#( c: jenna ortega. )
Explore tagged Tumblr posts
nuks · 2 months ago
Text
i think im gonna make a vampire oc who doesnt like being a vampire asdjklasd like shes super gentle and soft-spoken and poetic... she doesn't want to feed from people :// but I feel like... maybe her mother is a strong high-status vampire so the oc has all these expectations on her idk
7 notes · View notes
dujourmeans · 2 years ago
Text
by clicking on the source link below (or here), you will find two hundred seventy-four gifs of actress jenna ortega from her role in 2023′s scream vi. she is mexican / puerto rican and was nineteen years old at the time of filming. all of these gifs were made from scratch by me so please do not claim them as own and like / reblog if you find them of use! please read my rules before using! this pack will have spoilers for the film so enter at your own discretion! content warning: alcohol, blood, injuries
Tumblr media Tumblr media
120 notes · View notes
godmademeprettyyoumakememean · 11 months ago
Text
Miller's girl
Tumblr media
12 notes · View notes
flwrsmyth · 2 years ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
。୭̥‧₊˚ ┇𝒩𝐄🅆 𝑃𝗢【S】T̴ 𝄒𓏲࣪ . ☄️ 𝄒 p𒀭st ๑゚˛𓍊𓋼
𓂃 ࣪៙͘⸳⭑ࣶࣸ 🅖𝕚𝐯e̲ 𝙕𝙯𝙕﹙ꦿ𝕮ꪹ𝘦𝗱ỉтṡ –ﻌ–ა ָ࣪ ۰ !さ
 𓍊𓋻𓍊 % . . 𝗹𝘪𝗄ȇ̈ ꪮя 𝚛ėb̶𝕝ᴏ𝐠 𖥻 🦚 !? ✫៳! ✸˖ ࣪
89 notes · View notes
ruleof3bobby · 8 months ago
Text
youtube
SCREAM (2022) Grade: C-
Not as clever as I expected. reference the 1st movie too much.
The twist at the end was just a big yawn.
2 notes · View notes
yookcrinas · 1 year ago
Text
Tumblr media
——- This seemed like too good a chance for us to finally hang and after you complimented me so highly before . i'm still starstruck . i feel i'll have to dress as wednesday at some point just to show my love for you and your work . ( @jennaofwoe )
3 notes · View notes
the-jack-gregory · 2 years ago
Text
Tumblr media
Scream VI poster illustrated and designed by Jack C. Gregory for Paramount Pictures via Lineage Studios.
7 notes · View notes
cinzanohq · 2 years ago
Text
Tumblr media
NOME COMPLETO: Agnes de la Cruz.
CODINOME: Phobos.
IDENTIDADE DE GÊNERO E PRONOMES: Não binárie, ela/ele.
DATA DE NASCIMENTO E IDADE: 31 de Outubro de 2002, 21 anos.
NACIONALIDADE E ETNIA: Americana, latina (México e Porto Rico).
FACECLAIM: Jenna Ortega.
TEMPO DE TREINAMENTO: 4 anos.
OCUPAÇÃO: Estudante + Voluntária na Biblioteca.
EXTRACURRICULARES: Arquearia, debate e RPG.
MORADA: Reznikov.
PLOTS DESEJADOS: Angst, fluff, romance, crack.
CONTA: phcbozn
OOC: +18
SINGULARIDADE
Metamorfose do medo: Agnes pode assumir a forma daquilo que seus alvos tem medo, semelhante a um bicho-papão.
BIOGRAFIA
TW: experimentação com humanos, violência.
Nascida em Nova Iorque, em 1999, Agnes foi retirada do seu lar no bairro de Washington Heights (um bairro majoritariamente latino) por por um oficial americano responsável pela implementação do projeto Montauk, onde experimentos científicos eram feitos com pessoas.
Embora as teorias da conspiração tratem de questões interessantes como viagens no tempo e telecinese, havia um dos andares subterrâneos da grande base militar de Montauk que abrigava experimentações com mutantes e humanos que apresentavam potencial para destruição. Acreditava-se que o projeto havia sido destituído com o fim da guerra fria, entretanto, algumas células independentes e confidenciais mantinham experimentos em áreas militares pelo país.
Após um experimento com um mutante ter dado errado, um incêndio tomou conta da base e, na correria, algumas cobaias humanas conseguiram escapar para a cidade de Nova Iorque - Phobos estava entre eles. Com seus quinze anos na época e pouquíssima noção do mundo exterior, Agnes cometeu alguns crimes para conseguir se manter, assaltando pedestres e roubando alimentos até que conseguisse um emprego fixo. Após aterrorizar o antigo gerente de uma loja de revistas em quadrinhos até levá-lo a loucura, ela ocupou o lugar deste, onde trabalhou por alguns anos até seu caminho cruzar com um novo grupo de mutantes - estes, parte do Instituto Cinzano, em uma missão na América. Com alguma relutância, aceitou acompanhá-los para a Suiça, com a promessa de que aprenderia a controlar seus poderes.
LISTA DE PODERES
Metamorfose I: Pode se metamorfosear em fobias de criaturas pavorosas, não importa o quão grotesco seja. Entretanto, Phobos não ganha os atributos da criatura, apenas características de aparência, voz, etc.
Empatia reversa: É capaz de identificar o maior medo de um alvo através do toque físico, causando um desconforto no alvo.
Indução do Medo I: Consegue criar uma sensação de que algo está errado e claustrofobia nas pessoas do mesmo ambiente que ele, um ambiente fechado ou escuro. (Um quarto, um vagão de trem, um beco, etc)
Indução do Medo II: Pode trazer memórias a tona memórias de coisas horríveis que aconteceram com o alvo através do contato visual intenso.
Amplificação do Medo: É capaz de amplificar os medos dos outros, aumentando seus medos e potencialmente amplificando-os a ponto de a vítima se paralisar.
Metamorfose II: A transformação dura mais tempo e seu alcance se expande a alvos que estejam em até 500m de Agnes.
Escudo mental: A apatia diante do medo faz com que Agnes tenha uma maior defesa para poderes de origem mental, em especial, que envolvam emoções positivas.
Indução da Loucura: Pode causar graves danos psicológicos ao alvo ao induzi-lo a um nível alto de terror, podendo paralisar o alvo.
Ilusão de Medo: Phobos é capaz de criar uma ilusão no cenário onde estiver presente, representando o medo de um alvo que esteja ali com ela. A ilusão dura quanto tempo ambos estiverem no mesmo ambiente.
Metamorfose III: A transformação é plena, durando quanto tempo Agnes desejar, tendo um dano em sua vitalidade muito baixo e de forma lenta.
5 notes · View notes
goofily-moved · 2 years ago
Text
hehe im coming up with a stranger things oc... so far what i have is her name is carmen and her mother was taken by the mind flayer... she watches her mom walk off with all the other mind flayed ppl and is like horrified when her mom melts into a fucking monster like image how traumatic akjsdsd
2 notes · View notes
thomasbarnes · 2 months ago
Text
Tumblr media
New Bot(Again) but just a little about my life!
0 notes
jingle-bella · 3 months ago
Text
Tumblr media
oh girl, you need some sleep! but i'm glad the lack of sleep works in your favor, haha! and i'm excited to go see Beetlejuice when i come back! i'm very curious. aw thanks sweetness! you looked SO amazing at and in Saint Laurent! wish we could've hung out for a bit!
Tumblr media
that's what keeps us all on our toes. at least for me, it feels like i haven't slept since before i started filming all of the newer projects and now who even knows what sleep is anymore ahaha. all is great though, i've gotten to see you do your thing in-between doing mine and i gotta say i'm super proud of you girl.
52 notes · View notes
flwrsmyth · 2 years ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
。୭̥‧₊˚ ┇𝒩𝐄🅆 𝑃𝗢【S】T̴ 𝄒𓏲࣪ . ☄️ 𝄒 p𒀭st ๑゚˛𓍊𓋼
𓂃 ࣪៙͘⸳⭑ࣶࣸ 🅖𝕚𝐯e̲ 𝙕𝙯𝙕﹙ꦿ𝕮ꪹ𝘦𝗱ỉтṡ –ﻌ–ა ָ࣪ ۰ !さ
 𓍊𓋻𓍊 % . . 𝗹𝘪𝗄ȇ̈ ꪮя 𝚛ėb̶𝕝ᴏ𝐠 𖥻 🦚 !? ✫៳! ✸˖ ࣪
51 notes · View notes
biersackandys · 2 years ago
Text
Tumblr media
@jcnnco​​ - now, i won’t come for anyone’s roles portrayal or anything of that sort.. it was all amazing but let’s both be real for a sec.. i’d be perfect for a character on ‘wednesday’. i’d also be the best horror actor, but that’s a different can of worms. i watched the black & white show growing up and the cartoons and honestly.. i love this take on wednesday and excited for more.
0 notes
starsandsuch · 4 months ago
Text
The “Dollface” Placements Of The Zodiac 👱‍♀️🎀🍭
Tumblr media
The following are astrology placements that make one appear “doll like”. Typically girls seen as “flawless”, cutesy, adorable, sweet and “dollish “ or Barbie-like. Especially as it pertains to one’s facial features and physical appearance overall.
