#레코드

[flashwise]

Sunday Morning Listening (SML) 137 ZZ Top -“Afterburner” Finally I made a full alphabetical selections from a to z. My only artist with Z letter until I get Frank Zappos’s. I remember, during MTV era, ZZ Top’s MV with their signature long beard, shades, hats and spinning guitars. Found lovely slow song, Rough Boy, in this release. Fun sound overall. #vinyl #sundaymorninglistening #lp #records #denondp55L #analog #レコード #日曜日朝の音楽感想 #デノンdp55l #일아음 #데논dp55L #アナログ #레코드 #일요일아침음악감상 #레코드판 #아날로그 #zztop #billygibbons #dustyhill #frankbeard #bullham #afterburner #지지탑 #빌리기본스 #애프터버너 #ズィーズィートップ #zzトップ # 1985　#アフターバーナー #ハードロック https://www.instagram.com/p/CqiJ8cpofoq/?igshid=NGJjMDIxMWI=

[minjungfmd]

playlist — sung si kyung

summary — someone who’s heavy on the fanships of her favs, one favorite of hers gets overlooked — sung si kyung. fans know minjung as someone a fan of new jeans, h.o.t (yeah, she was born their debut year, but she has a soft spot for retro), dbsk (the big one that still tugs at her heart), super junior (sue her sexy free and single was a time for teenage angst and bad music), and catalyst (though this one is more so known as ‘company support’). despite this, she also has a big fanship towards sung si kyung that extends to his songs on repeat, and his songs being her go-to at noraebang. the songs have gotten her through many schedules, sad nights, and healing throughout the years.

1. 성시경 — 넌 감동이였어 / you touched my heart 2. 성시경 — 거리에서 / on the street 3. 성시경 — 태양계 / solar system 4. 성시경 — 너의 모든순간이 / every moment of you 5. 성시경 — 내게 오는 길 / the road to me 6. 성시경 — 한번 더 이별 / parting once again 7. 성시경 — i love u 8. 성시경 — 소녀 / a little girl 9. 성시경 — 눈물편지 / letter of tear 10. 성시경 — 너는 나의 봄이다 / you are my spring

[blackpink]

Lovesick Girls in Seoul | RÉCORD 레코드 💛

[streetlight11]

Love You For Eternity

Summary: Having a best friend is one of the best things in life. For you, it was him. He was your best friend, your partner in crime, your shoulder to cry on, your happiness, your soulmate, your eternity, your absolute everything...

Theme: childhood friends au, best friends to lovers

Genre: very fluffy

Warnings: mentions of being cheated on

WC: 3.4k

Pairing: Bang Chan x Fem!Reader

a/n: Hello! I was listening to Chan's recent SKZ RECORD 'Eternity' and the lyrics is so sweet that I got the inspiration to write this. I hope you enjoy this fic and let me know if there's any mistakes or things need to be improved! Enjoy ✨

There’s a popular phrase which most people could relate to and it goes like so; ‘People often come and go in your life, but the right ones will always stay’.

Throughout your whole life, you’ve had many friends. But at the end of the day, not many stayed. You can literally count with your fingers the amount of friends you had left who were the really close ones. And of all the close friends you had left, one of them meant the world to you. Nobody could ever replace him and nobody could ever make you feel the way he does.

You met him back in kindergarten when you were both at the age of 5. You were in the second form class, he was in the first form class. Everyday, you would only see him during play time because that is where both your classes would be brought to the playroom a few doors down from your classroom for an hour. Usually, you never liked to mingle or make new friends outside of your class simply because you’re a timid little girl. However, on that one unfortunate day is when you first interacted with him.

It was a Tuesday afternoon, where your teachers were preparing to bring you to the playroom. You were partnered with your best friend Mikayla for the short walk. When you made it to the playroom, the students from the other class were already there which means your class made it there just a tad later than them. Once you were all given the permission to go inside and play around for an hour, you began to head towards the slide with Mikayla. At one point, you were playing catch with her when you accidentally slipped and fell.

Hitting your chin onto the foam mat with a strong impact which left you crying. Not long after, a teacher came and carefully brought you to the side as she then hugged you to calm you down. She was sitting on the ground with you in her lap, burying your face in her shoulder while you cried. She rubbed your back soothingly as she said comforting words to you. Just then, you felt someone gently pat your head so you lifted your head up. That’s when you locked eyes with a boy with sparkly eyes. He looked concerned but then he smiled at you.

You held eye contact with him for a while as he gently patted your back to comfort you. Your teacher then asked if you had any injuries, she checked your mouth to see if you accidentally chipped a tooth or bit your lip or what not but it seemed like none of that happened. So she told you to sit here and rest if you wanted to, in which you agreed.

She got up to monitor the other kids while you sat there wiping your tears away. The boy from earlier sat down next to you as he flashes you an adorable smile.

“Is it still painful?” He asked.

“A little.” You quietly said and he nodded.

“My name is Chris. What is your name?”

“My name is Y/N.”

“Let’s be friends.” He said so you smiled. And that was the start of your friendship with him.

As the years go by, you went to the same schools which you also ended up being classmates through the entire years of school. Chris had many friends growing up but some of them come and go. On the other hand, you are never going anywhere and he won’t let you. The sad thing was, on the day of your high school graduation, he told you that he was leaving the country to go study in an overseas college which you dreaded so much.

You and Chris were like two peas in a pod.

Wherever one goes, the other will follow.

So to hear that he would be thousands of miles away, made you feel sad and uneasy. He told you that he will keep in touch with you every single day as if he never left but deep down, you knew it felt different.

Nevertheless, you weren’t going to stop him from going just because you want him close to you all the time. Which is why when he was supposed to leave, you sent him off at the airport together with your family and his. You promised him that you will look after his parents, Hannah, Lucas and Berry while he’s gone which he very much appreciates. After he had entered the departure hall and had gone further in, you sighed as his mother came over to give you a warm hug. She comforts you telling you that it was okay. You thanked her genuinely, only for Hannah to speak up.

“Since my older brother’s gone now, does that mean you’re my new older sister to replace him?” She asks cheekily, making you laugh.

“I’d love to.” You said as they all laughed.

Years soon went by and you were happy in college. Although you do still keep in contact with Chris every week, it wasn’t a secret that you miss him harder with every day that passes by.

Despite him being miles and miles away, you still keep him updated about almost everything that’s going on in your life. From school to friends to activities and even to dating and hookups. He would also tell you things that are happening in his life whenever you would facetime or even through texts. It’s interesting to hear how similar yet also different your lives were in both countries.

It’s been 4 years since you last saw him in person and today was the day you would be graduating from college. Your parents came down for your graduation ceremony as guests with the tickets you got for them so that they could enter the hall. The whole ceremony went perfectly as you collected your certificate on stage without embarrassing yourself. After the whole ceremony was over, it was time to leave the hall either for the buffet, for photo taking with your family and friends or to head home.

You met up with your family as they brought you to a corner where it wasn’t too crowded. Some of your friends came down to give you flowers and celebrate your graduation together which was really sweet. You were just taking pictures with your best friend as your younger brother was your photographer when someone tapped your shoulder. You turned around thinking it was a random student or a stranger but you were wrong. As soon as you turn around, your smile drops and you freeze from an immense amount of shock.

Standing in front of you now was Chris.

Who was wearing a white button down shirt, denim jeans and a pair of sneakers. He grins at you whilst holding a bouquet of your favourite blue roses with baby's breath flowers around it.

“Hey.” He chuckles adorably and you seem to have lost your words.

“Is it really you?” You asked in denial, making him laugh.

“Do you wanna check if I’m real?” He laughs again. This time, you bent down to put everything down on the ground before throwing yourself on him. Your arms wrapped around his shoulders while you buried your face in his neck. Chris laughs at your reaction but still wraps his arms around your waist and pulls you closer to him. You started tearing up and he felt it.

“Oi! Stop crying! You’re gonna ruin your pretty makeup!” Chris teasingly raises his voice at you as he pulls away. Everyone around you laughed at how funny and cute you were. Chris then took the tissue that your mother held for him to take as he wipes your tears away.

After a few more minutes, you finally took pictures with him for memories of your graduation. Once everything was settled, you thanked your friends for coming and they congratulated you once again before leaving. Meanwhile, Chris stayed upon getting an invite from your parents to go grab some dinner with your family which he agreed to. As you all began to walk out of the place, you walked with Chris behind your family. You turned to get a good look at him and he laughed.

“What? You still can’t believe I’m here?” He asks.

“Uh? Duh! You told me you couldn’t come to my graduation because of your own graduation!” You scolded him as you gently punched his arm.

