#……jk I also do this with Liam characters it’s more than one guy
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luddlestons · 10 days ago
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i saw your tags on that one post about fanfic dialogue and i locked tf in immediately so can you pls tell me about kingsley's speech patterns? :)
Of COURSE I can!
So, of our 3 purple tiefling iterations, Lucien sounds the most different, bc he’s voiced by Matt, and using a stronger accent. This actually works, I think, bc Lucien had a lot more history, and we know from Molly’s comic that he basically had to learn to speak again, so it follows that he’d only retain a touch of Lucien’s accent. The difference between Molly and Kingsley, however, is interesting to me.
The thing about Molly is, he talks incredibly fast. This is there from the jump, he rambles his introduction so quick that Tal slips on his NAME, that’s how fast he talks. It’s a showmanship thing, a carnival barker type thing, and it works for someone who “grew up” in the circus.
While Kingsley retains more from Molly than Molly does from Lucien, he speaks at a much more measured pace. Like Molly, he doesn’t frequently use filler words (compared to Caduceus, who says “um/uh/yeah” a whole lot to fill space when he’s thinking—and of course Cad talks to slowest of all Tal’s characters) but he also doesn’t ramble as much as Molly.
So the interesting thing about writing dialogue for characters is that tone/pitch/accent/other audible effects aren’t there. Sure, you can describe a character’s voice, but for fic, we all know what they sound like, so a character’s voice is more based on cadence and word choice. THEREFORE: Kingsley sometimes ‘sounds’ more like Ashton when I write them, because his pace of speaking is similar to Ashton’s—the only difference is Ashton uses more filler words (usually swearing) and occasionally drops understood nouns. I only realized this when I wrote Kingsley and Ash interacting!
I think another big reason for that similarity is that although actors modify a lot for their performances, in extended improv acting like dnd it’s hard to change your vocabulary. Ashton just swears a lot more than Kingsley, because no other character has as intimate and long-standing a relationship with the word ‘fuck’ as Ashton Greymoore.
When writing, that difference in pace gets displayed by more description or dialogue tags within a line of dialogue, so the reader mentally takes a breath. Molly has very little of that when he really gets going—he talks for long sections at a time without breaks, because he’s not taking a breath. On the opposite end, caduceus tends to have full lines of description/mental narrative in the middle of his dialogue bc he pauses longer, bc he’s thinking a hell of a lot more than Mollymauk
This isn’t always the case, of course, because that would make for a very monotone fic, but it’s often enough that I could find a good deal of examples! Fortunately or not, the only dialogue-heavy thing I’ve written all three of them doing is seducing Caleb Widogast. So that’s what these all are.
Molly:
“My dear, I am an awful roommate, but I am not in the habit of laying stark-naked on the bedcovers and getting myself off while looking at the only other person in the room when I don’t intend to fuck him.”
“I want you. I always want you, anything you want to give me. Hells, if you decided to bend me over the cart and have me during the middle of a watch in front of whatever bandits came sneaking up on us, I’d let you.”
“Most of them, yes. There was a fellow in the circus—he was tattooed on every inch of his body and, excepting the areas he couldn’t possibly have reached, he did a majority of them himself. I told him if he wanted more canvas space I would gladly oblige— oh, fuck—“
Kingsley:
“Gotta warn you, if you brought me here for magical research, you’ll be disappointed,” Kingsley said.
"Let's get a fuckin' drink," Kingsley said. "I'm going to need a strong one to manage this place."
"Ah-ah-ah." Kingsley's tail insinuated itself between Caleb's legs, looping around his calf. "You’re not getting away without telling me that story."
Ashton:
“I can also be your pet theory if you want,” Ashton said, blaming the extra stupidity on headache plus horny somehow.
“I don’t care either way,” Ashton said. “I’m not particularly squeamish about being naked.”
“Holy shit, fuck me,” Ashton said, fully aloud.
For comparison, Caduceus talking with Caleb about physical intimacy (Caleb brushing his fur):
“I’m not. I’m very comfortable, actually.” He settled back in, watching Caleb with a soft smile. “I like this.”
“That’s nice.” Caduceus leaned his head against Caleb’s leg. “That’s really nice. Let’s just be together, as close as you want to be.”
“I’m probably shedding a bit.” The Menagerie Coast and even Xhorhas were warmer than the Greying Wildlands. “As long as it doesn’t bother you, that’s fine. Probably needed a deep clean.”
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fangsforfags · 5 years ago
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Shameless Characters as Songs I like:
Frank Gallagher: Prescription by Mindless Self Indulgence. It talks about needing to take pills, and Frank Gallagher loves pills. Honestly it just suits him. 🤷
Fiona Gallagher: To Build A Home by Cinematic Orchestra. We shoulda seen this coming. I mean come one, she seriously went since she was 6 to keep her family together! She always tried for them and was always there for them--pretty much becoming like a mom, a parent, a "home" to her siblings. She's worked so hard to keep them home from Dcfs whenever they got separated. She was the only person close enough to a parent that cared for the kids, and she deserved so much better. She became a better mom than Monica and a better dad than Frank. She became the parent her siblings needed. She made sure they were safe because they are her life.
Lip Gallagher: Get It Up by Mindless Self Indulgence. I really didn't want to use another MSI song but there's a part in the song that says, "...just whatever you do don't talk about your fucking boyfriend while we're having sex..." And it just reminds me of Lip because there are times where his partner is talking about someone else while they do it and it just makes this song choice for him even more relatable.
Ian Gallagher: Wires by The Neighbourhood. I think this song goes good with Ian because there's a part where the singer talks about giving someone their medicine and I think of Ian. And the whole song reminds me of Ian and his bipolar because "the wires got the best of him," where the "wires" is his mental illness.
Debbie Gallagher: Smack a bitch by Rico Nasty. I was debating on songs because I dislike Debbie by a lot and was debating in using Lily Allen's song "fuck you." But I chose Rico's song because honestly Debbie isn't afraid to throw hands with someone. In s5, she went and beat up Holly and Ellie (for no reason bc Debs is a bitch like that) and fought that homeless lady in s7 over that corner. So, Debs throws hand.
Carl Gallagher: Teenagers by My Chemical Romance. Honestly, Carl is a tough, intimidating, ruthless person who could beat the shit out of you. I mean, even in early seasons Carl was kinda ruthless to people and pets. This songs just works for him.
Liam Gallagher: Cool Blue by The Japanese House. Honestly I see Liam as this song because Liam is this quiet, calm, collected kid and this song is soft and calm. Yes i know it's used in s1 of 13rw, but this song reminds me of Liam. It's just a nice song to listen to and Liam is pretty quiet and he's a nice kid too.
Mickey Milkovich: Mistakes Like This by Prelow. This song gives me closeted!Mickey vibes man. When the singer is pretty much saying how they can't stop thinking of a person but they know they shouldn't get involved, it reminds me of Mickey before he started actually caring about Ian. Because he wanted Ian, but he knew he shouldn't want him because of his dad. So he tries to keep Ian away with the "feelings" and all that shit.
Mandy Milkovich: Not Your Barbie Girl by Ava Max. We know that Mandy doesn't let guys use her. In s2 Mandy tells Lip that after a 3rd time they either figure it out or stop, meaning she wasn't gonna be someone that was used only for sex. She had plans for a relationship, and doesn't let boys control her. She's also held a shotgun to T*rry so respect for that. :)
Veronica Fisher: OMG by Iggy Azalea and Wiz Khalifa. I think this song goes to Ms. Veronica Fisher because nobody can compare to her. She's absolutely beautiful and she knows it. She's a bad ass bitch too and doesn't fuck with anybody that tries crossing her. A. Fucking. Queen.
Kevin Ball: Never Gonna Give You Up- Rick Astley. Haha, get Rick Rolled bitches. ✌😄 nah jk but Kev deserves this song because he's so fucking loyal from loving V and only V, to helping the Gallaghers when they need it. Kevin is a really loyal guy and loves everyone and is a protector for his friends and family. Everyone needs a Kevin in their life. :)
Karen Jackson: Daddy Issues by The Neighbourhood. Yes another song by them, deal with it. But this songs reflects Karen perfectly because her dad did humiliate her in front of a group full of people. He called her a whore and made her think he loved her again. It caused her to fuck up a lot and not care for consequences. But with her dad being a dick and her mom not really being there for her to see her succeed, it fucks you up.
Sheila Jackson: Ms. Jackson by The Outkast. "IM SORRY MS. JACKSON. NEVER MEANT TO MAKE YOU DAUGHTER CRY..." Lol but seriously i see Sheila with this song, well because she's Ms. Jackson. And that part I have quoted makes me think if Lip and Karen. But the song overall makes me think of Sheila. Sheila if you're reading this we miss you and want you back. :(
Yo if you got any songs you think would work better with them just comment! :)
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heyyyharry · 5 years ago
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Chapter 15: Fright-day Night
(Halloween Special - from the Flatmate Trilogy: Two Hearts, One Home)
…in which they play treasure hunt on Halloween again.
Word count: 7.1k
Chapter 14: For Better Or Worse - Harry and Niall have a guys night, Y/N starts showing, and Layla loves her wedding dress.
What to expect in this chapter: Baby’s gender (finally) AND the biggest crossover since The Avengers!!! (Jk)
For this chapter, the Flatmate characters will meet Eddie from My Girl (Bambi’s boss). If you want to read the alternative version in which they meet Thea (Bambi in the Wattpad version), CLICK HERE
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Harry used to hate the smell of the hospital.
It reminded him of germs and sickness, and that one time he nearly died in a jet ski accident. But now that he was there so often, he'd gotten used to it. He thought he might even like it, because every time he and his wife were there, they would walk out with good news.
"I think it's a girl," Harry blurted while anxiously picking lint from his sleeve, his other hand was squeezing Y/N's. They were in the hospital's waiting room, but he already had a feeling that this might be the best day of his life.
"Why do you think so, baby?" she asked with a smile.
"Mum said if you were more into salty food, you were having a boy, and if it was a girl, then you ate lots of sweet things." He chuckled and nudged her nose with his own. "I just filled your snack drawer with sweets a few days ago, and this morning when I looked at it, it was almost empty!"
"The snack drawer was your idea!"
"Yeah, because you either woke me up at 3 AM asking me to fuck you, or to go out and buy you some sweets. Now that you have your snack drawer, I will only lose sleep for sex."
"God, you're such a teenager." Laughing and shaking her head, Y/N threaded a hand through his hair and said, "guess we'll find out if you're right in half an hour."
Half an hour felt like half a century to Harry. But once it was finally their turn, he thought he might just pass out. He didn't know it was possible to get more agitated than the last time they'd been there, but when he took the same seat and watched his wife lie down on the same examining table, his insides were on fire. It didn't matter what his baby's gender was, because he loved them and his wife, anyway. Still, he was holding his breath and couldn't ignore the shakiness in his limbs.
"Congratulations," said the woman who was rolling the scanning device on Y/N's tummy. "It's a girl."
Those three words coursed through Harry's ears like Adrenaline through his veins. He tingled from his head to his toes, wanting to jump, but he was glued to the chair and his feet were as stiff as a rock.
It's a girl, said the voice in his head. I'm having a baby girl.
Y/N was saying something to him, but all he heard was white noise, while the name was bouncing inside his head. It felt as if there was an explosion in his brain, the good sort, and it took him a few seconds to come back to reality.
"That's Asteria, baby," Y/N said, tears streaming from her eyes though she was laughing.
Harry sniffled as he brought her hand to his mouth to kiss her knuckles a few times. "Hi, Ria," he said to her baby bump. "Your dad is here."
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"Congratulations! You are the lucky ones who got invited to our joint bachelor/bachelorette/Halloween party!" Layla raised her glass as if she was making a toast at her wedding, when in reality, she and her friends were sitting in a small cafe. "Thank you, my dear future husband, for coming up with this brilliant idea."
"I came up with it, actually—"
"Shut up, Harry," she snapped at the poor guy and shushed everyone who dared to snicker. "Anyway, where was I? Ahhh, the party. So this year, I'm—"
"We."
"We're bringing back our favorite tradition—"
As Layla immediately corrected herself after Niall had corrected her, the Irish man smugly wiggled his eyebrows at Harry, who looked slightly offended for the opposite reaction he'd received. Meanwhile, everyone else was already yawning.
"If she wrote a whole speech about the Halloween game one month prior, imagine how long her wedding vow would be," Louis whispered and fist-bumped Liam while Trix and Y/N were trying not to laugh.
Layla, however, was so passionate about her special party that she just kept going, "our annual Halloween game is back!" she exclaimed and clasped both hands in front of her chest. "It's called 'Fright-day Night'. And Louis will be the host!"
