angel-dusts-blog-thing

[taxi-davis]

Kouek — Twenty Mako

[greenlaut]

pov: ur sarge is more unhinged than u thought (he’s a demolitions expert)

[cerosin-bis]

A Krueger I made at the beginning of the year for a CoD fanzine 💥

[arugulaeater]

actually I'm kind of curious about this because it was a huge debate among my peers in my community

Clarifications under the cut:

The poster is in a public space where it is typical for everyday people to post things. It is not someone's private property or possession. Think piece of paper taped to a telephone pole, not sign in a storefront or in someone's yard.

The poster is not protected by law; you are very unlikely to face legal consequences for vandalizing it. Caveat: some peers have argued that it risks being socially consequential because an organization or demographic that you are a part of may be judged as intolerant/oppressive/disruptive/otherwise unpleasant if people witness your actions, and thus advocated against vandalism for fear of damaging your public image.

The poster is not an expensive or personal piece of artwork; it is a mass produced print on letter paper.

You are vehemently opposed to the message displayed on the poster, but it is an opinion that people are free to have in your country.

The 4th option refers to things like intentionally putting your own poster over top of the bad poster or otherwise making the bad poster harder to view; some people argued that targeting the poster for removal is out of line, but posting your own messages is an innocent action that you are well within your right to do (in this context, posters regularly eclipse each other as new ones are posted over top of outdated ones due to limited space)

The poster is part of a campaign; it's not unique. There are many postings of it across the community.

This is all assuming that the offending poster is not old and would typically not be considered fair game for pruning for quite some time, and that it is being specifically targeted for removal because of its message (rather than petty vandalism or because it's obstructive or damaged). E.g., if a poster is advertising an event happening on April 20th, it's typical to prune it after that date but not before.

Of course the situation that prompted the real life debate did involve a specific offending message, but I'm not going to specify what it was for now because I think it'll skew the results as people will just end up voting based on whether they like or dislike that message, which isn't the point of this. For this poll we are assuming that it IS a message that you are very opposed to; you can substitute in your own opinion that you have strong feelings about.

Please reblog for sample size!

[ithinkthiswasabadidea]

there's only one way to find out 👀

[drconstellation]

Obligatory Reminders and Crossing the Lines

Have you been wondering why Shax tries to do a mail delivery to Crowley as he escorts the shop keepers to safety from Aziraphale's Eldritch Ball? It seems a pretty random thing to do at that moment.

SHAX: I brought your mail. CROWLEY: Why? SHAX: It stacks up by the front door. CROWLEY: Keep it for now, not a good time.

It's not the first time Shax has tried to give Crowley his mail. We first see her hand a pile over on the park bench in S2E1, while they have an introductory spy vs. spy catch up, in St James Park.

SHAX: I brought your mail. CROWLEY: Anything interesting? SHAX: Bills, mostly. I don't understand why they won't just deliver them to your car. CROWLEY: Send the bills to Hell's finance office. SHAX: I did. They say they can't accept my signature as your replacement.

Bills, mostly. That aren't being accepted by Hell's finance office, unless Crowley signs them. And they expect to find him in the official residence of Hell's ambassador plenipotentiary to this corner of Earth, in Mayfair.

Next, we see Crowley redefining all that mail as "junk" and discarding it.

uh huh. Lets ignore the conveniently placed disposal unit for the moment...

We need to stop and define what those "bills" actually are. Because they are not actually the financial type of bills. Well, they could be. But this is the GOmens AU, so they have a second meaning as well. Paying your bills is also meeting your duties and obligations to another party, and this is something Crowley is refusing to do right now.

I don't think its as simple as Hell being short staffed and they just haven't got around to doing the change over (I know I suggested the latter recently, sorry) and that's why they aren't recognizing Shax's signature. It's that Hell actually hasn't let Crowley go - he is still "on the books," so to speak, despite all that has been said and done since the Nope-ocalypse. He might call himself a "former demon," and he might call Hell his "former side," but that is definitely NOT how Hell sees it, despite the fact they aren't harassing him or giving him tasks to do.

Actually, that should be haven't been harassing him, because since Gabriel "disappeared," they have been back on his case. The mail is a warning sign, but Lord Beelzebub's summons really should have given you the chills.

Crowley protests that they had a "generalized understanding" that he would be left alone, but Beelzebub declares that "we don't."

Ah. So all is not as it appears. They are just playing nice because they want something (Gabriel) and in reality Crowley's position in relation to Hell really is fragile. Yet outwardly he seems more worried about Aziraphale.

It goes downhill from here. Shax begins to stalk him.

This image of Shax is just delish. The sharp "V" of her her decolletage reminds us of a stork's bill, her avatar animal, and it's stabbing down at the snake on her belt. She might be seeking the Frog Prince who escaped Heaven but she's also got a certain snake in her sights.