“Well obviously I had to lie? I didn’t wanna ruin my surprise!” He said casually, earning a scoff from you.

“Kudos to you for pulling it off then.” You smiled at him as he ruffled your hair playfully. Dinner was nice and he told your family about his plans now that he’s graduated college. He said that he’ll be moving back here in a month's time and so you got happy.

And that was exactly what he did.

As each year went by, your friendship with Chris kept growing stronger and stronger now that he’s physically back here with you. Every guy you went on a date with, could never reach your expectations simply because of how high your best friend has set the bar for you. From a certain perspective, it might seem ridiculous and overrated. But on some perspective, it was set on a level where you realised that that is how you deserve to be treated. With the past dates and failed relationships you’ve had over the last decade, it made you realise how low and shitty those guys have ever made you feel.

It even got to a point where you were giving up on finding someone who could barely treat you right. Until that one night where you came to Chris’ apartment door crying after your boyfriend of 2 years broke up with you when you found him cheating on you.

He didn’t expect to see you there but he knew you needed him at that moment. So instead of letting you cry and calm down on your own, he brought you to his room and led you to his bed. He laid with you in bed, his blanket covering both your bodies as you cried onto his chest and he comfortingly caressed your head. You took at least 10 minutes to finally stop crying and calm down but he was so patient with you. Ever since then, you stopped going on dates to avoid getting your heart broken again. And all this time, Chris was right there next to you.

It’s been months since your break up and you’ve healed from it, not to mention moved on.

It was a Friday evening and Chris asked if you wanted to hang out at his place. You agreed easily to it considering he was your best friend.

When you arrived at his apartment, he greeted you at the door with just a cosy pair of sweatpants. You’ve seen him shirtless a couple times so it’s pretty normal for you by now. The only problem is, you find it harder and harder to keep your emotions hidden every single time mainly because of how much he’s changed over the years.

Mind you, this was the same Christopher who comforted you when you fell on your chin in preschool. So when he caught you glancing down at his abs briefly, he smirked teasingly whilst saying, “Do you like what you see?”

“Ew! Shut up!” You laughed, shoving his shoulders lightly and he chuckled.

“Oh what? You’re shy now?” He asked teasingly which made you scowl at him.

“Christopher Bahng, I swear-”

“Okay! Okay, I’ll stop.” He says with a cheeky smile. You rolled your eyes at him but the smile growing on your face, quickly betrayed you.

You hung out with him that night, quickly losing track of time even though you weren’t really doing anything significant other than watching movies, chatting, gossiping and snacking. It was already a quarter past midnight but you weren’t planning to head home anytime soon. He was sitting next to you, scrolling through the movies on netflix when an idea struck you.

“Hey, are you tired?” You asked.

“Nope. Why?” Chris asks without turning to you.

“Wanna go for a little walk?” You asked as he finally turned to you with an amused smile on his face.

“You wanna go outside? Where do you wanna go though?” He asks.

“I don’t know.”

The room fell silent as you both thought of a place to go. Just then, he suggests something.

“How about we’ll drive around and see where that leads us. Then we’ll stop somewhere nice where we can chill?”

“Sounds good. What time shall we go?”

“Do you wanna go now or a little later?” He looks at you softly, melting you in your seat.

“Later. When there’s lesser people outside.” You said and he laughed. Nevertheless, he agrees and waits with you.

An hour had passed and you were both preparing to leave. Chris had changed into a white shirt, a black oversized bomber jacket, denim jeans and a pair of sneakers. He also recently dyed his hair to a strawberry brunette colour. He lent you one of his oversized jackets which was too big on you but you loved it. Especially since it’s his but of course you couldn’t tell him that. You zipped it up to just below your chest while one side hangs loosely off your shoulder. Once you were both ready, you left his apartment as he chats with you about random topics.

The drive was basically aimless with no particular destination. After about half an hour of driving, you reached a part of the town which was empty and quiet.

All the street shops were closed and there were no cars on the road aside from the few that were parked along the side. There weren't any drunk or sober humans lingering around the street either, which was great. So he parked at one of the lots before you both left the vehicle.

“We have the whole street to ourselves.” You giggled while he smiled at you.

“What should we do?"

“Let’s capture these moments. I wanna be able to look back on it on days when I feel down or empty…” You said as you took your phone out and clicked the camera app.

This was normal to him because you do this every time you hang out with him or go on spontaneous trips like this. You loved to capture random moments like this so you could look back on them for the memories you shared with him.

You turned on the front camera video and clicked the record button before setting it up against one of the shop’s window ledges to work as a phone stand. Once it was standing securely, you turned to see him standing a few feet behind you with his hand tucked in his hoodie pockets. Chris was just staring at you quietly with a fond smile on his face. Since he didn’t seem like he was gonna move anytime soon, you giggled as you leaped forward. He opened his arms just in time to catch you.

You wrapped your arms around his neck while he hugged your waist. He laughed at you, saying you’re funny in which you thanked him. Just then, he suggested a challenge.

You will both go to the end of the street where the traffic light is and you will both have to run towards the phone. You easily agreed to it and he was excited. When you made it to the end of the street and you could sort of see yourself on your phone screen, you turned to him to ask a few more questions.

“Loser has to do what?” You asked.

“The loser has to eat a whole bowl of spicy noodles.”

“Damn, you make me wanna lose although I hate spicy food.” Just then, he tapped your shoulder and quickly took off running.

“Race you there!” He sprints down the pathway, leaving you behind.

“Hey! You cheated!” You screamed in between laughs but soon sprinted down.

You tried to catch up to him as best as you could. Once you managed to run past him, Chris laughed. You were just a few metres away from the finish line when he grabbed your jacket to pull you back. This caused you to stumble back, only to crash into his chest while he back hugs you.

Both your laughters echoed around the empty street, feeling him wrap his arms securely around you.

“Christopher! Let go!” You giggled but he refused to let go of you.

"No. That way no one loses.” You laughed in his arms feeling him bury his face in your neck, smiling against your skin. He then guided you towards his car before he leaned against the door.

You took this chance to turn around and face him. When you did, Chris still had his hands on your waist while you gently slid your hands up his chest to rest your wrists on top of his shoulders. Neither of you talked but the atmosphere seemed warm and cosy between the two of you.

You then caught his eyes glancing down at your lips. This made the butterflies in your stomach erupt. Chris then looks back up into your eyes and his lips curled into a soft smile.

“I’m never letting go.”

“We can’t stay out here all night, Chris.” You giggled, only for him to shake his head. You get confused, tilting your head to the side slightly and he chuckles.

So he explained to you, “I’ve known you ever since the day when we were kids. Nothing in the world could beat our little special bond. Every moment with you is a precious memory and I’m lucky that you’re my best friend… So, I’m never letting you go…” Chris says with so much fondness in his voice that it makes you melt against his arms.

You smiled at him, feeling like your heart was fluttering in your chest.

“Chris…” His name slips past your tongue in a whisper which he heard loud and clear. Your hands were now resting on his stomach while he reached up to hold your face with both his hands gently. He caressed your cheeks with his thumbs, never breaking eye contact with you.

Without any words exchanged, he carefully leans his head forward slowly to see if you would pull away. When he was just an inch away and he realises that you weren’t pulling away, Chris finally closes the gap fully.

He gently kisses on you the lips, feeling his soft lips touch yours.

You wrap your hands around his waist as you feel his lips curl into a smile against yours.

After a few seconds, you pulled back for a breath but kept his face close to yours. His lips hovered over yours as he kissed you again. You giggled into the kiss, earning a smile from him when he pulled away.

“What?” He asks but you gently pat your hands against his chest while he drops his hands to your waist.

“Nothing. You’re just so adorable…” You said, making him blush.

“I love you, Y/N… I love you for eternity.” Chris says, making you hug him.

You felt him wrap his arms around your waist securely, making you feel safe.

“I love you for eternity too, Chris.” You whispered against his shoulder. You then felt him kiss your neck before you pulled away to look at his face. He was smiling softly at you as you took this chance to kiss him again. A couple of seconds later, he whispers over your lips, “Let’s get your phone and head back home.” You nodded and did as he said.

Once you took your phone back, you both went in the car and he drove you back to his place.

The drive back home was filled with a peaceful silence as you tangled your fingers together with his hand in your lap. When you made it back to his apartment, you both took warm showers separately before changing into his comfortable clothes for sleeping. You climbed into bed next to him, only for Chris to pull you in. You laid your head on his chest while one of your legs rested in between his. He hugs you close, making sure you are safe in his arms. Right before you fall asleep, Chris reaches up to tilt your chin up using his fingers and soon kisses your lips softly.

“Goodnight, my love.”

