#( rejected so bad )

[ineed-to-sleep]

Collection of bg3 sketches I've been nibbling at over the month. teehee

[crumb-crumblet-s-crumbington]

you have such a interesting body ethan ...

[hellenhighwater]

Hellen, how do you know how to do so many things? I know how to do a few things but I look at your stuff and every time I'm like "damn. I wish I could do that"

oh, I just do them.

It's after 1:30 am, so you get the existential answer. The fun thing about personhood is you get to just be whatever. You can't necessarily do whatever--money and laws are things, unfortunately, and you only get so much control over the opportunities available to you. But you can sort of just throw yourself down on the anvil of life and hammer yourself into whatever shape you want. Ideally the process of it drives out some flaws as you go, but sometimes also you take an impurity and make yourself stronger with it.

I am, still, a person who is terrified of failure; of incorrectness; of being wrong. And there is nothing to do with fear except shatter it with blunt force, and so I line myself up against failure again and again and again. I will try. I must; or the fear of failure wins, and I must keep trying after I fail or I have failed utterly. I fear failure, and therefore I take it as a challenge. I must do what I think I cannot. And you know what? More often than not, I can.

I have a weird and wandering skillset because I make myself try things, knowing full well that I will remember for decades every time someone saw me be less than instantly successful, because the only way I know to get better is to batter down the dross of my own fear. That's the deal. I'm not doing anything that nobody has done before. I know it's all possible. I just have to be the sort of person that does it. And it gets easier every time. If the question is can it be done and the answer is yes, then the next question is can I be the one to do it, and the answer is I want to be.

Every time I fail my way over and over to eventual success, trying again the next time is less scary; every time I have a broader base of skills to carry to the next challenge. I'm not unusually talented, just stubborn as hell, and I've lived long enough on I have to do what scares me that honestly, not that much scares me anymore.

If you keep failing long enough, it turns out that you just get really good at problem solving, and figuring out unconventional ways to reach your goals. It's not about a special secret concoction of skills, it's about persistence, and hammering away until you've taken a mess and made it into something you think is worth keeping. It's not easy, but it is simple.

Also I have incredibly strong unmedicated ADHD. But I sort of assume that's glaringly obvious.

[poorly-drawn-mdzs]

His palms are sweaty, knees weak, arms are heavy.

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[welldressedvillain]

i started ugly sobbing

[hextechmaturgy]

a message from the other side: " no use runnin', kiddo "

[catcze]

NO BC LISTEN.

WIRO REACTING TO HIS CRUSH/LOVER WEARING A SUIT. LIKE IT FITS THEIR FRAME SO PERFECTLY AND SNUGLY AND WDYM “WHY IS HE LOOKING” OFC HE’S LOOKING LIKE HELLO???

I can’t tell if he would shameless let his eyes roam or would avoid looking at them KDIDKSKSK WIRO BRAINROT IS SO REALL

KAJNSDSA BROOO OMG okokokok something along the lines but 👀

Reblogs are greatly appreciated !!

You're fiddling with the cuffs of your suit as you exit the changing room, a frown on your face. You're nervous— of course you are! It's not often that you're invited to a high-profile, black-tie event like this, and you'd rather not stick out like a sore thumb.

Wriothesley, who sits comfortably in a plush armchair, has been invited before though. But time and time again he's turned down the invites with some of the most ludicrous excuses. 'A monster is attacking the fortress' is one of his most used ones, closely followed by 'a bird shat on the shoulder of my suit.' But you wonder why he's accepted this time, despite his distaste for the limelight. Well, you shrug, pocketing the thought for later. At least you won't be going alone.

"What do you think?" You pose the question to him, still frowning as you look down at yourself. Did you look okay? Was the fit alright? Did this color wash you out? You had splurged on this (well. Wriothesley splurged on this, technically. He had said it's a gift) and had the suit custom-done, so it should fit your measurements to an exact, but... you frown, not able to shake off the nerves.

And it doesn't help that Wriothesley hasn't said anything since you've stepped out, either. Merely stares at you, eyes roaming your figure. Even at your question, he acts like he hadn't even heard it. Does the suit look that bad?

"Wrio?"