As everyone turned to Louis, who did a tiny bow as if he'd just won an Oscar, Layla added, "in case anyone else's wondering why I didn’t pick one of you, well, y'all fucking sucked."
"I guess I'll...take that as a compliment!" Louis uttered as the corners of his mouth turned up. "We'll have a Halloween party after the game, so make sure you have your costumes ready."
"Yes!" Layla chimed in before Louis could steal her spotlight. "Niall and I will also participate in the game, so we know nothing about the clues or the prizes or where the party will take place. Louis will take care of that. Our only job is to follow his rules and have fun!" She tapped her finger on her lips as the chatter began. "I guess I'm done. Anyone wanna add something?"
Harry raised his hand. "I have something important to announce."
"Put your hand down, Harold. Nothing is more important than my—"
"We've just found out the baby gender."
"Oh my God, what?!" Layla shouted and everyone in the cafe snapped their heads to look at her. She appeared as if she'd seen gold when she turned to Y/N. "Bitch, you should've told me first!"
"Sorry, I was afraid you'd tell everyone else." Y/N smiled. "We wanted to tell you guys ourselves."
"Just tell me now, am I an uncle or an aunt?!" Niall blurted and quickly shook his head when everyone gave him questioning looks. "No, I mean—God! You know what I mean!"
Harry puffed out his chest and cleared his throat. "It's Asteria!"
"Yes!" Layla jumped out of her seat and smacked Liam on the back. "You owed me twenty."
"You made a bet on our baby girl?!"
"Yes!" She giggled despite the look on Harry's face and took the money from Liam, who seemed pretty bitter about losing. "I'm not surprised that I won though. I knew it all along that it was Asteria. I'm her Godmother after all."
"Aunt."
"Godmother. Deal with it." She gave Harry the finger and went on, "by the way, I'm calling her Teri. It's gonna be a special thing between Godmother Layla and baby Asteria, so none of you bitches is allowed to call her that."
"Did she just call dibs on our daughter?" Harry whispered to Y/N, who simply laughed and told him Layla was just kidding.
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Fall went as quickly as it had arrived. There was only one more day until Halloween.
Layla had gathered the whole group at the same cafe, "so Louis could briefly give us instructions about the game," she had said. But everyone knew it was only an excuse for her to open a discussion about what everyone was going to wear so no two of them would show up in the same costume, "for the group aesthetics," she reasoned.
"Niall and I will be Gregory Peck and Audrey Hepburn in Roman Holiday," she cheerfully said, sitting with her back straight and arms crossed on the table, as if she was really princess Ann in the movie. "That means none of you losers can be Audrey Hepburn or a princess. Except for Y/N."
"Why?" Trix pouted.
"Because she's pregnant with my Goddaughter."
"Harry and I will be Flynn Rider and Rapunzel," Y/N said and Trix was smiling again.
"Ooh! The other day I was just telling Liam that you two reminded me of Flynn Rider and Rapunzel because—"
"Um, I have a question," Harry cut her off, raising his hand. "What are Jack and Gemma doing here?"
"Harry!"
"What?" He flinched as his wife swatted at his chest and everyone was laughing.
"I'm one of the bridesmaids. Why can't I be here?" Gemma gave him a shrug, arching an eyebrow.
Jack, who was sitting next to her, spoke fast, "Layla told me to come. I have no idea what's going on."
"Well, young Johnny Depp, you are invited to my bachelorette/bachelor/Halloween party because we need an even number of players to play the Halloween game."
"Or we can just not include Gemma." Harry lifted his shoulders in a half shrug and this time it was Gemma who swatted him.
Niall suddenly leaned in and whispered in his ear, "Layla is obsessed with Gemma, so if I were you, I'd shut up before I got uninvited to the wedding."
"I can't get uninvited, I'm the best man."
"Maybe we don't need a best man," Layla said, and Harry gasped, turning to Niall.
"Sorry, mate." Niall pursed his lips unapologetically. "You've chosen Y/N over me many times before."
"You're kidding."
Y/N shushed the boys and started stroking Harry's hair, knowing it'd turn him to a quiet little puppy.
Now that peace had been restored, Louis turned to Jack and Gemma. "Okay, I'm just going to explain again. Every year back in college, we would get together on Halloween for a game of treasure hunt. Each year, we took turns being the host who would come up with clues, the prizes, and the rules of the game. This time, I will be the host. The game is pretty simple. I'll divide you into two teams, and—"
"Wait, we don't get to randomly draw out our team?"
"No, Liam. Harry would cheat again so he could be with Y/N."
"I didn't cheat!"
"Yes, you did," Layla chimed in. "Liam saw you!"
"I did." Liam confirmed. "But I shipped you two so I didn't say anything."
"See? Cheater!" Layla grumbled as Harry flashed a peace sign at her, unapologetically.
"Okay guys, let me finish and you can roast Harry later," said Louis who rolled his eyes in frustration. "So where was I? Aaaah, the teams. Yes, there will be two teams, four persons each. You will find out which team you're in tomorrow night. And I will give each team different clues, the treasure this year is the Halloween party. You find the party, you win."
"Sounds simple." Y/N leaned back in her chair, hands on her belly. "Where are we going to play the game this year?"
"I don't wanna spoil the surprise," Louis told them with a mischievous smile.
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"The cemetery?!"
Folding his arms, Louis chuckled at the way Layla's jaw fell open as she looked around the spooky graveyard. Rows of tombstones stood erect in silence, and in this starless misty night, the place looked like a sea of the dead. This could be the opening scene of a classic horror movie, in which a group of stupid people got murdered in a graveyard for playing a stupid Halloween game.
"If I'd known we would play in a cemetery, I would have dressed up as something else to match the aesthetic!" Layla huffed as she smoothed down her skirt.
"What's the point? You're gonna lose, anyway."
"Shut up, you stupid alien!" she glowered at Liam, who couldn't look more offended by the name.
"I am not an alien!" he objected, pointing to his hat. "I'm a space cowboy!"
"Guys, don't yell. Ria has ears now," Harry said as he hugged his wife from behind, hands on her tummy.
Appalled, Trix pointed to Y/N. "If you're Rapunzel then where's your wig?"
"It was itchy, so I took it off," Y/N explained as she tucked her hair behind her ear and looked down at her pink dress. "But you could still tell that I'm Rapunzel, right?"
"You look just like her," Jack said with a smile, and instinctively, Harry held his wife closer, not even giving her boss the second glance.
Jack was dressed as Jack Dawson, but Harry knew it was him who was the original Jack Dawson. In fact, he was Jack Dawson when he won the game with his wife. This wasn't a competition but Harry thought he'd already won.
"I'm Red Riding Hood," Trix said. "In case anyone's wondering."
"No, we're not wondering. You're literally wearing a red cloak, Trix."
"Layla, don't be mean to Trix," Louis spoke, turning all heads back to him.
"What are you supposed to be?" Liam asked.
"Alastor Mad-Eye Moody from Harry Potter," he said proudly and adjusted his fake eye. "Probably the coolest costume here."
"You wish," Layla spat, rolling her eyes. "No one could beat Audrey."
The group chatted for a bit while waiting for Gemma, who showed up last. She apologized for being late because she'd had to clean pumpkin guts from her car window. "Typical Halloween prank by the kids in the neighborhood," she said.
"Princess Leia!" Liam exclaimed, pointing to Gemma's space buns.
"Um, yeah." The older Styles chuckled. "Sorry, Layla. I got this costume before you said—"
"No, no, it's totally fine!" Layla shook her head quickly. "That iconic hairstyle totally suits you!"
"Wait, why do all the girls get to be princesses except for me?!"
"Don't worry, Trix," Harry said, pointing to her heart. "Every woman is a princess in here."
"Okay, can Princess Leia or the space cowboy shoot Flynn Rider right now?"
Harry extended his middle finger toward Layla and everyone dissolved in laughter.
Clearing his throat loudly, Louis got all eyes back on him and pulled out a little box from his leather satchel. The box contained eight pieces of paper, each folded in half, on which a player's name was written. "Take the one with your name," he said. "Okay, now open it. Those who see the word 'red' go to my left. Those with 'blue' go to my right."
Harry, Layla, Gemma, and Liam went to the left. Y/N, Niall, Jack, and Trix went to the right.
"Yay! We're on the same team!" Layla squealed as she saw Gemma, who gave the girl an awkward grin, not knowing why Layla was so obsessed with her.
"Harold!" Louis shouted, making Harry and Niall flinch. "Do not switch with Niall this time! I know what color you are!"
"What?! I wasn't gonna do anything!"
"Then step away from the Irish boy!"
Groaning, Harry shoved both hands in his pockets and took a few steps back, frowning at Y/N and Jack on the opposite side. Louis then handed each team another piece of paper. "This is your first clue. It will take you to the next place where the second clue is hidden. Get your cars ready and I'll see you at the party."
As soon as Louis wished them good luck and walked away, Y/N opened her team's first clue and read the riddle aloud to the other members. "There's a man with a crooked smile, his round face is scarred with a knife."
It only took her two seconds to snap her head up to look at Jack. "Jack-o'-lantern!" they said at the same time.
"That one's easy! Let's go find one."
Niall grabbed the hood of Trix's cloak before she could run off without them. "Hold your horses, Red. Every house has one of those, it's Halloween."
Jack nodded to agree. "Maybe it's not an actual Jack-o'-lantern. Louis did say'a place', didn't he?"
"Right!" Y/N exclaimed as she tugged at his sleeve. "There's a small Halloween night market for tourists called Spooky Pumpkins. It's only a five-minute drive from here."
"Great! Let's go!" Trix said as she skipped ahead, and the others quickly followed.
"They're leaving!" Layla whined, stomping her feet like an angry little girl, but nobody on her team paid attention to her.
"Help us think and we'll be able to catch up with them!" said Liam while Harry and Gemma were still analyzing the riddle.
"It's Halloween, we're all afraid. Take your time, but don't be late," Gemma read it aloud once again as she pinched the bridge of her nose.
"What the hell does it mean?"
Harry shushed Liam immediately and turned to his sister. "Gem?"
"Take your time," Gemma mumbled as she scrunched up her face. "Take your time, but don't be late. Take your time...don't be—"
"A clock!" Harry snapped his fingers. "This must refer to a clock."
"How are we gonna find a clock in a cemetery, genius?"
"Not here, genius." He glowered at Liam. "Louis said this clue would take us to another place."
"So...clock...Big Ben?" Layla asked.
"No, too far from here." Gemma shook her head. "It has to be somewhere near because it's only the first clue. We have to think smaller."
"There's a vintage clock shop near here. It only takes five minutes to drive there," Liam said and the others all agreed with him.
"Come on, let's go!"
As Harry motioned everyone to follow him and walked ahead of the group, Gemma gave Layla a nudge. "This is about Jack, right?"
"Yup." Layla nodded. "He becomes a dictator when he's jealous. But hey, we can always kill him after we've won."
"I heard that!"
Laughing, she shouted back at Harry, "I wanted you to!"
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Y/N hated night markets.
She hated being surrounded by too many strangers. She hated it when someone bumped into her or stepped on her feet and didn't apologize. She hated the distinct voices and laughter as they gave her anxiety and a headache. Being at a night market on its busiest night was a Halloween nightmare coming true. It wasn't really a phobia for Y/N, but it was close, and so she didn't want to be obvious about how uncomfortable she was. She had scared Jack enough when they were stuck in a lift last year. Unfortunately, it wasn't hard to tell that something was bothering her as she was walking so close to his side, basically attached to him.
"You alright?"
"Yeah." She looked up to give him a reassuring grin and changed the subject, "don't you have other plans on Halloween night?"
"I don't even have plans on regular nights."
His answer made her snort. "I mean, working plans. I know you don't hang like the rest of us."
"You said it like it's a bad thing." He chuckled, shaking his head. "But I'm hanging with the rest of you now, aren't I?"
"Yeah, why is that, I wonder?"
"I have a soft spot for you, not gonna lie," Jack answered without thinking, and when he noticed the look on her face, he laughed it off and added, "you're like a little sister to me. That's what I meant."
"Oh? Should I take that as a compliment?" She smiled, and he gave her a shrug.
"Many people would kill to be considered my sister. You're lucky."
Y/N let out a slight laugh as she playfully pushed his shoulder. Before either of them could say anything else, Niall jumped out from nowhere and walked right in the middle. "So..." He threw an arm over Y/N's shoulders, grinning. "What were you talking about?"
Y/N was trying her best not to laugh. "Harry tell you to—"
"Guys?" Trix's voice cut her off. All three of them paused and turned around to find Trix panting as she finally kept up with them. "Shouldn't we stop and look for clues? Why do we keep on walking?"
"We are looking for clues," Y/N said. "We need to find a pumpkin-carving knife."
"Oh, that's very specific."
