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[sewers-headmates]

Welcome To The Factory

welcome to cyberlife! we are here to provide you a headmate with all your needs! what makes our blog unique you may ask? we only do fictives, factives, and songtives once in a while. you can request from any source not on our blacklist. we have no dni here but do block freely. this blog is radqueer, proship, comship, darkship, pro-endo, pro transID, and pro Para friendly! In short we love and welcome anyone here! we will be referring to the alters we make as androids to fit in with the blog but again you don’t have to request anything from DBH!

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feel free to change whatever you want or just a blurb of what you want for your android! for example “a fictive of connor from Detroit Become Human” or “a hatchetfield alter who is transHarmed and childish” anything like that! if you want our more advanced androids (longer form) you must ask for it and it has to be on our fandom list!

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[droctaviolovecraft]

TW: Body horror, gore/violence, parasitism, cannibalism

"My tapeworm tells me what to do, my tapeworm tells me where to go!"

Identification: Mr. Cannibal

Responsible Researcher: Dr. Öctavio Kalev

ANM #: ANM-667

Classification: Snit 🟡 | Contained ⭕️

Type: Humanoid, parasitic, cannibalistic, intelligent

Damage Type: Manipulative, physical, mental

Confinement: ANM-667 must be accommodated in a standard humanoid containment room designed to resemble a rustic, rural home consistent with 19th-century Alabama architecture. The room should feature wooden paneling, antique furniture, and prominent religious symbols of Southern Christianity, such as crucifixes and images of saints. ANM-667 has shown a preference for this aesthetic, which is believed to mitigate its more erratic behavior.

ANM-667 must be provided a daily meal consisting of exactly 1 kilogram of human meat, sourced from ethical and legally pre-approved suppliers. ANM-667 has expressed a preference for "younger and more tender" meat, but this request must not be granted under any circumstances. Any additional requests for "gourmet ingredients" or "more flavorful delicacies" must be denied and immediately reported to the Department Command.

No personnel are allowed within 2 meters of ANM-667 unless under direct orders. All personnel entering the containment area must undergo psychological evaluation before and after interaction, as ANM-667 has demonstrated an ability for subtle psychological manipulation.

Under no circumstances should ANM-667 have access to any medical instruments, particularly scalpels, knives, or any tools used for dissection. It must be restrained during interviews, with two armed guards present at all times. Any erratic behavior or attempts to perform surgery on itself or others will be met with immediate sedation.

Description: ANM-667 is a male humanoid, approximately 2.09 meters tall and weighing around 100 kg, with a robust yet strong body type, despite the absence of visible muscles. He has been identified as "Jarvis Trevor," a former resident of Alabama, USA. He is a red-haired Caucasian man who exclusively dresses in a chic yet outdated suit, reminiscent of early 20th-century fashion. Despite the age and deterioration of the garments, they have not fully degraded, suggesting some anomalous preservative properties.

The most notable feature of ANM-667 is the presence of ANM-667-B, a parasitic human fetus located inside his abdominal cavity. ANM-667-B is connected to ANM-667 by a large umbilical cord that visibly pulses. The fetus displays no observable cognitive function but behaves parasitically, compelling ANM-667 to consume human flesh to sustain it. Though the host does not seem to complain or find it "unpleasant" to have a fetus inside his abdomen, it appears he has grown accustomed to it. It is believed that ANM-667 no longer possesses most of his internal organs, having been replaced or consumed by ANM-667-B over time.

ANM-667 can voluntarily open his abdominal cavity, revealing ANM-667-B. This display is accompanied by the grotesque but precise retraction of his rib cage and flesh, exposing the fetus, still connected by its umbilical cord. During this process, ANM-667’s behavior changes drastically: his eyes roll back, his voice becomes higher-pitched, and he frequently makes macabre references to horror films, literature, and culinary arts.