“Goodnight… I love you…” You whispered tiredly as he smiled down at you before kissing you again.

“I love you more.” His gentle voice says and soon, you both fell asleep.

[eliluvschan]

My Eternity

pairing: bang chan x reader

word count: 2.098

warnings: cutie channie explaining his relationship & like one curse word?

genre: fluff

a/n: when i tell you i've never had a boyfriend would you believe me? lmaoo i blame the 4am thoughts for this one. took me 4 hours to write this with like 7 mental breakdowns through? i was listening to WOW and i reeeaally wanted to add Jisung's; jeogiyo noona hokshi namjachingu isseoyo? but rlly didn't know how lmao + i'm addicted to this small lettertype so imma use it from now on ;) okay now i'll let you go read. enjoooooy ♡

i’ve known you ever since the day when we were kids.

- we’ve been neighbours since childhood. you moved to my hometown, went to my class and blended in. everyone liked you, how could i not?

the happiest moment to ever exist.

- i was always happy when you sat beside me and my friends, not wanting to make friends with the others in high school.

check my bucket list, oh, you were on the list.

- before i met you, i didn’t have a bucket list. you just kind of became my best friend and we made a bucket list together. i never showed you mine, cause you were on the list.

i’m living the dream, somebody heard my wish.

- it has always been my dream to have someone like you by my side, so understanding, so beautiful with such an amazing soul. my wish has been heard and i’ve been the happiest ever since.

call out your name.

- my Y/nnie, princess, little one, baby girl, sweetheart, darling, love, honey, baby, jagiya, sweetie, future wifey, koala bear, cuddle bug and many more sweet names. i can give you a million nicknames.

you do the same.

- Channie, future husband, baby, jagiya, sweetheart, cutie, sweetie, boyfriend, darling, baby boy, prince, hottie, kangaroo, Chris, Christopher, Bahng. you never run out of nicknames for me and they always make me blush, laugh and flutter.

hug you all day.

- you love hugging me and so do i. it’s the best part of when i come home after a tiring day of practice and engulf you in a big hug like it’s the last time i’ll ever hug you.

i hope this’ll never end for eternity.

- i love you like the person you are, how your nose and brows scrunch together when you can’t open something and always ask me, or how you silently hug me from behind or the side when i’m busy producing songs. i don’t ever want to leave your side.

— ❀ —

i just want all time to stop.

- time has always been an issue. whether it’s morning or evening. i won’t ever get tired of you. the way you whine in the mornings for five more minutes, or evenings when you cling to me like my little koala bear.

— ❀ —

i’m never letting go.

- i am never letting go of you. you’re stuck with me jagiya. now until eternity.

let’s go on a little walk, see the world outside.

- i always have to drag you outside, or else you want to stay inside most of the times we're together. it's cute.

don't wanna let you go.

- never ever will i leave you. my eyes always find you in a crowd, at concerts or fan-meetings. one small smile and i feel like i can achieve anything in this big, scary world.

the way that you give me your hands, i'll fly.

- the first time you gave me your hand, was when your date dumped you at prom. you were so sad and i wanted to punch the bastard right then and there. even though i wanted to be the one who took you to prom in the first place.

at times when i feel down or empty.

- the times when i'm stressed with work, or when i have writers-block, you're always there to distract me. even without me saying anything, makes me love you even more.

you're always beside me.

- you're always there to catch me at my lowest moment. when i feel like a bad leader, or when i feel like i'm not enough for you, the boys or my siblings back in australia. you're just there doing something random with Jisung or Hyunjin and it brings the hugest smile to my face, making me forget all my worries.

promise that i'll love you plenty.

- i promise that i'll always love you. even when i don't show it or say it enough, my heart only beats for you. the way you joke around with Changbin, Felix and I.N. or play savage with Lee Know or Seungmin. it just fills my heart even more than i thought it could.

i hope this'll never end for eternity.

- i'm sure i tell you this lots but the way you always fiddle with the strings of your (my) hoodie or the way you put your hands in your or my holes in our jeans when you're anxious. it's adorable.

— ❀ —

when i look at you i know that you're the only one.

- i have never been in serious relationships but this one with you is something else. i want you to know that i want you as my first and last for everything.

the only one yeah.

- you're the only one that can make me do things i usually hate and the only one that can calm me down in your own magical way.

nothing in the world could beat our little special bond.

- nothing in the world can try and break our bond. with each other we can be crazy in our own way and none of us would judge each other for that.

'cause we are one.

- we are one. you complete me just as i complete you. you know everything of me like i know everything about you.

run around and make a mess, we don't even have to rest.

- the boys are always loud and a mess so i guess i need you to help me clean after them. being a dad of 7 is a tiring job. luckily i have you and together we can do anything.

every moment is a precious memory.

- every moment together or with the boys are precious. like dancing with danceracha until the early mornings, rapping sessions with 3racha in the studio or just joking around with vocalracha when they have nothing to do.

the way you wake me up in bed, yeah, i hope this never ends.

- you always lave little kisses around my face or just stare at me, staying in my embrace. it's mainly me waking you up cause you love your sleep and always ask for 5 more minutes to lazy around in bed.

i'm lucky that you're my best friend so.

- my best friend, my lover, my soulmate, significant other, my future wife, my girlfriend, my everything. there aren't enough words to describe my love for you. guess we should thank your parents for moving right next to us when you were 10.

— ❀ —

i just want all time to stop.

- those last 16 years went by so fast, it's crazy how fast time flies. i'll never forget our first encounter at school. you bumping into me and then scolding me for accidentally dropping my juice box on your blouse. i felt bad and handed you my shirt. and had a huge smile each time i saw you wearing my shirt that day around school.

— ❀ —

i'm never letting go.

- the time i confessed, and you didn't reply, i thought you'd hate me. instead you grabbed my face and gave me a long and passionate kiss. you were barely 17. i was 20. yet it was the best decision i had made that day.

let's go on a little walk, see the world outside.

- our first date was a walk around the beach. your hand was safely in mine as it was a little over 12 am. our phones full of missed calls from our parents as we enjoyed each other's company.

don't wanna let you go.

- when we told our parents about our relationship, they were over the moon. they never expected us to end up together and your father gave me a firm handshake and told me to speak to him later. never had i feared for my life more than the glare he gave me.

the way that you'll give me your hands, i'll fly.

- the way your hands fit perfectly in mine. it's a sign huh? you're my soulmate now and forever. or how you moved to seoul for me because you couldn't stand the long distance, not realising it would be lonely for you. but then again, i forgot what a social butterfly you are and became friends with half the Kpop industry as you were a dance teacher yourself, teaching dances to little kids who were passionate about dancing.

at times when i feel down or empty.

- there's always times when i feel down or empty. like how i worry about if Berry might forget me after not seeing me for a long time and you reassuring me that she won't. because that's who you are, always reassuring me and the others if one of us is feeling stressed.

you're always beside me.

- you've always been beside me. when i was a trainee, when i debuted, when i wasn't sure about my career and all the other choices i made in these last 16 years. you could read me like an open book and knew all my struggles back then and now.

promise that i'll love you plenty.

- the boys are always complaining how mushy i get when they mention you. they've also mentioned a million times when i'll propose to you, not knowing i've started planning way ahead and am planning to ask you very soon.

i hope this'll never end for eternity.

- you always bring me and the boys lunch on your free days or in the weekend. knowing that we all love your cooked foods. and then like to hang around and even dance together with us to choreo's that Lee Know teaches us. or how you even made some changes to the dances cause you thought they could use another movement.

— ❀ —

ah-ooh (eternity)

- you'll always be my eternity.

ah-ooh

— ❀ —

you make me call out your name.

- a little after 5 pm you arrive home. immediately jumping into my arms as you dump your shoes, coat and bag somewhere in the hallway. ''i missed you jagiya.'' i smile in your neck as you hum in response, telling me you missed me too.

you do the same.

- the way you always call my name when i come back home late. telling you not to wait up, yet every time you still do, attacking me in a tight hug and whine cutely telling me to take a quick shower before we head to bed.

hug you all day.

- the door opens and a few seconds later you're in the hallway with two heavy bags of groceries that you picked up on your way home. while you're cooking, i hug you from behind and we stay in each other's presence as you cook a delicious home made dish.

i hope this'll never end.

- even after a long, tiring day at work, you never fail to amaze me with the amazing dishes you learn from the internet, my mother or yours. the praises i give you aren't enough, so i'll feed you too.

— ❀ —

i'm never letting go.

- you've teased me a lot about going to my 'side-hoes' even though i've never had eyes for someone other than you. of course in those 6 years that we've been together we've had multiple fights. but we always went and apologised even if the fight wasn't that serious. we also have an unspoken rule to never go to bed upset and always communicate things with each other before accusing without proof.

let's go on a little walk, see the world outside.

