divine, utopian life. One without spores or fungi of any kind. There was, however, always the chance that with it came nightmares—Polaroids of the past, the uprising of the infection. Mothers clutching bloodied children, decaying men ripping open flesh with their savage teeth, and, worst of all— losing Joel Miller. 

Joel was... everything—neighbor, friend, lover. Joel hated that word— laughed every time it managed to escape your lips in a hushed whisper, but that was what you were to each other. It transcended explanation. You'd moved to Austin after college in hopes of starting over, a clean slate. Instead, you'd stumbled upon a single father and his then 11-year-old daughter. You fit into their life like the missing puzzle piece— you completed them. Sarah needed a motherly presence in her life. There was only so much Joel could do for the blossoming young woman. 

And Joel— Joel never knew what he was missing until you came along. Someone to be able to rely on, to love unconditionally, a fixed constant. To say he fell head over heels was an understatement, but it became so much more than physical attraction. It became something far more profound and terrifying— love. The kind of love only poets write about. It was fierce, at times agonizing. That's what made losing him all the more heartbreaking. 

You were with Sarah the night of the outbreak— Joel's birthday. Lounging around in plaid pajamas, waiting for Joel to get home from work. Despite being exhausted, Sarah was beaming with pride over her birthday present for her dad— his broken wristwatch now repaired and refurbished. You smiled mischievously, "And just where did you get the money to fix this, young lady?" Sarah grinned slyly, "Just lyin' around, it's not like he noticed it was missin'!" Hours passed, you and Sarah slumped against the couch: Fast asleep, soft snores escaping mouths, drool dribbling down chins. 

The sight made Joel's heart quaver in his chest. Kicking off his muddied work boots, he carefully plopped down in between the two sleeping figures, planting a gentle kiss on the crown of your head. "Hmm. You're home," you stirred awake, drowsy eyes met with a welcome sight: Weathered tan skin and dark chocolate curls. "Hey, Darlin'. You outta head up to bed. I'll be up soon." You nodded faintly, planting a chaste kiss on Sarah's forehead: "Goodnight, sweet girl." 

You fell fast asleep as soon as your body hit Joel's mattress, his scent engulfing you like a blanket of safety— a shield of sorts. The vague smell of sawdust and pine soap conquered your senses, a heavenly combination. An hour later, you felt the bed dip down, strong arms circling your waist.

Frantic hands shook you awake, calling your name weakly: "I can't find Dad. N' somethin' weird is goin' on outside." You sat up, Sarah's urgency pulling you from your hazy half-asleep state. "Don't worry, sweetheart, I'll call him. Go back to bed." Sarah ignored your suggestion and sat beside you as you reached for the landline. The call went to voicemail without hesitation: "Huh... That's weird." 

Sarah grew more anxious by the second, "I'm gonna go check the driveway for his truck." Sarah shot up from the bed, feet pattering down the stairs. "Sarah! Wait, I'll come with-" Throwing on your Converse, you hastily ran out after her. Your tired eyes scanned the pavement but found no signs of Sarah or Joel's truck. The Adler's door was wide open; you huffed: "Sarah?" 

The Adler's house was pitch black and eerily quiet, the family's dog nowhere to be seen: "Sarah? This is trespassing!" Tiptoeing through the living room, you halted at the sight of a ruby trail— blood. Grotesque, wet noises filled the previously silent house: "Sarah?" The teen bolted out of the kitchen, grabbing your hand and pulling you towards the front door: "Run!" Mrs. Adler scrambled after Sarah, mouth dribbling crimson liquid, no longer bound to her wheelchair. 

"What the fuck–" Sarah's grip on your hand tightened as you passed through the door and stumbled onto the pavement. A pair of familiar brown eyes scanned Sarah's figure and then yours: "Sarah? Darlin'? Are ya'll ok-" Joel's words were cut off when Mrs. Adler dashed through the front door, her figure lunging for you. 

Joel struck the side of her head with a wrench as you made a feeble attempt to crawl away. His strikes were lethal, and yet the elder kept thrashing against the ground. "Joel, stop!" Only then did you notice Tommy, Joel's younger brother, behind you, coaxing Sarah into the truck. 

