#( verse v || modern.
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@castle-of-glass From Here
"Understood. Sorry, it was just...a burning question and my curiosity is endless, unfortunately for everyone," she said, smiling sheepishly. Too curious for her own good most days. She was sure she drove her friends up a wall with all of the questions.
What? She liked to learn new things.
And a person made of glass? Gods, how could she not ask about it?
Wait, manners.
"I'm sorry. I didn't even...that was rude of me. I'm Myrna."
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intrigue flitted across the witch's youthful visage, a dark brow quirked in silent response as she quietly huffed. no one smart enough dared speak to her in such a way, let alone think that she'd heed any command given. dark lashes fluttered as she studied the man through them, head canted to the side. plush lips pursed as she considered the man, silent as his large mass prowled across the room.
manicured nails tapped a silent rhythm against the plush fabric of her chair as she considered her options. truthfully, there was little the man could do to hold her here against her wishes, yet her curiosity silenced any thought of escape. she'd heard the stories, well acquainted with the underworld as she was, && much like a cat, curiosity led her down a dangerous path. molten amber glinted with amusement as that piercing gaze turned toward her petite form, painted flesh curled into a teasing smile as she radiated innocence.
be ready to talk by the time i get to you. @goldenfists
❝ talking is not the problem, darling. i can talk ad nauseam, but i doubt that is why i'm here. so why don't you ask me nicely ?? i might be able to talk about whatever you wish if you do. ❞ hyeon leaned forward, body lax as she invaded the other's space, an elegant brow raised in challenge.
DA Veilguard Prompts || accepting
#✦ — • learning to fly again • v. 003 •#// hyeon is 🤏 close to blowing a raspberry in his face#// im so sorry pookie#// i also thought this would fit his modern verse!!#// lemme know if i need to change something uwu#goldenfists
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@petitsdieu
It's his first tour of that prophesized collaboration with the famed Hara of the Golden Light, and Roland's own band of his rag-tag group of the Rolling Stones aesthetic, and his is surprisingly nervous.
A glitter-sprinkled God of the Stage, an acolyte of the Theater, that trouncing Icon of beautific masculinity to wail and flaunt and to grind onstage a'fore shrieking fans, microphone stands and his sacred guitar held betwixt, he lounges in his hotel room, plucking away at chords both benign and terribly important: his clothes immaculate and held upon their hangers by the bathroom door, Roland borne onto his sweatpants and ratty sleepshirt with his hair loose and freshly combed, streaming past his shoulders.
A knock upon his door alerts him 'way from his sanctified headspace, and his is riddled with jitters; it plucks haphazardly upon his strings in a discordant sound, and he settles the acoustic down, and answers his door.
"Hara!" greets he boisterously, all winning teeth and freshly-scrubbed skin. "Merry evening to thee! Come in," welcomes he, offering her his space with a flourish of opened Palm.
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old modernverse was ren becoming a streamer as an allegory for followers of a social media personality being akin to followers of a god — with a deconstruction of both parasocial relationships and relying on the attention of anonymous strangers to fulfill one's need for validation. ( even at the cost of personal comfort, privacy and reducing oneself to a product. )
new modernverse is just ❝ mom didn't love me so i invested in bitcoin ❞ with a side of that awkward moment when the criminals you agree to work for turn out to actually be criminals doing criminal things and faking your own death is easier than handing in a resignation notice.
#𝟎𝟎𝟒 : 𝘵𝘩𝘦𝘺 𝘴𝘢𝘺 𝘺𝘰𝘶 𝘶𝘴𝘦𝘥 𝘵𝘰 𝘣𝘦 𝘴𝘰 𝘬𝘪𝘯𝘥. ◟ hc .◝#𝟎𝟏𝟕 : 𝘮𝘢𝘬𝘦 𝘵𝘩𝘦 𝘤𝘢𝘧𝘧𝘦𝘪𝘯𝘦 𝘣𝘦 𝘺𝘰𝘶𝘳 𝘸𝘦𝘢𝘱𝘰𝘯𝘳𝘺. ◟ v. modern .◝#( i'll write out a proper verse summary once i play around w/ it a bit more & get a feel for it but that's the tl;dr version. )#( i still like the original idea + themes behind the old blog's modern au but i want to lean more into ren's moral ambiguity this time --#and actually incorporate the fatui / more parallels to his canon storyline. )
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Modern Verse Timeline
1967:
Meredith is born in London, England, to Bernard and Maighread Stannard, 7 years after her older sister Amelia.
