#( just a reminder: this is my *opinion* )

[shepscapades]

Thanks to artfight, I’ve finally finished a detailed, official dbhc cub reference! :D

(I’ve put his Artifight description below the cut, which has a more detailed explanation of his timeline, lore, and aesthetics! >:3)

-ˋˏ ༻ ❁  OVERVIEW ❁ ༺ ˎˊ-

Name: C.B.F.N.4000 (Cub) Pronouns: He/Him Species: Android Height: 5’9’’ Associated Visual Themes: vex, ghosts, explosions, mischief, scientist aesthetic, potions, potionmaking, sleepy/tired aesthetic, conspiracies

-ˋˏ ༻ ❁  ABOUT ❁ ༺ ˎˊ-

CBFN4000 is an au version of MCYT Hermitcraft’s Cubfan, set in my DBHC (or Detroit Become Hermitcraft) AU! This au is inspired by the 2018 game Detroit Become Human, but not because it really has anything to do with DBH—I simply yoinked the android mechanics and incorporated them into the world of Hermitcraft. It began as a S8 au, and has roughly followed the hermitcraft timeline up to the present! 

Cub was the last android made during Season 8. While many of the hermit androids were made at the beginning of season 8 and a few were made for season 9, Cub was finished and activated mid-late Season 8, around the time when Hermits started noticing the Big Moon. Cub’s model ended up being a sloppy experiment in deviation, as Doc suggested they try to transfer deviancy to an android upon activation to try and avoid traumatic situations that might cause an android to deviate violently or upsettingly, such as Etho’s, Tango’s, or Mumbo’s experiences. While this went relatively well initially, it clearly wasn’t very thoroughly thought out, as Xisuma (who is normally so adamant and detail-oriented when it comes to assuring the androids’ safety with experiments like this) wasn’t truly himself due to external manipulation and mostly left a relatively young-deviant Doc to carry out the project himself. 

Cub, though adjusting to sentience rather well at first, very quickly became wrapped up in the Big Moon happenings on the server, new personality and inexperience to emotions like fear and ignorance completely overwhelming his young system. He became obsessive over the implications and consequences of the Season 8 Moon Apocalypse, joining the Mooners and spreading his conspiracy theories religiously throughout the server as he descended into madness. The insanity was like a virus to his programming, pervasive and all-engulfing, and Cub’s final attempt to free himself from the Moon’s impact with the Earth—to launch himself on a llama into space via potion-powered TNT(insane btw)— left his hands and feet singed and cracked to ruin.

The experiment, considered a horrific failure by a deeply shameful—and more awake—S9 Xisuma, left Doc and Xisuma with the decision to reset him for the new season, and they ended up pairing him with a hermit like they had done with the other androids until they had found deviancy enough to pursue their own projects. So, at the start of season 9 and fresh after a reset, Cub was paired with Scar. Naturally, because Scar is… Scar, Cub deviated almost instantly after being given to him, and very quickly adopted the iconic lazy, stoic, amused attributes normally associated with Cubfan. Scar’s tendency towards mischief and general shenanigans grew instantly on Cub, and the two were an immediate inseparable pair. So much so that when Scar began rambling one day about his Season 5 Hermitcraft Shenanigans (where deals with the Vex may or may not have been involved), Cub immediately stated he was interested in being in on it. Whatever “it” means. It’s unclear if Cub also made a deal with the vex or became connected to them in some other way, but… well, he got Doc’s help to trick out his eyes, hair, and back to best fit the part. Scar is very jealous that he can't magically make himself have the same features to match.

Cub is closest with Scar, but he gets along just as well with any of the other hermits! He’s close with Jevin and many of the other redstoners like Etho and Doc, who are the other two androids I’ve put on artfight!

-ˋˏ ༻ ❁  EXTRAS ❁ ༺ ˎˊ-

Cub's eyes can light up in the dark, and he’s the only android who has edited his programming so that the default state of his LED is white, not blue. It still will go yellow and red if his processors are working particularly hard, but he’s replaced the blue setting on his LED with white to better match the Vex vibe. Cub has all of the vibes of a fae. If that’s anything <3

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[t00thpasteface]

every so often i see such an insane opinion on this site i immediately go to the dash and hover my cursor over the text post button to make a post about it and then i have to tell myself "the first person to get mad loses" and then i do the right thing and stay my blade

[courtmartialme]

woag .. otp

[casualavocados]

Why do you always use that to piss me off? ...It makes me happy. We agreed that I'm in charge of the bars. But you come here all the time to watch me. How am I supposed to lead my people? Use your head, okay? Suit yourself. What's the matter? Chen Yi. Chen Yi! [...] Don't make me worry.

