#( this is like the biggest compliment ive ever gotten???
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ahhhhhhhh guess who made the mistake of getting a haircut
#i was planning on growing it out for real i swear#but then the back of my hair got to that length (like it always does) where it starts touching the back of my neck wrong and i cant stand it#so i figured I'd juuuuuust get a trim maybe only the back so it wouldn't keep bugging me#and it started off pretty good too she was doing well with everything and i liked the way it looked#then she asked me a question with two options. and i answered the question. and she repeated my answer. good enough right?#well i think she maaaay have forgotten my answer in the span of like 2 seconds bc she started cutting SUPER short suddenly#and now my perm is completely gone lol#i think she's used to going a bit shorter so it looks good in like a week when it's grown out a bit#and you don't have to go back for a haircut every 2 weeks#but like. i would rather not hate my reflection (more than usual) for a week or two while it grows out yknow#eurghhhh it's not that bad tbh ive had haircuts where i wanted to kill myself and this is just 'hmm maybe i should wear a hat for a week'#but still. very annoying. and especially so bc i was actually feeling optimistic with where we were going at the start#anyway there's this weird phenomenon that keeps happening where I accidentally get my hair cut too short#then i decide this is going to be the time i finally grow my hair out for real#and after a while the back reaches that length where it starts bothering me again#and ill get a haircut juuust for a trim#then i somehow end up with a bowlcut#it's an emo bowlcut to be clear. so im not super hung up about it bc i still love that haircut for reasons i cannot comprehend#but everybody else seems to go 'ew a bowlcut why' except for the alt queers who go 'omg gender'#which i consider to be one of the biggest compliments i could ever get. and have gotten. seriously that moment will never leave my mind#like having someone that you consider Gender to look at you and say *you're* very gender? my crops have been watered my cattle have been fed#etc etc. anyway this currently has the shape of a bowl cut but it's too short esp on top#so im back in my 'okay im gonna grow it our FOR REAL this time' phase again. as it goes. like fucking sisyphus.#anyway. im gonna be tearing it up in the pit at origami angel tomorrow so if anybody's also going feel free to join me there#just gotta let off some steam. goddammit i knew i should have gone the queer route and just done it myself. in my defense i still had a perm#and i didn't trust myself to cut curly hair. turns out i shouldn't have trusted the barber either bc she just held it straight out#and chopped right across. and soon the curls were gone and everything was straight. ...that sounds like a metaphor for conversion therapy#'yeah just head into that place by the time you leave you'll be straight'#anyway. sorry for the waterfall of tags if ur still here kudos to you and may you have a wonderful day#mine
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Have you ever thought about doing commissions? I love your art style and I’d love to commission a dndads tattoo design from you. :D I’m literally obsessed
I would honestly love to do commissions but I have no way to receive money at the moment, i would be open to just designing something for you free of pay
if you have any questions feel free to dm me!!
#ALSO TYSM#THIS IS THE BIGGEST COMPLIMENT IVE EVER GOTTEN#I FEEL HONORED#but in all seriousness#i am completely okay designing something without charging for it#just like a little gift as a thank you#dndads#dungeons and daddies#thrush talks#thrush rambles#response post
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Favorite detail about your portrayal is definitely how ON POINT your dialogue is, hands-down. Like Hirsch et. al wrote it. Very good
Muse details //
I'm not crying, I have glitter in my eye.
#( out of character. )#musesfromthefifthdimension#( this is like the biggest compliment ive ever gotten???#( like alex hirsch esq??? damn i am honored#( seriously though its yall that makes it happen#( playing against other people really makes his character tbh#( i love how to plays against people and interacts with them ♡♡♡♡#( thank you so much#( i stole alex hirsch's physical body and wrote all of this <- bill
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you’re like the chappell roan of spn tumblr
OH MY GOD THIS IS THE BIGGEST COMPLIMENT IVE EVER GOTTEN guys am i your favourite bot creator's favourite bot creator 😱 BEJSJD THANK U SO MUCH AAAAAA
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you know what honestly take this as a compliment but you have ruined all smut for me that isn’t written by you.. like don’t get me wrong there are amazing writers but no one else captures both the physical AND emotional intimacy quite the way you do.
I feel like 90% of smut i’ve seen out there is physical and somehow you are able to weave the feelings into it and it’s just made me so much more invested in the stories you write. bruhh what do i do cause i basically just check your blog everyday ���� because once ive seen and gotten to this quality of writing it’s like.. i cant go back and lowkey makes me not want to read anything else lolol. please never stop writing you’ve got the most loyal reader standing in front of you
🧍🏻♀️ < me
wowowow this is the biggest compliment ever THANK YOU 😭 i’m so flattered and so floored like i can’t even express how much this means to me as a writer and what an incredible message it is to get because to be honest, i feel like there’s sooo many writers here that i don’t even come close to so i’m just like. in shock rn.
feedback is what keeps me writing and i can’t say enough how much support like this helps me stay inspired and gives me a reason to keep putting my all into my work!! hehe noooo worries, i’m not planning to stop any time soon 🥹💘
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IF U LIKE YOU CAN IGNORE THIS !!! JUST WANTED TO SAY i've been looking through your art tag again and ARHHHHHHHHHHHHH!!!!!!!! i love your art so MUCH >:P its stunning !!!!! i love the shapes and colours. i love shapes and colours. melts into the floor. turns into a frothy slime. I LOVE !!! YOUR ART !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! have a good day :3!!!!!!!!!!! sorry for screaming at you. i am normal i am normal i am normal
AAAAAA TYSM?!?! you're too nice?!?! this is the biggest compliment ive ever gotten holy crap😭😭 hsbsbekwjejsjsj im so so happy you like my art!!!!
