#武术

[chengwutaichi]

太极扇祥云游龙图案

[coarserocks]

Absolute braindeath what did I mean by this

[plwongm]

太漂亮的太极拳@peterwong3072

[plwongm]

張三豐傳世太极拳@peterwong3072

[jinrizhiyi]

6月13日，山东青岛中院对“男童遭武术教练殴打致死案”一审宣判，两被告人被判无期，一被告人被判缓刑。受害者家属对判决结果不满，质疑司法公正。案情涉及青少年培训机构管理问题，引发社会广泛关注。

[shaolin-club]

Experience the Mystical Shaolin Temple: Join Our Unforgettable Journey from October 13th to 17th, 2023 Prepare to embark on a once-in-a-lifetime adventure as we invite you to join us on a captivating journey to the renowned Shaolin Temple. From October 13th to 17th, 2023, we are offering an exclusive opportunity to explore the heart of ancient Chinese martial arts and culture. About the Shaolin Temple Trip: Nestled deep within the tranquil Henan province of China, the Shaolin Temple is a treasure trove of history and martial arts mastery. This journey is designed to immerse you in the rich heritage of this sacred site, providing an experience that seamlessly combines education, relaxation, and personal growth. Highlights of the Trip: Shaolin Kung Fu Demonstrations: Witness awe-inspiring performances by the temple's legendary monks, showcasing their extraordinary martial arts skills. You'll be left in awe by their speed, precision, and discipline. Historical Tours: Delve into the storied past of the Shaolin Temple as expert guides take you through its ancient halls, revealing the secrets of its founding and significance in Chinese history. Meditation and Zen Philosophy: Learn the art of inner peace with meditation sessions guided by Shaolin monks. Gain insights into Zen philosophy and discover the harmony between mind, body, and spirit. Cultural Exchange: Interact with the resident monks, engaging in cultural exchange activities, such as calligraphy, tea ceremonies, and traditional Chinese music performances. Scenic Beauty: Marvel at the stunning natural surroundings of the temple, including lush forests, serene lakes, and breathtaking mountain landscapes. Local Cuisine: Savor the flavors of authentic Chinese cuisine, including vegetarian dishes prepared by the temple's culinary experts. Why Choose Our Shaolin Temple Trip: Exclusive Access: We have secured special access to the temple and its activities, ensuring an intimate and enriching experience. Expert Guidance: Our team of knowledgeable guides and interpreters will be with you every step of the way, making this journey educational and stress-free. All-Inclusive: Your trip includes accommodations, meals, transportation, and entrance fees, allowing you to focus on your adventure. How to Reserve Your Spot: Spaces for this extraordinary journey are limited, so don't miss out on this opportunity. To book your place or for more information, visit www.shaolin-club.com or contact us at 8812 8688 or kungfuclub@hotmail.com.

[plwongm]

太极者——大象无形道隐无名，和其光同其尘@peterwong3072

[chinamarketingblog]

Playmobil und das Wukang-Gebäude feiern doppeltes Jubiläum

[briefenthusiastlight]

【遠見快評】ChatGPT的中國迷局

[dinger712]

脑洞是这样的——

七大军校举办竞技比赛，每所学校派出5名正式队员（两组双人机甲+一个单兵）和1名替补，枫丹廷这边的队长那维莱特和副队长莱欧斯利一组，林尼兄妹一组，加上新生娜维娅，菲米尼替补。

所有人都说枫丹双璧毕业后会去梅洛彼得堡要塞服役授衔。那维莱特出身于古老的贵族名门，虽然是指挥系首席，但身手丝毫不亚于战斗类专业的学生，据说他曾将好斗的至冬选手达达利亚打败，对于那场对决，那维莱特不愿意提起，只说自己是出其不意，仅仅为了维护校园纪律才出此下策。

莱欧斯利的事迹完全是另一番模样——出身于白淞镇一带的潦倒少年 ，混迹在藏污纳垢的灰河水道，青少年法庭七进七出的传奇，最后竟能爬上单兵系首席的位置，与那维莱特并肩。实习记者夏洛蒂采访过他，问他是否是传说中的“地狱犬”，莱欧说哪有七进七出那么夸张，自己只是光速认罪好好改造而已，他没能跟夏洛蒂坦白的是，自己或许是秉公无私的那维首席的唯一污点。