Joel exhausted Mrs. Adler with one final swing, dropping the bloodied wrench beside him and wiping his shaky hands on his jeans. His gaze softened when he saw your timid frame— shaking and unmoving. "Darlin'... Baby, are you okay?" His hands found your shoulders, rubbing soothing circles on a patch of exposed skin. You hesitated; Joel had just killed Mrs. Adler in cold blood— but she tried to kill you and Sarah first. 

Joel hurriedly hoisted you to your feet, "We gotta go, okay baby? It's not safe here." You clambered into the backseat beside Sarah, the girl's arms thrown around you tightly. Kissing the crown of her head, you reassured her: "It's okay, sweetheart, everything's okay." 

Neighbors began to exit their homes, baffled and disturbed by the sight of Mrs. Adler's bloody, lifeless body lying in the yard. Someone called out for Joel. He immediately instructed her to go back inside and lock the doors. Tommy beckoned Joel into the car, exiting the culdesac and taking off towards the highway. After a fleeting moment, you mustered up the courage to ask, "Joel, what's going on?" Tommy replied, "They're sayin' it's a virus- some kinda parasite." Sarah spoke up, tears forming, "Are we sick?" Joel shot the idea down immediately. 

Tommy and Joel continued bickering, your eyes glued to the road ahead: "Joel! Look- It's Jimmy's place." The two-story farmhouse was completely engulfed in flames, unrecognizable. Your hands clung to Sarah, burrowing her head into your neck: "It's okay, sweet girl." Police sirens rang out through the darkness, interrupted by soft pleas for help. A family was stranded on the side of the road, begging for aid. Tommy began to slow the car. "What're you doin'?" Joel firmly questioned. Tommy shot back, "Got a kid, Joel." 

"So do we. Keep drivin'," Joel spat. Tommy sped back up, eyes searching Joel's for an explanation: "Somebody else will come along." As Tommy approached the interstate, the sounds of disgruntled drivers grew louder: "Fuck! Everybody had the same fuckin' idea. I can't get through this." Joel gripped the dashboard, "All right, all right. Let's think it through," he paused for a moment, "All right, take the field! We cut across, and we pick up on the west side." Tommy steered right, the truck jerking on the uneven terrain. As he drove over the hill, helicopters and tanks came into view, "Shit. Fuckin' army." 

Sarah peered out from behind the seat, "Isn't that good?" Your voice was filled with hesitation, "That's the highway we need to get to." Joel and Tommy argued, eventually continuing toward a town just east of the highway. Sarah stilled, "Maybe it's everywhere. Maybe there's nowhere to go." A booming roar erupted, Tommy twisting his body to get a better look at the night sky: "What the fuck?!" Commercial airplanes flew overhead, merely hundreds of feet above the ground. You instinctively covered Sarah's ears with your hands, eyes wrenching shut at the deafening rumble of their engines. Tommy swerved to avoid a police blockade ahead, turning into a nearby alleyway. 

The streets were flooded with screaming civilians, running in every direction— no one sure who exactly they were running from. A hoard of people fled from inside a movie theater, causing Tommy to shift the truck's gear into reverse. "Dad?" Sarah called out, "Dad!" Joel turned; an airplane was rapidly descending— heading straight towards town, "Shit. Move!" As the plane made contact with the ground, a mushroom cloud of fire and smoke bloomed, causing Tommy to lose control of the truck. 

A strong hand shook your leg, "Darlin'? Stay right there, don't move." Your side ached, cool liquid flowing from your head. Beside you, Sarah quickly came to, her eyes shifting to the figure hunched outside of the flipped car, clawing at the corpse of an older man. "Sarah, baby, don't look. C'mere, put your arms around me." As Joel carefully unearthed Sarah from the mangled truck, you climbed out of the shattered window: Hissing as you shifted against your arm. Sarah tried to put weight on her leg, provoking muffled whimpers and cries at the attempt. Tommy, equipped with his shotgun, called out, "We gotta get off the street!" 

As you approached Joel and Sarah, a flaming police car crashed into the capsized truck, separating the three of you from Tommy. Tommy roared from the other side of the wreck: "Meet at the river! I'll find a way." Joel turned to Sarah, "Can you run?" She shook her head wearily. He scooped her into his arms, "Keep your eyes on me." Joel shifted towards you, "No matter what, you keep runnin'. Alright, darlin'? Promise me." You hesitated, desperate eyes meeting his, "I promise." 

