#「 ❀ 」––– ˟ luca & charlotte.
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whetstonefires · 2 years ago
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You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.
Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.
The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.
She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.
I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.
But, crucially, she has absolute faith in Jane.
The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.
(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)
And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.
And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.
Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.
But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.
That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.
She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.
This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.
Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.
Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.
Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.
😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.
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hacash · 9 months ago
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the literally only amendment I'd make to pride and prejudice is a flashforward where charlotte collins née lucas is tragically widowed in her late thirties/early forties and uses the financial independence of her widowhood to move to london, buy a nice house, go to parties, take some dashing naval officer ten years her junior as a second husband and pretty much have the life she never was able to have when she was young.
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anghraine · 10 months ago
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It's 11 PM, but one of my favorite little Darcy/Elizabeth moments happens while she still hates him and thinks he's a depraved monster, and I find it really entertaining.
It's during the Kent section, when Darcy calls at the parsonage and finds Elizabeth alone. During a longer, awkward conversation in which they both deeply misunderstand each other, they have this tiny interchange:
[Darcy:] “This seems a very comfortable house. Lady Catherine, I believe, did a great deal to it when Mr Collins first came to Hunsford.” “I believe she did—and I am sure she could not have bestowed her kindness on a more grateful object.” “Mr Collins appears very fortunate in his choice of a wife.” “Yes, indeed; his friends may well rejoice in his having met with one of the very few sensible women who would have accepted him, or have made him happy if they had. My friend has an excellent understanding—though I am not certain that I consider her marrying Mr Collins as the wisest thing she ever did."
So: they are in Mr Collins's house. Darcy tries to re-start the conversation with a polite nothing about the house. Elizabeth agrees about Lady Catherine's micro-managing, but can't resist the chance to make a sly jab at Mr Collins (who is not present) to Darcy (a genuine villain, as far as she believes).
Darcy's reply looks a bit like an attempt to redirect the conversation into safer waters (they can agree that Charlotte is cool!). But although his remark is only somewhat related to what Elizabeth said, I think it's a natural follow-up in his mind because he is also insulting Mr Collins, if more subtly.
He could have praised Mr Collins's judgment in choosing Charlotte or just said something nice about Charlotte; he doesn't. Instead, he suggests that Mr Collins's choice of Charlotte was a matter of good fortune—or chance, as Charlotte herself would say!—on Collins's part. Darcy and Elizabeth both know Collins is a fool and that his choice of a woman like Charlotte says nothing about his judgment, only about his good fortune. (Elizabeth has even better reason than Darcy to know how much Collins ending up with Charlotte was lucky for him, but Darcy can see it anyway.)
Darcy's phrasing gives him some plausible deniability, but I think he's generally quite careful with his wording and the implicit insult to Mr Collins is not accidental.
Elizabeth, I think, takes this exactly as intended. She's not at all confused about where this tangent came from or offended by it or anything. She readily seizes on the new line of conversation as encouragement to keep insulting Mr Collins and his appeal to women with functioning brainpower.
Elizabeth is pretty scrupulously polite in general, so I kind of love that she just starts venting about her absolute contempt for Mr Collins and the Collins/Charlotte marriage to Darcy in the middle of a tense and weird conversation in Mr Collins's house. And I love that Darcy, who is otherwise more or less dog-paddling his way through this conversation, is like "yeah, your friend seems really cool, that dumbass is lucky he accidentally chose someone with a brain."
Elizabeth: "Right? And, let me add-"
(Is it a bit of an asshole move on both their parts in the context of that scene? Yeah, I think a little. I also love it! Please trash-talk obnoxious hosts in their own parlours for the rest of your lives.)
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didanagy · 1 month ago
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PRIDE AND PREJUDICE (1995)
dir. simon langton
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edgemis · 3 months ago
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Final Fantasy princesses, inspired by Disney princesses!
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besotted-with-austen · 10 days ago
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Charlotte Lucas: Mr Darcy has been observing you for the whole night from across the room.
Elizabeth Bennet: *skeptically* is that so? As long as he keeps doing it from there and does not come here I am good.
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dogzcats · 1 year ago
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So don't you judge me, Lizzie. Don't you dare judge me.
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phantomstatistician · 9 days ago
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Fandom: Pride and Prejudice - Jane Austen
Sample Size: 3,122 stories
Source: AO3
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bethanydelleman · 11 months ago
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It's funny, when I say that Austen didn't advise marrying a rake or a Gothic hero, someone replies, "They've mistaken Austen for the Brontë sisters." (usually meaning Emily and Charlotte).
Except... Emily and Charlotte didn't advocate reforming a rake either. Jane Eyre famously GTFO when she learned that Rochester was trying to commit bigamy and she didn't return without divine intervention to a man who had been half-smitted by God for his sins. Isabella may have originally thought she could reform Heathcliff, but pretty quickly she fled from her marriage, never returned, and did everything she could to keep her son from him.
Maybe we could just stop blaming these literary women for things they didn't even do, not that we really need to blame anyone since I'm fairly certain that writing a love story where a heroine reforms a rake isn't the root cause of all evil.