*the examples pictured are celebrities who have at least one or multiple of these placements*
Tumblr media
P L A C E M E N T S
PISCES ASCENDANT🐟
They have a petite, delicate frame and tend to be smaller than average. They have doll-like features, emphasizing large wide set eyes that seem glassy and ethereal. They look dreamy and otherworldly, mimicking something you’d see in movie or cartoon. Their gaze seems distantly hollow, enhancing the impression of big empty innocent eyes dolls have.
They prefer doll-like hairstyles: sporting bangs, bows in their hair, ponytails etc
Tumblr media
Sabrina Carpenter (Pisces asc), Jenna Ortega (Pisces asc), Barbara Palvin (Pisces Asc)
CANCER ASCENDANT 💐
These natives have the ultimate feminine appearance. They have round, softened features, devoid of harsh lines or angles. Their face is perfectly structured, having definition but remaining soft looking. Their skin is luminous and glowy, often with cool undertones , similar to the moon itself. They are delicate looking with graceful demeanor.
Tumblr media
Twiggy (cancer asc), Angelina Jolie (cancer asc), Margot Robbie (cancer asc)
⭐️ JUPITER INFUENCE ⭐️
Jupiter was the most common pattern amongst the charts of women with this energy and physical expression. Especially Jupiter conjunct the luminaries or the ascendant. Jupiter Ruled signs: Sagittarius and Pisces were very prominent as well. Especially Sag/Pisces in the big 3 (Vedic placements) as well as Jupiter Atmakaraka.
Jupiter’s influence on a person makes them seem honorable, wholesome, trustworthy. Much how you’d perceive a doll to be innocent and child-friendly. They have features that are pleasant to look at and others often idealize them and what they represent. These natives become symbols for representing different aspects of femininity.
Jupiter Conjunct Ascendant / In The 1st House
Jupiter’s influence creates features that are prominent and well defined. Yet it also softens one appearance’s giving its natives a “dreamy” look about them. They look confident , healthy and picturesque.
Jupiter conjunct moon
This placement makes one seem innocent, wholesome and trustworthy. These natives have a sweetness to them, emphasizing and pleasant voice, speech and demeanor. It gives smooth and glowy skin that is glass-like.
Mercury in the 1st house
This placement makes one seems cutesy and adorable. Giving a demeanor that one is innocent and harmless. Physically they are petite and delicate. They have a youthful beauty about them, where people automatically see them as a girly girl.
VEDIC ASTRO PLACEMENTS
*this applies to Sun, Moon, Ascendant or Atamakaraka placement”
REVATI 🎀
Revati is THEE face of the “Dollface” aesthetic. From their fashion to the facial features, most of these natives have been compared to a Barbie doll or bratz doll at some point in their life. Claire Nakti posted about how Revati natives naturally look like bratz dolls.
Their nose is soft/rounded and blends in well with the rest of their face, where it’s natives seemingly don’t have nose bridge. They have wide set bright eyes that look innocent and curious. They have a natural pout to the lips and a pronounced Cupid’s bow.
Their skin appears glowy and radiant, giving them this unreal, fantasy-like aura. They seem naturally perfect like a doll.
Tumblr media
Rihanna (Revati Moon & Ascendant)
PURVABHADRAPADA 💄
Purvabhadrapada women embody the Barbie girl look both physically and philosophically. Physically, they have well defined, sculpted features. They’re are usually proportionate head to toe and have natural symmetry to their face and body. They tend to look unique and dream-like, where people identify them with having the desirable feminine physical features.
Philosophically they align with what Barbie represents: being empowered, doing things on your own and looking good while doing it.
They are the idealized modern woman where they are very “girlboss” , but still remain s3xy and desirable to many. Hottie-girlboss-s3xy-angelic-independent-femme fatale is their multi hyphenate description. They are the girl’s girl that empower other women.
Tumblr media
Lori Harvey (PBP moon) Jhene Aiko (PBP Moon) Latto (PBP Jupiter Atmakaraka)
PUNARVASU 🌻
These natives have large wide set eyes and overall feminine appearance. Their features are defined yet softened. They have clear smooth skin that is naturally luminescent. They appear distant and dreamlike, possessing otherworldly beauty. They seem to embody the ideal of what a “wife” looks like. (See examples: Margot robbie, Sharon Tate, Keke Palmer.)
PURVA ASHADA 🌊
Women with this Nakshatra have emphasized feminine features: curvy bodies, soft skin, and dainty disposition. They have a soothing demeanor , when others are around them they feel at ease and child like, much like how a girl would feel around her dolls.
Tumblr media
Ariana Grande (Purva Ashadha ascendent, Jupiter conjunct moon)
PURVA PHALGUNI 💋
These natives have smooth skin and well sculpted features. They have practically perfect facial symmetry where the distance between their eyes-nose-brows-mouth is perfectly spaced. They oftentimes don’t wear much makeup and have a fresh faced doll like beauty and girly appearance.
People perceive them to have no physical flaws much like a doll would. They remain girly and youthful looking most of their lives.
Tumblr media
Zendaya (Purva phalguni Sun), Beyonce (Purvaphalguni Sun), Sharon Tate (Purvaphalguni moon)
ROHINI 🍭
These natives embody the “babydoll” aesthetic. With large curious eyes and puckered lips, they’re usually described as adorable by others. Their voice is soft and babyish, enhancing their aura of femininity. They often appear helpless and delicate, people feel protective over them.
Tumblr media
Lily rose depp (rohini sun), Brigitte Bardot (Rohini moon), Lauren London (rohini asc)
ASHLESHA 🐈‍⬛
Ashlesha features are known to be catlike and feminine. They tend to look “hyper-feminine” having lush thick shiny hair, curvy body, full lips, upturned eyes. Their nose is naturally sculpted and pointed, with high cheek bones and full cheek apples.
It’s thought that Barbie is the most idealized symbol of what a women looks like, and these women embody “Barbie” without trying. People tend to reference them when discussing what the ideal woman looks like.
The main theme of this Nakshatra is going from girl-hood to women-hood and being aligned with feminine energy. This essence is captured in trendy movements like “coquette” and “dollette”.
With the Mercury rulership, their overall appearance is delicate, and is often perceived as dainty and soft. They are petite and have small/pinched facial features. They seem innocent or angelic to others.
Tumblr media
Alexa Demie (ashlesha asc), Brit Ekland (ashlesha moon and asc), Marilyn Monroe (Ashlesha Asc)
Ciao for now, dolls 💋
-starsandsuch ✌️💕
888 notes · View notes
marvelfilth · 8 months ago
Text
Tattoo
Pairing: Jenna Ortega x f!reader
Warnings: drunk jenna ig
Summary: an unexpected visitor makes your evening unforgettable
Masterlist
Tumblr media
You sigh as Judy, the girl who's back you've spent the past hours tattooing, disappears out the door and into the darkened street, her happy skips illuminated by the soft yellow hue of the street lamps. You don't know how she managed to sit or, rather, lay through the session, happily blubbering about her three cats and a dog waiting for her back home.
You shake your head and walk up to the small desk near the entrance. Amelia, the receptionist, has left just as the sun started to set, blowing you a kiss goodbye and thanking you for letting her out early, so you've been stuck managing your studio alone.
Looking at tomorrow's schedule you sink into the soft leather chair, relieved to see that your morning is free. You can already imagine how sweet it'll be to finally sleep in and have a relaxing start of the day.
Your daydreaming is cut short when the door opens again, and you open your mouth to ask if Judy forgot something, but snap it back shut when you realize it's not her.
You get up, walk around the desk and take a second to look at the stranger, who, inconveniently, turned her back to you.
Still, you admit, it's a nice back, clad in a soft looking black blouse tucked into dark jeans. Your drum your fingers on the desk and pointedly clear your throat, but the stranger doesn't pay you any attention. Instead she takes a few steps to look at the wall littered with various photos of your happy clients, and humms to herself.
"Sorry, we're closed," you speak softly, as not to startle her, but she still jumps comically high, one hand clutching her purse and the other flying up to rest over her heart.
She turns around, swaying, and squints at you, her brows furrowed and her lips pursed in thought. You grip the desk behind you when you recognise her.
Amelia will die when she finds out who she so narrowly missed.
"D-do you know how to use this?" Her voice is hoarse, like she spent hours screaming at the top of her lungs, and her finger trembles when she points it at your tattoo machine.
She grins at your hesitant nod, stumbling as she closes spaces between you. "I want a dragon," she giggles, covering her mouth with her palm as if she's letting you in on a secret. "All over my back. A huge one."
You bite your lip to keep yourself from laughing when she gets close enough for you to smell the alcohol on her breath.
"You're drunk and we're closed," you say and her eyes dart down to look at your lips.
"What?" She mutters, and her hands go up to hold your cheeks. "Stop moving so much, I can't hear you." She pouts, still looking at your lips.
You snort and take her hands in yours, prying your face out of her grip. She shakes her head, and winces when the movement causes her to sway again.
You wait for her to look at you before you speak again.
"Are you here alone?" You make sure to say as clearly and slowly as possible, holding her hands to make sure she doesn't trip over her own legs.
She sighs and looks up to the ceiling. "Yes."
You tug at her hands. "You need to call someone to come pick you up."
She blinks and looks at you for a long moment, her eyes cloudy and pupils dilated. "No. I need a dragon," she insists.
You bite back a smile and lead her behind the desk. She falls in the chair with a content sigh, closing her eyes. "Melissa dared me to. I c-can't come back without a dragon," she mumbles.