The three of you stumbled through the alley until you came across a cluster of bodies scattered across the pavement, crouched figures grunting over the lifeless figures. The end of the passage was clear. The only problem was getting past the rotted creatures without being noticed. There was no way Joel could outrun them in his condition. One of the creatures shot up at the sound of a remote blast, eyes landing on Joel. His voice was firm, "Go." You grabbed his arm, "Joel!" He repeated his command, louder— frantic: "You can't carry Sarah w'that arm. Go find Tommy. We'll meet you there."  

You pressed a hurried kiss to Sarah's head, the deranged man scrambling to his feet before you could embrace Joel. You took off towards the other end of the alley, Joel and Sarah barricading themselves inside the vacant diner across from the pile of carcasses. Your body throbbed with every step, head burning with the fire of a thousand suns. Your feet carried you across town, weaving in and out of injured civilians and infected until you reached the river. The stream was pitch black, sounds of gunfire and cries rang out in the distance. 

Suddenly, a bright light blinded you: "Put your hands where I can see 'em!" You obeyed, raising them as high as your injured arm would allow. Your voice raw with distress, "M'not sick! Just trying to find my family!" The man stepped closer, seemingly inspecting your physical state. He was clad in military gear, "You hurt?" You shook your head eagerly: "Just a sprained arm." He nodded his head, "Alright. We've got buses that can take you to a decontamination zone." 

Your head scanned the vast field, eyes scouring for any sign of Joel or Tommy: "I- I can't. I'm supposed to meet someone here. At the river." The soldier looked dissatisfied and slowly lifted his gun, "The river goes on for miles. S'not safe out here." Your eyebrows threaded together in confusion, "What- are you- are you gonna shoot me?" The soldier's grasp on his automatic rifle tightened, "I'm sayin' you have two choices. You can either come with me or you can-" 

A guttural scream sounded from behind him. But before he could turn around, a pair of arms seized his neck and began ripping into his military garb. The soldier flailed wildly at his attacker. While he was busy fighting off the deranged beast, you took off into the darkness, wandering aimlessly and calling out for your family. That night was the last time you saw Joel Miller.

16 Years Later

The bitter winter air overwhelmed your senses until you were gasping for air, limbs numb and cold to the touch. You wouldn't make it much longer without shelter, without warmth. You'd spent the better part of the last 16 years searching for him— for Joel. Ever since that night, you'd scoured every independent civilization, every QZ, within mobs of infected. Each night, you silently prayed never to find him like that— skin pallid and overcome with fungus, head split wide open, cordyceps blooming from within. 

You'd trekked across the country with the sole intent of finding him alive and healthy. The journey was brutal— raiders and infected desperate for blood. But by far, the hardest battle was pushing away the nagging thought that, even if Joel and Sarah were somehow alive, you'd never find them. Now, after nearly two decades of searching, you were reaching the end of your journey. You'd officially trekked across the entire nation. If your estimations were correct, you were nearing Wyoming— hence the formidable cold front. 

You'd heard rumors about a small civilization located somewhere on the skirts of Jackson County— your last stop. You knew the chances were slim; that feeling only fortified with each city, each civilian who hadn't heard of or seen anyone by the name of "Joel Miller." But you kept searching— because the day that you stopped would be the day you lost everything, lost yourself. It was as though he held onto you with a leash. If you tugged hard enough, could you finally break free? What else did you have to live for? Maybe one day you'd have some sort of epiphany, something to make sense of all the death and suffering. For now, Joel kept your hope alive— the hope that there was happiness and safety beyond all of the pain. The very thought of him kept you alive. 

You stood in front of thick and rusted iron gates, your posture crooked due to exhaustion— Just one more stop. The sounds of cocking guns drew your attention to the top of the gates. A young man and woman stand there, rifles pointed at you: "Drop your weapon! Let us see your hands!" You obey. This is standard practice amongst civilizations— you'd done it a thousand times by now. Unsheathing and kicking away your pistol, you then throw your backpack towards the gate. Hands raised next to your head. Your voice wavers as you half-shout, "I'm not infected! Just looking for someone!" 