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firawren · 4 months ago
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Charlotte Lucas in P&P looking at the camera like Melissa Schemmenti
I would like a Pride and Prejudice adaptation where only Charlotte Lucas breaks the fourth wall and looks into the camera, even though I'm sure Charlotte actually has a great poker face. It would just be fun, mostly as a way for those of us who already know the story to all laugh at Elizabeth. Observe:
Charlotte: Jane needs to show more affection to Bingley so he can be sure she likes him.
Elizabeth: Nah Bingley can obviously see Jane's into him, everything's gonna be fine.
Charlotte:
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Charlotte: It's best to hardly know the man you agree to marry.
Elizabeth: Haha good one I know you'd never act that way yourself!
Charlotte:
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Charlotte: I agreed to marry Mr. Collins.
Elizabeth: You did what?! Impossible!!
Charlotte:
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Elizabeth: Sounds like your husband enjoys working out of the house in the garden a lot.
Charlotte at Hunsford: Yeah I encourage it—you know because it's such healthy exercise.
Charlotte:
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*Darcy staring at and flirting with Elizabeth at Rosings and Hunsford*
Charlotte:
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Charlotte: I think Darcy is into you.
Elizabeth: Haha no way that's impossible he hates me.
Charlotte:
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petratherrock · 8 months ago
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@bethanydelleman
I've seen this screenshot many times and it still cracks me up 😂
Altho in my personal view I think Mr. Darcy may have friends plural, he's just not the outgoing and approachable type. He has Bingley, and possibly more........? Maybe? He possibly went to school too right
This post does make me think of Lizzie and Darcy's relationship being not only romantic but also they're each other's friends. It's nice. I don't think a romantic dynamic alone works for their relationship, I think they're also friends
Mr. Collins on the other hand.......That final reblog, i can't
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aquitainequeen · 10 months ago
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anghraine · 2 months ago
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what happens to charlotte lucas if mr. collins dies early (before he inherits longbourne)?
That is the worst possible scenario for her, basically.
Mr Collins's living with regard to Hunsford only lasts for the duration of his life, so she gets nothing from it. Unless her child (she's implied to be pregnant at the end of P&P) is a son and, iirc, falls within a set number of generations as laid out by the original entailment, she also gets nothing with regard to Longbourn (and if the child is a girl, she now has another dependent to worry about and provide for; I think Mr Bennet's daughters would receive preference over Charlotte's if Mr Collins never inherits and there's no son).
There would have been legal documents accompanying their betrothal that laid out exactly how much property or money Charlotte and her potential children would receive during and after the marriage (this is what is meant by references to pin money and jointure; pin money is what the woman will regularly receive for her private expenses during the marriage, and jointure is what she gets if she survives her husband). There's a straightforward example of this with Mr and Mrs Bennet, for instance.
Mrs Bennet brought a dowry of four thousand pounds to the marriage. Mr Bennet or his family settled an additional one thousand pounds on her at the time (23 years earlier). So there's five thousand pounds attached to Mrs Bennet and her children specifically that is essentially secure—the income from it can only go to her or her children. Since her children are all daughters, however, this pretty much automatically includes her daughters' husbands as well, since women were legally and financially subsumed into their husbands' identities upon marriage and it took some legal shenanigans to protect their resources. Lydia's share of Mrs Bennet's fortune, one thousand pounds, effectively goes to Wickham as part of the marriage arrangements, and it's not clear if Lydia's money is legally secured to her in the same way since it was part of bribing Wickham to marry her at all.
(Tangent: a lot of analysis tends to assume that income from a lump sum of this kind would generate an income of 5% of the principal via low-risk, low-reward government investments. Mr Collins himself explicitly estimates that Elizabeth's portion of Mrs Bennet's settlement would generate an income at a 4% rate, leaving her with a mere 40 pounds a-year. This might seem Mr Collins-style negging, but in reality these kinds of safe government investments could and did drop to rates closer to 3% due to various economic upheavals at the time.)
Returning to Charlotte's situation, eighteenth-century advice urged men (even much less affluent men) to set aside a significant portion of their incomes every year to add to what was settled on their wives/children, so that if they died, their children and widows would have more to live on. The original settlement, as in Mrs Bennet's case, could be pretty small, especially for multiple people to live on. Mr Collins is enough of a rules guy that he might set aside the suggested percentages of his income, especially if Lady Catherine considers it proper. But even if we assume he's setting aside, say, 20% of his income, I doubt that would amount to very much if he dies soon; the Hunsford living is good, but not that good, and he's only 25, so there just hasn't been much time. Charlotte would essentially be a poor cousin by marriage of the Bennets and dependent on her own family (already in straitened circumstances) for anything more than her settlement, which given the circumstances wouldn't amount to much.
People often kill Mr Collins young to given Charlotte a chance at a better life, but in reality, this would likely be a disaster for her.
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didanagy · 3 months ago
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PRIDE AND PREJUDICE (1995)
dir. simon langton
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nofatclips · 3 months ago
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Peter Mullan in Rings of Power Season 2 (A good excuse to keep watching this fantasy-tinted epic-themed soap opera)
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a-fnan · 1 year ago
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The Eight Mountains (2022) dir. Felix Van Groeningen & Charlotte Vandermeersch
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