#⸻ wishlist.

[bigidiotenergytm]

auooghhh ody adopting astyanax au WHEN....

[rottenache]

who is going to write with me the slow build up and tension whenever the muses are close to each other and the eventual lead to the kiss and they’re both touch starved and desperate and the kissing gets deeper and-

[slashaer]

need more wlw ships. who's stepping up to the plate.

[s4lesman]

an au where salesman is forced to join the games because he made a mistake and somehow let gihun find them without dying in the russian roulette,, and everyone knows his face and shit and they wanna kill him but your muse protects him for some reason , y/n ? 🐥

[blightworn]

ooc. hmu if you want an exes plotline because that's always good fucking food.

[elliscousland]

ellis & who

[brittlefcrged]

An au where she is an Oracle et al in a temple / something sacred and holy but one of her priests / priestesses or guards or supplicants is her secret lover but also maybe the other is her God/dess (or A God or Death or something) in disguise and only she knows it bc she’s one of the few true oracles 🤷🏼‍♀️ lmk if you wanna do the thing ….

[benbraeden]

imagining a plot where ben gets hurt and dean has to carry him out and ben is bleeding out in the backseat saying something like "it hurts" and just in pain, and dean is driving like a maniac just "i know, i know, i know," (joel miller core) and dean having the horrible flashback to when lisa was stabbed and-

[wellfell]

day 445777of asking for a ryuji takayama . 🫵🏻

[soulrph]

some vibes that i absolutely think need to be explored in a dnd thread (bc baldur's gate 3 has the lot of us CAUGHT!)

first, characters sitting by the campfire. cooking a nice meal with the supplies they've gathered along the way. maybe they use a very highly sought-after ration as a treat after a long day, like cream or fresh meat or a spice of some sort. they sit around the blaze together, and tell stories of their earlier travels, adding ingredients to the meal and fuel to the fire, and bonding as they discuss what's next in their shared adventure.

i also love the potential of them walking together along a long, winding country road! maybe they pick some flowers idly, or for each other, or maybe they find herbs or vegetables or fruits to add to their supplies. maybe they overhear footsteps up ahead and have to decide between keeping to the path or rushing into the nearby stream to avoid being seen or smelled. perhaps they have a horse, or two horses, or even a carriage, or maybe they're just walking along together. they could discuss what's next in a journey, or their choices from earlier encounters. if we think of roads as liminal spaces, this is an opportunity for many things to be happening, from a fallen tree blocking the road, to the road forking at a junction in the woods, or enemies/allies travelling along the same path, or even a side quest of sorts awaiting them in the woods!

character A meets character B when they're wounded and unconscious, and brings them back to their camp, either out of fear of what might happen if they don't, or for concern for B, or maybe they recognize them from somewhere! they nurse them back to health, and have to fend off attacks along the way because B is too weak to retaliate, and ultimately it leads to a curious bond where neither are willing to separate from the other, but they also don't know nearly enough about each other to understand what makes them trust each other so much.

the last one for this post: the two characters have travelled a long way. they're tired and weary, battered and bruised from past battles, and they find themselves in a merry kingdom that welcomes them heartily to a party, where they get to eat and rest and bathe and dress in finery and attend a ball together. and this may sound romantically leaning, but i also think it works in a platonic sense or a parental sense, because i think the concept of watching someone you've grown to care about finally laugh and smile and enjoy themselves after a long, brutal journey, is smth that would make many people very happy. and they get pulled to their feet for a dance, and this night of levity and merriment, as beautiful as it is, still inspires a transformation in the journey. perhaps the more experienced or worn-out of the two decides to slip away in the middle of the night, leaving a letter that begs the other to stay where they're happy and safe and allow them to finish the journey alone. or maybe they're about to leave but the other character intercepts. like there's so many outcomes for this one besties!!

[lausticzt-a]

random yearnings I have to write but mostly muse about and drabble about one day when my brain does the thing I enjoy; work:

survey corps pre-series is always a brainrot so that gets to be jotted down here.