——————————

这张图如果画全了，那维手里应该牵着一只三条机械腿哈士奇。遛狗路上碰见了对手，那维拦着莱欧说别冲动。忍不住加了点战损

实际打起架来却是莱欧在劝那维别激动哈哈哈哈哈

——————————

蒙德队

【琴+凯亚=骑士团凑合队，凯亚本来的搭档迪卢克毕业了，所以新的正副队长组成搭子】

【优菈+安柏=我很看好这一队】

【+班尼特，砂糖替补】←班尼特在生存环节落单，临时加入璃月队，都不想走了

璃月队，非常冒险的全一年级队，却拥有实力恐怖的教练组

【行秋+重云】

【香菱+胡桃】

【+辛焱，唯一不是一年级的刻晴被拉来替补】

稻妻队

【绫人+托马=日本动画片里常有这种队】

【一斗+久岐忍=阿忍对不起战术性下线换替补队员来】

【+宵宫，五郎替补】←差生一斗做梦都想不到能与他网上认识的女神学习搭子一起开机甲

须弥队

【艾尔海森+卡维=分是满天星合是一团火这火有点太大了队】虽然是天才组合，艾尔海森与卡维却在第一场比赛中吵架，让枫丹轻松取胜。

【赛诺+提纳里=太靠谱了还得是你俩队】

【+柯莱，阿帽替补】←须弥秘密武器了属于是

至冬队

【潘塔罗涅+多托雷=心脏反派开派队】

【阿蕾奇诺+罗莎琳=女仆你带我走吧队】

【+达达利亚，桑多涅替补】

[shaolin-club]

Shaolin Kung Fu have influenced many parts of the world, including Singapore. At Shaolin Club, we offer a variety of classes for Wushu enthusiasts, including traditional Chinese martial art, Weapons, TaiChi and many more. Our training is conducted according to one's interests. Also we offer personalised classes.

Talk to Master Guo Zhifeng for more details. WhatsApp 88128688 today!

少林功夫誉满全球，时至今日新加坡少林俱乐部已经开始招收成人武术爱好者的加入，我们主要开办的课程是多姿多彩的，一个课程学习不同风格的武术，散打，搏击，少林功夫，太极或各种兵器，可以根据自身的兴趣进行训练，同时我们也开设VIP课程！少林武僧的精湛武艺一定会让你流连忘返！

[biebuli]

MY opinion to The Chameleon

MY first version is CHINESE so I share my opinion by CHINESE. Also have ENGLISH version, BUT might not express myself well, English isn't my native language. IF you like this opinion, you can consider both the Chinese and English versions together.

the chameleon-魅影妖后

zhen-小真

其实我还蛮欣赏妖后的，除了畸形母女情戳中我的点还有一个原因是，她和其他三位的反派立意感不太一样，她面对的困境与片子里同样的学武的女性角色也不一样。

虎妞和小蛇尽管都是女性，但是一个有师傅和种族力量，一个有种族敏捷和武侠家庭背景，她们在武学��条路上社会身份（师门）和自身素质（天赋/能力）足以忽略性别（社会主流男性视角）带来的不平等，因此不会太难。从设定上来说妖后是一个没有背景、瘦弱的女性不被主流武学承认学习武术的能力和天份，所以另辟蹊径自学变形、幻术（法术？魔法？总之是魔法攻击）。三无身份不被主流接受，所以用其他方式做大做强，蜥妃回宫。如果她不是一个反派，一定会拿励志剧本的，一个从底层爬起来的女性！（这告诉我们不要在一件事上死磕，通过别的方式也能达到想要的目的，虽然我们在功夫的世界，但是我们也可以追求其他东西）

与其他三位反派相比较，妖后的设定上就会发现她其实站在一个男性（包括传统武侠）视角的对立面，她的地位在男性视角下是不受尊重的，她的身形在男性视角下是弱小的，她的性别在男性视角下是客体。一个不能被男性社会接纳、认可的女性，要么顺从社会运转的思维，甘愿成为一个客体，要么就是反抗，把自己变成主体——这样就会有两条路，要么打出专属女性的道路，要么就是变成一个拥有女性身体的男人。（我认为妖后这两条路在剧情塑造下算是融合在一块了）她攻击了每一个反派，一方面是剧情需要，另一方面算是对男性主体的世界外表层面反驳。之所以说是外表层面，因为她的变形借用其实也说明她还是认可男性主体这件事的，她没有完成真正意义上的反驳。 但这不意味着妖后这个角色很败笔，她还是展现出了其他反派相对稀缺的独立性。大龙、沈王爷、天煞将军他们其实都在复仇-获取认可，经历了他人对自己带来了巨大创伤之后做出回击，他们在情感上都有非常强烈的对具体他者的执念性。