1972:
The Stannard family is murdered by one of Amelia's school teachers. He fostered a relationship with the vulnerable 12 year old Amelia by manipulating her into believing he could be trusted; he gained access to the home by asking her to let him in. During this incident, their next door neighbour, Officer Wentworth Kell heard the disturbance and entered the Stannard residence. Unfortunately, he was too late to save Amelia (who had tried to stop the assailant), but he was able to apprehend the man before he found Meredith. Subsequently, after making a call to the police and handling the aftermath, wee Meredith refused to leave Wentworth's side; with no other family on record, he decided to pursue the adoption process, officially becoming her adoptive father only weeks after the murders.
1973-1985:
For the next 12 years, young Meredith harbors the trauma of what she witnessed as a girl. Wentworth does his best to raise her to be well-adjusted, given the circumstances. He gets her involved in extracurricular activities like rugby (which, women's clubs were just beginning to form at this time in the U.K.), and by the time she's ready to take her final exams at high school, she had already decided to pursue a military career much like Wentworth did before 'retiring' into policing.
1986:
However, in this time frame, Wentworth's years-long symptoms of forgetfulness and cognitive impairment (which had led to his early retirement from policing) ramp up quite quickly, and he becomes diagnosed with Alzheimer's disease. Meredith manages to finish school and graduate with high grades, but she does not yet pursue her enlistment in order to take care of her adoptive father.
1987:
Wentworth eventually passes a year later; fortunately, with changes in U.K. police legislation, officers both active and retired who passed away could leave their pensions to their surviving loved ones. As a young 20 year old with no family left in her life, she enlists with the British Armed Forces, beginning her military career with the intention to rise through the ranks, despite being at a disadvantage in such a male-dominated field.
1990-1991:
With rising tensions abroad, Meredith is deployed in one of the first units to have women in active combat roles, seeing live combat in the Gulf War.
1995:
After 2 consecutive terms, Meredith retires from the military, deciding to take up a career in law enforcement in London like Wentworth did. She starts off as a beat cop but desires to become a detective eventually.
2002:
After 30 years, the Stannard Family killer is released on 'good' behaviour; it makes the news, and it sends Meredith spiraling. She believes there had to have been corruption behind bars that led to a deal being made. This eventually leads her to being put on "leave" from active duty, but in the meantime, she decides to quit the police force, sell Wentworth's house, and moves to Scotland. She does this in order to pursue a career in Corrections, seeking to climb the career ladder to one day become the Prison Warden of Kirkwall Penitentiary, with the intention of both implementing strict regulatory policies and harsh punishments within the prison, as well as using her access to the judicial system in order to keep tabs on the status of her family's killer. She holds this desire because she wishes that no one else should experience seeing their loved ones' murderers/rapists/etc. be set free on "good" behaviour. She is a staunch believer in corporal punishment.
2004:
After a couple years as a corrections officer, the board sends Meredith along with a few others to attend a Prison Security conference in New York City, USA. It is the first time she has left the U.K., and their hotel rooms and meals are all paid for through their work, allowing her to learn American methods and to socialize with others there. However, on the first night, Meredith decides to go out to a local club and it is here that she first meets Amelia Comstock ( @sanctamater ). They two very much hit it off and return to Meredith's hotel room to hook up. It goes so well that they call each other the next day and decide, after the conference concludes, to go out to dinner, and spend the night together again, as well as Sunday, ordering in room service for all their meals, having gratuitous sex in between. Meredith's flight leaves the following Monday night, but within the week, they are calling each other, and desire to see one another again. This continues for weeks into months, with Amelia being able to easily afford the time and trips to visit Meredith. In the time in between visits, Meredith falls into an old habit, getting with a friend with benefits (Constable Anne S. Jackson, a police colleague of Meredith's and resident corrupt cop), only to realize she has deep feelings for Amelia, and that even this casual endeavor did nothing for her, deciding that she wants to make it work with Amelia, whatever it may look like as a distanced couple.