- i'm planning on asking you on the beach. the exact same one where we had our first date years ago. i've got the perfect plan in mind to get you there and the best way to ask you. i can't wait to see your reaction to this song i wrote for you and the reaction you'll have when i go down on one knee and ask you to be mine for eternity.

don't wanna let you go.

- today, i asked your parents your hand in marriage. they were thrilled to see their little girl getting married to her first boyfriend from 16 years ago. 6 years ago your father glared at me for being the boyfriend of his daughter. today, he gave me a hug and told me he trusted me as your husband.

the way that you'll give me your hands, i'll fly.

- you're never getting rid of me, jagiya. i'll always love and cherish you for who you are. and so will the boys. they were so happy when i told them i'm finally proposing and wanted to be part of the plan too.

eternity.

- you're sleeping in my arms right now, not realising that the ring i'm planning to slip on your finger soon, is safely in it's box in my right hand, while my left arm is tightly wrapped around your fragile body, holding you close to me, your head on my chest right where my heart is beating just for you.

~

[chocolatkpopidols]

PINK VENOM // ROSÉ [BORN PINK FINALE IN SEOUL] ↳ © RÉCORD 레코드

[mrsfae]

໒꒰՞ ܸ. .ܸ՞꒱ა ꒷ ᘡ ۫ 🐿️ 𖨂 hᥲρρᥡ hᥲᥒ dᥲᥡ ! ៹

[3rachasdomesticbanana]

Just a few Han Jisung quotes/lyrics that I'm obsessed with because he's been on my mind like crazy since his selcas on bubble.

•You guys always say “Your music saved my life.” but your existence saved my life. please remember this guys… You guys are my ego, my pride and my dream. Not once always, always will be. -Endingment Maniac world tour LA day*

•Depressed feelings are not always bad, it'll lead you to the bright future. you don't know what happiness is if there's only light. The deeper the depression is, the stronger the light will be. The light is definitely there. -Honey Kids*

•The only thing predictable about life is its unpredictable ability. - Alien

•You are the beginning and the end. - Collision

•You are my whole life. Night, morning, and the end. - Collision

•I'll protect you, it's okay to hurt. I'll embrace the wounds you shed. -Volcano

•I'm an alien on this earth. - Alien

•You were the main character in the movie called me. - Wish you back

•Leave it all to the wind. - Sunshine

•Even if the clock hands stop for a while, the flowers will definitely bloom someday. - I See

~Bonus~

“What is love to me? it’s the most powerful emotion in this world and yeah my favourite emotion too” - 2023 fan call

"Happiness is like a visiting guest. It comes out of the blue and it may not be big or grandiose but it's happiness." - VLive*

an (sappiness warning): Han Jisung is truly something special. I wish I had his talent to create something beautiful through words but he inspires me to keep trying.

Show 13 some love on YouTube for our quokka♡

*I'm not too sure about the source, when or where he said these. I just know that he indeed said them lol.

[chanstopher]

리노(Lee Know) "Love me or Leave me" Cover (원곡 : DAY6) | [Stray Kids(스트레이 키즈) : SKZ-RECORD(슼즈 레코드)]

[cosmosbeelover]

The History of Korean Female Soloists from the 20th Century: Episode 1/?

The inaugural episode of 'The History of Korean Female Soloists from the 20th Century' is now underway, focusing on renowned Korean artists who gained prominence during the early 20th century amid Japanese occupation.

The available information on these artists varies significantly, as they were active nearly a century ago, prior to the Korean War, which contributed to the loss or scarcity of historical records.

Kim So Hee (김소희;金素姬)

In Part 4 of 'The History of Korean Male Groups,' I made a brief reference to Kim So-hee, who was associated with the Gyeongseong Broadcasting Station (JODK) (경성방송국). Since I have previously discussed this broadcasting station, I will not elaborate extensively but will provide a concise overview here.

Kim So-hee (김소희; 金素姬), originally named Kim Soon-ok (김순옥; 金順玉), was born on December 1, 1917, in Gochang-gun, Jeollabuk-do, during the era of Japanese colonial rule. She gained immense recognition as a distinguished pansori vocalist, earning the title of national singer and being designated as a national intangible cultural asset. Under her pen name, Man-jeong (만정; 晩汀), she was actively involved in the Joseon Vocal Music Research Association and the Hwarang Changgeuk Troupe, ultimately achieving legendary status as a significant cultural figure of her time.

At the age of twelve, she began her vocal training with the renowned singer Song Man-gap (宋萬甲), accompanied by her father, Kim Bong-ho (김봉호) and also learned traditional songs and sijo (時調) from Jeon Gye-mun (全桂文). Following her graduation from Heungdeok Public Elementary School, she developed a deep appreciation for "Chuwolmanjeong" (秋月滿庭) by Lee Hwa-jung-seon (李花中仙) during her time at Jeonnam Girls' High School while staying with her older sister in Gwangju, which led her to enroll in Song Man-gap's school in 1929. In the late 1920s, while serving as a boy gisaeng (童妓) within the Joseon Gwonbeon (朝鮮券番), she acquired knowledge of female vocal styles and lyrics, ultimately gaining recognition as a prominent girl singer. Her performances were featured on the Gyeongseong Broadcasting Station (경성방송국; 京城放送局), and she recorded her work for an album.

In the 1930s, she acquired knowledge of the initial segment of the five Madang of pansori and engaged in recording and broadcasting activities. Her tenure at the Gyeongseong Broadcasting Station spanned from 1927 to 1942, during which she performed a variety of pieces, including "Gangsanpungwol" (江山風月),"Gyerak" (界樂), and numerous folk songs such as "Yukjabaeki" and "Chunhyangga." Kim So-hee made her debut on the station on December 29, 1931, where she showcased the nundae sections of "Sugungga," "Simcheongga," "Jeokbyeokga," and "Chunhyangga." Each broadcast featured her renditions of short songs like "Gangsangpungwol," "Geongonga" (乾坤歌), and "Jangbuga" (丈夫歌). Throughout the Japanese colonial era, she recorded a total of 54 albums with various record labels, including four with Columbia, thirty with Orkeh, and twenty with Vikta.

English - After recording the Pansori Chunhyangga album (Victor Records, Seoul) in 1935. From left, Han Seong-jun, Im Bang-ul, Lee Hwa-jung, Jeong Jeong-ryeol, Park Nok-ju, and Kim So-hee (18 years old). Korean - 1935년 판소리 춘향가 음반 (빅터 레코드, 서울) 을 취입한 후의 모습. 왼쪽부터 한성준, 임방울, 이화중선, 정정렬, 박녹주, 김소희(18세).

Life and Career

Kim So-hee's entry into the art world began after her graduation from Gwangju Girls’ High School, now known as Jeonnam Girls’ High School  (全南女子高等學校). At the age of 13, she was deeply moved by a performance of 'Lee Hwa-jung and Her Party' at a tent theatre. A connection through her maternal grandmother's adopted daughter's husband, who was affiliated with the police, led her mother to meet Mr. Song Man-gap. During this meeting, she performed a line from 'Simcheongga,' and later, in her 50s and 60s, she recorded a complete rendition of 'Simcheongga,' titled 'Chuwolmanjeong (秋月晩汀),' which highlighted her artistic prowess. Upon hearing the emotionally charged melody that began with ‘Chuewol is full of emotion, reflected on the coral curtain, and the geese in the clear sky fly high under the moon, tturu…’, Master Song Man-gap was so moved that he knelt in admiration.

She decided to leave school to focus on her singing career under the guidance of Song Man-gap. Within just six months of training, she made her stage debut as ‘Lee Doryeong’ at a disciple recital and subsequently performed in 'Lee Hwa-jung and her party' across various locations, including Busan and Mokpo. Additionally, she studied seungmu and geommu with Jeong Seong-rin in Jeonju, learned lyrics and songs from Jeon Gye-mun, and trained in yanggeum with Yu Sun-seok in Jeongeup, astonishing her teacher by mastering the intricate details of ‘Yeongsanhoesang’ in merely ten days.

A photo of the famous singer Kim So-hee while she was still alive. She was praised as a 'sound sent from heaven'.

At the age of 14, she entered the inaugural Pansori Master Singer Competition in Namwon, securing first place among approximately 80 participants and earning the title of 'baby master singer.' The silver spoons awarded to her as a prize are now preserved by her daughter, Professor Park Yun-cho.

In the winter of 1931, Kim So-hee moved to Seoul to pursue her singing studies more seriously, residing at her aunt's home in Gwancheol-dong. There, she took an examination with the renowned master Han Seong-jun, who was introduced to her by Song Man-gap. During this period, she learned "Chunhyangga" from Jeong Jeong-ryeol while also making television appearances, performing, and recording.

