#( lso. / && associates. )

[itsabouttimex2]

I was roleplaying with the LSO MK bot and I noticed how it mentions that the Reader is the fourth successor, which I found really cool because it'd tie in really well with MK's protectiveness over their student!

Since the number four is considered to be a quite inauspicious number in chinese culture, it would make a lot of sense for MK to be even more protective about their student — seeing it as a way of 'defending' them not only from the usual struggles of being the new wielder of such a powerful weapon but also to protect them from whatever unluckiness could befall them (which makes Reader's eventual triumph and growth quite a sweet character development moment — to thrive over the misfortunes of life even when they precede you).

I think I might be reading way too much into it (or not?? Haha I'm not sure) but I just found it really cool! I love your AUs :D

I’m so glad you’ve been liking the bot!

Where I’m from, four is considered a lucky number on account of it’s association with clovers! I’ve heard in other countries, it represents misfortune and even death- it’s a good duality for the power that Y/N inherits, I think.

Y/N is something new and blooming, a little fourth sprig hoping to match the third tree. I felt like Clover was a fitting nickname for someone like that.

And LSO!MK will find any reason possible to shelter and coddle Y/N, unfortunately for them. Unlike their mentor, they actively struggle to beat enemies alone, given that MK won’t cut them loose to learn to solve problems without his guiding hand.

So, if they really are an unlucky soul, then the protectiveness and almost fatherly smothering only grows worse and worse. Every little trip and stumble just leads to him cracking down on anything he sees as a threat. Y/N has lots of awareness and focusing lessons in the near future- only for their own good, of course.

(Bot and example chats under the read more!)

[doctortwhohiddles]

I see the Derangers are also very good at not lettong facts get in the way of a good story. Harry met Sean Combs at his mother's memorial concert back in 2007. His brother was also with him. So by their logic, William is also involved in human trafficking. They're lso proving Harry right about the UK tabloids and their need to bring him down. Because that story was made up by GB News which is the equivalent of Faux News.

If tinhaters really cared about human trafficking, they would stop the whole "guilt by association" and baseless accusations BS. Because that is not helping actual victims. In fact, it does the complete opposite.

[lyriakisser]

OMGOSJSJ !!!!!! HES SO CUTE I LOVE HIM WAHH !! CINNAMOROLL :DD nd YWAH I RMBR THEM I LOVED THEM THEY WERE SO CUTE MAN . . . u were like. my fav editor then I STILL CANT BELIEVE WE BECAME MUTUALS ??? love story of the century also uhmuhmm hehe . . . uu associating me w cinnamoroll is the cutest actually :happyshy: ALSOALSO YEAHH I'LL TAKE LOADS OF PICS ND TELL UU ALL ABT IT IF I DO GO !! its not gonna be until oct BUT YAYA >:D hrnwjjwnd yeah im (un)fortunately old enough to have a part time job <//3 <- mother told me i needed rl exp before high school grad next year :( its ok tho !!! depending on the job it can be decently fun nd i can be a millionaire fr !!! i used to do a service job so that was Not fun. i plan on applying for a boutique or bookstore tho ober the summer >:3 !!! nd uhmm yeahh that was kimda . . . hehe . . . coming out as gay now i love uu 💖🎉 im such a hashtag ally ☆

OHMYDDUKSJFJSJFD HOW WAS I YOUR FAVORITE I WAS SO BAD AT EDITING BACK THEN EUSJFKWKRJSJ ia lso dont remember how we became mutuals actually JFKSNRNSNFB i dont remember promo hours being a thing back then so. how!!WHATEVER IM STILL SO HAPPY I FOLLOWED YOU MWAH MWAAAAAHand.. DO YOU THINKSO OHEGTDHJWNRJWNF?2!$-+$(2!3 SORRY i am very normal when people call my behavior cute i totally dont go insane and cry and sob/pos,, RL EXP RAJJTJWNTJD OHHHGG WORKING ON A BOOKSTORE OR BOUTIQUE SOUNDS FUN AS HELL... bwa we dont have that fancy shit here best i can achieve is working at a supermarket or normal ass store under the worst possible work conditions everHDKSJRJWNT idk i just really want to know how having Actual decent amount of money of your own feels like so I'll take anything! woahg....are you also gay... guess... im a little bit gay too...and especially..foryou...isnt that a huge coincidence...we should kiss a lot right now tbh.. AS STRAIGHT ALLIES OF COURSE!!!!!

