#★giuseppe

[whoamimeanttobe]

kisses puff like super hard platonically rn

[thewarmestplacetohide]

Dread by the Decade: L'Inferno

👻 You can support me on Ko-fi ❤️

★★★★

Plot: Dante is guided by the poet, Virgil, through Hell.

Review: The first feature length film in Italian history, this is a faithful adaptation rife with stunning technical feats and surrealism.

English Title: The Inferno Source Material: Inferno by Dante Alighieri Year: 1911 Genre: Occult, Dark Fantasy Country: Italy Language: Silent Runtime: 1 hour 11 minutes

Directors: Francesco Bertolini, Adolfo Padovan, Giuseppe De Liguoro Writer: Dante Alighieri Cinematographer: Emilio Roncarolo Composer: Raffaele Caravaglios; Tangerine Dream Cast: Salvatore Papa, Arturo Pirovano, Giuseppe de Liguoro, Augusto Milla, Attilio Motta, Emilise Beretta

-----

Story: 4/5 - Great adaptation that sometimes suffers from meandering.

Performances: 3/5 - Papa and Pirovano do little beyond mime speech, but the damned are wonderfully dramatic.

Cinematography: 4/5 - Just stunning.

Music: 4/5 - Tangerine Dream’s official re-score is haunting, if a little repetitive.

Effects: 5/5 - Amazing! Forced perspective, puppets, wire work, and more create nightmarish replicas of Antonio Manetti’s illustrations.

Sets: 5/5 - Beautiful mix of real locations, matte paintings, and sets.

Costumes and Make-Up: 3.5/5

Trigger Warnings:

Violence and mild gore

Offensive depiction of the Prophet Muhammad

Suicide

Torture

Extreme Catholic ideology (ex: suicide and sex are sinful)

Nudity

[whoamimeanttobe]

bro I'm literally uncanon and a character my friend made up possibly to scare me or shes schizophrenic tf do you expect from us man

people when you don't act like a carbon copy of the character you're a fictionkin/fictive/kinnie/etc of:

[musicollage]

Giuseppe Ielasi ‎– August. 2007 : 12k.

[ support the artist ★ buy me a coffee ]

[elireadsalot]

The Shining by Stephen King

The Shining could be called a figurehead for both the horror genre of literature as well as of all the books written by the author. My expectations were mounted high but weren't lived up to. Not to say the book is bad, but it is not as excellent as some of the reader audience makes it out to be either.

"Monsters are real. Ghosts are too. They live inside of us, and sometimes, they win."

The book is about Danny, a nine-year-old boy who has special psychotic powers with which he can glance into things other people cannot. This power multiplies and becomes more active when he has to move into the Overlook Hotel where his father has been appointed as the caretaker. The book shows the downward spiral of the family into insanity as the Hotel plays its spooky magic into each of them.

One thing I admire about this is that it is as much a psychological thriller as it is a horror novel. The scary and creepy aspects of the book were put together competently but the author, through his writing, projects a window into each of the character's minds, adding so much dimension to the book.

Sometimes, however, the book came across as listless and felt like it was written by a child. Horror is not my genre, which may affect the way I see the book, but if you want to get into this particular genre, I would. suggest this book as a starting point.

Rating:★★★(3/5)

Review by Elizabeth Turner

[ulkaralakbarova]