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Ok, I lied, I'm back, but only because I need to give u compliments.
I have never in my life read a fic that has made me this emotionally distraught. I have read works that have made me relive my grief or maybe make me a little anxious, but never ever have I read something like this. I think the reason why is because, particularly, mark, hits too close to home for a lot of reasons, he reminds me of my sister and me, and his family reminds me of mine. Even if I just think about the story I just feel so hopeless and dreadful because I Know it's not gonna get better lol I think it's one of those 'it gets worse before it gets better' stories and the 'it gets worse' part are gonna be so excruciating.
You are very skilled at writing emotionally constipated characters, also, I'm gonna piggy back off that person that said that the story was easy to read because I think that one of the biggest reasons why is because the vocabulary that you use is precise, understandable, and it gets the point across very quickly with as little fanfare as possible and even when you do jazz it up its very natural and it never feels out of place. The way that you use metaphors, internal monologs, and other literary devices is also very good, obviously, I think that if your use of them was bad then the story wouldn't have as much of an impact as it does.
Also, your characterizations of mark, jaemin, jeno, haechan, and renjun don't feel too out of left field, at least for me. I can see how, in another universe, they could've been this way.
This is such a good story, and I've been telling my sister about it, and she agrees. I remember when chapter 16 was posted, and mark had said, "dont make me think about tomorrow... don't make me think about anything at all. " she said that that is exactly what she felt like when she was going through the worst of it with her ocd.
I hope you take everything I wrote as a compliment because I really do mean it. no story has ever made me want to organize my thoughts into something concise and have the courage to tell the person. You are a marvelous writer, and I hope that writing brings you joy and refuge from whatever your troubles might be because even though as much as much as your writing hurts its comforting to know that there's people out there that think and feel in ways that I thought were just me. Thank you, I hope you have a day or night and be safe.
Also fuck Cameron.
thank you so much for this, i feel like nothing i say will be enough to convey how honored i am by comments like this. seriously, to hear that my work has a profound impact makes me incredibly happy, im so so so happy you like my writing :')
i will make a certified authorial guarantee that mark is making it out of here, no matter what. i would not abandon him to misery. it feels a thousand times heavier for him when hes home, but freedom is there waiting for him. his friends love him too much!!!!
also, thank you so much, im overjoyed to hear my prose is good. i geuinely think ive gotten much more skilled at writing by working on this fic. i purposefully try to pare down my prose to get rid of repetition and saying the obvious too loudly, so im definitely aiming for 'little fanfare' in my writing BUT ALSO im glad you like my metaphors :))))) im so happy to hear they feel natural and fit the rest of the prose.
again tysm for this ask, i owe u my life forever. please keep loving this fic as much as i love writing it <3333
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i can't stress enough how much you inspire me to crawl out of my rotting spiritual exoskeleton and molt into a beautiful renewed creature who has the drive and creative inspiration to make beautiful beautiful things from my heart all of the mindblowing art you post and your range and variety of mediums awakens my little 8 year old self who loved to do crafts and religiously watched art attack before school and wanted to do and make everything...maybe i will finally get up to start sculpturing like i've always wanted to or fill up my sketchbook that's been sitting around barely halfway full for an entire year.....i lovyou forever and ever..
CRIES FOREVER AND EVER THIS IS THE NICEST ASK IVE EVER GOTTEN I LOVE YOU SO MUCH ZEDFER
im so so happy that the stuff i make inspires you, thats like. an artists biggest fucking dream. i hope you do try some art stuff youve been wanting to do !!!!! creating anything at all is so beautiful, and id really love to see anything u make!!!!
u r da luv of my deprzzing life forever and ever everytime you compliment my art i get so excited to make more things thank u oughhhh i love u so so much forever and ever <333333
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hi! could i actually get two ships for the mini event? one for svt and one for nct dream?
im a very friendly person, once you get to know me, i can be a bit of a yapper. i do like to go out now and then but i really love staying in with friends to watch movies or play games. so im an extrovert because i love being around my friends, but i do have to be in a specific mood to meet new people. i love helping my friends and being useful, but i also just really love being around the people i love.
i’m working as a preschool teacher, which i love, but im also very involved in film and photography related things. i also like to stay active with going to the gym and i play sports a lot. my biggest hobby is probably cooking and baking, i love making meals for friends and family, although i can be a perfectionist in the kitchen and i have to do everything myself. i also enjoy playing cozy games on my nintendo switch and any kind of arts and crafts.
i’m very loyal and would do anything for my friends, almost to the point where its bad for me (im working on it). i also have pretty bad anxiety, my brain is constantly running and i go through all the worst scenarios in my head for anything that happens ever lol. my love languages towards others are quality time and gift giving, and my love languages for receiving are quality time and physical touch (and maybe words of affirmation but im terrible at taking a compliment even though i need to hear it because i have horrible self esteem). i typically end up caring about people a lot more than they care about me, and ive gotten hurt by a lot of friends that have chosen other things or romantic interests over our friendships. so im a little guarded right now, but if i meet someone i like, ill probably fall for them even without trying.
hi! sorry, but i’ll only do one group at a time for ships! i have a lot of match-up requests, so it’s just a matter of it being equal for everyone and having enough time to get through all of them. if you’d like to send this ask in again with one of the groups, that’s fine!