[twink-between-worlds]

papyrus, abelia, orchid?

orchid ; gl-glitter & gold b-y barns court-courtney!

abelia ; ac-ctually a fe-ew! we have a cha-chain necklace with on-one of our dads rings on it that we cant go witho-out wearing, and-and we have two rings that our dad got us th-at we wear every day!

papyrus ; i'll die anyway. by girl in red. we-ellll, we ass-assoc-associate it with ours-selves! kinda. but al-lso the song is just real good haha

[lawyersdatascraping]

Lso.ca Lawyer Email Database Extraction

Lso.ca Lawyer Email Database Extraction

Lso.ca Lawyer Email Database Extraction by Lawyersdatalab.com: Powering Legal Marketing with Targeted Attorney Email Lists. In today's competitive legal landscape, personalized outreach is crucial for driving engagement and results. Law firms and legal marketing companies are constantly looking for ways to connect with attorneys and clients more effectively. At Lawyersdatalab.com, we offer Lso.ca Lawyer Email Database Extraction—a powerful tool that allows legal marketers to gather valuable contact data from the Law Society of Ontario’s (LSO) website. This service enables law firm marketing companies to build targeted email lists of licensed lawyers, helping them to improve outreach efforts, boost engagement, and increase conversions.

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Lawyers Directory Data Scraping

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Oklahoma Bar Association Lawyer Data Extraction

Law Firms Mailing List Scraping from Legal500.com

Conclusion

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Website: Lawyersdatalab.com

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[synergydurablemedicalequipment]

Using Back Braces and Specialized Orthotics: A Comprehensive Guide for Spinal Injury Management

Dealing with a spinal injury can be a life-altering experience, affecting everything from mobility to daily comfort. Fortunately, advancements in medical technology have introduced practical tools such as back braces and specialized orthotics to aid in the management and recovery process. These devices provide support and are essential in preventing further injury and enhancing overall quality of life. Let's explore the benefits of using back braces and specialized orthotics, focusing on how they can be invaluable for those suffering from a spinal injury.

Understanding Spinal Injuries

The spine is a complex structure composed of bones, discs, nerves, and muscles that work together to support the body and enable movement. A spinal injury can disrupt this intricate system, leading to pain, limited mobility, and, in severe cases, paralysis. Spinal injuries can occur due to various reasons, such as traumatic accidents, sports injuries, or degenerative conditions like arthritis. The severity of the injury often dictates the type of treatment required, which may include physical therapy, medication, and supportive devices like back braces and orthotics.

The Role of Back Braces in Spinal Injury Management

Support and Stability:

Back braces are designed to provide external support to the spine, helping to stabilize the affected area. This stability is crucial for recovering from a spinal injury, as it minimizes the risk of further damage during movement. By restricting certain motions, back braces can prevent the worsening of the injury and allow the spine to heal properly.

Pain Relief:

Pain relief is one of the most significant benefits of a back brace. Back braces can alleviate the discomfort associated with spinal injuries by reducing the strain on the spine and supporting proper posture. This relief allows individuals to engage in daily activities with less pain, improving their overall quality of life.

Post-Surgical Recovery:

For those who have undergone surgery due to a spinal injury, back braces are often recommended as part of the post-operative care plan. These braces help maintain spinal alignment and protect the surgical site as it heals. Wearing a back brace post-surgery can also reduce the likelihood of complications and speed up the recovery process.

Prevention of Further Injury:

Back braces not only aid in recovery but also play a preventive role. For individuals who are at risk of spinal injuries due to their occupation or lifestyle, wearing a back brace can provide the necessary support to prevent injuries before they occur.

Back braces and specialized orthotics offer valuable support for individuals with spinal injuries. These devices are crucial in stabilizing the spine, relieving pain, and preventing further damage. By providing customized support and enhancing mobility, they contribute to a better quality of life during recovery.

If you are dealing with a spinal injury, it is essential to seek professional advice to choose the right back brace or orthotic device, such as the Horizon LSO Back Brace, that meets your needs. Embracing these supportive solutions can significantly impact your journey toward recovery and long-term spinal health.

[dynamicmedical]

Orthotic devices

Orthotic devices are externally applied appliances used to modify the structural and functional characteristics of the neuromuscular and skeletal systems. They are designed to support, align, prevent, or correct deformities or to improve the function of movable parts of the body.

Types of Orthotic Devices

Foot Orthotics:

Insoles and Shoe Inserts: Provide support and cushioning for the feet, correct foot alignment, and alleviate pain associated with conditions like plantar fasciitis, flat feet, and arthritis.

Heel Cups: Provide cushioning and shock absorption for the heel.

Ankle-Foot Orthotics (AFO):

Fixed AFO: Provides rigid support to the ankle and foot, used for severe weakness or paralysis.