When in this state, ANM-667 often engages in theatrical performances, singing or reciting famous lines from classic horror films. On one occasion, ANM-667 sang a distorted version of Sweet Home Alabama while holding his abdominal cavity open, interspersing the lyrics with graphic descriptions of cannibalism and dismemberment. Personnel noted that ANM-667 seems to take delight in these displays, exhibiting a perverse pride in the grotesque spectacle.

In his calmer state, ANM-667 speaks in a refined and gentlemanly manner and claims to possess significant knowledge of human anatomy, surgery, and the culinary arts. He refers to his cannibalistic urges as "gourmet needs" and describes the consumption of human flesh as both a biological necessity and an art form. On several occasions, ANM-667 has attempted to offer culinary advice or suggest recipes involving parts of the human body, which he refers to as "noble cuts."

Despite his refined demeanor, ANM-667 is highly manipulative and prone to sudden outbursts of erratic behavior. He has been observed attempting to charm personnel into providing additional "delicacies," and those who refuse are often subjected to his psychological games. ANM-667 seems to derive pleasure from causing discomfort or fear in those around him, though he remains calm and composed while doing so.

At all times, Jarvis Trevor maintains a straight posture, moving with deliberate grace, while his speech is calm, measured, and articulate, as if every word is chosen with utmost care. He frequently speaks like a scholarly aristocrat, often citing classic horror literature, such as Bram Stoker's Dracula or works by Edgar Allan Poe. ANM-667 takes particular pleasure in discussing anatomy, surgical techniques, and gourmet cuisine, frequently interspersing his explanations with gruesome details about his own cannibalistic tendencies.

He frequently requests access to classic works of horror, demonstrating an unusual attachment to the genre. Among his favorites are Frankenstein, The Picture of Dorian Gray, and The Strange Case of Dr. Jekyll and Mr. Hyde. ANM-667 has expressed admiration for the way these stories "understand the beauty of human fragility and transformation." He has also requested paper, ink, and quills on several occasions, claiming to be writing his own "treatise on the human condition." However, personnel have yet to review any completed works, as ANM-667 often burns his writings shortly after completing them, stating: "The world is not yet ready for such truths."

ANM-667 has shown a willingness to harm himself in order to feed ANM-667-B. In one notable incident, he calmly removed his own left eye using a scalpel and presented it to ANM-667-B. According to observers, he maintained his polite demeanor throughout the process, even apologizing to the staff for the "disturbance" his self-mutilation may have caused. ANM-667 has since replaced the missing eye with a vintage black eyepatch, which he wears with his usual sartorial elegance. When asked about the incident, ANM-667 simply smiled and said, "A necessary sacrifice. One must feed the body to sustain the mind."

Event Log – Frankenstein Experiment:

One of ANM-667’s most alarming behavioral incidents occurred shortly after he gained access to a copy of Frankenstein by Mary Shelley. ANM-667 appeared to be deeply fascinated by the novel, subsequently requesting additional medical textbooks and, notably, a book on human anatomy that included a section on early experiments with electricity in medical procedures. ANM-667 spent several days in a silent, meditative state after reading the novel, refusing all communication and meals.

On the sixth day, Dr. Jarvis broke his silence and requested access to a cadaver, under the pretext of demonstrating a medical procedure. His request was, of course, denied. However, two weeks later, during a containment breach event, ANM-667 somehow gained access to the medical wing, where he obtained a cadaver used for anatomical study.

Using an improvised defibrillator made from recovered equipment, ANM-667 attached electrodes to the chest of the cadaver and applied controlled electrical currents to the heart. What followed was a deeply disturbing display: the cadaver convulsed as the electricity passed through it, and after several minutes, the heart began to beat faintly. Although the body was by no means revived in the traditional sense, ANM-667's procedure managed to restore some degree of circulation to the lifeless cadaver. He described the experiment as "a tribute to dear Victor Frankenstein" while softly laughing to himself. Dr. Jarvis’s reaction to the partial success of the experiment was a mixture of triumph and curiosity.

