#璎珞

[fuxiauction]

福羲艺赏｜清乾隆.景德镇窑粉彩观音菩萨像

乾隆时期皇家宫廷造像是啥样的，看这个就明白了，此尊头梳高髻，发髻前有小化佛—阿弥陀佛，为观音菩萨身份的重要标识。整尊造型大方，气质高雅，全身配有金色的璎珞、臂钏、腕钏、足钏等饰物，藏于首都博物馆。 ​​​

收藏就是酒，越品味越有

如閣下有藏品想送拍鑑定估價可聯繫福羲：黃小姐

whatsapp電話：+86 13824399387 +852 5426 2151

微信：HKFX6688 line：hkfx6688

電郵：lidiawong095@gmai.com

#香港#中國藝術 #香港福羲国际拍卖#

#香港福羲国际贵宾部##春拍#

[masterlujunhong]

　　观世音菩萨：“众生无明，不懂果报现前，哭喊救命，吾心悲矣。你们应当从今往后，戒杀吃素，广结善缘，方能脱离恶道之苦。苦海无边，回头是岸。唯众善奉行，才能脱离这无边的苦海。”台长：“观世音菩萨的慈悲遍及天、遍及地、遍及一切十方三世。杀生是大业障，一个人杀生，又不懂得忏悔，以后受报的时候身体一塌糊涂。” 　　问：25-08-2020，魂体被引领到虚空宇宙。不久，阵阵佛乐响起，观世音菩萨身穿白衣，四周围绕无数金光闪闪的佛菩萨，皆脚踏莲花降落在娑婆国土天界上空。 　　观世音菩萨把围绕在身上的七彩璎珞拿下。从七彩璎珞上浮现出许多白色透明带金光的珠子（甘露珠子），白色珠子又化出无数金光耀眼的金光能量。一团接一团的金光能量亮得弟子快看不见观世音菩萨的莲花法座。 　　观世音菩萨：“肉身所产生出来的意识是虚幻的，无自性，没有自己的本性，也就是法无自性。” 　　观世音菩萨：“众生的执著给自己带来痛苦。因为执著于五识（眼、耳、鼻、舌、身），执著于娑婆世界的种种虚幻，让众生脱离不了这些由虚幻的五识所组合而成的轮回果报。要好好忏悔往昔所造诸恶业。” 　　说完，观世音菩萨就把七彩璎珞上的金光能量倒入娑婆国土上空。好像倾盆大雨般的金光能量如水一般从娑婆国土上空挥洒向整个地球。这些金光闪闪的能量肉眼是看不见的。 　　观世音菩萨：“众生无明，不懂果报现前，哭喊救命，吾心悲矣。你们应当从今往后，戒杀吃素，广结善缘，方能脱离恶道之苦。苦海无边，回头是岸。唯众善奉行，才能脱离这无边的苦海。” 　　弟子马来西亚25-08-2020 　　答：观世音菩萨的慈悲遍及天、遍及地、遍及一切十方三世。杀生是大业障，一个人杀生，又不懂得忏悔，以后受报的时候身体一塌糊涂。（在 心靈法門竹北觀音堂） https://www.instagram.com/p/Cow8NmEJ-tW/?igshid=NGJjMDIxMWI=

[behzodche]

#吳謹言 #吴谨言 #wujinyan #love #likeforfollow#followers #weibo #吴谨言y #美 #奶盐 #言言 #魏姐#beautiful #girl #likes #follow #instagood#instagram #延禧攻略 #延禧攻略中毒#instagoodmyphoto #凤囚凰 #魏璎珞 #傅璎cp https://www.instagram.com/p/BzinofYArkD/?igshid=NGJjMDIxMWI=

[thwl76]

View this post on Instagram

A post shared by Terence Ho (@thwlsg)

#尔晴 #璎珞 #魏璎珞 #延禧攻略 #perioddrama #zao #ai #deepfake https://www.instagram.com/p/B2PKdqilSBw/?igshid=i6ogjgtf1p7v

[hunxi-guilai]

His name is homophonous with what?!

Liu Haikuan has WHAT

(in reference to the cursed tags on this post)

OKAY! okay okay okay so we all know how Mandarin Chinese is an ideographic language, one in which the same sound (say, xi, first tone) can refer to a multitude of different possible written characters, depending on context (so xi1 can be 溪 / creek、兮 / meaningless particle in poetry, often denoting a sigh、曦 / dawn、希 / few、西 / west、惜 / to cherish、吸 / to inhale...)