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hello!!!!!! can i be 🛒 anon?? it's mushibashiraas 🤍🤍 cant interact from that acct djdjd (i'll probs change my emote once/if i finish my blog layout butdjdj i'll keep the shopping cart lol)
BUT OMGG U FOLLOWED ME?? i feel like those meme posts where potatoes see their fave artist/writer follows them and they get all 🥺🥺🥺 lmaoooo your writing that i liked looks so so good!! in the middle of opening a bunch of packages i ordered but i'll read later when i eat dinner aaaaa also saw u wrote for rindou anddjsjs ur characterization for him is so perfect! i love it sm! new fave bonten trio writer fr! 🤍🤍 love u sm! /p i hope you know how special and cool and fun and beautiful you are!! 🤍🤍
— 🛒
hi 🛒 anon!! i saw ur side blog follow me and every time i see the pfp for it i always think its a writing account THEN I SAW U ACTUALLY HAD A WRITING ACCOUNT so ofc i had to follow hehe 🫶
BTW THIS WHOLE MESSAGE HAD ME LIKE 🥺🥺🥺 THIS WAS THE SWEETEST MESSAGE IVE EVER GOTTEN AS A WRITER!!
the rindou comment especially!! one of the biggest compliments u can give me is my characterization for a character :(( this made me so happy to hear tysm 🫶🫶
love u lots and i just know from this kind message u are the sweetest person ever,, i hope u have the best day ever and eat the yummiest dinner u have ever had in ur life <33
#tears formed in my eyes as i read this#NEW FAVE BONTEN TRIO WRITER TOO??#hello my heart actually fluttered#:((#tysm <33#kalo replies#🛒 ★ ˙ ̟#🛒
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cw: mention of depression?
omg hi i have returned (yes to propose lol) ><
NOO cus ur definitely lying n being humble or whatever bc no way you don't know how good your edits are T_T i know for sure *everybody* appreciates ur edits,, i simply wanted to stop by and proclaim my luv as someone who used to edit aaaaggggeeesss ago and its like when depression makes u uninterested in something u loved for the longest time, and even if you have even just a little interest in the hobby itself, u have absolutely no interest in actually *physically doing* it anymore.
like sure i ss pretty themes bc i like them but again, i haven't touched any of my editing stuff in SO long (thats a lie i did moon's pokemon icon but that was just some masking for the pfp and thats it so it does not count ^^) im v rusty now (we're talking like 2014 or 2015-2017? maybe 2018 ish?? god idk i have the memory of a goldfish, sue me) and seeing your themes... sososo pretty that i kinda wanna sit up and brush up on my skills n everything ive missed since ? like...IN THE BEST WAY POSSIBLE UR EDITS MAKE ME FEEL LIKE IM MISSING OUT LMAO
anyways u r so so talented and as someone who used to dabble in editing, i see n recognize ur effort and i love them so sososo mucj
i always see u on my dashboard and if i suddenly do not recognize the pfp that means its time to check out the new layout ehehe ^_^ not to worry im always coming back to see what u have in store, and u eat everytime,, both editing and writing wise !
/dramatically waving with a handkerchief in hand/
omg anon!! (with the intention of accepting the proposal!)
nooooo like ive been like complimented on my themes but like it still feels surreal yk like someone is just saying it for the sake of it and it doesn't really hit you much even tho you're so, so grateful for their kind words?! no but honestly i get that the depression honestly makes you burn out even in your favourite things that you loved to do. even like the things that used to bring you so much happiness just become a mundane task you have to complete.
its been so long and I'm like so flattered my theme even makes you try to like do something and honestly that's gotta be the biggest compliment ive ever gotten on my editing and FOR THAT I WILL CRY!!! I WILL WEEP AND YOU CAN'T stop me and yk what?! i might sob while were at it too!!!!
you're so anon you're making me dreamy sigh with my hand under my chin rn like im so giddy you're SO NICE I LOVE YOU SO MUCH you making me feel like im flying on cloud nine rn the way I'm gonna keep my eyes on you so much,, it's so surreal to see someone who is into editing in so long tbh that i kinda can't help but be greedy to know you fr so i can talk about with someone, like what are your software ( lmao I ask that as a mobile editor) or what kinda edits do you love doing the most and etc but THIS IS ENOUGH!!! THIS IS MORE THAN ENOUGH!!!
( i just realised i can ask those questions here lmao)
thank you so much for swinging by I LOVE YOU SOOOO MUCH /dramatically wipes one particularly wet eye than the other while sniffling/
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as a writer myself too, i definitely get the frustration of writer's block. ur better than me tho could never write fiction this good. if it's a script maybe i can stumble my way towards it but like- prose, prose??? scary stuff HAHAHHA. i'm wayyy more used to writing features, editorial and stuff like that so writing creatively paralyzes me fr probs should get over it HAHAHHA
speaking of writing tho, recently got my first ever job (full time over the summer and part time when i get back to school!) helping this creator write content for a website she's launching and probs gonna be helping her with her podcast too hehe (i'm also more of a broadcast person too over like publication writing so that's gonna be fun). so life's been reallyyyy busy. like i started preparing for freelance work since may and after like- 11 applications so glad i finally got a job but damn being paid to do something is a whole different kind of pressure. doing my best but sometimes i'm scared it won't be good enough and i'll just get fired HAHAHAH the days are starting to get blurry too bc i've kinda just been cooped up at home. anddd been trying to ✨adult✨ too by getting my driver's license, tax number, social security and all that but ghad with a job? idt i'll have the time to fix all that anymore. and i'm hoping to take the topik too so :">
times like this are when im rlly glad i got dream. like they rlly just give me that energy boost HAHAHAH (AND WITH THE NEW COMEBACK SOON??? AHHHH) r they like that for u too? i swear this is the first time i've wanted to get a tattoo for an artist like woah
oh and SPEAKING OF i was in the manila concert day 1 all the way in the farthest section. actually got really determined to work bc of that experience bc i am determined to go both days vip the next time they're in manila HAHAHHA. happy to say i'll most likely earn enough to do that by next month hehe. gonna treat myself for the hard work by getting mark's bubble HAHAHHA
haven't gotten to reading the new renjun fic updates (unless my eyes are deceiving me and i read that wrong & there r not updates) but! i'm rlly looking forward to it. hoping both of us have enough writing juices to finish up the things we're working on HAHAHHA. and i hope you're doing well with school or work or whatever your doing too! and when things get tough hope u have a support system there for ya :>
anywayy i'll go skidaddle now HAHHAHA worked 8hrs today so 💀 byee
(p.s. by any chance do u have any plans of writing any series for mark? would KILL to have ur writing bring his character to life if not that's SUPERRRR chill too frfr jus curious hehe)
frm the biggest phatest markf,
-covid anon 🤒 HAHAHAH
you calling my 'ripping my hair out slamming words into the keyboard at 1am' writing prose is such a huge compliment my dear covid anon, you have no idea. never in my life have i considered anything ive written to be like... serious... because i just enjoy writing about a bunch of singin dancin boys, but. i do put an obscene (and embarrassing) amount of care and work and thought into this little fanfiction thing and i just. thank you? blowing kisses all the way to your timezone