You lean back against the desk, this time not able to suppress a chuckle. She opens one eye and kicks at your shin with her foot. "This is serious."
"I'm sure it is," you agree to appease the frowning girl. "You can come back when you're sober, and I promise you'll get that huge dragon all over your back."
You smile when she nods and reaches for one of the business cards laying in the corner. She slips it into her back pocket and fully relaxes in the seat, and you're suddenly at loss of what to do next.
Someone's supposed to be looking for her, right?
You turn to look out the window at the dark street, noting the lack of cars.
"You're pretty," she murmurs. "Like… I want to take a picture of you and put it as my lockscreen kind of pretty."
You snort, looking at the girl who's now staring up at you in awe. "Do you always put pictures of strangers as your lockscreen?"
She frowns. Her lips move, but nothing comes out.
You sigh, shaking your head, and get up to find your phone. You need to call Amelia, she will know what to do.
"I'm getting sleepy."
You pause. "You can't fall asleep."
"Mhm," she hums as her eyes close.
You close the space between you in short strides, but you're not fast enough. She's already snoring lightly when you reach her, a small smile pulling at the corners of her mouth.
"Great," you groan. “Just perfect.”
You fidget with your phone, unsure. Should you call Amelia? She will probably freak before figuring what to do with the sleeping girl.
With a sigh, you unlock your phone. It's not like you have any other options.
Just when you're about to press the call button, the girl slides off the chair, her butt hitting the floor with a quiet thud. You wince as the chair rolls away and her back meets the floor before you can catch her.
She doesn't wake. In fact, she curls up, hands pillowed under her head, and sighs in content. You snort, shaking your head. The sight is quite adorable.
“It- it would take-” she mumbles, deep in her sleep, “-a second to peel off the skin…” You gulp, before realizing she's probably dreaming about one of her characters, or practicing the script even in her sleep, either way it's quite impressive. “Limp for limb…" she mutters, frowning.
You sigh, and get a small pillow to tuck it under her head. Might as well make her a little comfortable while you figure out what to do with her.
“Um, hello?”
You jump up, praying that the girl is well hidden behind the desk, she is as small as a gremlin after all.
“Yes?” You turn around, only to be left gaping.
You're in the twilight zone, you're sure.
“I'm looking for my friend,” the woman smiles hesitantly, adjusting the hood of her sweatshirt. “A brunette, brown eyes, about this” - she lowers her hand all the way to her knees - “tall, a bit drunk. She ran away to get a tattoo.”
You shift on your feet, your mouth opening and closing while you try to come up with something to explain why her friend is currently sleeping under your desk.
“Yeah, she's here…” you mumble, jerking your head towards the reception desk. She frowns, stepping around it, and stills, before looking at you with wide eyes. “It just… happened.”
“She tried to kill me,” the sleeping girl says, very clearly.
“Really?” The older woman's eyebrow raises.
“No!” You yelp, looking at the smaller girl in betrayal. She didn't deserve that pillow. “She came in very drunk, and she fell asleep in my chair, and then she kind of… slid off?”
“Used… chloroform,” she mumbles, turning to the other side.
“Stop it,” you hiss to her sleeping form. “Shut up.” You lightly kick her leg with your toe to make sure she listens.
“Pretty,” she sighs dreamily, “pretty girl…”
“I take it you're the pretty girl?” The other woman asks with a heavy sigh.
You blush, nodding. “Not a serial killer, promise.”
She purses her lips, looking down at her friend. “She won't wake up now. She sleeps like a bear when she's drunk.” She looks up at you, eyes searching. “I’m Melissa, by the way. And that one is Jenna. But you already know who she is, right?”
You nod.
“Okay. Since there are no paparazzi around, I feel like I can trust you. For now.” She bends down, takes the sleeping girl under her arms, and lifts her up with little effort. “You get the legs,” she smirks.
You get Jenna out of your studio quickly and efficiently, like you've been doing it all your life.
“Getting rid… of the body,” she mumbles, when Melissa miscalculates and hits the side of Jenna's head against the headrest.
“Yeah,” the older woman cringes, “she's always like that.”
You nod, stepping away from the car as Melissa straightens her clothes, looking sheepish and hesitant.
“Thank you,” she says, “I really appreciate this. And she will, too, when she returns to the land of the living.”
You chuckle and bid her goodbye, waving at the car until it disappears from sight.
You decide you won't tell Amelia about this. She'll probably send you off for a psychic evaluation if you do.
875 notes · View notes
cobaltperun · 5 months ago
Text
Eternal Flame (3) - Scream
Tumblr media
Jenna Ortega x Female Reader
Summary: For her it’s a passion, for you it’s an accident. And as she continues shining brighter and brighter with each role you are left mesmerized, drawn to her flame and cherishing every time she lets herself be vulnerable with you.
Spotify playlist
Masterlist / First Part / Previous part / Next part
Word count: 11.4k
-Scream! When the fire burns me, when it's hard to break free-
The second day of filming the hospital scene began, the most physically demanding scene of the movie, and while you went over the different fight choreographies you still weren’t set on what exactly you all wanted to accomplish. Since you’d be filming taking Jenna to the elevator and the entire aftermath of the emotional scene later Melissa and David, as well as Jenna and the stunt doubles for Ghostfaces were there as well.
“You sure you don’t need a stunt double for these?” David asked you as you took a stretched a bit to warm up. You could see some concern on Jenna and Melissa’s faces and you gave them both a quick grin.
You nodded, dropping down to stretch your legs. “These are fun for me, and we’ve got wires for more dangerous stunts,” everything else was basically a simulated fight scene. When you thought about it, Logan was a lot more demanding, you had to slide, and jump, and be agile, as well as act feral. This was controlled, trained, precise, pretty much safe.
“We can always find a double, or tone it down if you’re not sure about something,” Matt assured you, making you nod again.
“Appreciate it,” you grinned and high-fived the Ghostfaces. “Let’s do this,” you got in the position with one of the stuntmen, you couldn’t really figure out which one was which now that they were masked.
“Take 1, action!”
You pushed the Ghostface into the wall, quickly going in with faking a couple of punches meant to take advantage of Amber being caught off guard and having air knocked out of her lungs. Your character was supposed to be angry, seeking revenge for what was done to Tara, so your hits were supposed to be brutal. You caught the stunt double’s wrist as he faked trying to stab you and pushed his arm up, before grabbing the back of his neck and pulling him down. You lifted your knee, making it look like you just kneed him in the guts.
You had to give it to the stunt doubles, they sure knew how to do their job. He made it easy for you to fake lifting him up and slamming him onto the floor, while at the same time avoiding actually getting hurt. The second stunt double joined in, jumping in from the shadowy corner and lunging forward, as Richie was meant to save Amber from C/N and try to stab her. You whipped your head toward the man and gritted your teeth in frustration. You were down on one knee, the position wasn’t the best for it, but you jumped to your feet, skidding back and quickly regaining your footing as you bounced back to put some distance between the two of them and you.
“Cowards,” you spat. “Which one of you was it? The one who hurt Tara?” you demanded, furious as they both got up and wiped their knives, even if your character was yet to be cut. Ghostfaces were supposed to remain silent, going for the intimidation tactic. “No, it doesn’t matter, you’re both going to pay anyway,” damn, that line was corny, but you still delivered it with utmost seriousness.
They rushed you, and the scene turned into the coordinated chaos, with you, at one point, kneeing one Ghostface, making him bend forward, only to jump over him and kick the other one into the wall. Impressive that you could do it, but entirely unnecessary and dangerous.
More importantly it made your character look too strong, too untouchable by not just one, but two Ghostfaces.
“Cut!” Matt yelled once the scene was over and the three of you stopped and took a moment to catch your breaths.
“Are you both okay?” you asked, seeing as they did have to take some pain. Sure, each hit was faked, barely even touching the costumes, but being pushed against the wall or falling to the floor still could have hurt them.
Both of them nodded before all three of you went back to the directors and the rest of the cast.
“Maybe tone it down?” Tyler considered and you genuinely agreed.
As he and Matt went over the footage you went to your chair next to Jenna. “We probably should tone it down,” you said mostly to your co-stars and grinned when Jenna patted you on the shoulder.
“You were amazing,” she lightly squeezed your shoulder.
“Jenna here couldn’t take her eyes off you,” Melissa just had to tease the younger actress.
And Jenna? She predictably got shy and averted her eyes, instead choosing to focus on the bandages put around her hand due to Tara’s injury.
“It is a cool fight scene, a bit over the top, but cool,” you came to her rescue, though you really were completely sure that was why Jenna got so invested. She loved movies, she loved all of this, the filming, the choreographies, the process of creating each and every scene and you weren’t sure how many fight scenes like this one she got to watch being filmed before.
Matt and Tyler came over. “Okay, we’re toning it down, making it more grounded and less flashy,” Tyler explained and brought the fight coordinators along. So, you all ended up coming up with a subtler, more realistic fight. With your character ducking instead of jumping around, with light nudges to redirect the hits instead of over-the-top movement and a quick fight scene, instead of drawing it out. It would save time for more character building moments and plot, so that worked as well.
“One more thing, the part after Amber runs out of bullets and C/N breaks her mask, do you think we can pull off a big finale? Like C/N jumping and grabbing the neck, pulling both of them to the floor and slamming the mask against the floor to crack it?” Matt asked, mostly the stunt coordinator.