A group of people are trapped in a West Berlin movie theater infested with ravenous demons who proceed to kill and possess the humans one-by-one, thereby multiplying their numbers. Credits: TheMovieDb. Film Cast: George: Urbano Barberini Cheryl: Natasha Hovey Ken: Karl Zinny Hannah: Fiore Argento Kathy: Paola Cozzo Carmen: Fabiola Toledo Ingrid, the usherette: Nicoletta Elmi Frank: Stelio Candelli Rosemary (as Geretta Giancarlo): Geretta Geretta Tony: Bobby Rhodes Nina: Bettina Ciampolini Edith, woman in tent (Horror Film) (as Eliana Hoppe): Eliana Miglio Nancy (Horror Film): Jasmine Maimone Bob (Horror Film): Marcello Modugno Baby Pig: Peter Pitsch Ripper (as Pasqualino Salemme): Lino Salemme Man in Black / Jerry (Horror Film): Michele Soavi Jeep Driver (uncredited): Goffredo Unger Kirk (uncredited): Giovanni Frezza 1st Man Exiting Subway (uncredited): Lamberto Bava Werner: Alex Serra Liz: Sally Day Blonde Victim: Enrica Maria Scrivano Kathy’s baby demon (uncredited): Sami Habib Ahmed Tony (voice) (uncredited): Victor Beard Ripper (voice) (uncredited): Russel Case Victim (uncredited): Sergio Stivaletti June (uncredited): Emanuela Zicosky Hot Dog (as Giuseppe Cruciano): Giuseppe Mauro Cruciano Liz’s lover: Claudio Spadaro Tommy: Guido Baldi Cinemagoer (uncredited): Paolo Corazzi Cinemagoer (uncredited): Claudio Insegno Cinemagoer (uncredited): Rossana Canghiari Cinemagoer (uncredited): Arnaldo Dell’Acqua Cinemagoer (uncredited): Ottaviano Dell’Acqua Cinemagoer (uncredited): Raniero Dorascenzi Cinemagoer (uncredited): Salvatore Francofonte Cinemagoer (uncredited): Stefania Possamai Cinemagoer (uncredited): Gino Barbacane Cinemagoer (uncredited): Eros Buttaglieri Cinemagoer (uncredited): Carlo Cattaneo Cinemagoer (uncredited): Lella Cattaneo Film Crew: Screenplay: Lamberto Bava Screenplay: Franco Ferrini Director of Photography: Gianlorenzo Battaglia Producer: Dario Argento Makeup Effects: Sergio Stivaletti Makeup Effects: Rosario Prestopino Original Story: Dardano Sacchetti Assistant Director: Michele Soavi Original Music Composer: Claudio Simonetti Editor: Piero Bozza Production Designer: Davide Bassan Costume Design: Marina Malavasi Costume Design: Patrizia Massaia Movie Reviews: talisencrw: This was beautiful. It must be a strange experience, being a child of a great director, and following the very same genre. Do you go pretty much the same route, or try something vastly different? This would make a great double-bill, at an actual movie theatre, with the 50’s edition of ‘The Blob’–another film in which the cinema isn’t the safe, dark, womb-like place we take for granted it is. Gimly: It’s no _Night of the_ that’s for sure, but I enjoyed it in parts. Paricularly fond of the coke punks and the pimp. Dubbing’s a nightmare though. _Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._ John Chard: Metropol Mayhem! Demons (Demoni) is directed by Lamberto Bava and Bava co-writes the screenplay with Dario Argento, Dardano Sacchetti and Franco Ferrini. It stars Urbano Barberini, Natasha Hovey, Karl Zinny, Paola Cozzo, Fiore Argento and Geretta Giancarlo. Music is by Claudio Simonetti and cinematography by Gianlorenzo Battaglia. A wonderfully nutty spiced Spaghetti Horror, plot has a group of people trapped in a Berlin movie theatre that suddenly comes under attack by ravenous demons. It could reasonably be argued that Bava’s movie has some cheeky narrative depth underneath the gloop and schlock, this is after all purposely set in a movie theatre and features a film that basically becomes real, sort of. But really it’s a pic that’s set up for like minded horror buffs to feast upon, to jump head first into its feverish horror comic book glee. The script is as poor as the dubbing is, with a roll call of cardboard cut out characters and loose end scenarios jettisoned in readiness for the next plasmatic explosive sequence. Yet the care free abandon of the gruesome killings on show, and the rapid pace of it all, ensures it’s a fun packed ride. Even t...

[karmadesign]

Karma Design: Leader a Torino per il TuoPreventivoSito Web

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Uno deipunti di forza diPreventivosito web è la trasparenzacompletaneipreventivi. Ogniclientericeve una dettagliatadescrizionedellefasi del progetto, con specifichechiaresucosti e tempi. Questoapproccioassicurache non ci sianosorpreselungo il cammino e che il budget stabilitovengarispettato, consentendo ai clienti di pianificare con sicurezzagliinvestimentinellorosito web.

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[marcogiovenale]

tutta scena teatro @ radio onda rossa: oggi "umanità nova", h. 14, e "l'oracolo", h. 15:05

Tutta Scena Teatro ★ Radio Onda Rossa 87.9 fm martedì 27 febbraio 2024 ore 14 ● UMANITÀ NOVA cronaca di una mancata rivoluzione con Giuseppe Carullo regia Cristiana Minasi drammaturgia Fabio Pisano consulenza musicale Alessandro Calzavara Produzione Carullo-Minasi e Sciara Progetti Teatro collaborazione Fabio Cuzzola, Giovanna La Maestra, Massimo Ortalli, Roberto Zorn Bonaventura I Moti di…

[ineedahugesticktobeatyou]

2023 Reading Challenge | A book you should have read in high school.

36/40. Il Gattopardo - Giuseppe Tomasi di Lampedusa

Se vogliamo che tutto rimanga come è, bisogna che tutto cambi.