anddd been trying to ✨adult✨ too by getting my driver's license, tax number, social security and all that but ghad with a job? idt i'll have the time to fix all that anymore. and i'm hoping to take the topik too so :">
GODDAMN! you have your plate full, but frankly those are all really, really good and important and STRONG steps towards adulting!! you're further than me, i dont have my license yet (haven't even started, rahh, uber is my best friend) but whenever i come on here i think of you, covid anon, so hearing this makes me feel like an irl just told me they accomplished something big LOL i'm actually so happy for you. these are big steps. AND THE NEW CB IS ALREADY FUCKING ME UP! IDGAF RENJUN IN THAT LITTLE PAPERBOY CAP, LEAVE ME ALONE LEAVE ME ALONE I'M UNWELL!!!!!! today the second theme dropped (idk if you'll see this on the same day as i send it) with the energy drinks and such, and the fuckig... neon concept...!!!!!!!! i wanted to get a tattoo for my bts era like a 7 or something like that on a very tiny part of my body but then i remembered how i genuinely thought i would be a 5sos fan forever and i was like 'lets hold off on that very, very permanent decision lmfao'
AND TO ANSWER YOUR MARK QUESTION! you messaging me this actually did make me go through all of my potential wips (all.... very very many of them) and one that i found for mark that i'm actually still very interested in is an exchange student concept! little plot: mc is a part of a university exchange student program, and with that comes staying with a host family; the uni that mc is from does it in a raffle/blind matching style where you get put with a family who's profile matches with yours best, and mc gets.... the lee family! with eldest brother and vaguely famous rockstar taeyong, awkward and endearing middle child mark lee, and the night and day '00 twins'; sunshine incarnate lee donghyuck, and 'doesn't speak unless spoken to' lee jeno!!! it takes place over six months in the summer to autumn season, the first semester; and love blooms in the damndest places!
if this sounds like something you'd like, maybe i could fandangle this for my next wip...? winky face
anyway i love you lots covid anon, i hope your adulting goes on without a hitch!!!! until you message again <3
#dojun talks#dojun answers#covid anon#AGAIN! sorry it took me so long to reply to this i be... workin and sleepin and such
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LOVEEEEEE THANK YOU SO MUCH
this is the biggest compliment ive ever gotten??? like that's the exact reason i was too scared to write for cm for so long but you've got me blushing and kicking my feet lmao!!! i do not study criminology and i havent watched an episode of cm in like a year 😭😭😭 (actually i did rewatch ldsk on the third day of writing this) but that's just the biggest honor you have no idea how much it means to me
AHH i was so worried about the characterization because they are all so complex and have such distinct voices, especially being in hotch's mind for so much of the fic but im soso happy to know it's good!! (it took so much brainpower theyre all so much smarter than me)
😭😭😭 you are actually too sweet thank you so much. printing this comment out and taping it on my wall !
dance until we're bones
pairing: aaron hotchner x fem reader
summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.
a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier
wc: 17.1k
warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one
Hotch can barely stay awake.
He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point.
It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel.
He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there.
Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always.
Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour.
“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.”
“Great,” Prentiss mutters. “How bad is it?”
“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”
“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.”
Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”
“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”
“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.”
“Our guy probably isn’t trained in anything, then,” Rossi says.
Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”
“He doesn’t kill children, though,” JJ notes.
“Maybe he thinks he’s doing them a favor,” Reid says.
“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.”
“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”
“Especially with families being killed,” Morgan murmurs.
JJ sighs. “I’ll draft something on the jet and make some calls when we land.”
Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.”
-
The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file.
The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene.
It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house.
They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt.
It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control.
All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.
Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics.
They’ll find whoever did this. That’s what gets him through it.
They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.
Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.
Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything.
First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect.
“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.”
“What has he been charged for?”
“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail four years ago, and it looks like he’s been living in St. Louis for some of that.”
“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”
“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”
Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”
“And hope we pin something down before more bodies show up,” Prentiss murmurs.
They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind.
The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive.
“Remember,” Prentiss says as they come to a stop together, “be nice.”
“I’m plenty nice,” he murmurs, and she huffs the slightest laugh.
Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising.
You.
Your brows furrow at the sight of him, and Hotch has to hold back his shock.
You don’t live in St. Louis. And your last name certainly isn’t Hartford.
“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.
He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.”
Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?”
Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”
“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?”
Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.
“We’ll be able to explain everything if you let us in,” he says.
You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”
You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…”
You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house.
It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all.
Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub.
“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?”
“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.”
“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?”
He nods. “I had a change of heart.”
You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.”
Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”
You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.”
Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Charles area.”
“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him.
“Not you,” Hotch says. “Do you know a Lucas Hartford?”