Hinged AFO: Allows some movement of the ankle while providing support and stability, used for conditions like drop foot.

Knee-Ankle-Foot Orthotics (KAFO):

Metal KAFO: Traditionally made of metal and leather, offers robust support for knee, ankle, and foot.

Plastic KAFO: Lighter and often more comfortable, used for conditions requiring long-term support.

Hip-Knee-Ankle-Foot Orthotics (HKAFO):

Provides support to the hip, knee, ankle, and foot, used in cases of severe lower extremity weakness or paralysis.

Spinal Orthotics:

Cervical Collars: Support the neck and limit its movement, used after neck injuries or surgery.

Thoracic-Lumbosacral Orthosis (TLSO): Provides support and immobilization for the thoracic and lumbar spine, used in conditions like scoliosis or after spinal surgery.

Lumbosacral Orthosis (LSO): Supports the lower back and abdomen, used for lower back pain or injury.

Upper Limb Orthotics:

Wrist Splints: Support and immobilize the wrist, used for carpal tunnel syndrome, fractures, or sprains.

Elbow Orthotics: Support and stabilize the elbow joint, used for conditions like tennis elbow or post-surgical recovery.

Shoulder Orthotics: Provide support and stabilization for the shoulder, used for dislocations, fractures, or post-surgical recovery.

Purposes and Benefits

Support: Provides necessary support to weakened or injured muscles and joints.

Alignment: Corrects alignment issues, reducing strain and improving posture.

Pain Relief: Alleviates pain associated with musculoskeletal conditions.

Protection: Protects against further injury during the healing process.

Mobility Improvement: Enhances mobility and independence for individuals with physical impairments.

Function Enhancement: Improves the function of limbs and joints, aiding in daily activities.

Materials and Technology

Orthotic devices are made from a variety of materials, depending on their purpose and the level of support required. Common materials include:

Plastics: Lightweight and moldable, used for custom-fit orthotics.

Metals: Durable and strong, used for high-support devices.

Foams and Gel: Provide cushioning and comfort.

Carbon Fiber: Lightweight and strong, used in high-performance orthotics.

Advancements in technology have also led to the development of more sophisticated orthotic devices, such as:

3D Printing: Allows for highly customized and precise orthotic devices.

Smart Orthotics: Equipped with sensors and electronics to provide real-time feedback and adjustments.

Biomechanical Engineering: Uses advanced materials and designs to mimic natural movement and provide better support.

Custom vs. Over-the-Counter Orthotics

Custom Orthotics: Tailored specifically to an individual’s needs, offering the best fit and function. Typically made by orthotic specialists based on detailed assessments and measurements.

Over-the-Counter (OTC) Orthotics: Pre-made and available without a prescription, suitable for mild conditions and temporary use.

Orthotic devices play a crucial role in managing various physical conditions, improving patient outcomes, and enhancing quality of life. If you need more information on a specific type of orthotic device or have further questions, feel free to ask!

[classicalmusicdaily]