2008:
4 years into their relationship of going back and forth (including a time when Amelia and her young daughter Liz came to live in Kirkwall on her own for a few months to be near Meredith), Amelia prompts a streak of jealousy which finally pushes Meredith to purchase a ring and propose, (pushing past her repressed Catholic ideology). Amelia accepts.
2009:
A year later in the winter time, Meredith and Amelia legally enter a Civil Partnership in Scotland, as gay marriage did not become legal until 2014. For them, it was not so much about the law as it was the symbolism of recognizing their relationship as legally binding. In this time, Amelia expresses the desire to have another child, and they agree to have children through IVF using donor sperm and fertilized eggs from Meredith, implanted in Amelia to be the childbearing parent. The timing of this process works well as it just became legal for lesbian couples to get access to IVF treatments via the NHS by November of '09.
2011:
By early 2011, Meredith and Amelia give birth to fraternal twin daughters. Margaret Isobel Stannard and Johanna Siobhan Stannard are born, healthy and well. Meredith takes maternity leave for the first year of her daughters' lives. When she returns to work, she receives a promotion to Prison Warden, invoking new responsibilities at the Penitentiary and a much bigger paycheque. She runs the prison much like the military, following strict regulations and laws, and cracking down on contraband and illicit dealings within its walls. The prison soon earns the nickname The Gallows, as often, many prisoners feel that their time there is so horrific and cruel, that they would rather take their own lives rather than continue to live under the same conditions for the rest of their sentences. This repeated problem begins to arouse the interest of a few detectives back at the Scotland Yard who knew Meredith when she was an officer, wondering if they have a case to investigate for cruel and unjust punishment. The Penitentiary goes under a few inquiries and investigations with Meredith at the helm, but each time they try to find evidence of her practices (e.g., violent interrogations, undue punishments for bad behaviour, corruption at the administrative level, etc.), they seem to come up shorthanded with nothing really to persecute her without the case being thrown out by the judge.
2015:
It is at this time that Meredith and Amelia begin the process of moving to the United States permanently. It is not a decision that comes easily, but one Meredith is willing to do now that Maggie and Anna are nearing school age, and she herself has saved up a lot of funds. Throughout the year, Amelia has most of their things sent stateside, and starts adjusting the twins to attend school by September in the U.S. With this in mind, Meredith tenders her resignation to complete by the end of the year, December 31st. In the meanwhile, Meredith plans to to visit Amelia, Liz, Maggie, and Anna during holidays. However, news breaks that a local London family has been murdered, and while full case details are not provided to the general public, Meredith's friend Anne feeds her information because the killer appears to have the same M.O. as the man who killed the Stannard family (grooming one of the teenagers, gaining access, killing all of them using that trust). This sets Meredith on an spiral once again, fueling an unhealthy obsession trying to link her family's killer to the case. With Anne, they begin to look through the details and piece it together in their off duty time. At this time, Meredith isn't sleeping well, and she picks up her old cocaine habit out of stress. She is distracted and doing poorly at work. Her mind is obsessed with this new case. She also ends up using the resources available to her as the Warden to get a most recent known location of the man that killed her family through the parole system, and with the acquired insider details from Anne, gets confirmation that police suspect it is the same killer responsible for both families' deaths. In the interim, she visits Amelia and the children for American Thanksgiving, but it is noticeable that something isn't quite right with her. Amelia does not say anything, and Meredith returns to Kirkwall after a 5 day trip. It is in this time, that she creates a meticulous plan of operation for premeditated murder; she intends to go to London in advance to lure the man into a false sense of safety to then kill him in time to leave the country on her already-booked one-way flight to the United States. However, after locating the man and instigating a fake flirtation at a local pub to convince him to take her home, Meredith's confidence wavers; it ends up going a lot messier than she’d planned - both out of a revenge-filled rage and being high on a lot of cocaine. She does her best to clean and remove any trace of blood, and in her panic calls Anne to help her. Together, they end up ditching the weighted body in the river before Anne drives Meredith straight to Heathrow to board her scheduled flight In this time, however, she has had her phone turned off for the past 72 hours, leaving Amelia to be calling and texting with no answer. She calls to put out a wellness check on Meredith at their home in Kirkwall. However, when Meredith lands stateside on New Year's Eve, she turns on her phone and receives all these messages, but does not answer them. Instead, she takes the next cab to their NYC brownstone home, finally meeting an exasperated Amelia, asking to put their daughters to bed because they need to talk. Much of the conversation is hushed, spoken out on the balcony in the snow. Immediately, Amelia asks who knows, and Meredith confides that her old friend Anne is in on it. Creatively, Amelia plans a strong alibi, provided that Anne will cover her -- she suggests that Meredith was having a 3-day long affair with Anne, for old time's sake before moving away to the US permanently. They get Anne to agree to testify to that story, but still invest in hiring a powerful lawyer to handle the eventual case. Meredith ends up being cleared as a potential suspect as there isn't enough evidence to convict, and her alibi with Anne is firm, given their past relationship.