Around this time, she adopted the stage name Kim So-hee, having been born Kim Ok-hee. She began her pansori training at 15 under Song Man-gap, concentrating on "Simcheongga" and "Heungboga." By the age of 18, her repertoire had grown to include "Chunhyangga" and "Sugungga," which she studied under Jeong Jeong-ryeol. At 22, she advanced her education with Park Dong-sil at Jishilchodang in Nammyeon, with support from Park Seok-gi. Throughout her thirties, Kim So-hee continued to enhance her vocal abilities with esteemed instructors such as Jeong Eung-min, Jeong Gwon-jin, Park Rok-ju, Kim Yeo-ran, and Park Bong-sul

At the age of 16, she expanded her musical education by studying songs and sijo under Jeon Gye-mun (1872-1940) and learned to play the geomungo and yanggeum from Kim Yong-geon. By 17, she had begun her dance training with Jeong Gyeong-rin and subsequently pursued studies in calligraphy and Chinese classics. Notable figures such as An Hyang-ryeon (1944-1981), Han Nong-seon (1934-2002), and several others became her disciples.

Shortly after starting her vocal training with Song Man-gap, she was introduced to Lee Hwa-jung-seon (李花中仙) (1899-1943), who recognized her talent and featured her in a performance at Gwangju Theater that same evening. This pivotal moment led to her joining Lee Hwa-jung-seon's Hyupryulsa, and she achieved first place in the Namwon Master Singer Competition the following year. By 18, she recorded "Simcheongga" and "Jeokbyeokga" for Oke Records and Columbia Records, establishing herself as a prominent young singer, and at 20, she collaborated with other notable artists to record the complete collection of Chunhyangjeon for Big Records.

Kim So-hee (김소희) Published by Lee Jeong-gyu. ‘Korean National Treasure-level National Singers, Master Singers, Master Drums, and Master Geum Photographs and Poetry Collection’. Suncheon Photo Printing Company.

In February 1936, the establishment of Changgeukjwa as a branch of the Joseon Vocal Music Research Association marked a significant development in her career, as she engaged in changgeuk activities alongside Kang Tae-hong, Kim Se-jun, and Kim Yeon-su. She participated in the opera Bae Bi-jang-jeon (裵裨將傳), performed by the Joseon Vocal Music Research Society from February 9-11, 1936, and took part in a flood relief music competition on August 28-29, 1936. Additionally, she showcased her talents in a renowned singer competition at the Gwangju Theatre on October 16-17, 1938, further solidifying her status in the musical landscape of the time.

On June 11, 1937, she participated in the complete recording of Chunhyang-jeon by the Viktor Gramophone Company, alongside several significant pansori pieces, including the brief song "Gangsangpungwol," which featured janggu accompaniment by Han Seong-jun and was later recorded on Columbia Records in Japan. Collaborations with Kim Deok-jin (haegeum), Sim Sang-geon (gayageum), and Jeong Hae-si (tungso) resulted in numerous songs, including "Godangsang" (高堂上), which were released on Japanese Victa records. Additional recordings, such as "Gisaengjeomgo" (妓生點考), were made with Obi-chui, Shin Sook, and Lee Hwa-jung-seon for Oke records, while "Orijeongibyeol" (五里亭離別) from Chunhyangjeon appeared on the Gunsohaehoe record. She was appointed as a director during the 5th regular general meeting of the Joseon Vocal Music Research Association on May 23, 1938.

On December 24, 1940, she performed at the inaugural show of the Hwarang Changgeuk Troupe, founded by Park Seok-gi at the Jeil Theater, alongside Cho Sang-seon, Han Ju-hwan, and Kim Yeo-ran in productions of Chunhyangjeon, the historical drama "The Bell Sound of Bongdeoksa Temple," and Kim Won-hak's original Changgeuk "Paldamchunmong." Following Korea's liberation in early 1948, she appeared with Seong Won-mok, Gong Gi-nam, and Kim Deuk-su in the performance of "Goguryeo's Hon (魂)," staged by Park Dong-sil, the head of the Gukgeuk Association established in early 1948.

English - Ensemble of Seong Geum-ryeon (gayageum), Ji Yeong-hee (haegeum), Kim So-hee (yanggeum), and Kim Yun-deok (geomungo) Korean - 성금련(가야금)·지영희(해금)·김소희(양금)·김윤덕(거문고)의 합주

The Korean Traditional Music Women's Association was founded on September 1, 1948, with significant contributions from President Park Nok-ju, Vice-Presidents Kim Yeon-su and Im Yu-aeng, General Affairs Manager Jo Yu-saek, and members including Park Gwi-hee, Han Yeong-sook, and Kim Nong-ju. Their first performance showcased the original Changgeuk "Okjunghwa" (獄中花) at Sigonggwan in October of the same year, followed by "Sunshine and Moonshine," composed by Kim A-bu, which premiered in February 1949. During the Korean War in 1950, she performed "Gayageum," created by Yu Chi-jin, with the Haetnim Gukgeuk Troupe at the Busan Theater, alongside notable performers such as Park Gwi-hee, Jo Nong-wol, and Kang Nam-wol. In 1955, she established the Korean Folk Arts Academy, played a pivotal role in founding the National Gugak Arts School, and served as a pansori instructor from its inception.

A scene from a class at a disciple's studio. Teacher Kim So-hee is teaching pansori to her young students. The person with her back turned is her daughter Park Yun-cho.

At the age of 32, she was instrumental in the establishment of the Women’s Traditional Music Association while actively performing with the Joseon Vocal Music Research Association. Her notable contributions during this period included works such as 〈Okjunghwa〉 and 〈Haetnimdalnim〉. By the age of 38, Kim So-hee, a dedicated advocate for changgeuk, women’s traditional Korean music, and pansori, founded the Folk Arts Institute and became its first director. She maintained a vigorous schedule of performances in traditional Korean music both within the country and abroad, culminating in her receipt of the 4th Gugak Award (Changak Practical Skill Award) from the Gugak Promotion Association in 1959.

In the early 20th century, notable female singers in modern Korean history included Jin Chae-seon, Heo Geum-pa, and Kim Cho-hyang, who were prominent figures in the changgeuk theater. Kang So-chun, recognized as a leading vocalist of Won-gak-sa, also contributed significantly to this era. Lee Hwa-jung-seon is often regarded as a successor to these artists. In contemporary times, the landscape of female singers has expanded to include Kim Nok-ju, Bae Seol-hyang, Shin Geum-hong, and others. Notably, in 1964, Kim So-hee and Park Cho-wol became the first female pansori singers to be recognized as Important Intangible Cultural Properties.

Kim So-hee in her later years.

Kim So-hee's musical journey was marked by her exceptional vocal talent and collaborative spirit. She developed close relationships with fellow musicians, including Park Nok-ju and Oh Bi-chwi, and maintained a lifelong friendship with Park Gwi-hee. Her training encompassed a diverse range of traditional arts, learning pansori from esteemed masters such as Song Man-gap and Jeong Eung-min, while also studying classical dance and various string instruments. Advisor Yang Won-seok emphasized the importance of personal interpretation in music, suggesting that true mastery involves integrating distinct styles rather than merely imitating them.

By 1964, she was recognized as the custodian of Important Intangible Cultural Property No. 5, Pansori Chunhyangga. She served as a practical instructor at the Gugak Arts School, which commenced on March 5, 1960. In the same year, she participated in the inaugural changgeuk Daechunhyangjeon performance alongside Kim Yeon-su and fellow members Park Gwi-hee, Kang Jang-won, and Kang Jong-cheol, organized by the National Gugak Company of Korea to celebrate its establishment. Additionally, in 1962, she performed at the 9th International Festival of Folk Arts in Paris and later toured the United States with the Samcheolli Dance Troupe in 1964. Her accolades include first prize at the Namwon Chunhyang Festival Folk Arts Competition (1931), the 4th National Gugak Award (1959), the World Broadcasting Award (1962), the Literature and Arts Promotion Award (1972), the Order of Civil Merit, Dongbaek Medal (1973), the 1st Korean Traditional Music Award (1982), the Republic of Korea Culture and Arts Award (1984), the Namwon City Arts and Culture Award (1987), the 1st Dongri Grand Prize (1987), and the 1st Bangil British Music Award (1994).