The conductor Marin Alsop is highly regarded. She has led several of the most prestigious orchestras in Europe as well as the majority of the top orchestras in the United States. Marin Alsop On October 16, 1956, Alsop was born in New York. He attended Yale University for his undergraduate studies in music and the Juilliard School for his graduate work. Alsop, a well-known musician in the UK, has performed with many of the country's top orchestras. From 2002 to 2008, she was as Principal Conductor of the Bournemouth Symphony; she is currently Conductor Emeritus. She was appointed principal guest conductor of the Royal Scottish National Orchestra and the City of London Sinfonia in 1999. She has also performed with the Orchestra of the Age of Enlightenment, BBC SO, LSO, and LPO. Alsop has promoted contemporary American music, releasing renowned recordings of pieces by Barber and Gershwin, among other composers. She established Concordia, a 50-piece orchestra with a focus on contemporary music, in 1984. She often leads Concordia at New York City's Lincoln Center. She performs violin jazz with her band, String Fever. Numerous awards have been given to Alsop, including the American Academy of Arts and Sciences fellowship, the European Women of Achievement Award, and the Classical Brit Award for Best Female Artist. She set a new milestone in 2003 when she became the first person to simultaneously take home the Royal Philharmonic Society Conductor's Award and the Artist of the Year Award from Gramophone. As the sole classical musician present at the World Economic Forum gathering in Davos, Switzerland in 2006 alongside presidents, prime ministers, and CEOs of the most influential corporations in the world, Alsop accepted an invitation. She has appeared on NBC's Today Show, been featured as Person of the Week on ABC News, and been highlighted in Time and Newsweek. When Alsop was chosen as the first female music director of a significant American orchestra, the Baltimore Symphony, in 2007, she created history. After winning her first position with an orchestra as associate conductor of the Richmond Symphony in Virginia, Alsop started conducting studies with Leonard Bernstein and Seiji Ozawa, the music director of the Boston Symphony Orchestra, in 1988. She was appointed music director of the Long Island Philharmonic in New York and the Eugene Symphony in Oregon the following year. She took on the role of music director of the Cabrillo Festival of Contemporary Music in Santa Cruz, California, in 1991, and the Colorado Symphony in Denver, Colorado, in 1993. She held a number of positions with other orchestras as well. In 2002, she was appointed chief conductor of the Bournemouth Symphony in England, where she gained notoriety. She became the first woman to conduct a major American orchestra when she was appointed music director of the Baltimore Symphony Orchestra beginning with the 2007–2008 season. American and current music were of particular importance to Alsop. In 2004, she led the New York Philharmonic in a semi-staged production of Bernstein's Candide as well as a revival of John Adams' Nixon in China with the Opera Theater of St. Louis, Missouri. Among other American composers, she captured the orchestral compositions of Edward Joseph Collins and Samuel Barber. Alsop received appreciation for her renditions of classic repertoire, notably Romantic works, as well as for her recordings of Brahms's compositions with the London Philharmonic. The Red Violin Concerto by John Corigliano was released in 2007 by Alsop and the Baltimore Symphony with Joshua Bell performing as the soloist. With the So Paulo Symphony Orchestra, with whom she recorded Sergey Prokofiev's seven symphonies, Alsop was chosen principal conductor in 2012. She took over as the main conductor of the Vienna Radio Symphony Orchestra after leaving that position in 2019. The first female to hold both posts was Alsop. The COVID-19 epidemic delayed

the start of Alsop's term until 2021, but she was chosen chief conductor and curator of the Ravinia Festival in Highland Park, Illinois, the following year. Numerous awards were given to Alsop, including the Stokowski Conducting Prize in 1988 and a Leonard Bernstein Fellowship to the Tanglewood Music Center in Massachusetts, where she earned the Koussevitsky Conducting Prize the following year. She was selected Artist of the Year by Gramophone magazine in 2003, the same year she took home the Conductor Award from the Royal Philharmonic Society. 2005 saw Alsop receive the Classical BRIT (British Record Industry Trust) Female Artist of the Year Award and become the first conductor to be selected a MacArthur fellow. She was the focus of the documentary The Conductor, which had its world premiere in 2021 in New York at the Tribecca Film Festival. Additionally, to being the first and only conductor to get a MacArthur Fellowship, Alsop was the first female conductor of the BBC's Last Night of the Proms and received the Crystal Award from the World Economic Forum. She holds honorary doctorates from Yale University and the Juilliard School, in addition to numerous other accolades and academic positions, including 2020 Artist-in-Residence at Vienna's University of Music and Performing Arts, Director of Graduate Conducting at Johns Hopkins University's Peabody Institute, and Artist-in-Residence at 2020. She established the Taki Concordia Conducting Fellowship in 2002 to support and advance the careers of other female conductors. In 2020, the fellowship was renamed the Taki Alsop Conducting Fellowship in her honor. A documentary on her life called The Conductor made its debut at the 2021 Tribeca Film Festival in New York. The Cleveland Orchestra, Philadelphia Orchestra, Leipzig Gewandhaus Orchestra, La Scala Orchestra, Orchestra of the Age of Enlightenment, Budapest Festival Orchestra, Orchestre de Paris, and Royal Concertgebouw Orchestra are just a few of the notable international ensembles that Alsop frequently guest conducts. He also has long-standing relationships with the London Philharmonic and London Symphony Orchestras. She led the "Global Ode to Joy" (GOTJ), a crowdsourced video production to honour Beethoven's 250th anniversary, in conjunction with YouTube and Google Arts & Culture. She urged the entire audience to express the Ninth Symphony's call for tolerance, unity, and joy in videos branded #GlobalOdeToJoy in collaboration with Germany's official Beethoven anniversary campaign and the top cultural organisations of five continents. A grand video finale featuring a GOTJ highlight reel set to a performance of the "Ode to Joy," featuring the ORF Vienna Radio Symphony, the international Stay-at-Home Choir, and Alsop herself, marked the project's conclusion in December 2020, the month of Beethoven's birth.