That seems to reach him, and he blinks, finally registering that he's been staring at you— and that you've begun to stare back.

"Oh, uh. Yeah, it looks nice on you. The tailor did a very good job," he says, glancing away, hoping you don't see the red tinge to his cheeks or his ears.

"Really?" You ask, evaluating yourself in the mirror with a frown. "I don't know. I feel like I look like a mess."

"if you look like a mess, then I dread to think what I look like," he says, glancing at you for a second, getting an eyeful of you in that damn good suit, and feels his mouth dry up again. Wriothesley turns his eyes to the corner of the room, finding the fake palm plant there incredibly interesting. Barely more interesting than you. In that very flattering suit. It emphasizes your body very well, he thinks. Makes him see just enough of you while still leaving some to the imagination. And the color you chose for it... red and black, to match what he'll wear, you said. He sighs, troubled, because just the mere memory of it has his heart racing and his palms sweating.

You keep criticizing your reflection for a while longer, and it takes just enough time for Wriothesley to work up the self-control to look your way. "You look good," he says at last. Then clears his throat. His face feels hot. "Better than good, even. You don't have anything to worry about, I promise."

It placates you, because you finally give your own reflection a rest. You back away from the mirror, humming. "If you say so. Thank you, Wrio," you tell him, flashing him a small, shy smile just before you back up into the changing room once more to take it off.

Once you're out of the vicinity, Wriothesley drops his head into his palms, groaning softly.

if he's this much of a mess around you at a fitting, he wonders how much of a fool he could make himself at the actual event.

[trashcatsnark]

Rejecting Lae'zel: yeah sorry not interested in you tasting my flesh lol- yeah you can go fuck astarion instead i don't care Rejecting Astarion: Say please.... ha, yeah, it's still a no, but that was funny, anyway... Rejecting Shadowheart: *didn't even realize i did it* Rejecting Gale, Wyll, or Karlach: Oh god, oh god, oh no I'm so so so so so so sorry, I, I really hope I didn't like lead you on- please don't look at me with those eyes, please, oh no, I'm so sorry I'm just doing a different romance right now, I still care about you so so so so so so so much, I'm sorry I'm just a terrible person, I'll be flaying myself alive tonight in penance, I'm so sorry-

[crowlixcx]

Broadchurch | S2EP8 | Alec Hardy’s Wettest Moments (Part 70)

[tekitothemagpie]

That one scene in Wano.

[saint-end]

"Yulia is the keeper of the hooks I may use to take hold of Eva’s soul."

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[moonpaw]

Because I know now that I may be

[poorly-drawn-mdzs]

Turtle hunt gone wrong.

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[anghraine]

It's interesting (if often frustrating) to see the renewed Orc Discourse after the last few episodes of ROP. I've seen arguments that orcs have to be personifications of evil rather than people as such or else the ethics of our heroes' approach to them becomes much more fraught. Tolkien's work, as written, seems an odd choice to me for not wrangling with difficult questions, and of course, more diehard fans are going to immediately bring up Shagrat and Gorbag.

If you haven't read LOTR recently, Shagrat and Gorbag are two orcs who briefly have a conversation about how they're being screwed over by Sauron but have no other real options, about their opinions of mistakes that have been made, that they think Sauron himself has made one, but it's not safe to discuss because Sauron has spies in their own ranks. They reminisce about better times when they had more freedom and fantasize about a future when they can go elsewhere and set up a small-scale banditry operation rather than being involved in this huge-scale war. Eventually, however, they end up turning on each other.

Basically any time that someone brings up the "humanity" of this conversation, someone else will point out that they're still bad people. They're not at all guilty about what they're part of. They just resent the dangers to themselves, the pressure from above, failures of competence, the surveillance they're under, and their lack of realistic alternative options. The dream of another life mentioned in the conversation is still one of preying on innocent people, just on a much smaller and more immediate scale, etc.

I think this misses the reason it keeps getting brought up, though. The point is not that Shagrat and Gorbag are good people. The point is that they are people.