妖后其实没有这种对具体他者的执念性，她在情感上独立，她要做的事情是来源于自我意志的，她没有上者（大龙与师傅、沈王爷与父母/羊仙姑）和同辈（天煞与乌龟）的情感纠葛，唯一有情感关系性的下者小真，也是她的自我的投射。她对小真的愤怒表层是背叛，深层是来源于自我投射的偏离。因为社会主流男性视角，习惯将女性作为客体，现代社会女性拥有了主体的权力，但客体的身份属性仍然在身上，使得女性在这样的情况下拥有主体和客体的双重视角。对妖后来说，小真作为客体是养女，作为主体是曾经的她。所以说妖后是自恋的，不允许自我意志受到外界的倾轧，她所欣赏的自始自终都是她自己。

尽管KFP4的故事不尽如人意，可是一个独立的、拥有自我意志的、自恋的底层爬起来的女性，怎么让人不心动呢？

Actually, I quite admire the the chameleon. Besides resonating with the theme of the twisted mother-daughter relationship, there's another reason: her characterization differs from the other three villains. The challenges she faces and her response to them diverge from those of other female martial artists depicted in the film.

While Tigress and Viper are both female characters, one possesses a master and racial abilities, and the other has racial agility and comes from a martial arts family background. Their social status (martial arts sect) and personal qualities (talent/abilities) are sufficient to overlook the gender-based inequalities (from the mainstream male perspective) on the path of martial arts. Hence, their journey isn't too difficult. In terms of setup, the chameleon is portrayed as a backgroundless, frail woman whose ability and talent in martial arts are not recognized by the mainstream martial arts community. Therefore, she takes a different path, self-studying shapeshifting and magic( magical attacks). With no recognized status, she seeks other means to gain power and influence, eventually returning to the palace as the Lizard Consort. If she weren't a villain, her story would likely be an inspirational script about a woman rising from the bottom! (This teaches us not to be fixated on one thing; we can achieve our goals through other means. Even in the world of martial arts, we can pursue other things.)

Compared to the other three antagonists, the chameleon characterization reveals that she actually stands in opposition to a male (including traditional arts) perspective. Her status is not respected, her physique is seen as weak, and her gender is objectified from the male perspective. A woman who isn't accepted or acknowledged by male society must either conform to societal norms and become an object or rebel and assert herself as a subject. This presents two paths: either carving out a path exclusive to women or becoming a man with a female body. (I believe the chameleon embodies both paths in the narrative.) Her attack for each villain is partly due to the plot's needs and partly a rebuttal to the male-dominated world on the surface. This rebuttal is superficial because her use of shapeshifting implies her acceptance of the male-dominated society; she hasn't truly opposed it.

However, this doesn't mean the chameleon is a failure as a character; she still exhibits independence, which is relatively rare among the other antagonists. Tai Lung, Lord Shen, and General Kai are all driven by revenge - seeking acknowledgment and retaliating after suffering immense trauma caused by others. They all have strong emotional attachments to specific individuals. The chameleon, on the other hand, lacks this attachment to specific individuals; her actions stem from her own will. She doesn't have emotional entanglements with superiors (Tai Lung with his master, Lord Shen with his parents/Sheep Elder) or peers (General Kai with Master Oogway), and her only emotional connection is with zhen, who is a projection of herself. Her anger towards zhen is superficially about betrayal but fundamentally stems from her deviation from her self-projection. Due to the male-dominated perspective, which habitually objectifies women, modern women possess the power of subjectivity but still carry the attributes of objects, giving them a dual perspective of subjectivity and objectivity. For the chameleon, zhen represents both an object (as a foster daughter) and a subject (as her former self). Thus, the chameleon is narcissistic, refusing to let her self-will be crushed by external forces, and everything she admires ultimately reflects herself.

Despite the shortcomings of KFP4's story, how can one not be drawn to an independent, self-willed, narcissistic woman who rises from the bottom?