Following the incident, ANM-667 was returned to his containment chamber, and the cadaver was promptly incinerated. ANM-667 has made no further attempts to revive the dead but has since spoken at length about "the possibilities of bringing life to the inanimate," drawing parallels between his parasitic relationship with ANM-667-B and the concept of resurrection.

He now frequently muses on the boundaries between life and death, often citing Victor Frankenstein’s own words: "What can stop the determined heart and resolved will of man?" ANM-667 has proposed that his own relationship with ANM-667-B is a form of "living resurrection," as the parasitic fetus sustains itself through the host's body, keeping both alive through a grotesque symbiosis. He has even suggested that his condition might be the "next step in human evolution," where death and life intermingle, not as opposites but as parts of a continuous cycle.

Despite the moratorium on providing ANM-667 with further scientific texts or any material related to resurrection, he continues to obsess over the topic. His fascination with the interplay between life, death, and electricity remains a potential threat, given his prior ingenuity in manipulating available resources to conduct such experiments. All personnel are advised to be vigilant and report any requests or suspicious activity from ANM-667 immediately. His erratic but brilliant mind remains a cause for concern.

Encounter Log ANM-667-6

Date: ██/██/20██

Location: Site-██, ANM-667's Containment Room

Subject: ANM-667 (Dr. Jarvis Trevor)

Secondary Subject: P-1622 (Male, 24 years old)

Note: P-1622 was selected for a routine interaction with ANM-667 due to his history of sociopathic tendencies and prior violent offenses. No prior interaction between ANM-667 and P-1622 was noted, and the purpose of this test was to observe Jarvis's behavior when introduced to an unfamiliar subject in a controlled environment.

[BEGIN LOG]

ANM-667 is seated in his containment chamber, impeccably dressed as always in his elegant, albeit outdated, suit. His eyepatch gleams faintly in the dim light, giving him an air of dark sophistication. He is sitting at a small wooden table, leafing through a copy of Edgar Allan Poe's The Tell-Tale Heart. His head lifts when the containment door opens, admitting P-1622 into the room.

ANM-667: (Closing the book gently) "Ah, another visitor. And quite a strong one, at that. How fortunate for us both."

P-1622 appears uncomfortable but maintains a neutral expression. Jarvis rises from his seat with slow, deliberate movements, his towering figure casting a shadow across the room. He approaches P-1622 with an air of gentlemanly grace, extending his hand.

ANM-667: "You’ll forgive me for not introducing myself sooner, dear guest. I am Jarvis Trevor—though I suspect you’ve heard me referred to by a more clinical designation. But here, in this moment, let us set aside those sterile titles, shall we?"

P-1622 hesitates, then shakes ANM-667's hand. His behavior suggests caution, though no outright hostility.

P-1622: "I’ve heard about you. They say you're… something else. But I don't see what’s so special."

ANM-667: (Smiling) "Ah, my dear boy, appearances are so deceiving. There’s much more to a man than he lets the world see. You and I, we're not so different, are we?"

P-1622 frowns slightly, uncertain of where ANM-667 is steering the conversation. Jarvis steps closer, his presence magnetic, yet subtly menacing.

ANM-667: "I sense you’re a man of desires. Hidden ones, perhaps repressed. But tonight, I offer you something… more intimate. A moment of tenderness in such a barren world. What do you say?"

P-1622 looks visibly confused, shifting uncomfortably.

P-1622: "What are you talking about?"

ANM-667 glides gracefully to a small, antique phonograph in the corner of the room. With a smooth motion, he winds the crank and sets the needle on the record. A slow, melodic tango begins to play. Jarvis turns back to P-1622, his face softening into a near-loving smile.

ANM-667: "Dance with me."

P-1622: (Taken aback) "What? No way. I don’t dance."

Jarvis closes the distance between them, his voice low, almost a whisper.

ANM-667: "Oh, but you will. Tonight, you and I will share something beautiful, something eternal. Come now, don’t be shy."