2016 to Present:
After settling in New York, Meredith and Amelia focus on raising their daughters together, while maintaining their long-term relationship. When gay marriage becomes legal in the U.S., they officially get 'married', and both women hold dual US/UK citizenships. While with Amelia's money, they do not have to work, but Meredith chooses to, pursuing her corrections career in an American setting, getting into the management of a high security prison. Amelia eventually expresses interest in pursuing politics and Meredith quits to support her wife.
Some headcanons of note:
As a young girl, Wentworth brings Meredith into the Catholic church with him (especially as her mother Maighread was an Irish Catholic as well) - which, of course, at the time in England, still had a bit of lingering anti-Catholic sentiments in its own context as well as in the context of 'The Troubles' in Northern Ireland. However, this had Wentworth instilling a strong sense of faith in Meredith at a young, impressionable age, which she still very much carries with her to this day, going to church every Sunday.
In her teens, Meredith became well aware of her attraction to other girls. While her friends were busy being 'boy crazy' and dating, she had no interest. In this way, she used her faith as a cover (she was just a good Catholic, and would be saving herself for marriage as an adult). That said, she did have a very homoerotic relationship with a close friend that, unfortunately, never came to fruition and Meredith was preoccupied with Wentworth's declining health, and then enlisted in the military. Which, eventually, she met another lesbian who wasn't exactly out when in the military (especially since the U.K. military had anti-homosexuality laws in place for its army until 2000), but had a first relationship with this woman when they were off duty and keeping it a secret for the many months they were together.
Meredith has dealt with a lot of repression and Catholic guilt about her sexuality, but given that she has no family or ties to anyone important, she also has no one to judge what she does behind closed doors, eventually coming to accept herself but keeping her personal life extremely private.
With the money she inherited from Wentworth's account and his pension, along with her own income, Meredith was able to sell the house and put a payment down on a secluded home in the rural area outside of Kirkwall, commuting to work as the Prison Warden. She prefers to drive a 4 door Mercedes-Benz sedan with tinted windows and drives it standard/manual.
Meredith's house is a fair size, with dark colour themes and wood furniture and hardwood flooring, with marble tiles in bathrooms and the kitchen. She collects classic literature and history texts, and spends much of her time in her office when she is not working. There are lots of trees around her property, and the house is almost a quarter mile back from the road.
Meredith boards her grey mare at a local stable and rides her a few times a week. She once thought of competing in hunter-jumper events, but with previous injuries and an ageing body, she prefers to go for solo trail rides for a couple hours on weekends, and otherwise working her horse to keep her in shape during the week.
Meredith has PTSD from both her childhood trauma as well as her stint in the military; she is not in therapy (and she should be).
Meredith is also addicted to cocaine, using frequently throughout the workday when stressed and dealing with a lot of problems. (She can often be found doing a line off the counter in her personal office bathroom). This is mainly the cause of her erratic behaviour as of late, though stress and paranoia are additional factors.
She keeps a childhood picture of herself and her sister Amelia on her desk; it is one of her most prized possessions.
Cullen is her second-in-command at work, but they also have a more personal relationship outside of it (well it started when she asked for his help outside of work hours and then they've become weirdly friends but also he's like a pseudo-son and she invites him along to events sometimes).
Orsino is a social worker with the NHS who stands to help and represent the prisoners and is a constant thorn in Meredith's side.
Meredith tends to dress in classy business wear, preferring pantsuits and jackets with heels most days, though sometimes a blouse and pencil skirt. She seldom wears jeans or casual clothing outside of the house.