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[spite-and-waffles]

FUCK YES STEPHANIE IS THE JASON THAT NEVER WAS PANDA YOU ARE THE HERO THIS FANDOM NEEDS BUT DOES NOT DESERVE PREACH THE GOSPEL OF STEPHANIE AMEN

[essektheylyss]

did someone actually hate on your fave? or did they neutrally attribute a trait to them that you've unnecessarily negatively moralized and you hurt own feelings about it? or, perhaps, did you project too hard and now interpret even mild critique or simple acknowledgement of interesting character flaws as an ad hominem attack on yourself?

[hindahoney]

Wild and revolutionary concept: maybe don't treat converts like trash just because they're converts? And also don't ask someone if they're a convert in a public setting?

[lumiidragon]

What was it about THW that made Toothless a flop for you?

I've tossed all sorts of stuff around, so I feel like I'd really be repeating those posts, so I'll just sum it up for simplisity~

-Toothless is a dog in this movie. A horny dog. Not charming compared to the previous two movies.

-Toothless cares about nothing but the Light Fury. There's being in love, and there's being absent from the flock you're supposed to be guarding to go off on some date while your best friend is being left behind to fight the villain.

-Is Toothless an intelligent animal that understands humor, a hostage situation, high speed adaptation to human society, morality, and understanding humans almost on a human level or is he an instinct-driven animal and nothing more? We may never know because HTTYD preached the first half while THW was stuck on the latter unless plot device.

-Toothless gets this redundant super-power to go invisible for...reasons? Like, the Light Fury can't have anything original to her, Toothless MUST have it too because what originally made him unique is now absent and thus something has to be going for him, I guess.

-The dragons don't leave because they're safer in THW. Let's face it, the dragons leave because Toothless wants to be with the Light Fury and rule THW and since he's Berks' alpha, the Berkian dragons really have no say in it. The separation felt more like it was for Toothless, not all dragons.

-Toothless hardly even glances at Hiccup in this movie. His interactions with literally anything else not girlfriend material is actually at 0. Cloudjumper that Toothless just thought was the coolest new friend in HTTYD 2? Who's that? Who cares, new girlfriend.

Toothless getting a girlfriend isn't the issue. The issue is that apparently you can only have a best friend OR a girlfriend. Can't have both. I mean, just look at Hiccup. As soon as Astrid came onto the scene with that kiss after the romantic flight, Hiccup forgot about the rest of the gang for the rest of the movie and Toothless was forced to face Stoick alone until the very end where Hiccup suddenly learned how to be a warrior just a powerful as Astrid and saved the day. The pair then went their ways since Hiccup belongs on Berk where all humans true home is and Toothless can go somewhere else because one day the world will be ready for humans if you sit around and hope instead of educating others and fighting for it.

Yeah, lol, so basically for that last point, it was all about the fact that everything HTTYD stood for with Toothless being a major focal point is tossed to the side. I'm not against separation because it's for the best for all parties involved, but THW is NOT the movie that did that good and instead just made Toothless super unlikable and OOC to make it work. Want a good movie for that? (possible spoiler??) then watch The Wild Robot. Much better.

[crows-king]

I've been thinking a bit about how Galinda and Fiyero work as foils(?), and the contrast between their goals, personality, and their relationship to social influence individually change how they navigate their specific social situations.

And why it puzzles me when people judgmentally compare them and what they'd do in "What-If" scenarios as a gotcha to make one seem better/worst. Because in my mind they are similar but not comparable, because they fundamentally have very different personal stakes.

Primarily because of the difference in how they act in an Active (Galinda) vs Passive (Fiyero) approach to social engineering. And also, because one of them in writing is more developed as an individual than the other.

I'LL MOSTLY BE TALKING ABOUT: WICKED MOVIE - PART 1

Galinda is inherently Active. She has wants and desires that she's driven to achieve, and so actively plays the part of the good socialite because it will help her become more popular and to eventually become "Galinda the GoodSorceress". "It's not about aptitude, it's about the way you're viewed", and so on. It’s the one thing she knows she’s good at.