ANM-667 gently takes P-1622’s hand, his grip firm yet tender. P-1622 initially resists, but ANM-667’s persuasive, almost hypnotic charm draws him in. Slowly, they begin to move to the rhythm of the music, Jarvis leading with smooth, practiced steps. P-1622 follows, his discomfort gradually giving way to an odd sense of calm, as if enchanted by the elegance of the moment.

ANM-667: "You see? How the body flows, how the heart quickens. There’s art in this, my dear. In every movement, in every breath. Do you feel it?"

P-1622 remains silent, but his expression softens as he is drawn into the rhythm of the tango. They continue to dance, their bodies swaying in perfect harmony. Jarvis’s eye gleams with a predatory intensity, though his face remains serene, almost affectionate. After several moments, ANM-667 gracefully twirls P-1622, pulling him back into his arms, their faces just inches apart.

ANM-667: (Softly) "There, in your eyes. That flicker of understanding. You know what this is… don’t you?"

P-1622’s breath catches in his throat as ANM-667 leans in closer, brushing his lips in a tender, almost loving kiss. As ANM-667 pulls away, he gazes into P-1622’s eyes with a mixture of desire and inevitability.

ANM-667: "And now, my love… the final act."

Before P-1622 can react, ANM-667’s arm extends, pulling out the scalpel he had concealed within his sleeve. In one fluid motion, he drives the blade deep into P-1622’s chest, right between the ribs, aiming directly for the heart. The music swells as ANM-667 lowers P-1622’s body gently to the floor, cradling him as though they were still dancing.

ANM-667: (Whispering) "Shhh… it’s alright. It’s all part of the dance."

P-1622 gasps, his eyes wide with shock and confusion, blood spilling from the wound. Jarvis holds him close, stroking his hair with one hand while the other keeps the scalpel firmly in place.

ANM-667: "There, there. You were such a perfect partner, my dear. It’s a pity it has to end this way, but life is like that, isn’t it? All things must come to an end, but the beauty of it… the elegance of the finale… that’s something worth savoring."

P-1622’s body spasms, then goes limp in ANM-667’s arms. With a soft sigh, ANM-667 withdraws the scalpel, wiping it clean on a handkerchief before tucking it back into his pocket. He leans down, pressing a final kiss to P-1622’s lips.

ANM-667: "Goodnight, my dear. You were magnificent."

Jarvis stands, adjusting his suit with meticulous care. He turns off the phonograph, allowing the room to fall into silence. With a calm smile, he steps away from the body, returning to his seat and picking up his book once more as if nothing had happened.

[END LOG]

---

Note: After reviewing the log, all personnel involved in monitoring ANM-667 were placed under psychological evaluation due to the disturbing nature of the event. It is believed that ANM-667's behavior during the encounter was a carefully orchestrated manipulation, demonstrating his ability to blend charm, seduction, and murder into a single act of calculated cruelty.

[bookishfeylin]

Racebending vs Whitewashing 101

In this essay we’re going to be answering two questions: Why is it ok, from a race perspective, to make white characters POC but not the other way around? And why don’t you make original characters that are POC instead?

There are quite a few reasons, and I’ll be discussing them all below the cut for anyone who's genuinely curious about this and wants to educate themselves :)

⭕️ Firstly: most white characters have no plot relevant reason to be white. White people are considered the default human being, so their race or culture *usually* does not affect or contribute to the plot or story or game in any way. Like, pick your average piece of media with white characters in it and see if they actually *have* to be white for the story to work/make sense. Unless being WHITE plays some important role in the story, then in most cases, characters do not need to be white. This is especially true for non human characters depicted as white (mermaids, faeries, aliens, etc.). Unless being a *white* non human is important to the story for a specific reason and then they can be almost ANY race. For example: In Gremlins do Billy and his family have to be white for the story to still work? Does making the Skywalker family POC impact the plot in any way, shape or form in Star Wars? Is being white relevant to Iron Man's, Batman's, or Superman's stories at all? Why do the main characters of Jaws have to be white? Do Alan Grant and Ellie Sattler, and Claire Dearing and Owen Grady, from Jurassic Park and Jurassic World, respectively, need to be white in order for the movies to make sense? Does being white play an important role in Indiana Jones' character, or would the movies still work if he was another race? Does it impact the story if I were to change the Russels (Maddie, Emma, and Mark) in Godzilla: King of the Monsters, from white to black?