#HEADCANON.#TIMELINE.#r: Meredith x Lady Amelia#v: MODERN#[ i'm making Meremelia part of my canon version of this verse ]#[ i'm open to writing her outside of it of course! But to me the crash out is so deeply connected to what Claire and I have plotted so ]#[ also her murdering a man fits better than her just having a cocaine crashout ]#drugs tw#murder tw
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@4lexnilsen said, ❛ i know your appetite is a little off, so i ordered in a whole ton of options. just try a little bit of something, please? for me? ❜
alex's words manage to break through the fog in her brain for a moment . abilene blinked rapidly before her eyes shifted over to him standing in the doorway with two bags overflowing with food . her dark brows furrowed and she pushed herself to a seated position on the hospital bed .
❛ what ? ❜ her voice was quiet , a bit hoarse , and she tried to clear her throat . she really wasn't hungry , and the thought of food had her stomach churning . when the bags were placed on the end of the bed and abilene saw just how much food was stuffed into each bag she looked back up to alex with a frown .
❛ this is so much . . . ❜ her gaze moved to one of the small tables where a small brown wallet sat and she reached for it . ❛ i i'll pay you back , just give me . . . give me a second . . . ❜ she was a bit lightheaded , and the fog she had been in for a day or so now threatened to roll back in .
#4lexnilsen#⋮ ❛ i was born the second child with a spirit running wild and free. › ( v : modern )#[ why can i literally SEE alex's puppy eyes rn ]#[ i put it in that same modern verse we were talking about with her ex BUT LMK and i can v easily change it from hospital bed to couch SO ]
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added to the list of bullshit things he must accomplish this week:
teach regulus how to read
no more caffeine for regulus
lobotomy for regulus
#fallesto#(v)—modernity.#.regulu (no s)#[ where is modern verse regulus u dirty skank. i'm waiting ]
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Rook Island Visit, ft. Ayam commission by @badtrigger
#artbyzaff#⚘ ˚◞ verse˚ far cry 3 ◞ 𝒸𝓇𝑒𝒹𝒾𝓉 𝓉𝓇𝒶𝓃𝓈𝒻𝑒𝓇𝓈 𝒶𝓃𝒹 𝒾𝓈𝓁𝒶𝓃𝒹 𝓁𝒶𝓎𝑜𝓋𝑒𝓇𝓈.#(( the most out of place person doing business on rook island is she#& ayam the chicken knows she has granola bars in that bag. she's not going to get away D:#this verse is very special to me ;;#tysm zaff for capturing her/her fashion details! i luv it 🥰 ))#( visage ) .#v ( modern ) .
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⟬ @shrapnelsong / s.c ⟭
He had placed himself on the floor, legs folded and fingers giving the smallest but fondest scratches to the space between Cinnabun's ears. "Do rabbits need friends, or are they usually good on their own?" He may or may not have considered what it might be like if they had two rabbits.
#shrapnelsong#「 ( sanji ; ic ) 」#「 v. aiming for those five stars ( sanji ; modern ) 」#( I miss their youtuber roommates verse aaaa )
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» Some overpriced restaurant in Manhattan, New York City.
DARK BROWS KNOT BRIEFLY, her ring-adorned fingers tracing slow, deliberate circles against the condensation on her glass. “Theo, ” Persie begins, her voice steady but edged with a trace of vulnerability, “you know I’m new to this.” It’s not quite an excuse, more of an admission, the kind that lingers uncomfortably in the air.
A soft sigh parts her lips as she shifts in her chair, her posture deceptively relaxed despite the tension coiled beneath. Her gaze locks onto @mcntra, unwavering. “You need arms, and I can be your person.” The corners of her mouth curve slightly, a ghost of a smile, though her tone remains firm. “You know you’d never get a deal like this again. Consider it… a grand opening special.”
The words hang between them like a challenge, her confidence a thin veneer over the calculated risk she’s just laid bare..
#. . ◌ ˚ . ✹ c. ❜ ┆ closed starter .#. . ◌ ˚ . ✹ v. ❜ ┆ modern verse .#babygirl was like: lets do business
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a few cocotte ribbons for his hair
send my muse an outfit piece and they'll have to wear it | @runyou-clever-boy
The mage hummed contemplatively. It certainly wasn’t the worst thing he could be forced to wear, even if it did look a bit childish. The scarlet hue of the ribbons reminded him fondly of his old red robes, and consequently of the time before he ‘fell’ to the temptation of dark magic. Moments of levity with his friends in the midst of various adventures echoed in the back of his mind.