“Not that flashy,” she moved to where that part of the scene was supposed to play out. “Jenna would be lying here, her wheelchair would be over here,” she pointed at each spot. “We don’t have the spot for Y/N to land without landing on Jenna or the wheelchair,” she turned to you. “Think you can crack the mask with a punch and make it look like a big ending of the fight?”
You thought it over for a few moments. “A haymaker will do the job,” you spoke confidently, but honestly, you weren’t entirely sure. You sure as hell could give it a try though.
Matt nodded. “We’ll use a mannequin for both the practice and the filming, give it a good punch Y/N,” he instructed, and you hopped to your feet as they got the mannequin ready. You went over the instructions one last time and got in the position on the floor, right after your character managed to push Richie off her back.
“Ready?” Matt asked and you nodded.
“Ready,” you ran forward, building up the momentum, and pulling your fist back. It might actually hurt to do this, it might actually leave a bruise, or a cut on your knuckles, but you were ready for that. You didn’t slow down, fully embracing the turmoil and adrenaline your character would be feeling and slammed a haymaker into the mask. A loud crack resounded through the hospital floor and you stumbled forward, your left foot skidding with a loud screech across the floor as you tried to stop yourself and continue with the scene, since you would need to immediately go to Jenna and pick her up. The mannequin fell onto the floor, bouncing once from the force of the impact, mask cracked, but not broken, and you grinned, satisfied with the results.
~X~
By the time you were done with the action scenes you were actually fairly tired, seeing as you had to go from simulating a fighting scene to carrying Jenna around, which wasn’t difficult, but your arms were starting to ache as you finally lowered her down in front of the hospital.
“Good job everyone! We’re wrapping up for today!” and you were, you and Jenna did lots of scenes today, as did Melissa and David. David even had his death scene so he would soon be leaving the set. You were going to miss him, he was always pleasant to hang out with, but that was the nature of this, actors would come and go according to how big their role was.
For example, the one actress that was going to join the cast for a very brief period, playing Susan, was none other than Emma Thompson. You raised an eyebrow when you read that, not really able to remember her ever doing a horror. Granted, Susan was about as removed from the horror elements as she could be in this movie. Regardless, you’d be lying if you said you weren’t looking forward to working with the British actress.
Jenna looked worried and you just realized you could feel the stinging sensation in your hand, you looked down and, frankly, you saw it coming, noticed there was a small bruise on your knuckle. “Hey, it’ll be fine, just need to ice it for a bit,” you winked, assuring her.
“Come on, I’ll help you,” you could hear the determination in her tone as she took your left hand and pulled you along, back to the hotel and her room.
~X~
Jenna trusted Matt and Tyler, trusted their vision for the movie, but she didn’t expect the fight scene, barely described in the script, to turn into what she saw earlier. She caught herself watching it closely, impressed by it all, it looked like a dangerous dance where one step out of line could have gotten someone hurt.
And you got hurt.
Not in the staged fight scene, but hitting the mannequin several times to get the desired outcome.
You were sitting in front of Jenna at her table, your knees touching as Jenna held an icepack on your knuckle. “You looked like you were having fun,” Jenna pointed out, choosing to look at your face instead of the bruise. While you were filming you had that serious, angry look in your eyes, flawlessly portraying the rage your character was meant to feel, but the moment the filming stopped you just snapped back to how you usually were, sweet, friendly, happy to be doing this, and it was clear you had fun filming today.
Even if Jenna was on the edge of her seat whenever you did a more demanding stunt. Even if she herself gave heart attacks to stunt coordinators. She understood why you loved doing it, she loved doing her stunts as well, but you sure could move. More importantly, she found herself drawn more and more to you, to the way you treated everyone, and the way you constantly made sure both of the stuntmen were fine after each take.
She watched you glancing to the side, lightly scratching your cheek. You were embarrassed, even a bit nervous. “It’s a safe release, I guess. Training, martial arts, action scenes,” you confessed something Jenna could have guessed, but seeing how nervous you were to say it made her appreciate it even more. Knowing you were comfortable enough to be open with her made her smile.
“Maybe try not to get bruises next time,” she teased, light-hearted, clearly joking, and you laughed, seeing the teasing for what it was, and accepting it completely.
“And miss out on you treating me? I’m not that dumb,” you teased right back, and Jenna rolled her eyes.
Even if the slight blush on her face annoyed her a lot more than she dared to admit. She put the icepack away and instead just placed her hand on top of your own. She looked at you, expecting you to either say something or pull your hand back, but you just grinned as she tried not to smile. “You’re just,” she huffed, smiling despite trying her best not to show how quickly all her defenses came down when it came to you.
“I’m just?” you asked, leaning in slightly as if she was about to tell you a secret.
“I’m not saying,” she shrugged, completely certain that she wouldn’t say it, wouldn’t give into your questioning.
You frowned, as if offended by her rejection and then just leaned back. Though you didn’t move your hand even the slightest bit. “Fine, I don’t want to know anyway,” the nonchalant tone of your voice actually annoyed her.
“Wha- oh come on, at least try harder,” she knew she was pouting like a child, playing a game with you, not taking this seriously, instead just having fun and acting more her age than she usually did.
You just grinned, that same cheeky grin she caught you having when you were having fun and for a moment, just for one moment, she slipped her fingers between yours, interlocking them for a brief moment before pulling away, ignoring how her heart hammered in her chest.
~X~
You could feel the frustration on set as all four of you left your positions once more. The two stuntmen once more wearing Ghostface costumes and you and Jenna, meant to wrap up the hospital scene with the emotional part of it all.
And you couldn’t get it right.
Either one of the Ghostface lines would get messed up, or someone would miss a cue. Then Jenna’s voice broke once, and you just couldn’t get into your character. So, you ended up taking a fifteen-minute break to hopefully get it right next time. You could see Jenna close to you, picking at the string of her hospital gown, clearly in her head, focusing entirely on the scene you were yet to get right while listening to music.
You let her, trusting her to get through whatever was blocking her on her own. And it wasn’t that there was one of you constantly failing, it just felt like there was always one thing missing, one moment to make everything else fit together and push the scene as high as it could possibly go.
You noticed your phone buzzing in your jacket hanging over your chair and pulled it out. You got a message and since you were on a break you figured you might as well read it now.
17:21 On-screen Dad: How are you doing?
You smiled and typed a quick reply, assuring Hugh you were fine and asking how he and his family were doing. More importantly, the message brought you back to filming Logan and you remembered watching Hugh act, going from broken, dying Logan back to himself in an instant. He looked the same physically, but the way he carried himself completely switched the feel of it. You learnt so much from him during those months, and you would use that now as well. You didn’t get the feel of ferocious anger from C/N, and the scene demanded it, but you were more than familiar with playing ferocious anger.
“Okay, break is over, let’s try again,” Tyler announced.
You caught Jenna glancing at you and you gave her a thumbs up and a grin, sure that this time you’d be closer to acting out the scene that would work.
You didn’t slip into C/N, you slipped into Laura, and then it just clicked as the scene began playing out.
“Fuck you,” Jenna gritted out when Ghostface was meant to taunt Tara that C/N didn’t protect her and you felt the prop knife touching the left side of your back, prompting you to gasp for breath but not scream. You widened your eyes, acting like you were in shock and pain.
The focus was on Jenna as she expertly delivered the pain, the despair Tara felt as Ghostface told her she would need to shoot your character.
When the gun was pointed at you and Jenna whimpered you followed the directors’ cue and gasped, and while the camera focused on Jenna you quickly tossed the shirt you had on aside in favor of the more damaged one. You all wanted to do this in one take, so this was the solution.
"I'll do anything else, whatever you ask, just please not this!" you were amazed at how hoarse Jenna could make her voice. Not to mention all the emotional range she was showing right now, and it was bringing more out of you as well. "Please, anything but this!"
The scene went on, uninterrupted, you felt like you had it, like this was the take you needed. "I don't know what you are screaming about, Tara. You got what you wanted right? You didn't kill Y/N," the words and the prop knife messing around Jenna’s bandaged hand were your signal.
Channeling Laura, as well as letting Jenna’s shouts pull something out of you worked. “Stop that!” you raged, akin to a wild wounded beast, so intense it almost frightened even you and nearly made Jenna herself break the character. It wasn’t meant to sound that raw, but the scene continued.
She recovered, as great as she was, acting like she was having an asthma attack, and you could see she researched it for days until she could get all the symptoms right.
“Tara!” and carried by the intensity of the previous scream you yelled, desperation clear in your voice. It was a harrowing cry, of someone fearing the loss of their loved one, of the only person they had in the world. "You won! I can't fight back! Just let her go!"
And then, when it came the time to top even that, to escalate it even further, to have Jenna show Tara’s dedication to your character despite the asthma, she delivered. Jenna pleaded, her voice sounding like she was choking, drowning, unable to draw breath, yet just as desperate as you were. For a moment you even believed she was having an asthma attack, that was how good she was. The scene felt easy after that as you skipped the action part of the scene and picked Jenna up, while faking that it was difficult and stepped back into the hospital room.
“Cut!” Tyler yelled and you dropped down onto the floor, emotionally drained from all the takes. Luckily you really did everything out of order, so the following part of the scene between you and Jenna was already filmed. It was over, you were done with what was likely the most difficult scene of the movie. “Great job! Jenna, Y/N, that was incredible. We’ll continue tomorrow, you both deserve to rest,” he said, before congratulating the rest of the crew present on the long day of work.