[magpie-trinkets]

Luke has fully turned this time, and is observing the direction the Layton-shaped Object with great interest, probably realising the LSO is cooking something with the forbidden cheese and the door.

There's nothing much to comment on the frame that I haven't commented on already.

Speaking of cheese, there's a common association between the Moon (pictured in frame) and cheese (stolen). I guess it's borne out of the yellow/white colouring of the moon in the night sky and the pale colour of most cheese, made out of milk, and the circular, round shape of the two.

[aropride]

.

[bastardsullivan]

tag drop bc necessary, part ii

[ayzrules]

✶ 𝐇𝐗𝐇 𝐓𝐇𝐄𝐌𝐄𝐒: 𝐋𝐈𝐆𝐇𝐓 & 𝐇𝐎𝐋𝐈𝐍𝐄𝐒𝐒, 𝐃𝐄𝐀𝐓𝐇 & 𝐃𝐀𝐌𝐍𝐀𝐓𝐈𝐎𝐍   Long story short, I have been thinking about this for wayyyyy too long now and wanted to get some ~thoughts~ & analysis written down! This post is going to be...fairly long, lol. Apologies in advance :D

  Also, if you can’t see the last gif (the one for ‘holy’), click here. Tumblr keeps fucking up the image when i try to upload it :////

  This post is probably going to be about 2/3 yorknew & phantom troupe/kurapika focused, 1/3 chimera ants, maybe with some references to other arcs (including manga-only arcs) mixed in. so, ofc, tons of spoilers ahead! also, i realize that my blog theme is hard to read (and i’m p sure clicking ‘keep reading’ sends you to the og post itself), so i’m linking the post w/ full text copy/pasted in on my art backup side blog (which has a more legible font) here. 

✶ 𝐃𝐄𝐀𝐓𝐇   I’m sure absolutely nobody is surprised with me starting here - there is just. SO. MUCH. DEATH. in hxh. & right from the start, one thing I noticed that togashi really emphasized was the #4 and its connection to death. in japanese, chinese, and im p sure some other asian cultures the number 4 is pronounced like the word for death so it’s associated with death in general, and boy oh boy does the ‘deadly number 4′ thing show up E V E R Y W H E R E. we get to the hunter exam, and hisoka is applicant #44. kurapika is #404. i didn’t notice it at first, but this was so intentional holy shit. togashi is NOT SUBTLE.

  So pika & hisoka are, right off the bat, associated with death. okay. and then there are even more clues to drive the point home: hisoka is member #4 in the phantom troupe, kurapika’s birthday is april 4th (aka 4/4). 100% not a coincidence (!!). with hisoka, it’s pretty obvious why togashi’s throwing all this death 444444 stuff around - dude is a psycho murder pedo clown, literally gets off on killing people (and there’s also the fact that judas sits 4th from the left in the last supper painting, and he’s sort of the judas equivalent for the phantom troupe). with kurapika, though, it’s a bit more subtle and woven deeper into his characterization, which i LOVE. togashi puts the mans in blue & gold & white (traditionally ‘pure’ or ‘heavenly’ colors), makes him so fucking kind & so good-hearted.....when he’s not relentlessly pursuing his revenge, ofc. more on this in the next section, but pika = death. togashi has made that v v v clear.

  Backtracking a bit to hisoka, though, I also just wanted to point out the 4 is death symbolism in the fortunes too (GOD i love the fortunes): in one translation, he’s the false fourth moon, and in the og japanese (i think), he’s the false hare (4th in the lunar zodiac or w/e it’s called. i don’t know the japanese cultural influences here, but in the chinese legend that established the zodiac animals, they race across the heavenly river & the top 12 animals got zodiac slots. the hare finished 4th, so it’s #4 in the cycle). 

  And just as a final note, Tserriednich is the fourth prince of the kakin empire, and also another dude who has a hard-on for murder & other gory shit. again: togashi is not subtle with this, lmfao

✶ 𝐇𝐎𝐋𝐘, 𝐔𝐍𝐇𝐎𝐋𝐘   As probably everyone who’s gotten to yorknew knows, togashi is so 0 fucks given when he wants to be. I mean there’s the whole thing where he just. took New York and decided, Yorknew. LMFAO, but also, he made the main antag of that arc be named chrollo lucilfer, sit around in a ruined church, have a reversed cross coat, pale & dark-haired/dark-eyed, generally dressed in dark colors, very terrible murder guy. liiiike......chrollo x devil symbolism game is 1000/10 at this point lmaooo

  And i know absolutely nothing about christianity in general, but pt/kurapika & yorknew arc is just so full of christian imagery/symbolism! one thing that i L O O O O O O V E though is how togashi really blurs the traditional christian-coded good/evil, holy/damned boundaries.