“He’s my brother,” you say, and your frown deepens. “You’re not saying—”
“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”
And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things:
Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be.
Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school.
“My brother is not a murderer,” you state clearly.
“And we aren’t accusing him or you of anything—” she starts.
“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”
“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says.
You glower at him, but you stay silent.
“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.”
“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”
Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”
“You know my name, Aaron. Use it.”
He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.”
“Ask away,” you say. “Doesn’t mean I’ll answer.”
“Lucas Hartford,” Prentiss starts. “He’s your brother?”
You nod. “He lives with me.”
He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away.
“Why is that?” Hotch asks.
You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too.
“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”
“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going.
“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.”
“What about your parents?” she asks. “Surely they’re a better option than this.”
“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?”
Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you.
“Really?”
He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him.
He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her.
And he didn’t even know when she died.
You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad.
“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”
“I’m sorry for your loss,” Prentiss says.
You nod your thanks, the notion a bit numb.
“You never told me,” Hotch says with a slight frown.
“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.”
Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.”
His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even.
“I take it this was as much of a surprise for you as it is for me.”
Hotch nods. “We came here looking for your brother.”
“Does your team know about our history?” you ask simply.
“No.”
“Do you want them to?”
“...No.”
You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.”
You wait another beat, then ask another question. “How’s Haley?”
“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”
Your eyebrows shoot up. “Really?”
He nods. “This job isn’t easy for anyone.”
You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.”
Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you.
“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.”
“Pass that along to your brother, too,” Hotch says.
You reluctantly take the card, but you don’t look at it. “You can see yourselves out.”
Prentiss nods. “Thank you again. Have a good day, and stay safe.”
She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door.
Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again.
“Garcia?” Prentiss asks after she picks up.
“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?”
“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.”
“On it,” Garcia says. “I’ll call you back when I’m done.”
“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.
“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”
Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”
“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”
Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret.
“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”
Emily hums. “Is it too far to ask if you were together?”
“Yes,” he says sternly, maybe a bit too hasty. “It is.”
“Fine,” she says breezily, and she looks out the window. “But that tension was thick.”
Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case—
He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.
You’ve changed a lot. So has he.
And now your brother is a murder suspect, and you could be covering up for him.
That’s the only thing that should be on his mind.
-
“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.”
“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”
“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”
“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!”
Mia draws out a mirthless laugh. “You are not accusing me of this.”
“I don’t have anyone else to accuse!” Cleo shouts.
They both look at you, and Mia says your name. “You have to settle this before I kill her.”
“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”
You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief.
“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”
You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you.
“You have no idea how happy I am to see you,” you breathe.
“What’s going on in there?” Aaron asks, amused.
“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”
“You know this is a study date,” he says wryly, and you cut him off with a kiss.
“Still a date,” you murmur against his lips. “And something seriously needed.”
Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”
“I know,” you grumble. “But I can’t afford a place on my own.”
“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”
“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”
“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”
“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”
He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.”
“Careful,” you warn. “You keep saying things like that and we might not make it to the library.”
“You keep saying things like that, and I might not mind,” Aaron muses.
You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once.
“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”
“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”
“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck.
“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”
“Everyone loves me,” you correct. “Including you.”
You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.
“You’ve got that right.”
He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on.
“You’re a threat to my grades, y’know.”
“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”
“A dastardly plan,” he says with mock austerity.
“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”
Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs.
Falling in love with Aaron Hotchner has been the easiest thing in the world.
“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”
“As long as you don’t tell everyone how whipped I am for you,” you tease.
“Looks like we’ve both got reputations to keep up.”
“Looks like it.”
You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air.
(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)
-
You had sky-high aspirations when you were younger.
Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it.
You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.
They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing.
All you’ve ever wanted to do is help people.
And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong.
You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you.
Because god— what are the odds?
What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother?
It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years.
It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time.
If the cops want to invade your privacy even further, they can get a goddamn warrant.
Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”
“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”
“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you.
“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.”
“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties.
You wonder what he sees when he looks at you.
“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?”
“Not one for small talk,” you remark.
“I never have been.”
“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.”
You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now.
You suppose one has to be like that, to try and get anywhere with the types of criminals they face.
“How long have you been living in St. Louis?”
“Seven years. I’ve had that house for three.”
“Rent or own?”
“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”
“What inspired the move?”
“Close enough to home to be familiar, far enough to not be.”
“And home is?”
“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.”
“We prefer to get our information from the source,” he says.
“Sources can lie.”
Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.”
Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.”
He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up.
You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had.
You swallow the memory. It still tastes as sour as the day it happened.
“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”
“None of those sound like questions,” you say.
“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly.
“I don’t know,” you admit.
“You don’t know,” he repeats.
“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.”
“And you’re telling me you haven’t questioned it.”
“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.”
Aaron’s eyes sharpen. “What did you say to him?”
“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.”
“You didn’t tell him—”
“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?”
He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse.
“Good,” he nods. “You could be putting lives in danger if you do—including yours.”
“Please,” you scoff. “He won’t hurt me. He never has.”
“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.”
“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?”
“That’s an awful lot of faith to put in someone who hasn’t earned it.”
“I’ve gotten good at that over the years,” you reply.
Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly.
“And you’re wrong, by the way.”
“About what?” he asks. Again, unshaken.
“I don’t have a law degree,” you say. “I dropped out.”
And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you.
“Why? You were only a year out. You had stellar grades.”
“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.”
“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”
“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.”
“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least.
“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.”
Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.”
You huff a mirthless laugh. “Excellent profiling.”
“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.”
You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron.
“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?”
“You know th—”
Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.”
The room feels a lot colder all of a sudden. “Sure.”
He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file.
“I’ll be back,” he says. “Would you like anything? Water?”
You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking.
“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.”