Of course, she also likes the attention and validation, but her charms doesn't come as naturally as she wants others, and probably herself, to believe. (I love that quote Ariana said somewhere about how "Galinda sees herself as a graceful swan, when she's actually a very stiff, but still beautiful swan", or something of that sort). She's insecure that she’ll lose people's favour and thus her most important asset, so she continually appeals to them. It's an act that she simultaneously enjoys doing for the most part, but also traps her from ever being truly close to anybody for fear of being known and not meeting expectations and losing that adoration. Until Elphaba that is.

Because of her drive to fulfill her dreams and to keep her best asset, and personal desperate need for validation, she has a much more obvious internal conflicts when she has to choose between Elphaba/the moral good vs keeping with the good graces of authority and/or the public. She's more prone to being influenced by others, and many of her choices become a calculated risk. She’s often times selfish and chooses her own desires, but it’s what makes her such an interesting and very human character. The struggle she balances when she’s forced to choose for better or worse.

In contrast

Fiyero is Passive. Dancing Through Life is literally him telling others that being lazy and not thinking is the best way to cope and enjoy life by ignoring problems. He is discontent with his life, but doesn't really acknowledge it until Elphaba reads him. Much like Galinda he is also playing a part, but it's not as tightly controlled as Galinda because he doesn't have an end goal for it.

Of course, while he probably doesn't want to lose his princely privileges. His passive "brainless" approach doesn't really put him in risky situations that would put him in conflict leading to losing things he cares about, because he really doesn't have a lot to lose. (Which is a byproduct of the fact he is primarily written as a love interest side character without much of an arc or motives outside his love triangle relationship to Elphaba and Galinda).

What confounds me is when people compare them and judge what their choices would be in if they were placed in pivotal moments, because we never really see them in situations with similar stakes.

For example, the Lion Cub scene. Most people interpret this scene as an act of braverism and heroics by Fiyero. And in some part it is, he's spurred on to save the cub, and he and Elphaba do. But it's telling that he only does this after everyone is asleep and there are virtually no risks. Any present social or physical conflicts that could arise? POOF! Gone. The worst that could probably be done to them is being punished, or even kicked out, if they’re discovered afterwards. Which Fiyero is not new to and doesn't really care about, and while maybe uncertain for Elphaba, is also unlikely because she's Morrible's irreplaceable pupil.

Some people use this scene as evidence that under his facade, Fiyero is secretly valiant like Elphaba thinks so. But I think in actuality tells the opposite. It reveals that Fiyero does care about the Animals, yes. But, the fact he only acts when prompted and there are no longer any present risks initially makes him seem less brave than Elphaba, and even Galinda. Because it contrasts with the Ozdust dance scene between the girls. Where Galinda had to make an active choice to do the risky and brave thing as an apology for hurting Elphaba, and offer to truly connect with her in front of everyone with the possibility of social out casting. She has an obvious internal conflict and risk assessment where she ends up picking the moral good over her personal comfort and social appeal. I'm genuinely curious on what kind of choices Elphaba, Galinda, and Fiyero might have done in that situation if they weren't given the perfect out by the magic poppies.

Would Galinda have helped in with the lion cub if she were awake? Probably, but who knows? Because in the narrative, Galinda isn't really put in a situation where she could choose good without being watched or without someone breathing down her neck. The prospect of being punished and kicked out from Shiz would also be most plausible and ruinous for Galinda. Morrible would definitely use it as an excuse to kick her out, or at the very least punish her, if she could, and it could throw away her only chance of achieving her dream of becoming a sorceress. She would have probably joined them in the end, though. If only to make sure they were safe. Compared to Fiyero, she has more conflicts of interests because she has personal aspirations and influence based on her reputation, and thus have more fears and consequences to consider in losing it.

Would Fiyero have joined Elphaba on the broom? Maybe, mostly likely. Because narratively, he’s never given a reason why he shouldn’t. He doesn’t see his worth and his skills intrinsically tied to public influence and opinion. He doesn’t have any wants or wishes he would have to abandon. He’ll have to leave his friends and family, but it’s not shown how close they really are to him outside Feldspar, his Horse friend, and he’s probably joining them anyway. He’s definitely more equipped to survive on the run compared to Glinda. Unlike Glinda, who is proven right in the end to being most useful when she can wield her powerful social influence For Good, Fiyero would probably be most useful as a sidekick to Elphaba. He was always written to be Elphaba’s follower, it’s no surprise. It’s also easier to take risks when you don’t have much to lose. But I think most people would agree that would make a less interesting story.