“Y/N?!” Jenna jumped to her feet the moment she noticed you were slumped on the floor, and you just gave her a thumbs up. You just had to take a moment to breathe, sure Logan was intense at times, but you were a kid, and it was a lot different filming the emotional scenes in Logan than it was here.
“I’m okay, that was just intense,” you gave her a slightly tired, but still reassuring smile and she relaxed, sitting back down on the bed, the exhaustion now present in her eyes as well. “And you’ve been doing intense scenes for years, damn, you’re amazing,” you thought about the scene she had in You, and from what you knew her upcoming movie was filled with scenes like that. Frankly, you admired her talent. You got up and sat down next to her, before falling back onto the bed.
“I’m anything but amazing,” she dared to say and you abruptly sat up, in fact you sat up so quickly she turned and looked at you, her eyes wide as you watched her intensely.
“You are, and I’ll keep saying that until I get it into your head,” you promised, the tips of your fingers touching hers.
Jenna opened her mouth and then closed it, before finally regaining her composure. “Thanks, Y/N,” she muttered. “You’ll sleep really well tonight, you’ll see. Scenes like this are draining,” she promised, and you nodded, trusting her entirely.
~X~
Jenna was right, you just barely managed to get ready for bed. Hell, you were surprised you didn’t fall asleep on your feet. Your phone buzzed as you crawled under the covers and you nearly ignored it, but for some reason you reluctantly took it and saw it was a message on Instagram from Jenna.
23:46 Jenna Ortega: Hey, are you asleep?
23:46 Y/N L/N: Barely hanging on
23:47 Jenna Ortega: Oh, sorry, sleep well, Y/N.
That woke you up and you pressed the call button. It rang a few times and then she picked up. “Please go to sleep,” she opened with that and despite still being a bit sleepy you chuckled.
“Tell me what’s up?” you asked, sitting up so you wouldn’t fall asleep in the middle of the call.
“I just wanted to wish you good night,” for an actress she sucked at lying, and you just grinned.
“Jen, tell me what’s really going on?” you asked as you got comfortable.
She remained silent for a bit, before sighing. “I, I think I’m suffering from insomnia, I can’t fall asleep and I wasn’t sure who else to call. I don’t want to worry my family, and I just, I don’t know, I,” she huffed, frustrated, and you just gave her time, letting her sort her thoughts out. “We filmed so many scenes together, and I know you are tired, but I just impulsively sent that message. I was hoping you were already asleep,” she told you.
You nodded, too late realizing she couldn’t see you. “Do you want to talk? Maybe you’ll have easier time falling asleep like that?” you suggested, not really sure what would help with insomnia. You’d have to search that up tomorrow.
“You don’t mind?” she asked, prompting you to reassure her and tell her you definitely didn’t mind. “Tell me a bit about yourself? Something I don’t know? Like how did you get into cooking and martial arts? Or the role you did before C/N?” so she was curious about those things.
“Hm, let’s see. I spent a lot of my time at my neighbor’s house, playing with the siblings living there. Their mother was a great cook and would always make us snacks, either pastries or cookies, or cake, I never saw some of those recipes in my life. Well, it was natural, they emigrated from the Balkans decades ago, when she was a child if I remember correctly,” you began the tale of your childhood. Those were happy times. You’d hang out with them, your parents spent time with their parents, and somewhere along the way Barbara came into the picture as well. It was just the four of you, making your own little friend group.
Jenna hummed, sounding a lot more interested than sleepy.
“I fell in love with the recipes, and she was willing to teach me. So, when I wasn’t playing with her children I’d learn how to cook from her, starting with easier things and gradually moving onto the various cakes and pastries. It was freeing, I needed to focus, I needed to be precise, to keep practicing so I could improve, and I guess I needed that at that age,” you were a bit of a hyperactive kid, never really latching on to something long enough to get really good at it, but you were drawn to cooking. It was fun, making something and being able to eat it, or share it.
“You got really good at it, I still haven’t seen you being lazy about it either,” Jenna pointed out, causing you to laugh.
“Oh, trust me, I had plenty of days where I went for low-effort meals,” and you did it kinda regularly. In fact, you were surprised it hasn’t happened since you came here to film Scream. No matter how tired you were if you chose to cook you didn’t settle for a quick meal.
“Yeah? Could it have something to do with your co-star that would never, ever, steal something off your plate?” Jenna laughed, and your silence only made her laugh harder.
“Never, yes, that co-star would never, ever do that,” you replied dryly and heard her slapping her pillow as she tried to muffle her laughter. You couldn’t help but crack a smile at that, even if it really wasn’t helping with her insomnia. Unless it was relaxing her, and that helped, in which case you were glad you could get her to laugh, but again, you had no idea how to deal with someone’s insomnia.
Jenna’s been eating most of her meals with you, and while you always made a plate for her, she’d sometimes just go and trade something from her plate for the very same thing on your plate before you even started eating.
“Okay, okay, what about martial arts?” she asked as she calmed down.
“It was fun, and I was active as a child. It was pretty much the only thing that consistently kept me interested, well somewhat. I could never focus on just one, so I ended up going with mixed martial arts, you know, jack of all trades master of none type of deal. Feel like that kinda fits me,” you had to train and prepare for Logan, and then you just continued, and it was probably one of the better decisions you made. With time you became good enough to work at a local gym in Denver, so, maybe master of none wasn’t exactly right, but it took a lot of time to get to that point.
“You know how they continue that saying. Though oftentimes better than master of one. You look like you really know what you’re doing,” Jenna, as she usually did, found any excuse to compliment people around her, you included. That’s just how she was, wanting to brighten people’s days, make them feel good, while still being completely honest about her compliments.
“Thanks, Jen,” you could tell she was slowly getting sleepy and considered just talking about nothing in particular until she fell asleep, but she had other ideas.
“What about your previous role?” she asked and you hummed.
You feared saying you were in Logan would stir her awake and prolong the conversation instead of helping her fall asleep. “So, I was thirteen, and frankly, I didn’t have that many lines,” not a single lie there, you didn’t speak for over ninety minutes, instead only screaming and glaring. “But it was the most fun I probably ever had and I’m still in touch with Hugh and Patrick, Hugh especially,” hell, you were talking with Hugh on your phone just an hour earlier. 
“That sounds-“ Jenna tried to reply, but instead she yawned and you didn’t push her to try again. Eventually, you caught the sound of Jenna’s breathing evening out.
“Sweet dreams, Jen,” you smiled and closed your eyes, letting the long-awaited sleep overtake your exhausted body. 
~X~
The sound of the alarm going off woke her up and Jenna blinked, slightly dazed and confused. How many days has it been since she slept all the way to her alarm? And she actually fell asleep around midnight, so almost full eight hours of sleep. It was no wonder she felt refreshed and well-rested.
She turned the alarm off and stretched with a smile on her face, she would mostly be filming with Melissa today, so it was going to be fun to tackle that side of Tara’s character as well. She had several emotional scenes with Melissa, and one of the bigger ones was scheduled for today, the one where Sam tells Tara the truth. She was looking forward to working with Melissa more, as the older actress absolutely took on the older sister role in real life as well and Jenna honestly felt like this was one of the better filming experiences she had.
The whole cast just clicked, and the already made group chat was already filled with messages, from funny behind the scenes bits to memes and videos from different social media. Jenna had to admit she didn’t go through every message, mostly missing out on the social media shares, but she definitely saved a bunch of behind the scenes photos.
Just as she thought that she noticed a notification from late hours of the last night, it was a couple of photos from the past few days of shooting. Melissa took a few photos, David walking around with the fake blood all over him and chatting with the stuntmen that just ‘killed’ him, you stretching and getting ready for your action scene, as well as a video of herself on the floor holding back a laugh when you stumbled a bit too far after punching the mannequin, and she wouldn’t have found it funny if you didn’t get super annoyed. It was the best take yet and you, in your own words, stumbled like a fucking newbie so far you were surprised you were still in the shot. It was a glorious speech of dramatically letting out the frustration over a perfect punch being wasted on an awful ending, only spurred on by Jenna desperately trying to stifle her laugh.
She smiled at that memory, now realizing that, while the initial complaint was genuine, the rest of it was so ridiculous the only explanation that could have worked was that you simply wanted to make her laugh. And she was thankful for it. The video didn’t capture the failed take, or the initial sentence, but it did have most of the speech, as well as Jenna’s reaction, so she went and sent the video to her mom.
~X~
Melissa was absolutely sure you could have been a cook with how good the small bite sized snacks you made were. Mikey and Jasmin brought two bowls of and a plate of different flavored and shaped snacks, some that were pastries, some that were balls made up of different ingredients, some that were held together by toothpicks. And each and every one she tried was tasty. Pretty much everyone was there as Jack and Mason once again took on the role of getting setting up everything so they could watch a movie.
The only people missing were you, still in the kitchen, wrapping up serving the sweet snacks, and Jenna, who was still in her room on the call with her family. Melissa glanced toward the door, hoping to see the younger actress walking through the door. “Jenna misses her family, doesn’t she?” Melissa asked Courtney who was sitting next to her.