[plwongm]

刚柔并济，动静平衡，这就是太极美学！@peterwong3072

[candont]

Xu Haofeng's first novel was published the following year, in 2007  : "A Taoist Monk Comes Down from His Mountain" ( 《道士下山》 ) . We then spoke of the “hard current” of the wuxia novel (硬派武侠小说) . The story is, however, full of humor: at the beginning of the Republic, a little Taoist monk who can no longer bear solitude comes down secretly from his mountain and returns to the world. Result: he finds himself in a country in chaos, and 　

“A Taoist monk comes down from his mountain” ( 《道士下山》)

has a series of strange, fantastic encounters that transform his existence.

It is a novel with multiple characters constructed a bit like “At the Water's Edge” ( 《水浒传》) which is the implicit reference . The book was a bestseller.

In October 2008 , the publication of his third novel, “The National School of Guoshu ” (  《国术馆》 ) [6] , met with the same success: it was placed in the list of the ten best sellers of the year and was even praised by Mo Yan (莫言) . Xu Haofeng asserts his style there.

Unlike Jin Yong or Gu Long, who describe the tricks found by their martial arts masters to win their fights, Xu Haofeng focuses on depicting the way in which his characters comply with very strict training. On the other hand, what is interesting about him is that he often diverges from his narrative line to insert reflections on subjects like calligraphy, painting, food, or antiques, which give depth and diversity to the story. his stories. But above all the story is treated in the style of fantastic realism (魔幻写实主义) that Xu Haofeng knows well: he wrote an essay on Borgès, “The Eye of Borgès” ( 《博尔赫斯的眼睛》). 　

“The National Kung Fu School” ( 《国术馆》)

The main character is a young man who believes he was director of the school of the title in Nanking in the 1920s. He is described with great humor, continuing to apply rules from another age, like a a sort of Don Quixote embarked on an absurd and tragic journey. He preserves his values ​​and his personal esteem, but is condemned to failure, symbol of a world itself condemned by modernity.                                                                           

At the same time as his style asserts itself, his thinking becomes more complex. His short story “Survive” ( 《劫活》 ) takes place around a go board in the 1920s. The story is that of battles between Chinese and Japanese players, kung-fu masters, spies and Buddhist monks.

The complexity of the parallelism with the game of Go is illustrated by the title, which is a Go term, in fact. The whole game is based on a principle of life and death: circled pieces are 'dead', captured and eliminated from the game; one must capture (劫jié ) to survive (活huó ) , a vital principle of the Warring States period which saw the development of the game. 　

Xu Haofeng's latest novel returns to the theme of the game of go, but coupling it with a Buddhist theme. Published in November 2010 , it is titled “The Mandala of Enlightenment” ( 《大日坛城》 ) . The title refers to the s ū tra Maha Vairocana ( 《大日经》) , one of the two essential sutras of the Tibetan and Japanese tantric schools ; arriving in China at the very beginning of the 8th century , it was translated in 724-25, and the translation then reached Japan. The Sanskrit original having disappeared, it is this Chinese version which is the oldest.  　

“The mandala of enlightenment”

( 《大日坛城》)

the mandala of the Maha Vairocana sutra 　

According to this tradition, when the Buddha had achieved enlightenment, he remained in the form of Vairocana for seven days during which he transmitted his teaching to Vajrapani and other bodhisattvas , an obviously symbolic transmission. However, it is the game of go that is at the center of the story, because the main character was a master in China in the 1940s, at the time of the Sino-Japanese War. Go competitions, likened to martial arts competitions, reflect the struggle between the two countries, but inverted: while the Japanese run from victory to victory, the go master remains invincible...   

　

The three elements, esoteric Buddhism, martial arts and the game of go, are linked in the novel by

convergent symbols; Xu Haofeng seems to make them the three components of a “way” ( “道”) of salvation.   

-https://www-chinese--shortstories-com.translate.goog/Auteurs_de_a_z_XuHaofeng.htm?_x_tr_sch=http&_x_tr_sl=fr&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc

[hartkazami]

I hardly ever see someone who likes Ooya Kunimitsu as much as you.What do you think about them?Would you mind sharing something about it？

I feel so happy to receive this question…so happy that someone is interested in Kunimitsu. A great pleasure to share something!

My English is not good so maybe some expressions seem a little weird or even wrong .I feel sorry about that…and a Chinese version will be added.

The following content may be a bit messy.

I actually like Kunimitsu quite a lot.Kunimitsu is a character who can make me feel both close and distant emotionally, and I find them so interesting.