English - Cover of 『Kim So-hee's Chunhyangga (Book: Kim Myeong-hwan)』 1-6Seoul Records. 1995 Korean - 『김소희 춘향가(북 : 김명환)』 1-6 표지서울음반. 1995

The reunion of the royal inspector with Chunhyang, as depicted in the narrative of <Chunhyangga>, alongside the portrayal of the middle class in <Simcheongga>, and the lamentation of the military in <Jeokbyeokga>, showcases the rich tapestry of Korean pansori tradition. Notably, Kim So-hee, a prominent figure in this art form, collaborated with drummer Han Seong-jun to produce significant recordings, including those of "Chunhyangga" and "Simcheongga," which are regarded as masterpieces. In 1964, Kim was honoured as the holder of the Important Intangible Cultural Property for "Chunhyangga," a testament to her exceptional talent. Her rendition of "Chunhyangga" reflects a carefully reconstructed manjeongje, characterized by a naturally gifted voice that is both clear and beautiful. Kim's singing style is marked by elegance and restraint, avoiding excessive emotional extremes while maintaining a delicate approach. Through her training with esteemed teachers, she adeptly synthesized various elements to create a unique interpretation of "Chunhyangga," embodying the distinctive qualities of both eastern and western musical traditions.

Kim So-hee's career spanned from 1929 to 1994, during which she distinguished herself as a master singer and was honored with the title of national singer. Her contributions to the art of pansori are significant, particularly through her establishment of the Manjeongje pansori style, which emphasized elegance and sophistication. She played a pivotal role in advancing traditional Korean music, notably by co-founding the Women’s Traditional Korean Music Club and the National Traditional Music Arts School, now known as the National Traditional Arts Middle and High School. Alongside contemporaries Park Rok-ju and Park Cho-wol (1917-1983), she is recognized as a leading female figure in the evolution of modern pansori.

Married Life

Kim So-hee's artistic development was significantly influenced by her encounter with the contemporary geomungo master, Hyonam Park Seok-gi. Born into affluence in Damyang, Jeollanam-do, Park Seok-gi pursued his education in French Literature at Dongguk University, where he also made his mark in Korean baseball as a player and team leader for the Tokyo International Student Baseball Team. He passed away in 1953 at the age of 54, leaving behind a daughter, Park Yun-cho, who was only nine at the time of his death.

Although Kim So-hee held great respect for Park Seok-gi, their relationship was brief. Park recounted that his father was not a conventional Korean musician; he chose seclusion over collaboration with the Japanese during their occupation, particularly after his aspirations to be a writer were thwarted. In his retreat to his hometown, he embraced the geomungo as a companion and dedicated himself to reviving traditional Korean music, establishing a music academy in Jisil and inviting renowned artists like Park Dong-sil to mentor students. Graduates from this academy, including figures like Kim So-hui, became prominent leaders in the Korean traditional music scene. Today, Park Seok-gi is recognized as a key figure in the revival of Korean traditional music, akin to Dong-ri Shin Jae-hyo, who is celebrated for his contributions to pansori.

Kim So-hee's birthplace at 335 Sapo-ri, Heungdeok-myeon, Gochang-gun, Jeollabuk-do, and her grave at Hwasan-ri, Gochang-eup, Jeollabuk-do.

In 2015, the National Gugak Center commemorated the 70th anniversary of liberation with the production "Thinking of Park Seok-gi," which was dedicated to Park Seok-gi and performed over three days. Park recounted a childhood memory regarding her parents' conflict over her mother's artistic pursuits.

She reflected on her father's opposition to her mother's art sales, which she initially found incomprehensible but later understood as her mother’s necessity to support the family, given her maternal grandfather's inability to provide assistance. Park noted that her mother assumed the role of the eldest child after the early deaths of her brothers. Furthermore, she revealed that her mother rarely mentioned her father, referring to him as "your father" or "teacher," indicating a relationship more akin to that of mentor and mentee than spouses. Throughout her life, Man-jeong (Kim So-hee) prioritized her artistic integrity over financial gain, insisting on receiving only her appearance fee. Park also shared a poignant memory from the year of her mother's passing, during a trip to Gurye, Jeollanam-do, where her mother expressed a desire to live as an ordinary housewife if given another chance, revealing her longing for a fulfilling family life beyond her public persona.

Park Seok-gi (박석기; 朴錫驥)

Unfortunately, there is a scarcity of information regarding Park Seok-gi.

Park Seok-gi, born in 1899 in Okwa, Jeollanam-do, passed away in 1953 at the age of 54, leaving behind a nine-year-old daughter, Park Yun-cho. He graduated from Tokyo Imperial University in Japan but chose to dedicate his life to the arts, studying Geomungo Pungryu and Geomungo Sanjo under Baek Nak-jun, the founder of Geomungo Sanjo, ultimately becoming a master in this traditional music form during the Japanese colonial era.

Park Seok-gi (박석기), father of Park Yoon-cho.

In his hometown, he constructed a thatched cottage where he invited renowned singers and artists to mentor him, while also gathering young music students to impart traditional music knowledge, thereby aiding in the preservation of cultural heritage during a time of anti-Japanese sentiment. During this period, he engaged Park Dong-sil as a pansori instructor, who taught notable students such as Kim So-hee, Han Ae-sun, and Kim Nok-ju, while Park Seok-gi himself took on the role of geomungo instructor. Notably, Han Gap-deuk, recognized as a holder of the geomungo sanjo art and designated as an Important Intangible Cultural Property in 1967, also learned this art form from him.

Filmography and Music

From 1929 to 1994, Kim So-hee produced numerous albums and participated in various films, including First Marriage (1965), The Last Witness (1980), Nanjung Diary (1977), Sea Village (1965), and The Story of Janghwa Hongryeon (1956), among others.

Her Legacy

Kim So-hee, known as Manjeong, stands out among the renowned female singers in the rich 300-year tradition of pansori, often regarded as the 'last legend' of this art form. Her performance of "Departing Ship" at the closing ceremony of the 1988 Seoul Olympics remains etched in the memories of many.

Her performance starts from 1:22:30 – 1:25:00. Even though it might have not been her last performance, being able to watch her perform on a stage in front of hundreds of people must’ve felt somewhat sad but proud at the same time.

Her voice, described as clear and elegant, resonated with the beauty of "the cry of geese on a moonlit autumn night," evoking deep emotions in her audience. While she learned from notable figures like Song Man-gap and Jeong Jeong-ryeol, she uniquely blended their influences to carve her own distinctive style. Professor Choi Dong-hyun from Kunsan National University emphasized her significance, stating that Kim So-hee is always among the first names mentioned in discussions about women's pansori, a testament to her enduring legacy.

Continuing her mother's legacy, her daughter Park Yun-cho (박윤초; 朴倫初) has also made her mark in the field, with notable students including Jang Yeong-chan, Ahn Hyang-yeon, and Kim Dong-ae (金東愛). Kim So-hee participated in the recording of the 5-LP album "Changgeuk Daechunhyangjeon," alongside artists such as Kim Yeon-su, Park Nok-ju, and Park Gwi-hee. She passed away on April 17, 1995, and a memorial concert commemorating her contributions was held at Ho-am Art Hall on April 19, 1997, marking the second anniversary of her death.

Park Yun-cho (박윤초; 朴倫初)

Professor Park Yoon-cho has been attuned to Manjeong’s voice since her childhood, suggesting an innate talent for singing. Her teacher, perhaps mindful of her potential, encouraged her exploration across various artistic disciplines, including dance, gayageum, theatre, and painting, rather than confining her to a singular path as a pansori performer.

In her academic pursuits, Professor Park has studied traditional dance under esteemed cultural figures such as Han Yeong-sook and Lee Mae-bang, while also mastering the gayageum with guidance from Seong Geum-yeon and Ham Dong-jeongwol. Additionally, she has honed her skills in Korean painting with Lee Dang Kim Eun-ho and delved into Chinese classics and calligraphy under the tutelage of Ujeon Shin Ho-yeol alongside her mother.

In 1982, Kim So-hee's daughter Park Yun-cho performed as the lead actress in the opera "Aladdin" in New York, USA.

She occasionally explored pansori, but her mother sternly advised her to abandon it. Subsequently, she immersed herself in the theatrical realm, gaining recognition for her role in "What Will Become?" produced by "Extreme Freedom," which uniquely fused theatre with traditional Korean music. Following a successful European tour from 1978 to 1981, she was cast as the lead in La Mama's Broadway production of Aladdin (The 3 Travelers of Aladin with the Magic Lamp).