She immediately shot Niall a glare. "If I want sarcasm, I would rather have Harry on this team."
"Yeah. I miss that sarcastic asshole." Niall sighed.
"Hey, where is Trix?"
Jack's question got both of them to turn their heads, but Trix wasn't there anymore. It was like she had vanished into thin air.
"Trix? Where are you?!"
"Calm down, Y/N. She's probably—"
"Trix?!" Y/N ignored Jack and called louder.
"I'm here, Y/N!"
"Trix!" Y/N let go of a harsh breath and dashed toward the girl. "Where were you going?! Stay close to us, okay?"
"Look what I've found!"
Everyone jumped back when Trix pointed a knife at them.
"Woah! Be careful with that!" Niall hissed, making the girl giggle.
"Chill. I'm not gonna stab you! I'm not Layla! Look!"
Y/N was the one who stepped forward and took the knife from Trix. She peered at the shiny blade to read the tiny words written in permanent ink.
"The paper monsters under your bed, come from the lands inside your head."
Niall's eyes brightened as Y/N handed him the knife. "Our second clue!"
"Well done, Trix!" Jack said, giving Trix the thumbs up. The girl was so proud of her achievement that she couldn't stop bouncing up and down.
"I was just following the guy in the pumpkin mask with the Harry Potter scar and I asked him about the second clue."
"Okay, that was smart. Louis was dressed up as a character from Harry Potter, so it must've been a hint. But it was also dangerous to follow a guy in a mask," Y/N said as she held onto Trix's shoulder. "Do not follow guys in masks, okay? Not when it's night and you're alone. And definitely not on Halloween."
"Oh, okay." Trix batted her eyelashes and gave her an innocent smile.
"Guys, our second clue?" Niall spoke as he waved the knife to get the others' attention. "Any idea what it's trying to say?"
"Should we look under a bed?"
"I don't think 'bed' is our keyword, Trix," said Jack as he took the knife from Niall and reread the riddle a few more times. "Hmm, paper monsters from the lands inside your head..."
"How did Lou come up with these clues!" Y/N cried out, making Niall cackle.
"The dude literally makes a living from designing computer games so..."
"I used to have monsters under my bed," Trix suddenly spoke. "My mother had to read me Alice in Wonderland every night to chase the monsters away."
"Wait, that's it!" Jack's whole face lit up. "Books! We need to find the closest bookstore."
"Paper monsters from the lands inside your head!" Y/N gasped. "Why didn't I think of that? This must refer to horror fiction."
"Yup, horror or fantasy," Jack said with a small smile. "What's the closest bookstore here?"
"I know one! Let's go!" Y/N gestured with a thumb, and the rest hurriedly followed her.
.
.
.
Harry blew out his cheeks as he read the text from Niall and put his phone away. "They've solved their second clue," he told the others.
"Have you been texting with the enemy?" Layla, who was in the backseat with Liam, grumbled at him.
"It's just Niall."
"My husband and your wife are our enemies now. Stop communicating with them."
"Guys, we're here," Gemma announced as she parked the car on the side of the road, in front of their first stop.
The clock shop was so small it blended right in with the rest of the street, probably the reason Harry had driven by it plenty of times yet he had never once noticed it before. He was the first to enter, and the rest followed him in a line because the door wasn't big enough for them to walk through at once.
The place had that spooky charm, it was dull and quiet, no other sound but the chaotic ticking of the clocks. It was exactly how Harry imagined inside a madhouse would sound like.
"Hi, may I help you?" an old lady greeted them at the entrance. In this terrible lightning of the place, her teeth looked yellow and crooked and her face was as pale as a corpse. Layla and Liam were quick to hide behind the Styles and let them do all the talking.
"Hi ma'am..." Harry stepped up to shake her hand. "This may sound stupid but...we're playing this game and we have to solve riddles to—"
"Are you friends with the short skinny boy Lewis?"
"Louis."
"Yes." The lady smiled and adjusted her small glasses. "I love that boy, he comes over to keep me company whenever he's free. Who knew his friends were also such beautiful people. You, young man, look just like a prince."
"Thanks, ma'am." Harry chuckled nervously as she pinched his cheeks. "D-do you mind if we...um...look around?"
"Not at all, dear. Go ahead," said the old lady.
The four of them split to search for their next clues. They checked every corner of the store, and the lady let them do whatever they wanted and take as much time as they needed. When Layla found the piece of paper attached to one of the clocks, the old woman had already fallen asleep in her rocking chair.
"The witch has got a brand new nose, look where she would keep her clothes."
Harry raised an eyebrow. "A witch? Does any of you happen to know a witch?"
"Or someone with a brand new nose," Liam chuckled.
"And a lot of clothes..." Gemma said.
And all three of them turned to look at Layla, whose mouth fell open. "What?! I'm not the witch!"
Liam immediately took a step back to keep a safe distance from Layla before he said, "you got a nose job last year and you'd rather die than be seen wearing the same dress twice. So, yeah..."
"Do you guys call me a witch when I'm not around?"
"Yes."
Layla shot Harry a death glare and his mouth immediately snapped shut.
"Do you live near here?" Gemma asked, and Layla shook her head. "Then it can't be Layla. We don't have much time until midnight so these places must be close to each other."
"Layla's shop is just two blocks away," Harry said as he rolled up his sleeves. "I don't think the clue refers to her closet, because Louis couldn't have broken into her house and hidden stuff in her closet, right? It must be her clothing shop."
"Fuck!" Layla suddenly raised her voice and had to double-check if she'd woken up the lady. Turning back to them, she whispered, "yesterday he told me he was there to buy clothes for his sisters! That sneaky son of a bitch!"
"Okay, that's it! That's our next clue!" Harry said as he checked the time on one of the clocks. "Let's go! If we don't hurry up, Jack will win!"
"Did he say 'Jack' instead of 'they'?" Liam asked, watching Harry bolt to the entrance without waiting for anyone.
"Yup, get used to it," Gemma and Layla said at the same time.
.
.
.
Y/N had been to this bookstore twice with Harry. It wasn't so far from where they used to live back in college. Coming here tonight, she was expecting to see the old lady who always gave her discounts because she adored Y/N and Harry's relationship, but sadly, the lady wasn't there anymore. Instead, they met a young man who looked like he could still be a student.
"Sorry, we're closed," he said, about to turn off the last light when Jack stepped in anyway.
"It says 'open until midnight'." Jack pointed to the chalkboard by the entrance, but the employee gave him a shrug.
"Well, I've got only two employees, very lazy ones, and they didn't even bother to show up tonight."
"Wait, you're the owner of the store?" Trix asked.
"Why's it a surprise?"
"You look like a teenager..."
"Trix," Y/N warned her friend before turning back to the angry man, looking at his name tag. "Eddie, can we just look around for a minute? Um...it's kind of important. Please?"
Eddie seemed reluctant as he eyed them up and eventually drew in a long breath. "Fine. Only because you're polite."
Y/N happily thanked Eddie and followed him into the store. As he turned all the lights back on, Jack and Y/N hurried to the fantasy section while Niall and Trix went to the horror section. Dust collected everywhere as far as they could see. Jack and Y/N had to cover their noses and mouths as they looked through the dirtied shelves and stands.
"How can you work in a place like this?" Y/N asked, glancing at Eddie, who was watching them with his arms dangling at his sides.
"Well, I don't have a choice. It's family business." He hung his head and mumbled, "if only I'd stayed in college..."
"There's a book called 'I have sex with an alien'?" Jack said, making Y/N laugh as she took it and checked the front and back cover.
"I think one of my two employees hid it at the back so no one could see and buy it," Eddie said as he rolled his eyes. "Anyway, do whatever you want, I need to make a phone call."
When he was gone, Jack immediately turned to Y/N. "I would really love to meet those girls," he whispered, and Y/N nodded.
"Me too."
"Hey, guys!"
"Jesus, Niall!" Y/N smacked Niall with the book, causing him to jump away. "Stop doing that!"
"Sorry!" Niall rubbed the sore spot on his arms, his face contorted. "I just wanted to say Trix and I found the clue."
"Where?!"
Trix showed up, holding a book and an iPhone 5. "We found these on the top shelf."
"The Haunting Of Hill House," Y/N read the title before looking up and beaming at her friends. "Good job, guys! We're so gonna win!"
"Well, what's on the phone?" Jack asked, and Niall gave him a half shrug.
"Don't know. It requires a passcode to unlock."
"Wait, there's a bookmark." Y/N ranked her fingers through her hair, tucked it behind her ear and then opened the book to where it was marked. On the page was a highlighted sentence that said, 'Journey ends in lovers meeting.'
"That's Shakespeare," Jack pointed out.
"Maybe Shakespeare is the passcode."
"No, it's numbers, Trix." Niall exhaled as he rubbed his chin. "Try Shakespeare's birthday or death day."
Y/N was about to pull out her phone to go on Google, but Jack already entered those numbers.
"No, it's not it," he said, shaking his head and looked up to find the other three gawking at him.
"You know Shakespeare's birthday and death day?" Y/N questioned with her eyes wide.
With a cheeky grin, he smirked. "Well, don't you?"
"Please marry me," Trix blurted, and Jack's startled reaction to her 'proposal' sent both Y/N and Niall into hysterics.
Meanwhile, the other team had just found their third clue in one of the coats in Layla's store.
"Well done, Liam!" Gemma said as she unfolded the piece of paper and read the riddle aloud, "There's a princess in disguise. To find your next clue, just follow the light."
"A princess in disguise?" Gemma raised an eyebrow at Layla. "That's you, right? Princess Anne was in disguise so she could walk around Rome freely."
"It can't be Layla twice. The host is Louis, not Niall," Harry commented, making Layla roll her eyes.
"If Niall was the host, I'd be the princess and Louis would be the witch," she grumbled with her arms crossed over her chest. "Well? If the princess in disguise isn't me then who?"
"Who else could be the princess?"
"Gemma."
"A princess but not in disguise," Gemma corrected Liam.
"Princess Leia was disguised as Boush once."
"I'm not wearing a Boush costume, aren't I?"
As the two continued to argue over Star Wars facts, Harry was still mumbling to riddle and trying to solve it on his own. "Follow the light..." He pinched his bottom lip, chewing on the inside of his cheek. "The light...I see the light...and at last, I see the light! Yes!"
Everyone looked at him as he punched the air. "Tangled! It's Tangled! The princess is Rapunzel!"
"Y/N?!" Gemma smacked her forehead.
"Yes!" Harry exclaimed, his eyes sparkled with joy. "My wife is the motherfucking princess in disguise. She is our clue!"
"But she's on the other team," Liam said, shaking his head.
Layla thought for a moment before she raised a finger. "Maybe Louis wants us to meet."
"Yes! We have to go now! Let's go!" Harry was about to run toward the entrance when Gemma grabbed him by the arm, pulling him back to them. "Not so fast, Eugene. We don't know where she is."
"Oh, shit! You're right!" he said and pulled out his phone. "I'll text her."
Gemma gave him a nod to approve. "But don't tell her she's the next clue. Not until we get there."
.
.
.
"Harry just asked me where we are."
"Why are you texting with the enemy?" Niall asked when she showed them the message. Jack, on the other hand, straightened at once.
"Journey ends in lovers meeting." He stared at Y/N intensely. "That's it. You're supposed to meet Harry again and Niall is supposed to meet Layla. That's how this game ends. We're supposed to meet the other team."
"Maybe Harry got a similar clue and he knows we have to meet," Niall said.
Trix gave a slight shrug. "Or he just misses her."
"No, Harry's very competitive," Y/N said, shaking her head. "Jack's right. He wants something from us. Should I let him know we're here?"
"Do it," Jack said and stepped closer to watch her type down the message. "But don't let him know anything about our clue. Wait until they get here."
.
.
.
"When did this place become the tourist attraction?!" Eddie cried out as he watched another group barge into his bookstore.
Harry walked straight toward his wife and gave her a hug. And when Eddie saw him, his eyes went wide. "Hey, has anyone told you that you look like—"
"We don't have time for meet and greet!" Niall interrupted the man and pulled Harry and Y/N apart, pointing a finger to his best friend's face. "No touching until you tell us why you're here."
"He's right. Show us your clue."
"Wow, so this is how it's gonna be, huh?" Harry chuckled as his wife extended her hand toward him, palm up.
"We're still playing the game. Hand me your clue," she demanded.
Harry shoved his hand into his pocket, but Layla stopped him right away, pulling him to the side by his elbow. "Show me yours first," she said, her nose stuck up.
"Guys, I don't know what this is about, but you have one hour until midnight," said Eddie, who patiently checked his watch and blew out his cheeks.
Given no other choice, Y/N pulled out the phone. "We found a phone which requires a passcode. And the clue is a Shakespeare's quote: 'Journey ends in lovers meeting.'"