The woman searched your face for a bit, presumably looking for any signs of deceit. She nodded towards her companion, the corroded metal walls unfolding. Two men approached you and picked up your discarded belongings. The younger of the two roughly patted you down and checked for bite marks. When they were satisfied, they led you past the gates into the town square. The village was pleasant, a handful of people milling about in the slushy streets. 

A familiar voice erupts from behind you: "Please excuse the initial hostility. We need to be careful about who we let in... I'm Maria." She extends her hand. You accept it gingerly and introduce yourself. "Welcome to Jackson. You must be freezing. Come on, we'll talk inside." — Maria leads you inside a small building, the exterior reminding you of the Lincoln Logs you used to play with as a child. The inside is... quaint. A lone desk sits near the lit fireplace. Maria leans against the desk and motions for you to take a seat: "So... You're lookin' for someone. And you have reason to believe they're here?" 

You sigh, allowing your aching body to relax against the couch's plush cushions: "No... I am looking for someone, but... Well, this is my last stop." Maria nods sympathetically, tucking a lone braid behind her ear— "I get it. You've been looking for a long time. It's about time to stop. To rest." You can't help the tears that form on your waterline. Your gaze shifts to your lap. Maria continues, "Who are you lookin' for?" 

You swallow the fist-sized lump in your throat, "Joel. Joel Miller." Your attention snaps towards her as a wistful sigh escapes her lips. A tight frown dawns on Maria's face, "I'm sorry. There's no Joel Miller here." You nod; you knew it was a long shot, but hearing it aloud was something different entirely. You rise from the couch, "Thank you. I apologize for takin' up your time." Maria speaks up before you can reach the door: "Now what? You got a place to stay?" 

You honestly hadn't thought that far, about life beyond looking. For years, finding Joel was your only purpose— your rationale for remaining on this infested hellscape. You had no home, no roots. Maria's voice interrupts your thoughts, "There's room here. We've got food and water— shelter. Hell, we're even working on electricity." You turn to face her. Her words dripping with verity, "Jackson could be your home." 

Despite having just met her, Maria's words touched something buried deep within you— hope. Hopeful of a new life, of new beginnings. You forged a small smile, "Okay." Maria smiled, but it was much different from yours: It was toothy, genuine— "Alright. I'll give you the grand tour then." For the next hour or so, Maria marched you around town. She showed you the vast dining hall laden with maple furniture. The stables filled with mare and their young. 

Then she showed you the schoolhouse. It was a small brick building. The walls were filled with colorful crayon drawings. Tiny handprints were pressed onto the wall in various colors of acrylic paint. The dulcet sounds of innocent laughter erupted from every corner of the room. Children from the ages of 5-12 were scattered around: Some doing arts and crafts, some reading, and others playing with worn toys. A tear slipped down your cheek. You brushed it away quickly before Maria could notice. 

You couldn't help but think of Sarah. About the first time she knocked on your door— she was selling chocolate bars for some fundraiser at school. Her bronze complexion dappled with freckles, and her wide smile revealed a missing tooth. She was eleven at the time, eyes bright and full of wonder. Blind to the atrocities that loomed at every turn. Sometimes, you'd think about what she looked like now— did her curls still rest atop her shoulders? Did she still laugh until she was panting for air? She's thirty now... Has she fallen in love? That was considering she is still... 

You didn't entertain the thought. Sarah was fine, alive somewhere with her father to look after her. Maria's touch pulls you from your thoughts, "How about I show you where you'll be living? Get you settled in." As Maria exited the schoolhouse, you stole one last glance at the room. A little girl met your gaze. Her dark curls were pulled into two ponytails. Her burnt mahogany eyes crinkled at the corners as she smiled, raising her tiny hand and waving it at you. You returned the sentiment, this time allowing the tear to fall down and onto the ground.  

Maria escorted you just outside of town, to a street lined with country-style two-story houses in relatively good condition. "This one here, the green one. It's already furnished. I'll have one of my guys come by later with some essentials from the pantry. Otherwise, you should be all set 'til tomorrow." Your eyes bore into the house. It was nice, but also... "It's big," you retort, "Don't know what I could possibly need all those rooms for." Maria lays the silver key in your hand, "You never know." 