There's something very normal and recognizable about their resentment of their superiors, their fears of reprisal and betrayal that ultimately are realized, their dislike of this kind of industrial war machine that erases their individual work and contributions, the tinge of wistfulness in their hope of escape into a different kind of life. Their dialect is deliberately "common"—and there's a lot more to say about that and the fact that it's another commoner, Sam, who outwits them—but one of the main effects is to make them sound familiar and ordinary. And it's interesting that one of the points they specifically raise is that they're not going to get better treatment from "the good guys" so they can't defect, either.

This is self-interested, yes, but it's not the self-interest of some mystical being or spirit or whatnot, but of people.

Tolkien's later remarks tend to back this up. He said that female orcs do exist, but are rarely seen in the story because the characters only interact with the all-male warrior class of orcs. Whatever female orcs "do," it isn't going to war. Maybe they do a lot of the agricultural work that is apparently happening in distant parts of Mordor, maybe they are chiefly responsible for young orcs, maybe both and/or something else, we don't know. But we know they're out there and we know that they reproduce sexually and we know that they're not part of the orcish warrior class.

Regardless of all the problems with this, the idea that orcs have a gender-restricted warrior class at all and we're just not seeing any of their other classes because of where the story is set doesn't sound like automatons of evil. It sounds like an actual culture of people that we only see along the fringes.

And this whole matter of "but if they're people, we have to think about ethics, so they can't be people" is a weird circular argument that cannot account for what's in LOTR or for much of what Tolkien said afterwards. Yes, he struggled with The Problem of Orcs and how to reconcile it with his world building and his ethical system, but "maybe they're not people" is ultimately not a workable solution as far as LOTR goes and can't even account for much of the later evolution of his ideas, including explicit statements in his letters.

And in the end, the real response that comes to mind to that circular argument is "maybe you should think about ethics more."

[forgetme-eternally-blissfully]

Choi Han sees a weird stick in Cale’s hair.

“Oh, wait Cale-nim, let me…” With the slight height advantage, Cale doesn’t actually have a choice but to let the swordmaster do as he wishes.

For moment he fiddles around, trying to grab the elusive, tangled object, when he suddenly feels Cale lean into his hand. He watches with bated breath as Cale closes his eyes.

(‘Ah, I’m so tired that I’m leaning on Choi Han. Aigoo, he must think I’m pathetic.)

Choi Han spends another minute to get the stick out, claiming that it was particularly stuck in his long hair. He burns this memory into his mind while also promising to never tell another soul.

Eruhaben is next. He notices the red head’s soft locks, freshly washed and neatly air-dried with magic. As a dragon, he doesn’t think twice about the temptation, standing from his spot on the couch to test if Cale’s hair is even half as soft as it appears to be.

It is, he learns.

(Cale shivers. Is Eruhaben threatening him? Just in case, Cale bows his head to hide his fearful expression.)

The dragon watches with amusement, thinking that it’s only natural to offer one’s head to a dragon as powerful as him. Until he feels Cale almost… press into his palm absentmindedly. Eruhaben vividly feels the exact moment that his heart melts into a puddle of affection.

He definitely will use this against the bastard next time he has the opportunity.

Oddly, On and Hong figure it out next. Cale is sitting in his usual chair, reading a book with his hair falling into his face picturesquely. On recalls when Rosalyn did her hair up with a pretty pin, making it easy to move around without getting in her face.

On considers if Cale would mind On experimenting a little, immediately coming to the conclusion that he wouldn’t give two shits.

She transforms into her human form and moves behind the chair. Of course, Cale doesn’t bat an eye at her unusual movements. When she gathers his hair up in her hands, he doesn’t miss a beat, leaning back to give her better access. He only changes the angle of his book so he can still read. Hong observes his sister from Cale’s lap with curiosity.

Her upbeat attitude is ruined quickly because she doesn’t know how to braid nor tie up hair, and is missing the necessary bows and pins to do it in the first place. She runs her fingers through his vibrant red hair as she tries to remember what Rosalyn did.

Hong’s eyes go wide. Cale had stopped reading as his sister continued her ministrations, closing his eyes and leaning back, relaxing into his seat. Hong urgently signals for his sister to witness this.

Her eyes narrow in on the sight with a calculating gaze. She changes the way her hands run through his hair, simply running her fingers through and carefully untangling it instead. Cale’s face gradually loses its constant pinch.