“The profile—”
“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.”
“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.”
“I suppose we’ll find out,” he says evenly.
He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this.
For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right.
You have to be right.
The room feels even colder.
Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do.
You wonder the kind of things they’ve come up with about you and him.
-
Morgan whistles when Hotch walks out of the interrogation room.
“She does not like you.”
“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie.
“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.”
“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands.
Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor.
“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.”
“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”
“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.”
“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him.
And Hotch knows your past is your business—he just can’t believe you never told him.
He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things.
“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying.”
Morgan frowns. “Explain.”
“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”
“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”
“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.”
“Other fathers to take his place,” Morgan realizes, and he nods again.
“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.”
“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.”
“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”
“That’s how she is,” Hotch claims.
“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.”
Hotch glares at her, and Reid clears his throat to insert himself back into the conversation.
“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.”
They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego.
“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.”
Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.”
“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside.
He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”
You nod. You already seem more at ease than you were with him, and it makes Hotch…
Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore.
Hotch doesn’t get why a side of his brain still thinks this way about you.
“They sent a new one in,” you say.
“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”
You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual.
“I can imagine.”
He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off.
“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.”
“Shut up, Morgan,” Hotch mutters.
He chuckles and holds his hands up, and focuses back on the interrogation.
The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time.
Time doesn’t always heal all wounds, he thinks.
When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”
He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”
“What about her brother?” Prentiss asks.
“The more we learn, the more I suspect him,” Morgan says.
She nods in agreement. “We just have to find him.”
Hotch isn’t sure yet.
But for your sake, he hopes his gut feeling is wrong.
-
Spring has finally sprung in DC, and you couldn’t be happier.
It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once.
You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron.
You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s head as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard.
You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you.
It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round.
You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed.
Aaron says your name, and you hum.
“Are you listening?” he asks.
“Of course,” you say.
“Your eyes are closed.”
“I don’t need my eyes to listen,” you say wryly. “What’s up?”
You feel him tense for a moment, feel him adjust his position slightly.
“I got a call from Haley,” he says carefully.
Your eyes open and you frown.
You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.
It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate.
“Yeah? What’d she want?”
“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”
You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.
“Your high school girlfriend wants to catch up.”
“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.”
“...Okay,” you say slowly. “Do you want to see her?”
He shrugs. “I thought it would be nice.”
“Do you think she thinks it’ll be more than nice?” you ask.
“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.”
Your eyebrows rise. “Your mom gave your ex-girlfriend your number?”
“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.”
You chew on the inside of your cheek, trying to think as you look at Aaron.
You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction.
But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up.
“Go for it,” you finally say.
He frowns, like he was expecting the worst. “Really?”
“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.”
You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you.
“Thank you,” he says.
“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.”
He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder.
“I love you,” he says. It feels more like a reminder than anything.
You entangle your fingers together and press a kiss to the back of his hand.
Sometimes you need reminders.
“I love you too.”
-
“Four more bodies,” Prentiss mutters. “God.”
“You can say that again,” Morgan murmurs.
Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third.
No one expected this to happen so soon.
The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt.
Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work.
An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation.
Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved.
He sees Jack in every single one. He can’t help it.
Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press.
Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount.
“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.”
He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”
“And his neck,” Morgan mutters. “He’s half decapitated.”
Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.”
“You think he’s devolving,” he says, catching on.
“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.”
-
The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight.
JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city.
The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information.
“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.”
“What are they?” Hotch asks.
“He was on the road all night when the third happened,” Reid says.
“And how do we know?” Prentiss asks.
“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.”
“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”
“Do we have footage from any of those places?” Hotch asks. “We need to make sure.”
Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.”
“What about a second unsub?” Morgan suggests.
Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.”
“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?”
“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.”
“Maybe we’ll figure something out in questioning,” Reid says hopefully.
Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.”
“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.
“And?” Hotch asks.
“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.”
Hotch frowns. You?
“You’re sure?” he asks.
“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.”
“And you’re sure about that, too?” Hotch asks again.
“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.”
“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.”
“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up.
“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.”
“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.”
Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.”
Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail last year.”
“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.”
“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.”
“He’s trying to get back at his dad,” Prentiss says. “We know that.”
“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.”
“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.”
“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.”
“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says.
“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”
“He’s coming to the end of the line,” Prentiss nods.
Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him.
“His next crime will probably be his last before he goes out himself,” Reid says.
“You think it’ll be a murder-suicide?” Morgan asks.
“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.”
And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him.
“If his dad was still alive, I’d say he would be the target. But the only one left—”
“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him.
“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?”
“The last victim,” she says as she starts following him. “The one person he never managed to save.”
“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.
“What’s up, sugar?” she asks. “Got anymore leads?”
He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—”
“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.”
“What would I do without you?” he asks.
“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.”
“Always,” he responds, and he hangs up.
Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him.
Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze.
“We’ve got an extra one for you,” Reid says, reading his mind.
“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.
“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”
And he does.
-
You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear.
Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale.
A shiver runs through you, the weather only partly to blame.
Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner.
It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff.
Of course you have to deal with this now.
Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down.
“You’re already packed.”
You shrug. “I’m nothing if not efficient.”
“I could’ve helped you with all this,” Aaron says, frowning.
“Why do you think it’s done already?” you ask.
His throat bobs and he opens his mouth, but nothing comes out.
“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.”
“You didn’t have to do that,” he says.
“You know what they say about a clean break,” you intone.
“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks.
“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?”
His lips pull into a taut line. “I didn’t cheat on you.”
“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.”
Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit.
“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk.
“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—”
“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”
“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him.
“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?”
“That’s not what happened,” he says, but you’re already shaking your head.
You take the box from him and smile thinly.
“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”
-
You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open.
You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.