Shax can't can't cross the threshold of the bookshop without an invitation from Aziraphale. This plays into the old belief that supernatural creatures such as vampires, demons and faeries can only enter a house if invited in. We also see this extended to the Bentley, once "ownership" is extended to the angel, but the door of the bookshop is the important border here for now.

Then have this threat of war being declared:

War on Aziraphale, not Crowley, as they still consider Crowley to be on Hell's side. They don't see it the way Crowley does as Us and Them, to Shax there is still only Heaven and Hell.

So we come back to the second round of mail delivery:

Crowley is about to escort the human shopkeepers to safety and Shax confronts Crowley right on the threshold with his duties and obligations. He really doesn't want to have that conversation right now, not here and not with Shax. As far as he is concerned, he has no obligations to Hell any more, and he's not taking any notice of their demands in any form, either, so Shax may as well just get out of the way and take the mail with them.

And with that, Crowley crosses the threshold, leading the humans out.

At this point in the story you might be asking what's the big deal about that? Crowley has been going in and out over that doorstep several times a day lately, and has crossed it hundreds of times over the last couple of centuries since the bookshop was built. It's not a barrier to him.

The significance of this boundary line has been highlighted to us in S2. We have Shax actually telling us that she knows she can't cross the "threshold" in S2E3, then she asks again in S2E5 where the boundary line is just before Mr Brown is hauled off into the demon Legion. But its even more than that.

On one level its the line that Crowley has drawn for himself. He's not going back to Hell if he can at all help it, and he's quite resolute about that. It's his side or no one's side, from there on in. He reinforces that when talking to Aziraphale in the Final Fifteen.

On another level, I'm wondering if we could consider this a step on the eponymous Hero's Journey? Crossing the Threshold is one of the early stages of the journey where the hero crosses into danger or the unknown. We're shown things aren't normal outside by the mist and green light. Then he diverts off unexpectedly to Heaven with Muriel. Just throwing it out there to see if its worth exploring a bit further. I'd say we've only got the early stages of the journey in S2, with the remainder to come in S3.

[l0v3tast3]

This randomly came to my brain but, what do you think Gaz would be like as a husband?

GAZ BRAINROT !!! arizona ily thank u for reminding me of my love for kyle garrick <<33 here's some pure fluff, he's just so easy to write it for o(>ω<)o gaz is definitely one of my favorite comfort characters not gonna lie hehe

husband!kyle who always keeps a fresh bouquet of flowers set in a pretty vase on the kitchen table for you. it's a habit for him, like muscle memory. he stops at a little flower shop after his run every monday morning, right around 6:30, and catches up with the owner before he comes back home to you. by the time you wake up their stems are cut (just like you showed him) and it's sat front-and-center on the table, next to the breakfast that lured you out of bed. when you thank him with a sleepy smile as you plop into your chair, kyle smiles back and kisses the crown of your head before he sits next to you.

husband!kyle who wholeheartedly encourages you to exercise with him. you're into running? he's happy to go for as many laps around town as you want to (are able to). you're into weight-lifting? he insists on adding the weights onto your bar himself and is always there to catch anything you may drop. more into yoga or stretching? he is a gymnast after all, so he'll be excited to show you what he knows. kyle will be over the moon just to go on little walks around the block with you- he definitely uses it to get into pokemon go (and makes you get it too). and even though he's an active person, he'll still love lounging around with you.

husband!kyle who loves doing mundane, everyday things with you. cleaning around the house, laundry, running errands, all of it. he's had enough chaos from the military to last multiple lifetimes. the little things are what grounds him from it, you're the one who helps to ground him from it. while he isn't a man of many words, his thoughts are more than plentiful, so it's hard not to find appreciation for things wherever he can. kyle shows it in as many ways as he can, through flowers and keeping you healthy and accompanying you for however long you can stand to be around him. you are his beloved and he is yours, to have and to hold, and kyle will spend every day of his life proving that he meant every word of his wedding vows.

(ﾉ´ヮ`)ﾉ*: ･ﾟ likes, comments n reblogs are always appreciated!!

[launa-moe-art]

König drawings for the peoples featuring Ghost and Horangi!

[jelly-boi]

soap has w rizz

[tumbleweeddesktop]

uhuh sureeeeee keep your secret safe budy

[ms-rampage]

König: "Ghost! What an excellent job you've made of it!."

Ghost: "I do not need your encouragement."

König: "Oh, oh no. I've offended you. Oh no!." *disappears*

Y/n to Ghost: "I think you hurt his feelings."