You internally cringe at the connotation. Start over with some man? Have a big family and a white picket fence? You couldn't. It wouldn't be the same. You let out a shaky breath, "Thank you, Maria." She nods, "Come see me tomorrow, and we'll talk about where to go from here. Everyone in Jackson has a job, a role to play. Rest up... You deserve it." She departs, leaving just you and your great, big, empty house. 

3 Years Later

Jackson developed rapidly under Maria's supervision. The population rose from 50 to roughly 300 in just under three years. Jackson now had electricity, thanks to the Jackson County Hydroelectric Dam that Maria's team was able to get up and running. You'd become the head of patrol— in charge of organizing the schedules and determining the routes. You and Maria had become very close, practically family. She's the person who understood you, what you've been through. 

In an attempt to busy yourself and earn your keep, you'd thrown yourself into working alongside her. Not just with patrols but also with community relations and development. You'd completely reconstructed the greenhouse, built a jailhouse— that, luckily, wasn't used much— and helped fortify Jackson's defenses. Maria assigned you the title "community leader," but you much preferred what everyone else called you: "Maria's right hand." 

Your house was still too big, but now it felt homier— lived in. The walls were plastered with botanical paintings you'd found while out on patrol, vases of fresh cut flowers from the community garden placed upon every surface. Cable knit blankets were draped over the shabby leather furniture, the brick fireplace emanating warmth and bringing solace during the cold winter months. You'd even taken up baking in your spare time, frequently bringing baked goods to the schoolhouse. 

Nevertheless, when the sun set and the sounds of bustling downtown Jackson faded, your thoughts always returned to Joel. His bronze skin, tousled brown curls, and perfectly plump lips. Suddenly, it felt as though the house was mocking you, and the right side of the bed always grew colder. Perhaps it's why you worked yourself so hard; taking a day off was seldom. You couldn't escape the persistent feeling that Joel and Sarah weren't alive. That you'd failed to find them time and time again because somewhere, they were six feet under, buried in an unmarked grave. All it takes is one moment— one lapse between heartbeats— and suddenly, everything has changed.

· · ───────────── ·𖥸· ────────────── · ·

The spring air was crisp with morning dew. A gentle breeze slipped through the cracked bay window. Three heavy thuds woke you— the sharp knocks cutting through serene silence. Your voice was raspy with sleep, "Coming!" You quickly pulled on the worn terrycloth robe that hung from the bedpost and stumbled downstairs. You swung the door open to reveal Stanley, a young man who worked in construction: "I'm so sorry to wake you, but Maria sent me to get you. She said it's urgent."  

You sighed deeply, rubbing the remaining exhaustion from your face: "Urgent like, 'don't get dressed' urgent?" Stanley's eyes roamed across the dark fabric of your robe before snapping back to your face. His cheeks bright pink, "Oh, um... no! Just meet her in her office ASAP." Sending him off with a nod, you traipsed upstairs and threw on a pair of jeans and a t-shirt before making your way downtown. It was early morning, the streets empty save the early risers milling about, getting ready for work. As you passed a group of older women sipping hot beverages, you overheard whispers of "an outsider." As Maria's righthand, you were expected to greet all incoming arrivals. How on earth that could constitute a crisis, you did not know. 

As you approached Maria's office, the woman in question exited swiftly, shutting the door behind her. You grew closer, taking note of her fidgeting hands. She was... nervous? "Good morning, Mar. What's the emergency?" Maria's face was sullen. You'd never seen her like this, not in the three years you'd known her. Your hands clenched at your sides, "Maria? What is it?"

She took a deep breath, "This may be a false alarm, but... This guy's last name is Miller. Says he's originally from Texas." Her words stole the air from your lungs, a pit forming in the bottom of your stomach. She said something else, but all you could hear was buzzing. Your vision blurred, the dark-skinned woman's features coming in and out of focus. Could it be him—had Joel finally found you? 