So Lan Xichen’s courtesy name, 曦臣 xichen, is xi, first tone, chen, second tone

A binome that also happens to be xi, first tone, and chen, second tone is 吸尘, of 吸尘器, aka ‘vacuum cleaner’

I knew I could rely the Chinese fandom to fully exploit the punnery of this... sometimes I still think about 酥胸 and 虾酱 and 浴巾 from LYB and break down laughing...

[polyanna-lpl]

轻轻 落在我掌心

静静 在掌中结冰

相逢 是前世注定

痛并 把快乐尝尽

明明 话那么寒心

假装 那只是叮咛

泪尽 也不能相信

此生 如纸般薄命

我慢慢地听 雪落下的声音

闭着眼睛幻想它不会停

你没办法靠近 决不是太薄情

只是贪恋窗外 好风景

我慢慢地品 雪落下的声音

仿佛是你贴着我叫卿卿

睁开了眼睛 漫天的雪无情

谁来赔这一生好光景

陸虎《 雪落下的聲音 》

The Sound of Snow Falling

延禧攻略

魏璎珞 Wei Ying Luo

Story of Yanxi Palace

My drawing and character design of Wei Ying Luo into manga version. In Japan this drama is known as《 瓔珞 (エイラク) 》I heard that my friends in Japan like this drama. So here's my drawing. Hope you all like it.

私は、誰にも負けない。

《 瓔珞 (エイラク) 》日本語 Japanese Version

キャラクター絵をマンガのように描きました。

みんなさんが気に入ってくれると嬉しいです。

polyanna_lpl @ my arte story 2020

[emynarnen]

Period Drama Costume Appreciation - 延禧攻略 The Story of Yanxi Palace

魏璎珞（魏贵人）

[fuckyeahchinesefashion]

吴谨言 Wu Jinyan 

[onerooomdisco]

延禧攻略（2018）

[amyhpbrett]

开始的兼爱党富察唯被伤得彻底，🔒死令后不悔❤️

不求押韵

不求文采

只想为我白月光和不渝令后大哭一场

以璎珞口吻赠容音💔

[behzodche]

#吳謹言 #吴谨言 #wujinyan #love #likeforfollow#followers #weibo #吴谨言y #美 #奶盐 #言言 #魏姐#beautiful #girl #likes #follow #instagood#instagram #延禧攻略 #延禧攻略中毒#instagoodmyphoto #凤囚凰 #魏璎珞 #傅璎cp https://www.instagram.com/p/BzilpXygLV4/?igshid=NGJjMDIxMWI=

[david-a-b]

#唐代文物 #褐釉#璎珞纹#盘口瓶 #山跳峁墓 #清水河县 #内蒙古文物考古所 #临展 #长城内外皆故乡：内蒙古文物菁华展 #国家博物馆 #东城区（在 National Museum of China） https://www.instagram.com/p/CZhYBs-Jyuz/?utm_medium=tumblr

[hanfugallery]

璎珞yingluo for chinese hanfu by 蓝桉手作铺

[wangxianjingshi]

Artbook from the 1st taiwanese edition of MDZS published by Pinsin Studio in 2016 - PART 3

(The original artbook was a preorder bonus,but there's some bootlegs editions that have it)

Artists: higga/千二百/六尾十三/狂风吹裤裆/长阳RIN /花酒清明/匪萌十月/璎珞

Art by 璎珞

(This is Lan Xichen 😊 More: pixiv fanvid)

Art by Lyre 花酒清明

Art by 匪萌十月

(Also drew a hot LWJ)

Art by 狂风吹裤裆 (毛糰小劍劍/Maotuanxiaojianjian)

Art by Lyre 花酒清明

Art by Lyre 花酒清明

Art by 璎珞

Art by 璎珞

[audreydoeskaren]

Another drama costume analysis request, Marvelous Women (2021) that is set in the Qing dynasty during the Qianlong period.

I was quite excited about this drama when it first came out because it looked very accurately 1850s, but if they confirmed that the show is set in the Qianlong era I will have no other option but to drag it for time travelling. Let’s get into it.

Marvelous Women 当家主母 (2021)

For the record, the Qianlong era spanned the years 1735-96, which is 50+ years before the 1850s.