“This is the first time she’s filming this far from home, right?” they pretty much all knew it. Sure, Jenna was fiercely independent, but independence had nothing to do with missing your loved ones, and she was missing them. Melissa kind of hoped Jenna would use the weekend off to go and see them, but things didn’t work out in the end.
“I’m sure it is,” she answered, about 90% sure of her answer. “I think I should go and see if she wants to join us,” she got up when Courtney nodded.
“Melissa we’re about to start!” Jack called after her.
“Just getting Jenna, wait for ten minutes,” she requested and smiled when he gave her a thumbs up. When she walked out into the hall she saw you coming from the kitchen, carrying two plates filled with wonderful, sweet snacks.
“What’s up?” you asked, tilting your head.
“Oh, just figured I could try and get Jenna to come and join us,” you got serious the moment she replied, and Melissa found herself taking more and more notice of how you reacted to Jenna. “I’ve got this, you go and sit, you’ve done more than enough,” she patted you on the back and made her way toward Jenna’s room. For whatever reason you didn’t put up a fight and actually did as you were told, whether because you trusted Melissa to take care of it, or because you didn’t want to be too obvious, or for some other reason, she didn’t know, but you let it be.
 She knocked on Jenna’s door and waited for a bit for Jenna to open them. “Hey, I thought you guys were watching a movie?” Jenna said, clearly puzzled when she opened the door.
Melissa shrugged. “It’s not the same without you, are you still talking to your parents?”
Jenna shook her head, but there was definitely a tiny blush on her face.
“Come on, Y/N made a bunch of snacks, and I think we’re watching the original Scream tonight,” Melissa offered her hand to Jenna and smiled when Jenna nodded.
“Can’t miss that,” Jenna figured and so the two of them went back to the break room.
When they joined everyone, they saw Jack was ready to play the movie and so they quickly went to their usual seats. Melissa went back to sit down next to Courtney and Jenna went to the sofa a bit further back where you were sitting. She took her slippers off and sat down, leaning slightly against you as you took a blanket that was next to you and gave it to Jenna.
And the strangest thing about it? It wasn’t the first time this had happened. Well, not her going to get Jenna, but the rest. Jenna sitting right next to you, with your arms touching while you made sure she was warm and comfortable. You didn’t know each other before the chemistry test, that much Melissa knew, but she still raised an eyebrow. Were the two of you closer than she guessed? Like, together? Or considering a relationship at the very least? A need to be protective over Jenna overcame her, you were a good person, kind, pleasant, but you still only knew each other for less than three weeks and she was worried if you were rushing.
Either way, when she saw Jenna grinning at something you whispered in her ear, Melissa figured she might be worried over nothing. Jenna looked happy, and besides, she had no proof something was going on between you. She did glance back a few times, though, as subtly as she could. She couldn’t hear you, but she saw Jenna leaning her head down on your shoulder and quickly pulling away, as if caught by surprise by her own action.
She could read an apology from Jenna’s lips, but you just gave her a quick one-armed hug and reassured her it was fine. Probably not together then.
~X~
One of the most ironic things about acting was just how easy it was for Jenna to remove herself from the scene. She wasn’t Jenna Ortega, she was Tara Carpenter, and Tara had no issues with sleeping in C/N’s arms, so she, as Tara, spent hours with you lying next to her and she had no issues with it. But the moment she wasn’t acting she ended up being embarrassed over accidentally leaning her head on your shoulder.
You didn’t mind. Of course you didn’t, you just made sure she was comfortable once more. You and Jenna were in the kitchen at the moment, preparing a quick snack. Jenna was cutting various fruits into small cubes for the fruit salad while you were whipping the cream.
“I think this’ll do,” she said, proud of the large bowl of fruit she got ready just as you turned the hand-held mixer off.
You nodded, glancing at the fruit with unconcealed approval. “It’s perfect, thanks for helping me out,” you grinned at her and Jenna just rolled her eyes, brushing the compliment off. Of course she was going to help you, you were friends. Very good friends at this point, and Jenna wasn’t afraid to admit she cared about you, a lot. So, no, you didn’t need to thank her, she was actually glad to spend time with you like this.
She accidentally pushed a knife off the table and without thinking you tried to catch it. Her eyes widened and she reached out, grabbing your hand before you got the chance to even touch the knife with the tips of your fingers, keeping it away from the falling knife and letting it drop onto the tiles. “Are you okay?” she asked and was genuinely surprised by the shocked expression on her face.
A falling knife has no handle. Jenna knew that, and she knew you must have known that as well, but something must have distracted you to make you try and catch it. “Shit, that was dumb,” you shook your head in disbelief. “Thanks for stopping me, Jen,” you smiled at her, and she didn’t move; neither did you, instead you just stood like that, with her hand holding your own. “Just reflex,” she nodded when you said that, frankly surprised she was quick enough to stop you.
“It’s okay, nothing happened,” she tried to ignore her anxiety that you could have been cut, gotten hurt. She ignored her fear and just tried to ground herself in the moment by repeating that nothing happened in her head.
“Still, thanks,” you squeezed her hand lightly and then let go so you could pick up the knife and Jenna tried her best to get the image of your hand bleeding, of the worst case scenario, out of her head before it consumed her. Your eyes met for a moment and she could have sworn she saw concern in your eyes. “Hey, stay with me in the moment, okay?” you reached up, rubbing her shoulder and pulling her a bit closer. “Everything is okay, neither of us got hurt,” your words did little to make her get out of her head, but they helped enough, and she nodded, trying her best to focus on the actual outcome instead of what could have been.
~X~
Jenna couldn’t remember the last time she was carried as much as she was while filming Scream. Here she was, being lifted out of a car by you for yet another scene. She got carried during the hospital action scene, then as the trio was leaving the hospital, then now, and she would be carried once more before the movie ends. She had to admit it was a bit awkward to act while being carried, and she actually felt sorry for you every time they had to repeat a take where you were carrying her.
“Better hope she’s not the straw to break your back,” Emma chimed in exactly when you went to lift Jenna up for the fourth time that day and you just broke, bursting into laughter with your arms still under Jenna’s knees and back.
“Respectfully, can you not make me laugh for ten minutes?” you cried out, reigning the laughter in and shaking your head in disbelief.
Jenna just patted you on the back. “There, there,” at least all the takes were ruined right at the start. It wasn’t some kind of blockade like during the emotional part of the hospital scene, it was more the absurdity of seeing Emma Thompson doing horror that just made it difficult to get it together. And it wasn’t just you, or Mellisa, or Jenna, or hell, even Emma herself, half the takes were ruined by Matt and Tyler not being entirely sure how big of a role Emma would have.
Eventually, you managed to get the two of the three scenes Emma would be in done, all that was left were the two scenes no one was sure were going to make it into the movie. Both were between you and Emma, first being the conversation about your character’s education, and the second being going after Sam.
Matt and Tyler gave all of you a bit of a break before you and Emma would act out your last scenes together. You all sat together on the chairs and Jenna wasn’t sure how to start a conversation; she wanted to, but Emma had only been on the set for a couple of days, and it wasn’t long enough for her to be comfortable with starting a more meaningful conversation. Emma was nice, and funny, and it was easy to act with her, but Jenna just wasn’t as extroverted as she used to be as a kid.
“Say, Mrs. Thompson,” you insisted on not calling her by her first name, no matter how many times the woman told you you could just call her Emma. ‘I don’t know her, and I won’t get the chance to know her,’ you explained to Jenna over the phone last night. “Do you have any advice for us?” you asked so casually, without a hint of worry or fear of rejection, or stepping out of line really, but it was just a front and Jenna knew it.
By now she got to know you well enough to notice the little details, like the way you slightly gripped your chair, or how you averted your eyes away from Emma near the end of the question, struggling to maintain eye contact when you were nervous, or the slightest tremble in your voice. She knew it all by now, and she was impressed that you could push it aside enough to ask what you wanted, regardless of who you were asking.
Emma seemed to give it a long thought. “You’re all already talented, good actresses, so as cliché as it is all I can tell you is that you’ll never make everyone happy, and that no matter what you say or do someone will always dislike you, so don’t waste your time worrying about that as well,” it was an advice of a woman that already reached a certain age where she was old enough not to give a damn about pleasing everyone, and despite agreeing with the idea Jenna found it difficult to follow that advice.
She was too much of a people pleaser.
Once the break was over Jenna stayed behind, though her scenes for the day were done. If anyone asked she wanted to watch Emma Thompson acting, and that was a huge part of it, another part was, well, she wanted to walk back to the hotel with you.
So, she watched from behind the camera as you rushed down the stairs to look for the key, only for Emma to turn the lights on.
“You’re here, good,” you frantically looked around the living room, checking if the car keys were anywhere to be seen. “I need to borrow your car, Sam, she-“ you finally noticed the key next to the TV remote.
"C/N," Emma's voice alone in that one word was enough to sell the entire scene. You could hear it all, the exhaustion, the longing, the motherly love, as well as grief. It was all there. And it made you freeze and look at her like a deer in the headlights. "Do you have to-" Emma's breath hitched and she paused in the middle of the sentence, as if finishing it would make the circumstances even more dire.
"I need to go," you whispered, watching her and Jenna found it hard to believe you actually only did one movie as a child. You could match the emotion, your voice, your posture, conveying an unspoken apology and a promise to come back.