(‘Yes, the children should do whatever they want, even play with my hair.’ Cale internally nods to himself.)

On, unlike Choi Han or Eruhaben, tests her limits. She continues her gentle pattern without pausing. After a few minutes, both of the cats hear Cale’s breathing taper away into a relaxed rhythm. On silently makes eye contact with her brother, and they make a secret promise to not make a big deal about this, lest this trick never work again.

They hear Ron before he enters the room and On casually returns to her car form, stealthily and softly landing on Cale’s lap. Ron enters, pausing at the sight of his puppy young master.

Smiling benignly, he darkly assumes that Cale had been so exhausted that he managed to fall asleep in the middle of reading.

On and Hong don’t correct him.

If Cale has an especially bitter lemon tea that night, he doesn’t make a big deal about it. Not when the crown prince calls him soon after it arrives.

He arrives at the palace where the Crown Prince learns of this spreading secret. Cale uses his superior glib tongue to force a frown on Alberu’s exhausted expression, and the exasperated hyung sighs, walking around to the couch where his dongaeng is sprawled. He places a hand on his shoulder, threatening Cale with a high political position if he doesn’t stop doing dangerous things and causing trouble.

Cale shudders and agrees. Alberu smiles at this, his hand moving to ruffle his adorable dongsaeng’s hair.

(Cale sighs, closing his eyes and humoring his affectionate hyung. He leans back, questioning why everyone has been so touchy lately.)

Alberu feels his heart stop and stutter at the fragile sight. Cale looks completely at ease, slumped in the couch cushions and pressing his head into Alberu’s palm like a cat. His lip is quirked up slightly, but Alberu would bet a golden plaque that Cale hasn’t a single idea on what he looks like right now, otherwise he wouldn’t be even half as relaxed as he is right now.

He resembles a lazy cat. He’s being pet whilst lounging, with a content and pleased expression edging on his face. If this goes on long enough, Cale might even fall asleep.

Alberu continues talking without letting his smile leak through into his words, stroking the top of Cale’s head in an absent minded motion.

(Cale ignores the sneaking chill on the back of his neck, too focused on Alberu’s words about the kingdom. The petting is a bit strange, but Alberu is the crown prince, so he’ll allow it.)

As predicted, Cale doesn’t mention it.

After a minute though, Cale starts to frown, beginning to acknowledge the feeling that he’s being scammed somehow.

“Hyung, do you have a headache?”

Alberu acts like a polite and caring hyung, starting to massage Cale’s head.

(Cale frowns more. Something is definitely going on.)

Cale opens his eyes, protesting. “Your highness, my health is perfect at the moment. You, our shining sun, couldn’t possibly-“ Alberu changes from massaging to running his fingers through Cale’s hair.

(Cale sighs, cutting off. It was just a ploy to play with Cale’s hair. He should’ve expected his highness to scam him in this way too.)

Alberu grins when Cale stops talking, looking resigned to his fate. He goes completely limp, and Alberu’s blunt fingernails scratch against Cale’s scalp gently. Cale visibly shudders at the feeling.

(‘Too scary, what if he scratches and draws blood? If Raon finds out, he’s going to feed me soggy apple pie…’)

Alberu preens at finding Cale’s weakness.

On slyly asks Rosalyn to do up Cale’s hair one day- as an experiment- and is extremely pleased when Cale not only agrees, but he closes his eyes and falls asleep soon after the Mage is done gently tugging his hair into place and adorning it with intricate pins and accessories. Choi Han walks in on this scene and threatens Rosalyn to keep it a secret (after melting a bit on the inside). She agrees with a sly smile.

If only Cale knew how everyone was going to use this to scam him in the future…

Eventually the misconception that Cale likes to have his hair played with goes around the entire group. Cale- of course- is completely clueless. He just thinks that everyone suddenly became obsessed with his hair.

Ron is the only one who can’t get Cale to relax. Even Bud somewhat managed it, but Cale stays vigilant no matter what his old butler does. Ron finds his puppy young master to be amusing.

Cale really doesn’t understand what they want with his hair. Do they want his hair?

(He asks Ron for a trim a few days later. Ron only cuts off the dead ends and leaves it neat but long, much to the young masters displeasure.)