"Can I have it?" Harry asked and Y/N handed him the device. Everyone went silent as they waited for him to enter the passcode.
"It worked!" He cheered, raising a fist. "I'm in!"
"It worked?!" Layla slapped a hand over her mouth as Niall jumped in joy.
"Holy shit! What?! What's the passcode?"
"Y/N's birthday." Harry grinned at his wife. "Our clue was a princess in disguise and it told us to follow the light."
"Ha. I see the light. Classic." Y/N giggled and pulled Harry's head down to kiss him on the cheek. "My husband is so smart."
"Skip the sentimental bits. We don't have much time left." Layla smacked Harry on the arm, causing him to hiss and jump away. Stealing stole the phone from her brother, Gemma quickly went through the few apps on the home screen.
"Okay. The photo roll is empty. Messages. Empty. Notes. Empty."
"Try recording," Layla spoke, and Gemma tapped on the recording app.
"There's one recording!"
"Yes, wife!" Niall wrapped his arms around Layla and gave her a kiss on the forehead. "You're the best!"
"Is this the 'I love my wife' club now? Can the rest of us leave?" Liam joked, making everyone laugh as Layla shot him a death glare.
Gemma immediately shushed them all so she could play the recording. The first few seconds were nothing but silence, but then they heard Louis' voice. He said, "you're almost there, just look for white. Enter the room and claim your prize."
And it ended.
"That was it?" Layla scoffed as she exchanged looks with Y/N. "Look for white?!"
"Yes, that's the keyword," Gemma breathed. "White. What does the color white remind you of?"
"Snow?"
"It's Halloween, not Christmas, Liam!"
"You haven't watched The Nightmare Before Christmas, haven't ya?" Eddie spoke and Layla yelled at him to stay out of this.
While everyone was arguing with each other, Y/N subtly pulled Niall aside and whispered to him, "go get your car and wait for us outside."
Though confused, Niall trusted Y/N, so he didn't question her and just snuck out when nobody wasn't looking.
"White, hmm..." Layla trailed off as she shuffled her feet, one arm folded, the other rubbing her chin. "Treasure?"
"Treasure?" Harry chortled. "Our cat?"
"Yup."
Liam and Trix snickered at her answer, but Gemma and Jack were poker-faced.
"No, Layla's got a point," Jack said. "Louis did say the treasure is the party."
"Shit!" Harry cried out, holding his head. "Treasure is with Nam and Nam told me he'd taken tonight off to be with Ben. Treasure is at Ben's place! That's where the party is!"
Gemma groaned as she stomped her foot. "Why didn't I think of that? He gave us the final clue right from the beginning!"
Harry's team hadn't had time to react to the big discovery when his wife and her team shot right through the door. Niall's car was waiting outside, and they drove away in a matter of seconds. It took the others a moment to realize what was happening and all of them dashed off, not accepting defeat.
As the door fell shut in front of his eyes, Eddie was frozen, completely flabbergasted. He needed a minute to process everything and quickly pulled out his phone to make a call.
"Mum? Can you pick me up? I think I just met a cult."
.
.
.
"If we lose because we couldn't find a parking spot, I'd be so pissed," Layla panted as she chased after the others into the building right when Y/N's team was heading toward the lift. The two sides only shared one hostile look as the door opened, and the old lady in the lift was horrified when they all ran toward her. Harry was much faster. He almost got there when he heard Niall shouted, "stop! You're hurting Y/N!" which stopped him immediately.
"Which one of you fucking pushed her—"
"Sucker!" Niall pushed Harry aside, took Y/N's hand and pulled her into the lift with Jack and Trix. It took Harry nearly a second to realize he'd been fooled, but by the time he and the others got to the lift, it had gone to the next floor.
"We can just press the emergency button to stop it!" Liam said, looking frantically from left to right. "Is there one out here?!"
"Don't be fucking crazy. Y/N is afraid of small spaces!" Harry glowered at Liam as he crossed his arms and took a deep breath.
"Now what?" Gemma asked.
"Well, now we...wait for the lift."
.
.
.
"Niall James Horan!" was the first thing Layla shouted when she burst through the door into Ben's flat. She stormed right past the party guests who were clapping for her and grabbed Niall by the arm. "I'm gonna fucking kill you!"
All eyes followed Niall as he was dragged away, until Louis got up on a table and screamed, "party!" And everyone was cheering again.
"Let's hope they won't break up before the wedding," Trix said, but Liam only laughed.
"The only thing that they'll break tonight is a bed."
"Ew, gross!" Gemma cringed, pushing him away.
"Hey, there's a bar!" Jack exclaimed, making Gemma squeal in elation.
"Wanna get a drink?" she asked.
"Yes, please." He tossed his head back and sighed in relief.
The music was earsplittingly loud. Neon lights flashed everywhere like police sirens, but much more colorful. Harry guessed Ben wasn't kidding when he said he'd go all out with parties. Pushing his way through a room full of people, Harry finally got to where his wife was sitting with Ben and Nam on the couch. Treasure was lying on her lap. The cat was wearing a party hat that said 'I am the Treasure.'
"Punny." Harry chuckled, shaking his head.
When Y/N looked up and saw him, she was overjoyed. She handed the cat to Ben and got to her feet to give him a passionate kiss.
"I'm sorry you lost, baby," she said, nudging his nose with her own as she held his face.
He secured his arms around her waist, smiling against her lips. "Liar, you're not sorry."
"No, I'm so not," she admitted, kissing him. Again, and again, and again...
It was an exciting night, a great party, but it was over too soon for the married couple. They had decided to leave early because they feared loud music would affect their baby girl. The others were way too tipsy to see them sneak out, anyway. Layla and Niall were dancing on the table, apparently enjoying their last night before being married. Liam and Louis were hitting on some girls while Gemma and Jack were karaoke-ing with Nam and Ben. What a beautiful ending for the longest night ever, Harry thought.
"I can't believe the prize was 'friendship'! The only thing this game did was tear us apart!" Harry grumbled as he carried the cat to the lift and pressed the down button. "Baby?"
Turning back, he found Y/N standing still and staring at the door to their old flat. "I miss it, H," she said, smiling at him.
"Yeah, so do I..." He walked over to where she stood, sucking in a breath. "It's been so long."
"I wonder who lives here now."
"Wanna find out?"
"Wait!" She grabbed his wrist before he could ring the doorbell. "We could just ask Ben!"
"What's the fun in that?" Harry said and pressed the doorbell, anyway.
"What the hell, Harry?! We don't know them!"
"Relax, babe. We can just say we got the wrong flat number."
Harry had just finished the sentence, and the door creaked open. The first thing they saw was a face as white as a sheet. They both screamed, causing 'the face' to scream, and the two of them screamed again as they sprinted to the lift the second it arrived.
Breath busting in and out, the woman peeled off her sheet mask and cursed at the crazy couple now that they were gone.
"Aunt Lynn? Are you alright?"
"I'm fine. It was just some Halloween pranksters," she said to the person on the phone. "Anyway, tell your boyfriend I said hi."
.
.
.
*Ending explanation for those who don’t read My Girl*: The woman who’s living in the flatmate babies’ old flat is also a character from My Girl - The MC’s aunt. :)
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theprocrastinatingalien · 6 years ago
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Casting The Batman
Director Matt Reeves said in a Q&A that he expects THE BATMAN to start production at the end of this year.  Now that's still quite a way off, but for that to happen a few things need to happen... like casting.
It's be confirmed that Ben Affleck has stepped away from the Batcave, and we're now looking at a new actor putting on the cowl.
Firstly, we need to asses... is Reeves' Batflick part of the DCEU, or does it stand aside, like the upcoming JOKER movie starring Joaquin Phoenix, despite the fact Jared Leto is expected to carry on as the Clown Prince of Crime within the shared universe.
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Why is this important?  Well, Whilst Affleck is going off, that doesn't mean the supporting characters have to change cast, especially if it's in the shared universe.   Particular roles are in place.  Jeremy Irons as played Alfred in two movies now, and JK Simmons popped up in the JUSTICE LEAGUE as Commissioner James Gordon.   Either of those actors could continue.  Even if this movie is in the past.  Sure a younger actor in either part may make sense, but CAPTAIN MARVEL just proved you can do a whole film with nifty de-aging effects (Samuel L Jackson's Nick Fury).
Whilst I will, naturally, look towards who could be cast in supporting (and villainous) roles, right now we're going to focus on the big issue.  Who should play Batman?
Below are a list of different actors who I've seen suggested, or am suggesting myself, that could end up as the next Dark Knight. I've included a variety of ages too... just covering the bases.
KARL URBAN
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This one was an obvious inclusion. Before Affleck was announced, Urban was my (and seemingly half the internet) top choice.  Probably best known currently as Dr McCoy in the new age STAR TREK movies, he also appeared as DREDD, and more recently played Skurge in THOR: RAGNAROK over in the MCU.  He's around the same age as Affleck (both born in 1972), so this would be more of a direct recast, but a popular one I believe.
ROBERT PATTINSON
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Urg.  No.  This would annoy me... but a major rumour recently was that the TWILIGHT star was in talks for Bruce Wayne and his alter ego.  To be honest, it wouldn't be the WORST casting in the DCEU (Jesse Eisenberg as Lex Luthor, anyone?) and I would still give the guy a go.  It's just not a casting I'd be excited about. With Pattinson we'd have a Batman in his early 30s.
ARMIE HAMMER
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The funny thing with this one... it was basically reported that Hammer had got the job.  The actor had to debunk the casting himself.  There's quite a fanbase for the actor to get this role, and to be fair, he had once been attached to a Batman role in the past, when he was cast as Bruce Wayne in a defunct JUSTICE LEAGUE movie.   Still, whilst the actor said nobody (in power) had talked to him, the media buzz may have brought him to the attention of Reeves... so I wouldn't rule out this casting entirely.   I'd certainly prefer it to Pattinson.  Both actors are the same actor as 32.
AIDAN TURNER
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This Irish actor is very popular with the ladies (good for Bruce Wayne) and was a sheer highlight as vampire Mitchell in BEING HUMAN (the UK series)… He's currently the heartthrob lead in POLDARK, and was the heartthrob dwarf Kili in THE HOBBIT trilogy.   And whilst there probably has been a lot of onus on his looks, he just happens to be a really good actor, and in his mid 30s, I believe shouldn't be dismissed as a potential Batman (or Bond!).
TARON EGERTON
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Now, this wouldn't be an ideal choice, but I'm throwing it in there.  Egerton's currently 29, so the youngest on my list at this point, and he's making quite a name for himself.  I think his best qualification for Batman is his role in the KINGSMAN franchise, but he also recently played ROBIN HOOD.  He's possibly a little on the short side for Batman, and whilst he has the physicality for the role, I don't think he's the best fit for Bruce Wayne.  However, I would definitely put him near the top of a NIGHTWING list.  As Dick Grayson does become Batman at some point, I thought it'd be fair to include him on here.
K J APA
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Apa's the youngest person on this list at 21. If I'm honest, I'm not sure he quite has the charisma for Bruce Wayne, and he feels a little young for Bats, but that might be what Reeves is looking for.  Apa is Archie, the lead character in RIVERDALE, and he does get to play detective - which plays into comments Reeves has made.
KIT HARINGTON
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Funnily enough, I was actually going to include Harington's onscreen brother Richard Madden, from GAME OF THRONES but I've switched it.  Harington certainly has the broody look down.  We all know how Batman likes to brood, and with GoT coming to an end, Kit's probably looking for a new high-profile acting gig.  THE BATMAN wouldn't be a bad way to go.  Not sure how people would take to this casting though, I'm not sure how the actor is perceived in the public eye. Agewise, he's inline with the likes of Pattinson and Hammer.
LIAM NEESON
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I said, I'd be cover all the bases, and this one's going the other way, with an older actor. Liam Neeson is 66.   He's already been a part of the Batworld, featuring in THE DARK KNIGHT trilogy as villain R'as Al Ghul. But what if we turned that around and made him the big man himself.  Casting Zeus, Aslan and Qui-Gon Jinn as Batman works for me!
JEFFREY DEAN MORGAN
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Okay, so this is not a clear-cut choice... but I'm throwing it out there anyway.  Morgan played Thomas Wayne in the opening scenes of BATMAN V SUPERMAN.   We know that there's an upcoming move (supposedly) based on FLASHPOINT, and in that, rather than Bruce becoming Batman, his father does instead.  What if the DCEU are clever and tie this alternative reality into the cast change... handing the cowl over to Morgan.  Personally I like it.  Recasting Batman without recasting Bruce Wayne.  Morgan is in his 50s, and currently plays the violent Negan in THE WALKING DEAD.