The experience and the immense talent Emma had shone through as she let her lip quiver just enough for it to be noticeable if someone paid closer attention to her, but not going over the top with it. The sigh she let out was filled with resignation, acceptance of the situation, and she looked you in the eyes, a silent plea remaining unspoken. “Tara needs to have her bandages changed in the morning, keep that in mind,” and Emma delivered her final line flawlessly.
You nodded, ending the scene and taking the car keys. There wasn’t going to be a hug, or a goodbye. “Cut!” and there was the scene, first take, and it was done.
~X~
A few days later you were once again filming way out of order, going all the way to the end of the movie, or well, near the end. Right now, you and Jenna were sitting in hair and makeup. Considering what the characters were going through makeup was mostly there to make both of you look more exhausted. Frankly, you were worried about the scene, the kiss scene, for more than one reason. Between being your first on-screen kiss to how comfortable Jenna would be. Sure, you’ve gotten pretty close, and you considered her a close friend already, but you weren’t sure if that made things easier or more difficult.
Especially since Jenna’s been mostly silent the entire morning, and not just with you, with everyone. You’ve caught her getting distracted and lost in her thought even during a conversation with Matt, and that was telling something. She was more worried than she was willing to let you see, and you could already see a lot. You couldn’t even start to imagine what was going through her head.
“Jen?” you called her, but she didn’t seem to hear you, instead biting her nail and staring at the book she brought along. She didn’t turn the page in an hour you’ve spent here. “Jen,” you said a bit louder.
Her eyes widened and she abruptly turned to you, clearly startled. “Sorry, I was just reading,” she really sucked at lying, and you raised an eyebrow and she looked down at the book, at the unturned page. And it was the prologue, so, yeah. That excuse really wasn’t holding up. “I was thinking,” she admitted as she looked away.
“About the kiss scene?” you didn’t beat around the bush and asked her directly, you figured she appreciated when someone was being direct with her.
Jenna paused, looking like she was caught red-handed and slowly nodded. “Mhm.”
So, it really was that. She was undoubtedly more worried about it than you were, and it didn’t matter what the reason was, all you cared about was that it was clear she wasn’t comfortable doing the scene. “Jenna-“ you began, ready to tell her what you intended to do, but she chose that exact moment to start talking.
“It’s ridiculous, you know? I mean, we filmed so many scenes in the same bed, and sure, nothing happened, but I don’t think anyone could look at those scenes and say Tara and C/N are just friends, and now I’m worried about a kiss,” she blurted it all out. “And you’re wonderful! It’s got nothing to do with you, and I think you’ll be a wonderful partner for the scene!” she blushed when she said that, crimson red, and buried her face in her hands as she groaned and you could only watch her, wide-eyed and taken aback. “I-I’m comfortable with you, I’m just worried and I don’t want you to get uncomfortable because I’m sure you haven’t kissed anyone on camera before, and maybe you’ll find it weird to kiss a girl,” ah, right, you never explicitly told her you were into girls, the topic of past relationships somehow never came up. “And it’s a job, but we got really close, so what if that makes it difficult for you? I black out, I don’t know what’s going on, I’m not worried about me, but this whole thing just- shit, I’m rambling, and I can’t shut up, and I’m surprised what I’m saying even makes sense at this point!”
“Jenna,” you reached over and placed a hand on her shoulder. She raised her head up and looked at you. “First of all,” you pointed at yourself. “Into girls, so nothing weird there,” her mouth opened slightly in an adorable way as if she wasn’t sure whether to be surprised, relieved, or if she should have figured it out a lot sooner. “Second of all, don’t worry about me, tell me if you’re comfortable with doing this scene?” that was a lot more important to you. You were comfortable with the kiss scene, you cared about Jenna, you liked her a lot, and you absolutely didn’t mind kissing her.
She nodded slowly. “I’m comfortable with you, I promise,” even with as much confidence as she put behind her words you could still hear a bit of uncertainty in her tone, like there was something she couldn’t tell you.
You still figured you couldn’t push her too far, couldn’t risk making her self-conscious right before the scene. So, you accepted her answer. You raised your fist up toward her and grinned, choosing to instead offer her reassurance once more and then do everything in your power to make sure she really was comfortable. “If you feel uncomfortable at any moment, just tell me and I’ll get them to scrap it, say I don’t want to do it,” and you were completely serious.
Her eyes widened slightly as she looked you in the eyes. “You can’t do that, you’ll sound unprofessional,” she sounded more worried now, and it was not what you wanted to do. And she didn’t bump your fist, so you pulled it back, not noticing that she bit her lower lip a bit as you moved your fist away.
You shrugged. “I’d rather be unprofessional than have you feel uncomfortable,” there was no hesitation in your tone, no doubt, no wavering of your conviction. No matter what, you felt like your priority was to have your co-stars be comfortable, especially if Jenna was the co-star in question. And it wasn’t just because Hugh really set an example for you; you genuinely thought that was the right way to approach filming.
You watched as Jenna looked down, a hint of a blush appearing on her cheeks as she refused to meet your eyes, and you were left completely puzzled by her reaction. Somehow you felt like you actually made things worse for her, but before you could fix whatever you did hair stylist came in and you were left hoping Jenna would sort things out on her own.
~X~
You did make it worse.
No. That wasn’t fair.
You didn’t do anything unusual, you were just being you.
She recently became a bit self-conscious about kiss scenes in general, but she technically didn’t lie. Jenna was truly comfortable with you, felt a connection she couldn’t deny, so strong and fast she almost didn’t want the shooting to wrap as soon as it would. No, it wasn’t about being comfortable with you, it was about how she felt, about the feelings she was starting to have for you.
Jenna swallowed the lump in her throat, watching as the scene was being set up for the two of you. She never believed in love at first sight, that was ridiculous, at least to her. Love took time, took getting to know someone. She did believe in infatuation at first sight, and it hit her like a truck when she met you, and especially when the two of you hung out for the first time.
She pushed it aside, considering it as nothing more than physical attraction, or better yet simply taking notice of the fact that she found you attractive. And then she got to know you, and you spent so much time together, on set or during your time off.
When she first read the script, she figured she’d act the same way she did when it came to The Fallout and kissing Maddie, and that kiss scene demanded more from her than the one written in the script did. She would black out, kiss a friend, and that would be it. That was her original plan, but you just…
She wasn’t sure she could black out.
And it frightened her.
She leaned her head back against the wall, suppressing a groan. Could she just sweep this under the rug? Ignore the way her heart would beat faster whenever you would accidentally touch? Or how comfortable she felt around you? Or how she got so used to having late night talks with you, ending her day while listening to you, and then damn near starting the next day with you at breakfast?
She would have to, because this was a job, and as sweet as you were you didn’t exactly flirt with her. Or show interest beyond friendship, even if you were, as she found out a bit over an hour ago, into girls.
“Come on, just focus,” she whispered to herself and took several deep breaths. They would start soon, and she needed to get her shit together. The last thing she needed was to give away her growing feelings and end up making working with you difficult. Sure, you were comfortable with kissing her, your friend, but would you be comfortable kissing someone who had a rapidly developing crush on you?
If she, in any way, showed you how she felt, she was just going to end up making things weird between you and ruin a friendship that already meant a lot to her. And she couldn’t have that. She wanted to stay in touch, to hang out with you, to have you meet her family, and to meet your family as well. She wanted to go to your movie premieres with you, and preferably avoid going to her own because she hated watching herself on screen. She didn’t want to just see you in passing like she did with so many people she worked with over the years, she wanted to keep building this connection into something bigger, something consistent and constant, or as constant as your jobs allowed.
She didn’t want this to end, and the more scenes got filmed the closer the end got. She glanced at you as you walked over to your designated spots, and you caught her glance. Of course you did, you’ve been ridiculously attentive to her, to even the smallest signs, or movements. She could still feel the warm touch of your hand, she could still envision the look in your eyes, soft, gentle, as you looked at her, or hear the sound of your laugh and voice.
She wouldn’t risk any of that.
She was going to black out and do her job!
~X~
You glanced at Jenna every now and then. She was nervous, hell, anxious even, and you were getting more worried by the second. You could see the tension in the way she stood, the tremble of her fingers as she stood there, her hands crossed and fingers clutching at the soft fabric of her clothes. If it wasn’t for the bandage Tara was supposed to have you were sure Jenna would have been gripping her arm a lot tighter.
Whatever was going on you felt like you really had to step in, to figure out what the issue was and get rid of it. If it meant getting rid of the kiss scene, or hell, the relationship between C/N and Tara entirely, then so be it, as long as Jenna wasn’t this anxious over filming with you. You could feel your heart aching at the mere thought that the following scene could cause the younger actress so much turmoil.
You were just about to approach her, but you ran out of time, Matt and Tyler were ready.
“Okay, Jenna, Y/N, get in positions,” Tyler instructed, and you bit your tongue, resisting the urge to ask for another five minutes, but you feared that would only make things worse for Jenna.
~X~
Her heart was beating so loudly in her chest she barely listened to the instructions. Why couldn’t she black out? And worse of all she could see you were getting tense as well. She could see the way you clenched your jaw, struggling not to point out what you were clearly noticing. How much did you notice? Just her anxiety, or her feelings as well? Either way she could tell her own nervousness was affecting you as well.
That would probably cause this to take several takes. She would need to kiss you several times, and she wanted to kick herself for, deep down, feeling a bit excited over the idea. “Fuck,” she hissed, berating herself for letting her crush get the better of her. She needed to be a professional, to get in character.