  Back to kurapika: he wears gold and blue, his coloring is very stereotypically ‘angelic’, he’s precious and good and kind. his chains are all about ~judgment~ and ~healing~ - some of the chains are also in literal cross shapes, aren’t they? And the chain dagger in his own heart...the imagery is very startlingly similar to the immaculate heart of mary, where the swords stabbing thru the heart apparently represent seven sorrows. IDK much about this stuff other than the visual similarities; literally had to google ‘daggers through heart christianity?’ to even get the name of that thing LOL. anyway, at first, it seems like togashi establishes him as the ‘angel’, the ‘good’, the ‘holy’ in the angel/devil, good/evil, holy/damned dichotomy between him and chrollo.

  But that’s not the end of the story. his entire storyline is driven by a huuuuuuuge giant desire for vengeance, first of all, and then there’s the scarlet eyes, which canonically are seen as demonic/cursed/what have you (according to one of the movies or smth? where they show pika as a 10 y/o?), and then we also have red eyes in modern culture being associated w pretty much the same thing (vampires, anyone?). the fight scene with uvo has everything in b&w besides the blood on his face & his red eyes & the moon (<<< more fortune foreshadowing & symbolism, i love to see it), and there are tonssss of scenes where he has to suppress his rage. so all of that is obviously not very angelic of him i would say LOL. in fact, what i find super interesting is that the scarlet/red eyes (which are ‘demonic’) is actually the driving factor behind his super powerful nen abilities; this ties in so well with the fortunes & death associations imo! the fortunes call him the ‘death-bringer’ in one translation, or ‘half-angel, half-death’, so that’s one side of pika = red eyes = death, but there’s also the fact that emperor time is literally draining his life force. so pika = death for both himself and others namely the pt, question mark?

  Now for chrollo: togashi’s devil symbolism is EXTREMELY overt with him, but i love the subtler jesus references too. the church thing, obviously, and the st. peters cross which is cuz st peter respected jesus too much & didn’t think he was worthy to die in the same way as him (or something like that, i am the most atheist person in the world & hxh is literally my entire christian education pls) but is also used as an anti-christianity symbol these days. bandit’s secret looks like a bible, lbr, and mans has a cross tattoo.

  Other things beyond visuals - 12 spiders, 12 apostles; hisoka’s betrayal, where member #4 can be thought to correspond to judas sitting 4th from left at last supper. and this miiiiight be a bit of a stretch, but i think the meteor city being the place of origin may also play into the blurred line between angel/devil and holy/damned here; meteors are defined as space rocks that are in earth’s atmosphere, becoming incandescent in the process. meteorites are for the kinds that actually reach the ground. and idk, lucifer was cast out of heaven / sky too right? so i think there might be some subtle fallen angel imagery/symbolism playing into the pt as well

✶ 𝐋𝐈𝐆𝐇𝐓 (𝐀𝐍𝐃 𝐃𝐀𝐑𝐊𝐍𝐄𝐒𝐒)   Last section yay! i don’t have as much to say about this, besides when i was making chimera ant arc edits & realized that there might have been some subtle gon/meruem parallels???

  So obviously, everyone knows that line killua says to gon - “you are light” - and then i was just remembering that meruem’s name means.... “light that illuminates all” (!!!!). maybe it’s a coincidence, but knowing togashi, i’m leaning towards nahhhh. there HAS TO be some kinda meaning there (!!).

  Going back to the events of the chimera ant arc....ooh boy. let’s see: gon is optimistic & hopeful even in the face of kite potentially being dead, killua says he’s light, they find kite & dude is fucked up, gon is pissed. gets all angry & ~dark~, especially during the palace invasion when he’s staring pitou down as she fixes up komugi. then the actual fight against pitou: more darkness, more anger, but through it all there’s still light, namely his jajanken being very orange & fiery lookin.....and that final sequence, where he puts all his possible nen he’d ever have into his ~final form~ or wahtever & turns into a male version of true form!bisky but dressed in a crop top & short-shorts (i am SCARRED, btw. s c a r r e d !). there’s just huuuge flashes of light as that’s going on, and it reminded me of supernovas or dying stars when i was thinking about it, where the star is like, collapsing under its own weight? & burning thru its own fuel, until there’s nothing left except a dwarf or black hole or what have you. one final, extremely deadly burst of light & energy before death.