⭕️ Conversely, people aren’t as used to seeing POC in media, so often their existence is “justified” with some form of racism. It would not make sense to make a character facing racism (say, antiblackness) white (for example, in Disney's The Princess and the Frog, Tiana lives in a segregated Black community that is decidedly poorer than the wealthy white community Lottie lives in, and is denied the ability to buy the mill to make into a restaurant because it would’ve been too hard for a woman of her “background” to run a business)

⭕️ Another way POC are “justified” in western media is making something specifically about their culture. Unlike most white people in media, we cannot simply *exist* and, say, survive an alien invasion, or steal the Declaration of Independence, or get sucked into portal to a magical land, or survive a natural disaster, or have a very very very bad day, or solve a mystery about a haunted house, or worry about prom. No, our culture almost always has to play some SIGNIFICANT role to “explain” to the audience why that character is not white. Not that that’s a bad thing. For example, Mulan is about a Chinese woman overcoming the deeply ingrained sexism in China and becoming a soldier. The movie is all about China and Chinese culture, so it makes no sense to make her white.

⭕️ Making a POC white plays into whitewashing and colorism (the basic idea that paler skin is better/more beautiful/less “savage”). For example, in slavery lighter skinned ppl were “better,” and were allowed to serve in the house because, being lighter, they were viewed as closer to white and as being “more human.” Changing or “improving” a POC by making them white is just feeding into that nasty idea that people with darker skin tones are “less than” or aren’t real humans. Conversely, there is no relevant history of white people being considered “less-than”, or, you know, NOT HUMAN for having lighter skin, in fact lighter skin tones have been promoted as desirable for centuries. White people by and large aren't harmed psychologically from seeing a character being redesigned with darker skin/being racebent, because society has never told them that their lighter skin makes them nonhuman or undesirable, unlike I, a Black woman, who’s been told all my life that darker skin is masculine and ugly on a girl and that I would be pretty if I only had lighter skin :)

⭕️ All those reasons are important, but there is one MAIN reason why racebending works but whitewashing does not: representation. Representation is very important and very powerful, impacting our own self esteem as well as impacting how we perceive groups of people who are different than us (x, x, x, x, x). Representation can help you develop empathy for a certain group, or it can perpetuate harmful stereotypes about them. White people are represented literally everywhere in Western media--books, movies, TV shows. Even most toys. It’s not taking representation away from them if we make a white character a POC--they have tons of other characters to make up for it! Even if we NEVER had a white main character in any movie or TV show ever again, white people still have the past century's worth of media with themselves as the main characters for them to watch. Conversely, we have comparatively few prominent characters that are POC in Western media, and even fewer that aren't just side characters or walking stereotypes. Making them white takes away the limited representation POC have in the west. Racebending (either in fan art or in reboots of a series/movie) is typically done by people who lack representation and want more.

Why don’t you make original characters that are POC?

⭕️ Most of us would prefer original characters. I WANT original characters of color. But when we do make new characters that are POC, or new stories with POC leads (especially if they are dark skinned POC) they are usually ignored or overlooked by consumers in favor of white characters or white-led stories (Finn and Rose vs Kylo Ren and Hux from Star Wars; and Black Lightning being wayyyyyy less popular than white-led DC shows; Still Star Crossed being, like, forgotten?). This often happens on movies and on television shows, and usually the end result is that the new characters of color are written off or are minimized in the show/following movies because they are not profitable (once again, what happened to Finn and Rose in Star Wars) or the shows are canceled (Black Lightning, Still Star Crossed). Or the story is labeled “woke” and “political” and is boycotted by the same people who said we should make original characters in the first place.