“I’ve never worn these before,” he admitted, “but I bet that I can make them work. Red goes well with silver, after all.” He smirked and summoned a couple of floating mirrors to help him see what was doing before setting about braiding the dainty ribbons into his hair. When he was done, he wound up with a small braid on either side of his head, both with delicate scarlet woven into them. They were conjoined at the back of his skull with a bow, then fused into one long plait that fell down his back, which was tied off with another small bow. The rest of his moonbright locks were left to flow freely behind the intricate display. Satisfied with his work, Raistlin banished the mirrors and turned to face the other. “Well? Have I lived up to your expectations, or do you have more frills to challenge me with?”
#runyou clever boy#🎲 the black mage 🎲 v; main#he’s in a good mood today lol#also his hair is unfortunately too short in most of the modern verses or hp verse for ribbons#so maybe this could be an isekai verse?
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"you look hungry." ( for vamp!viktor <333 you didn't ask for this but MWAH. )
baby i am ALWAYS asking for asks. especially from you. random asks: accepting! always!
Hungry didn't cover it. Viktor knew how he looked. Rake-thin and exhausted, dark circles under his eyes that had been there long before he ever passed from living to dead. Usually when women told him he 'looked hungry', they were old and kind and stern, the kind of woman who if fortune had allowed it would have bundled him into her handbag and carried him home to feed him an entire pot of soup. They didn't know what he was. They simply saw him as a young thing in need of rescuing.
This stranger wasn't old. She was probably only thirty, thirty-five at the latest. She didn't look particularly kind, either, nor did she look stern. If anything, she looked--
Viktor's fangs lengthened in his mouth quite suddenly. He wasn't the hungry one here: it was her. He could smell it on her, a kind of starvation that went beyond the physical: sweat and nicotine and adrenaline, like she'd just come off a bender but she'd been on that bender for years. He didn't know how he knew it. The same way dogs knew things, he supposed. A human's sense of smell was just so weak.
His fangs were still hidden behind his lips, but he knew he had to be careful not to smile. To speak but barely move his mouth in doing so. Did she suspect what he was? Did she see his hunger just as plainly as he saw hers?
"Do I?" Viktor had slowed, stopped. Turned to her like he'd been pulled in by a string. What was he doing? He wasn't quite smiling, but his expression was open; interested. "How can you tell?"
#ic.#pohlepen#v: rise above the hunger#[ but modern verse. if i remember right you haven't watched arcane i don't think. so i am slipping him into YOUR universe. ]#[ also i went with human frankie purely because i think the potential for them is insane. ]#[ look me in the eye and tell me human-in-a-supernatural-universe frankie isn't like#finding the worst ways to self-destruct at the hands of monsters. ]#[ somewhere the corin.thian WILL be finding her passed out from blood loss in a vampire den. ]#[ and somewhere he's also SO SO SO fucking mad that another monster is eyeing frankie. ]
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“ You never think that the last time is the last time. You think there will be more. You think that you will have forever, but you don’t. ” @oathfcrged / a sanctuary for every sentiment
He’s been —— fortunate. Life hasn’t exactly handed him any favors, and he’s faced plenty of problems, but he hasn’t lost. Not really. Not truly. It’s not that he doesn’t have a grasp on it — he deals with it regularly with what he does for a living, and is well acquainted — but it’s not personal, and so maybe he’s been lucky. " Thinkin’ every time’s the last time would drive you mad, " he says, voice soft, and leans in to kiss him, and it’s soft.
The cat that hangs around the porch — the cat, not his cat and certainly not his pet, even though he leaves it food and water and it has a little bed and house and sleeps inside — winds around their legs from where they’re seated on the porch, and he absently scratches it. The sun’s winding low, and they’ve made good progress today; he’s got a few beers on the porch.