“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”
His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”
“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.”
“They haven’t been back, have they?”
You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail.
Your smile fades. “Don’t tell me you’ve been drinking.”
“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests.
“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.”
He huffs, and you can practically hear him roll his eyes, but he stops.
“Did you go to class today?”
“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff.
“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”
“Yes,” he mocks. “I went to class.”
“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.”
His smile is a bit thin, but he nods. “Thanks. How was work?”
You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”
“She’s still on it?” Luke asks, and you can’t help but smile a bit.
“Don’t act like you know what I’m talking about,” you say. “Just agree with me.”
“I agree with you,” he says.
“That’s it,” you muse.
Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up.
“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.”
“...Of course,” he says, and he takes it back. “Glad I could help.”
“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.”
“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?”
You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”
“…Good,” he says. “I can tell they’ve stressing you out.”
“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.”
You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to.
“You remember that guy I dated when I was still in law school? Aaron Hotchner?”
“I think? I was in jail, so.”
You roll your eyes. “I know I told you about him when I visited you while we were together.”
“I remember you telling me how he broke your heart,” Luke says.
“That’s not what I’m saying.”
“Then what are you saying?”
“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”
He frowns. “What’d you say?”
“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.”
“What have they said about me?” he asks.
“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…”
You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.”
You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.”
“Don’t worry,” he says. “I’m careful.”
“I doubt that,” you say wryly. “Still, though. I worry about you.”
“Shouldn’t it be the other way around?” he asks. “I’m your older brother.”
“I worry about everything,” you say. “It’s my thing.”
You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home.
“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”
Lucas doesn’t respond, though you hear the scrape of the chair as he gets up.
“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”
Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.”
“I’m sorry.”
The words come out as a murmur, but you can tell he’s much closer than he was before.
You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard.
Then, there’s nothing.
-
Hotch has been breaking every speeding law there is.
The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at.
It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims.
If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger.
His hands tighten on the steering wheel.
“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”
“No one can hurt her if she’s dead,” Morgan mutters.
“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”
“Yes,” he says, though he wants to say what kind of question is that?
You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that.
It doesn’t matter that you have history. It doesn’t matter that you likely hate him.
It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.
Aaron Hotchner is not going to let you die. It’s as simple as that.
Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”
“JJ and Rossi are on their way,” she says. “Are you headed to their place?”
“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.”
“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.”
“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”
Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching.
“Tell me how to get there, Prentiss,” he says. “He’s there.”
“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”
“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”
“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up.
“What?”
“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”
Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”
“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”
Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night.
And now…
Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not.
“Thank you, Garcia.”
“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?”
For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it.
“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.”
“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.”
“Thank you,” he says.
“Good luck, Hotch,” Garcia says softly.
Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him.
“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.”
His knuckles go white around the steering wheel, and for once, Hotch can’t find the words.
-
It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why.
You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes.
Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs.
Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?
Lucas was the only one there with you. So either he’s in the same situation, or he—
“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops.
For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze.
“I was worried I was too rough,” he says softly. “But you’ve always been resilient.”
“Lucas,” you breathe. “What the fuck is this?”
“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.”
Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.
You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body.
You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life.
And if there’s ever been a fucking time to be persuasive, it’s now.
“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.”
He shakes his head. “I know you. You’d run.”
“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?”
“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.”
“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.”
“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.”
“I’ve always believed in you,” you say.
He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”
You shake your head. “That’s not true.”
“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.”
You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises.
“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”
You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided.
“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?”
“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!”
“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.”
“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”
“He ruined us,” Luke murmurs. “And I’m finally going to fix it.”
All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to.
Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.”
“I wouldn’t dare,” you say weakly.
When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget.
Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out.
You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here.
You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now.
“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.”
“I didn’t,” you insist. “They’re profilers—they figure things out.”
He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.”
He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.
“FBI,” he barks. “Hands up.”
Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head.
“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.”
“Put the gun down, Lucas,” Aaron says.
“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”
“Put the gun down,” he repeats.
“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.”
“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.”
“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.”
“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?”
“Trust me,” Luke says. “I’m not losing her.”
He flicks the safety off and you flinch. He’s going to kill you.
“Put the gun down,” another agent warns.
“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”
“We’re not doing that,” the woman says. Agent Prentiss, you think.
“Really?” Luke chuckles. “You think you hold the cards here?”
“It’s okay,” Aaron says. “Go.”
Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave.
“Wow,” Luke muses. “They really trust you.”
“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.”
“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”
“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”
“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?”
“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.”
Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.”
“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.”
“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.”
“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.”
“No,” he whispers. “No—we can’t.”
“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.”
For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you.
“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.”
You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you.
And then it happens so quickly you barely process it.
There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground.
You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you.
Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him.
Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force.
Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead.
The only part you had left of your family—gone, just like that, with four other families ruined in his wake.
Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.
“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”
“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”
A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms.
“I know.”
Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment.
“You were shot,” he says with your name. “We have to get you to a hospital.”
You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers.
But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron.
“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!”
You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours.
“Aaron,” you whisper, your strength fading. You don’t think he hears you.
He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete.
“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.”
And as the world goes black around you for the second time, you see his lips form your name.
It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die.
-
You wake up in the hospital alone.
You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you.
The real surprise is that you wake up at all.
Lucas is dead.
He tried to kill you. You thought he succeeded.
You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real.
You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life.
You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day.
Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all.
You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life.
And you can’t stop playing it all over in your mind.
He was going to kill you.
Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU.
Had it not been for Aaron Hotchner.
The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him.
“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you.
But there’s relief there, too.
He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside.
“How long have you been here?” you ask, your brows furrowing ever so slightly.
Aaron closes the door and sets his coffee on the table before he answers you. “Three days.”