Source

As made obvious by this promo photo, there is not a bit of the 18th century to be seen here, at least in the womenswear. Though upon closer inspection the costumes look more 1820s than 1850s, I stand corrected. Having said this, please do not use this drama as 1820s reference because it is a lot more of a hodgepodge of decades than Yanxi Palace (made by the same producer) was. Judging by the two piece (robe and skirt) combination of the womenswear, these characters were Han and not Manchu. Han women’s clothes with an angled 大襟 dajin did not appear before 1800, in the 18th century robes with a 对襟 duijin (straight front) or 斜襟 xiejin (straight side) closure were the only options. The weird low standing collar with the strip of white fabric did not exist at any time in the Qing Dynasty, the whole of Chinese history even, but is rather a new invention of this producer as it could also be seen in Yanxi Palace. 18th century Han women’s standing collars were unstiffened and much taller, and binding/trimmings did not appear on them until the 1800s. The length of the robes is more or less 18th century, though I’m very convinced that is only a happy coincidence. The sleeves are too wide for the Qianlong era.

Late Qianlong era export painting showing Han women’s clothing. In the 1760s, 70s and 80s, it was popular to decorate the strip of white fabric at the front with embroidery.

What I want to pay special attention to is the 云肩 yunjian or cloud collar one of the characters is wearing. I feel like very few people know about or recognize 18th century cloud collars because they look so different to the popular perception of cloud collars or stereotypical Qing dress. 18th century cloud collars had this distinct daisy like shape, with many thin, identical pieces radiating out from the center. It doesn’t have the 云头 yuntou or cloud shape we commonly associate with cloud collars today, and the pieces are often plain in either the same or alternating colors. They were also relatively small; they usually did not reach over the shoulders but could be much smaller. The only 18th century applications of these large, over the shoulder cloud collars with four cloud shapes I’ve seen were in theatrical or performance costumes.

Source

A small cloud collar embellished with gold, worn under a 璎珞 yingluo necklace. Export painting from the 1760s. Unfortunately there are no physical artifacts for 18th century cloud collars that I know of, so we have to rely on images and our imagination.

As to hairstyles, all the women’s hairstyles in the show look very early 19th century, with the smooth top and low buns at the back. The Qianlong era was known for its unique tall “Apollo knot” hairstyle, which finds no representation in this drama.

Source see watermark

Qianlong era painting showing the Apollo knot hairstyle, both front and back. By the way, this is likely from the 1740s or 50s since the sleeveless jacket has an open 直领 zhiling or straight front and not the 圆领 yuanling or round collar popular in later decades. I talked about this change in more detail in this post.

Watching episode one is not a pleasant experience for me. This lady’s hair is an exact copy of a mid 19th century hairstyle, which is wide at the sides. The wide embroidered decoration at her dajin (which shouldn’t even be a dajin) looks like it was prefabricated and just sewn on top, which is an extremely mid 19th century practice. There is literally nothing 18th century about this.

Source

Mid 19th century export painting.

This headband was first popularized in the 1870s.

Source

1870s portrait showing the triangular headband.

This hairstyle with the pointy top is very iconic mid 19th century.

Source

Ca. 1840s export painting showing hairstyle with pointy top.

I do sort of like this cape, the construction is legitimately 18th century save for the circular 盘扣 pankou or braided buttons at the collar, which were not popularized until the 1910s. A pankou with a metal or bead tip and a plain fabric tail would be much more appropriate for the era. I disagree with the fabric choice though it doesn’t look particularly warm or waterproof, which is inconvenient because capes were commonly worn to fend off rain.

Seeing all these characters wear 19th century court dress cloud collars gives me a headache...

The costuming basically continues on like this. I’m getting very tired of the constant time travelling to the 19th century, it was fun and fresh the first time they did it in Yanxi Palace but now it’s just annoying and ignorant. It’s honestly media like this that facilitate 18th century erasure, and maybe it’s because I’m personally very sympathetic toward 18th century Chinese fashion (my profile picture is 18th century inspired) nothing hurts me more than seeing 18th century representation that uses exclusively stereotypical 19th century dress. It reminds me of that thing in The Haunting of Bly Manor where the dead people slowly lose their faces, that is what the state of 18th century costuming feels like to me. The only silver lining to the costuming in this drama is the fact that the menswear is at least decent, but that’s only because Chinese men’s fashion changed extremely slowly so it’s difficult to get it wrong. I would rate the costuming in this drama a 2/10, plus a complimentary sticker of shame for the 18th century erasure.

[emynarnen]

Period Drama Costume Appreciation - 延禧攻略 The Story of Yanxi Palace

魏璎珞