But the conversation turned a little quiet, a little introspective, and he listens. He’s good at it, really, letting silence fall comfortably where it needs to be and not pushing it. " But no, we don’t got forever. Hell, sometimes I’m guilty of thinkin’ it. Always things that are easier to do tomorrow, things t’say that can wait. " He sighs, taking a swallow. " But. All th’more reason to make of it what you can while y’can. "
#;; & your battle is mine. we fight it all together. ( oathfcrged. )#oathfcrged#;; & modern v. tbt.#( sticks this in moDERN VERSE THEN )
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[ ALMOST KISS ] * your muse leans closer to my muse almost like they’re trying to initiate a kiss, only to pull away in the last second. (modern)
They’re only friends. It’s been made abundantly clear on both sides. That doesn't stop Orihime’s babypink Converse from smudging the lines (if sliding into his trousered lap in a tennis skirt to pout about her misfortune could be called merely ‘smudging’). Doesn’t keep him from redrawing them a bit thinner, a bit more reluctantly, than before.
A friend can hold his friend’s waist for support. A friend can thread fingers through the hair of his friend, brush a rebellious ginger strand from her cheek, tuck it smoothly behind her ear. He can lean in and smirk and hold her gaze and remember the fading marks in between them at just the right time. As a friend.
“Sorry. That loose bit was driving me mad.” He presses back into leather recliner and sighs, false relief over the renewed state of her hair. Yet actual contentment that he did it, that she let him, that her warm fingers curl against his nape in reply. But he cannot be so easy. Refuses to be, in fact. Lips twist into a not-quite-pleased shape; he owes her an eyeroll, a bent brow, a grumble of unhappiness. “Continue, please.” He rocks the chair a little, cap-toe of his left burgundy oxford gently riding the coffee table’s edge. His empty hand grasps the armrest; the palm at her waist remains in place—for now. What he owes comes entwined next, eyes flicking softly ceilingward: “Your story about the most recent ‘worst date ever’…”
#auburniivenus#(v)—modernity.#.inquiry#[ 'driving him mad' is a recurring theme on purpose. meow :3c ]#[ WHAT ARE THEY DOING !!! is the question i know they both ask lmfao 👀 ]#[ i did it tho ;; i finally made a new modern verse icon ... the gif doesn't count i guess ?? ]
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@grimesucker sent 🤳 + 5 for:
ㅤbyan's family (biological, adopted, & found); feat. sol, the boyfriend (@lee-sol); lena, the older sister (@chronal-anomaly); ardaka, the parental sibling figure (@apexulansis); kit, the (sort of but not technically) younger sister (@florafound); garrett, the vaguely guardian-esque figure (@gnarledbite); & dox, the mom (@grimesucker)
#OK LOOK FIRST OF ALL DON'T GET ME WRONG: there ARE more people who byan would loosely consider family#but....... for my sanity in digging up images.... i focused on those who i've plotted with/write with the most...#and stuck to like. one muse per mun lmaoaskjfhsd#this also spans across a few verse so like... u've got 3 for modern... 1 for space orphan... 1 for fledgling... & 1 (or ig kinda 2) for uc#just!!! the people who have the most developed familial relationships w/ byan u know?#and yes shut up boyf is included in family bc it's just a necessity. i will not be apologizing.#also had to fall back on an aesthetic image i snagged off of xeno's resource blog for ardaka#but then i realized it's actually v fitting even ic bc he doesn't show up properly on camera anyway lmaooo#━━ ˟ ⊰ ✰ answered: ooc.#━━ ˟ ⊰ ✰ headcanon ⋮ danger in the fabric of this thing i made.#grimesucker#lee-sol#chronal anomaly#apexulansis#florafound#gnarledbite
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» Mexico City, Mexico
A SMIRK CURLS ACROSS HER LIPS as Persie gently cups @ukusmesti face, her fingers light against the bruised skin. “You know,” she murmurs, her voice laced with warmth despite the reprimand, “you don’t have to beat up everyone you meet.”
She dips the rag into the bowl of water, wringing it out with care before returning to dab at the other woman’s face. The tension in the room feels like a thread pulled taut, fragile but unbroken. Persie’s gaze flickers, betraying a moment’s hesitation as her eyes linger briefly on Ivana’s lips before darting back up.
A soft gulp escapes her, her steady hands faltering for only a heartbeat. “I just want you to be okay,” she admits, her tone quieter now, layered with something deeper. She sits with an intensity neither is quite ready to address.
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