If we want things to stay as they are, things will have to change. [The Leopard - G. Tomasi di Lampedusa]

★★★★✩

[whoamimeanttobe]

starts gigglign because I'm not with the friend who created giuseppe anymore yet I am literally him heheheheheheh

[thewarmestplacetohide]

Dread by the Decade: Das Cabinet des Dr. Caligari

👻 You can support me on Ko-fi ❤️

★★★★½

Plot: When a carnival comes to town, its somnambulist begins predicting people's deaths.

Review: Tense, layered, and stylistically gorgeous, this movie's status as a cornerstone of horror cinema is more than deserved.

English Title: The Cabinet of Dr. Caligari Year: 1920 Genre: Psychological Horror Country: Germany Language: Silent Runtime: 1 hour 14 minutes

Director: Robert Wiene Writers: Carl Mayer, Hans Janowitz Cinematographer: Willy Hameister Composer: Giuseppe Becce Cast: Werner Krauss, Conrad Veidt, Friedrich Fehér, Lil Dagover

------

Story: 3/5 - While interesting and unpredictable, it grows somewhat muddled towards the end and falls into ableist tropes.

Performances: 4.5/5 - Krauss plays Dr. Caligari in the most delightfully maniacal way, and Veidt is unsettling as the clairvoyant Cesar.

Cinematography: 5/5 - Eerily beautiful, with unique framing and lighting. There isn't a single shot in this film that isn't striking.

Music: 4/5 - Wonderfully weird.

Sets: 5/5 - From the cityscapes to the carnival, all of the sets are distorted and angular, giving every shot an unsettling, dream-like quality.

Costumes, Hair, & Make-Up: 4/5 - Very solid. Dr. Caligari's outfit and make-up are iconic.

Trigger Warnings:

Mild violence

Ableism against mentally ill people (uncritical)

[nunziodance]

𝙎𝘾𝙃.𝙉𝙀𝙀 …Niente come i pesci e la neve possono meglio indagare il silenzio, cercando di scolpirne le forme, il bisbiglio, le leggi, e grazie alla danza mostrare quei momenti in cui, prendendo a prestito una riflessione di Peter Handke ‘l’estremo bisogno di comunicare, (…) coincide con l’estrema incapacità di parlare’.
★★★★ Giuseppe Distefano - Sipario 𝙎𝘾𝙃.𝙉𝙀𝙀 Artistic Direction, choreography, lights and costumes 𝗡𝘂𝗻𝘇𝗶𝗼 𝗜𝗺𝗽𝗲𝗹𝗹𝗶𝘇𝘇𝗲𝗿𝗶 (@nunzioimpellizzeri ) | Original Music 𝗧𝗮𝗿𝗲𝗸 𝗦𝗰𝗵𝗺𝗶𝗱𝘁 (@tarek.comp) | Dancers 𝗙𝗲𝗱𝗲𝗿𝗶𝗰𝗮 𝗔𝘃𝗲𝗻𝘁𝗮𝗴𝗴𝗶𝗮𝘁𝗼 (@fedeaventa), 𝗟𝗶𝗼𝗻𝗲𝗹 𝗔𝗵-𝗦𝗼𝘂 (@lionelahsou), 𝗖𝗹𝗮𝘂𝗱𝗶𝗼 𝗖𝗼𝘀𝘁𝗮𝗻𝘁𝗶𝗻𝗼 (@claudiocostanti), 𝗖𝗹𝗲́𝗺𝗲𝗻𝘁𝗶𝗻𝗲 𝗗𝘂𝗺𝗮𝘀 (@clem.dumas), 𝗜𝗼𝗮𝗿 𝗟𝗮𝗯𝗮𝘁 𝗕𝗲𝗿𝗿𝗶𝗼 (@ioarlabat), 𝗞𝗮𝘁𝗵𝗮𝗿𝗶𝗻𝗮 𝗟𝘂𝗱𝘄𝗶𝗴 (@kathastrophhe) 𝐍ᴜɴᴢɪᴏ 𝐈ᴍᴘᴇʟʟɪᴢᴢᴇʀɪ 𝐃ᴀɴᴄᴇ 𝐂ᴏᴍᴘᴀɴʏ www.nunziodance.com #nunzioimpellizzeridancecompany #nunzioimpellizzeri #nunziodance #schnee @la_sfera_danza (presso Teatro Arcimboldi Milano) https://www.instagram.com/p/CqGZAa6op85/?igshid=NGJjMDIxMWI=

[musicollage]

Giuseppe Ielasi ‎– Gesine. 2005 : Hapna.

[ support the artist ★ buy me a coffee ]

[rumor-imbris]

My Lady Connor!