BRAD PITT
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No, really.  Like Morgan, Pitt is in his 50's, but he's still got that good-looking, swagger (perfect for an aging Bruce), and he'd be a pretty commercial choice I think. Plus, Pitt is a pretty decent actor.  He'd be able to display a few different facets for the caped crusader, and might be able to channel that dark SEVEN vibe, tying in with Matt Reeves'  noir detective tale.
Now, I should probably start wrapping this list up.   I've already listed 10, but there's still two more I think deserve a mention.  One positive, one negative. 
JAKE GYLLENHAAL
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Now, you're probably expecting Jake to be the positive, but no.  I do not like the idea of him playing Batman.  He's not right for the role.  So why am I including him now?   Gyllenhaal was a possible casting way back when Christian Bale was cast.  As were Joshua Jackson and Wes Bentley.   I'd actually rather Bentley get given the shot of any of them, but Jake gets the mention because apparently Matt Reeves may have his eye on him.   I'm not against JG as an actor, in fact I'm looking forward to his turn as Mysterio in SPIDER-MAN: FAR FROM HOME over at the MCU.  I just don't think he'd be *my* Batman if he were to be cast.
Which leaves us with...
OSCAR ISAAC
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I saw Isaac's name pop up on another list, and you know what... I wouldn't mind it.  I wouldn't have thought of him myself,  He's half Guatemalan, half Cuban, which would add ethnicity to the character that had typically been played by straight up white American or Brits, with being as controversial as, say casting Idris Elba (who, incidentally has joined the DCEU as Deadshot, replacing Will Smith).  Isaac is suave enough to play Bruce, and intense enough to play Batman.  He's a good actor, and now has quite a following thanks to his part in the current STAR WARS trilogy.  Of the twelve candidates listed here, he's definitely up the top end for me.
It would have been quite easy to fall in with listing every dark-haired furrow-browed actor in Hollywood, but I tried to streamline the list a little.  Personally for me, my tick rests near Urban still, although I accept it's unlikely.   It's going to be interesting to see who they do go with in the end.  There was a lot of negativity against Affleck's casting, but I think most can agree he's been a highlight of the DCEU.
Whoever get's cast, will be filling the shoes of  Adam West, Michael Keaton, Val Kilmer, George Clooney, Christian Bale and Affleck.   Soon, I'll also be looking at the supporting cast - including an actor I almost included here as a potential Batman, but then realised I'd love to see him as a Riddler...
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taecheeks · 6 years ago
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Annual Writing Self Evaluation 2018
I wasn’t tagged in this but I wanted to do it so here we go
ALL FICS MUST HAVE POSTED ON AO3 IN 2018
1. Number of stories (including drabbles) posted to AO3: 10
2. Word count posted for the year: 774,856 lakdjflkjfladklf
3. List of works published this year (in order of posting): (my wips are in order of when I last updated, not when I first posted)
Through Time I Found You (I feel like I posted this 9837473 years ago, I can’t believe it’s been less than a year since i posted my last ziam fic)
Enticing
play with me
Greedy
Wandering
media naranja
Kinktober ‘18
Maybe
Home For Christmas
Nodus Tollens
4. Fandoms I wrote for: One Direction/Zayn, BTS
5. Pairings: Liam Payne/Zayn Malik, Jeon Jungkook/Kim Taehyung, Park Jimin/Min Yoongi, Park Jimin/Min Yoongi/Jung Hoseok, Kim Namjoon/Kim Seokjin, and Kinktober has multiple pairings.
6. Story with the most:
Kudos: Nodus Tollens and then media naranja (this one was the fastest to get kudos, so I’m adding it)
Bookmarks: the same ^^
Comments: Nodus Tollens and then Through Time I Found You
7. Work I’m most proud of (and why): Nodus Tollens because it’s a lot different than what I’m used to writing and it was very difficult plot wise and characterization wise, but I’m happy with the way it turned out. There’s things that need to be fixed because I kind of just wrote and let the plot develop itself, and I was sure people wouldn’t like the plot twists. I also love my characters, I’m so attached to them. It’s also my longest fic and I don’t feel as if it’s dragging on, so I’m happy about that.
Also, media naranja. I wrote this fic as a break from the angst in nodus tollens and I was attempting to write a crack fic, and just a stupid/dirty overall fic and I actually got really great feedback for it. It made me really happy write it and really happy to see it do well. 
I didn’t think Through Time I Found You was last year but since it was, I’m going to mention that one too. That was SO hard for me to write because of the dialogue and because it took place in the 18th century. But my writing really improved because of that fic (and my amazing beta for that fic). 
8. Work I’m least proud of (and why): None really. I post a lot of pwps that probably could be better, but there’s none I would say I’m not proud of. 
9. A favorite excerpt of your writing: ugh this is hard did you see the WC from this year kldjalkfjda. Here’s something from NT I was really excited to share:
“The new living room is a little off putting. Taehyung’s definition of homey means a little messy - his tattered couch a big eye sore in the middle of the room but after a few nights cuddling with Taehyung on it, he’s starting to fall in love with it.
Taehyung’s a little messy too, their relationship or whatever it can be called a little messy, but Jeongguk’s past the point of falling in love with it.”
And then here’s one from Wandering bc that fic is my baby and sope are platonic soulmate brothers and I need them to be happy and finish the story okay:
Admittedly, Yoongi has never understood the phrase “seeing red” when angered.
He understands now.
It is a volcano inside of him, moments away from erupting and destroying everything around him. The only thing keeping him from yelling at the group of people in the waiting room, who never fucking called him, and the doctors who waste his time, is Hoseok.
The shallow breathing doesn’t calm his anger, but it keeps the tremble in his limbs at bay. The flinch of Hoseok’s fingers against his own makes it difficult not to squeeze on tight in a hope of waking him up.
It is too difficult to look at him bandaged up, his face so swollen and bruised he is almost unrecognizable. So Yoongi rests his cheek on their clasped hands where he sits beside him and stares at the monitor instead. He’s thankful they took the breathing tube from him, it made it too difficult to look at him.
“Never thought I’d wake up next to that face.”
Yoongi rubs his sleep ridden eyes against the soft sheets. There is a slight quirk to Hoseok’s lips as he makes an attempt at squeezing Yoongi’s hand.
“Savor the moment, it won’t happen again,” Yoongi mumbles as he sits up. It is still difficult to look at him, but Hoseok doesn’t look his way either so he can divert his eyes for the time being. “Special circumstances.”
Hoseok attempts to laugh, but he ends up groaning instead. “Don’t make me laugh. I feel like a bucket of shit.”
“You look it,” says Yoongi, but the joke doesn’t feel genuine. He knows he should call the doctor, but there is a flicker of fear in his chest at the idea of leaving his side.
“What’s the damage?”
The doctors had told him the moment he stepped inside of the room, but Yoongi couldn’t focus on anything but the sight before him and the rage he felt at whoever did this.
“They broke your face. A um - in your stomach. Stitches, lots of stitches.”
A tightness takes over his throat and he swallows it down as he finally moves to the door to call the nurse. He can’t say it. Stabbed .
“I don’t remember much. It was dark. Nari, is she okay?”
Yoongi’s heart drops into his stomach as he sits by the bed again. “Your parents are out of state. But mine are here if you need them.”
This seems like a better thing to tell Hoseok, but it makes his chest ache.
Assholes, they always have been.
“I told them I was your brother so they would get off my ass.”
Hoseok snorts. “Idiots. You’re too ugly to be my brother.”
10. Share or describe a favorite review you received:
Ah, I received so many great reviews this year. I am quite lucky.  I think my favorite recently was the latest on Nodus Tollens, which says: “ WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK WHAT THE FUCK” x 3934 lmao
11. A time when writing was really, really hard: This year has been pretty good for writing. The last couple years, I’ve been struggling. But this year, not so much. There were times where the plot was a bit heavy and difficult and I couldn’t figure out how to get it to where I wanted, or I realized I messed up a timeline and I had to work around that, but overall, pretty good. 
12. A scene or character you wrote that surprised you: Um Sope in Wandering. Like, it was supposed to focus on the romantic ships in that fic but it focuses on the platonic ones more. And sope a lot. I really, really enjoy their relationship in that fic.
Also, Bobby in Nodus Tollens. He’s a minor character in the fic, but I also get a lot of feedback about it. He’s a, bad guy but with a tortured past so you feel for him and realize he’s not really a bad guy. That trope, I’m protective of him and I’m sad when I write his scenes.
13. How did you grow as a writer this year: Specifically? Not sure. I got better at commas lmao. I’ve tested myself and wrote things I hadn’t before. I went from really dark to comical stories, I wrote different kinks. I wrote characters as bad when they aren’t in real life, which I normally don’t like doing. I’m not usually a big fan of writing characters OOC, but I’ve gotten more comfortable if it’s appropriate for the story I’m writing. I put a lot of my own self into stories, I wrote about something very traumatic that happened to me in one - something that I haven’t even talked about really. 
14. How do you hope to grow next year: I can be a bit repetitive within my writing, I am working on this and I hope I improve. (Like for example, in the fic I’m about to post in a few days, I wrote JK saying he’s suffering and dying like 343 times lmao.) I also really suck at outlining and planning out fics in advance, which hasn’t been a huge issue but it’s offered me some roadblocks that I need to focus on bettering.
15. Who was your greatest positive influence this year as a writer (could be another writer or beta or cheerleader or muse etc etc): Oh man, well I’ve read some really amazing fics and the writing was so beautiful that it offered me a lot of motivation. @strawberrysuga is always a huge support for me and my writing, even though ambra offers me like 9897 au ideas when I’m trying to focus on the 8979 ones I’ve already written. There’s a lot of people on twitter who come to me between updates and though I write for myself, seeing their feedback and their love and encouragement has been such a good influence on me. 
16. Anything from your real life show up in your writing this year: Oh yeah, every one of my fics has part of me in it whether it’s a character based on someone I know, or an event in my life. Wandering has a lot of it; the police scene, Taehyung hating cheese (me), it takes place in NE where I grew up. One of my fics has a scene based on me and my girlfriend. Umm so yeah a lot lol
17. Any new wisdom you can share with other writers: So, this year was a good year for me and I was nervous because I was in a new fandom. As much as I’ve done well, I’ve never really gotten negative comments on my fics before until this year. And none of them were about my writing or my storyline, but unnecessary/rude comments. Like someone didn’t like how often a side ship showed up. Things like that. They bothered me, not necessarily because I took it personal, but because I can’t believe people can be so rude and think it’s okay to be that way lol. I think this will always continue to happen, I think it’s best to ignore these comments and try to focus on the good ones. Because the bad ones stand out, but there were very few compared to the good ones - but the bad always stands out more than the good. And it’s important not to focus on the bad. 
18. Any projects you’re looking forward to starting (or finishing) in the new year: I’m actually writing a fic right now I’m very excited to post. It was supposed to be a ‘I’ve never kissed anyone, please teach me’ type fic, but it’s not quite that anymore haha. There’s a lot of frog references because Jungkook’s an animal biology major who loves amphibians lakjldfkjda 
19. Tag some writers whose answers you’d like to read: since I stole this, you can steal this from me and say I tagged you mwah
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rytfujgkuhhgmjgh · 7 years ago
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rules: choose any three fandoms (in any order) and answer the questions.
tagged by @denerims, thank you! i’m doing an all video game one
tagging: @simptasia @veator @canonicalgay @eyeb0t @euxiom @yahooanswer and whoever else wants to do this!
fandoms:
mass effect
fallout
horizon zero dawn
the first character you loved:
uhhhh garrus vakarian
my father doctor james “liam neeson” xiao
aloy. all the answers are gonna be aloy, just prepare yourselves
the character you never expected to love so much:
probably tali! the first time i played through i found her uninteresting (i didn’t hate her, just thought she wasn’t as captivating as the other characters), but as time has gone on i’ve grown to really love her to the point where she’s definitely in my top five characters.
hrm. fawkes i think! maccready as well, and i think veronica too. im trying to do at least one from each game
probably nil, he is rather cliche but i really enjoyed getting little bits and pieces of his story as you clear out bandit camps. and his, you don’t want to kill me? but i thought we were friends :’(
the character you relate to the most:
probably tali again tbh, specifically me1 tali in that sense of being young and on your own for the first time. also shepard, because like... i feel like everyone projects so much on their shepard and that was absolutely the case for me.
veronica, we’re both wlw who love to Punch. and marlene ofc
it’s aloy, what did i tell you. HUGE relating to her, i love her so much... i think we both have that curiosity mixed with a sometimes damaging Fury, i identify a lot with her feeling a lot all the time because that is... me... also im a huge fucking sucker for parental-child relationships as evidenced by marlene. and when i was a kid i desperately wanted to know how to use a bow and arrow. one day i’ll do it...