[thenamesapollo]

i got reminded of an old post I made saying that nightmare can't be a capitalist and I'm just realizing now that I WAS WOOBIFYING HIM

[lambmotifz]

sam can control dean emotionally by pleading & using submissive puppy dog eyes while dean has physical control over sam. you understand

[sirazaroff]

How do you think Velvet flirts with Coco?

This is one of the funniest asks I ever got and im glad cause this is just gold. Like how does the Bun™️ woo her stupid bozo??
————


I have my biased takes on what Coco and Velvet are like as characters, but to start off I wanna focus on what Vel brings to the table.

I think a lot of people have moe’d her down to a nervous/scaredy bunny girl and…that’s not her at all. She’s a real multilayered character who can and will kick your ass flat. She’s also…

- very very attentive to people

- excellent at memorizing things she sees and hears, and quickly at that

- very emotionally in tune with people, herself included

- insanely kind and helpful

- honest about her feelings and will voice her thoughts when ready

Also she’s a bunny like come on. Is baby. It’s impossible to not find her likable.

I can go on forever, but I think these are enough likable traits to work with.


Time to shift. Now we focus on what I think Coco likes in a person:

- Hot girls

- Complexity

- Someone true to their nature

- Some sense of honor

- Someone striving to learn and to better themselves

Hopefully it’s not lost here, but there’s some compatibility don’t you think? Velvet’s got some of those traits that Coco likes.

————

So where’s the flirting? It’s coming I swear, I just needed the background info to help support the answers.

Bun bun flirts two ways: intentionally and unintentionally. The latter is usually what’s happening most often.

Her intentional flirting is what you would expect. Some cheeky words, being a playful tease in her actions like when she flashed her camera in After the Fall. I think she would 1000% take advantage of her physique and incredibly vast skillsets. She is totally totally showing off during training and sparring. Coco might hide her gaze under her glasses but that dumb bitch is so easy. So so easy…

Now her unintentional flirting is basically that Velvet is just doing her thing. She’s comfortable and loved by her team. With them she’s able to be herself and have fun, and that’s what coco loves most. Seeing Velvet thrive and not feel like she has to hide herself away from the world, and with it comes moments and actions that make Coco, much to her surprise, fall for Velvet.

I guess simply put, Velvet flirts by being her cheeky self around Coco, and her leader falls for her every time.

[daffodil--lament]

look i figured out how to put this post underwater

my personal opinions and interpretations of a piece of literature are incoming. this is me nitpicking but: by the end of the first ghost scrooge is already ashamed of himself and looking toward change and when the third ghost comes he assumes that theyre looking upon a future in which he has changed so he's terrified and devastated when he sees the reactions to his death because he doesn't know if the scrooge they know in a year's time is one who has changed, or one who has changed enough.

like yes i do think that seeing his own miserable lonely celebrated death is vital to the man he becomes on christmas morning BUT. it's not just that. scrooge's fatal flaw isn't just greed, it's isolation and indifference. seeing that there is tenderness and love in this world not far from him is as important as watching his own kin disregard him as lost and loathsome.

that's why, in my mind, seeing how loved tiny tim is, understanding the love and faith and perseverance of the Cratchits as well as his own hand in continuing their poverty and illness, and being struck with the abject tragedy of tim's (really quite preventable) death changes him as much as the businessmen's jokes about him do.

i think what the point one might make here comes down to the fact that it isnt until scrooge is confronted by the reality of the suffering he is enabling that he understands how badly he needs to make a change. he knew Bob Cratchit is poor, I'm sure, but he was able to ignore that fact until the spirits show him the Cratchits' home and their malnourished children. Healthcare CEOS see that every day, they arent ignorant. healthcare companies actively fight to keep people in poverty and sickness. so maybe they're way more evil than Scrooge, who's to say

[camelspit]

alden is so early-mid 1900s actor core to me. he looks like John Payne in my mind do u get it

[youandthemountains]

from The Autobiography of Mr. Spock by Una McCormack