In BPoHC,Kunimitsu seems not to promote the development of any plot, but only exists to represent themselves - a youkai exterminator of Devanagara. But they do indeed have connections with many important characters.The friendship between Iyozane in the past? The detailed relationship with Mitori? The grudge with Senri shrine?... All of them make my imaginations run wild.

There are many intriguing contradictions:

Kunimitsu says they are a commoner, and lots of information about them emphasizes this. However, their swordsmanship is clearly astonishing. As the sword "Bankuruwase" can defeat the strong with the weak, it should be attributed with courage, strength, etc...and, Kunimitsu refuses to be a vassal of Mitori just to wield their sword freely. This talent and this will are already extraordinary. However, we must not say that they are someone detached from worldly affairs, because they can be a mercenary in Devanagara because of fellowship or livelihood(or something else).

Kunimitsu is like a Japanese samurai who steps out of a Ukiyo-e painting. (This is indeed the case for Ooya Taro Mitsukuni in the origin.) However, Kunimitsu is straightforward and unwilling to become a vassal.It seems that they have little to do with those thoughts among monarchs and ministers which are full of moral restraints. But they will still take their work and orders from the superior(friend&boss)seriously.

I think Kunimitsu is a "little guy" who is both worldly and unworldly,riding the tide.They believe in their own abilities and pursue what they really want,like a traveler,yet they are not strong enough to break away from the worldly boundaries,or rather,the boundaries of being a "human".

Kunimitsu doesn't seem to deliberately consider history or the common people. They just sigh from his own perspective that "ordinary people also have the ability to exterminate youkais", thus generating and practicing a simple universal sentiment. They are glad to make choices for themselves. If we say the world is like a tide and the people are like water, Kunimitsu feels like being the water.They just step a few footprints lightly on the ink of Mugenri, leaving no ember in the long river of history. I think this is a special kind of contemplation and exploration that letting one's mind roaming unrestrainedly.

Of course, there are some relatively superficial reasons: A swordsman guarding a sea is cool. The sense of oriental folk custom is charming.Outstanding cooking skills make them cute. Awesome danmaku...

All of these are the reasons why this youkai exterminator attracts me... maybe there are more?I cannot really say them all.

Anyway, I really love Ooya Kunimitsu.

——————————————————

以下是正文的中文版：

以下内容可能会有些乱，十分抱歉。

我确实相当喜欢都光。他是一个能给我既近又远的情感接触的、让我觉得很有意思的角色。

在天影战记中，他似乎不为任何剧情的发展而服务，只为代表自身——天城的除妖师而存在。��他又确实与不少重要的角色有着联系。和伊代真昔日的友谊？和壬鸟的交情？和阐里的私怨？…让人浮想联翩。

都光身上存在着诸多个对立的元素：

他说自己是凡人，关于他的许多细节都在强调这一点，可他的剑术分明令人称奇。“番狂”这把刀既能以弱胜强，便该被冠以勇气、力量，等等之类……而他也愿为自由地舞剑拒绝成为壬鸟的臣下，这份才情与意志已不凡；不过，断不能说他是什么超脱物外者，因为他会为了人情亦或生计（或者别的什么原因）去做帝都的雇佣兵。

他像一位从浮世绘里走出的日本武士（零设的大宅太郎光国也确实如此）然而他本人心直口快，不愿成为天城的附庸，好像与那些满是道德束缚的君臣思想没太大关系。不过他依然会认真对待上级（友人and老板）下发的工作和命令就是了。

我觉得，都光是一个兼具俗与脱俗的、随世事浮沉游荡的小人物。他相信自己的能力、追求自己想要的东西，好似一个游人，却没强大到能摆脱世间的，或者说一个“人”的界限。

都光似乎不会去特地考虑什么历史、苍生，他只是从自己的角度发出了“凡人亦有退治妖怪之能”的感叹，以此产生、实践一种朴素的普世情怀。他乐意曳尾于涂，乐意为自己做出选择。说什么尘世如潮人如水，都光就偏要做那水，在无现之墨上轻巧地留了几个脚印，在历史长河中不见其余烬。我认为这是一种无所为而为的玩索，亦是一种严肃的豁达。

当然还有一些比较浅层的原因：把守着一片海域的悠游剑士很酷，民俗感天然地吸引我，会做饭很可爱，弹幕很帅………

这全部都是这位除妖师吸引我的原因……当然，也许不止呢？很难真的全部说出来吧……

无论如何，我确实相当相当喜欢大宅都光。