the character you’d slap:
FUCKING IDIOT SPACE NINJA KAI LENG I’LL FUCK YOU UP. also udina and the illusive man cause FUCK those guys
i wouldn’t even bother with caesar i’d just let boone deal w him and if my luck is good they’ll both die and i’ll be rid of them, DEFINITELY COL AUTUMN HE KILLED MY DAD, father... eh i don’t even want to slap him i’m just then-perish.png but definitely kellogg. fucking cereal asshole
i think i’d give sylens a good slap but just for being an asshole, i really don’t have too much against him other than the fact that he’s condescending, but deffo FUCKING TED FARO IDIOT CAPITALIST MOTHERFUCKER DIG HIM UP SO I CAN KILL HIM AGAIN YOU IDIOT YOU BLEW IT ALL UP DAMN YOU ALL TO HELL YOU BLEW IT UP AND FOR WHAT??? 
three favorite characters in order of preference:
you cannot make me do this in PREFERENCE??? okay... garrus, mordin, does my own shepard count?
uhhhhhhhhHHHHHhhhh my own oc duh, nick holloway valentine, PRESTON GARVEY!!!!! special mention to the “IT’S GHOULS I TELL YA! RELIGIOUS GHOULS IN ROCKETS!” guy
aloy, elisabet, varl, special mention to gaia my ai mom
a character you did not like at first but do now:
miranda! i didn’t actually hate her or anything, i just mostly found her cliche but as i got more of her story i understood her motivations better and now she’s one of my faves
benny, at first i was like... just over him, i guess, but as i played more i got why people found him interesting, bc he’s very much one of those gray and gray morality characters, esp as put up against a courier who’s like “well you did this the wrong way, im gonna do exactly what you did except because im doing it, it will be right,” i don’t exactly LOVE him but i find him interesting
erend, i found him pretty annoying at the start of the game, especially in his hitting on aloy (to his credit, he backed off very quickly when she said no so he was probably just reading the mood very badly lmao) and in being kind of a jackass but as i’ve mentioned w other characters he went through a lot of development and now i’m rather fond of him! still don’t get why ppl ship him w aloy tho... vanasha and varl and petra and vala are RIGHT THERE!!!!
otp(s):
fucking... shakarian obviously, i’m really fond of femshep/tali as well... illusive man/death... WREX/BAKARA IS VERY GOOD
MARLENE AND THE REAL BOY, non-male lw/amata, preston/hanna, sintin, arcade/male courier, christine/veronica... ;-;
i don’t have that many tbh! for this game i really felt like the familial relationships were the emotional center, but i do really like aloy/varl and aloy/vala, aka “my bf didn’t believe i was bi so i broke up w him and dated his sister” jk jk varl is much nicer than that. and of course aloy/dodge rolling, my fave move ever
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weekendwarriorblog · 6 years ago
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WHAT TO WATCH THIS WEEKEND November 16, 2018  - Fantastic Beasts, Widows, Instant Family, Green Book
I didn’t do too bad last week, although other than Universal’s The Grinch, the new wide releases got spanked by either bad reviews, bad marketing or general moviegoer ennui. That should change this weekend with the next movie in one of Warner Bros’ more successful franchises.
But before we get to that big release for the weekend, I want to give a little extra attention to the movie which is currently my #1 movie of the year, and that is Peter Farrelly’s GREEN BOOK (Universal).
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Yes, you read that right, that’s Peter Farrelly of the Farrelly Brothers, famed for their low-brow comedies that began with Kingpin and There’s Something About Mary, and then petered out as the ‘00s turned into the PC word that it is today. Needless to say (but I’m gonna say it anyway), Green Book is a completely different beast – it’s a buddy road comedy set in 1962, as Viggo Mortensen’s Italian bouncer Tony Vallelonga (or “Tonylip”) takes on the role of driver and bodyguard for a black piano prodigy, played by Mahershala Ali, as he tours the racist Deep South.
I had already been hearing raves out of the Toronto International Film Festival (where it won the coveted People’s Choice award), but I wasn’t convinced until I saw the movie myself for the first time. I’m a little hesitant to say too much about the film, because part of the joy is just watching these two fantastic actors commit to each of their equally-compelling characters. Tony is a loud-mouth take-no-crap Bronx native who is just looking for a job to take on while the Copacabana club where he works is renovated. Dr. Don Shirley (Ali) is an educated, eloquent and well-mannered classical musician who can’t be more different from Tony.
As they travel down to the Deep South, Tony starts to see the racism that Shirley has faced his entire life—being invited to play at fancy restaurants and club where he’s not even allowed to use the same facilities as the wealthy and snobbish clientele. What’s amazing about their story (which is based on actual people) is that as you watch them arguing and eventually bonding (as happens in the best of buddy comedies), you find yourself relating to both of them, even if you have no direct connections to either.
Mortensen is such a charming and entertaining character that it’s hard not to love him, but the way that Ali makes you feel for the way his character is a lonely outcast, whether it’s around white or other black people, just makes this film such a unique experience.
I’m honestly shocked by what a great film Farrelly has made here, a joyfully entertaining piece of fictionalized history that does a better job exploring racism and the relationship between races. I thought Spike Lee’s BlacKkKlansman and Barry Jenkins’ if Beale Street Could Talk, but they also were needlessly preachy, whereas films like Green Book and The Hate U Give force you to think about these things without necessarily hitting you over the head. Frankly, I feel that we’ve gone backwards from all of the great inroads made in race relations in the ‘70s, ‘80s and ‘90s, but it’s good to have reminders like this that there was a time when things were much worse.
So far this year, no other movie has had quite the effect on me in terms of entertaining and moving me. Green Book is not only the best movie I’ve seen this year, but also my favorite. Definitely go see this!
Rating: 10 out of 10
I’ll get to the rest of this week’s movies after the jump…
FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (Warner Bros.)
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As mentioned above, the big movie of the weekend is the next movie in the “Wizarding World” franchise that began with the eight movies based on JK Rowling’s popular book about boy wizard Harry Potter (as played by Daniel Radcliffe). This is also the first sequel to Fantastic Beasts and Where to Find Them, which Rowling wrote for the screen based on the Newt Scamander wizard character (played by Eddie Redmayne). The original Fantastic Beasts opened on this same weekend in 2016 to $74.4 million and grossed a more-than-respectable $234 million domestically, plus double that amount overseas, so it made perfect sense for Warner Bros. to want to continue the series, and it’s already been noted that they want to make five movies total.
The Crimes of Grindelwald is a straight-up sequel with Scamander travelling to Paris with his magical colleagues, played by Katherine Waterston, Dan Fogler and Alison Sudol, to fight the evil wizardy of Grindelwald, as played by Johnny Depp. Characters played by Zoe Kravitz and Carmen Ejogo are also featured more fully, but the real draw might be that the movie introduces the younger version of Professor Dumbledore, as portrayed by Jude Law. This is probably Law’s most prominent roles in a while with last year’s King Arthur: Legend of the Sword from Guy Ritchie being a box office dud, and it’s been seven years since Law made the sequel to Sherlock Holmes, also with Ritchie and with Robert Downey Jr.
Reviews for the Fantastic Beasts sequel have been mixed (at best), some of that due to the Johnny Depp factor, because Warner Bros. – who yanked Brett Ratner’s credit off their movies as soon as the #MeToo movement broke out – failed to read the room after the accusations against Depp from his former wife Amber Heard (who stars in the upcoming Warners movie Aquaman.) Even before that ugly affair, Depp’s star had begun to falter, although you probably couldn’t tell by last year’s movies with the fifth Pirates of the Caribbean grossing $172.5 million domestically and another $622 million overseas. Depp also appeared in Murder on the Orient Express, which also did well, maybe because his character was murdered pretty quickly in the film. Depp’s recent film with Heard, the long-delayed London Fields, was a big-time bomb last month, and it doesn’t seem like audiences are as interested in seeing him in movies. (Even Disney has decided to reboot Pirates without Depp.)
Still, there’s that rabid JK Rowling fanbase that has been kept fed with steady visits to the Wizarding World at Universal Studios, not to mention the Cursed Child stageplay which arrived on Broadway earlier in the year. The success of both ventures has shown that the Harry Potter craze has not died down without new books or movies based on them. (It’s also good to note that exactly half the original Harry Potter movies opened this exact weekend in November with openings ranging between $88.4 million and $125 million, and the latter was eight years ago when ticket prices were significantly cheaper.)
What else can I say? Well, there’s the IMAX factor which helps up the average ticket price for those going to see the movie. There’s the usual caveat about their being too many family films already in theaters with another one opening next Wednesday.
Essentially, there are a lot of factors that need to be applied to The Crimes of Grindelwald, but the fanaticism of the Harry Potter fanbase should endure over any negatives, including the reviews. With previews on Tuesday night (which will be rolled into Friday), this should still open slightly bigger than the first movie, maybe closer to $80 million than $70 million. Even so, it’s going to have a tougher road to $200 million with Disney’s Ralph Wrecks the Internet opening next Wednesday. (The original Fantastic Beasts dropped 39% in its second weekend against Disney’s Moana, and that wasn’t a sequel to a $189 million blockbuster hit.)
ED’s Review of Fantastic Beasts: The Crimes of Grindelwald
WIDOWS (20thCentury Fox)
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Offering the first bit of counter-programming against the Wizarding World juggernaut is the new movie from British filmmaker Steve McQueen, whose previous film 12 Years a Slavewon Best Picture about five years back. It grossed $56.7 million domestically with a strong expansion plan from Fox Searchlight that more than made back the movie’s $20 million budget, greatly helped by the $131 million overseas.
For his fourth film, an adaptation of Lynda La Plante’s recently-released novel, McQueen went over to the parent Fox, presumably to have an even bigger budget for his first heist film, which is just as star-studded as 12 Years a Slave. He also had help with the adaptation from author Gillian Flynn, whose own bestselling novel Gone Girlwas turned into a hit thriller by no less than David Fincher. The basic premise is that a group of thieves end up being killed in a heist-gone-wrong by the police after stealing $2 million from a local thug who comes to the wife of the gangleader to get the money back… or else!
McQueen’s latest has a lot going for it, not just the fact that it’s a crime action-thriller as opposed to a weepy historical drama about slavery – frankly, I’m surprised 12 Years a Slave did that well, but that’s a testament to the power of Searchlight.
Really, the biggest factor that will help Widows is its cast, which includes a number of Oscar winners, most importantly the amazing Viola Davis, whose amazing supporting role in Denzel Washington’s Fences finally won her that Oscar. That also grossed $57 million after a late December platform release, and if you put that next to the grosses of McQueen’s last film, that’s a pretty good barometer for Widows. (The biggest difference is that this is opening nationwide in 3,000 theaters rather than trying to build word-of-mouth.)
Davis’ husband is played by Liam Neeson, who has done his fair share of action-thrillers, and though he has a smaller role in this, his presence is still felt. After Davis, a lot of people will be talking about the performances by Brian Tyree Henry (star of the hit FX series Atlanta) and Daniel Kaluuya, the Oscar-nominated star of Jordan Peele’s Get Out last year and Marvel’s Black Panther. If Davis isn’t able to get African-American males into theaters, than these two guys should help.  There’s also Colin Farrell, the Irish actor who seems to be having a bit of a resurgence in recent years with roles in last year’s The Killing of a Sacred Deer and Roman J. Israel, Esq., neither huge moneymakers but Farrell received many accolades. (And of course, he starred in the original Fantastic Beasts and Where to Find Them
Davis’ partners in crime are played by Michelle Rodriguez from the Fast and Furious movies; Australian actor Elizabeth Debicki, who appeared in films like Guardians of the Galaxy Vol. 2 and others but who really gives a breakout performance here; and the Tony-winning actor Cynthia Erivo, who just blew me away in Bad Times at the El Royale. Then there’s the parental units (of Farrell and Dubecki’s characters respectively) played by Robert Duvall and Jacki Weaver.
Just from that cast alone, it’s obvious why Fox is hoping this will be a good play for Oscar night, especially with the Queen biopic Bohemian Rhapsody receiving mixed reviews and possibly only getting Rami Malek a nomination.
Widows should be a good counter-point to Fantastic Beasts and with few other movies (including Tyler Perry’s Nobody’s Fool) popping with African-American moviegoers, especially not males, I can see Widows bringing out a solid audience of those not interested in other films. I’m not sure it will quite make $20 million this weekend, but it should make a play for third place against Bohemian with $15 to 17 million. Its biggest hurdle is MGM’s sequel Creed II opening on Wednesday which may steal away some of its business, but word-of-mouth could make it a good alternative over Thanksgiving and in the slower weeks to come.
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Mini-Review: I’m not sure I’ve ever been as surprised by the evolution of a director as I am with Steve McQueen going from his Oscar-winning work on 12 Years a Slave to Widows. Mind you, I was already a fan of McQueen from his first film Hunger, but I never expected he’d be able to do something like this.