  On the meruem side of things: born into a dark cave, exhibits a traditionally evil/cruel/wicked/whatever personality/traits so that has ppl associating him with darkness. then he gets to know komugi, starts to appreciate other aspects of humanity, seems like he could have actually turned into a decent person who doesn’t want to eat everyone - so that’s a ‘path to light’, maybe? - and then the extermination team yeets themselves into the palace, netero takes him out to bumfuck nowhere, they fight. netero’s fighting is just ALL light, from his giant ass golden 100-type guanyin bodhisattva to the poor man’s rose. again, there’s the sense of finality to it all, in a similar vein to dying stars: netero comes in determined to kill meruem no matter what, and we all know netero doesn’t flake. then we see netero get destroyed after the zero hand, and he triggers the rose, and everything is burning & on fire before the flames are put out and all turns dark again.

  But wait!!! pouf & youpi revive meruem and all he does is play gungi with komugi, even with the poison of the rose. he eventually dies, and the gungi pieces in that final shot of them together (i am BAWLING just thinking about it holy shit) has one that’s all white, one that’s a black ring and white inside. i assume all white is for komugi, who has never done ANYTHING wrong in her LIFE, so i like to think that the 2nd one is for meruem - born “into darkness”, literally & figuratively, but he turns something like ‘good’ by the end. it’s interesting how togashi has sort of gone for a bit of a subversion here: the hero going from light to darkness, and the main antag from darkness to light.

✶ 𝐂𝐎𝐍𝐂𝐋𝐔𝐒𝐈𝐎𝐍   AahhhhHHHHHhhh so if you read all the way down here through my LONG rambles, tysm! i would LOVE LOVE LOVE to hear what other people think about all this, and i’ve FOR SURE missed tons and tons of stuff - chimera ants is just. SO MUCH. and i don’t know it as well as yorknew eeek.

  I’m not sure if i’m really ~knowledgeable~ in any other areas relating to hxh, so this might be the only one of these that i do, but i definitely think about some of this - esp all the religious symbolism & #4 stuff - a ton! so in the meantime, if it’s of any interest, i’m just going to shamelessly plug my hxh x religious beliefs/superstitions edit series :D lots of love to all!!!

[sarahtheflutist]

Harty was born in Hillsborough, County Down, Ireland, the fourth of ten children of an Anglican (Church of Ireland) church organist, William Michael Harty (1852–1918), and his wife, Annie Elizabeth, the daughter of Joseph Hamilton Richards, a soldier from Bray, County Wicklow. Harty's father taught him the viola, the piano and counterpoint, and, at the age of 12, he followed his father's profession and was appointed organist of Magheragall Parish Church, County Antrim. He took further posts in his teenage years as a church organist in Belfast and Bray. While in the latter, he came under the influence of Michele Esposito, professor of piano at the Royal Irish Academy of Music, who encouraged him to pursue a career as a piano accompanist. As Bray is only 12 miles from Dublin, Harty was able go into the city to hear an orchestra for the first time in his life.

In 1900 or 1901, Harty moved to London to further his career. The biographer Michael Kennedy wrote that Harty quickly became known both as "a promising composer and as an outstanding accompanist." The Musical Times later called him "the prince of accompanists". Of Harty's early compositions, Kennedy singles out the Trio (1901) and Piano Quartet (1904) and the Comedy Overture, premiered at the Proms in 1907. The Times said of this piece:

It proved to be one of the most successful works the season has brought forth. The frank jollity of its themes and the clearness of their expression, both as regards orchestration and formal structure, make it a delightful "Promenade" piece – that is to say, one which tired people can enjoy at a first hearing and find refreshment in listening to. ... The overture was played with evident enjoyment and great spirit by the orchestra under Mr. Wood.

Among those whom Harty accompanied in his early days in London was the soprano Agnes Nicholls, whom he married on 15 July 1904. In the same year, Harty made his debut as a conductor, in the first performance of his Irish Symphony by the Dublin Orchestral Society, at the Feis Ceoil music festival in Dublin. Reviewing the premiere, The Times called the piece, "a work of much promise ... received with enthusiasm. It has many ideas, always freshly expressed, and the airs are developed with more than common variety and beauty."

Through his wife's professional connections, Harty secured his first important conducting engagement in London. He conducted the London Symphony Orchestra (LSO) in a performance of With the Wild Geese in March 1911. The performance was well received.