In her own words, she described Aladdin as a collaboration among prominent theater companies from the US, UK, and France, where she infused her performance with singing and traditional dance forms such as seungmu and Bongsan mask dance, creating a notable impact. Despite feeling overshadowed by her peers from prestigious institutions like Juilliard, she recognized her unique heritage and the skills she had acquired from esteemed masters as a means to carve her own artistic path. Upon returning from New York, she dedicated herself to furthering her vocal studies. She fondly recalled the emotional connections formed during her 1996 solo pansori concert tour in the Netherlands and Belgium, as well as her participation in UNESCO's 'International Women’s Day' in 1997, where she showcased her cultural heritage. Her mother, while not as demanding as with her students, took pride in her daughter's achievements, particularly at Carnegie Hall, and in her commitment to nurturing young global artists in traditional Korean music workshops in Paris.

Professor Park recounted a revealing incident involving her mother during a reporter's visit. When asked how it felt to hear her daughter perform a well-known song, her mother responded with skepticism, questioning the cost of such an experience and expressing doubt about her daughter's abilities. The following day, the newspaper misrepresented her mother's words, leading to her outrage. In a moment of defense, Professor Park confronted the reporter, wishing her mother’s doubts were unfounded, which only intensified her mother's anger towards the media's ignorance. This incident marked a turning point, as her mother subsequently avoided interactions with reporters.

In 1994, shortly before Man-jeong's passing, she was honored with the 'Artist’s Great Mother Award.' When questioned about her aspirations for her daughter, Man-jeong candidly expressed her desire for her to become a painter. Professor Park reflected on her mother's approach to praise, noting that while she was generous with her students, she reserved her commendations for her daughter. In a poignant moment before her death, her mother acknowledged their bond, stating, "So you are my daughter," a sentiment that continues to resonate deeply with Professor Park.

Professor Park Yoon-cho of Seoul Institute of the Arts and her husband Yang Won-seok, former senior advisor at the Archibald Architecture and Urban Research Institute.

On May 21, during the centennial celebration of Kim So-hee's birth, she passionately delivered the poem "Come Even in My Dreams - Samogok 2."

The verses reflect a profound sense of longing and introspection, as the speaker grapples with feelings of isolation and the passage of time. The imagery evokes a deep connection to maternal wisdom and the inevitability of fate, culminating in a poignant plea for reunion, even in dreams. The poem encapsulates the emotional weight of memory and the enduring bond between mother and child, highlighting the complexities of love and loss.

The following information consists of accounts provided by Kim So-hee's daughter, who recounts the lives of her mother, her father Park Seok-gi, and her own experiences.

“My mother was a lonely woman all her life.” - (“어머니는 평생 외로운 여자였어요”)

This text reflects the cultural and artistic landscape surrounding the renowned master singer Park Yoon-cho. As the daughter of the legendary vocalist Manjeong Kim So-hee (김소희; 金素姬), Park embodies a wealth of artistic talent, excelling in various disciplines including pansori, gayageum byeongchang, and traditional dance. Distancing herself from the superficiality of television appearances, she is committed to deepening her artistic expression while mentoring the next generation. One wonders if her fervour is fuelled by a profound sorrow for her mother, resonating with the spirit of her era, as she shares the intertwined narratives of their lives.

Park Yoon-cho talks about the life of her Mother

Kim So-hee, whose real name is Kim Soon-ok and pen name Man-jeong (晩汀), is a name well-known to those who lived in Korea over the past century. Renowned for her distinctive voice, which was unmatched and emerged from her petite 5-foot stature, she gained prominence as a singer. Born in Gochang, she achieved first place in the Namwon Famous Singer Contest at just 14 years old, having trained for only six months, and quickly became the preferred choice for record labels during the Japanese colonial era.

In addition to her vocal prowess, Kim So-hee excelled in various artistic disciplines, including dance, instrumental music, and calligraphy, as well as in pansori. Revered as the godmother of Korean traditional music, she mentored many students and was recognized as Human Cultural Asset No. 5 in 1964. A masterful representative of Korean music on the global stage, her legacy endures, evidenced by the continued admiration of her students following her passing in 1995.

Manjeong Kim So-hee's daughter, Park Yoon-cho, has also made a name for herself as a prominent singer, following in her mother's footsteps and establishing herself in the realm of Korean traditional music. Park reflects on her mother's artistry, noting that her natural voice resonated deeply, characterized by clarity and beauty, and highlighting the dedication and introspection that contributed to her mother's status as a celebrated singer of the Republic of Korea.

Thank you, my precious 'Mother & Teacher'

Park Yoon-cho, born in 1944, asserts that her vocal abilities have significantly improved over the last two decades, a claim supported by her continued active engagement in her field as of 2015. She reflects on a poignant connection to her late mother, who passed away in 1995, suggesting that her mother’s spirit influences her dreams, often manifesting as gentle smiles coupled with ominous hints. These dreams, where her mother appears adorned in a blue hanbok and requests assistance, evoke feelings of anxiety related to her own physical and professional struggles.

This is the last performance of Kim So-hee. She is performing at the awards ceremony for winning the first Bang Il-young National Music Award on November 28, 1994, a year before she passed away.

Since the fifth grade, Park Yoon-cho has diligently maintained a diary, viewing it as a personal chronicle of her life. When a reporter inquired about sharing these diaries, she responded with skepticism, questioning the rationale behind such a request. She recalls that her earlier grievances about her mother eventually transformed into poetic expressions, highlighting the profound impact of her mother, Manjeong Kim So-hee, who was both a maternal figure and a mentor. Park Yoon-cho reminisces about her mother’s exceptional talent, once praised by the New York Times, and emphasizes the significance of ballim (Dance), in the art of pansori, noting that while her singing may not match her mother’s, her proficiency in ballim surpasses it.

The loneliness of my mother that I learned over time

The existence of a traditional Korean musician is fraught with challenges. It is reported that the musician's mother expressed a desire, prior to her passing, to be reborn as an ordinary woman or a noble lady, rather than endure the difficult life associated with traditional music. This sentiment echoes the harsh realities depicted in films such as "Seopyeonje" (서편제; 西便制), which portrays the lives of itinerant pansori singers in the 1950s, a period marked by significant cultural upheaval due to Japanese and Western influences. The narrative is conveyed through a series of flashbacks, illustrating the struggles faced by these artists.

The complex relationship between Park Yoon-cho and her mother is characterized by both affection and resentment, shaped by their shared experiences. Park Yoon-cho reflects on her mother's life, acknowledging her as a remarkable woman who, despite her talents, lacked love and fulfilment. This realization deepened for Yoon-cho when she experienced the intense love of her own husband, contrasting sharply with her mother's loneliness stemming from her father's indifference.

Park Yoon-cho's father, Park Seok-gi, was a distinguished geomungo sanjo master and the second son of a prosperous family, educated at Tokyo Imperial University. He established a residence in Damyang with the intention of gathering talented individuals from across the nation to impart knowledge of Korean traditional music. His initiative was driven by a strong sense of national identity, emphasizing the importance of preserving Korean cultural heritage in the face of Japanese dominance. This endeavour ultimately led to his meeting with Kim So-hee, who would become his wife, marking the beginning of their intertwined destinies.

Reunion, the war with mother begins

My father, renowned for his intellect and masculine allure, was not particularly affectionate towards my mother, who embodied traditional femininity but struggled to understand love. In time, my mother, enraged by my father's infidelities, abandoned me at the age of two or three to move to Seoul, leaving me in the care of my father.

As a result, I developed a closer bond with my father, who aspired for me to grow into a graceful young woman. He instilled in me the principle of valuing my talents over monetary gain. Tragically, my father passed away from an illness contracted while escaping during the Korean War when I was just ten years old.

At the age of twelve, I had the opportunity to reconnect with my mother, facilitated by my grandmother, who was the youngest sister of Yukdang Choi Nam-seon and had cared for me. Although I sensed my mother's longing for me, I was hesitant to live with her, leading to an awkward dynamic during our meetings. This marked the beginning of a complicated relationship with my mother.

A Mother & Daughter who were completely different from the beginning

The assertion made by her mother regarding Park Yoon-cho—that she would survive even in the harshest conditions—reflects a profound level of trust. While the statement may seem severe, it underscores a belief in Park Yoon-cho's resilience. Nonetheless, the inevitable conflicts that arise between them can be attributed to their fundamentally different personalities.

Their contrasting preferences are evident in their choice of colours; the narrator favours muted tones like gray, while her mother is drawn to vibrant shades such as orange and pink. This divergence extends beyond aesthetics, as the narrator notes the differences in their physical appearances and grooming habits. Although she is her mother's daughter, she identifies more closely with her father's traits, highlighting the complexity of their relationship.

The mother's attempts to shape Park Yoon-cho's upbringing stem from her own concerns and aspirations. She believed that adhering to her values would protect her daughter from the harsh realities of life. In contrast, Park Yoon-cho is determined to forge her own path, vowing to reject the lifestyle her mother exemplified, thus illustrating the tension between inherited expectations and personal identity.