Widows begins with a heist as Liam Neeson’s Harry Rawlings and his colleagues are in a van after a robbery, which cuts back to a quieter time between Harry and his wife Veronica (Viola Davis). It’s a fairly jarring introduction to the characters, especially the way McQueen films the demise of Rawlings and his gang.  The Chicago’s 18thward is in the midst of a heated political race between Colin Farrell’s Jack Mulligan, a second-gen politician, and Brian Tyree Henry’s Jamal Manning, who happens to be involved in the city’s crime sector along with his sadistic brother Jatemme (Daniel Kaluuya). Turns out that the money Rawlings stole belonged to the Mannings, and Jamal threatens Veronica that she needs to repay his $2 million in a week or face the consequences.  Veronica turns to the wives of the other dead thieves (played by Michelle Rodriguez and Elizabeth Dubecki) to enact a plan for Harry’s next big job, which is to rob Mulligan.
Needless to say, with a cast this good, you’re going to end up with a number of brilliant performances. While Davis is a clear stand-out, Dubecki is also impressive as a woman used to being pampered who has to start earning her own living as an escort. Kaluuya is also quite a scene-stealer as the homicidal Manning enforcer, and I wish there was more of him in the movie. Brian Tiree Henry is equally good, and Colin Farrell continues to impress me, and the fact that Davis can be so memorable against so many other great performances (including her scene-stealing dog) shows her to still be at the top of her game. Robert Duvall and Jacki Weaver are also quite great without even having to try very hard.
On paper, this could have been a standard heist film, but McQueen thrives on the complexities of the story’s intricate plot to keep the viewer invested as we follow a number of stories at the same time. Where McQueen really thrives is at creating tension, from the opening set piece which leads to a slow-building thriller to the  point where the actual robbery is just as nail-biting as anything I’ve seen on screen this year.
From the very beginning, McQueen has DP Sean Bobbit shoot the film in such an unconventional way. For example, when Jack Mulligan is having an argument inside his limo with his wife, the camera remains outside the car as it drives, something that gets more uneasy as you realize that the camera is just going to stay there for a very, long time.
If you’re a fan of the heist genre, Widows delivers on everything promised by Ocean’s 8 earlier this year, a strong female-centric crime film that’s up there with what’s been done by men in the genre. In this case, McQueen may have clinched himself a second Oscar nomination with his brilliant work at pulling this amazing cast together into such a compelling story. Rating: 8.5/10
INSTANT FAMILY (Paramount)
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If Green Book wasn’t opening this weekend, I would probably give this new dramedy from Paramount a bit of extra lip-service, because it’s also quite a wonderful movie. Unfortunately, it doesn’t have quite the buzz that the Peter Farrelly period comedy does (for reasons mentioned above).
This is the new movie co-written and directed by Daddy’s Home  director Sean Anders, and it once again teams him with Mark Wahlberg, the star of those two comedy hits. The big difference with Instant Family is that it’s based on Anders actual experiences adopting three kids, and it’s not a silly Will Ferrell comedy like the Daddy’s Home movies. That may or may not be a good thing when you realize that the first one of those movies made $150 million while the second made over $100 million, and that was just domestically. The sequel opened a little earlier in November to $29.6 million, and those kinds of returns guaranteed Paramount wanted to stay in bed with Anders, especially with Wahlberg as lead.
Wahlberg has built quite a side career for himself as an actor in comedies with hits like the two Daddy’s Home movies, and at least the first Ted comedy, which had him playing the straight man to a Seth MacFarlane-voiced stuffed bear. The original movie in 2012 did substantially better than its sequel three years later, but Ted 2still made $81 million domestically. Wahlberg’s real break into comedies probably began with his earlier teaming with Will Ferrell for Adam McKay’s The Other Guys, which also broke $100 million domestically.
Playing Wahlberg’s wife is Rose Byrne, the talented actor who broke out with comedies like Paul Feig’s Bridesmaids and Spy, and she recently starred in the Nick Hornby adaptation of Juliet, Naked (which you may recall is another one of my favorite movies of the year). The other part of the equation is popular actor Octavia Spencer, who has received three Oscar nominations, winning for The Help in 2012, a movie that co-starred Widows’ Viola Davis. She teams with popular comic Tig Notaro as adoption agency counselors, and the film also stars breakout star Isabela Moner, who co-starred with Wahlberg in the last Transformers movie, also for Paramount. So basically Instant Familyis keeping it all in the family.
I’m probably not going to review Instant Family since it’s been quite a few weeks since I saw it, but it’s a wonderful movie, a real crowd-pleaser – warm, sweet and funny with Rose Byrne being her usual wonderful self. The fact that it’s loosely-based on Anders’ own story makes it even more compelling, and I hope that people seek it out (not hard since it will be in 3,000 theaters across the country). This might be more of a sleeper that does better as people get into the holiday spirit, as it has a little bit of that in the story.
That said, I’m worried this will be hurt more by Fantastic Beasts than vice versa, and that might mean that it will have to rely on word-of-mouth to get it through the rest of the month. If no one goes to see the movie this weekend, then that’s going to be hard. Because of this (and how crowded the marketplace is), I could see this making between $13 and 15 million this weekend but maybe it’ll make its way to $50 or 60 million if it can get past the slew of Thanksgiving releases.
Also expanding nationwide into about 800 theaters is Matthew Heineman’s A Private War, starring Rosamund Pike as war journalist Marie Colvin, which I personally feel deserves at least another Oscar nomination for the Gone Girlstar. We’ll see if it expands wide enough and gets enough attention to get into the top 10, but I think it will end up somewhere in the $1 to $1.5 million range, not enough to get into it. There’s a chance Joel Edgerton’s Boy Erased may expand further this weekend, as well.
This week’s Top 10 should look something like this… UPDATE: Changing some of the numbers below, since actual theater counts have been released and many of the returning films (including A Star is Born) have lost way more theaters than I expected. Basically, theaters are dumping movies to open up screens for this week’s offerings as well as the new Thanksgiving movies on Wednesday. (Also, Widows is opening in fewer theaters than originally estimated.)
1. Fantastic Beasts: The Crimes of Grindelwald  (Warner Bros.) - $77.8 million N/A 2. The Grinch  (Universal) - $38.4 million -43% 3. Bohemian Rhapsody  (20thCentury Fox) - $18 million -45% 4. Widows  (20thCentury Fox) – $15.5 million N/A 5. Instant Family (Paramount) - $14.4 million N/A 6. A Star is Born  (Warner Bros.) - $5.3 million -35% 7. Overlord  (Paramount) - $5.3 million -48% 8. The Nutcracker and the Four Realms (Disney) - $4.7 million -53% 9. The Girl in the Spider’s Web  (Sony) - $3.7 million -53% 10. Nobody’s Fool (Paramount) - $2.8 million -58%
LIMITED RELEASES
We’re just one week away from Thanksgiving, which means we’re getting down to the nitty-gritty in terms of the first group of awards and nominations, which will take place in the weeks following Thanksgiving.
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Apparently, the Coen Brothers’ Western anthology THE BALLAD OF BUSTER SCRUGGS (Netflix)opened a week earlier than planned in three theaters in New York, L.A. and San Francisco. It would have been nice if someone from Netflix bothered to tell me, so I could have included it in last week’s column. Anyway, it will open in more theaters and be streaming this Friday, so I might as well write more about it, since I never got around to writing about it at the New York Film Festival. The title character is played by Tim Blake Nelson, but don’t get used to him, as he’s only the star of the first segment, which is also the best. The Ballad of Buster Scruggs is very much an anthology film that allows the Coens to explore that genre further than they have in the past with a varied mix of stories of different lengths featuring a cast that includes James Franco, Liam Neeson, Brendan Gleeson, Stephen Root, Tyne Daley and Zoe Kazan. The segment with the latter is the longest, and it takes a while to get going, but I especially liked the segment which starred Tom Waits, mostly by himself as a gold prospector. The movie will be streaming on Netflix on Friday, but I do recommend seeking it out in theaters, and in New York, at least, it will be playing at the IFC Center and the Landmark on 57thStreet.
Another New York Film Festival (and Venice) premiere is Julian Schnabel’s latest film AT ETERNITY’S GATE (CBS Films), which stars Willem Dafoe as painter Vincent Van Gogh and Oscar Isaac as Paul Gauguin, who become friends during Van Gogh’s days in the south of France. Rupert Friend plays Vincent’s brother Theo Van Gogh, and the film also stars Mathieu Amalric (from Schnabel’s earlier film The Diving Bell and the Butterfly), Emmanuelle Seigner and Niels Arestrup. Honestly, I wasn’t a particularly big fan of the film, which involved a lot of noodley shots of Van Gogh walking through fields ala Terrence Malick, but it does have some good moments and my favorite involved Dafoe’s Van Gogh having a philosophical debate with a priest played by Mads Mikkelsen.  Regardless, it opens in New York and L.A. (and possibly other cities) on Friday.
From this year’s Tribeca Film Festival, Bill Oliver’s Jonathan (Well GO USA) stars Angel Elgort in a dual role as two brothers living separate lives inside the same body, taking shifts in who has control, something that becomes a problem when they both fall for the same woman, played by Suki Waterhouse.
Just when I thought I’ve seen everything, there’s also a documentary about Marie Colvin (the subject of A Private War) opening in New York and L.A. this Friday as Chris Martin’s Under the Wire (Abramorama) features actual footage of Colvin and photographer Paul Conroy sneaking into Syria in Feb. of 2012.
From Sundance comes Oscar-winning filmmaker Michael Dweck’s doc The Last Race(Magnolia) that follows a Long Island stock car racetrack that’s being threatened by redevelopment.  It will open at the IFC Center in New York, the Monica Film Center in Santa Monica and in Seattle, but it will also have special screenings on Weds night in select cities – you can find out more about those special screenings on the Official Site.
After premiering at Doc-NYC, Ofir Trainin’s Family in Transition (Abramorama) will open in L.A. this Friday and in New York on Nov. 23. It shares the story of a family in Nahariya, Israel whose lives change after the father announces his decision to transition into a woman. This remarkably timely film definitely will make people change their minds about transgender people and what they (and their loved ones) go through after making that decision.
Opening on Weds at New York’s Quad Cinema is legendary documentarian Claude Lanzmann’s final film Shoah: Four Sisters (Cohen Media), which continues his series of interviews conducted in the ‘70s with four women from Eastern Europe who detail their experiences at the end of WWII.  The four segments – The Hippocratic Oath, The Merry Flea, Noah’s Ark, and Baluty-- It’s shown in two parts with each 2+-hour part featuring two of the sisters. The film should roll out to other areas over the next few weeks, as well.
At the Museum of the Moving Image, Syrian documentarian Talal Derki’s Of Fathers and Sons (Kino Lorber) will screen through December with Derki appearing on Friday night. For this one, he spent two years with a radical Islamist family made-up of a father and his two sons. It won the World Documentary Grand Jury Prize at Sundance this year.
As far as this weekend’s genre films, you’ll be able to see Daniel Goldhaber’s thriller Cam in select Alamo theaters (as well as on Netflix—see below), but IFC Midnight’s offering this weekend is Duncan Skiles’ The Clovehitch Killer, which will play midnight screenings at New York’s IFC Centerand in L.A., as well as be available On Demand. It stars Charlie Plummer (All the Money in the World) as Tyler Burnside, a Boy Scout and church volunteer whose father (Dylan McDermott) is a community leader in their quiet Kentucky town, where ten women have been tortured and murdered by a psychopath known as Clovehitch ten years earlier. Tyler suspects his father might be that killer.
Other films out this weekend include David Levinson’s Welcome Home (Vertical/DirecTV), starring Aaron Paul and Emily Ratajkowski as a couple who end up in a love triangle with a handsome Italian who vies for her attention. John Travolta stars in the action thriller Speed Kills (Saban Films), directed by Jodi Scurfield, in which he plays a millionaire speedboat champ who also happens to be a drug trafficker. It co-stars Kellan Lutz, Matthew Modine and Jennifer Esposito and is in select theaters and On Demand Friday. Lastly, there’s Nijla Mu’min’s drama Jinn (Orion Classics) about a teen girl whose mother converts to Islam. It opens in theaters Thursday, but is On Demand on Friday.
Also if you’re an Atlanta-based genre fan, you might want to check out the Buried Alive Film Festival, which runs from Nov. 14 through 17, which opens with Joe Badon’s The God Inside My Ear and includes other features and shorts that haven’t played at many other festivals.