Maria called your name, pulling you from your trance. As your vision focused, you pushed past her. Your grip on the doorknob was bone-crushing, your knuckles turning white from the tension. You inhaled— don't get your hopes up. It might not be him. You exhaled, pushing the door open with a startling amount of force. You analyzed the man's figure, you recognized him— only it wasn't Joel. It wasn't the Miller whose calloused hands once traveled the expanse of your body, making note of each hidden crevice as though it may hold treasure. Whose lips once seared white hot kisses in the places he knew were the most sensitive— "Tommy?"

He looked dumbstruck, his lips parted in shock. Before you could stop yourself, you threw your arms around his neck. It took him a moment to reciprocate your embrace, but once he did, his arms anchored you in place. He spoke your name quietly against the crown of your head: "I can't... I can't believe it." You pulled away, "I hardly can either." His hands rested atop your shoulders as his eyes searched your face in disbelief. His resemblance to his older brother felt like a gut punch. You were afraid to ask— fearful of the truth: "Joel? Is he..."

Tommy's hand squeezed your shoulder in reassurance, "He's alive. Last I checked, holed up somewhere in the Boston QZ." A warm tear slipped down your face, the salty liquid resting just below your chin. You'd checked Boston QZ, but recent "terrorist" attacks had made it impossible to stay longer than an hour without drawing the attention of every FEDRA soldier in that godforsaken city. Your hands trembled as you clutched your chest, "And Sarah? How's my sweet girl?" 

Tommy's face went cold— No. No. She can't— "She's gone." The taste of bile rose in your throat, "Wh-when?" Tommy removed his hands from your shoulders, "That night. Shot by some military fucker. She..." He hesitated, "Joel held her. It happened s'fast." Your kneels buckled, threatening to send you towards the ground. You fucked up— you let yourself get accustomed to the idea of her being alive. Repeated it over and over again until you believed it to be true. This was all your fault. 

Your shoulders shook silently, as if you were crying— but no tears emerged, "I have to… I have to find Joel." Turning toward the door, Tommy caught you by your wrist: "I can't let you do that, hon. It's a damn death sentence." You tugged at your arm, desperate to break free from the restraint: "Let go of me, Tommy. I'm doin' this." Maria stepped forward, her hand resting at the base of your neck— "No, you're not. Jackson needs you here. I need you here."

Your breathing became labored. Deep down, you knew they were right— you were in no shape to travel across the country again. You'd barely survived it the first time. Chest heaving, your free hand found purchase on your throat, tightly grasping and constricting the airway. Tommy wearily let go of your wrist, his eyes wide and filled with fear. You ran for the door; you could hear Tommy call out for you as you fled homeward. Sarah was gone. Joel was alone.

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Days passed, and despite everything, the sun rose in the morning and the moon at night. You weren't quite sure how long it had been. You'd stopped counting daybreak after the first five came and went. Maria checked in after the first couple of days, worried that you hadn't been seen around town— or leaving your house, for that matter. Your grief was debilitating, all-consuming. You couldn't eat, could barely sleep, only finding relief at the bottom of a liquor bottle. You were tired… The kind of tired that sleep didn't fix.

Tommy came once. Sat and talked while you stared straight ahead at the empty wall. He could sense your anger, your resentment. How could he not? You silently judged him for leaving Joel, leaving his brother after his only daughter died in his arms. Tommy told you that Joel had changed. He wasn't the Joel you fell in love with; he'd done terrible things— But so had you. You'd killed innocent people, people who were just trying to protect themselves. And you did it in the name of finding Joel and Sarah, of surviving for them. You'd convinced yourself it was kill or be killed, and you had to live with that. Come judgment day, you'd pay greatly for your sins. You accepted that, too.

You only dared to look at Tommy's face once. You saw Joel in his eyes— you saw Sarah. Maybe if you hadn't left Joel in that alleyway, she'd still be alive. You could've protected her, taken the bullet for her. You would have, without hesitation. You'd cross the fiery pits of hell for her, reside in Caina, and be tortured for eternity. You may not have given birth to her, but Sarah was your daughter.

If you closed your eyes hard enough, you could faintly picture her smile. The dimples that formed just below her bottom lip. You could smell the faint aroma of her strawberry shampoo. Hear the broken remnants of her grandiose laughter. You swore to keep those memories someplace safe. Take them out and remember when you needed to, as if they were photographs.