Returning to symphonic music, Harty conducted the Liverpool Philharmonic Orchestra in January 1914, and in April he made his début with the Hallé Orchestra in Manchester. During the First World War he joined the Royal Naval Volunteer Reserve and was posted for duties in the North Sea. He rose to the rank of lieutenant before being demobilised in June 1918. He resumed his association with the Hallé, replacing the indisposed Sir Thomas Beecham for performances of Handel's Messiah in December 1918, Bach's B minor Mass, and Schubert's Great C major Symphony in March 1919. In The Manchester Guardian, Samuel Langford wrote, "Mr. Harty has latterly achieved far more immediate control over the orchestra, and his spirit, judgment, and control were … equally admirable."

Harty was appointed permanent conductor of the Hallé in 1920. Under his baton, the Hallé recovered the eminence it had previously enjoyed under the conductorship of its founder, Charles Hallé, and his successor, Hans Richter. Kennedy writes that under Harty it was probably the best orchestra in England. Harty's skill as a piano accompanist developed into a similar talent for conducting concertos. Writing of his skill as in accompanying either as a pianist or as a conductor, John F. Russell wrote in 1941, "Anybody who heard Harty in his capacity as accompanist could never forget his extraordinary grasp of every nuance and expressive device. There was no question of a solo with accompaniment: unless the soloist was a very great artist the chances were that he would be submerged by the artistry of the accompanist." During a Brahms concerto, Artur Schnabel accidentally skipped two bars, but Harty's rapport with and control of the Hallé was such that he kept up seamlessly with the soloist. Schnabel said afterward that he had never experienced such magnificent accompaniment, but tactlessly added that the Hallé was "almost as good as the Berlin Philharmonic"; Harty corrected him: the Hallé was "better by two bars".

Harty introduced many new works and composers to Hallé audiences. His passion for the music of Berlioz was reflected in his programming, and he regularly performed works by contemporary composers including Bax, Moeran, Sibelius, Richard Strauss and Walton. Kennedy numbers among the outstanding occasions of Harty's conductorship the English premieres of Mahler's Ninth Symphony (1930) and Shostakovich's First Symphony (1932), the Halle's first performances of Mahler's Fourth Symphony (1927) and Das Lied von der Erde (1930); and the first public performance of Constant Lambert's The Rio Grande (1929), with Harty as pianist and the composer conducting. As a composer, Harty's best-known works from this period are his lavish reorchestrations of Handel's Water Music and Music for the Royal Fireworks. Harty was knighted in 1925. In 1926 he commissioned a symphony from Moeran, whose Symphony in G minor (1937) was the result, but Harty was too ill to conduct the premiere.

In 1932 Harty accepted the post of artistic adviser and conductor in chief of the London Symphony Orchestra. The committee of the Hallé felt that this appointment was "not compatible with the whole-hearted devotion to the interests of the Hallé Orchestra", and it decided not to renew Harty's contract when it ended in 1933.

In 1933, he was conferred an honorary Doctor of Laws by Queens University Belfast.

The Hallé committee made its decision public in a way that Harty found distressing. He had his revenge by encouraging his new orchestra to poach eight of the Hallé's leading players to replenish the LSO's ranks, which had recently been depleted by defections to Beecham's new London Philharmonic Orchestra. In London, however, Harty did not prove to be a box-office draw, and according to a historian of the orchestra, Richard Morrison, Harty was "brutally and hurtfully" dropped in 1934, as an LSO predecessor, Sir Edward Elgar, had been in 1911.

In the Spring of 1934 Harty sailed for Australia. A fellow passenger on the ocean voyage was a young woman, Lorie Bolland, with whom Harty rapidly fell in love, though there is no evidence of reciprocity on her part. Harty dedicated two piano pieces to her: Spring Fancy, composed for her birthday on 23 April 1934, and Portrait, written at sea and dated 9 July 1934. These pieces commemorate an episode in the composer's life which had remained private until their rediscovery among Bolland's papers in 2010.

In 1935 Harty seems to have still been well, taking part in five concerts at the British Musicians' Pension Society convalescent home in Holmwood, possibly as conductor or pianist, his role being unrecorded. In 1936 his health began to deteriorate: he was diagnosed with a malignant brain tumour. It was operable, but his right eye had to be removed with the growth. During 1937 and 1938 Harty convalesced in Ireland and Jamaica, using the time to resume composition. He set five Irish songs and wrote his last original composition, the tone poem The Children of Lir. He returned to conducting in May 1938 at the Morecambe Music Festival and in December 1938, he conducted a studio concert with the BBC Symphony Orchestra. He appeared at a London concert for the first time since the operation, in March 1939, conducting the BBC Symphony Orchestra in the premiere of The Children of Lir. He conducted extensively during the 1939–40 season, but his health declined once more with a recurrence of the cancer, and his last public appearance was in December 1940.

Hamilton Harty (1879-1941) Irish composer