STREAMING
Besides the Coen Brothers’ THE BALLAD OF BUSTER SCRUGGS (mentioned above), one of Netflix’s big streaming premieres this weekend is Daniel Goldhaber’s horror-thriller CAM (also playing at select Alamo theaters), co-written by Isa Mazzei, who used her own experiences as a “camgirl.” If you don’t know what that is, then good for you, you don’t regularly watch porn, but essentially, a camgirl is a sex worker who does things on camera for money. In this case, it stars Madeline Brewer (from Orange is the New Black) as a camgirl who wakes up one day to find out that someone who looks exactly like her has taken over her channel. I haven’t seen it yet (despite it playing many festivals), but it’s definitely on my list to see when it streams on Netflix Friday. As an animal lover, I’m also looking forward to the upcoming docuseries DOGS(Netflix), exec. produced by Amy Berg, director of great docs like Deliver Us from Evil, West of Memphis and An Open Secret. Also, if you’re a fan of the series Narcos, it’s back this Friday with Narcos Mexico, which takes place, you guessed it, in Mexico.
REPERTORY
METROGRAPH (NYC):
This is a big weekend for the Metrograph, as they’re kicking off a number of retrospectives, probably in hopes those who have time off over Thanksgiving will venture down to the Lower East Side for a few of them.
First up on Friday is a screening of Joseph Mankiewicz’s The Barefoot Contessa, starring Ava Gardner and Humphrey Bogart, on a 35mm print, as part of the Academy at Metrograph series. This one is hosted by Karina Longworth, creator and host of the You Must Remember This podcast, signing copies of her book Seduction: Sex, Lies and Stardom In Howard Hughes’s Hollywood. There are two screenings of this on Friday night but 7pm screening is already sold out.
Also beginning Friday is a rare series dedicated to actor and filmmaker Bill Duke with films that range from his 1991 film A Rage in Harlem and 1992’s Deep Coverto films in which he appeared like Arnold Schwarzenegger’s Commando (1985) and Predator (1987)to more recent films like Panos Costamos’ recent Nicolas Cage thriller Mandy. (Unfortunately, Duke himself will not be appearing in person as previously planned.)
On Saturday, the Metrograph kicks off a retrospective of Chinese filmmaker Wang Bingwhich just happens to coincide with Lincoln Center’s own Wang-Bing: The Weight of Experience (see below), both sponsored by the Beijing Contemporary Art Foundation. The Metrograph’s series will include Fengming (2007)Three Sisters (2012), Til Madness Do Us Part (2013), Ta’ang  and Bitter Money (both from 2016). Warning: Most of his films run from 2 ½ hours to almost four hours.
On Monday, the Metrograph begins a series dedicated to the work of cinematographer Darius Khondji, a series that will include screenings of David Fincher’s Se7en (1995), Danny Boyle’s The Beach (2000), James Gray’s The Immigrant (2013) and The Lost City of Z (2016) and even Bong Joon-ho’s Okja (2017).  The series also includes three of Jean-Piere Jeunet’s films including his debut with Marc Caro, Delicatessen (1991), one of my all-time faves The City of Lost Children (1995) and of course, Alien: Resurrection (1997). This runs through Thanksgiving weekend, and it’s a great chance to see some of these films on the big screen.
FILM FORUM (NYC):
The recently-renovated downtown theater continues its Ida Lupino 100 series through Thanksgiving, and those lucky kids who attend Film Forum Jr. can see Don Chaffey’s Jason and the Argonauts (1963).
EGYPTIAN THEATRE (LA):
Friday there’s a Bruno Mattei double feature of Shocking Dark (1989)and Robowar (1988), while on Sunday, it screens the new 4k restoration of Wim Wender’s Wings of Desire (1987 – Janus Films).
AERO  (LA):
American Cinemateque’s other theater is in the midst of its Cinema Italian Style 2018 program featuring many recent Italian films making their North American premieres… but not repertory, so… next!
QUAD CINEaMA (NYC):
Claude Lanzmann’s Cinema of Remembrance continues to coincide with the release of Lanzmann’s final film Shoah: Four Sisters (see above).
IFC CENTER (NYC)
Doc-NYC is over, so it’s back to Late Night Favorites, this weekend showing Ridley Scott’s Alien(1979). Weekend Classicsis still taking the weekend off, but the Shaw Brothers Spectacularsthis weekend will be 1973’s The Blood Brothers. There’s two reasons right there to be in the West Village late at night this weekend.
LANDMARK THEATRES NUART  (LA):
At midnight on Friday, you can see the late Wes Craven’s 1994 film Wes Craven’s New Nightmare.
FILM SOCIETY OF LINCOLN CENTER(NYC):
If you can’t get enough Wang Bing from the Metrograph’s retrospective, the Film Society is also commemorating the Chinese documentarian with The Weight of Experience, which will include his newest film, the eight-part Dead Souls, his debut West of Tracks (2002), as well as his single-shot film 15 Hours (2017). Wang Bing will be on-hand to discuss his films here, too, so I wish his handlers luck in getting him from the Lower East Side to the Upper West Side multiple times in the same weekend. (I do it a lot and it’s a pain in the tuchus.)
Also, to coincide with the master Japanese filmmaker Kore-Eda’s Shoplifters next week, the Film Society will be showing Six by Kore-Eda, including Maborosi(1995), After Life (1998), Nobody Knows (2004), Still Walking (2008), I Wish (2011) and Like Father, Like Son(2013). It’s a great Lway to catch-up before his Cannes-winning new film.
BAM CINEMATEK(NYC):
Meanwhile, in Brooklyn, they’ll be showing Janus Films’ 40thanniversary restoration of Chantal Akerman’s 1978 film Les Rendez-vous d’Anna.
MOMA (NYC):
The midtown museum continues its Modern Matinees: Douglas Fairbanks Jr. with The Exile (1947) on Thursday and Joy of Living (1938) on Friday. This series continues through December with weekday screenings at 1:30 PM.
MUSEUM OF THE MOVING IMAGE (NYC):
The Coen Brothers Go West continues through the weekend with screenings of Raising Arizona,True Grit and Blood Simple. Also, I just want to give a shout-out to MOMI’s long-time creative director David Schwartz, who is moving on at the end of the month after an astounding 33 years (!), to be replaced by the equally qualified Eric Hynes. Maybe I should get out to Astoria before month’s end, huh?
That’s it for this week. Next week… Thanksgiving! It will be celebrated with the release of two anticipated sequels, Disney’s Ralph Wrecks the Internet and MGM’s Creed II, plus a new Robin Hood and other films expanding wide. Since most of them will be out on Wednesday, I’m gonna have to get crackin’ on next week’s column right away.
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pestopascal · 8 years ago
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thoughts on andromeda?
Sry if you're expecting smth rly concise in regards to like overall feelings… Like I’ll talk about specific parts and all but … overall? I enjoyed Andromeda. Glaring technical issues aside… it wasn’t that horrible of a game despite what everything pre-release said (and, hey, i got it for below release price, plus a deluxe upgrade so like basically saved myself more than $100. even better).
Like, clearly though, there is a HUGE need for improvement. Another just… 6 months to work out the bugs. They sat there and went ‘this is good enough for release’ when honestly it wasn’t. It so wasn’t. Tbh this just begs the question of every company that looks at their games tho and decide on who deems it good enough lmaooooo. Reactions to the demo alone should’ve given them that idea but oh, no, they thought it was good enough and Bioware’s classic ‘we’ll just fix it later’ attitude is… honestly getting kinda grating. Like I sat through DA2 and Inquisition with this kind of attitude bioware. Come the fuck on now. 
And look, honestly, conspiracy theories aside, for a new studio group, especially since most worked on DLC alone, it wasn’t bad. Not the greatest thing I’ve ever played, and Andromeda gave me maaaaaaaad ME1/ME2 vibes — which actually caused me to go back and replay OT for like 2 weeks haha
Under the cut to keep going bc I got kinda long and complain-y lol but smth specific hmu
But like… I’m not gonna ignore that it was literally made with straight white male gamers in mind. Like this has to be one of the worst games out of Bioware that specifically had that group as a main demographic. Considering they’ve come pretty fucking far with everything else, Mass Effect as a whole has always struggled in my opinion to be Up There with everything else they’ve produced. I know it’s different teams. I know. But there still should be a standard the company sets for itself and each fucking team to achieve. How can they go from DAI (which wasn’t that awful either and was pretty forward) to this? How come all their fantasy stuff has always been SO much more ... everything compared to their future space series? There are more than enough posts and articles out there to point out why specifically, and it’s not just like now how they’ve made Sara Ryder sexy and smooth skinned and small faced and bedroom eyed. Like these issues were existing loooooooong before during initial releases. You literally do Peebee’s first time if you choose to embrace eternity with her (again with the space virgin thing!!!). Gross. 
Honestly the teammates weren’t bad either I really ended up enjoying the dynamics. At first, yeah, I turned my nose up at like Vetra and Drack just because… we’ve already had like a space vigilante turian teammate for three games, and a dad krogan for a while now, and I’m still wondering who the cut teammate was and I’m putting money on it being another fucking quarian okay just because Bioware is gonna stick to what they know as far as dynamics go. I bet it’s gonna be a dude quarian. They’re just gonna do it we know they will. Like that’ll be cool don’t get me wrong but it’s not exactly groundbreaking. We’re gonna have to pay for this person too lmaooooo fucking sink hole. 
And Jaal is a pretty decent dude (he’s actually fucking hilarious which I kinda didn’t… expect) and Liam is alright but goddamn like. I know Ryder is supposed to be sufficiently inexperienced compared to Shepard. But like NOTHING came about from nearly dying in both Liam and Peebee’s loyalty missions. A friendly bit of banter and ‘we nearly killed the human pathfinder but that’s okay we’re all bffs!!!’. Also Liam just feels like he was written by like four different people. What is consistency. Boy has some Issues. Cora grew on me heaps after her loyalty mission which I noticed happened for a lot of ppl too ig bc she finally stopped acting like she knew everything about asari lol rip. Peebee actually got tolerable and the dismissiveness will forever bug me in regards to her past relationship but idk why I even expect anything? Like this dev team thought Hainley was okay for release. Fuck. Kallo and Suvi were rly cool I rly liked them (I Trust Kallo) but Gil needs a huge fucking overhaul. Or you just need to be able to tell his bff5eva off for being such a judgy bitch tbh. 
(also makes me wonder who they’re gonna play pair the spares with but that’s another question for another time)
Some of the shit they pulled though (Sloane Kelly being one of the Biggest Fucking Concerns) isn’t even something you can just shrug over. Sure when I first played I was like yah fuq that nonsense with head on spikes. And then they give you a goddamn novel — which is UNsurprisingly fucking important to understanding wtf happened before Ryder/s arrived — to basically convince you that Sloane is probably the better choice in some respects even though honestly I feel like there was no  inherently right or wrong choice in that situation. Reyes and Sloane both had their pros and cons and it just came down to personal preference. Tacking on a romance that literally hinges on that choice was rly unfair to Sloane tho. LIKE OK it was kinda unfair to Reyes too but rly it was just sooooo rude to Sloane. You literally have to let her die to complete Reyes’ romance. Wtf. What kinda BS is that. 
And it’s ALWAYS the fucking shadowy types (who are, unsurprisingly, ALWAYS their male bisexual characters who are Always Labelled as the sleeping around kinda guys u kno) that fucking backstab. Come the fuck on bioware. You can only run this trope into the ground so many times before it just becomes offensive as a whole. And by so many times I mean like once. You did that way back before KOTOR. Enough is enough.
And then there’s the whole no m|m romance teammate. Srsly. SRSLY. ITS SPACE. 600YRS IN THE FUTURE THAT WAS ALREADY 100+ YRS IN THE FUTURE. THERES LITERALLY NO EXCUSE. I don’t give a flying fuck if you have a straight white male audience. Bioware has built itself on being some kind of fucking “””””””pioneer””””””” in the way of romance and storytelling. Like i saw smth that said Bethesda and Bioware tried to trade secrets and messed up (in relation to Fallout 4 too) and honestly that’s a rly accurate summary of what happened. and ESP when bioware was all like ‘deeper more meaningful relationships! more realism! JKS we rly don’t care and gave Peebee 3hrs of content and Liam less than 30mins. We lied. Again. We do that a lot.
TLDR;; okay. overall… I did enjoy it. I will replay and honestly I’m waiting out for lots of patch fixes before I rly settle into a second play through — and I would like Bioware to admit they fucked up big time. Not just these small apologies and “we’re getting to its” just. Admitting it. They won’t but I hope so. And like I don’t expect anything perfect as far as Andromeda develops, and honestly I’m GLAD it wasn’t like OT like I know some ppl bitching their heads off expecting Shepard 2.0 and getting Ryder … and Ryder is honestly hilarious as far as protags go but like. Needs improvement. Hopes for DLC??? Please don’t give away very valuable world building information in a dlc this time tho pls thnx
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