Sono tornata, la Fatina Lunare!

I got a question for you: if you could give Connor recommendations of your all-time favorite books, which books would you recommend to Connor because they are dear to you?

Hugs!!!

Always,

La Fatina Lunare Giulietta 🌙✨

Hello Sis! Sweetest moon fairy of mine, welcome back! I'm unforgivingly late in answering this ask, I'm so sorry ç_ç as you may know this is not the best of times for me since the year started, so sorry again, but now here are my choices.

These are books I would recommend not only to my beloved muse, but to everyone I care for. I must admit I'm not a great reader ^ ^' which is a shame for someone who wants to write, but those few things I read, they make a home inside of me, so I highly value them.

Some are in Italian but one can easily find translated/adapted versions online or in bookstores.

The Hobbit, The Lord of the Rings, The Silmarillion, Beren and Luthien, etc... - J.R.R. Tolkien (ok, basically all of his novels, even though I think the dearest to me remains The Hobbit ★~(◡‿◡✿)

Storia di una Capinera - Giovanni Verga

Anne of Green Gables (Book I) - Lucy Maud Montgomery

Angels and Demons, Da Vinci Code - Dan Brown

All the poetries collection of Edgar Allan Poe

All the poetries collection of Emily Dickinson

I Canti - Giacomo Leopardi

Vita D'Un Uomo - Giuseppe Ungaretti

The Trojan Women - Euripides

Jane Eyre - Charlotte Bronte

I hope that was useful for some good suggestions *-*

Tight hugs <3

[con-libros]

La dama de las camelias: rompiendo el corazón de los lectores desde 1848

La Dama de las Camelias - Alejandro Dumas (hijo)

calificación: 4 /5  ★ ★ ★ ★ ☆

sinopsis: La dama de las camelias es una de las novelas más populares de todos los tiempos. Adaptada al teatro y al cine innumerables veces, inspiró incluso una de las óperas más celebradas del XIX: La Traviata, de Giuseppe Verdi. La obra cuenta la imposible historia de amor entre Armand Duval, un apuesto joven de alta alcurnia, y Marguerite Gautier, una bella y angélica cortesana. Juntos tratan de desafi ar las rígidas convenciones sociales de su tiempo, entre el esplendor y la hipocresía del París de 1840. Novela romántica por antonomasia, La dama de las camelias, que presentamos ahora en una nueva traducción, mantiene intacta la capacidad de seducción que la ha hecho ingresar en el imaginario común.

Opinión y chisme: 👇👇👇

🥀 Como con todo libro con buenas reseñas positivas, empece a leer este clásico con el temor de que mis expectativas fueran demasiado altas, incluso casi a la mitad estaba casi convencida de que, si bien no era una obra mala, tampoco me parecía la gran cosa, hasta que llegue a la parte final 🥲.

Aquí encontramos un drama muy apasionado y trágico, prácticamente desde el inicio te cuentan lo que ocurrió pero el encanto de esta obra esta en enterarte de cómo sucedió, o sea el chismecito completo.

En toda la novela hay una crítica contundente hacia la sociedad con referente a la vida de las mujeres cortesanas de la época y el doble estándar en su trato, y al principio como que la crítica se siente como un sermón, pero con el pasar de los capítulos el mensaje llega al lector con menos severidad y más sentimiento (pasión).

Y los personajes, creo que esto es lo que más me ha encantado, aportan tanto a la crítica y a la reflexión incluso con sus defectos. Y tengo que confesarlo, Armando es el personaje que más he querido golpear en todo el libro, sí, a pesar de que intenta explicarse y hasta se arrepiente, en lo personal, se le entiende pero el daño ya esta hecho 😠.

¿Y qué decir de Margarita? Me siento mal por haber dudado de ella en algún momento, no se merece nada de lo malo que pasa aquí, que personaje tan maravilloso 🥹.

Algo adicional que tengo que resaltar, es el hecho de que este clásico es bastante fluido, y no sé si fue por la edición o por los capítulos cortos pero cada que leía sentí que el libro se me acababa muy rápido, fue increíble.

En fin, tengo mucho más para opinar con respecto a la trama, sin embargo temo entrar en spoilers muy detallados por lo que mejor lo dejo hasta aquí, no sin antes recomendarlo, no solo porque es fácil de leer, también por la excelente e intensa historia, en serio conmueve bastante, mi corazoncito me dolió 🥺❤️‍🩹.

[365filmsbyauroranocte]

Films watched in 2021.

296: L'Inferno (Giuseppe de Liguoro, Francesco Bertolini & Adolfo Padovan, 1911)

★★★★★★★★☆☆

“Without hope we live on in a desire.”