A part of you wanted to be happy that she didn't suffer. She was too innocent for this new, heartless world. She was everything good in life. She was sunshine, sugary syrup, and pure, unadulterated love. But you could not accept this bright side. Not when it meant a life without her in it. Innocence is beautiful, but life is for living.

Tommy stood up, slipping a piece of paper on the nightstand. You cautiously turned it over to reveal a creased photo: You, Joel, and Sarah posing after winning one of her soccer games. You stole one last glance at Tommy. This time, he did not see blinding hatred in your gaze. Instead, he saw gratitude. As your glassy eyes bore into him, he nodded knowingly and left.

Maria came a couple of hours later with leftovers from the dining hall. Setting them on the counter next to the empty whiskey bottles displayed like pathetic trophies. You were in the same position as when Tommy left. You held the photo in your hands, thumbs stroking its frayed edges. Maria quietly dragged a chair closer to the bed, sitting just within arm's reach: "I went to a really dark place after I lost Kevin."

Tearing your gaze from the picture, one of her hands finds yours: "He made life worth living… It took me a long time to start to feel human again. To feel something other than pain and sorrow. The grief never goes away. But slowly, it starts to feel less like loss, and more like love." She inhaled shakily, "I know what you're feeling right now. I know why you're drowning your sorrows in that shit, trying to drink yourself to death." A tear slips down your face, her hand squeezing yours gently: "But you have to understand… What you're feeling right now, that's love. You're not a bad person for how you try to kill your sadness. But it's not gonna work."

You're unable to contain the choked sob that escapes your throat. The tears come harshly, scorching saline against your skin. Maria shifts her weight from the chair onto the bed, holding your shaking frame: "It's okay… Let it out." Her hands cradle your head, smoothing over your disheveled hair. "It's all my fault," you gasp between sobs, "I never should've left them. It's all my fault." Maria shushes you, "No, honey. You don't really believe that. You want someone to blame, but you're not that person."

Eventually, the tears cease. Your breathing evened out as Maria held you, "I miss Joel, so fucking much." You could feel Maria nod tenderly, "I know Honey." A lone tear slipped down your cheek, "Do you think— do you think he'll find me?" Maria pulled away, her chestnut eyes meeting yours, "Truthfully, I don't know." With a deep sigh, she squeezed your hand— "But I know he wouldn't want you to live like this. Isolating yourself from everyone else. You're allowed to grieve, but please don't shut me out. You're my person." You clutch her hands, squeezing firmly: "Even at my worst?" Her arms curled around your torso once again, "Even at your worst."

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The warmer seasons passed with haste. A wintertide blanket of white gradually covered Jackson. Day by day, Maria and Tommy were able to pull you out of your depressive stupor. You had to admit, they made quite the team. Maria was ultimately right, Joel wouldn't want you to spend the rest of your life a bedridden drunkard. But still, life without him was arduous. There wasn't a day that passed that you didn't think of Joel Miller. About where he was, what he was doing, who he was with, and whether he missed you as terribly as you did him. 

As much as you wished to focus on these melancholic thoughts, new developments began to bloom in Jackson. Tommy and Maria's blossoming love was hard to ignore and impossible to disapprove of. Watching two people whom you adored fall in love, it felt as though nothing had changed: No cordyceps, no raiders, just Jackson and all of its inhabitants. Perhaps you could find peace in that. When Maria told you that they were expecting, you were over the moon. Maria and Tommy deserved it, Jackson deserved it. Proof that the world is not over— that no matter the circumstances, mankind will prevail. 

You threw together a small wedding ceremony with the help of the florist and local bakery, the couple wanting to tie the knot before the baby's arrival. Joking about how "shotgun weddings" withstood the test of time. Something arose in you, a pang of jealousy— Envious that you and Joel never got the perfect white wedding. It disgusted you, so you buried it deep within the recesses of your heart. 

The winter was hard, the Wyoming chill threatening every crop that dared to sprout from the Earth. This resulted in you spending extra time in the greenhouse. You found gardening to be a rather soothing task, being able to nurture new life in a world marked by death and decay. It also provided plenty of time to think: Something that you did not relish. No matter how many times you pushed the thought of Joel away, it always returned. Whether it was at dawn or late at night plaguing your dreams. 