But her character was madly in love with your own! So, technically speaking, she really got into her character. ‘Great job, Jenna, that’s exactly what you should have done,’ she thought bitterly.
“We can stop this,” you whispered, and since you were this close, merely a step from one another, only she heard you, but your words sounded louder than thunder to her.
She caused this. She was making a scene because she couldn’t separate job from personal feelings. And the worst thing about it? It was with you, the last person she wanted to make work difficult for.
So, Jenna forced a smile and nudged you slightly. The worry in your eyes remained, but there was that softness again. You were silently pleading with her to just focus on her own comfort, to say one word and she was sure you’d have her back and remove this scene.
‘Just black out already! Don’t be a burden!’ her mind truly was her harshest critic. “I’m fine,” she lied, thinking she could fake it until it became real. You nodded, even though she could see you weren’t buying it.
“Take 1, action!”
She slumped into your arms, like Tara was supposed to. She didn’t black out, she was aware of everything, of your arms holding her, of her own arms around you and she desperately tried to imagine that she was Tara, and you were C/N. She looked up into your eyes, like the script instructed, and saw the look in your eyes. Tender, filled with love and gentle, showing that Tara was the only one who could get C/N to act like that.
Jenna nearly pushed away from you right then and there. The look in your eyes overlapped with the way you would sometimes look at her off camera. Worst of all, Jenna found herself blurring the lines between what Tara was supposed to feel and what she was feeling. Too intense, it was too intense. Too fast. She couldn’t get her heartbeat under control and she was sure you were actually holding her up with how much the realization that she couldn’t do the one thing she always did while filming affected her.
She could not black out, even slightly.
No one stopped the scene and she resisted the urge to stop it herself. In the back of her head her overthinking brain figured this was actually selling the scene better. She felt self-conscious, uncertain, and that was close to what Tara was supposed to be feeling right now.
Her anxiety only increased as she remembered what she was supposed to be doing. Mere seconds separated her from the kiss. She was to take the lead, your character not wanting to push Tara into anything. Funny how you took that approach with her as well, outside of your characters, outside of the movie, outside of being co-stars, and she did something unprofessional. She wasn’t reaching up with her right hand and touching C/N, she was touching your cheek.
You leaned into her touch, parting your lips slightly. “Tara,” you whispered, soft, protective, your voice filled with relief and love, exactly what was needed from you as you gently wrapped your arms around her shoulders and upper back, avoiding the injuries Tara was meant to have. You were being professional, you were doing your job and here Jenna was, driven by her emotions.
She still continued, she hugged you, her right palm resting on the nape of your neck, tugging you lower as she placed her bandaged left hand on your back. The question in your eyes, the one last chance for her to tell you she wasn’t comfortable, to back away, to quit being unprofessional was presented to her, yet she, against the script, ran her fingers through your hair, gently scratching the back of your head and raising her head. She swallowed hard, completely aware that she wasn’t acting, that she was about to kiss you.
And that wasn’t the right thing to do.
Just as your lips were about to touch Jenna pulled away, gasping and taking a step back. “I’m sorry, I’m sorry,” she quickly apologized, knowing full-well how this, all of this looked. The sudden rejection, the gasp, the way she pushed against you, and the way you froze. Everyone froze, Matt and Tyler, the camera crew, everyone, and she swore she could hear the pin drop. “I-“ what could she even say.
“What just happened?” Tyler asked, looking between you and Jenna, and she couldn’t blame him. “Y/N? Jenna? What’s wrong?” he sounded confused and concerned and Jenna looked at him, only now realizing he was looking at you for answers.
And her heart sank.
The way she reacted made it seem like you caused it. Like you did something before the shoot to make her uncomfortable. “I panicked, I just, I don’t know what happened,” she quickly said, but it all sounded less convincing than she was hoping for. “Y/N didn’t do anything wrong,” she said, hating how her emotions were getting all over the place and completely out of her control.
“Okay, what do you need? Five minutes?” he asked. Everything was set up with the intention of finishing the kiss scene and it needed to be done today, or the production would risk falling behind.
You had other ideas though. “We reschedule, call Mikey and we can finish the chase scene instead,” you said and Jenna snapped her head toward you. You didn’t look angry, at all, but she could see you were shaken by what just happened. By how Jenna stopped the scene.
“That’s a temporary solution. What if this happens again?” Tyler demanded, and Jenna knew his concerns were valid, even if he didn’t know what caused her reaction.
It would only get worse from this point onward. She reacted like that, she disrupted the chemistry between you, created a tension that couldn’t be fixed that easily. And she was certain it would be felt across the rest of the scenes you two had together. Not to mention she genuinely believed the kiss scene was now absolutely impossible.
“We’ll figure it out just give us a couple of days!” you snapped, for the first time since Jenna met you, you snapped.
Tyler raised his hands up in surrender. “Fine, fine, we’ll leave it to the two of you. Jenna, you should go and rest, someone call Mikey to come here!” he instructed, wanting everything to be done as quickly as possible, since enough time was already lost on setting the scene for the failed kiss.
She fucked up.
“Jen,” you turned to her, worried and she just couldn’t take it.
Jenna shook her head, tears threatening to fall from her eyes. “Sorry, I’m going back to the hotel,” she whispered and as quickly as the cast around her leg allowed, ran out. She just needed to quickly get the costume off and she would go back to the hotel. She closed the door behind her and leaned her back against it, and though it was muffled she heard you cursing.
Why couldn’t she just black out?
~X~
It felt like everyone knew. It felt like every time someone looked at her she could see their confusion, their curiosity about the failed kiss scene. Maybe even some judgment? Toward either or both of you? Everyone knew, after all, Courtney, who had nothing to do with the scene came up to her and assured her it happened to everyone.
She truly made a mess of things.
So, she escaped into her room, trying her best not to think of the poorly hidden glances, or the occasional whispers, mainly among those that were there when it happened. She was yet to see you, and that made everything even worse. You just came back from the set and went to your own room.
Jenna didn’t dare to go and knock, she couldn’t. What could she tell you? ‘I’m sorry, I have a crush on you, and I couldn’t get into character?’ yeah, that would be a perfect, acceptable explanation.
Were you still angry at her? Were Matt and Tyler angry at her? It was the only reasonable answer. After all, why wouldn’t you be angry? You said you and Jenna would figure it out, yet you didn’t come to see her. You were just going to approach her and tell her to get it together and do her job, weren’t you? To forget about the friendship because of the scene she caused?
She needed to lie down, to try and fall asleep, and hope things would be better after sleeping. She got up and stumbled, unsteady. It felt like the whole room was spinning, like her heart was going to burst out of her chest as she leaned on her table, her trembling hands clenching around the edges of it. She knew what was happening, but she couldn't stop it, she couldn't breathe, she couldn't stand, but she found it hard to move.
"Jenna?" Melissa's voice and knocking only made her panic more. Melissa couldn't see her like this. No one could. After everything that happened this was the last thing she could allow. "I'm coming in!"
No! She tried to yell, to stop Melissa, but she couldn't speak, she couldn't stop it, she couldn't stop anything. She couldn’t black out and do her job, she couldn’t do a fucking kiss with someone she had a crush on. And now a co-star was about to see her like this, having a panic attack. Everyone will know then. Just like they found out about what she did. It’ll spread like wildfire and consume her entirely. They'll know about her anxiety. You'll know about it, about how little control she had. What will you think of her then, now that you were angry at her. Your friendship would end and it was all, entirely, her fault.
"Jenna!" she came in. She saw her. It was over. Jenna crumbled to her knees, just barely noticing when Melissa ran up to her. "What's wrong?! What happened?!" the frantic tone, the uncertain touch, Melissa didn't know what to do, and all it did was make things worse.
Jenna felt sick, nauseous. Too weak to get up, to stop this. "Do you need a doctor? Shit, what do I do?!" Melissa was panicking, but it was nothing compared to the disaster in Jenna’s head. Everything was going to crumble around her!
"No! No!" it was getting worse. This couldn't be happening, this had to end. It was all her fault for being like this.
"Okay, okay, just please calm down!" Melissa still pulled out her phone, typing something and sighing in relief and Jenna had no idea why, but she felt intense fear all of a sudden. "Just a bit more," just a bit more what? What did she do? And then her doors opened, and she pieced it all together when you rushed in.
"Y/N, I don't know what to do," Melissa leaned back, but none of it mattered. You were here, you knew now.
"Jen," you approached her slowly, calm, steady. "Can you take a deep breath for me?" you knelt down in front of her as Melissa pulled away and Jenna felt your hand, firm, on top of her own. She saw no panic in your eyes, she felt no judgment. There wasn’t any anger, just concern. She managed a slightly deeper breath, leaning closer to you. "That's it, good," you slowly pushed a strand of her hair back, wiping sweat off her forehead.
Why? Why were you having this much of an effect on her? Calming her down like this. It didn't matter, she just closed the distance between you and took a deep breath as you hugged her, letting her lean her head on your shoulder. "You're safe," you whispered, slowly wrapping her up in a hug, like earlier disaster never even happened and she grabbed onto the hem of your shirt hoping you would pull her closer to you.
Masterlist / First Part / Previous part / Next part
Taglist: @lilbitdepressed27 @freakshow2501 @osnapitzmel1 @belatrixdragon @ijustlovemaths
265 notes · View notes