“And how long have I been here?”
“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.”
You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”
“How bad was it?” you ask.
Aaron glances away. “You died on the table. They managed to bring you back, but…”
“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.”
He shakes his head. “If anyone’s allowed to joke about this, it’s you.”
Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.
“You were out for two days after,” he explains. “This is the first time you’ve woken up.”
“Why are you here, Aaron?” you ask quietly. “Why have you been here?”
Aaron frowns. “Where else would I be?”
Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start.
“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.”
“It’s not a crime to want to see the best in people,” he says. “Especially your family.”
“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”
“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.”
You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!”
“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.”
“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—”
You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same.
“And I just don’t know what to do,” you repeat, barely a whisper.
You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life.
“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.”
“Aaron,” you start shakily, but he continues.
“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”
He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number.
“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.”
You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner.
“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.”
“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”
For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…
Somehow, you’ve ended up on a completely different side together.
“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.”
“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.”
“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit.
“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.”
“I imagine you’re pretty busy,” you murmur. “Unit chief and all.”
Aaron shrugs. “I make time for the things I care about.”
Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.
“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out.
“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume.
“I’ll give you some time alone,” Aaron says.
Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.
“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.”
Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down.
“Okay.”
And he stays.
This time, he stays.
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therapy sucked the other day and the gross feeling carried over into today. its rough when i dig stuff up bc now i gotta go do my job and exist n shit till my next appointment, and bettering myself is going to be hard when my depression is on high alert bc im in the process of taking the reins from it.
the good thing tho is that im learning more about myself. and a lot of what ive learned is actively playing a role in making me feel bad lmao.
i never really stopped to look at how bad my self confidence was because 1. It hurts. and 2. its... all ive ever known. Its been dog shit for as long as i can remember. From being bullied since middle school and from everything my parents told me growing up. All I know is to be too hard on myself. To ignore taking care of myself emotionally, brush off compliments and not take them, automatically accept insults as the truth, and to just sweep all the feelings under the rug because thats just... what ive always had to do. I even trained myself to punish myself when I try to address it. When I try to take care of myself mentally and to be kind to myself and have hope and pride. Even the most basic shit like "this is a real skill set that i have" is met with a mental block and a deep seated anger that gives me urges to physically hurt myself because im... idk, seeing myself in a positive light?? I can't really let myself feel anything in any decent intensity without immediately punishing myself for it.
And it hurts. And it makes me mad because I know better than that, and I have this intense ache that is begging me to allow myself to feel and just be. To let me feel angry. To let me hold grudges. To let me have regret. To let me forgive. And most importantly, to let me love myself in all aspects. Realizing I was trans and transitioning gave me such an intense high because for ONCE in my life I was truly loving myself in literally any fucking capaicty, and seeing myself in a positive light. So now that part of me (really just my true self) is just so desperate to keep going. To keep opening doors and let myself be human. I keep holding myself back because I was punished so many times as a child to NOT feel. To not defend myself. To not be angry with people. To not laugh too loud or act silly. To not make mistakes. But its just been too much of that. 26 years and im at my fucking limit. My canines are sinking into the metal bars of the cage I locked myself into, and despite the pain I am busting out of this cage. I'm just glad im fortunate enough to actively be in therapy for all of this, so I can safely come out of the cage.
It's also funny bc i realized one of the reasons i act so kind and be nice and friendly is because of how much i deny myself that own kindness. And how much I was denied it by my peers and my biggest support group (my parents) as a child. I hate it when i get angry and snap and lash out because it reminds me of how often I was on the recieving end of that. Hell, I tear up when I see parents yell at their kids at the store. I just don't want anyone to ever experience what I did, so I give and give, and smile and joke around as often as I can because I so desperately wish that I could have gotten the same.
But I am human after all, so I will get angry, and I will lash out. And I will get disappointed. And feel regret. And make mistakes. And I just gotta remind myself that thats ok! I can do these things and feel the full extent of them! Its not the end of the world when it happens. I just gotta learn how to keep it in check so when I do act human, its not blown out of proportion.
Finally, I have to really work on the self-confidence thing of "im not a failure". I'm in a specific situation where literally everyone I know irl who is "successful", has done the basic societal shit: got great grades, went thru college, and is working "a real, professional job". I did -and am doing- none of those things! lmao. And despite me not genuinely regretting it bc its saved me money and stress, its v hard to not let those societal norms make you feel worthless bc youre not fitting into the mold. I also have real bad exectutive function that will most likely go untreated forever, so I have to remind myself to not beat myself up over THAT bc its something i cannot control. I AM doing my best, and it WILL be enough. And life progresses pretty slowly, I have until the day I drop dead to do whatever the fuck I want. I should stick to my guns and take my sweet time.
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Roman or Patton
I- omg
#what gave it away hsjfhfjf#thank you#this is. the biggest compliment ive ever gotten.#am i like roman cause i have no self-esteem—#hdjfhfjr no im sorry
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I find it funny when ppl after listening to me talk abt my stories a bit are like "I wish I could just download this story directly into my brain" like thank you so much bestie trust me when I say if I could I would and it kills me that I can't dhkdydkhsjd
#rat rambles#or when theyre like I wanna read that like me too bestie think abt how I live every day wanting to read a thing that only I can write /j#it feels so amazing actually being like. encouraged to talk abt the things I love. it still feel so strange every time#also makes me painfullu aware of how deeply engraned my instinct to appologise for nothing every five seconds is rbndhdkdy#I need to work on that for real Ive gotten better at it text wise but verbally oof. nope.#one of my dnd party members said theyd listen to a podcast of just me infodumpimg and thats the biggest compliment Ive ever gotten I think#I should do it maybe then Id actually have a decent resource for my stories outside of my head /j
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