——————————————————————

I'm not saying you have to *like* racebending white characters. I am merely EXPLAINING why one way is racist and the other way around is not. But the sad thing is, all these reasons are common sense. Most people know we have a racist history, they know it’s wrong to make Tiana or Black Panther white even if they have problems articulating *exactly* why: because the point of these characters existing in the first place is to show that we’re human too. That we can be heroes and princesses and role models too, despite centuries of being told we were nothing. We still live in a world where being white is considered the default human, and nonwhite people have to be *justified* in their existence, because most of us weren't viewed as human for centuries. If it truly bothers you that much, then support original characters of color and diverse franchises instead of white characters and predominately white franchises. That way you will send a message—we all will—that we want more original characters of color. In the meantime? I, a Black woman living in a white-centric world, am going to enjoy all the characters of color I can get.

[greatasexualattorney]

Some FMA OC babbling #1

Luanne Leblanc – Age 17

The tomboyish and hot-tempered big sister of the townsfolk's children. Makes her living housekeeping the local inn, whittling/carving and chopping firewood, and ice-fishing.

She is skilled at kickboxing and on high alert, a fierce protector of the isolated island town. She has a deep-seated hatred for alchemy and those who practice it, like the military. Luanne doesn't trust Cleverflower due to her past as an Alchemist and her involvement in the war.

She trusts no one and keeps everything to herself, letting out her emotions when doing manual labor or practicing. Luanne is desperate to never let Jackie get hurt again, and even more so— prevent him from ever practicing alchemy.

She deeply resents her father for doing these things, which subsequently almost took everyone from her. That's why she holds so tightly onto Jackie, for fear of losing him too. In her mind, she only needs him in order to keep herself together. Because she's a teenage girl who lost her mother, father, and almost both of her brothers. Jackie survived by the skin of his teeth. She was deeply traumatized by the destruction that alchemy caused her family, but denies her own traumas.

❌️ Father: Desmond Leblanc

❓️ Mother: Vienna Leblanc

❌️ Brother: Buster Leblanc

⭕️ Brother: Jackie/Jack Leblanc

Vienna Leblanc went missing during a blizzard one night and never was found again. It is unknown if she is truly deceased or if she fled and lives elsewhere. Desmond Leblanc performed human transmutation and as a result his body was never recovered.

One of the twins, Buster wanted to try and repeat the process, using double the ingredients because he believed it would be enough– naive and not aware of the Truth and the Price of human transmutation. Sharing the same blood, both he and Jackie were taken to the gate. Buster was never found, and Jackie lost his left leg and left arm. Luanne returned from grocery shopping to one less brother and almost lost Jackie too from blood loss.

(Cleverflower caught wind of the alchemical rebounds taken place within the same home, small town.) She took in the 9 year old boy and the unresponsive 15 year old girl. He refused to let Luanne see him like this, and Cleverflower commissioned automail prosthetics for Jackie at his urgings. He vowed he wouldn't let Luanne see him until he could walk, run and use his left hand again.

He would take a train all the way to Rush Valley and go through the rehabilitation process for 2 years before returning home. Luanne had become someone he didn't even recognize anymore during all that time.

[sewers-headmates]

Name: Celestia Ludenberg

Nicknames: Celeste, "himedere"

Age: perma teen

Gender: gender fae

Pronouns: she/her

Sexuality: ommi lesbian.

Species: human

Source: Danganronpa

Roles: persecutor, sister figure, (plus dealers choice)

cisIDs: dealers choice

transIDs: trans consang, trans SA'd, trans poly sexual-harmed, + dealers choice (can include transharmful!)

trisIDs: low empathy

Paraphiles: your choice

Other: is dating toko fukawa

Other labels; Gothic Lolita

Appearance:

~~~~~

Name:Toko Fukawa

Nicknames: split

Age: perma teen

Gender: gender fae

Pronouns: she/it

Sexuality: M-spec lesbian, hypersexual

Species: human

Source Danganronpa

Roles: persecutor-protector, sister figure, + dealers choice

cisIDs: insane, low empathy, NPD, NPD, + dealers choice

transIDs: trans ASPD, trans consang, + dealers choice

trisIDs: dealers choice

Paraphiles: sadistic+ dealers choice

Other Labels: dealers choice

Other: is dating Celeste

Appearance:

~~~~~~

Name: junko

Nicknames: despair

Age: perma teen

Gender: xenogender surrounding disrepair and violence, self gender, gender fae

Pronouns: she/they

Sexuality: pan

Species:

Source:

Roles: persecutor, sexual persecutor,

cisIDs: Consang, NPD, HPD, low empathy,

transIDs: trans r*pist, trans kidnapper, trans programmer, + dealers choice,

trisIDs: model, tris consang + dealers choice

Paraphiles: sadistic + dealers choice

Other Labels

Other: is dating mikian and Mukuro

Appearance

~~~~~~~~

Name: Mukuro

Nicknames: military girl

Age: perma teen

Gender: girl flux, trans girl

Pronouns: she/her

Sexuality: demi aroaceapl,

Species: human

Source: Danganronpa

Roles: protector

cisIDs: dealers choice

transIDs: trans solider, + dealers choice

trisIDs: dealers choice

Paraphiles: dealers choice

Other Labels: dealers choice

Other; dating junko and mikian

Appearance:

~~~~~~

Name: mikian

Nicknames: servant girl

Age: perma teen, medikid, xenogender, loligender

Gender: loligender, trauma gender, gender fae,

Pronouns: she/fae/it/thons

Sexuality: Pan romantic, hypersexual

Species: human

Source: Danganronpa

Roles: impeter, chauvinist, embracer, sexual persecutor,

cisIDs: yami kawaii, traumatized, BPD, PTSD, dealers choice

transIDs: dealers choice

trisIDs: tris raped, Tris Csa, Tris gang raped, Tris SH, tris abused,

Paraphiles: masochist, (and paraphiles surrounding being r*ped, or watching people being r*ped)

Other Labels: your choice

Appearance:

hey! i’m gonna deny this one it’s simply way to long and has way to much info we can’t really process it well enough to do it. i’m sorry

-mod richie

[sewers-headmates]

i foudn a game and was thinking

anxiety holder >:3

(the loyal guard-wolf [legit anxiety] from that one itch.io game Adventures with Anxiety)

just a little silly thing because. anxitey :]

ANYWAY *poof*

i’m gonna have to deny this one mainly cause we don’t know what that is and can’t find any wikis on the characters! i’m sorry

-mod richie

[sewers-headmates]

Hi! Could we please get a anya(mouthwashing)

hi! please be more specific or just go on our account and search c : anya. we have made her a few times and would prefer not to repeat the same character again and again.

-mod rk800

[sewers-headmates]

Hello! Could we please have a transjapanese doll?

hey could you be more specific with a source? we only do fictives and factives and have no clue what to do for this one. thank you

-mod eric

[sewers-headmates]

Hi! Could we get a skeeter jean factive?/srs

i apologize we’re going to deny this request for a mix of reasons but mainly due to us not knowing what to do for it

-mod rk800

[sewers-headmates]

Can I request a diego (Nocturnals) headmate please? Thank you!! ^_^

i’m sorry but we can’t find a wiki on this character and know nothing about it so we don’t feel like we could properly do this one. if there is a wiki and we missed it pls send it to us and we can do it

-mod rk800

[sewers-headmates]

Hi! Can we get a fictive of the character bunnie made by bunnlops

hey! looking into this one we’re unsure and don’t fully feel comfortable doing what looks like someone else’s oc without their permission! so we’re going to deny this one! apologizes!

-mod rk800

[sewers-headmates]

yippie ok so uh

can i has a pack for a funky lil species

https://www.tumblr.com/v4lsang3l/763181420827000832/i-probably-couldve-put-this-in-the-same-post

this one ^

(i made it i js like being on anon bcuz off anon is scary)

i’m sorry i might have misunderstood what you ask! we would do an already made oc not a species! if you have a cloudwalker oc we could make that but not make one up ourselves

-mod rk800