When you weren't at Tommy and Maria's house or at the Tipsy Bison, you were in the greenhouse. The small shack sat right on the outskirts of town, situated with the perfect view of downtown Jackson. The glass panes shut out the cold, trapping any warmth inside. You bathed in the basking glow of the sun, gravitating towards it as a Sunflower would. You weren't sure when thoughts of Sarah became joyous, memories no longer met with choked cries but instead with soft chuckles. Nonetheless, you welcomed the growth. It's how she would want you to remember her. 

You watched the clock that hung just above the door, a mere estimation of the time: 12:15 p.m. You carefully removed your dirt-caked gloves, setting them on the wooden bench beside you. Your stomach growled impatiently as you began the journey downtown. The air was frigid despite the sun's rays, the cold slowly numbing your fingers. As you ambled towards town, Stanley came jogging towards you: "Hey! Just got word from the gates that Maria's back. Brought some stragglers, two, I think." 

You nodded in his direction, "Alright. Thanks, Stan." The soft crunch of snow beneath your feet accompanied you as you approached downtown Jackson, an air of excitement and uncertainty radiating off of the townsfolk. It wasn't every day that Jackson came across people who weren't just blood-thirsty raiders looking for valuables. As you rounded a corner, you overheard a commotion, the sound of yelling. Strangely, it didn't sound angry or fearful. It sounded... happy. 

Midtown came into view; the construction that was being worked on was now abandoned. Immediately, your gaze fixed on two figures in the middle of the street embracing. That was... not typical. You could make one man out to be Tommy; his black curls contrasted starkly against his warm taupe skin. The other was taller and broader, his hair disheveled and graying. Behind them you could make out Maria on horseback, next to her was a young girl, who couldn't be older than thirteen. 

Maria's expression was borderline unreadable, a mixture of trepidation and relief. Until her eyes met yours, then her face softened. A look of tenderness emerged. Everything about this situation puzzled you— Until the two figures broke apart. The man stood inches from Tommy, his hands gripping Tommy's shoulders firmly. His face was sunken with exhaustion and hunger; a vast smile overtook his face. A smile you would recognize anywhere. 

He looked just as he had twenty years ago, only now his hair was significantly longer and his beard gray. His face was now littered with wrinkles, just as yours was. A telltale sign that time had, in fact, passed, that the world fell apart right in front of your eyes. Your fingers dug into your thigh. You surely would've drawn blood if not for the layer of denim protecting your skin. You knew you were grieving, but hallucinations seemed extreme. You took a hesitant step forward, still on the opposite end of the street. 

Maria beckoned for you. Your name seemingly catching Tommy's attention as he turned towards you. As the men stood side-by-side, it was impossible to deny. Their likeness evoked something in you— realization. You weren't dreaming, you weren't hallucinating. He was there, just a yard away: Joel Miller. His gaze found yours, eyes searching your face in disbelief. Your name left his mouth like a question, but it sounded like a prayer. 

He stepped forward as if he was testing the waters. You repeated his action, "Joel?" A smile broke across his face once again, causing you to break into a sprint. He jogged forward, careful not to slip on the icy gravel. Tears began streaming down your face, their warmth countering the icy chill. Before you could slow down, your body collided with his. His arms were tense, his hold fastening around you. You'd only dreamt of this moment for two decades. 

You weren't sure how long you stood like that. Head nestled firmly against his chest, tears staining his leather coat. His gloved fingers gently grasped your chin, pulling your face from its sanctuary: "Baby... Fuck, I can't believe it." His eyes searched your face for any sign of unease. He could find nothing but pure joy: "You found me. I searched for you, Joel Miller, for 16 years. And you found me." 

Joel let out a breathy chuckle, cut off as you captured his lips in a velvety kiss. At first, it was chaste.— A silent admission of consolation, twenty years in the making. You ran your tongue across his bottom lip, prompting him to groan as he opened his mouth to deepen the kiss. After a moment, a loud cough erupted from behind you. You reluctantly pull away, your forehead resting against his. Your hands cupped his cheeks, eyes glassy with relief and adoration: "After all this time?" Joel leans forward to place a gentle kiss on the corner of your mouth, "Would wait forever f'you, Darlin'." 

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