[Reference]

[rosykims]

personally i hope they leave solas' romantic history as vague as possible mostly bc i genuinely dont think its relevant or neccesary at all and it just adds another layer of mess to a situation thats already messy enough as it is. but if they do go down that route i am desperately hoping they just reaffirm him being a canonically terrible boyfriend who's never held a stable relationship longer for like. idk. 20 years at best lol. i think that would do WONDERS for his character actually

[madamshogunassassin]

Michelle Yeoh in her second leading role "Royal Warriors AKA: In The Line Of Duty 2(1986)"

[sparring-spirals]

oh. so. this dream and this vision and this exchange after and everything that has been building to here.

All that rage, all that desperation, Imogen's knowledge that Liliana's judgement is flawed and searching for any reason to understand, searching for a way to bring her out of it. Bring her back.

"Show me" and she does and.

Its- beautiful, its wonderful. Its the unmaking of the world and of history and it feels- so good. For a moment Imogen feels something she hasn't for YEARS. A life and a possibility and a future full of peace she hasnt had for ages, hasnt even bothered hoping for. For a moment, Imogen sees it, but more importantly- she feels it- the freedom, the peace, the dream. Stronger than any vision. She sees it. She feels it.

And she wakes up, and she- unknowingly, perfectly, mirrors her own mothers words, looks around, asks- did you see it? Did you all see that? (I wish you all could see what I could see-)

They didn't- of course they didn't. They saw Liliana, too far gone, spouting nonsense, they saw her reach out, they saw the refusal to listen to reason. They did not see the vision. (They couldn't have. Even if they'd seen it- would they have understood? How could they? No beautiful vision would have captured the thing that left the awe in Imogen's lungs- the peace. The freedom. The finality of, finally, finally, being free of this gift that has only been a curse.)

They didn't see the vision. They saw their friend, tapped on the forehead after hopeless pleas. They've been seeing their friend make further and further excuses for someone they know is a danger, someone siding with people they are working so hard against. That has hurt them. They've seen the way she can't quite denounce Liliana. They've hedged around it: If she's not on our side, will you be okay- You know if she's not on our side, we'll have to-

They've been watching. They're seeing plenty. They did not see the vision. They couldn't have.

They saw a fruitless conversation. They saw their friend rebuffed by someone she loves. They saw her wake up with a strange kind of light in her eyes and- say.

What if its not so bad? (The world ending. Half of the world being eaten. Innocent lives lost. Our loved ones cut down for a fever dream and delusions of power and grandeur. Us, cut down, for some stupid plot for a moon and petty revenge against the gods and a desire to end the world.) They've been watching her, make halfhearted arguments, sidle away. Make increasingly desperate excuses. Ask: What if.

(Its so easy to ask, what if. Its so dangerous. Sometimes the if is used to hide away lives and lives of collateral, of blood red loss. Sometimes the if has already been answered and paid for, and the act of asking is its own form of violence, all over again.)

"Well Imogen, I wish my family didn't have to die for her brighter tomorrow."

And the way Imogen collapses, a little- presses her face into her hands and crumples under the weight of the reminder, like voices piling in after weeks of being in blissful quiet in a forest. Like reality breaking in after a beautiful dream. "You're right. I'm sorry. You're right."

"I swear, I wanna see this through, I do."

"She just presented this vision of- it didn't seem so bad."

And the Bells try to help, to be kind. They say: We understand why this must be hard for you. She's someone you love, its hard to deal with them thinking a different way. What did you see?

They are trying so hard, to reason through it, to balance their own hurt with kindness and sound arguments to lead her back. They want so badly, to lead her back. Have her back.

The problem however, is not the soundness of the argument, is not the reason or the logic- but the overwhelming allure of that sensation- of that promise- of the hope- of the ideal. Of a mirage that already drew Liliana in. That is pulling Imogen's gaze, despite. Despite, despite, despite.

Hope is such a tricky thing to kill.

[emberphantom]

 “...That’s another reason why this Soap and Ghost relationship works, right--is that, for whatever reason, y’know--that doesn’t need to be talked abut now...but--Ghost has, well it’s clear that Ghost has a huge amount of respect for Soap, right? And he wouldn’t let anybody--in fact, for anybody else to talk to him the way Soap does would mean a different thing--but they’ve been through a lot together. But what’s great about that moment--and I’m glad you brought it up Neil-- it that [Ghost and Soap] are pushing each other to evolve without even realizing it. And for Soap to say something like that costs something for him. And for Ghost to correct the record and say what he says, that costs something too. And I think, again, that’s why this game is so satisfying is these characters--they’re going to places they’ve not been before. But they help each other get there. And I think that’s a good theme that’s come out from this game is that, you know, they need each other.” 

-Samuel Roukin on Ghost and Soap in MWII (x)

Honestly, one of my favorite parts of that interview from yesterday. Not even from a shipping stand point, but Samuel just like seems to get it when it comes to what makes Ghost and Soap scratch at everyone’s brains and I think that’s awesome.