I really want Laura to talk about Rickard and Norman but it's so hard with her she won't do it. But I need her to finally talk about it. I want her to confide. Have the strong urge for her to voice how she feels. How the stories of mothers protecting their children during the catastrophe is bittersweet. Let her break, for being a terrible would-be mother. And that it haunts her in a way she wouldn't have once imagined.

I am still brainrotted about muses meeting as children. I don't know how, or why, because Laura is locked away in her room most her days, but I crave. I want childhood and even pre-teen, any age setting before fifteen. Because she is so different.

I waaant misunderstood conflict that gets too personal and out of control and they are saying things that end up getting harsh, because Laura can be so vicious. But you say things that manage to get to her and she is beyond offended, pierced through the stomach, and will overstep. And I love that. I love the aftermath of things like that where everything is tense and everyone around them is uncomfortable by the energy they are bringing.

I do want to re-add and go into modern verses, because honestly, she be giving Caitlyn (arcane) energy in one specific verse.

I blame the Farlan obsession for wanting more underground setting, and my love for high-class prissy fucker to be in that setting because she is a danger to herself by opening her mouth at any instance. More so during her survey corps days, that specific age she is /worse/, but any age, any setting. It fuels me.

AU! setting for Laura who doesn't ever join the military. Not the training corps. Not the survey corps. None. Who never breaks free. She is so, so broken inside, she is the doll her mother wanted, and she is well versed in the game they play. She is fake. Her eyes are sad, but she will smile and say all the right things. Is so empty, that she doesn't care for all the men she attracts, because none can have her. She feels like a phantom. And it's the noble and military gatherings of this setting that also rot my brain. It takes a certain type to see through her mask, because her mother is a natural, and she learnt from the best. Tell Laura her smile is fake and she just smiles wider.

[s4lesman]

i really want someone to break the recruiters heart but idk how ..

[dreamse]

i was stuck on t*ktok and came past one of those rly bad reel-series/stories .. and now i want it as a plot

based on two high school/college sweethearts, except he is hoping to make it big in the nhl and she gets pregnant. his mother pays her off to keep quiet, to get rid if it, and so they break up. years go by, he makes it big, she's kickin' it with her daughter and a dead-end job at a local practice ice rink, when news comes out that he's taking a break. nobody knows why, until he shows up at the ice rink as a new coach. snotty head coach's daughter has her sight set on him, and is set on embarrassing the girl she doesn't know he was about to give a promise ring to right before they broke up all those years ago. fires her in front of him, giving him a way in by offering her a personal assistant job .. all the while not knowing he has a daughter. anyway, she turns down the job until they run into each other again, lil situation going on and he poses it again as a challenge. she takes bait, and scene !

[huntedvideo]

me, still on my epic bullshit, wanting to give finley an au like the odyssey. him having to go through a bunch of trials / monsters to get home to someone he loves . . . yeah.

[mad-hunts]

barton employing his ' dad voice ' whenever someone comes in because that seems to be, by far, the best way to calm someone down whenever they come into his clinic in AGONIZING pain + with an injury that needs dire attention is... idk. i have many feelings about it okok but whenever i say ' dad voice, ' i mean this very specific tone that barton used to use and sometimes still uses whenever his kids are just completely inconsolable that sounds like the gentlest thing ever while he's telling them that ' everything's going to be alright. i'm not going to let anything happen to you. ' 😭

and yes, this would apply to other rogues as well, especially if they have something that requires them to be put under anesthesia. because if you go under anesthesia whenever you're frightened... it's likely that you're going to wake up that way, too, which is something that he doesn't want. but yeah just thinking about this makes my heart kind of sad but happy at the same time bc barton actually is a GOOD doctor (with his bedside manner being surprisingly positive whenever it comes down to it and stuff ) ,, if only he were good all around

[idolbound]

anyway that said, I really, really do want to write late Act 3 threads where Meredith is feeling the full effects of the Idol. She is seeing shit, she is hearing shit, she is paranoid that there are apostate blood mages in every corner, she is not sleeping, she is barely eating, she looks rough, she is often not making sense, she is talking to herself.

She is already mad.