The loneliness of living as a perfect singer

She recalled her mother's saying, "I sing when I'm sad, happy, missing someone, or lonely." Her mother embodied the essence of an entertainer, with the burdens of fame as a renowned singer weighing heavily upon her.

"My mother was unable to avoid the challenges that came with her profession. She had numerous students, and as they matured, some attempted to overshadow her. I recognized this dynamic, but when I brought it to her attention, she reacted with anger, accusing me of jealousy." Due to her mother's celebrity status and their familial tensions, personalized instruction was not feasible. Consequently, Park resorted to secretly recording her mother's singing to learn on her own.

In a performance, teacher Kim So-hee is dancing the dotboegi dance.

"My mother rarely needed to raise her voice, yet she often did so with great intensity, which was overwhelming for me. Her relentless pursuit of perfection may have contributed to her lifelong struggles. In contrast, I found joy in singing. While she may not have projected her voice loudly, many claimed it was a divine gift." Park's reflections were tinged with a sense of regret for the complexities of their relationship.

I didn't know how to untie the knot of Han

Park Yoon-cho reflects on her evolving relationship with her mother, noting that as she matured, their conflicts gradually diminished. This transformation led to a deepening affection that resembled the resilience of grass in a field. Nevertheless, this late realization is tinged with regret, highlighting the complexities of their bond.

She expresses a poignant wish that time could halt, allowing her to hold onto her mother and extend the opportunity for reconciliation. The desire for her mother's peace, however, is fraught with the understanding of the hardships her mother endured, leading to a conflicted sentiment that she feels compelled to suppress, even at the cost of her own well-being.

The relics of teacher Kim So-hee. She received the Geumgwan Order of Cultural Merit in 1995, shortly after her death.

Park Yoon-cho grapples with feelings of guilt for not adequately preparing to say goodbye to her 78-year-old mother. This inability stems from a long-standing emotional turmoil, where years of resentment created a tangled web of love and hatred. She acknowledges that her affection was buried deep within, masked by a harsh demeanour, rooted in a misunderstanding that her mother had usurped her father's love.

20th anniversary without regrets for my mother and me

Park Yoon-cho articulates her complex feelings towards her mother as a challenging enigma to unravel. Despite the passage of time, she endeavoured to address her mother's perceived shortcomings, albeit belatedly. The overwhelming presence of the renowned Kim So-hee added to her fatigue, complicating her emotional landscape.

In the wake of her mother's death a year prior, Park experienced profound regret, which was compounded by conflicts with other prominent artists engaged in similar endeavours. Although she sought to honour her mother’s legacy and fulfil her responsibilities as a daughter, she faced criticism for her efforts, which she found disheartening. Her intentions were rooted in love and duty, yet external judgments clouded her experience.

As the 20th anniversary of her mother's passing approaches in 2015, Park Yoon-cho hopes to navigate this milestone without regrets. Encouraged by the support of those who genuinely cherished her mother, including Teacher Lee Myeong-hee and Ms. Kim Mi-sook, she aims to serve as a bridge to honour her mother's memory. The upcoming commemoration is anticipated to be a significant yet challenging occasion, as she strives to ensure a respectful and meaningful tribute.

[hanjiisecake]

Lee Know and Han wallpaper. ★

[flashwise]

Sunday Morning Listening (SML) 136 Y&T -“Down for the Count” Originally known as Yesterday & Today, Y&T was from California where I spent my wild high school years. Apparently this album contains their biggest hit, Summertime Girls although I want so impressed. Yet overall it’s entertaining to listen to the whole album time to time and my favorite titles are Your Mama Don’t Dance and Hands of Time. It was my first and only album of theirs. #vinyl #sundaymorninglistening #lp #records #denondp55L #analog #レコード #日曜日朝の音楽感想 #デノンdp55l #일아음 #데논dp55L #アナログ #레코드 #일요일아침음악감상 #레코드판 #아날로그 #y&t #davemeniketti #joeyalves #philkennemore #leonardhaze #downforthecount #와이앤티 #데이브메니케티 #다운포더카운트 #ワイアンドティー #ダウンフォーザカウント　# 1985　#デイヴメニケッティ　#ハードロック (at Rin's Kitchen) https://www.instagram.com/p/CqPvf8lo3v6/?igshid=NGJjMDIxMWI=

[minjungfmd]

closure — aesthetic, headcanon & playlist

summary — some things like closure are never handed, despite how many silver spoons are handed to you on a golden platter. things get better with time, they say. and such, finding old hobbies to keep busy, and distract has been the medicine to serve for the heartache and heartbreak of ending a long-standing on and off relationship. irony is: painting, museums, reading to walking alone at night only heightens heartbreak rather than resolving it altogether. someday, though, she’ll come to terms with it. playlist summary — is it completely over? don’t say it’s over. it’s over. the concept of biding time knowing she’s at a dead-end when it comes to resurrecting an important piece of life warrants high emotions and waves of melancholy throughout the night. some people may prescribe some lizzo and fka twigs to feign a sort of high-impact environment so she can ignore heartbreak altogether. but she prescribes her own medicine in the form of somber lulls and melancholic hues to color the current state of life. some songs get redundant, but she wants to be sad even if it’s just for the minutes of the song.   wc — 526

playlist 

1. 허회경 — 그렇게 살아가는 것 / so, life goes on — heo hoy kyung 2. 잔나비 — november rain / jannabi 3. 윤지영 — 부끄럽네 / yoon ji young — shame 4. 어쿠루브 — 헤어지던 밤 / acourve — the night we parted 5. 도영 — 아주 조금만 더 / do young — a little more 6. 규현 — 애월리 / kyuhyun — aweol-ri 7. 권진아 — 잘가 / kwon jin ah — goodbye 8. 자우림 — 스물다섯 스물하나 / jaurim — twenty five, twenty one 9. 박지우 — whisper / park ji woo 10. frank ocean — moon river

this is the longstanding end, or what feels like the complete end because she realizes that there’s no hope since one side has moved on while she’s staying complacent — so, she moves this time.

the reason it hurts is because she held onto a fixture of her permanency only for it to turn into a turning point of transiency, and now is the transition into learning how to not hold on

as a result? it turns minjung into a hardened shell — before, she was okay with letting people in arms distance or not. keeping people around her, and keeping those she loves very close. now, she’s more distance and very hesitant on stepping beyond an exchange of superficial words

during this period, she draws back and double thinks what she’s feeling towards anyone whether it’s friendships, romantic interactions or strangers — aka: she’ll find herself pulling back aggressively when she feels like it’s her getting too attached to someone

yeah, the cliche that “she doesn’t get too attached” only this time, it’s revved up on steroids and she’ll just try to flee from everything because the closure process during this point just hurts

everything just hurts!! everything is just exhausting!! and she feels like a terrible and stupid person for letting it get to this point. but the gal literally put all her marbles in one bag, betting it would work only for it to bite her in the ass!

ironically, this is a closure point where there’s no point of return. it’s sad knowing that sort of recollection of memories or pieces of things she’s cherished inside her mind is now gone, but she’s accepted that it’s the extent of what she’ll have and it’s her turn to bury these things completely

catch her laughing and smiling during this, smiling through whatever’s going on in her head! (any plot point would be for someone to call her out for this, but i digress).

regardless, she’s spending her time doing things she used to do a lot alone. she goes to art museums in public again, not caring whether she gets caught in public because she just wants to dissect other artist’s pain that are inherently felt through the little brush strokes and color schemes

she’s reading more again. she’s reading more nihilistic themes since she’s just that down in the dumps, and thinking ‘what’s the point?’ also, she’s just a sucker for nihilism and absurdism. back in the camus books she goes into!

lots of lonely walks at night, only because that’s when the melancholia peaks at 4:30am right when the city feels lonely before getting filled by the morning commuters. plus, insomnia’s got her in a hold so being able to step out feels like she’s giving herself room to breathe and feel cold

drinking and bad habits — she’s stocking up on wine at this point and drinking it up to empty out her heart? she’s feeling a whirlwind of current emotions, so she loses it all at the point of dozing off to wake up with raging hangovers

she’s finding her footing again, and trying to teach herself not to love so easily.

[blackpink]

Rosé during the Born Pink Finale in Seoul | RÉCORD 레코드

[maknae-on-top]

BIRTHDAY BOY!!!!!!!!! happiest of birthdays to the brightest star

[straykidsnews]

TWITTER UPDATE @Stray_Kids

한 (HAN) "Maybe" | [Stray Kids : SKZ-RECORD(슼즈 레코드)]

Link:

https://youtu.be/OA6m1Bba-Ec

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